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A Monday Morning Quickie

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Well, maybe NOT so much a "quickie," as there's a WHOLE lotta good stuff here again today ... so maybe more of a Monday Morning Marathon (???)

Here are a few things that didn’t fit in Sunday’s Comments Page …
(and be sure to watch for a review of the Freddy Cannon / Doo-Wop Concert tomorrow in Forgotten Hits!) 

Based on your review of the Mason / Cropper show, I missed a good one! I did see Dave Mason on one the original Soundstage shows, probably middle - late 70s. At that time, he released a live album - with an excellent rendition of Watchtower. I didn't recall then that he mentioned about him playing it on Electric Lady Land, I but certainly hear the acoustic guitar on it. 
I did see Yes at the Arcada on both nights. I didn't post a review about it since I didn't think that your readers care for a "prog rock wank-fest." The only hit they played was Roundabout - no Your Move nor Owner of a Lonely Heart ... although they opened with Close to the Edge, one of my faves in their catalog.  (I’m still kicking myself that I didn't go to Fab Four show!!!) 
Anyway, thanks for your service in the greater good.
PS - If you’d like to me to clip out, from the newspaper, Ron O's column from Friday - let me know.
Best to Frannie, too.
Bob
LOTS of good shows coming up at The Arcada … and he’s ALWAYS adding more.  You would have really enjoyed the Dave Mason / Steve Cropper concert – great musicianship from start to finish.
(Did you hear about the new live Yes DVD / CD coming up in September?  Scroll down for more information.)
Sure, send me the clipping – it’d be cool to have on hand.  (kk)

>>>Kinda reminds me of that scene in Eddie and the Cruisers!  (kk)
I love that movie and the music in it. 
It has everything …
Great music, strong performances from (mostly) unknown actors (at the time), and a twisting and convoluted plot that keeps you guessing.
The story behind its utter failure when first released to theaters is a fascinating tale of its own.  Maybe you would do a piece on that story sometime.  It would sure fit the "Forgotten Hits" message.
Brad
One of my all-time faves, too … I’ve lost count of the number of times I’ve seen it!
Loosely based on the whole Jim Morrison “Is he still alive?” myth (I’ve gotta believe) the story centers around Eddie Wilson, whose breakthrough album with his band The Cruisers was a smashing success.  But then Eddie wants to grow for the next album and push the limits musically … turning in an album the record company refuses to release.  Frustrated, Eddie takes the tapes, hops in his car, and then drives off a bridge … but did he really die?  (I guess this part is kinda based on Brian Wilson pushing the envelope with albums like “Pet Sounds” and “Smile,” venturing away from the safe, tried and true surf, girls and car songs that made The Beach Boys famous … with maybe a little Jan Berry / Dead Man’s Curve thrown in for good measure.)
When the film was released in theaters, it totally bombed … and was all but forgotten … until it started running on cable (at a time when cable tv was virtually brand new.)  Due to repeated airings, it soon found a whole new audience … and the soundtrack album started selling like crazy.  (I remember at the time owning a mail order record business … and you wouldn’t believe how many people wrote in asking for the original Eddie and the Cruisers album … the one pictured in the movie.  No matter how many times I tried to convince them that the ONLY album that existed was the soundtrack to the film … despite countless arguments of “No, no … I’ve already got THAT one … I want the ORIGINAL album), I couldn’t convince them that Eddie and the Cruisers were just a fake, make believe band.  They insisted they were real.
A follow up sequel didn’t come close to measuring up to the original … but the sound of John Cafferty and the Beaver Brown Band was addictive (if not just a little bit Springsteen-inspired.)  That, too, was part of the fantasy … that this nearly spot on Springsteen voice would be coming out of your radios in 1964 when the movie supposedly took place.
Still … cast all of the craziness aside, and it’s still a VERY enjoyable film to watch with some OUTSTANDING music.  (“On The Dark Side” and my favorite, “Tender Years” both charted Top 40 when they were released as singles in 1984 after the movie caught on on cable.  John Cafferty and the Beaver Brown Band had a couple more Top 40 Hits under their own name a year later.  (“Tough All Over,” #22, 1985 and “C-I-T-Y,” #18, 1985.)  kk

Sounds like our WD-40 ad was a fake. (I always thought it was pretty unlikely to be real, especially for 1964 … or for ANY time, really … but I never bothered to check it out, figuring it was just too funny not to share anyway.)
Well, Chuck Buell checked it out … and here’s what he found …
Source:  Snopes:  False WD-40 Ad 

Kent:
I followed your link to the top 20 favorite psychedelic songs.  I have an interesting story behind your #1: Incense and Peppermints.  It, too, is one of my favorite songs.  
If any of your readers have visited my WLS survey site, they would have seen a note about my being a DJ on Radio 89.  Those of you who haven't visited the web site would be scratching their heads, since they will not be able to recall ever hearing me on Radio 89.  Notice I never said “WLS Radio 89.”  
That is because during July, 1970, to the end of May, 1971, I got myself a weekend radio gig on AFRTS Radio 89, Adak, Alaska. :-)  My primary job in the U.S. Navy was as a Communication Technician Maintenance (electronics).  https://en.wikipedia.org/wiki/Cryptologic_technician
The rating badge looked more like a feather and lightning bolt, so it
got nicknamed: lightning fast chicken plucker.

During one weekend, I played "Incense and Peppermints."  Shortly after
starting the song, the boss came in and yelled at me for playing it … and
told me that if I ever played a non-official song again, I would not have a weekend radio show.  I normally used my collection of 45s and oldies LPs for the tracks because the "official" records had seen their days (back-cue scratches and the likes.)  I was supposed to make sure that a copy existed in the archives.  Unlike what was seen in "Good Morning Vietnam," where Robin Williams was seen playing 45s at the radio station, that was really far from the truth.

All AFRTS radio stations, worldwide, were sent LPs that contained 12 military-approved tracks.  No song could be played that wasn't officially approved.  Adak was way out in never-never land.  Who cared.  Other than my boss, no one ever did complain about my playing it.
A little tid-bit, in case you didn't know that about AFRTS radio.  BTW, AFRTS was pronounce, as a joke: A-farts.
Mike Brown
 

Hi Kent,
Please find attached a photo I thought you might be interested in (perhaps for your Saturday Survey post).
It’s Joel Whitburn’s very first ad in the Billboard issue dated July 13, 1968, fifty years ago this week.
Before he compiled his first book, he was selling individual artist chart discographies.  One his first customers was some guy named Casey Kasem!
Note how someone at Billboard left the “Falls” part out of Menomonee Falls.
Paul Haney
Record Research


Now that is VERY cool! 
I’ve told the story before about how I found Joel’s book, which ran thru 1969 (with an addendum for 1970) at the library at Rosary College and was absolutely fascinated by it.  I rediscovered SO many songs I had forgotten all about … and would spend my lunch hours there transferring this information into a notebook so that I could compare the Billboard lists with my own collection of WLS Silver Dollar Surveys. 
When I saw my first ad in Billboard, it was for the miniature sized paperback 1972 edition, which I still have to this very day (although I don’t know if a single page is glued to the spine anymore!  And it’s pretty well written on throughout as well. 
I’ve added EVERY volume since to my collection … and a large number of OTHER Record Research titles as well.  For a chart-a-holic like me, these books have provided countless thousands of hours of reading and fact-checking.  There is not a day that goes by where I don’t refer to at least one or two them. 
Cool to see how all this started with such humble beginnings.  Thanks for sharing, Paul!  (kk)

More survey talk from Clark Besch …  
I am doing some radio chart research and ran across another NC6 anomaly. 
The New Colony 6 have had some great two-sided 45s, but seldom been known for such.  MANY of their 45s have been excellent on BOTH sides.  The B side of "I Confess" was a bit unconvincing, but their second 45, "I Lie Awake" (somewhat of an "I Confess" clone) had an equal strength B side with a definite garage feel to it, "At the River's Edge"… so much so that WLS even had a contest to have callers call in to choose the A side. 
As the years went on, some very convincing A/B sides came along with my fave TSW's (two sided winners) being "Long Time To Be Alone" / "Never be Lonely" and "I Will Always Think About You" / "Hold Me With Your Eyes." 
That brings me to these two WIRL Peoria, Illinois charts. 
The September 24, 1966, chart lists "Power Of Love" as the new NC6 single and the next week, the bizarre supposed A side, "Wingbat Marmaduke" gets the nod!  A TSW from a 45 few remember!  Maybe it needed to be a month later in release -- around Halloween???!!!
I have actually found a few charts over the years showing each side of NC6 singles from different stations from all over the country, so some programmers believed in both sides like often have.
Clark Besch



I, for one, thoroughly enjoyed both sides of their first single … the hit “I Confess” and the haunting B-Side, “Dawn Is Breaking.”  Honestly, I much prefer “At The River’s Edge” today over “I Lie Awake” … and “Let Me Love You” was a great B-Side as well to their follow-up release, “Love You So Much.” 
Of course their BIGGEST two-sided hit of all-time had to be “Come And Give Your Love To Me,” the intended A-Side that Larry Lujack suggested they flip over to feature “Things I’d Like To Say” instead.  (“You’re promoting the wrong side of the record!”)  It ended up being their biggest national chart hit. 
But for me personally they never perfected that two-sided feel the way they did with “Long Time To Be Alone” and “Never Be Lonely” … BOTH sides of this record should have been Top Ten Hits, hands down.  (The single was re-released by MCA Records a few years later with “Never Be Lonely” on top as the “push” side … and it still went nowhere.  (kk) 

Fans of our Saturday Surveys feature will enjoy this link, celebrating KISN Surveys from the ‘50’s, ‘60’s and ‘70’s.  (Several pages to scroll thru!)

You may not know this, but Frank B. is a MAJOR WCBS-FM Fan.  (I think it may have come up once or twice before in Forgotten Hits!) 
Last week he sent me this piece (which is actually kinda cool)
101.1 WCBS-FM Returns from Jack | July 12, 2007 – Airchexx.com
kk:
Not as good as the original, but WCBS-FM came back. Lately I've been listening to RewoundRadio.
Frank B. 
Jack-FM worked in concept but, for whatever reason, failed miserably in practice … and today is looked back at as one of radio’s biggest blunders in recent history.  (I’m honestly not sure why … the full variety, never know what you’re going to hear next, concept is working for a number of other radio stations today, with a lot less fanfare.) 
Ironically, I had just started listening to WCBS-FM in the morning because just prior to the change over to Jack, Micky Dolenz was brought on as the morning deejay … and, besides the fact that I have always been (and will always be) a HUGE Micky Dolenz fan, he brought a GREAT element of humor and story-telling to his program.  (For years the joke was that HE was the one that brought WCBS-FM down.  Not even close!) 
I’m with you on Rewound Radio … the best option out there for all around great oldies entertainment and variety.  If Me-TV-FM ever starts streaming their live broadcast worldwide, I think they’ll give them a run for the money from a music programming standpoint, but NOBODY can touch them for content with vintage airchecks and a true love and appreciation for Top 40 Radio … in this regard, Rewound Radio trumps all others.  (kk) 

Happened across this cool article by Barry Levine, clearly a man after my own heart when it comes to Forgotten Hits.  You may find it interesting, too …
 
Kent; 
Even if John Rook was still around, I don’t think he would care to talk about his involvement with Roulette Records. Morris Levy, whom I knew, ran Roulette and his alleged ties to an east coast crime family were well-known in the music world. In short, they were a bunch of bad motor scooters! There were several other labels allegedly owned by the mob.
Ask Tommy James about his unfortunate dealings with Levy. When ABC New York heard about Rook’s tie in with the Roulette promotion, the you know what hit the fan and Rook got an earful and a warning from ABC. 
Clark Weber
Tommy goes into GREAT detail about the mob ties going on behind the scenes during his career with Roulette Records.  Do yourself a favor and pick up Tommy’s book … an EXCELLENT expose of the music scene in the ‘60’s, soon to be a major motion picture.  (kk)

>>>Do you remember back in December of 1968 that WLS and Roulette Records gave away a special gold label 45 of The Shondells' Crimson and Clover?  They sent it in an envelope in which they received 45s from Dot records.  (Mike Brown)
>>>Yes, we covered this one eons ago, but what you sent is EXTREMELY cool … very high quality photos of the record and the envelope (hard to believe they hand-wrote out all that information below the mailing label!)  kk
Kent:
The handwriting on the envelope is mine.  It was my note as to the contents.  Technically they aren't photos, but scans (1200 dpi then Photoshopped to 300 for posting).
Mike 






EAGLE VISION PROUDLY PRESENTS 

YES

FEATURING JON ANDERSON, TREVOR RABIN, RICK WAKEMAN

50TH ANNIVERSARY LIVE AT THE APOLLO - OUT SEPTEMBER 7, 2018

“Glorious splendour, a cause for celebration … 
the true spirit of Yes’”– Louder Than War
VIEW TRAILER HERE 
 






























On September 7, 2018, Eagle Vision will release Yes, 50th Anniversary Live At The Apollo on DVD, Blu-ray, 2CD & 3LP.  
In 2016, Jon Anderson, Trevor Rabin and Rick Wakeman combined their incredible talents and the heritage of Yes to take to the road for a series of concerts celebrating the band’s musical legacy from the seventies to the nineties. Yes, featuring Jon Anderson, Trevor Rabin, Rick Wakeman brought their live show to the UK in early 2017, including this sell-out performance, captured live at the Manchester Apollo. 
With a setlist embracing the spectrum of their career, including classics “Roundabout,” “Owner Of A Lonely Heart,” “And You And I,” “Hold On,” “Heart Of The Sunrise,” “Rhythm Of Love,” “I’ve Seen All Good People,” “Awaken” and many more, the band were on superb form. Wakeman’s keyboard sorcery wove its spell alongside Rabin’s masterly guitar skills and founding member Jon Anderson’s unique vocal and lyrical prowess to create a special night of musical alchemy for their fans. This glorious show captures the true, enduring nature of this ever-powerful band.  
Grammy Award winners Yes have sold more than 35 million albums and have been inducted into the Rock and Roll Hall of Fame.  

Line-up: 
Jon Anderson (vocals, guitar, harp); Trevor Rabin (guitar, vocals); Rick Wakeman (keyboards) 
With Lee Pomeroy (bass) and Lou Molino III (drums) 
Audio Mixed By: Paul Linford and Trevor Rabin  

Tracklisting: 

CD (Disc One)
1) Orchestral arr. Perpetual Change (Rabin) / Cinema (Rabin/Kaye/Squire/White) / Perpetual Change (Anderson/Squire)
2) Hold On (Rabin/Anderson/Squire 
3) I've Seen All Good People : (i) Your Move (ii) All Good People (Anderson/Squire) 
4) Lift Me Up (Rabin/Squire)  
5) And You & I (i) Cord Of Life (ii) Eclipse (iii) The Preacher, The Teacher (iv) Apocalypse (Anderson/Bruford/Howe/Squire  
6) Rhythm Of Love (Rabin/Anderson/Kaye/Squire/White)  
7) Heart Of The Sunrise (Anderson/Bruford/Squire) 

CD (Disc 2) 
8) Changes (Rabin/Anderson/White) 
9) Long Distance Runaround (Anderson) / The Fish (Schindleria Praematurus) (Squire) 
10) Orchestral Shade (Rabin) / Awaken (Anderson/Howe) 
11) Make It Easy (Rabin) / Owner Of A Lonely Heart (Rabin/Anderson/Howe/Squire) 
12) Roundabout (Anderson/Howe)  

We’ve run this clip several times before (but it’s been awhile since we’ve done so, so here it is again) …
Take a few minutes and watch this brief video, featuring a 4-Star General, General George Babbitt, who was the Ventures first drummer way back when!!!   
Most of you don’t know that I played in a garage band back in the mid-60’s, and “Walk Don’t Run” was one of our favorite songs!!! I played the bass on a candy-apple red Fender Bass Master. I didn’t last long, but I had the biggest amp on the block!!!  And believe me, sometimes “size matters!!!!!!!!!”
Enjoy!
Mike

     



From FH Reader Tom Cuddy …
Mike Stoller Plays Favorites: The Composer Reveals His 5 Most Important Songs:  https://www.theatermania.com/news/mike-stoller-plays-favorites_85809.html
His “Hound Dog” story is fantastic!  (kk)


A new Buddy Holly Movie seems to be in the works.
Variety is reporting that “Clear Lake” is now in development with a $12-million budget and the full support of Buddy’s widow, Maria Elena Holly.  (kk)
kk …
Sounds very interesting.
FB

Be sure to check back tomorrow for another Forgotten Hits Concert Review!  (kk) 


DOO WOP CONCERT REVIEW (Part 1) - Featuring Ladd Vance, Larry Chance and the Earls and Jay Siegel's Tokens

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Full disclosure …

I’d never been to a Doo-Wop Show before.

Sure, I’d seen them on TV on PBS … and I was always amazed at how incredibly good and smooth the vocals of the artists had remained over so many years …

But I’d never actually BEEN to one … until Sunday Night at The Arcada Theatre … and this one was a doozy!

And let me also tell you that the tradition holds true … ALL of these artists were in top form vocally for this program … and seemed to be having a ball up on stage, entertaining an enthusiastic crowd who truly loves this music.

It was a great line-up of acts …

Ladd Vance, son of Kenny Vance, original founding member of Jay and the Americans (who then went on to perform for YEARS as part of the Planotones) …

Larry Chance and the Earls …

Jay Siegel’s Tokens …

And Freddy “Boom Boom” Cannon.

(Now I will admit that I have NO idea what Freddy Cannon has to do with doo-wop … but this is just the way some of these package tours are put together.  We’ve seen Dennis Tufano, former lead singer of The Buckinghams, perform Bobby Darin songs at what was billed a Bubblegum Fest!)

Freddy, of course, is the one we came to see.  A long time friend of Forgotten Hits, we have stayed in touch by phone and email over the last several years and this was our first opportunity to say “hello” to each other in person.  (You’ll find a review of Freddy’s show tomorrow in Forgotten Hits.)

But first, let me tip my hat to the other outstanding artists on the bill.

Ladd Vance kicked things off with a great set of doo-wop classics, all of which he made his own.


Backed by a local pick-up band of local musicians led by our FH Buddy Bob Abrams and a three-piece group of background vocalists who look like they’ve been singing doo-wop all of their lives, this was a great set showcasing Ladd’s incredible vocal range.  As was true of ALL the acts we saw Sunday night, the vocals were impeccable … and the crowd responded in kind.  (This was a different type of Arcada crowd, including many first-timers … based on the response of the audience on Sunday, I’d say that The Arcada Theatre will be hosting many more doo-wop shows in the future!)

Ladd opened with a killer version of “Denise,” the Randy and the Rainbows hit, and closed his set with “Cara Mia,” a pretty ballsy choice as you’ve REALLY got to deliver the goods on this one.  He did.


Next up were Larry Chance and the Earls.  Larry’s been singing forever … but I couldn’t help but wonder what else they were going to do besides their One Hit Wonder, “Remember Then,” a MONSTER hit in 1963.

Due to some technical difficulties with the monitors, Larry had to improvise a little bit with the crowd … and he told joke after joke after joke … great stuff from a very seasoned performer.


The Earls provided their own musical backing (the only artist on the bill to do so) and they looked amazing in their blue velvet suits.  (And they sounded just as sharp as they looked.)    They offered up a series of stirring performances, both with their band and a cappella … A VERY entertaining set.


The Earls were followed by Jay Siegel’s Tokens.

Jay told some great stories about the early days … including one about singing in the high school choir with Neil Sedaka, who was a member of the band for a short period of time in the early pre-hit years.

They did their hits “Tonight I Fell In Love,” “Portrait Of My Love” and, of course, “The Lion Sleeps Tonight,” their big #1 Hit from 1961 that was resurrected and became a hit all over again in the '90's after it was used in the animated Disney film “The Lion King.”  (His five year old Granddaughter had to bring him to her kindergarten "show and tell" because the other kids didn't believe that her Grandpa sang "The Lion Sleeps Tonight" ... so he showed them!!!  lol)


In addition, they also did a couple of songs that The Tokens were involved with producing, such as “See You In September” by The Happenings and “One Fine Day” by The Chiffons.  (Side Note to Ron:  You’ve got to get The Happenings for the next one … I hear they're still knocking ‘em dead in their live performances!)

Jay proved to a very engaging act who, at nearly 80 years old, is still belting out “The Lion Sleeps Tonight” like he’s a kid.


Now I know that we're going to get some mail from our East Coast Readers who'll be stunned to hear that I've never been to a Doo-Wop Show before.  But the truth of the matter is that a lot of these acts just don’t get to Chicago very often.  (Larry Chance made a comment that he last played The Arcada Theatre 35 years ago … and was back now "by popular demand!"  lol)

Even Ron Onesti mentioned that in his thirty years of promoting shows, he had never worked with any of these acts before ... so it was a real treat to spend the evening venturing back to the earliest days of rock and roll music when kids got together and harmonized under the street lamp ... or sang in the stairwell to get that special echo sound they were looking for.  At such, it was REALLY nice to see some artists that we don’t typically get to see … this was a VERY enjoyable show from start to finish ... and a whole lotta fun.  (It was very clear that the audience had a ball!)

Tomorrow in Forgotten Hits … the headliner … Freddy “Boom Boom’” Cannon.  (kk)


[Special thanks to Luciano Bilotti, House Photographer at The Arcada Theatre, for providing all these great shots used today]

FREDDY "Boom Boom" CANNON CONCERT REVIEW - Doo Wop at the Arcada (Part 2)

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We’ve been Forgotten Hits friends for over a decade … but we never had the chance to meet until Sunday Night (July 15th) at The Arcada Theatre in St. Charles, IL.

Over they years we have shared many FH “firsts” and exclusives …

When we told you about Freddy’s pencil drawings (a story that was later picked up by the rock and roll press around the world), several of our readers bought some …


When he released his autobiography (a great read, by the way), we let the fans know how to get a copy …


When he teamed with Svengoolie last year to create “The Svengoolie Stomp,” we were among the first to present the video …




(By the way, Freddy will be back on Svengoolie’s program next weekend … and he has a brand new record out that is racing up the charts in England!  We’ll be sharing that with you shortly, too!)

When he had a heart attack and had to miss several performances, we worried and prayed for his healthful return to the stage … and sent Get Well Wishes thru the website and the mail!


And on one glorious occasion, we reconnected Freddy with a long lost pressing of his very first recording … “Rock And Roll Baby,” made before the lyrics were changed to become his first big hit, “Tallahassee Lassie” … and even before he had become Freddy "Boom Boom" Cannon!!!




But despite ALL of these connections, we never got the chance to say “hello” in person.

Well, that all changed on Sunday Night.  Freddy not only acknowledged me from the stage but even brought me ON stage for his big finale. (I, of course, just stood there like a dork, not knowing what to do, being completely blind-sided by this very kind jesture!)


I had been pushing to bring Freddy Cannon to The Arcada for four years … and it FINALLY happened … and the crowd LOVED it!!!  (I lost count of the people who thanked me afterwards.)

Lumped in as one of the “Boys From Bandstand,” Freddy always stood out from the rest of the crowd …

You had good looking Frankie Avalon …

And Bobby Rydell, another Teen Idol who could actually sing (as opposed to Fabian, who could not!)

You had Chubby Checker …

And you had Freddy Cannon, who may have racked up more Bandstand appearances than any of the others.  (Over a hundred from what I'm told!)

Now, Freddy could sing, too …

But Freddy also ROCKED!!!

And he rocked HARD!

And he is STILL rockin’ today!


The energy and the voice are still there … and he laid it out for all to see at The Arcada Theatre Sunday Night.  (By now, his back-up band included three former or current members of The Buckinghams … Bob Abrams on guitar, Rocky Penn on drums and Bruce Soboroff on keyboards, all long-time friends of Forgotten Hits, so it was now like “old home week” for me once I got up on stage!)

All of his up-tempo hits had that special “Boom Boom” style to them … and Freddy performed rockin’ renditions of “Tallahassee Lassie,” “Palisades Park,” “Action,” (the theme song to “Where The Action Is”), “Way Down Yonder In New Orleans,” Chuck Berry’s “Roll Over Beethoven” and “Shake, Rattle And Roll,” as well as “The Svengoolie Stomp” WITH Svengoolie (Rich Koz), who came up on stage to sing it with him!!!


(It is clear that Freddy holds Chuck Berry in the highest regard … ranking him ahead of Elvis and The Beatles for his contribution in creating the REAL music of rock and roll.)

Freddy finished his set … and then a quick encore … but the crowd kept wanting more … literally standing up and cheering “We want more! We want more!” … so Freddy obliged, coming out one more time, at which point he called ME up on stage to thank me again for putting his original recording back in his hands after nearly sixty years.

(Frannie snapped this one!)

He closed the night with another performance of “Tallahassee Lassie” and that was it.  We got the chance to visit backstage afterwards and let me tell you, you couldn’t find a nicer or more appreciative guy.  (We even snapped a picture together “with the wives” … Freddy’s wife Jeanette is a real gem … and she must have hugged, kissed and thanked me a dozen times for making Freddy so happy.  I was truly touched.)

I’m thinking Freddy will be asked back to The Arcada REAL soon … as this was a killer show … and the audience loved it.

 Me and Freddy, after the show

 And one of my favorites ...
kk ... boom boom ... and sven!

You can keep up with all of his latest going ons here:  http://freddycannon.com/default.htm

Thursday This And That

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Micky Dolenz appeared at Saturday’s Grammy Salute in LA (at The Dolby Theatre) and officially inducted Neil Diamond into The Grammy Hall Of Fame with a Lifetime Achievement Award. 
Dolenz performed Neil's "I'm A Believer" (which was a hit for The Monkees) and was joined by Diamond for the last verse of the song.
David Salidor


You went to a Doo-Wop Concert???
Can your wife verify that?  L-o-L!!
Frank  B.
She’s actually a bigger doo-wop fan than I am! It was a great show!  (kk)  Just shared your revue with The Larry Chance Fan Club. 
FB
Thanks!  (kk)
After our Doo Wop Concert Review ran, Frank B sent us this vintage poster from a show on the East Coast several years ago!  (Man, check out that line-up!!!)  kk

kk …
Check out this show from the past.
Frank B


Kent,
I’ve been telling you and your readers you would have a ball. Doo-Wop is what my babysitters listened to and what I heard on the radio swimming at the pool, and many of the songs my dance coach (and my daughters’ dance coach) used in our acts as they are really jumping and jiving. It seems to me that much of the time, a headliner is added to these shows that does not seem to fit the Doo-Wop definition. However, when you are in the moment, it doesn’t much matter. It is great music all around. I have a few coming up myself. I have had a July hiatus, which has seemed to work out to Forgotten Hits benefit, because you have been very active in Chicago.
Shelley J Sweet-Tufano
We just haven’t had a lot of opportunities to see Doo-Wop Shows here in Chicago to the degree that they play on the East Coast.  (Ron Onesti has done his best to bring some of these to The Arcada … but this was our first.)  A very good time … with a very appreciative crowd of people.  (kk)

Kent,
You mentioned today that you had no idea what Freddy Cannon had to do with Doo- Wop. One reason could be that his records were being played on the radio at the time that doo-wop was being played and programmed. You are right in that he's not a doo-wop-er. But oh, can he rock and roll!
Larry

Watch for lots more Freddy Cannon comments tomorrow in Forgotten Hits.  (Be sure to get yours in NOW if you want to be included!)  kk

Hi Kent, 
I totally agree with you … it certainly isn't the same when listening to a touring band without the original lead-singers, and the identifiable sound of their hit record.  Whether it be the Buckinghams, Three Dog Night, etc. and in the case of The Guess Who, not only Burton Cummings but also the very under-rated lead-guitarist Randy Bachman. 
It is sad … human-nature and business sometimes get in the way of irreplaceable chemistry. 
Enclosed is a video of the Guess Who at the top of their game performing "American Woman" when Bachman and Cummings were their nucleus.  Not only were they Canada's finest Rock band but also one of Rock's finest bands.  You have to ask yourself, does the Rock And Roll Hall Of Fame not see the obvious with the Guess Who, or did they just get a buy one get one free special on lobotomies.  After watching this video, it is hard to imagine, as you have stated many times, why the Guess Who has never been inducted into the Rock & Roll Hall Of Fame.
Peace,

Tim Kiley                                                           
https://www.youtube.com/watch?v=jo_2-bLGY5k


The East Coast Music Hall Of Fame has just announced its first round of inductees …
Our congratulations go out to CHARLIE GRACIE, CHUBBY CHECKER, CONNIE FRANCIS, LOU CHRISTIE, BOBBY RYDELL, FRANKIE AVALON, JAY SIEGEL (TOKENS), WILLIE WINFIELD (HARPTONES), LARRY CHANCE (EARLS), VITO PICCONE (ELEGANTS) and POSTHUMOUSLY JOHNNY MAESTRO (CRESTS), JIMMY BEAUMONT (SKYLINEES), EUGENE PITT (JIVE FIVE) and RICHARD NADAR (Concert Promoter).
It is SO cool to see so many of our favorites being honored.  (And we just saw Larry Chance and Jay Siegel last weekend at The Arcada Theatre Doo-Wop Show!)  We hear from Charlie Gracie all the time, recently saw Chubby Checker and ran a week-long series on Bobby Rydell.  (I’ve crossed paths with Frankie Avalon, too!)  Connie Francis has been in our pages lately, thanks to her new autobiography and we have often paid tribute to the incredible voices of Johnny Maestro and Jimmy Beaumont.  And Richard Nadar is the guy who promoted that oldies show displayed in the poster shown above.
WILDWOOD, NEW JERSEY will serve as the home of the museum and more.
It sounds like for a $25 donation, you can become a voting member for future events.  The whole thing has been put together by CEO and PRESIDENT TOMMY PETILLO, who is the current lead singer of THE DUPREES. 

(kk)

And, speaking of East Coast Rock Legends …

CHARLIE GRACIE and JOHN FOGERTY (Credence Clearwater Revival) are this year’s recipients of a (SPECIALLY CREATED MODEL) BUDDY HOLLY LEGACY GUITAR awarded by the BUDDY HOLLY EDUCATIONAL FOUNDATION in Dallas, Texas.
CHARLIE RECEIVED his GUITAR LAST SUNDAY in LOWESTOFT, ENGLAND where he’s the headliner at an International R&R Music Festival at Pakefield Seaside Village in SUFFOLK, ENGLAND
CHARLIE GRACIE and JOHN FOGERTY now join the ranks of PAUL McCARTNEY, ROGER DALTREY, GRAHAM NASH,  MICK JAGGER, CLIFF RICHARD, DUANE EDDY, BOB DYLAN, BRIAN MAY, DON MCLEAN, DON EVERLY, PAUL ANKA, PETER FRAMPTON, PETER ASHER and others — all of whom represent EXCELLENCE in MUSIC . THIS IS A GREAT HONOR and WE THANK YOU DEEPLY FROM THE HEART!
The mission of The Buddy Holly Educational Foundation is to honor Buddy's legacy as well as to make Buddy and Maria Elena Holly’s dream of extending musical education, including songwriting, production, arranging, orchestration, and performance, to new generations regardless of income or ethnicity or learning levels. We will empower a new generation to follow in Buddy's footsteps.







Paul Revere’s Raiders, Mitch Ryder and Peter Rivera return to The Arcada Theatre on September 29th.  (We had a great time at this show last year!) 
Also just announced ... the return of The Fab Four (coming in January!)
This concert was a blast ... these guys have got it down!
https://forgottenhits60s.blogspot.com/2018/02/the-fab-four.html
Tickets are on sale now thru The Arcada Online Box Office at www.oshows.com  (kk)

Hi Kent, 
I don't know how I missed The Flock tribute you did in 2010, but I did.
I was looking for Flock info because of the Sunday Comments and Google came through with Forgotten Hits tribute to The Flock.
Wow! Just What I Needed.
Great job, as usual.
Fred G if you're out there, I was a young fan in North Dakota. A DJ who would let me come and watch him do his show got me hooked on the first album -- I was 12.
Yes, I bought Dinosaur Swamps, too, and loved it.
Still love both albums.
Bill
Fred Glickstein is still around and still tickled pink every time The Flock get mentioned … or an album gets re-released.  We get to see him from time to time and he’s a great guy … I’m sure he’ll enjoy your post.  (kk)

FH Reader Clive Topol send us this announcement from Robert Feder’s column …

Looks like yet another award for the great Bob Stroud …

Bob Stroud, legendary midday host on Hubbard Radio classic rock WDRV 97.1-FM, was named a finalist Monday for Major Market Personality of the Year in the National Association of Broadcasters’ 2018 Marconi Radio Awards. Other Chicago finalists are Tribune Broadcasting WGN 720-AM for News / Talk Station of the Year, and Hubbard Radio WSHE 100.3-FM for Adult Contemporary Station of the Year. Winners will be announced September 27 at the NAB Radio Show in Orlando, Florida. 

Now that Paul Simon is leaving the road behind him, he has announced a brand new album dropping September 7th.

In The Blue Light shines fresh perspectives on ten of Paul Simon’s favorite (though perhaps less-familiar) songs from his unparalleled body of work. Discover new insight and energy in compositions like “Can’t Run But,” “Darling Lorraine,” “One Man’s Ceiling Is Another Man’s Floor” and “Questions For The Angels,” revisited here by Simon and a talented cast of musicians, including jazz icons Wynton Marsalis, Bill Frisell, Steve Gadd and Jack DeJohnette, as well as New York-based modern chamber sextet yMusic, currently accompanying Simon and his band on Homeward Bound – The Farewell Tour.

This album consists of songs that I thought were almost right, or were odd enough to be overlooked the first time around. Re-doing arrangements, harmonic structures, and lyrics that didn’t make their meaning clear, gave me time to clarify in my own head what I wanted to say, or realize what I was thinking and make it more easily understood.
– Paul Simon, July 2018

 Produced by Paul Simon and Roy Halee, In The Blue Light is available everywhere on Friday, September 7.
     
FH Reader Tom Cuddy tells us we’ve got brand new episodes of “Live From Daryl’s House” to look forward to …


HI TO MY SPECIAL FRIENDS AND FANS:
Save the date:
Some great news: The STONZEK THEATRE in Lake Worth, Florida, is presenting a stage reading of PEDESTALS, my absolute best and favorite play, on the last Monday and Tuesday of August (the 27th and 28th).
It's being directed by award-winning actor and director Saxz Stevens, a highly respected theatre veteran with a 20-mile-long list of credits.
The cast will feature some of the best actors in South Florida.
Tickets aren't available this early but when they are, they'll be free to Lind fans. Look for subsequent emails as the time draws closer. I'll send you out a second -- and probably third -- notice well in advance. And watch FaceBook and the events page of my web site (http://boblind.com/gigs/)
I hope to see a slew of you there.
And BTW don't forget, another of my plays, THE BIG ISLAND, will be presented by The Outre Theatre Company this coming season (date TBA).
Yers,
Bob Lind


From LJ Coon … taking a break from his on-going quest of solving the Buddy Holly plane crash ... to promote a brand new brand of ice cream!!!  (Hey, I’ll try a bowl!!!)  kk


Kent Kotal: 
(kk's 'Baby Ala Mode' rockin’ Ice Cream ) 
We believe that kk's 'Baby Ala Mode' rockin Ice Cream will be a huge success.

This is a very Original idea / concept that could be offered not only in three separate products but also with its own 'Theme Song'.
The commercial appeal will be overwhelming … and the suggestive appeal will be Kent Kotal Pillow Talk / Good Times.
The kk's 'Baby Ala Mode' rockin’ Ice Cream' three separate products will immediately become a  Pure Inspiration Brand, and a Household favorite.

kk's 'Baby Ala Mode' rockin’ Ice Cream'
It's Rockin’,
It's Cold, 
It's Sticky, 
It Pushes The Edge of Conventional

The production of  kk's 'Baby Ala Mode' rockin’ Ice Cream'is intended as three separate products ... Complete With Its Own Theme Song!

Folks are always asking ... how do you make kk's 'Baby Ala Mode' rockin’ Ice Cream'?  ('BABY Ala Mode straight up'& 'BABY Ala Mode swirl') 

Well!!! 

1.    'BABY Ala Mode straight up' 
We mix in our special recipe until it's straight up good! 
2. 'BABY Ala Mode swirl'
'BABY Ala Mode' style, pure chocolate awesomeness swirl.
3. 'BABY Ala Mode swirl & salt' 
          'BABY Ala Mode' style, pure chocolate awesomeness swirl & salt.

Pure Inspiration 
kk's 'Baby Ala Mode' rockin Ice Cream' 
Get Inspired!

'BABY Ala Mode straight up'
a).  Classic vanilla ice cream - 'BABY Ala Mode straight up' 
We mix in our special recipe until it's straight up good!
A half inch of classic vanilla ice cream is laid in first, 
Then a healthy serving of classic apple pie with crust, 
Then topped with classic vanilla ice cream.
(This product is completely orgasmic)

'BABY Ala Mode swirl'
b).  Classic vanilla ice cream - 'BABY Ala Mode swirl' 
'BABY Ala Mode' style, pure chocolate awesomeness swirl.
A half inch of classic vanilla ice cream is laid in first, 
Then a healthy serving of classic apple pie with crust, 
Then topped with classic vanilla ice cream and pure chocolate swirl.
(This product is completely orgasmic)

'BABY Ala Mode swirl & salt'
c).  Classic vanilla ice cream - 'BABY Ala Mode swirl & salt' 
'BABY Ala Mode' style, pure chocolate awesomeness swirl & salt'.  
A half inch of classic vanilla ice cream is laid in first, 
Then a healthy serving of classic apple pie with crust, 
Then topped with classic vanilla ice cream and pure chocolate swirl and salt.
(This product is completely orgasmic) 

kk's 'Baby Ala Mode' rockin’ Ice Cream'
It's Rockin’,
It's Cold, 
It's Sticky, 
'It Pushes The Edge of Conventional' 


I’ve read this one a couple of times now and STILL don’t know how to react …
FH Reader Sam Boyd sent me this piece written by Bob Lefsetz about The Happy Together Tour …

Is he slammin’ the artists?  Or is he praising the quality of their hits, allowing them to endure five decades and still sound fresh and new??

Or is it just a whole lot of both going on here???

(He even slams the audience, referring to them as “the nearly dead”!)

I dunno … you decide … all I know is The Happy Together Tour provides ENDLESS entertainment and enjoyment … and we can’t wait to see it again when it hits The Paramount Theater in Aurora next month.  (kk)

There wasn't one song everybody didn't know.
That's the difference between yesterday and today, the ubiquity of the hits. If you were alive, you heard them, they penetrated not only the airwaves, but society, and these acts had a bunch of them.
The surprise was the Cowsills. They were so tight, the harmonies so perfect, it was amazing, you noticed, as you did the band that backed up all the acts, they were superb, proving once again that real music can triumph.
In the sixties.
The other jaw-dropper was Chuck Negron, who sang with oxygen, I kid you not. I even sang along a bit with "Joy To The World," which I absolutely HATED back when, but with the passage of time ...
But this was not a nostalgia show, they were not tugging on our heartstrings, and that was so weird. I expected to sit back in my seat and have the sixties flash before my eyes, but really it was all about the songs, it was a celebration of the songs, you sang along to all of them.
There was a video screen that showed hair products during the Cowsills … did you know Dippity-do had sunscreen? But other than that ...
This is a low budget production, even the screen is small. And those in attendance are not hip. The upstairs was filled with the nearly-dead, purchasing their seats on Goldstar. And speaking of upstairs, where we sat, the sound system was inadequate … couldn't they afford some sound reinforcement for the upper deck at the Saban?
The show began with the Malibooz, who played some surf rock and Walter Egan's hits, "Magnet and Steel" and "Hot Summer Nights." It was the latter, and that's my favorite Egan number, so that was good.
The Cowsills ... They were ersatz back then, a slightly hipper Osmonds, but now ...
They've been knocking around L.A. forever, gigging, waiting for another chance. But the system doesn't give you one, that's what players don't realize, it's not only how good you are, but whether the label, management and radio want to afford you an opportunity. At least back then you could play in bars, sustain yourself, it's even harder today. And I found their rendition of "Hair" cringeworthy back in '69, but here it was good, but not as good as "The Rain, The Park & Other Things."
Mark Lindsay wanted to convince us that no time had passed. He, too, had video, of the Paul Revere and the Raider days. And he performed the hits, I liked hearing "Just Like Me" and "Good Thing," but when he kicked his leg up with "Kicks" I winced ... You're over seventy, so much of the audience is addicted to Grecian Formula, can you act your age, get rid of the sunglasses and shiny suit? But once a teen idol, too many are locked in amber, even though the audience ages, it's a bit creepy.
But the Association acted its age. In matching white jackets and shoes. And I don't know why this act doesn't get more love, their songs were SUPERLATIVE! Not only the not-cheesy "Cherish" and the upbeat "Windy," but the exquisite "Along Comes Mary" and "Never My Love," it was their songs that made me feel best.
As for Gary Puckett ...
I'd seen him live back then, just as "Young Girl" was rising on the chart, they played it twice. But last night the sound was amped up, it all became a wash. And could you sing "Young Girl" today, I doubt it!
As for Chuck Negron, he's a survivor, send him to schools to scare students straight. But his voice is mostly intact, powerful, and he's so happy to be there ...
But Howard Kaylan was not.
Huh?
He was never that thin.
Have we hit that era, where acts are trying to fake out the audience?
But the Phlorescent Leech, aka Flo, aka Mark Volman, told us that Howard was in the hospital, they'd thought of canceling the tour, but the show must go on! And his replacement was Ron Dante, of Archies fame, Dante's a legend, it was good to see him live.
But the stunning highlight of the "Turtles'" performance was ...
PEACHES EN REGALIA! That's right, the opening cut on Zappa's "Hot Rats," I was astounded. Yes, it's played live on "Fillmore East," two tracks after the Mothers with Flo and Eddie go into "Happy Together" and ...
That's last night, the performance ended with "Happy Together."
Now that I have memories of. It brings back Stratton and Steph, but really it's about the sound of the introduction, it's heavy, pregnant with meaning, we think about them day and night, we do, imagine how the world could be so very right, and then ...
IT IS!
Bah bah bah ...
You couldn't help but stand and sing along. Actually, one of the shocks of the evening was the standing ovations, but in this case you weren't standing for the performance, but your own life, remembering the optimism, the hope.
And now it's all these years later, you are who you are, you made your choices and you have to accept them, it's too late to turn back now.
And to a degree the joke is on the acts, they're prisoners of their success. Have a hit or two and you can't give up. Then again, these people did it for the applause to begin with. And at this point, a lot of the audience members are richer than the performers, they might not be famous, but get older and fame becomes a joke, why would you want it, it's meaningless. But the songs ...
This evening was a celebration of the songs. Which are blue chip. They don't sound anything like today's "hits," they've got melody and changes and were from an era where everybody had a transistor and was listening incessantly. Music drove the culture, we followed it like the World Cup, heroes were larger than life. And there was a dearth of information, you had to go to the show to see them.
And some acts have survived with their reputations intact. Paul McCartney, of course. And Paul Simon. Certainly Bob Dylan.
But most ...
Are in the rearview mirror, no matter how big they were at the time.
But so are we.
These songs are the story of our lives.
Sing along.
I CERTAINLY DID!
-         - Bob Lefsetz

KK ...
Lou Christie says “It Should Have Been A Hit”
I voted no. 
FB
A lot of different artists recorded this song so it must have struck a nerve with quite a few people.  While, I’m not particularly fond of this version, I do remember hearing it on the radio by SOMEBODY back at that time.  The biggest hit in Billboard was by Everything Is Everything, whose version went to #69 in 1969.  (kk)
 
 

THE FRIDAY FLASH ... FREDDY CANNON EDITION

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It’s a very special FRIDAY FLASH / FREDDY “BOOM BOOM” CANNON / FORGOTTEN HITS EDITION (and that’s just a WHOLE lotta F’s for a Friday!!!)
 
Thanks again, Freddy and Ron Onesti, for a GREAT Sunday Evening of Music at The Arcada Theatre.  We’ve been pushing to bring Freddy to Chicago for several years now and I remember promising him after his open heart surgery a few years ago that I would somehow, someway, make this happen … so thank you, Ron, for allowing us to enjoy such a fun-filled, great night of music.

I met so many Freddy Cannon fans after the show, many of whom who thanked me for my part in making this happen.  It’s probably been decades since Freddy last played Chicago and the crowd loved him.

To one woman in particular who I talked to in the lobby afterwards but then never got to see again before we had to leave … I hope by some chance she’s reading this … (Ron - you may want to mention this to your staff as I think she was one of your ushers) ...

You had shared a special memory with me about watching Freddy on American Bandstand back in the day … and remembering a girl who you thought was named Myrna Horowitz, who was the President of the Freddy Cannon Fan Club.  You said that Dick Clark interviewed her a couple of times and that you thought she had some type of handicap … polio maybe … and just wanted to make sure your memories were intact.

Well, I did get a chance to ask Freddy about this … and he confirmed that your memories were spot on.  (Freddy appeared on Bandstand over a hundred times back in the glory days of Philadelphia!)

YES, MYRNA … SHE WAS A BANDSTAND REGULAR … DID A LOT OF PROMOTION FOR ME BACK THEN.  A VERY NICE GIRL AND YES, SHE HAD POLIO. 
FREDDY

If you get to see and meet Freddy, could you say hi to him from his chauffeur in England, Rockin' Lord Geoff
Take care,
Geoff
I certainly did … and of course he remembered you immediately.  As you already know, Freddy is still IMMENSELY popular in England … and sells out concert halls every time he plays there.  (He told me that his lastest single “Boppin’ The Blues” is climbing The British Charts right now!) 


There seems to be a much greater appreciation of the early rock and roll artists in The UK than there is here at home … in fact, we ran a piece yesterday spotlighting the fact that Charlie Gracie is back over there again right now! (kk)

Told you he is a great fella to know and so is Jeanette. Glad you enjoyed the show.  Similar to what he did earlier in the year at Hemsby, but you didn’t mention Buzz, Buzz A Diddle It … did he not sing that one? My favourite and, as he told me on more than one occasion, his second favourite after Tallahassee Lassie which, of course, is Jeanette.
Like I said, a great man … glad to be able to call him friend.
Take care,
Rockin’ Lord Geoff in England
I don’t recall him doing “Buzz Buzz A Diddle It,” but he was playing with a band he’d never performed with before, so they may have stuck to the more “tried and true” material.  Still, a great show all ‘round.  (kk)

Fun. Nice. Thanks!
Neal Sabin

Thanks for your great review of the Freddy Cannon Doo-Wop Concert – I wish I could have been there to see it.
It isn’t often that a big league star like Freddy would take the time to acknowledge and thank somebody from the audience like that – and then even bring that person up on stage at the end of the show.  The fact that he would go so far as to repeat a song is a true testament to this moment being especially for you – because YOU were the one that put his original demo record back in his hands.  It looks like you have touched each other’s lives.  Here’s to many more years of rockin’ for the great Freddy “Boom Boom” Cannon!
Don
While I think that some of what you say may be true, probably a more realistic reason for repeating the song was because the band hadn’t prepared any more material than what they had put together on such short notice.  Truth be told, the first couple of numbers were a little bit rough and Freddy seemed a little bit nervous … but everything came together after that and it was a fun rock and roll show.  (It's gotta be tough putting together a show like this where the artists hook up with a local band with minimal rehearsal time.)
As for the record, I was simply the conduit that made it all happen.  We have to give proper credit to FH Reader Eric Lee, who actually FOUND the record in a stack of old 78’s he was given by a radio station … and recognized it for what it was.  Because he knew Freddy and I were in touch with each other, he simply asked for my help in finding out if Freddy would be interested in having it.  Eric easily could have sold the record for a substantial amount of money being the absolutely one-of-a-kind collectible it truly is … but he wanted to offer it to Freddy first.  (Scroll back to read the complete story on how this all came to be by following the original FH links provided if you’re not already familiar with the story.)
Regardless, there is NO doubt about how much that record means to Freddy … and that’s the REAL reason he showed his appreciation Sunday Night.  I was just SO pleased to be a part of it … and for helping him retrieve this long lost, long forgotten gem.  (kk)

What fun that must have been Kent ...
And a well deserved honor for you
Phil

Kent,
A true pinch me moment for sure!
Will look forward to going to the next Doo-Wop shows.
Art

Kent,
We were in the audience of Sunday's doo wop show and I snapped some pics of you with Freddy.  Here they are.
Cary J. Hahn
Cedar Rapids, Iowa

 A view of the venue / marquee

The hostest with the mostest ... Emcee Ron Onesti ... who runs the joint!

Freddy and Me

Freddy Cannon

Jay Siegel (of the Tokens) with Cary and Jean Hahn of Cedar Rapids, Iowa

Hi Kent,
GREAT write up about Freddy Cannon, one of the legends! And what an honor for him to bring you on stage to thank you for all you do to promote him and his music!
Good to see Bob Abrams is playing background music. He is a fantastic guitar player and I always remember how good he was with the Buckinghams.
Carolyn

Now I have photographic proof that two rock and roll legends finally met --- Freddy and Kent!
Tom Cuddy

And it’s about time!!! (lol)  Thanks, Tom … and for all your assistance in this regard over the years!  (kk)

Then again some saw the photo opp  a little differently …

You've made the big time. You got your picture taken with Svengoolie.
Jack
 

Probably just a slightly bigger honor for me than for him!  (kk)

I dunno …
Maybe it's your Tuff Guy Expression here!
Maybe it's the Color of your shirt!
Maybe it's Both together!
But ~~~

Chuck Buell
OK, I guess I deserved that!  (lol)  Thanks, Chuck.  (By the way, new episodes of "Orange Is The New Black" start next week on Netflix!)  kk


Great stuff, Kent! 
Peter Noone 
I was very moved by your piece today, probably because I'm such a huge Freddy Cannon fan and am so happy he's still performing. 
I agree with your assessment of him up against some other stars of his era.  Some of his songs were historical and some were quirky and all were catchy ... he's just one of a kind. 
If you ever want to send him to Fredericksburg, VA, I'd like to be in the audience.  Thanx! 
Patti


KENT,
THANK YOU FOR THE KIND WORDS ABOUT JEANETTE AND MYSELF … AND THANKS AGAIN FOR ALL YOUR HELP.
IT WAS SO NICE TO MEET YOUR WIFE.
AGAIN, THANKS FOR COMING TO THE SHOW AND THANKS FOR COMING ON STAGE … AND FOR GIVING ME A GREAT REVIEW!
(YOU KNOW YOUR ROCK AND ROLL VERY WELL!)
IF AND WHEN IM BACK AT THE ARCADA, I HOPE YOU BOTH CAN BE THERE AGAIN.
TAKE CARE AND KEEP ROCKIN’ -
YOUR FRIEND,
FREDDY “BOOM BOOM” CANNON

The Saturday Survey (July 21st)

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*Survey courtesy of Gary Pfeifer and ARSA website

7-19-68 - KARK-FM - Little Rock, Arkansas 

Little Rock had the Arkansas Giant of 50,000 watt AM Top 40 format KAAY blazing across the Midwest states nightly, including the famous "Beeker Street" underground show late night.  On the FM side, the Arkansas Capital was rocked by KARK in 1968.  

It takes a look down the chart some to find the obscure Midnight Strings version of "Classical Gas" as the first oddball charter here.  After that, however, (counting the up and comers), there are MANY rare sides.  

Milwaukee's Harvey Scales & the Seven Sounds belts out a pretty cool "Tighten Up" sound with"Broadway Freeze" in the lower section of the chart, while one of the odd but really cool last Peter & Gordon non-hits sits at #34 with the 45 included false start "You've Had Better Times,"written by Gordon.  Not sure I ever knew of such a false start before or since on a 45, ala the Beatles' LP cut mistake "I'm Lookin' Through You" opening a couple years earlier.  Once the song gets going, it's quite a cool disc.
-- Clark Besch




Back in the day when I was making my own charts (by compiling all sources available to me at the time), I would print out a weekly Sound 60 Survey.

This was a time when B-Sides, for the most part, were still charting separately from their corresponding A-Side (although to me people were buying the whole record ... how on earth did the folks compiling this information know for certain which side of the record the music buyer was going into the store for?)  It was a REAL bonus to pick up some of these Two-Sided Hits ... certainly more bang for your buck ... but back then we all played our B-Sides anyway, just to hear what they sounded like.  (As explained in our very popular Top 200 Two-Sided Hits of All-Time Series, "Of COURSE I played the B-Side ... I PAID for both sides, didn't I????")
http://forgottenhits.com/the_top_200_two-sided_hits_of_all-time

In any event, we've seen a few charts now with lists that exceed the traditional Top 40, this being one of them.  (Although why you would list 19 extras is beyond me!)

Of those up 'n' coming extras, only two would leave a lasting impression ... so we'll feature both of them today ... "Tuesday Afternoon" by The Moody Blues (I always preferred the single-edit to this song ... and I swear this sounded like Ringo singing to me at the time) and "Do It Again" by The Beach Boys, STILL one of my all-time favorite tracks by them.  (kk)




THIS WEEK IN '68:  
7/17/68 – The Beatles’ animated feature Yellow Submarine premiers at The London Pavilion in London 

7/18/68 - 100,000 fans are on hand to hear Jimi Hendrix at The Miami Pop Festival.  This is the first major festival to be held on East Coast.

7/20/68 – Jane Asher calls off her engagement to Paul McCartney live on the BBC 

Also on this date, The Moody Blues release their “In Search of the Lost Chord” album

The Sunday Comments ( 07 - 22 - 18 )

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Freddy Cannon: 
Your Freddy Cannon Comments are still rockin’ Forgotten Hits!
 
Here’s a link from New Yorker Tom Cuddy about this week’s GREAT Daily Herald article written by Ron Onesti, talking about last Sunday’s Doo-Wop Show …  (I'm tellin' ya ... people all over the country are reading about the events that happen regularly at The Arcada Theatre ... it's literally world famous!!!  If you're planning a trip to Chicago, you've got to include a stop here on your itinerary!)


Hi Kent,
I'm a little late to Freddy Cannon comments, but I just wanted to share my own Freddy Cannon story. Back in November of 1972, I attended a Richard Nader Rock 'n Roll Revival show at Madison Square Garden, which was the very first concert I ever attended at age 16 and the very first performer that night, and the first live concert act I ever saw, was Freddy Cannon!! He was fantastic! Total high energy for his whole set! A great way to start my concert going adventures. I'm so glad that Freddy is still out there rocking and rolling and that you met him after all the effort you put into bringing him to the Arcada! Great to see that Richard Nader Poster, over the years I went to many of those shows and saw many of the acts featured on it! Thanks for all you do to keep the music alive!
Eddie Burke
Ashley, PA 
P.S. the closing act for my first concert was Roy Orbison, who put a spotlight on his good friend in the audience, sitting about 10 rows ahead of me, Johnny Cash!! What a night!!    

Great post on Boom Boom, my friend.  Hope you have some time to breathe. :O)
Thanks -
Barry Winslow
The Royal Guardsmen

Hi Kent,
Don’t recall if you mentioned this in a previous FH blog, but Freddy Cannon closed Cousin Bruce Morrow’s Sirius - XM Palisades Park Reunion Concert last month in New Jersey. He looked and sounded great.
Freddy will join Brucie again on September 28th at the PNC Bank Arts Center in Holmdel, NJ, with The Cowsills and others.
Cheers,
Ed Osborne
If you get the chance to go to this, go!!!  Not only is Freddy in great shape but seeing The Cowsills live is one of the best concert experiences I’ve had in the past ten years!  (kk)  

Hi Kent -
Thanks for the review on Freddy Cannon.  It was a great pleasure when he was a phone guest on our Radio show three years ago .
I believe he holds the record for number of appearances on Bandstand. I think it’s over 120? 
You are right about Rock n Roll stars being bigger now in the UK than the USA. Lord Rockin' Geoff would testify to that.
The music industry has so many acts who were huge in America but not in the UK and, of course, reverse is true.  Many of our top acts never had Billboard success.
Would love to have seen Freddy at the Arcada - sounds a great night.
Regards
Geoff

HI KENT,
THANKS FOR ALL THE KIND WORDS. 
YES, I HAD A GREAT TIME AT THE ARCADA … THANK YOU FOR BEING THERE.  YOUR READERS ARE TRUE ROCK AND ROLLERS.
I WOULD HAVE LOVED TO DO MORE SONGS!  MAYBE NEXT TIME.  
MY FRIEND AND YOURS, TOM CUDDY, LOVED THIS.     
IT WAS GREAT TO BRING YOU UP ON STAGE!
SINCERELY,
FREDDY BOOM BOOM CANNON

This And That:
Kent, 
Always good to see evidence of your faithful, all-inclusive commitment to what you do -- and what WE do. Lots of music-oriented blogs, websites and publications couldn't care less what an artist is doing if it doesn't relate directly to his / her music. Thanks for being the exception and including the notice about the reading of my play.
All the best,
Bob
Thanks, Bob … we’re all about keeping the artists and music of this era alive and in focus.  Spread the word … we would love to run weekly updates and what all you guys are doing these days!  (kk)

Here’s a GREAT Scott Shannon / Bruno Mars video moment, sent in by FH Reader Tim Kiley …

Hi Kent, 
I always loved this song by the Pat Upton and the Spiral Starecase and I ran across this version on YouTube today by Bruno Mars -- thought you would get a kick out of it!
Peace,
Tim Kiley



Bruno Mars just may be the singular, most talented person on the planet today.  This guy can do it all ... write, sing, dance ... and he just oozes charisma ... he comes across as a truly likeable person who's having a ball doing anything and everything he's doing.  We've probably watched this clip at least a dozen times already!  Thanks, Tim!  (kk)

kk:
JUST ANNOUNCED …
August 17, 2018 = Scott Shannon's 1000th show on WCBS-FM.
6 to 10 AM, live broadcast featuring Special Guests and reviewing the last 4 1/2 years.
FB

WLTL-FM 88.1 celebrates the 40th anniversary of the Sgt. Pepper's Lonely Hearts Club Band movie soundtrack Monday, July 23, at 12 Noon CT.  The movie did not do well at the box office, but the soundtrack sold over 1,000,000 units (platinum). A few singles were released, including the number 1 R&B/top 10 pop hit “Got To Get You Into My Life” by Earth, Wind And Fire.  Celebrity songs by George Burns, Steve Martin and more will stream at: http://www.wltl.net/listen1.html 
The 40th Anniversary Of Sgt. Pepper's Lonely Hearts Club Band Movie Soundtrack
Monday, July 23, at 12 Noon CT on WLTL



That's tomorrow, folks!  (kk)

And, since we've been a bit of a Doo-Wop mood lately, I wanted to share this from DJ Stu Weiss …  

Here’s a show worth mentioning …



Big news this past week as Billy Joel played his 100th Concert at Madison Square Garden.  Special Guest this time around was none other than The Boss, Bruce Springsteen!  (By the way, Bruce’s final Broadway Show will be airing on Netflix on December 15th, too!)  

I wonder how many of those songs shown on the KA-ROCK Stereo Survey the station was actually playing in stereo. Most of the them had been released in stereo at the time, although some of those were not the single edits / versions. 
– Randy Price

kk …
Just heard them announce this.  Saturday at noon (New York Time), Rewound Radio will be doing a salute to Bob Shannon, WCBS-FM. 
If you've never heard Bob Shannon, do yourself a favor and try to catch him today. I think I told you about him.
I used to listen to him every day from 3 to 7 PM.
First they said he was on vacation ... then they just didn't say anything. As far as I can tell, he just got tired of it all and gave it up. He always closed his show like this -- "Till Tomorrow at 3, Be Seeing You.”
Frank B.
Every Saturday afternoon, Rewound Radio does their Dee Jay Hall Of Fame segment, spotlighting either one of the great deejays from the rock and roll, top 40 era, or, quite often, an entire radio station, by airing actual airchecks from back in the day … ALWAYS a good time ‘cause it’s the real deal.
I missed this one … but again, the most bang for your buck, oldies radio-wise has GOT to be Rewound Radio … ‘cause they remember what it was like and they truly care about this magical era.  (By the way, head honcho Allan Sniffen gave us a GREAT shout-out on Rewound Radio yesterday.  If you haven't listened yet, give 'em an hour and you'll be hooked!)  kk

Here’s Bob Shannon on the return of WCBS-FM.
Frank B.

And, speaking of great radio …

You can catch radio legends John Records Landecker and Bob Sirott reminisce about the heyday of rock radio in Chicago and the inspiring influence of the great Dick Biondi. They’ll be interviewed by David Plier on Tribune Broadcasting news/talk WGN 720-AM. The segment will be posted online at wgnradio.com early Sunday morning.
-         Robert Feder
Two of the all-time greats from WLS in the ‘70’s … GOTTA listen to this one!  (kk)

I found this old Leslie ad featuring Jim Peterik and just had to share it ... man, he looks GREAT in this picture ... guessing it's from maybe ten years ago or so (???)  Maybe Jim can confirm.  Very similar to the recent AXS Concert we were talking about recently.  (kk)


For an update on the status of LJ Coon’s ongoing efforts to reopen the investigation into the plane crash that killed Buddy Holly, Ritchie Valens and The Big Bopper, drop me a note and I’ll be happy to pass along.
WARNING:  There’s some pretty graphic stuff in here that I felt it best NOT to post it to the website … but it does show you just how deeply they’re looking into these circumstances.  It is only available to our readers by email request … so let me know if you’d like to receive a copy.  (kk)

EAGLE VISION PROUDLY PRESENTS JONI MITCHELL

BOTH SIDES NOW: LIVE AT THE ISLE OF WIGHT FESTIVAL 1970

OUT SEPTEMBER 14, 2018


VIEW TRAILER HERE


On September 14, 2018, Eagle Vision will releaseJoni MitchellBoth Sides Now: Live At The Isle of Wight Festival on Blu-ray and Digital Video.
Joni Mitchell is a unique creative force, a female troubadour who has led the way for countless female artists with an enduring legacy of musical sophistication. She has been named “one of the greatest songwriters ever…” by Rolling Stone magazine and is a 9-time Grammy Award winner.
In 1970, the Isle of Wight Festival was one of the largest musical events of its time. Bigger than Woodstock, and controversial from the get-go, hundreds of thousands of people descended on the island. Many of those without tickets set up camp on a hill overlooking the festival site, opposing the consumerism of the event and intent on “taking the music back” by any means necessary. It was a celebration of hippy counter culture gone awry, and in Joni’s words “they fed me to the beast.”
Joni Mitchell took to the stage to deliver an outstanding performance against all odds. At times, it was a battle against the audience, as they tore down barriers and shouted obscenities. Her set was interrupted multiple times, including one man invading the stage to try address the crowd. She later commented, “It seemed like an appropriate time to flee…”, but still the seemingly fragile folk-rock singer stood her ground. Instead she returned to her piano, sitting on a fold-up wooden chair, and made an impassioned plea for respect from the audience, continuing her set with “My Old Man,” she won over the crowd and the atmosphere softened. In response the front page of Melody Maker hailed her with the frontpage headline, “Joni triumphs!”
Directed by Academy Award winning filmmaker Murray Lerner, who sadly passed away shortly after the film’s completion, Both Sides Now: Live At The Isle of Wight Festival features new interviews with Joni, discussing her recollections of the event intercut with festival footage, both onstage and behind the scenes, offering a fascinating insight into a now legendary concert from the artists point of view and putting the events of the day into context. Alternatively, fans can enjoy the uninterrupted live concert footage featuring classic songs such as “Woodstock,” “Both Sides Now,” and ”Big Yellow Taxi.”

Track listing:
1) That Song About The Midway
2) Chelsea Morning
3) For Free
4) Woodstock
5) My Old Man
6) California
7) Big Yellow Taxi
8) Both Sides Now
9) Gallery
10) Hunter
11) A Case Of You


Leonard Cohen in Concert 1972 - Unseen Footage and Sound Recordings From Legendary 1972 Tour Rediscovered!
Legendary Film Director Tony Palmer was in his archive looking for something completely different when he discovered a box of archive film and sound recordings from Leonard Cohen’s famous 1972 tour, which formed the basis of the highly critically acclaimed, multi-prize winning and best-selling DVD “Bird On A Wire.”
Concert material from the concerts in Stockholm, Paris and the Albert Hall, with Cohen at the height of his powers performing “Marianne,” “Susanne,” “Joan of Arc,” “The Story of Isaac” and many other songs, is now being restored and edited together by Tony Palmer, who shot the original material.
This will be interspersed with more backstage film of the band on tour, and even some fresh interviews with Cohen himself all of which has remained unseen for over 45 years
These amazing audio and visual recordings will be released in a Limited Edition Deluxe and Standard versions exclusively through Pledge Music during the summer 2018
These releases will act as a companion recordings and film and will all add considerably to footage of the early part of Cohen's career. For which there is an increasing need since, apart from the film “Bird On A Wire,” there is comparatively little widely available.

DVD featuring 71 minutes of previously unseen footage of 1972 tour shot by Tony Palmer and not included in Bird on a Wire film & 2CD set
 
CD1 – Best of Live Recordings by Tony Palmer at various venues.
Track List:
1. So Long, Marianne
2. You Know Who I Am
3. The Butcher
4. Famous Blue Raincoat
5. Story Of Isaac
6. Joan Of Arc
7. Hey, That’s No Way To Say Goodbye
8. The Partisan
9. Suzanne
10. Seems So Long Ago, Nancy
 
Film Soundtrack CD & DVD Track List:
1: So Long, Marianne
2: Bird on a Wire
3: Hey, That’s No Way to Say Goodbye
4: Famous Blue Raincoat
5: You Know Who I Am
6: Joan of Arc
7: Chelsea Hotel (improvised)
8: Suzanne
9: Avalanche
10: Story of Isaac
11: The Dealer
12: Chelsea Hotel
13: The Butcher
14: We Shall Not be Moved
For more information:
www.pledgemusic.com/leonardcohentonypalmer


Cat Stevens at 70: His voice in the recording studio was ‘instant magic,’ recalls The Hit Men’s Jimmy Ryan



Jimmy Ryan of The Hit Men, left, and Cat Stevens


As Yussuf Islam, aka Cat Stevens turns 70 this weekend (July 21), Jimmy Ryan of THE HIT MEN, who played guitar on 1974’s multi-platinum Buddha and the Chocolate Box album, recalls how Stevens’ voice back then had a “transformational” ability in the recording studio to turn a track into “instant magic.” 
A primary example of Stevens’ wondrous studio flow, Ryan explains, was during the session for the song “Sun - C79”. Ryan wanted to write out a rough chart of the song’s multiple chord and mood changes. 
Stevens had other ideas.  
“He wouldn’t have it,”recounts Ryan now lead guitarist of THE HIT MEN, the popular “real deal” musicians who’ve separately delivered dozens of hits to the classic rock superstars of the ‘60s, ‘70s, ‘80s, and ‘90s. “He kept saying ‘just follow along,’ as he loosely wandered from half singing / speaking it, sometimes with a guitar, often while holding a guitar and not playing. His approach was for us to ‘get’ the song emotionally first, then work out the details later.   
After quite a few rounds of this, recording began and a coherent track eventually emerged. Not amazing, by Ryan’s standards, but OK. Ryan discretely whispered that opinion to Jean Roussel, the keyboardist, who knowingly smiled back and said to just “wait for it.” Stevens then stepped up to the mike, the track started rolling, the engineer pressed “record,” and … 
"… I was a witness to instant magic,” says Ryan. “His voice brought the song up to a whole new and unexpected level, creating that amazing sound and sung story telling he is so famous for. I’ve never seen a track transformed so quickly and thoroughly by anybody since! For me, that summed up the artistic genius that is Cat Stevens … and the Billboard charts agree.” 
In the ensuring months, Buddha and the Chocolate Box was Certified Platinum (over 1 million units sold), and the artist known now as Yusuf / Cat Stevens cemented his place in music history as a Rock ‘n Roll Hall of Famer!

>>>I’ve read this one a couple of times now and STILL don’t know how to react … FH Reader Sam Boyd sent me this piece written by Bob Lefsetz about The Happy Together Tour …Is he slammin’ the artists?  Or is he praising the quality of their hits, allowing them to endure five decades and still sound fresh and new???  Or is it just a whole lot of both going on here??? (He even slams the audience, referring to them as “the nearly dead”!) I dunno … you decide … all I know is The Happy Together Tour provides ENDLESS entertainment and enjoyment … and we can’t wait to see it again when it hits The Paramount Theater in Aurora next month.  (kk)

I have read many of Bob’s writings and my take on this is that he is surprised that he enjoyed it … at least more than he expected to. He can be caustic and assumes a position that is difficult to budge even if proven wrong. That is what is happening here. He has decided what / why the artists will / can do and is coping with things not being the way he had supposed. I am not saying he decides the outcome before he views shows, but he does go in with his lifetime of experiences and stances firmly set. He treats himself and his life in the same manner, so he does not limit his critiques solely to others. He came down hard on the sound system and screen size, which could easily vary from theatre to theatre, but as I have not yet read a review of his that was all positive raves,(does not mean they don’t exist) this was actually flattering for Happy Together Tour.
My outlook is just different. I go to a concert, show or musical with such gratitude for the opportunity that I glow. I am looking for the good in the experience and if I cannot possibly find it in the performance, clothing, lighting, staging, audience, or staff … I would look forward to dinner afterward. Actually, there have only been a couple of times that dinner outshone the show. 
Shelley J Sweet-Tufano
Lefsetz has built his whole reputation on being controversial just for the sake of being controversial … not to say that his opinions aren’t well-respected in the industry … he is one of the most-read music columnists out there … but I find him to be far more negative than positive the majority of the time … but far too often simply for the sake of being so.  (kk)

The ‘80’s:
kk: 
August 18 = WCBS-FM … Free concert in the park. 
They do this every year.
FB

Belinda Carlisle was in Chicago this past week as part of an ‘80’s Fest held at The Arcada Theatre.

It was an interesting concept, not unlike what we’ve been talking about lately here in Forgotten Hits … gather together the lead singers who sang these hits, put them upfront with a killer back-up band, and let them take the audience back to a happier time.

This particular show featured Belinda, singing her hits with The Go Gos as well as from her solo career, Limahl (from Kajagoogoo, who also had a large ‘80’s hit on his own), Annabella from Bow Wow Wow, Tony Lewis, former lead singer of The Outfield and the groups ABC and Modern English.

Between them, these artists helped provide the Soundtrack of the ‘80’s with great songs like “We Got The Beat,” “Vacation” and “Our Lips Are Sealed” by The Go Gos; “The Look Of Love” and “When Smokey Sings” by ABC; “Too Shy” and “Never Ending Story,” both hits for Limahl both with Kajagoogoo and solo; “I Want Candy” by Bow Wow Wow; “I Melt With You” by Modern English; “Your Love,” “All The Love In The World” and “Since You’ve Been Gone” by The Outfield and “Heaven Is A Place On Earth,” “I Get Weak,” “Mad About You” and “Circle In  The Sand,” all from Belinda Carlisle’s very successful solo career.

While I wasn’t at the show (it sounds like it woulda been a cool one to see!), The Arcada Theatre sent us some photos to share with our readers, all taken by house photographer Lucian Bilotti.   
(Special thanks to Ron Onesti and Brittany.)


Belinda Carlisle



 ABC

Annabella (of Bow Wow Wow)

Limahl

Tony Lewis (of The Outfield)

Modern English

So … since we've ventured into the '80's … here are a a couple more tunes from that era that hit a little closer to home.

Both hail from Illinois, with REO Speedwagon having their roots in the college town of Champaign down south … while Cheap Trick broke big out of Rockford, about 90 miles to the north of where I grew up.

REO paid their dues for a long time before finally hitting it big in the early '80's with their "Hi Infidelity" album.  (Earlier low-charting hits like "Ridin' The Storm Out,""Roll With The Changes,""Keep Pushin'" and "Time For Me To Fly" garnered all kinds of airplay here in The Midwest in the late '70's … but I'll betcha as far back as 1972 I saw REO open for at least half a dozen acts that came thru town.  They seemed to be the "go to" band and, as such, I saw them paired with everybody from Badfinger to The Raspberries to Malo to Chuck Berry … and that was just at one venue!

Recent Rock And Roll Hall Of Fame Inductees Cheap Trick kicked around for quite a few years, too, before their "Live At Budokan" album put them on the map.  (Yeah, all they had to do was travel half way around the world to achieve success here in Chicago!)  But that 6300 mile trip launched their career that eventually earned them eight Billboard Top 40 Hits (including a #1 Record with "The Flame.)  REO hit the top of the charts twice with "Keep On Loving You" (1981) and "Can't Fight This Feeling" (1985).

Here are a couple of Forgotten Hits from the ‘80’s, both with local ties to the Midwest (and Illinois in particular.)

Despite both bands being entrenched in Classic Rock Heavy Rotation, here are two outstanding tracks that you just never hear anymore …

 “In Your Letter” went to #20 for REO Speedwagon in 1981 … and is about as un-REO-sounding a record as they ever made … while “Voices” reached #28 in early 1980 for Cheap Trick.  (For some reason, there are parts of this song that always reminded me of The Hudson Brothers!!!  Go figure!)

Regardless, give them a listen … because you probably won't hear them anywhere else anytime soon!  (kk)




This Week’s Closer:
From FH Reader John LaPuzza …

Band Chart:

(Oh Yeah??? Try telling that to Paul McCartney!!!)  kk





Some Of Your Mid-Week Comments

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Unfortunately, some very sad news to start today’s posting …

Our FH Buddy Tommy Roe is going in for quadruple bypass surgery on Thursday Morning at the UCLA Medical Center in Los Angeles.

Tommy just recently retired from the road to stay home and care for his ailing wife … and now this.  We couldn’t be more sad to hear this news.

I can tell you that you’ll never meet a nicer guy … and Tommy’s Road Manager and Band Leader Rick Levy tells us that if you’d like to send your well wishes along, please do so at tommyroe@tommyroe.com.

Nothing but the best wishes for a speedy recovery, Tommy … please keep us posted as to how you’re doing. (kk)


If you grew up in the Chicago Western Suburbs in the ‘70’s, you probably were a patron of Val’s Halla Record Store in Oak Park.

It was always a tiny place and, later in life, probably known as much as a Head Shop as a Record Store … but I remember making this my #1 Stop for new releases, particularly each and every new Beatles solo release as they hit the streets in the ‘70’s.  (And you had to get there early, too … they were especially cramped for space and didn’t get in hundreds of copies of anything.)  They were also (and I think I can say this now that the Statutes of Limitations is over with!) a KEY spot to pick up bootlegs, especially those of The Beatles variety.  (I had the original “Let It Be” album nearly a year before it was legitimately released … but I had what would ultimately become known as the “naked” version, before Phil Spector got involved with polishing up all the tracks.  Back then it was called either “Get Back” or, in the case of my copy, “Kum Back” … and they had a wide variety of other live album contraband on hand, too, until the place got busted one too many times!)

I know they relocated several years later and once I’d moved out of the area and bigger stores with more variety (and ultimately online purchasing capabilities) came around, I stopped going altogether.  (It’s gotta be at least 25-30 years since I’ve been back.)

Well, I got word that Val, the proprietor of the place, just recently passed away … an even bigger shame as the store was preparing for their 50th Anniversary.  The GOOD news is, this will now be turned into a “street celebration” … and it’ll all be happening this weekend.  (If you grew up in this area, you may want to use this as an excuse to visit the old ‘hood!)

I heard from FH Reader Goldie Rox … who told me …

Hi Kent! 
A fixture in the Oak Park community has passed.  Val Cammiletti, a longtime friend of mine (50 years), and many others, was in her early 70s. She owned Vals Halla Music for almost 50 years.  Loved by many. her store is still located in Oak Park.
She managed a record store in Oak Park for a few years, then bought the store and re-named it Vals Halla Music. Before that she worked for Capitol Records when the Beatles became famous. Val enjoyed sharing a few memories of those days at Capitol when she had her annual in store events, and those attending hung on her every word!
Her store anniversary celebration with live bands is this coming weekend. In the old days, she would have bands playing in the street in front of her store, until the building was sold, and she had to move to a different location in Oak Park. I will be there and probably my kids and grandkids, too.
Val also used to write a music column for the Wednesday Journal  (an Oak Park paper.)  She was a walking encyclopedia of music!  Shewas friends with Mavis Staples, many musicians, Terri Hemmert, formerly of THE LOOP, did an in-store talk years ago. When I booked bands, I used to bring some of them to her store. (The Yardbirds manager, to name just one).
I just thought maybe you would like to mention something about this some day.  (I think perhaps because her store is sooo tiny that it would be better to mention next week.) I am not kidding … the store is always so jammed during her events that people have to wait outside because it's too hot in the store or too crowded to even get in the door. 
If you decide to go yourself, please let me know ... I would love to shake your hand and thank you for your Forgotten Hits site! Since FaceBook is full of posts about her, it will be crazy this weekend there.  
Having been one of the “regulars” at Val’s Halla back in the day, I’m going to make every effort to stop by … and I’m going to go ahead and post this because I think several of the “regulars” on OUR list would probably love to stop by and revisit and old haunt.  (We can make this not only a life celebration for Val but also a Forgotten Hits “meet and greet” for all the faithful readers who have been with us for nearly twenty years now!)  In fact, you just never know who might stop by once we put the word out!  (Jim Peterik told me that, while he wasn’t a regular Val’s shopper, he DID perform live there once in 1976 to promote “Don’t Fight The Feeling.”  (kk)

Hi Kent! 
What a shame about Val. Although I was only there a few times (once I played live there to promote Don’t Fight the Feeling in 1976), I know the store was an iconic landmark.  Let me know more when you know more ... and thanks for letting me know. 
Warm regards –
Jim

I would have to figure that if any of you out there grew up in that general area (Berwyn, Oak Park, Cicero, etc.) you were probably a regular at Val’s back in the day … so I’m reaching out to all of our readers who consider this one of their rock and roll memories and encourage you to come out and join the celebration.  (kk)

I know it’ll be happening on Saturday and Sunday. It has been on her store page on Facebook, so I’m thinking there’ll be a pretty big turn out for this.
I went to her store from the beginning.  I was 17 or 18 years old … and actually went there upon my return from Woodstock. I wanted records of two  of the bands I saw there. I asked her if she had MOUNTAIN (Leslie West, whom I years later was supposed to interview, but he was diabetic and became very ill ... true story!) 
The other album I wanted was by that new band, Santana. When I asked Val if she had it yet, she replied "Somebody else who just returned from there asked me for that album. I just ordered some Santana."
Goldie

And then …

Sick of me yet?  LOL!
I think it is great that you are going! 
Just an FYI:
This year, there is construction of new buildings across the street on Harrison. When I went last week to pick up an album, her block was re-routed to side streets. I cannot imagine how awful the parking will be this weekend ... but that won't stop folks from coming, of course!
The two days are always tightly scheduled with bands one right after the other. And, of course, not a real stage, so it is always crowded inside. I think if you ask someone to "pop in" as a guest appearance, it would be better if whoever you ask just shows up as a surprise, especially if they knew Val. You are right, NOT to advertise WHO, on  Facebook, your website or anywhere else. I only say that because it is such a tiny space and is going to be more crowded than usual.
That being said, a surprise guest or two would be fun! Of course, bands that have been scheduled for a long time should not be " bumped" cuz you and I know how bands are ... LOL!  (I worked with many, and had to write objective reviews and interviews ... OMG!)  I am sure that many of Val's friends and some band members will be grabbing the mic just to say a few words and share some memories, which is appropriate! 
So those are my thoughts … my two cents worth. I am notsuggesting that you not mention the event in Forgotten Hits. I am very thankful that you will mention her and knew her! I am just offering my opinion not to announce who might show up. It is not about folks coming to see someone famous ... it is now about honoring / remembering a great and generous woman. I hope you understand where I am coming from, my friend.
Looking forward to meeting you in person,
Goldie Rox
I agree … here is a link to the information as posted on Facebook …
As well as a posting about her passing …

FH Reader Bob Merlis tells us about another way you can help to preserve the legacy of our great music … this one by way of a Facebook post by Roy’s son, Roy Orbison, Jr. …

Roy was a guest of Dave Hoekstra on his Nocturnal Journal radio show, heard on WGN / Chicago.  The interview* elicited a lengthy email from a resident of Wink, TX, who is concerned that the building where Roy’s dad went to school is threatened with demolition. We forwarded that note to Roy whose response was to post this on his Facebook page. Figured we’s share it in the name of rock ’n’ roll preservation.

Best,
Bob
Bob Merlis / M.F.H.

Speaking of Rick Levy (on an up note this time!), we just got word that The Box Tops will be appearing on German Television on September 6th.  (You’ll find more details below)  

The Box Tops To Be Featured On German TV Special
Memphis blue eyed soul legends, THE BOX TOPS, will be a featured act on Gottschalk's “1968” TV special on September 6, in HAMBURG GERMANY. Hosted by well known German presenter Thomas Gottschalk, THE BOX TOPS will perform their worldwide megahit, THE LETTER. Also scheduled for the show, folk rock icon, DONOVAN, and PETER FONDA, star of the ultimate hippie generation culture film, EASY RIDER. 
Since re-forming just 2 ½ years ago, THE BOX TOPS have performed to tens of thousands of fans all across America, and have ascended to the top echelon of their genre. They were featured artists on 2017's HAPPY TOGETHER TOUR, and played on the sold out CONCERTS AT SEA in 2018. They are also slated to play two shows on the already sold out FLOWER POWER CRUISE in 2019. In late 2017, the band signed to Paradise Artists, one of America's premier booking agencies, to handle their engagements exclusively.
In late 2015, original founding members BILL CUNNINGHAM and GARY TALLEY teamed with veteran industry musician/manager RICK LEVY and two top professional musician friends to explore live show potential. In 2016, they hit the road, performing at casinos, fairs, clubs, performing arts centers, and festivals. The show, augmented by Cunningham's chart arrangements and a horn section, features hits from THE BOX TOPS' catalogue, including THE LETTER, CRY LIKE A BABY, SOUL DEEP,  NEON RAINBOW,  SWEET CREAM LADIES (forward march) and CHOO CHOO TRAIN, plus album cuts and special tributes to Memphis artists. Historical video footage and personal stories of the '60s Memphis scene make the BOX TOPS show a HIP music history experience. THE BOX TOPS are also part of the AMERICAN POP SHOW, with favorites, The Buckinghams and The Grass Roots.
Upcoming shows:
August 3 - CAFÉ WHA? - New York City
August 4 - DARYL’S HOUSE CLUB - Pawling, NY 
August 8 - CAPE MAY CONVENTION HALL - Cape May, NJ 
August 25 - KOOL DEADWOOD NIGHTS - Deadwood SD 
September 6 - GOTTSCHALK'S “1968” television show / Hamburg, Germany
For more information: 
instagram: theboxtopsband

And, speaking of WGN Radio, did you happen to listen to the interview with Bob Sirott and John Records Landecker that ran very early on Sunday Morning?

If you grew up in or around Chicago, you’ll want to check this out … a FINE tribute to Chicago radio from back in the day by two of the biggest and best voices to ever grace the station (WLS). 

They pay loving tribute to Dick Biondi, soon to be honored in a film documentary and have quite a few kind words to say about King Bee / Ron Britain as well.

Check it out before the podcast link disappears …

Hi Kent, 
Thanks so much for the notification.  I couldn’t miss Sirott and Landecker’s interview with Dave Plier so I set my alarm for 2:15 a.m. and wasn’t disappointed.  These guys are great Dick Biondi ambassadors. I just learned Ron Onesti is having a Radio Days event at his new venue Evanston Rocks! in Evanston (http://evanstonrocks.com) with Bob Sirott, John Landecker and media beat reporter Robert Feder. I’m there!  And of course John is joining me at the Beverly Arts Center on August 8th at 7:30 P.M. for a prevue of our documentary.  Just heard WLS Historian Scott Childers (http://www.wlshistory.com) will be there too! Tickets are available at the Beverly ArtsCenter: http://beverlyartcenter.org/17/?noisa_events=1428  
Rock radio history is alive and well in Chicago!
Pam

And let’s not forget to post a link to YOUR site, too, Pam, where donations are still being accepted to cover the funding of your upcoming Dick Biondi Documentary.  (kk)

Hi Kent: 
Found this scrounging through a box today! Vintage!
Ken

And, in other radio news …

Mick Jagger turns 75 on Thursday, July 26th.  WLTL will celebrate with a two-hour special on The Rolling Stones.  Hour one will feature The Rolling Stones in the sixties and hour two, The Rolling Stones in the seventies.  Music, the stories, comments by Mick Jagger and more.


The History Of Rock & Roll - The Rolling Stones
(WLTL is airing the Drake - Chenault “The History Of Rock And Roll” with the two hours featuring The Rolling Stones)
Starting 12pm CT July 26th on WLTL … streaming at:  http://www.wltl.net/listen1.html 
A companion Rolling Stones Top 10 Forty-Fives list may be found at https://mikebaker45s.wordpress.com/forgotten-45s/ 

kk …
From The Library of Congress …
Don't yell at me if this was part of your Bobby Darin Series, ‘cause I don't remember.  FB

I’ve gotta admit, Frank, that I’m a little disappointed … you were supposed to MEMORIZE the entire series!!!  (Hell, I don’t even remember all that it says anymore … and I wrote the damn thing!)

Lots of Bobby news again lately … a new CD release that captures a bunch of material buried in the Motown vaults for 45 years … a couple of musicals that are in the works … it’s all good news.

And, speaking of The Library of Congress, believe it or not, they contacted ME a couple of weeks ago!!!  (Yes, it’s true … a guy by the name of Matthew Barton, Curator of Record Sound for The Library of Congress in Culpeper, VA, asked for my help in putting him in touch with John Madara and David White, writers of the Womens’ Anthem “You Don’t Own Me”!)  Matthew was familiar with our site and had recently read the piece we did several years ago spotlighting some of the hits written by this dynamic duo back in the day.
My understanding is that he and John talked for awhile … so I’m waiting to hear what the next step may be.  (Matthew also expressed an interest in talking to me … so who knows … Forgotten Hits JUST may be recognized for our efforts in keeping this great music alive … in THE LIBRARY OF CONGRESS!!!  Stay tuned!)  kk  

This EXTREMELY short notice, I know … but those of you who are able may want to listen in as Paul McCartney talks about his new album and answers questions from the audience at The Liverpool Institute For Performing Arts, which he cofounded back in 1996. 

You’ll find more details below … 

Casual Conversations from LIPA 
Join Paul for a Facebook Live Q&A 
Wednesday 25th July, 2018 - 2:00PM BST  
Paul will be returning to his old school in Liverpool, now LIPA (The Liverpool Institute for Performing Arts), on Wednesday 25th July for an intimate hour long Q&A and conversation session with LIPA students. The event will be streamed live on Facebook allowing fans from all over the world to tune in and watch Paul talk about his career and his forthcoming new album Egypt Station which will be released on September 7.
For those watching the event on Facebook they too have the opportunity to join in. Paul would like to ask fans from around the world to submit questions to his Facebook page in advance. A select few will be chosen to be answered as part of the event.
Please click HERE if you have a question you would like to ask Paul.
LIPA was co-founded by Paul in 1996 and he remains their Lead Patron.
Hi Kent: 
Just a follow up on Freddy Cannon ...
He was a performer at the very first Summerfest in Milwaukee in July of 1968!!! 50 years ago exactly! 
Ken

kk –
Your great Freddy "Boom Boom" Cannon review runs here …


Freddy "Boom Boom" Cannon is the subject of an interesting review on Kent Kotal's Forgotten Hits site. It's complete with videos and links. Below the Cannon story is a review of the Doo Wop Concert Cannon was performing in. If you're a Boom Boom fan, this is a good read.

Clive Topol

This whole Freddy Cannon thing really seems to have taken of … and I’m lovin’ it!  With Forgotten Hits being read worldwide, it’s incredible to know that folks around the globe are reading about all of the great acts that hit our popular venues here in Chicago.  (You wouldn’t believe how much mail we’ve received over the past several years from folks all over the country, writing in to say how they wished they had a place like The Arcada Theatre to go to where THEY live in virtually Anytown, USA!)

KENT –
THIS IS GREAT … SEE WHAT YOU STARTED!  YOU ARE GIVING ME A COMEBACK!
THANK YOU … FORGOTTEN HITS IS THE BEST!
FREDDY BOOM BOOM CANNON
Well deserved, my friend.  It took awhile to get you here, but we finally made it happen … and now everybody’s rockin’ to Boom Boom once again!  (kk)

Kent,
Eddie mentioned Richard Nader and the concerts he used to promote years ago. I went to two of his concerts right at 40 years ago when they came to OKC. One in particular I remember. On the show was Sam Samudio of Sam the Sham and the Pharaohs. It was just Sam by himself. Now at this time Sam had quit in a way playing secular songs and was into spiritual or gospel tunes. He came on stage, sat down on a stool with his guitar and began to play. He played two gospel songs (don't remember what they were). No WOOLY BULLY nor LIL' RED RIDIN' HOOD. You talk about boos and catcalls from the audience. If I had tomatoes and / or heads of lettuce that evening with me, I could have sold out to the audience for them to throw at Sam on the stage. Incidentally, the host or MC of the concert that night was Ron Holden, the singer who had the song LOVE YOU SO in 1960. I'll never forget midway through the concert, he told the audience that he was going to be singing for them a medley of his hit.
Larry

kk:
7/21/ 2018 =  Rewound Radio featured one of my favorite D J's from the old WCBS-FM, Bob Shannon.
Part One = Bob Shannon on The Breeze - 107.1, a New Jersey station. It was a "Radio Greats Weekend."  Most of the time too many people in the studio at the same time. More talking than music.
Part Two = Was better. Bob Shannon sitting in for Norm N. Nite. This show was from 7/27/1996. 
Playing the New York City Top 20 from 7/27/1968.
A few interesting facts:
#12 = "Sunshine Of Your Love," by Cream. Most people think Eric Clapton is singing lead. It's really Jack Bruce.
#9 = "The Horse ," by Cliff Nobles. This started out as a song with lyrics with Cliff Nobles singing. They decided that it sounded better as an instrumental, removed Cliff Nobles voice. Cliff did not play an instrument.  Cliff Nobles is given credit on the label, even though he had nothing to do with this recording.
#8  = "Jumping Jack Flash," by Rolling Stones. From the album " Perverts At The Gym."  An example of Bob Shannon's humor. For those who are wondering, The #1 Song was "Stoned Soul Picnic," by 5th Dimension.
To really find out how great Bob Shannon is, you have to hear him on his own show.
"First and Foremost" + "Lost Hits" + "Hands Across The Water" + "Same Title and Different Song."… these are just a few of the many features he had on his show every day.
They did say that Bob Shannon gave up radio due to health issues.  They never said what was really wrong with him.
It was good to hear him again.
Got to go.  I just got the urge to play some of my Bob Shannon cassettes.
Frank B.
I missed the Bob Shannon tribute but was listening to Rewound Radio most of the afternoon ... and have to thank host Allan Sniffen again for the wonderful shout-out he did for Forgotten Hits.  It is my "go to" radio station for oldies music ... and nobody does it better.  (kk)

From David Salidor after our '80's piece ran …

Talking about Belinda Carlisle :

NOWELS KNOWS — I just put on Lana Del Rey’s Born To Die album  (2012) the other day and was amazed at how well it holds up and the brilliant production work by Rick Nowels. Nowels was back, Nowels was a true LA wunderkind, who had produced that terrific Belinda Carlisle track “Heaven Is A Place On Earth,”  and tracks for Stevie Nicks and, of course, Del Ray. The track “Summertime Sadness” is one of the best tracks I think I’ve ever heard. Listen closely to that drumming … just brilliant. I remember when I spoke to Nowels when it came out and I quipped that the track was an updated “Heaven” and he laughed. I well remember the story from PR-pasha David Salidor, when he told me that Nowels almost produced an album for Debbie Gibson.
Married to Maria Vidal, Nowels is simply sensational.
We told you a week ago or so about Charlie Gracie being awarded the commemorative Buddy Holly Legacy Guitar Award … and Charlie, Jr., just sent us some photos of this event to share with our readers …
PHILLY’s GODFATHER of R&R:
CHARLIE GRACIE attracts crowds in the UNITED KINGDOM and throughout EUROPE which rival that of a PAPAL AUDIENCE! Even at 82, few artists enjoy the GLOBAL following CHARLIE’s been blessed with!
THE BUDDY HOLLY LEGACY GUITAR AWARD: CHARLIE was humbly honored to receive this magnificent instrument from The BOARD of The BUDDY HOLLY EDUCATIONAL FOUNDATION and his widow MRS. MARIA ELENA HOLLY — just before he headlined the Wildest Cats In Town R&R Festival at the SUFFOLK seaside resort of Pakefield (Lowestoft), ENGLAND. MIKE READ — nationally known British broadcaster, was Master of Ceremonies ... a great fellow!
“I HAVE LOVED EVERYTHING ABOUT BUDDY HOLLY,” said CHARLIE.  “He was, without a doubt in my mind, the greatest R&R innovator of his time!”
CHARLIE now joins a select group — including: PAUL MCCARTNEY, ROGER DALTRTY, BOB DYLAN and GRAHAM NASH.
CHARLIE and the GRACIE FAMILY are greatly appreciative and send LOVE and BEST WISHES to ALL! THANK YOU!



 
Great stuff, as always, Kent . 
Please send me the latest on the Buddy Holly crash investigation stuff.  There are so many of these things that make no sense and for which it seems we’ll never get the complete story, perhaps because no one knows — Rick Nelson and Jim Croce come to mind, as well.  Thanks!
Michael
Available by email request only … if you’d like to see where things currently stand with LJ Coon’s efforts to reopen the investigation into the plane crash that took Buddy Holly, Ritchie Valens and The Big Bopper from us, drop me a line and we’ll fill you in!  (kk)
NOTE:  We’ve been covering LJ Coon’s efforts for several years now … including his requests being denied on a few occasions already … but he continues to soldier on.
Forgotten Hits was the first to break this story … nobody else touched it for about two months … and then all of a sudden it was EVERYWHERE!  We’ll continue to keep you posted as new developments materialize.  (kk)

Hi Kent,
Goldie Rox here.
In your 7/20 posting about REO and Cheap Trick, there were two songs to listen to. I clicked on a song, and loved it. Not sure if it was REO or Cheap Trick. Lyrics were: YOU DID NOT KNOW WHAT YOU WERE LOOKING FOR. Who was that? Did not show name of song / group, or I missed it. 
LOVE your website! So sorry I missed Freddy Cannon … he was always one of my faves! When was that appearance he did with Svengoolie? Was it televised recently?
Thanks for all you do!!
GOLDIE ROX
The song you're referring to is "Voices" by Cheap Trick - the artists are identified in the paragraphs above the tracks.
This is a great one, isn't it???  Got a lot of airplay here in Chicago at the time ... and doesn't really sound like any of their other stuff.
I feel the same way about the REO Speedwagon track ... something you'd never expect them to do.
This is why BOTH of these tracks stand out for me.
Freddy's show at the Arcada was last Sunday (the 15th) - he was scheduled to appear on Svengoolie's program this past weekend (not exactly sure when it airs - Friday Saturday or Sunday) - unfortunately, I missed it, too - and I doubt if it's available "on demand".  (But I’m sure gonna look for it!)  Great concert 'tho!  (You'll find more Freddy Cannon comments above!)  kk
I knew he was at the Arcada but I could not make it to that show. How wonderful that he had you on stage to thank you. 
Goldie

THE FRIDAY FLASH

$
0
0
Seems to be a lot of that going around …

Just a day after we broke the news about Tommy Roe going in for quadruple bypass surgery came word that Michael Nesmith had just gone thru the same procedure.  (Guess he was sicker than anybody thought when the balance of The Mike And Micky Show tour was cancelled!)

Nez is back home recovering in California and says that he still plans on completing his two week tour with The First National Band in September … as well as rescheduling any missed dates with Micky Dolenz next year.  (Might we also see a few new dates added???)

It’s amazing (and very encouraging to hear) how successful these surgeries have been in the rock and roll world.  (In fact, Freddy Cannon … and even his good friend Svengoolie … both had heart surgery a few years ago … and are still going strong.)

Nesmith doesn’t downplay the procedure, however.  He told Rolling Stone Magazine: 

It’s frightening.  There’s also a lot of pain involved, and I didn’t like that. You can’t cough and you can’t walk, and you can’t get up. And you’re hooked to these gadgets that are annoying. I didn’t even know where I was for a couple of weeks.  “If anybody ever comes up to you on the street and offers you bypass surgery for free, turn them down ... it hurts!
-- Michael Nesmith

Hi Kent –
I was shocked to hear about Tommy Roe. He was on my first tour of the UK.  He was a gentleman and I liked him very much. I have emailed him and wished him good luck.  Please keep me informed of his progress.
Take care –
Billy J. Kramer
Yes, it was pretty surprising news … but Tommy has promised to keep in touch with us and let us know how he’s doing.
Meanwhile, I’ll see YOU at Beatlefest in a couple of weeks!  (kk)


Kent, 
Thank you for the alert on Tommy Roe.  I posted it here to add some prayers for his recovery:  https://www.facebook.com/groups/BeachBoysOurPrayer/
Phil



Val's ... And The Glorious Days Of Record Shops
Kent,
So sorry to hear about Val from Oak Park.
This brings back memories for me as I used to work at another small music store in Oak Park called Chicago Digital ... another store back in the day that you could find imports, bootlegs and many other things you could not find anywhere else. I remember working there one day and we had some people from the Prince entourage come in looking for some rare Prince items, which we had had. There were many DJ's who visited also. A great experience that turned me onto much new music that I would not have heard otherwise. The store is still there on Harlem Avenue. But it is a shadow of what it used to be. A great memory for me.
Art Walicki
There were SO many cool record shops back then … another favorite of mine in Oak Park was Little’s Music … I got to know the owner, Paul Little, quite well … and we loved discussing the oldies even way back then.  (He would correct me and fill me in on little details as part of the educating process.  Funny … and I actually laughed as I started typing this because it is such a vivid memory … I remember coming in one day and asking him to order “Only Love Can Break Your Heart” by Gene Pitney … I wasn’t really all that familiar with the song but was just starting to build my collection of every Top Ten Hit … and he corrected me, “Only Love Can Break A Heart” … “Only Love Can Break YOUR Heart” was a Neil Young song!!!”
This was back in the day when record shops would special order records for you if they didn’t have it in stock and this one, being an oldie (and evidently not a very high “in demand” oldie at that), had to be special ordered.
When Paul finally decided to close up shop, he invited me in to browse thru what was left of his store inventory and I remember picking up a copy of every “Cruisin’” album he had.  (Unfortunately, he didn’t have them all … so I walked away with several holes in my brand new collection … and, of course, back then if you wanted a specific title, you had to hunt it down by going from record store to record store in the hopes that somebody else would have a copy or be willing to order one for you … not like today when you can order online thru Amazon or check it out on eBay!!!  Back then you had to really WORK to build your collection!!!)  And it was always a VERY pleasant experience, making brand new discoveries along the way.
Pleasant memories of an era that today’s generation have no experience with.  (Today an artist like Drake can release a new album and all 27 tracks will receive enough downloads to chart on Billboard’s Hot 100, thus breaking The Beatles’ record for most charted songs in a single week.  Back then you had to go out, get in your car and drive to the record store, buy the album and then carry it back home to play it … and if you liked tracks like “All My Lovin’” and “This Boy” and “Till There Was You” and “Not A Second Time,” you had to play them for yourself … they didn’t count toward sales and airplay like they do today.  Can you even imagine how many more GAZILLIONS of sales and charted hits The Beatles would have had had this option been in place at the height of Beatlemania?!?!  Even today, some 50+ years later, Beatles downloads still outsell many of the current releases!)
But I digress …  (lol)  kk

Oh yes, I remember Val’s Halla – my husband used to spend his life ... and most of our money there.  We had crates and crates filled with albums and I always used to have to tell him to stop ... that he was spending all of our money on music.  Our place was just filled with apple crates full of albums!  And I'll bet he still has most of them!
Mary

Altho my visits to Chicago have been few, one record store I went in to was Vals Halla when we came to Chicago to see FH'er Stu Shea sing.  I spoke with Val for half an hour, mostly about Brian Wilson and other celebs she met over the decades.  It was fun and I can only imagine what it was like in its'"head shop" days.  We had something much like that here in Lincoln and it was MY go to spot for boots, imports and used records every week! 
Rest in peace, Val. 
WLSClark
Val’s got into used records kinda late in the game … but once she did, the back room was just stacked full of them (unfortunately, most often in VERY random order ... you really had to search thru everything in the hopes of finding what you wanted!)
Her regular crowd always seemed to prefer the artists more off the beaten path than the popular mainstream … but she catered to ALL music lovers.  (I had absolutely NO idea about her background with Capitol Records … now I regret never discussing any of this with her … wait till you see the next post!!!)
One very clear memory I have was waiting in line to buy John Lennon’s “Imagine” album the day it was released … and watching her cut open the shipping carton to start selling the LP over the counter to all of us who were there to buy it.  (kk)

Hi, Kent.
Wednesday's column was a killer! 
A few things I'd like to comment on...
most importantly the feedback on the Landecker / Sirott interview on
WGN. That piece couldn't have been any better – it touched on so many aspects of rock radio in Chicago, and brought back many great memories.  I can't wait to finally meet John Landecker at the Dick Biondi film event in Beverly in August!
It's great to hear all of the good stuff about Dick Biondi. Of course, we're all anxiously awaiting news about him and his return to the airwaves.
I was saddened to hear of the passing of Val Camiletti.  I'd visited her shop a number of times over the decades, and always found something to take home. 
One of my favorite memories was of her telling me the story of how, in 1966, while working for Capitol Records, she was involved in
sending letters to record distributors and stores in and around the Chicago area, asking them to please return their copies of the "Yesterday and Today" LP for credit, due to a replacement program.  In my old nabe, there was a fantastic record store called "Little Al's" (remember that place, Bob?) where the owner would cover the entire front of the store with copies of the hot LP for that week.  I remember seeing about 50 copies of the infamous "Butcher Cover" lining the front of the store.  How many millions of dollars did we lose by NOT buying up all those copies?
Mike Wolstein
Western Burbs
RHS Rough Rider '67

It’s funny – I had just finished reading about Val’s Halla in Forgotten Hits and then picked up our local newspaper here in Naperville and saw that they were covering it, too.  Although I’ve never personally been there, it sounds like it was quite the haven for music lovers back in the day.
Rich
As mentioned here the other day, plans were already in the works for the 46th Annual Hallapalooza … so we’re expecting to see all kinds of artists donating their time and all kinds of music fans sharing their memories when we visit Val’s Halla Saturday afternoon.  (Now we just need to get the weather to cooperate … it’s gone from a BEAUTIFUL forecast with temps in the upper 70’s to rain and thunderstorms all weekend long … and now back to what sounds like a very pleasant day.  Let's hope so ... 'cause as we all know, moving this event INDOORS just isn’t a possibility!!!)  kk

Here's how ABC News covered it locally ...   

The longtime owner of Val's halla record store in Oak Park has died. Val Camilletti passed away Tuesday at the age of 78.  
According to the Chicago Sun-Times, Camilletti had been diagnosed with breast cancer about two years ago and passed away in hospice care.  
The original Val's halla Records location on South Boulevard featured an Elvis shrine in the bathroom. One of Camilletti's cats was usually found reclining on a bin of tightly-packed vinyl, while her dog would hang out by the front counter.  
The store remained in Oak Park, but moved to 239 Harrison Street in 2006, hosting several musical acts over the years.  
Mary Keating bought her first album at Val's halla shortly after Camilletti opened the store 1972. Keating said she became friends with Val because she visited the store so frequently.  
"I bought lots of music from her, especially in my 20s, and we became friends just because I was often in the store," said Keating.  
Keating recalled customers coming into the store with a "vague description" of a song and Camilletti quickly identifying it.  
"I think what I'll remember about Val is that as much as she loved music, I think she loved how music connected people even more. Her face would just light up when she connected with someone over a shared love of a new band or a great concert."  
Halla-Palooza, the store's 46th anniversary party is still scheduled for this weekend.

And this from The Chicago Tribune (guess you could say Val was pretty well loved in our community!)  kk
http://www.chicagotribune.com/suburbs/oak-park/news/ct-oak-vals-halla-tribute-tl-0726-story.html
(That picture must be from the NEW location ... I don't remember Val's Halla EVER looking this big and "grand" before!!!  lol)  kk
 

This And That: 
The announcement came so late I did not have time to form any expectations, and yet my expectations were still surpassed. Jarvis was a best pick as interviewer, even though he claimed his fandom was leaving him star-struck.  I don’t want to give a verbatim account, and yet I do. It was just a pleasure.
Looking at the chat screen during the broadcast, I understand why they posted this last minute. Even though all questions from the audience and FaceBook had to be pre-submitted, the chat screen was a running log of questions and declarations of love and loyalty. NO, I am not talking about my postings. I was transfixed to the interview before me and said nothing.
We are aware that The Beatles were not musically book-trained, and Paul explained how, attending LIP when he and George did, this was possible. It was not the school Sir Paul has “patroned” it to presently be. However, he supports all learning styles … formal music … picking things up from family and friends … practical, just figure it out yourself without knowing what it is called. As someone who has worked over 20 years varying learning styles to fit individual students, I was so happy to hear his outlook. Too many times we “throw the baby out with the bathwater” when it never needs to be ONE way only to obtain your dreams. Paul’s music professors told him, “You’re no good, but you could be a teacher.” (HUH? OH YEAH … if you can’t do, you teach.) Paul, himself, said, “What? Teach others to be no good?”  
The questions covered Beatles’ name changes, favorite stars you have worked with (I was gratified to hear John, George and Ringo named as the top), what effect technology has had on writing songs and performing, (VERY interesting and inciteful answer), the new Egyptian Station album and Paul and George’s “caning days” at the Institute.
I have to end with this George Harrison story.
On one of George’s “caning days,” the professor missed his hand and hit his wrist (dangerous) leaving a welt. His father asked him at tea what happened to his arm. George bravely answered that he wouldn’t lie. He had been caned that day. The next day the professor was called out to the hall by a Headmaster only to face Harry Harrison, who asked him, “Did you cane my son yesterday?” “Yes,” was the answer and BAMM! Harry knocked him down with a punch! A day of much rejoicing I am sure.
Shelley J Sweet-Tufano

Kent,
There seems to be a resurgence in the music that Freddy Cannon made years ago and, of course, Freddy himself. Got an idea to throw out at you (and I'm sure you will throw it right back to me.)  LOL
Years ago, the Ventures recorded WALK DON'T RUN and then later a WALK DON'T RUN '64 as well as Sandy Nelson’s TEEN BEAT and later TEEN BEAT '65.
What do you think of the idea of Freddy re-recording TALLAHASSEE LASSIE as TALLAHASSEE LASSIE '18 with the dances from the original being replaced with dances of the current era?
(Yeah, that's what I thought you would have said.)   LOL 
Larry
Damn … are there actually NAMES for the dances the kids do today???
(Honestly, these types of dance events don’t seem to be quite as popular today as they were way back when … another nod to a bygone era, I guess.)
It is clear that Freddy is still having the time of his life … and he deserves it.  I’ve had his Greatest Hits CD in the car all week long!
(Now he needs to release a new, collectors’ edition, featuring his original demo of “Rock And Roll Baby,” the song that evolved into “Tallahassee Lassie!”  (kk)

NOTE: We agreed that until Freddy gave us permission to do otherwise, we would only ever air a short snippet from this original recording … so here it is again (along with a clip of the B-Side) for any of those who may have missed it the first time around.  As you can see, the song was fully formed and arranged before Frank Slay and Bob Crewe got together and rewrote a big chunk of Freddy’s Mom’s lyrics.  (kk)


Boy, I wish somebody would open up a theater like The Arcada in The Twin Cities … all I can do is keep hoping! 
Bill
You won’t believe how many people we’ve heard this from over the years.  We are VERY fortunate to have a place like this nearby, dedicated to keeping all of this great music alive.  (Folks on our Locals List received an email last night telling them about some of the GREAT shows coming up at The Arcada in the months to come.  Live in the area and not on the list?  Drop me a line and we'll add your name to these special mailings!)  kk

Now THIS is some awesome news …

SiriusXM has announced that The Beach Boys will be appearing in an intimate Q&A session with a select group of listeners at the legendary Capitol Studios in Hollywood on Monday, July 30, as part of the SiriusXM "Town Hall" series. The session will be moderated by Emmy award-winning actor, director, producer and writer Rob Reiner, and will air on August 10 at 5pm ET / PT on Good Vibrations: The Beach Boys Channel (4). 
In a rare live group appearance, founding members Brian WilsonMike LoveAl Jardine and David Marks, along with long time Beach Boy, Bruce Johnston, will chat with Reiner and answer questions from fans about their SiriusXM channel, their new album, The Beach Boys with The Royal Philharmonic Orchestra and their celebrated career. Fittingly, the Town Hall will take place at the Capitol Records Tower, the home of the band's first major label affiliation and the legendary studio where they recorded some of their early material.
"It was a thrill to launch a full-time Beach Boys Channel in May, and our listeners have loved it," said Scott Greenstein, President and Chief Content Officer at SiriusXM. "Now this Town Hall is another rarity we are excited to present … all of the band members in one place for a special session with fans. It underscores the connection SiriusXM allows listeners to have with some of the biggest musicians of all time -- in this case, the original 'American Band.'"
Jerry Schilling, The Beach Boys' manager commented, "The entire The Beach Boys band and organization is looking forward to this SiriusXM Town Hall. It will be an historic event, as five band members gather for a conversation with their fans and Rob Reiner. They have not all been in the same place since their 50th anniversary shows in 2012. This is a rare and special moment for the band and SiriusXM listeners. It’s been a pleasure working with SiriusXM to make this happen."
We will DEFINITELY have to be listening for THIS one!!!  (kk)


We just got word that ABKCO Music will be releasing the COMPLETE Bob Seger / Last Heard Cameo / Parkway recordings on September 7th.
This is an early glimpse into an artist who would develop into a major rock and roll superstar and should be quite interesting.  (We have featured a few Last Heard tracks over the years … but it'll be REALLY nice to have them all collected in one place now!)  
Seger had a HUGE local following for nearly a decade before he broke big nationally ... so this will serve as an interesting peek into the development of his long career.  (I'll be listening to an advance copy this weekend and report back next week with my thoughts on the new CD.  (kk)

BOB SEGER & THE LAST HEARD DISCOGRAPHY COMING
SEPTEMBER 7th FROM ABKCO 
HEAVY MUSIC: THE COMPLETE CAMEO RECORDINGS
1966 - 1967 COMBINES RARE MATERIAL BY DETROIT ROCKER’S
PRE-STARDOM BAND ONTO ONE ALBUM IN CD / LP / DIGITAL FORMATS
On September 7 ABKCO Music & Records will release Heavy Music: The Complete Cameo Recordings 1966-1967  by Bob Seger & The Last Heard. This will be the first time ever that all records by the celebrated Detroit group will be made available since their origination as 45 rpm singles. The collection is wrapped in a newly designed album package, sold as a single CD, a single 180-gram vinyl LP, and on all digital platforms. “Persecution Smith,” the first single from the rare recordings is available to stream and as an Instant Grat download with pre-order. 
Pre-Order/ Pre-Save the album HERE
Bob Seger contributed to several local Detroit groups leading up to his breakthrough success with “Ramblin’ Gamblin’ Man” (1969) and “Night Moves” (1976). 
While serving as keyboard player and occasional singer in Doug Brown & The Omens, Seger met his future manager Edward “Punch” Andrews who co-owned the Hideout Records label. After The Omens split up, Seger formed his own group and while writing for The Underdogs, another band on Hideout,  he co-authored their single “Get Down On Your Knees.” After a failed attempt by The Underdogs to record the Seger-penned “East Side Story,” Seger was encouraged to record it himself and it was released by Hideout in June of 1966 under the name Bob Seger. The fantastic single was quickly reissued by Cameo Records just 6 months later, with Bob Seger & The Last Heard on the label, cementing the band’s name. 
With the help of former bandmate Doug Brown, the group recorded four more singles for the Cameo label over the course of the next year culminating with “Heavy Music” in July 1967. Launched with a simple but catchy bassline with snaps and claps to get the groove going, “Heavy Music” became a hit locally in Detroit, and the band appeared on the local Detroit TV show Swingin’ Time. The 45 of “Heavy Music (Part 1)” backed with “Heavy Music (Part2)” charting at #103 in Billboard and #70 in Cashbox. 
Stylistically, Bob Seger & The Last Heard went beyond the simple garage rock stomp and stammer formula and spread their wings lyrically and sonically in a few short years. “Persecution Smith” pokes fun at half-hearted revolutionaries in a style reminiscent of “Bob Dylan’s 115th Dream,” “Sock It To Me Santa” (released for Christmas, 1966) references James Brown’s “Papa’s Got a Brand New Bag,” and “Heavy Music (Part 1)” carries a Spencer Davis Group swagger before “heavy” music was even a term in the popular vernacular. “East Side Story” is an urban saga that tells the story of a woman in a tenement apartment begging her man not to head uptown with his knife; placed akin to a tune reminiscent of “Gloria” by Them.   
Heavy Music: The Complete Cameo Recordings 1966-1967 has liner notes by the celebrated music writer Jim Allen, original photographs and label art from the Cameo vaults. The monophonic collection was mastered by Robert Vosgien at Capitol Mastering and the vinyl was pressed in Detroit at Third Man Pressing. 
Bob Seger & The Last Heard – Heavy Music: The Complete Cameo Recordings 1966-1967
1)   Heavy Music (Part 1)
2)   East Side Story (Vocal)
3)   Chain Smokin’*
4)   Persecution Smith*
5)   Vagrant Winter#
6)   Very Few#
7)   Florida Time
8)   Sock It To Me Santa
9)   Heavy Music (Part 2)
10)  East Side Sound (Instrumental)
Produced & arranged by Bob Seger and Doug Brown except:
*Produced & arranged by Bob Seger
# “A Hideout Production”
Reissue Producer: Teri Landi
Bob Seger – lead vocal, organ, piano guitar
Dan Honaker – bass
Carl Lagassa – guitar
Pep Perrine – drums, percussion
Additional vocals – Doug Brown, David Whitehouse
Personnel on tracks 2 and 10: 
Bob Seger – vocal, guitar
Doug Brown – guitar, organ
Dan Honaker – bass
Pep Perrine – bongos
Bob Evans – drums

When you talk about your timeless, beautiful melodies, there aren’t many better than “Sukiyaki,” a #1 Hit in 1963 for Kyu Sakamoto … which also went to #3 again in 1981 for Taste Of Honey and then returned to The Top Ten again in 1995 when 4 PM recorded it.
FH Reader Ben Stokes tells us of a new version, just released by GH Hat (featuring Eriko Tamura)
I don’t care which decade you first discover this song, it’s a timeless, beautiful classic that will stick with you.  (A beautiful tune is simply a beautiful tune ... and that's all there is to it!  The same day I received this link, I heard the Kyu Sakamoto version on an old "Mad Men" episode!)

Hi there, 
Just released … Sukiyaki (Ue O Muite Arukō) [feat. Eriko Tamura] by G.H. Hat
Here is a Soundcloud link:
Ben Stokes

We have covered this tune several times before in Forgotten Hits.  It got its American title because the record promoters wanted to get a song that was sung completely in Japanese played on US Radio … but needed a word that most Americans would recognize … so they went with this Japanese dish … and, sure enough, it worked.  In fact, it remains the ONLY song sung entirely in Japanese to top the US Pop Singles Chart!

Here’s a link to one of our earlier features … just fascinating!  (kk)

Hmmm! I just read the “fact” that claimed Jack Bruce and not Eric Clapton sang Sunshine of Your Love.  Someone, (the person who thought that was true), must have not really listened. 
They both sang it, switching lines in the verses and singing harmony in the choruses. Sheesh!
Bill
Hi Kent –
Just a quick correction to Frank B's comments ...
>>>A few interesting facts:  #12 = "Sunshine Of Your Love" by Cream … Most people think Eric Clapton is singing lead. It's really Jack Bruce.  (Frank B)
He's half right ... Jack and Eric sing alternate lines throughout the song and harmonize on the chorus. 
Mike Lane
Minneapolis
Honestly, I always understood Jack Bruce to be the lead singer for Cream … the only official Eric Clapton lead vocal I was aware of was on “Crossroads” (and, quite honestly, that one always sounded a lot like Bruce to me, too!)  As far as I knew, Clapton didn’t even sing the song that he and George Harrison wrote together, “Badge,” so now I’m even more confused than ever.
In fact, I specifically remember being shocked how good Clapton’s voice was when he finally pursued a solo career and released “After Midnight” and sang all of the Derek and the Dominoes stuff.  I didn’t think that he had handled any of the vocals in any of his previous stints with The Yardbirds, Cream and Blind Faith.
Anybody able to shed any additional light on this?  Thanks.  (See, even I learn something new in Forgotten Hits from time to time!  Lol)  kk

THE SATURDAY SURVEY: July 28th

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*Survey courtesy of Gary Pfeifer and ARSA website


Wow!  Check it out ... Cream's got the #1 Record on this week's WMID Survey out of Atlantic City, New Jersey!

But there are other poised to take its spot ... The Rascals are up 18 places (from #20 to #2) with "People Got To Be Free," Jerry Butler jumps nine spots (from #12 to #3) with "Never Give You Up" and The Doors are nipping at their heels with their latest, "Hello, I Love You," which climbs from #16 to #4.  Any one of these records could take over the top spot next week.  (And "Sunshine Of Your Love" made a huge leap of its own, reaching #1 from the #7 spot the week before!

The chart seems to skew to the heavy side with records by The Rolling Stones, Steppenwolf and People all represented ... but again, this was the magic of the '60's ... which means that you'll also find records by 1910 Fruitgum Company, The Vogues, The Monkees, Sergio Mendes and Brasil '66, The Association, The Cowsills and The Supremes in this week's Top 30.

One surprise ... The American Breed charting again with "Any Way That You Want Me," again, a record that failed to chart here at home, climbs from #27 to #21 out on the east coast.  (kk)





7-28-68 - WMID - Atlantic City, New Jersey

Altho there aren't any songs by the Jersey Boys on this chart, there's plenty of Windy City guys representing here!  A great American Breed tune as well as Jerry Butler's song that would bring him and his "Ice Man" image to true acceptance on both the RNB AND Pop charts in the coming years.  

We'll feature Chicago and Chess Records' Radiants' last hit, 'Hold On" (#7) this week.  The band had been around quite awhile and from a local slant, members Maurice McAlister and Green "Mac" McLauren (recorded as "Maurice & Mac") were the artists who recorded WLS' Art Roberts mid-60's late night theme "Hey Baby, They're Playing Our Song."  We'll feature that, as well as the Radiants' song as well as one of my fave 60's bands, the Montanas', pop version of"Hold On"produced by our Tony Hatch!
-- Clark Besch




On This Date in '68:

7/22/68 - Al Kooper releases the Super Session LP with Stephen Stills and Mike Bloomfield.

7/23/68 – Apple Records signs The Iveys to the label.  They will have one minor hit (“Maybe Tomorrow,” #67 in Billboard but a Top 40 Hit … #32 … in Record World) before changing their name to Badfinger.  (The name was suggested by John Lennon, who also had once worked up a bluesy instrumental he called “Badfinger Boogie” … Paul McCartney, on the other hand, wanted to call the group “Home” … which gives you some idea how far apart their ideas were heading at the time!)

Badfinger would hit the US Top Ten with their next four releases:  “Come And Get It” (written by Paul McCartney, #3, 1970); “No Matter What” (#4, 1970); “Day After Day” (#1, 1971) and “Baby Blue” (#9, 1972).

7/24/68 – Jimmy Drake (who recorded the Top 10 novelty hit “Transfusion” as Nervous Norvus in 1956) died of liver failure

7/26/68 – Motown Records signs The Jackson Five

Also on this date, Jeannie C. Riley records her future #1 Hit “Harper Valley PTA.”  (That’s one of those songs I don’t ever need to hear again!)

7/27/68 – Robin Gibb is hospitalized for exhaustion during The Bee Gees’ first US tour. 

The Sunday Comments ( 07 - 29 - 18 )

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What a GREAT way to kick off this week's Sunday Comments Page!!!

I received this from Tom Cuddy earlier this afternoon, sent to me under the headline: A FORGOTTEN HITS EXCLUSIVE!!!

Kent:
Here’s a FORGOTTEN HITS EXCLUSIVE:
If hell could freeze over for the Eagles, then why can’t Guess Who hit-makers Burton Cummings and Randy Bachman get back together for another tour?

  
The talent agency APA is now accepting offers from U.S. concert promoters for a Summer of 2019 BACHMAN/CUMMINGS tour.
Along with a full band, Bachman / Cummings will play the hits of the Guess Who, Bachman Turner Overdrive and solo hits.
Bachman / Cummings have a deal to film a PBS-TV Soundstage special this October, which will be aired nationally to promote the summer reunion tour.
Tom Cuddy
New York, NY

Now this is INCREDIBLE news!!!  (Memo to Ron Onesti …. We need to get on this, STAT!!!  We’ve been talking about getting these two guys back together one last time for YEARS now … we CANNOT miss this opportunity!!!)
And why not film that Soundstage television special right at The Arcada Theatre???  This has been done several times before (we most recently attended the Ann Wilson taping a few months back.)  Randy and Burt did a GREAT Soundstage special about forty years ago (can that possibly be true?!?!) after Burton Cummings released his first solo album.  I would LOVE to obtain a crystal-clear copy of THAT broadcast.  (I taped it off the tv myself on vhs … and even made a cassette tape to listen to in the car from the broadcast … but both of those technologies have fallen by the wayside in the decades since so if ANYBODY happens to have access to clean copies of both audio and video, PLEASE get back to me on this!)
Summer, 2019, is still a year away … let’s hope that ALL of the necessary details can be worked out in time to make this happen … but October is only three months away, so PLEASE include me in the Soundstage taping as I wouldn’t miss this for the world!   (See … ALWAYS a fan first!)  kk

Burton’s Road Manager Sam Boyd tells me that Burton is doing much better now since his car accident back in May.  In fact, he sent me an email on the way home from a private bash that Burton performed at, three hours north of Toronto … so he is performing again. All the best, guys, for a speedy and permanent recovery!  (kk)

And, speaking of Burton Cummings, we just got these long-lost clips from FH Reader Tim Kiley, another HUGE Burton Cummings fan …

Hi Kent, 
Thought you, Burton Cummings, Don Everly, Sam Boyd, Lorne Saifer, and everyone would get a kick out of this performance!
Peace,
Tim Kiley 




And then …

Hi Kent, 
Just wanted to send another memorable segment of Don Everly and Burton Cummings performing together.
Peace,

Tim Kiley



We were fortunate enough to see Burton and Randy together in 2001 when they performed at The Rosemont Theater as part of a Guess Who Reunion Tour … and it was FANTASTIC!  Can’t wait to see the magic happen again on stage one more time.  (kk)

An update on Tommy Roe from Rick Levy, his manager and musical arranger …

TOMMY ROE is out of surgery and now in recovery after his quadruple bypass surgery.
His daughter Cindy, who is there at his side, said that all went well … so, so good, so far.  He will be in the ICU for awhile ... and then move into to a hospital room.
For those who are interested, I am making regular updates on my Facebook page.
Thanks all -
RICK

>>>On 7/21/ 2018, Rewound Radio featured one of my favorite D J's from the old WCBS-FM, Bob Shannon.  One of the shows featured was
Bob Shannon sitting in for Norm N. Nite. This show was from 7/27/1996, playing the New York City Top 20 from 7/27/1968.
A few interesting facts:
#12 = "Sunshine Of Your Love," by Cream. Most people think Eric Clapton is singing lead. It's really Jack Bruce.  (Frank B)
We got quite a few responses to this comment, most to the effect that Frank was only “half right” because Bruce and Clapton actually trade off vocals throughout the song.  I admitted that this was news to me, too, as I was always under the impression that Jack Bruce was the lead singer of Cream and thusly handled ALL of the vocals on their recordings.  I even went so far as to say how surprised I was to heard Clapton’s voice on his first hit solo single, “After Midnight,” and was impressed with his work with Derek and the Dominoes.  (As far as I knew, Clapton never sang lead with The Yardbirds, Cream or Blind Faith, all prominent bands he performed with prior to stepping into his own spotlight as a solo artist.)
In all fairness (and in complete defense of Frank B’s comment), you have to realize is that all he was repeating was the “facts” as given to him during Bob Shannon’s Top 20 Countdown from fifty years ago.  It isn’t at all fair to come down on Frank for simply recapping the broadcast as it existed at the time.  (“Sunshine Of Your Love” was climbing the charts fifty years ago today.  In fact, if you follow our Saturday Surveys feature, you’ll find it in the #1 Spot on this week’s survey from WMID in Atlantic City, New Jersey!)  kk

>>>I specifically remember being shocked how good Clapton’s voice was when he finally pursued a solo career and released “After Midnight” and sang all of the Derek and the Dominoes stuff.  (kk)
Yes, I agree.  The fact that he eventually became VERY boring with songs yawners like "Wonderful Tonight,""Promises" and what was up with these crap songs "Lay Down Sally" and "Watch Out For Lucy"????  “Let It Rain" b/w "Let It Grow" are truly his best, period, especially being a TSW!!!
Clark Besch
I like most of Clapton’s solo singles (although “Promises” and “Watch Out For Lucy” wouldn’t make my list of favorites either.  I think “Lay Down Sally” is a fun song that really doesn’t sound like anything else … and while I won’t dispute the fact that, forty years later, “Wonderful Tonight” is a TERRIBLY boring song that’s difficult to get thru, I absolutely LOVED it at the time … and for most of those forty years until it just became SO saturated with “overplay” on the radio that I find myself turning it off these days.  (I find it difficult to listen to “I Shot The Sheriff” these days, too, for pretty much the same reason.)
Other Clapton favorites that really stand out for me (and I agree, the “two-sided winner” you mentioned is among the best!), are “Easy Now” (the original flipside of “Let It Rain”), “Cocaine,” “I’ve Got A Rock And Roll Heart,” “Tears In Heaven,” both the rock and acoustic versions of “Layla,” “Change The World” and “It’s In The Way That You Use It.”  (Perusing the Clapton catalog, it’s pretty interesting to see how he was able to prolong his career by switching from one of the greatest rock and blues guitarists on the planet into what, for the last 25 years or so, seems to be entrenched as a middle-of-the-road, soft-rock artist.)  kk

Hi Kent -
It is surprising when you pick apart recordings you've heard hundreds of times and learn something new!  I never noticed until two years ago, for example, that Lindsay Buckingham sings the first verse of Fleetwood Mac's "Don't Stop", and Christine McVie sings the second!
Clapton had several other lead vocals with Cream, including "Anyone For Tennis,""Outside Woman Blues,""Badge" and "Strange Brew."  His is the first voice you hear in "I Feel Free" as well.
Mike Lane
Minneapolis

Hey Kent,
Clapton does indeed sing the lead on Badge. 
He also sings Strange Brew and Outside Woman Blues, to name a couple more. If you listen to his version of After Midnight and then go back to Sunshine of Your Love you'll be able to hear the differences between his and Jack Bruce's voice easier I think.  They really do have quite a bit of difference. Clapton's voice is much less intense than Jack Bruce's voice.
Clapton's voice didn't get that rough edge and intensity to it until stuff like Layla came out.
Bill

And then this from Frank B. himself …

kk:
Answering our doubters ...
According to this Bio, Jack Bruce sang lead on "Sunshine Of Your Love."
It’s okay to say I'm wrong.  I have to stick up for my man, Bob Shannon.
Frank B.

The ultimate proof, I guess, can be found in this vintage Cream performance …



In a Clapton-related comment … 

Thanks for this list of upcoming shows!  I remember seeing on an earlier list you sent out that the ‘Sons of’ Cream were playing the Arcada in November, but aren’t on this list. Are they still scheduled?
Rich Silverman
As far as I know, yes …
We don’t list every show on every list … typically pointing out the “new” highlights … but yes, on Thursday, November 8th, the 50th Anniversary Tour featuring “The Music Of Cream” will be appearing at The Arcada Theatre in St. Charles, IL.
The lineup includes Ginger Baker‘s son Kofi Baker, Jack Bruce‘s son Malcolm Bruce and Eric Clapton‘s nephew by marriage, Will Johns —and this is the first time that they have come together in North America to pay homage to the band’s extraordinary legacy with The Music of Cream.  (Hey, that’s still a hell of a lot closer than Six Degrees of Kevin Bacon!!!)  kk
More ticket information here:
Excellent – thanks!
Rich

What a great line-up of shows!
Hope you do a review of the Jan & Dean show (say hi to Dean for me if you think of it)
Phil
PrayForSurfBlog.blogspot.com
Folks on the Locals List recently received a calendar of upcoming shows heading our way.  If you live in the Chicagoland area and would like to be added to this list, just drop me a line atkk@forgottenhits.com, and I’ll add your name to the list.  We provide this service via emails and sometimes even have special ticket offers to pass along to our readers.

On the WMID survey, the top 20 songs have a sponsor listed next to
Them ... would the DJs intro / outro them with a commercial read?
BOB FRABLE
I don’t know … but that might make sense.  Anybody who grew up in the Atlantic City, New Jersey area able to answer this one?  (kk)

Kent,
Here is a survey for CK radio in Saskatchewan for July 29, 1961. Thought you might enjoy looking at it. Have no idea how I got it. Also, loved the Art Roberts' jingle.
Larry



I was a young DJ who was not into country when Harper Valley PTA hit the charts.  Unfortunately, (although I came to like it), I was working at a C&W station then and I felt some kind of guilty pleasure when I could play something that was on the rock charts.  I still like it to this day.
Jon M

kk …
Check out Scott Shannon's Birthday Present.
FB
Happy Birthday, SS ... from your Forgotten Hits buddy, kk!  And congratulations on your upcoming 1000th show at WCBS-FM!  (kk)

SiriusXM kicks off a very short, limited series next Tuesday saluting the 60th Anniversary of The Billboard Hot 100 Pop Singles Chart.  They’ll be running continuously a chronological recap of EVERY #1 Record to hit the top of The Billboard Chart beginning with the premier issue of The Hot 100 on August 4, 1958.  (Rick Nelson’s “Poor Little Fool” has the distinction of holding that honor … the very first official #1 Single on Billboard’s Hot 100 Chart.)  As lamented here several times before, the recognition of this new “official start date” eliminates Elvis’ first 32 charted hits, including ELEVEN #1 Hits, greatly diminishing his impact of all things to do with The Rock And Roll Era … but clearly THIS is the version of history they’ve elected to go with.  (If the whole world has accepted the release of Bill Haley’s “Rock Around The Clock” as the record that launched rock and roll, you simply cannot ignore the musical impact of the early rock records released in 1955, 1956, 1957 and the first half of 1958.  In fact, anybody with ANY rock and roll knowledge knows that rock's roots date back even farther than this, encompassing the early R&B Roots of signature tracks like “Good Rockin’ Tonight,” “Shake, Rattle And Roll,” “Sixty Minute Man,” “Rocket 88” and many, many more.  Billboard documented the success of these records, too … but without the official “Hot 100” banner.  Still, they published a Top 100 Chart as well as a Best Sellers list that was the accepted industry standard.)
I don’t get it … and I don’t like it … but I WILL be listening when the Billboard #1’s Channel kicks off on July 31st (Channel 3) and runs thru August 5th.  Billboard will present their own 60th Anniversary Content on their website beginning August 2nd at www.billboard.com.   (kk)

Here’s Part One of a great new interview with Tommy James, sent into us by FH Reader Tom Cuddy …
(Hey, Tom … let us know when Part Two is available!!!)  kk


>>>On September 7 ABKCO Music & Records will release Heavy Music: The Complete Cameo Recordings 1966-1967 by Bob Seger And The Last Heard. This will be the first time ever that all records by the celebrated Detroit group will be made available since their origination as 45rpm singles.  Bob Seger contributed to several local Detroit groups leading up to his breakthrough success with "Ramblin' Gamblin' Man" (1969) and "Night Moves" (1976).  While serving as keyboard player and occasional singer in Doug Brown & The Omens, Seger met his future manager Edward "Punch" Andrews who co-owned the Hideout Records label. After The Omens split up, Seger formed his own group and while writing for The Underdogs, another band on Hideout, he co-authored their single "Get Down On Your Knees." After a failed attempt by The Underdogs to record the Seger-penned "East Side Story," Seger was encouraged to record it himself and it was released by Hideout in June of 1966 under the name Bob Seger. The fantastic single was quickly reissued by Cameo Records just six months later, with Bob Seger And The Last Heard on the label, cementing the band's name.  With the help of former bandmate Doug Brown, the group recorded four more singles for the Cameo label over the course of the next year culminating with "Heavy Music" in July, 1967. Launched with a simple but catchy bassline with snaps and claps to get the groove going, "Heavy Music" became a hit locally in Detroit, and the band appeared on the local Detroit TV show Swingin' Time. The 45 of "Heavy Music (Part 1)" backed with "Heavy Music (Part2)" charting at #103 in Billboard and #70 in Cashbox.  Stylistically, Bob Seger And The Last Heard went beyond the simple garage rock stomp and stammer formula and spread their wings lyrically and sonically in a few short years. "Persecution Smith" pokes fun at half-hearted revolutionaries in a style reminiscent of "Bob Dylan's 115th Dream,""Sock It To Me Santa" (released for Christmas, 1966) references James Brown's "Papa's Got a Brand New Bag," and "Heavy Music (Part 1)" carries a Spencer Davis Group swagger before "heavy" music was even a term in the popular vernacular. "East Side Story" is an urban saga that tells the story of a woman in a tenement apartment begging her man not to head uptown with his knife; placed akin to a tune reminiscent of "Gloria" by Them.   
 Bob Seger & The Last Heard - Heavy Music: The Complete Cameo Recordings 1966-1967
1)   Heavy Music (Part 1)
2)   East Side Story (Vocal)
3)   Chain Smokin'*
4)   Persecution Smith*
5)   Vagrant Winter#
6)   Very Few#
7)   Florida Time
8)   Sock It To Me Santa
9)   Heavy Music (Part 2)
10)  East Side Sound (Instrumental)
Produced & arranged by Bob Seger and Doug Brown except:
*Produced & arranged by Bob Seger
# "A Hideout Production"
Reissue Producer: Teri Landi
Featuring: 
Bob Seger - lead vocal, organ, piano guitar
Dan Honaker - bass
Carl Lagassa - guitar
Pep Perrine - drums, percussion
Additional vocals - Doug Brown, David Whitehouse
Personnel on tracks 2 and 10: 
Bob Seger - vocal, guitar
Doug Brown - guitar, organ
Dan Honaker - bass
Pep Perrine - bongos
Bob Evans - drums
WOW!  What GREAT news, Kent!  Is ABKCO finally getting act together again?  These guys must like releasing about ONE important CD comp every 10 years from their vaults(???)  I'm telling you that IF you have never heard Bob Seger's pre-Capitol stuff, it is some of the most hard nosed, hard rockin', mean and tough music I have ever heard.  AND it's GREAT!  There's raw lyric messages, distortion, screaming, LOUD instrumentation and Bob's unmistakable growly singing.  It most certainly is stuff 60's kids could dance to, as well!
We got "Heavy Music" when ABKCO put out their 4 CD set two decades ago, but these other great 45s have languished only to be heard on the grungy Cameo 45s for 50 years.  I've bought the 45s and the boots of this stuff, but it will be great to hear these in CD quality.  Too bad it doesn't have the Underdogs record (released on Frank Sinatra's Reprise records after initially being on Hideout Records) or the awesome anti--anti-war protest single, his first ever, as the Beach Bums:  "Ballad of the Yellow Beret."  The B side is what the Beach Boys could sound like as a garage band, with, of course, an EAST COAST theme instead!  Todd Rundgren shoulda recorded this one, too.  He'd have been a perfect fit for it.  It's on this CD below, so why not the Beret song too???
Clark Besch


I just got an exclusive “first listen” to the new CD five weeks before it becomes commercially available … and it’s a VERY nice collection.  While you can tell it’s Seger, the true gritty tonal vocal sound we’ve all grown so accustomed to isn’t fully developed yet.  (Of course in 1967 he was only 22 years old.)
Although Seger was tearing up the clubs in Detroit for years already, “Ramblin’ Gamblin’ Man” was our first glimpse at this classic rocker … it was a HUGE hit here in Chicago (#2) in early 1969.  (It peaked at #17 nationally in Billboard.)
Incredibly, it would be another EIGHT YEARS before Seger hit it big with “Night Moves.” (#4, 1977)  A steady stream of Top 40 Hits followed through the late ‘80’s … “Mainstreet” (#24, 1977); “Still The Same” (#4, 1978); “Hollywood Nights” (#12, 1978); “We’ve Got Tonight” (#13, 1979);  “Old Time Rock And Roll” (#28, 1979); “Fire Lake” (#6, 1980); “Against The Wind” (#5, 1980); “You’ll Accomp’ny Me” (#14, 1980); “Tryin’ To Live My Life Without You” (#5, 1981); “Shame On The Moon” (#2, 1983); “Even Now” (#12, 1983) “Roll Me Away” (#27); “Like A Rock” (#12, 1986) and his first and only #1 Billboard Hit Single, “Shakedown” in 1987.
This look into some of Bob’s earliest work is quite enlightening.  “Heavy Music” deserved a better chart showing than it got.  “Very Few” is a beautiful ballad and “Florida Time” must be the Beach Boys sounding tune Clark is referring to.  “Sock It To Me, Santa” must have been a novelty attempt with a little bit of a nod to James Brown.  At only ten tracks, it’s a quick run-through listening-wise … but all-in-all, an interesting new perspective to the career of Bob Seger.  (kk)

I was very disappointed to read this in Diane Diekman’s Country Music Newsletter last week …

Larry Gatlinwants his Grammy back -- no questions asked.
He won his only Grammy in 1977 for Best Country Song for "Broken Lady."The Tennessean reports the trophy was stolen from the Gatlin Bros. Music City Grill in the Mall of America in the 1990s.
"I have a question for someone in America out there," Larry says. "You have Larry Gatlin's Grammy for 'Broken Lady' for Song of the Year. It's on your mantel or somewhere in your house. What do you tell people when they come over and ask you how you got Larry Gatlin's Grammy?" There's a monetary reward, and Larry says, "I'll give you a written statement that I won't prosecute you." Anyone with information can email assistant@absolutepublicity.com.
Larry Gatlin and the Gatlin Brothers will be performing at The Arcada Theatre next Sunday (August 5th) and we want to do our part to help him get his Grammy back.  Between all of us Forgotten Hits Readers, we’ve got a pretty large network of music fans around the world.  If ANYBODY out there knows ANYTHING at all about this, PLEASE let us know … or contact the source through the email address shown above.  Let’s get Larry his Grammy back … it needs to be returned to its rightful hands.  (kk)

Last week we told you about Billy Joel’s 100th performance at Madison Square Garden.
Well CBS Morning News made note of this event as well … check out this clip sent in by FH Reader Tom Cuddy …

Just in case you haven’t seen this … The Lonesome Death Of Danny Rapp, The Front Man for Danny and the Juniors …
I didn't know the whole story, but saw this today and thought the readers might enjoy it -- even though it's a very sad story.
Bill Scherer

On the 50th anniversary of their groundbreaking album, Sweetheart of the Rodeo, Byrds co-founders Roger McGuinn and Chris Hillman were on hand to perform it in its entirety in the Theatre at the Ace Hotel in downtown Los Angeles July 24th and 25th.   
McGuinn and Hillman were joined on stage for the tour by country legends Marty Stuart and His Fabulous Superlatives. Stuart himself plays the famous 1954 Fender Telecaster originally owned by legendary country-rock pioneer Clarence White, a musician on Sweetheart of the Rodeo.
In the tour publicity release, Chris Hillman said, “On March 9, 1968, Roger McGuinn and I, along with many fantastic musicians, began recording the Sweetheart of the Rodeo album at Columbia Studios in Nashville. It was truly a pivotal moment in our lives, taking a turn toward the music we always felt a strong kinship with. We are honored that it has left a strong, long lasting impression on country and rock music. To celebrate this special time with Roger, Marty Stuart and His Fabulous Superlatives is such a blessing on this, the 50th anniversary of Sweetheart of the Rodeo.”
Roger McGuinn added in the media statement, "Celebrating the 50th Anniversary of the Sweetheart of the Rodeo with a group of my favorite musicians is an honor. I can't wait to be on stage with Chris Hillman, Marty Stuart and those Fabulous Superlatives! We're all looking forward to taking the fans through the back pages of the recording. The concert will include songs that led up to that ground-breaking trip to Nashville and all the songs from the album."
Marty Stuart remarked about the influence the album had on him: “The Bryds' Sweetheart of the Rodeo recording stands as a milestone in American music. I bought my first copy of the record in 1972. Upon my first listen, I was mesmerized at the effect of the combined power country music, rock & roll, bluegrass, gospel and folk music had on me.
“From that day forward, I considered Sweetheart of the Rodeo a blueprint as to how I should live my musical life. It is truly an honor for me and the Superlatives to get to go out and play music from Sweetheart with Roger and Chris. We love and greatly admire both of them and I have to believe this is a show not to be missed.”
Goldenvoice presented July 24thand July 25th Los Angeles performances at the Ace Hotel.  
I was thankfully invited opening night by the promoters and comped out with full access. I’ve interviewed McGuinn numerous times, the first one in 1974, and have touted the Sweetheartalbum for decades in print, online and on the radio.
I go back 50 years with Chris Hillman ... saw the Byrds during the sixties and talked to Chris for a slew of my books this century. Chris has always been one of the best interview subjects a journalist could ask for. Honest, candid and a gentleman.
It was a terrific victory lap at the gorgeous venue for this Hillman and McGuinn Byrds-album themed booking at the L.A. venue. The hippies were in the crowd the first night and PBS-TV influenced viewers filled in the seats for the second evening.
The first real country rock album was on display, with Hillman and McGuinn serving as on stage narrators providing the back story of their collective glory as well as some of the greatest hits of the Byrds. 
Marty Stuart and his band smoked on Tom Petty’s “Runnin’ Down a Dream,” with Stuart offering a jaw-dropping mandolin solo, which replaced the guitar solo from the original studio endeavor.  
There was a sense of community that informed the entire evening. Henry Diltz, Gene Aguilera, Bill Mumy, Gretchen Parsons Carpenter and her husband Bob Carpenter of the Nitty Gritty Dirt Band were in attendance. Marty Stuart introduced his wife, the legendary singer Connie Smith, sitting in the house.
Mike Campbell, the now former Heartbreakers’ guitarist, sat in front of me opening night, excused himself, and then joined the lineup for a version of “American Girl.” I can remember decades ago Mike coming into a record shop in the San Fernando Valley and buying a vintage Byrds’ picture sleeve EP before I could nab it. 
As an A&R man at MCA Records in 1978, I suggested to Tom Petty and his manager Tony Dimitriades that a recent engineer-turned producer Jimmy Iovine produce the Damn the Torpedoes album for the Backstreet / MCA label. In 1981 served as “Organic Catalyst” on Del Shannon’s Drop Down and Get Me which Tom Petty produced and features the Heartbreakers as the backing band.  
After the show I was leaving the backstage area and ran into Dwight Yokam. I complimented Dwight on a 1988 tour package he initiated years ago with Buck Owens that re-introduced Buck to a new generation of fans. It was akin to Marty Stuart and his Fabulous Superlatives supporting and collaborating with Hillman and McGuinn on these dates.
We really need to have more of these kind of old school and new school pairings live on tour and not just presented on award shows after someone dies and their tribute shiva is televised.     
Other "Sweetheart of the Rodeo" shows are scheduled for
Sep 24:  New York City//Town Hall
Oct 3:    Akron, OH /// Akron Civic 
Harvey Kubernik
 
Hi Kent, 
All this talk of the old record stores got me thinking about all the great shops we had in the Minneapolis area. 
When I turned 16 and got my driver’s license, me and my best buddies Mark and Tony would get together on Saturday and make the rounds to as many shops as we could.
The first stop was usually Oar Folkjokeopus, a legendary record shop in Minneapolis.  The owner was also the head of the local Twin / Tone record label and they would always have the latest single releases from local bands like The Replacements and Husker Du.  I vividly remember going in one day and one of the guys behind the counter looked familiar.  Turns out it was Peter Buck of R.E.M.!  I guess they were in town for a concert and he just came to the shop to hang out for a while.  As great as Oar Folk was, the REAL treat for us vintage 45 collectors was the place just around the corner.  It was a little basement shop with just a little generic lawn sign with an arrow pointing to the entrance, called The Record Collectors Co-Op.  Like many of us, I was attempting to collect every Top 40 hit from 1955-present.  It was like a secret little place that only us diehards knew about and I found many gems there at great prices.
Some of the other shops we hit every Saturday were Down In The Valley, Cheapo Records, Wax Museum, Northern Lights, Hymie’s, and another little shop that I can never remember the name of.  It was run by a real record snob that we called the “bald jerk.”  He had his favorites and if you dared waste his time buying anything other than what he liked, he’d either just sneer or downright mock you as he took your money!  Still, I got some great stuff from him too.  Even though he hated them, his selection of novelty records was second to none.  We also hit the Salvation Army stores.  The best one was in a very sketchy neighborhood.  We sometimes had to dodge the panhandlers, drug dealers and prostitutes.  It was a real eye opener for a teenager raised in the lily white suburbs!
One of my favorite shops was Don Leary’s.  Don was a real character.  He was a crabby old man most of the time, but for some reason he took a real liking to me.  I guess he was impressed that a kid my age knew so much about the oldies.  He always let me get the first crack at any new 45s that came in before he put them out for the rest of his customers.  He died in 2000 at the age of 92.
I really love the fact that I can listen to any song, any time on my hard drive these days.  However, a part of me still longs for the days of driving all over town and hunting down those treasured little pieces of vinyl.
Paul Haney
Record Research
You’ve gotta wonder if the John Cusack character from “High Fidelity” was based on your “Bald Jerk” record guy!  (lol)
What I have found over the years is that MOST people who worked in or owned record shops shared the same passion for the music that we did … and were really good about turning us on to new music we might not otherwise have been exposed to.  All part of the “connection” process.  (kk)

Hi Kent -
Great comparison of The Beatles and Drake and their music sales! 
In five or ten years you won’t even know who Drake was ... while the Beatles Music will live on FOREVER!!!!!
Also, loved your memories of the old record shops!  My favorite was the one at the Cermak Plaza in Berwyn years back. What a treat to stop in, get a copy of the latest Record Survey, browse through all the albums, buy one of the latest hits on 45rpm plus order a record they didn't have in the shop!  And when that record came in you were in music heaven!
Keep up the Great Work Kent …
Carolyn
I used to stop at GC Murphy’s (in the plaza) to buy most of my 45’s … they seemed to have the biggest selection and best prices … but I also would venture over to Sears to pick up each week’s WLS and WCFL survey … and stop by Balkan Music about a block away, to see if they had anything interesting on display.  (Years later I discovered this INCREDIBLE record shop in Cicero … I believe it was called Kral’s - ??? – and they had EVERYTHING there … including VINTAGE copies of old records, picture sleeves and EP’s from the late ‘50’s and early ‘60’s.  I’ve told the story before of riding my bike up there the day after the Elvis Singer / Comeback TV Special aired to try and buy some of the original recordings of the tunes I heard him do on TV the night before … and picking up half a dozen ORIGINAL EP’s in their hard cardboard sleeves … and this was in 1968!!! … LONG after these records had gone out of print.)  It was a different time, for sure.
When we lived in Brookfield, my brother and I would ride our bikes up to THEIR local record store with just enough money in our pockets to stop and the drug store and buy a couple of comic books … then sit at their soda counter and guzzle down a hand-mixed Cherry Coke … and the scoot up the block to the record store and pick up the latest WLS Silver Dollar Survey … and select ONE new record from the chart each week.  (Yep … blew thru the whole allowance in a single Saturday afternoon!)
The most vivid memory of these trips was asking my younger brother Mark, after showing him the list, “Which records on this list do you think will be #1?” to which he replied, “Well, all of the will.”  I was dumbfounded!!!  How could ANYBODY think that?!?!  (lol) 
And the 45 I bought that day … with a picture sleeve, I might add … was Lesley Gore’s “Sunshine, Lollipops and Rainbows.”  I remember getting home thinking I had made a GREAT deal, getting the record and the sleeve … only to find out that Lesley’s latest hit only timed out at 1:37!!! … and then thinking that somehow I had been ripped off!  (lol)
Everything was all redeemed, however, when I played the B-Side of this record, a tune called “You’ve Come Back,” to this day one of my all-time favorite songs from this era.
Lesley could tear your heart out when she sang (witness “You Don’t Own Me”) and she grabbed my 12 year old heart on first listen to this great track.
Yes, the excitement of those trips to the record shop … still as vivid as yesterday, some 50+ years later.  NEVER underestimate the power of the music … it’s what connects us all here in Forgotten Hits.  (kk)

A Monday Morning Quickie!

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Hi Kent,
YOU MADE MY DAY hearing that Randy Bachman and Burton Cummings with a full band will be touring next year!!!!  Thank you for theGREATnews. I will be there for sure.  I must admit Randy is my favorite legend next to Brian Wilson and I got to see him a year ago at the Chicago Theater!!!
And your Wonderful memories of the Record Shops ... I did shop at G. C. Murphy, too, for records and they had the greatest buttered pop corn to die for.  That with a coke at their fountain bar will never be duplicated! 
Sounds like you bought some true treasured music at your favorite record shops!  Balkan Music was a treasure, too.  I  don't know if you remember the old Peter Pan restaurant in the Cermak Plaza parking lot?   (All in Beautiful Berwyn and Cicero, "the Twin Cities"!)
And as I always say, when in doubt ask the master …
Carolyn
PS - And 51 years  today, July 29th,  'Light My Fire" by the Doors was NUMBER  ONE ... What a Fantastic tune!

I've gotta admit, I REALLY miss my 1967 Calendar Series … I can't believe that more than half a year has already passed since it ended … how can that be?!?!  Where does the time go?  It took a year to put it together … then it ran for a year … and now another seven months have already passed … how is this even possible???  (kk)

Kent:
Burton and Bachman? Sold!  Count me in. Where do I buy?
This show has Ron Onesti written all over it. I just want to know who's going to sing "Let it Roll."
It's been a rough summer … spinal fusion surgery ... gotta get my dancin' shoes back on, kid.
See ya soon,
Chet Coppock

Here's a Tommy Roe Update from Rick Levy …

Hi, Kent,
Rick here ...
Tommy as of Saturday was sitting in chair and had taken some small steps already.  Amazing!  Let's all hope for a full and speedy recovery.

His Highness Paul McCartney has blessed Mathew Street with his presence!
George

Yes, Paul McCartney returned to The Cavern for a gig … and evidently it caused quite a stir as he scolded his audience for not putting their cell phones away.  (I don't remember this EVER being an issue at a McCartney concert before!)
Artists seem to really be split down the middle on this one … some  (like, apparently McCartney, Dionne Warwick and Sergio Mendes … strictly prohibit ANY photo taking or filming during their shows … and Dionne and Macca have even gone so far as to STOP their shows and threaten to leave the stage if nay-sayers don't put their phones away.
Others, like Burton Cummings, tell their audience to take as many pictures as they like … film it …. post it on YouTube or their social media page … looking at all of it as good press.  There just doesn't seem to be any middle ground on this one.  (kk)

Ultimate Classic Rock posted this story about Paul's Cavern gig last week …

PAUL McCARTNEY SCOLDS AUDIENCE FOR
USING PHONES AT CLUB GIG
The message was clear: If you’re lucky enough to get to see Paul McCartneyplay in a tiny club — the iconic Cavern Club in Liverpool, no less — you can rock out, you can sing along, you can (and likely will) have a great time. Just leave your cellphones in your pockets and purses.
The former Beatlesstar stopped mid-way through a rundown of Eddie Cochran's classic “Twenty Flight Rock” today (July 26) to tell the audience to put their phones away. There had apparently been an understanding that cellphone photography and videography were forbidden, but the crowd – some of whom were standing a couple feet from their idol – were not complying.
"You’ve all been told not to take photos," McCartney said, according to NME. "You’re taking them, and you’re taking them, and it’s putting me off! So, you know, play by the rules, man!"
Granted, this wasn’t Clint Eastwoodpointing a shotgun and mumbling “Get off my lawn,” but it did have the tone of a grandfatherly figure chastising the young ones for dropping crumbs on the sofa. McCartney seemed to realize this, and he softened the blow somewhat after restarting and finishing the song.
"The phone thing," he said. "I went to a Princeconcert and he really was serious about that. He wouldn’t start, you know. Put ‘em down! You know what I’m saying?”
Before returning to the spot where Beatlemania began more than five decades ago, McCartney said he wanted to play more intimate shows in the lead-up to the Sept. 7 release of his new album, Egypt Station. He's already played a pub in Liverpool as part of an appearance on The Late Late Show's "Carpool Karaoke" segment. Up next is a handful of already announcedtour dates in large venues in support of the album, with more expected to be added soon.

They also posted their own ranking of EVERY Beatles song, listed from worst to best … an insurmountable task for anyone to take on.  (And I can honestly say that I couldn't disagree more with the majority of their assessments!)
Still, I know I couldn't do it … I couldn't narrow it down to my Top 100 Beatles favorites … so I tip my hat for the effort … but don't support the majority of your findings!  (kk)

Kent,
Jeff Lynne and ELO are back with a Wembly Stadium concert on Showtime. This one includes inserts of Jeff’s comments about the music and his feelings about performing. The music is great and the stadium atmosphere looks amazing. Jeff and his band, including two violins and a cello played by three nice looking young ladies and extensive technical features, are made for this type of BIG event. Makes me think about seeking tickets for his American tour.
Bob Verbos
We've been anticipating Jeff's return to the states for eighteen months now … and we're down to just 2 1/2 weeks now till we get to see him at The Allstate Arena in Rosemont.
The Wembly show is great … mammoth, in fact … we ran a plug for this video / cd release several months ago.  Personally, I think I still prefer the Hyde Park gig … it has GOT to be one of the greatest live concerts I've ever seen … but I don't think Jeff Lynne is capable of putting on a bad show … and he has pulled out all the stops for this major tour.
Simply said, WE CAN'T WAIT!!!  (Watch for a review of OUR concert experience around August 19th … right after we see The Happy Together Tour in Aurora!)  kk

Speaking of Jeff Lynne and ELO, he has put together a collectors' box set of ALL of ELO's singles as released in England … a BEAUTIFUL (and mega-expensive) set with restored, original picture sleeves and more.  Part One (16 discs covering the years 1972 - 1978)  becomes available on September 21st … Part Two (covering the years 1979 and beyond) will follow (but no official release date has been announced yet.
For the time being you can only preorder this box set thru Jeff Lynne's website … but I'm sure it'll soon be available thru all of the usual sources.

Great fun to see there are a couple other twin cities folk on the list. 
I, too, used to buy lots of records at Oar Folk. They always seemed to have everything, and if they didn't, they'd get it. 
I got my first Drifters Greatest Hits albums from there and they told me a valuable lesson. Always make sure that when you buy a hits package that you make sure they are "the real" versions and not re-recorded versions.
I loved Don Leary's place, too.  Bought a lot of 45's from him. I really really miss those days. My poor girlfriends had to read the names for me since I'm blind and couldn't do it. <grin>
My wife was able to stand the test of time in a record shop.   Ah, and someone mentioned The Record Collectors Co-op ... another wonderful place. I'd have loved to see some of the places all the Chicago folks have been talking about.
It's just not the same buying online as it was in the stores. Ah well, at least I can read all the names online and my wife doesn't have to do it.
Bill

Kent,
Bob mentioned to you that the Top 20 songs on WMID had a sponsor listed next to them and wanted to know if said DJ either did an intro / outro with each record. I was wondering the same thing.
Many years ago, one of the Top 40 radio stations here in the OKC area, WKY-AM 930, had a small separate building right next to the broadcast studio. In it was a person who would type in the commercials for the DJ as they were played and that same person also took the meter readings so that the DJ on air would not have to mess with taking meter readings or checking off the commercials. They were only responsible for the music they played.
Talking about record shops in the various cities from your readers, here in OKC the main one in my opinion was WILCOX RECORDS, located on NW 23rd. Street. It was owned and operated by Mrs. Wilcox and occasionally her husband would help her inside. He was a carpenter by trade and had a shop out in the back of the record building where he did his carpentry work for various clients. Mrs. Wilcox seemed to like her customers very much and the records she sold. She even had two sound booths where a customer could go in and play said record if they were interested to see if they really liked it ... basically 45's only since the LP's were sealed.
The only negative thing I ever heard her say was that she didn't like Phil Spector's album A CHRISTMAS GIFT FOR YOU which came out in 1963. She didn't like the way the traditional songs had been up tempo-ed to a rock and roll flavor.
Larry Neal

We talked about the Bob Seger / Last Heard release coming out next month … 

Now comes word about a Bob Seger – themed bar that just opened up in Unionville, Michigan!

Ultimate Classic Rock had this to say about it …

A Bob Segerthemed bar opened in the town of Unionville, Michigan, on Friday, July 27th. and its owner said the singer has already vowed to pay a visit. Cat Man Do– a play on Seger’s 1975 track “Katmandu” – was created after retired teacher Dennis Collon was inspired by the time he met his hero in 1967.
The encounter took place after Seger had played a show in Unionville. “We came over to the restaurant and were playing pool and eating.” Collon told MLive.com. “He came over and played pool with us. I don’t know if he remembers that or not. I would be really curious to know if he remembers that.” The bar name is also a play on Collon’s nickname, “Cat,” but his daughter encouraged him to develop the Seger theme. As a result, he offers “Silver Bullet” and “Katmandu” burgers along with a “Bob Seger” grill. Decor includes general music themes along with further Seger connections.
On the possibility of a visit, Collon said contact had been made via mutual friends. “I guarantee we’ll be up there in some point in time,” was the message he received. “I won’t tell you when and I won’t tell you how long. But we will make a stop in there.”
Seger returns to the road in November, after back surgery forced him to postpone his previous run of dates. A compilation of his early songs, including some with the Last Heard, the band Collon saw in Unionville, is to be released on Sept. 7.

From Tom Cuddy …

Hey Guys,
I just found this and I never heard of these guys.  Apparently from Buffalo, they were a regional sensation in 66-7.
Here is their biggest hit (which I don't think was ever played here or LA--am I wrong?)
Gary Goldblatt
Not played here. Maybe my friend Kent will be good enough to throw this out on his web site so we can find out more.
Mike DeMartino
"Give Me One More Chance" was the closest Wilmer and the Dukes  came to having a hit … it did chart in all three major trade publications, peaking at #65 in Record World and #80 in Billboard in 1968.  (A follow-up single "bubbled under" in Billboard only the following year … "Living In The USA" peaked at #114.)
According to our 'Go To' source, Joel Whitburn, the band hailed from Rochester, New York.  As you can see in the photo displayed in the YouTube video via the link provided above, Wilmer Alexander was the black lead vocalist (he also played sax) but his back up band consisted of all white musicians … brothers Ronnie and Monte Alberts (bass and drums respectively), Doug Brown (guitar) and Ralph Gillotte (keyboards).
Actually, it's not a bad track … maybe some of our New York readers can shed a little more light on this topic.  (kk)

Hi Kent,
Since I was one of those who was correcting the Jack versus Eric thing, I just want to make sure that you and Frank both know that I was directing my comments not to Frank, but to the originators of that statement -- Bob or Norm. 
I think the big Cream fans would have known about who sang what on their tunes.
Again, apologies to Frank, though.
Bill
I don't think any real offense was taken … as I said, he was only quoting comments he heard made some fifty years ago by guys who PROBABLY should have known better at the time … but, in their defense, I, too, always thought Jack Bruce was the lead singer of Cream … and never really figured that Clapton was contributing anything vocally to the mix.  Besides, Frank has to be one of our longest-time members of Forgotten Hits … there's no fun doing this if we can't give him a little shit from time to time!!!  (lol)  We love ya, Frank!  (kk)



Did You Watch The Bruce Willis Roast?

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Funny ...

Filthy ...

I couldn't even imagine how this could warrant two and a half hours of airtime ...

And yet it just flew by.

(When you think about how many more people could have been ... and maybe SHOULD have been ... on the dais throwing insults, you'd have to budget a 24 hour Bruce Willis marathon ... which could quickly turn into Bruce Willis Week if you followed that up with a showing of his best known movie roles ... or maybe THREE weeks if you also showed all the movies that he made that really sucked ... or maybe even three MONTHS if you capped it all off with a showing of his entire "Moonlighting" series!)

That's where most of us first saw him ... smirky, smarmy David Addison, working for the Moonlight Detective Agency with superstar / model Cybil Shepherd, who was supposed to be the REAL star of the show until America met and fell in love with newcomer Bruce Willis.  (It took awhile for me ... I first wrote him off as a Bill Murray / Michael Keaton wannabe ... but he eventually won me over, too.)

Leading man material?  For sure ... and Willis kicked off his movie career with a couple of lightweight romantic comedies that never really took him anywhere.

But action hero??? 

No way!!!

Where the hell did THAT idea come from?

And yet he pulled it off ... in role after role after role, creating an entire "Die Hard" franchise in the process.  (Truth be told, three was enough ... and even THAT was a bit of a stretch.)

But add in films like "Pulp Fiction" and "The Sixth Sense" and "Armageddon" and pretty soon Willis was the #1 Box Office Attraction.  (Who would have ever thought???)

He was just a harmonica-playing, R&B singing bartender nick-named "Bruno" in New York when he decided to give this acting thing a shot ... in fact, Motown Records signed him to a recording deal early on and his remake of The Staple Singers' tune "Respect Yourself" became a "respectable" hit in 1987 went it went to #5 in Billboard Magazine.  (Hey, I bought it!)

Backed by The Pointer Sisters (who, quite honestly, did all the heavy lifting), they were even able to score a prime time television special during which Willis danced and mugged to the camera throughout.  Again, whose idea was it that this guy could be an action hero?!?!?

The entire roast can be found on YouTube (and probably OnDemand on Comedy Central, too ... although I don't know if they'll be re-airing all 2 1/2 hours or just selected highlights.)

But be careful ... if you type "Bruce Willis" into the YouTube Search Engine, you just don't know WHAT might turn up!

Like this vintage video of Bruce and the Pointer Sisters performing his biggest hit.  (kk)



https://www.youtube.com/results?search_query=bruce+willis+roast+full

Thursday This And That

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kk …
According to Ron Smith's book …
7/31/1966 = The first Cream concert is held in Windsor, England.
Don't ask me who's singing lead. L-o-L !!!
FB

Hooray for Sir Paul ...
He's putting on a show for the crowd and he asked that no phones be out.  The least people could do was leave them OFF.  This obsession with selfies, pictures, and peering at your phone during a concert, ballgame, or other event staged in front of large crowds is reflective of the vast majority of people who are so self-absorbed. Quite pathetic, I say.  If a performer / speaker says snapping pix is okay, go at it.  If otherwise, RESPECT the wishes of the person. 
Mike Markesich  

Hi Kent, 
I’ve been looking at all the top 100 charts you’ve been posting lately and was wondering how many songs that enter the charts in the bottom 10 (position 91 - 100) ever make it to the top 10?
Has anyone ever researched this?
Matt
Nisswa, MN (summer)
Sun City AZ (winter)
My guess is … a whole bunch of 'em … but I don't have any hard statistics to back that up.  People research the charts from all sorts of angles so maybe somebody out there has a better handle on this than I do … it would be kind of interesting to see what percentage of "bottom 10" records eventually ended up as "top 10" records.  Anybody out there got any ideas on this one?  (kk)

I don't quite understand what Sirius XM and Billboard Magazine were going for with this week's special Hot 100 #1's special. 

The idea was to play EVERY #1 Record, chronologically in order, beginning with the August 4, 1958 debut chart (featuring Rick Nelson's "Poor Little Fool") right on up to this week's #1 Record by Drake.  And it was all supposed to air on Channel 3, beginning at Noon Eastern Time on Tuesday, July 31st, and running straight thru Sunday Night, August 5th.

I couldn't wait to hear this thing and, since I'm usually at work for about ten hours per day anyway, figured this would be the PERFECT opportunity to catch most of it.

But guess what … it wasn't available on streaming!!!  It came thru loud and clear once I was in the car but I could not listen to it on the computer … which makes absolutely NO sense at all.  (Did they really think people were going to drive around for 300 hours to listen to this thing?!?!)

So instead I listened when I could but missed the lion's share of the broadcast.  What a dumb idea to turn a GREAT idea into such a convoluted mess!

And, to add insult to injury, I swear some of the songs they played were not the original hit versions of these #1 Singles!  (Or, at the very least, poorly done remixes that greatly altered the listening experience for one looking so forward to hearing this special.)

All in all, a bust for me … and yet another Sirius XM disappointment.  I am SIRIUSly reconsidering renewing my subscription to this service.  With the new car equipped for Bluetooth streaming, I may just make Rewound Radio my permanent go-to selection.  (Unless, of course, I can ever get to the dealer to see if he can upgrade my software to pick up Me-TV-FM!!!  That opportunity may FINALLY present itself later this month when I’ve got a few days off from work.)  kk



Speaking of Sirius XM, we told you about the special Beach Boys Interview coming up on August 10th, moderated by Rob Reiner.

Well, they taped it last night (July 31st) at The Capitol Records Tower and, by all accounts, the surviving members had a great and very amicable time laying this down.  (It was the first time they had all been together in the same room since their 2012 50th Anniversary Tour which, as we all know, ended poorly when Mike Love and Bruce Johnston split to continue their own Beach Boys thing, leaving the possibility of a follow-up album to their very successful "That's Why God Made The Radio" in the dust.

I will definitely be listening on the 10th … let's just hope they don't find a way to fuck this up, too!  (kk)



And, speaking of The Beach Boys, Endless Summer Quarterly, the premier Beach Boys Magazine has just launched a new website so we wanted to tell you all about it …


NEWS FROM THE BEACH BOYS
PUBLICATION OF RECORD - JULY 31, 2018


Brian Wilson, Mike Love, Al Jardine,
Bruce Johnston and David Marks
and the late Carl Wilson & Dennis Wilson
Now in its 31st year, The Beach Boys' publication of record, Endless Summer Quarterly [ESQ] magazine, has launched its new website. The launch marks the first time most of the magazine's back inventory is being offered online (dating back to 1993).

Endorsed by Brian Wilson, Mike Love, Al Jardine, David Marks and many other integral figures in the band's history, ESQ continues its historic coverage of The Beach Boys with each quarterly edition of the magazine.
ESQ's new site also offers a SMiLE Shop. Love The Beach Boys'SMiLE music, or enjoy Brian Wilson Presents SMiLE? You've come to the right place. Interviews with Brian Wilson, Mike Love, Van Dyke Parks, Al Jardine and Frank Holmes historically track the 1966-1967 origins of the music, recording sessions, lyrics and illustrations. ESQ also offers collectible CDs exclusive to readers of ESQ.

This is your chance and opportunity to take out a yearly subscription to be eligible to win collectible and autographed CDs, photos and LPs from The Beach Boys. SUBSCRIBE TODAY!
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Hmmm … with all this extra "bandwidth," maybe David Beard will finally find a place to run my Al Jardine concert review since there wasn't enough room to fit it into the regular magazine itself!!!  (kk)

David Crosby made a complete ass of himself again this past week … oh wait, that's not news … we've come to expect it … by launching a wave of tweets denouncing the music of ABBA as "dog poop," thus enraging fans of the group, back in the spotlight again with the new "Mamma Mia: Here We Go Again" sequel film now in theaters and a virtual / hologram / avatar tour coming that will feature the first new ABBA music in over thirty years.

I don't quite understand it … neither Crosby, Stills and Nash nor The Byrds EVER had a single hit record with a song written by David Crosby.  Not a single one!  And this guy's flinging poop at ABBA, one of the most successful groups in music history?  What's up with that???

Some key phrases from the exchange:

"Utter complete pop dog poop ... not one decent song ever." - David Crosby

Another participant wrote:  "ABBA is to music as plastic fruit is to food," while another said "ABBA were 'an act,' not 'a band.' And like any 'act,' they were slick, glossy, non-threatening pop tarts who only wanted to 'entertain you.' There was zero substance. There's a place for such acts: Vegas. Atlantic City, Hell ... "

Defending the group, others who were shocked to see Crosby's lack of appreciation for one of the best-selling artists of all time wrote:

"Starting to doubt your sanity -- great production and melodies -- lighten up!"

Another wrote, "Surprised at your tweet. Thought you'd have a much wider appreciation of music. ABBA had many great songs."

"ABBA is about as deep as a birdbath"  - David Crosby

But then questioned one of David's own songs … 

"Deep? 'Almost cut my hair???"

"Fair enough," Crosby said. "Probably the dumbest song I wrote .... probably also the most popular ... that's what we're dealing with."
Ahhh, showbiz!!!  (kk)


Hey, Kent,

I just found this in my house.  ALMOST EXACTLY 50 years ago, July 13, 1968, from the iconic Tower Records store in California!  How many of you picked these up back then??
Clark Besch


Hi Kent,
Isn't it crazy how two people can hear the same song and have two different reactions? 
You mentioned that Sock It To Me, Santa reminded you of James Brown and to me, I instantly thought of Mitch Ryder and Devil with a Blue Dress. 
Incidentally, in case I haven't mentioned it lately, FH is always nothing less than amazing. Thanks for doing this for all of us.
Bill
My reference was to the more obvious "Santa's Got A Brand New Bag" bit … but yes, there is definitely a Mitch Ryder feel to it … perhaps that whole Detroit "non-Motown" thing … and maybe the fact that Ryder also had a hit with the song "Sock It To Me, Baby" has a little to do with it, too!  (kk)


Joe Marchese of The Second Disc tells us that a brand new Bobbie Gentry CD box set, collecting all of her recorded material for Capitol Records, will be released on September 21st.
It'll be a massive 8-disc collection, featuring over 75 previously unreleased tracks, including demos, live performances, alternate takes, tv appearances and more … but, once again, NOT the reported 8-minute version of her biggest and best known hit, "Ode To Billie Joe."


Again, if this much rare material was found in the vault, why not this much-talked about original version that has come up time and time again here in Forgotten Hits?
It just seems to lead to further (and, perhaps, more explicit) documentation that this track my not exist after all.  (kk)
More details can be found here:


Hi Kent,
I thought this was a good article about how Rock and Roll went from small ticket prices to high ticket prices.
In fact, I enjoyed it so much that I wrote to the author, Randy Lewis at The L.A. Times to tell him how I felt …
Hi Randy,
Great article.
It was great to see the whole evolution of ridiculous ticket prices in a very concise and fun to read piece. 
I remember when the Steel Wheels tour came through the Minneapolis / St. Paul area … tickets were around $30. A Friend of mine wanted to go but her boyfriend didn't, so she sold me her extra ticket for half the price. I wasn't a big enough Stones fan to pay the full price. 
I'm in a tribute band and we get $30 to $40 for a ticket and we squirm about it.
That still is a heck of a lot cheaper than the current Eagles prices, so I guess I won't feel too bad.
Thanks for a good read.
Bill Scherer
It looks like Randy has been on a roll with his looks back at the events of 1968 … there are links on this page to several other very interesting articles.  (Somebody should turn him on to our year-long 1967 series that we did in Forgotten Hits last year, recreating the year day-by-day … I think he’d get a real kick out of it!)
Thanks for sharing … I’m sure I’ll be back to read more of what he’s got coming.  (kk)


Wilmer and the Dukes

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So this is how it started ...

Hey Guys,
I just found this and I never heard of these guys.  Apparently from Buffalo, they were a regional sensation in 
66 - 7. Here is their biggest hit (which I don't think was ever played here or LA -- am I wrong?)
Gary Goldblatt 

Not played here. Maybe my friend Kent will be good enough to throw this out on his web site so we can find out more.
Mike DeMartino 

And it worked ... we heard from a few of you out there who were pleased to see Wilmer and the Dukes featured the other day in Forgotten Hits with their somewhat obscure 1968 hit "Give Me One More Chance."  (#65 in Record World, #78 in Cash Box and #80 in Billboard.)  Incredibly, it was a bigger hit in Canada where it peaked at #18 on the CHUM Chart (and was released as Wilmer Alexander and the Dukes).

We gave you the lowdown that the band hailed from Rochester, New York, and featured Wilmer Alexander on lead vocals and saxophone, brothers Ronnie and Monte Alberts on bass and drums (respectively), Doug Brown on guitar and Ralph Gillotte on keyboards.  (From what we've since been told, it sounds like they were actually from Geneva, NY.)

It was an odd mix in that Wilmer was black and all of the other band members were very soulful white guys.  

It sounds like they played the bar circuit for ages, eventually becoming the opening act for many of the major artists who came through the area.  (Tommy James and the Shondells, Wilson Pickett, The Association and Sly and the Family Stone among them.)

Their two charted US hits ("Living In The USA," a cover of the Steve Miller tune, peaked at #114 in Billboard in 1969) were both released on Aphrodisiac Records, for whom they also recorded one LP.

For years rumors have circulated that Wilmer and the Dukes were the inspiration for the fictional band Otis Day and the Knights from the hit movie "Animal House," who actually became a REAL band thanks to the success of their version of "Shout!" used in the film.  (kk)


Good Morning!
I was amazed and pleased to see Wilmer and the Dukes mentioned in your Forgotten Hits column. I saw this Rochester band several times in my early youth playing at several Western NY venues along with Donnie Potter and Bat McGrath and The Shades, all local popular bands. (Try listening to Donnie Potter singing Over The Rainbow!) Anyway, Wilmer and the Dukes had an lp / cd released on a slightly one-off label (Tetragammon???) which, of course, didn't do well nationally but made a little noise in Rochester. I still have my cd version and love the single "Give Me One More Chance." 
Thanks for shaking my memory tree about my musical days gone by. By the way, another Rochester band at this time was Black Sheep, with lead singer Lou Gramm(atico), later to form Foreigner. 
Thanks for all you do. 
Jim Hill


Wilmer and the Dukes were based in Geneva, New York.  "Give Me One More Chance" was issued in early April of 1968.  It made the Top 10 locally where I reside and recall hearing it over the transistor radio.  
Mike Markesich

Apparently "Give Me One More Chance""borrowed" a little bit from Otis Redding's "Fa Fa Fa Fa Fa Fa" ... but it really is a GREAT song ... I've listened to it at least a dozen times now ... and this one should have been a much bigger hit than it was.  Surprisingly, it didn't chart at all on Billboard's R&B Chart!  (kk)


So glad to see Wilmer and the Dukes featured in Forgotten Hits.  They were one of our favorite bands to see back in the day and although they remained Rochester's best kept secret, never really doing much nationally, I remember waiting in lines around the block in order to get in to see them at some of the clubs where they were the headliners.
Thanks for rekindling another pleasant memory from my youth.
Donald   

And this was a pleasant surprise ...

You'll find their song featured on my August 11th Saturday Survey Chart for KQV in Pittsburgh, PA.
Clark Besch
So we've got THAT to look forward to, too!  (kk)

Hi Kent -- 
Hope you are finding the time to occasionally escape from your busy schedule and have some fun this summer!
Wilmer Alexander, Jr. and the Dukes, i.e. Wilmer and the Dukes. What can I say other than they were an amazing live performing band. 
I was co-owner of the Rustix, their main competitor for bookings and for fans as well. The good thing was that there were so many clubs, bars and colleges to play that neither band ever was out of work. Both bands played very similar songs as soul and Motown were the songs most covered. Doug Brown, the guitar player for the Dukes was the writer of most of the originals that the Dukes performed including their chart hit, "Give Me One More Chance."  Because Wilmer was the sax player, the group that they most resembled was probably Junior Walker and the All-Stars -- other than the fact that the four "Dukes" were all white, but full of soul. 
Ralph "Duke" Gillotte was the keyboard and B-3 player, bandleader, and oldest member of the group (born in 1937.)  His nickname was where the name "Dukes" came from. The Albert brothers, Ron (drums) and Monte (bass), rounded out the five man band. Bob Eagan defected from the Rustix and became the bass player for the Dukes in 1965. 
The group was managed by Ebo Albert, Ronny and Monte's father. That didn't work for the Beach Boys but it seemed to for the "Dukes". I remember Ebo as somewhat scary! I sure wouldn't have wanted my father following me around to every night club I went to. Ebo didn't trust many so he collected the money at the door! 
People literally lined up to see the Dukes. Contrary to most things written about the group, they were from Geneva, NY, home of Hobart and Smith colleges, about a half hour east of Rochester, NY.  
Although the Dukes played there often, Buffalo, also mentioned as their home in various articles, is another hour-plus west of Rochester. That's where they were picked up and were signed to Aphrodasiac Records. They recorded one very good album and about four or five singles, one with a picture sleeve. They were active from 1961 to 1974. They had a successful reunion in 1988 to raise funds for Wilmer, who was quite ill. After this series of concerts, the remaining members began touring as the "Legendary Dukes" with Eric "Mitty" Moore taking over vocals and sax. "Duke" passed away in 1999. They continued until 2011, recording one album in 1994 on Forevermore Records, often hitting the Carolina Beach Music charts. 
I don't know who submitted it, but there is an excellent, thorough and factually correct history of Wilmer and the Dukes on Wikipedia. 
Sure wish I could send you some pictures but my "attach" feature is not working. For those who are curious, you can easily find pictures of them on the internet and songs on YouTube. They were a classy looking and great group for sure! 
Danny Guilfoyle
I have heard from several people who are having problems trying to attach files thru AOL ... looks like I got out of there just in time!
Thanks for your very thorough piece ... much appreciated.  I've also run links to the two other sources you recommended.

https://en.wikipedia.org/wiki/Wilmer_%26_the_Dukes  

http://www.fltimes.com/news/wilmer-the-dukes/image_9557c7bc-ebb7-11e4-8668-d374f7f97631.html 

Be sure to watch for Wilmer and the Dukes to pop up again on August 11th as part of our coast-to-coast Saturday Surveys charts.

Meanwhile, I've also posted a couple of great YouTube clips, including one for their cover of the Steve Miller tune.


Thanks, All!  (kk) 
 


The Saturday Survey - August 4th

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8-3-68 - KSDR - Watertown, South Dakota


Located near the Minnesota / South Dakota border and about 200 miles straight west of Minneapolis, Watertown has just over 20,000 people now and is 5th largest city in the state.  In 1968, this survey had almost ZERO oddball charters, but one such is the Troggs' follow-up to their big hit "Love Is All Around."  "You Can Cry If You Want to" is hardly a song I would have chosen for a follow-up to a big hit and others must have felt that way, too, here in the US, as it bombed totally here.  

Luckily, there were plenty of cool songs KSDR was featuring this week including the new New Colony 6 45 and our own 1910 Fruitgum Company at #1.  One song that I have always loved was a top 10 country and easy listening hit as well as a minor pop hit for Glen Campbell, "Dreams of the Everyday Housewife."  Is this song politically correct today?  I don't know, but it's a pretty song from a different age.
-- Clark Besch  

*Survey Courtesy of Frank Merrill

Here in Chicago, "Dreams Of The Everyday Housewife" charted by both Glen Campbell and Wayne Newton, with Glen's version peaking at #23 and Wayne's topping out at #37 ... both got a fair amount of airplay, however, and I will admit to liking this song, too.  (So it's one of my featured picks this week!)

Actually there are quite a few of my favorites on this short list of tunes ... personal favorites include "Sky Pilot" by Eric Burdon and the Animals (#2), "Turn Around, Look At Me" by The Vogues (#4), "Don't Take It So Hard" by Paul Revere and the Raiders (#6), "Classical Gas" by Mason Williams (#8), "Pictures Of Matchstick Men" by Status Quo (#13) and the whole "Plus 8", including their pick-hit of the week, "Do It Again," still one of my all-ime favorite Beach Boys songs.


THIS WEEK IN '68: 

7/30/68 – The Buffalo Springfield album “Last Time Around” is released
Also on this date … The Ventures record “Hawaii Five-O”

8/3 – 8/4 / 68 – The Newport Pop Festival is held in Orange County, California … 200.000 attend. Steppenwolf, Sonny and Cher, Tiny Tim, Jefferson Airplane, The Chambers Brothers and Country Joe and the Fish all appear.  (How’s THAT for an eclectic cast of characters?!?!?)



The Sunday Comments ( 08 - 05 - 18 )

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From Tom Cuddy …

Review: Jeff Lynne’s ELO triumphs in tour opener (with photo slideshow, setlist): 
Ten days and counting!!!  We can't wait to see them! (kk)

kk …
The King is back!
FB
Yes, I know … Elvis' Television Comeback Special is being released in theaters for a limited run in celebration of the 50th Anniversary of its original showing in 1968.
We're seeing Jeff Lynne's ELO on August 15th and the Elvis movie (which also includes bonus, behind the scenes footage) on the 16th (ironically, the 41st anniversary of his death.  He's now been gone nearly as long as he was with us.)  And then we've got Happy Together on the 17th!  A VERY busy week ahead for Forgotten Hits!  (kk)

Kent -
Thank you for your piece on Wilmer and the Dukes - this is great!
By the way, when I asked you for a good book for my vacation, my pick was "The Wrecking Crew"… I heard so much about them thru  your web site, I could not resist … what a great read.
By the way, the latest August Goldmine Magazine has a great article on our own Jimmy Peterik.
Mike DeMartino
I'll have to look for that.  (Goldmine Magazine is getting harder and harder to find in the book stores … and I guess they don't have an online edition … but I'd hate to miss the Peterik piece!)  
And, speaking of The Wrecking Crew, I just finished Michel Rubini's book "Life In The Key Of Rubini" ... so watch for a review sometime next week.  (kk)

Kent,
When I saw and read that the group Wilmer and the Dukes was being discussed in FH, I just knew in the back of my mind that I had a copy of the record here at home. Sure enough, I did. Which means it made our local survey for at least one week. I did not remember how it went and had to get it out to play it again.
Reader Jim mentioned the group BLACK SHEEP with group leader Lou Gramm(atico). They had a record out in the Summer of 1966 called IT'S MY MIND on Columbia which did make our weekly survey here in OKC. The flip was ARTHUR. A record that probably didn't chart more than two or three weeks here in OKC.
Larry
I'd love to hear that Black Sheep record … I didn't realize that Lou Gramm's career went back that far.  (I did a YouTube search and everything that came up for Black Sheep revolved around their 1975 album, released a couple of years before Foreigner's debut.)  I found a YouTube clip for "It's My Mind"… but are we sure this is the same band that Lou Gramm was in?  I'm thinking HIS Black Sheep was a '70's band … and not these guys on Columbia from the '60's.   It doesn't sound anything at all like his vocal style.  Anybody know for sure?  (kk)

Well, being a blind guy, I can't appreciate all these stacks and stacks of
albums, but I know you and all the rest of the FH readers can … so take a couple looks for me. I'd sure love to go in to a store loaded with
vinyl like we had back in the day.
Bill Scherer
No doubt about it, a trip into a Tower Records store was always a bit overwhelming … especially with only limited funds to spend on each trip there … you really had to be selective when it came time to pick and choose which records were coming home with you!  (kk)  

After my recent rant about Billboard's 60th Anniversary of The Hot 100 Chart, I couldn't help but wonder what Joel Whitburn thought about this new policy of ignoring everything that happened chartwise before August 4th, 1958.  (And seriously … who knows more about the Billboard Charts … or ALL of the charts … than Joel Whitburn?!?!)

So I asked him:  What's your feeling on this whole Hot 100 thing going on?  It irritates the heck out of me that based on this new "starting date," Elvis' first 32 chart hits (including several #1 Records) are now seeming to be "deleted" from rock and roll history.  PLEASE don't EVER adapt your publications to reflect this!!!  Record Research has always traced the charts back to their original inception ... and the way you've modified things now to include every charted pop hit from 1955 on (as well as spotlight the significant tracks that helped form rock and roll in the years before it caught on with the masses) is the most accurate portrayal of REALITY for this era.  (I don't know if you listened to any of the Sirius XM / Billboard Hot 100 radio special this week but I swear I heard several songs played that weren't even the original versions or mixes of these #1 songs!!!  Between all their "decades channels," I don't even see how this is even possible!!!)  kk

When I began my initial research of Billboard's pop charts, I began with their first Hot 100 chart.  After completing the work, however, I realized that I was missing a host of classic rock songs by Elvis, Jerry Lee, Little Richard, Chuck Berry and on and on.  So, I went back to my Billboard archive and decided that it would have to begin in 1955 when Rock Around The Clock broke into the mainstream pop charts.  Therefore, I spent an additional year or more researching the '55 to '58 charts that included all the classics and just before Elvis came on the pop charts. And, for your information, they will always be included in my book.

I wish Billboard would have included those early years in their latest countdown.  However, I do understand that their Hot 100 chart is celebrating its 60th anniversary - a very significant event - and this chart developed by Paul Ackerman, Tom Noonan and Seymour Stein does deserve special recognition.

I don't know about the non-original songs that are being played in their countdown, however, there is no excuse for that to happen.
Still hoping that you'll get the chance to visit and to tour the vault this year.

All my best,
Joel Whitburn

Fortunately Sirius XM started the program over sometime during the night between Thursday evening and Friday morning on my way to work … so I got to hear a few things I hadn't heard before.

You'll appreciate and be able to relate to this …

I decided to quiz myself on the way in to see how many of the next, sequential #1's I could predict.

I've always associated certain songs with others … for example, "Hanky Panky" and "Wild Thing"… "Daydream Believer,""Hello Goodbye" and "Judy In Disguise"… "The House Of The Rising Sun,""Oh, Pretty Woman" and "Do Wah Diddy Diddy"… "I Can't Help Myself,""Mr. Tambourine Man" and "Satisfaction"… so on my first go'round I got 9 out of 12 correct … to where even if I missed, the song might not have been the NEXT #1 but it was quite often the one that FOLLOWED the next one … you get the idea. My second time through I didn't do as well … 7 for 13 … but still I wonder how many people listening could have even done that!

But then I caught them cheating … a couple of times … where they SKIPPED a #1 Record here and there.

So much for Truth In Advertising!!!  This was supposed to be EVERY #1 Record to top Billboard's Hot 100 Chart for the past 60 years … August 4, 1958 thru this week.

But in 1965 they skipped both "Eight Days A Week" and "Ticket To Ride" by The Beatles!!!  How the heck do you do THAT?!?!

The Beatles had more Billboard #1 Hits than ANYBODY … so how do you skip TWO of them during the first half of 1965???  (They skipped two chart-toppers by The Supremes, too, from '65 … they went from "My Girl" right into "I'm Telling You Now," skipping both "Eight Days A Week and "Stop! In The Name Of Love" and again, after jumping over "Ticket To Ride," they played "Help Me Rhonda" right into "I Can't Help Myself," eliminating "Back In My Arms Again."  WTF?!?!

Because I was only able to hear such a small segment of the program (as mentioned before, it wasn't streaming … so I could only listen in the car when driving to and from work) there is no telling how many more official #1's they may have skipped.

It's just that if you're going to take the time to do a special like this, then do it right!!! (kk)

Billboard.com has put together a couple of interesting lists related to the big anniversary.

First off, The Top 600 #1 Records of the Past 60 Years …
https://www.billboard.com/charts/hot-100-60th-anniversary

Now just how they determined this is beyond me … because some of it just doesn't make sense.  (For example, LeAnn Rimes never hit #1 at all with her hit "How Do I Live"… but it spent a then record-setting 32 weeks in Billboard's Top Ten … so it therefore outranks The Beatles' nine week chart-topper "Hey Jude," Olivia Newton-John's ten week chart-topper "Physical" and hundreds and hundreds of other records that actually DID go all the way to #1.

One nice, pleasant surprise: Survivor's "Eye Of The Tiger" ranked #26 of all-time … but you'll find yourself scratching your head when you see the rankings of some of the songs that you just KNOW had a bigger and longer-lasting impact (like Marvin Gaye's version of "I Heard It Through The Grapevine" or Michael Jackson's "Billie Jean.")
Check out the list and draw your own conclusions.

Then, Billboard ranks The Top 60 Songs That Never Reached #1. 

Naturally, LeAnn Rimes tops this list (which is where her hit really belongs … leave the other list to the records that actually DID make it all the way to #1)

Other notable hits include "Donna" by Ritchie Valens, "Waiting For A Girl Like You" by Foreigner and "Bird Dog" by The Everly Brothers.

What?!?!  What about Creedence Clearwater Revival's five #2 hits, none of which ever hit #1 in Billboard but did top the other national trades.  Or Blood, Sweat And Tears, in the same boat with three #2's.  How do neither of these artists make the list???

Oh well, most of these lists are just to spark controversy anyway … so let the comments begin … I'm sure we'll see quite a few of them once you have the chance to peruse these charts!  (kk)

kk ...
Here's a profile of another one of New York's great radio personalities, Herb Oscar Anderson.   He was called "The Morning Mayor"… and he could sing!
And Jay Reynolds is featured in the "DJ Hall-of-Fame" today on Rewound Radio.
FB 
I told you you'd love Rewound Radio!!!  It's the best … and these Saturday profiles airing actual programs from back in the day can't be beat.  (kk)

Here's a true rarity you might want to post, Kent.
It's an early '67 demo (never released) for Lenny Waronker titled 'Six O'Clock' by a Southern California group named the Phog.
Any guesses as to who is shaking the tambourine?
It's Freddy Cannon!
Could you possibly ask Freddy if he has any recollections of this?
Mike Dugo

KENT
I DON'T REMEMBER THIS SONG OR PLAYING ON IT BUT, KNOWING YOUR READERS, HE MIGHT BE RIGHT.
I WOULD HAVE TO CHECK IT OUT.
PLEASE THANK HIM FOR ME.  I WISH I COULD HELP HIM WITH THE ANSWER.
FREDDY BOOM BOOM CANNON
Thanks Freddy -
I’ve run the clip below.  Maybe you’ll recognize it once you hear it.
(Or maybe his info is wrong - it happens to the best of us!) Lol
Thanks.  Take care!  (kk)

A Double Whammy of Reader Reviews

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We’ve got a Double Whammy of reviews for you today …

First up, Forgotten Hits East Coast Correspondent, Shelley Sweet-Tufano …

Followed up by an interesting batch of shows from West Coast Correspondent Gary Strobl!

Enjoy!

The last weekend in July fell two days after my birthday and it also marked the beginning of my concert marathon month of August. And because it IS MY BIRTHDAY WEEKEND, Kent will indulge me with the beginning of this review.

Yes, the Saturday night concert was Herman's Hermits Starring Peter Noone, and I want to talk a bit about their opening act. The Sunday concert was Peter Asher and Jeremy Clyde. We have run full circle on the “Which one is Peter and Gordon, and which one is Chad and Jeremy?” confusion to be able to now answer with a simple, “Yes.”

Elizabeth Silvia and Adam Landry are a guitar playing, singing, young duo who are lucky enough to be associated with The Stadium Theatre Performing Arts Center in Woonsocket, RI; and thus be chosen to open the July 28th show. This girl has a powerful voice and is strongly backed on vocals by Adam who is an instructor at the center. Starting with Joni Mitchell’s, Big Yellow Taxi and ending with Hanson’s MmmBop, they inspired the audience to clap and sing along. I became misty-eyed a few minutes in as I thought about my own mission from the last 20+ years: connecting disabled and non-disabled children to the world through the use of music. Someone helped these two on their journey, and just maybe, I have helped others.

Peter and his Hermits were even higher energy than usual. Oh sure, I can attribute it to being my birthday concert, but they knew nothing of that. And it would never affect them in any way had they known. It was stifling in The Stadium Theatre … no, I mean STIFLING, HOT, HUMID! Sweat was pouring down from the audience. I can’t imagine what those stage lights were doing to Peter, Rich, Dave, Vance and Billy. I got a slight taste of it when Peter had the lights turned on the audience for a time … I think just to keep an eye on us … and we found ourselves in the middle of the Amazon Jungle , climate-wise. The audience was screaming like they did at 16. I look around and wonder where these loud teens are sitting, but no screaming teens are visible.  Again I am amazed at how much energy we can muster up at these shows. I was with friends. We were having fun. The performers were having fun. One of my best Birthday weekends ever.

Sunday morning finds me driving from Woonsocket to Old Saybrook, CT, to attend The Kate Theatre Performing Arts Center in an intimate setting, with a polished complexion that is so reminiscent of Katherine Hepburn herself. 

There is a small museum that opens one hour before each performance and is just large enough to intrigue the visitors into wanting to know more of Hepburn’s life. Everything (including the bathrooms … and this is no small feat in the concert world) is crisp and clean in a black and white motif with blinking theatre lights. I already know it is sold out and why wouldn’t it be? A shoreline theatre town with an enormous historical link to NYC and good seafood, there are probably not enough seats to handle all who run to see Peter Asher and Jeremy Clyde perform together in their first tour without Gordon or Chad. As it fills up, I see WTNH political reporter, Mark Davis, come in and Forgotten Hits reader (and producer of Strawberry Fields) Charles Rosenay arrive.

I have seen Chad Stuart and Peter Asher, with an angry, frustrated Jeremy Clyde on a large screen trapped in London. I have seen Chad, Jeremy and Peter at The Fest For Beatles Fans. And now, I have seen Peter and Jeremy alone together. They think it was confusing when there was Peter and Gordon vs. Chad and Jeremy in the sixties? Well now we just never know who will come together. And COME TOGETHER THEY DID.

In the lobby I was told it was two 50 minute sets, separated by a break. In the theatre I overheard that it would be two 45 minute sets with a 15 minute intermission. It turned out to be a 65 minute segment, a 15 minute intermission and an hour and 10 minute ending. WOW! Every minute packed with songs, stories, videos and pictures. I know they are off to The Chicago Fest For Beatles Fans and several other tour stops so I will not reveal the set list, dialogue or any surprises you will see when you go. Because you REALLY should go! I was able to view the 60’s world through the eyes of Peter, Jeremy and several of their friends as The British Invasion first budded and then bloomed and blossomed fully.

Well, readers of Kent’s Forgotten Hits … any questions?

Shelley 


We'll be seeing Peter and Jeremy this weekend at The Fest For Beatles Fans here in Chicago ... along with our FH Buddy Billy J. Kramer, who invited us to come out as his guests. 

Really looking forward to this ... we saw Peter and Gordon perform here several years ago ... and I haven't been to a Beatlefest in about a decade now!  (kk)

************

Hello Kent,

How are you?

I was part of the SRO audience at the Paley Center in Beverly Hills this evening to see the premiere of the new PBS documentary My Music: Dionne Warwick - Then Came You.

It was a wonderful documentary featuring rare music clips and informative and insightful interviews.

These amazing music performances were shown chronologically as Dionne Warwick's illustrious career unfolded.

Larry King interviewed her after the screening and she answered his questions with charm, grace and gratitude.

It was indeed a magical evening of music and conversation.

It is a must-see documentary for anyone who enjoys her music.

Check your local listing for this very special PBS broadcast.

Also, here is my pass from last week's concert with The Byrds and Marty Stuart.

I went with prolific writer and good friend Harvey Kubernik on Tuesday night and then I got tickets for Henry Diltz and me the following night.

Henry used to hang out with Roger and Chris at the Troubadour when Henry was playing banjo in his band The Modern Folk Quartet.

If the 50th Anniversary of Sweetheart Of The Rodeo stops in Chicago, you don't want to miss it!

It was an absolutely amazing show.

The musicianship was outstanding!

I am going to see Jackson Browne at the Greek Theatre on Saturday and then Jeff Lynne's ELO at the Forum on Sunday.

On July 22nd, I documented an event in Laurel Canyon called Love Street Festival.

Musical guests were Micky Dolenz and sister Coco, Wilson-Phillips minus Chynna (she was sick). Bijou Phillips took her place. Owen Elliot Kugell also sang. Michelle Phillips sang with all of them and the evening ended with the Robby Krieger Band.

All in all, it has been a sizzling (literally) summer of music so far.

Huge hugs to you!

Thank you for everything you do!

That's What Friends Are For,

Gary Strobl

Wow, these are some pretty amazing events.

We’ll be seeing Jeff Lynne’s ELO on the 15th of this month … and we can’t wait!  Been waiting 18 months now (well, more like thirty years if you consider the last time he toured The States!) and we cannot wait to see it.

PBS ran a Dionne Warwick profile several years ago ... it'll be interesting to see what they've come up with for this new feature.  (Any idea when it's scheduled to air?)

The Love Street Festival sounds incredible … if you’ve written a piece on it, I would love to run it here in Forgotten Hits so that others can enjoy it, too!

Thanks, Gary … always good to hear from you!  (kk)



Hello Kent,
Here is a nice little piece that AXS wrote up about the Love Street Festival in Laurel Canyon on July 22, 2018.
I think you should share this link with your readers.
It encompasses everything that happened on that hot and sunny Sunday in the hills of the mystical and legendary Laurel Canyon.
Cheers,
Gary

"Love Street Festival is undoubtedly the best-kept secret in L.A. Somehow, in that magical space, the future, the past and the present seem to all be rolled into one. Laurel Canyon has been at the heart of so many of the songs we cherish. It’s inspired lyrical masterpieces and continues to be home to the ‘creatures’ Morrison once so poetically described. The beauty of the area remains, mostly because the elements of what used to be, still exist. The idea is not to run it over with crowds. It’s to preserve the neighborhood nestled deep in the canyon above Sunset Boulevard, just as it is."

https://www.axs.com/legends-of-laurel-canyon-come-out-in-support-of-the-6th-annual-love-st-132012

FH Reader Tom Cuddy sent us this piece from The Hollywood Reporter, talking about the new PBS Dionne Warwick documentary ...
https://mail.yahoo.com/neo/launch?.src=ym&reason=myc#mail
 


LIFE IN THE KEY OF RUBINI

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"Life In The Key Of Rubini" tells the story (in his own words) of Michel (Mike) Rubini, a key member of The Wrecking Crew … as well as musical director for acts as varied as Sonny and Cher, Nancy Wilson and Johnny Mathis.

It's a fascinating tale that never gets boring (hell, the guy gets laid about every third page!!!) of Michel's adventures from child prodigy to highly-regarded session man to musical arranger to composer and conductor of soundtrack music.

The son of highly esteemed concert violinist Jan Rubini, Michel developed perfect pitch by his toddler years by just listening to his father tune up, warm up and practice around the house.  Soon, as a teenager, he was traveling around the world with his father, performing as his on stage accompanist on piano.

Fortunately for our Forgotten Hits Readers, Michel chose rock and roll music over the classical music he so highly trained to perform.  That decision has given all of us YEARS of musical enjoyment, thanks to the records he made with some of the biggest names in show business … even if HIS name isn't immediately familiar to you.

His mother was an actress that went by the name of Terry Walker, who he described thusly: 

"To give you a little glimpse into my mother's background … she was under contract at different times to RKO, Monogram Pictures and Columbia Pictures.  She was a "starlet" in every sense of the word and was on her way up the B-Movie ladder to fame and fortune.  But, as with so many girls before and after her, she met my father.  And though she tried her best not to fall for his amorous overtures, he seduced her nonetheless, and they married in 1940.  I was born a couple of years later in 1942, which she used as a convenient excuse to retire from her acting career, and my brother (and only full sibling) David, followed me in 1945 … and that gives you a little glimpse into my mother's background.

"Oh … and she was also an alcoholic."

Jan Rubini was quite the womanizer, traveling the world and collecting a string of "girls in every port."  Son Michel, a handsome and very talented musician, had no problem following in his father's footsteps in this regard.  Over the years he has been romantically linked with some of the most beautiful women in the world.

Because of his uncanny ability to instantly sight-read any new piece of music set in front of him … as well as improvise perfect parts that captured "the feel" of whatever he happened to be recording at the time when told to just "do your thing," Michel became a very in-demand musician.  Along the way he worked with everyone from the aforementioned Sonny and Cher (even appearing as their musical director on their CBS Television Series ... DIDJAKNOW that two of the original founding members of Toto got their start as teenagers playing in Sonny and Cher's back-up band??? You'll find ALL kinds of fascinating facts like this in Michel's book!), Nancy Wilson and Johnny Mathis to sessions with Frank Sinatra, Elvis Presley, Jim Nabors, Leon Russell, Barbra Streisand, Harry Nilsson and more.

(A partial list of some of Michel's recording credits follows this review.)

Ironically, one of his first assignments was arranging something for Raquel Welch, a then struggling, unknown singer / actress, only to find himself working with her again a decade and a half later when she was not only a star but considered to be one of the sexiest, most beautiful women in the world.  Along the way, he would also date Lynda Carter, TV's Wonder Woman, on and off for several years.

The book moves along at a fun and interesting pace as Michel recounts some of his favorite adventures.  Now retired, he was encouraged to write his memoirs by none other than Kent Hartman, who wrote the book on The Wrecking Crew, who became fascinated by all the incredible stories Michel was able to tell him while being interviewed for his ownbook.

I, for one, am glad he followed through … as this is a fun trip down memory lane, taking a look at the "lifestyles of the rich and famous" in the anything goes '60's and '70's.

You can order YOUR copy of the book right here:

Here is just a Partial List of Artists that Michel Rubini has recorded with, played keyboards for or arranged material …

The Beach Boys, Jimmy Bowen, The Byrds, Mel Carter, Johnny Cash, Chad and Jeremy, Ray Charles, Cher (solo), Petula Clark, Don Costa, Bobby Darin, John Davidson, Jackie DeShannon, Dino, Desi and Billy, Jimmy Durante, The Everly Brothers, Jose Feliciano, The Fifth Dimension, Bobbie Gentry, Don Ho, Thelma Houston, Michael Jackson, The Jackson Five, Peggy Lee, Jerry Lee Lewis, Mark LindsayLoggins and Messina, The Marketts, Dean Martin, Johnny Mathis, The Monkees, Maria Muldaur, Jim Nabors, Harry Nilsson, The Nitty Gritty Dirt Band, The O'Jays, The Osmonds, Michael Parks, Mike Post, Elvis Presley, The Righteous Brothers, Johnny Rives, Smokey Robinson, Linda Ronstadt, Diana Ross, The Routers, Carole Bayer Sager, Seals and Crofts, Frank Sinatra, Sonny and Cher, Barbra Streisand, Tiny Tim, Ike and Tina Turner, Tina Turner (solo), The Turtles, Twiggy, Frankie Valli, Bobby Vee, The Ventures, Junior Walker and the All Stars, John Wayne, Barry White, Mason Williams, Paul Williams, Brian Wilson, Nancy Wilson, Frank Zappa … and more   

In addition, here are just some of the hits where you've heard Michel "tickling the ivories"...   

I Want You Back - Jackson 5    
Strangers In The Night - Frank Sinatra 
Unchained Melody - Righteous Brothers 
The Beat Goes On - Sonny & Cher
That’s Life - Frank Sinatra 

Swearin’ To God - Frankie Valli 
Elenore - The Turtles
Classical Gas - Mason Williams
(Theme From) The Monkees - The Monkees
Hold Me, Thrill Me, Kiss Me - Mel Carter 
A Cowboy’s Work Is Never Done - Sonny & Cher
Lipstick Traces On A Cigarette - The O’jays
A Fool In Love - Ike & Tina Turner
I Got You Babe - Sonny & Cher
When I’m Gone - Brenda Holloway
Pride And Joy - Marvin Gaye
Arizona - Mark Lindsay
Half Breed - Cher
Gypsys, Tramps & Thieves - Cher
Bang Bang (My Baby Shot Me Down) - Cher
All I Ever Need Is You - Sonny  & Cher
The Way Of Love - Cher
You Better Sit Down Kids - Cher
Me And My Arrow - Nilsson
Baby Don’t Go - Sonny & Cher
All I Really Want To Do - Cher
Dark Lady - Cher
River Deep, Mountain High - Ike and Tina Turner
Mama Was A Rock And Roll Singer, Papa Used To Write All Her Songs - Sonny & Cher
(You’re My) Soul And Inspiration - The Righteous Brothers
Ebb Tide  - The Righteous Brothers
Baby Love - The Supremes
and many, many more 

(For a list of just some of the places where Michel has tickled the ovaries, you'll just have to buy the book!!!)









Thursday This And That

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Hi Kent,
I’ve been following your comments on the 60th Anniversary of the Billboard Hot 100 chart with great interest.
Joel and I have been having some great discussions about this very topic recently.  I agree with what he wrote to you in the Sunday comments.  It’s just too bad that the Hot 100 didn’t start a few years earlier so that Billboard could include all those essential 1955-58 hits in their recaps.
When looking at the all-time rankings, keep in mind that Billboard has their own formula.  Personally, I much prefer Joel’s method of ranking the hits primarily based on the number of weeks at the peak position, followed by weeks in Top 10, Top 40, etc.  This method is totally transparent, with all of the data laid out in a logical, easy to understand format.  No complicated mathematical formulas or weighting of different eras.  After all, the goal of any record is to attain the highest position on the weekly chart.  In my mind, a #1 record will ALWAYS trump one that peaks at #2.  I guess what I’m trying to say, is get a copy of our Pop Annual to get the real story!
While I’ll always consider Billboard to be the top dog in terms of compiling the weekly charts, I also look to other sources.  That’s why my favorite Record Research publication is The Comparison Book.  I also like to consult the various local surveys as well.  Some songs that were big hits in my home market of Minneapolis didn’t fare nearly as well on the national charts, and vice-versa.  The recent series that we are doing on the Cash Box regional charts has been a fun and fascinating project to work on as Joel has really dug up some interesting songs and artists.
I haven’t heard any of the Sirius programming, but I don’t need to.  I have all the music I need on my computer hard drive, so I can listen to anything I want at any time.  Maybe they need to hire one of us true chart fans as a consultant to make sure they get it right!
Paul Haney
Record Research
I totally agree with your assessment of the Chart Comparison book … I campaigned for this volume for YEARS, once Joel had access to the other major trades.  There isn't a day that goes by when I don't consult it for a more accurate picture of record popularity.
I think the individual year end rankings of how a record performed that year are better suited as "at the time" reports as hindsight tends to distort some things.  (That being said, Billboard ranked "Wooly Bully" as the biggest record of 1965 … and it never reached #1 on their own chart … so obviously their point system took other factors into account.  How could this record possibly have been bigger or made a bigger impact than #1 Hits like "Satisfaction,""Yesterday,""Downtown" or "You've Lost That Lovin' Feelin'"?)
By the same token, I do believe that a record that spends three, four or five weeks at #2 probably should outrank a record that spent one week at #1.  Prime example would be the novelty hit "Harper Valley PTA," #1 for one week in 1968 and then gone.  Meanwhile, #2 peaks like "Young Girl,""Those Were The Days,""Born To Be Wild" and "Theme from 'Valley of the Dolls'," #2 for four weeks, rank behind it.
Keep in mind, too, that Billboard determined their year-end rankings by each record's performance from November to November.  My biggest objection (along with the most obvious offender) to Joel's method is ranking The Monkees'"I'm A Believer" as the #1 Record of 1966, simply because it peaked at #1 during the last week of the year.  It just isn't accurate information.  It spent its other six weeks at #1 in 1967, where it achieved its greatest success.  It should be ranked as the #1 Record of 1967 based on the actual statistics, not just the one week it reached its peak position.  It distorts reality.
I have discussed before a method of "hindsight ranking" that better establishes the relationship of this music due to all the major changes along the way with programming trends and collecting the chart data.  It would still be a point system but then divided by specific criteria in an effort to make "all records created equal."  It's called the "Hit Index" and assigns a calculated value to every record so they can be fairly compared side by side.
Example:  A record like The Beatles'"Yesterday" only charted for 11 weeks but spent four weeks at #1, six weeks in The Top Ten and 9 weeks in the Top 40.  In 1965, records just didn't stay on the charts that long as there was so much new competition being released each week that even many of the biggest hit records were off the charts in  span of three to four months.  Today, it's not at all uncommon for a record to stay on the chart for a year or more.  (Remember when Paul Davis broke the all-time chart barrier by charting for 40 weeks with "I Got Crazy"???  Who would have ever thought back then that records would eventually ride the chart for 60 weeks???)
Without going into the specifics of the points it accumulated weekly thru a weighted system based on actual chart position with bonus points for Top 40, Top 10 and #1 status, let just use the bonus points for this example.
"Yesterday" would earn one point for every week in The Hot 100 (11), three points for each week in The Top 40 (27), five points for every week in The Top Ten (45) and ten points for every week spent at #1 (40) for a total of 123 points.
Now jump ahead to 1996 and the monster hit "Macarena," which spent 14 weeks at #1 and charted for an incredible 60 weeks!  Again, give it one point for every week in The Hot 100 (60) plus three points for each week in The Top 40 (37 x 3 = 111) plus five points for each week in The Top Ten (5 x 23 = 115) plus ten points for each week at #1 (140) = 366 total points … or about TRIPLE the points earned by "Yesterday".
So which is the bigger hit record, relatively speaking, to the total era of the 30 year timeframe between these releases?
Well, take the 123 points earned by "Yesterday" and divide it by the 11 weeks it spent on the chart.  That gives you a Hit Index of 111.82.  Do the same for "Macarena" (366 / 60) and you get a Hit Index of 61.00.  The fact that the times changed to allow a record to chart for 60 weeks doesn't allow you a fair comparison between these two #1 Hits.  But dividing the points earned for each record and then dividing by the total number of weeks it took these records to compile these points DOES allow you a way to fairly and accurately compare them side by side.
It's a hell of a lot of work to go back and recompute … but even this simple basic method gives you a better idea as to the relative popularity of each record when compared to others from different eras.  For me, this is the only way to accurately rank them side by side … in hindsight.  (Make sense?)
Hopefully, you've been following our Saturday Surveys feature … this year we've been showing a Top 40 regional chart from every state … by year's end, all 50 states will have been represented in our recap of the 1968 charts.
And, since you mentioned the Minneapolis charts as being amongst your favorites, check out this next email … and what a cool find Mike Wolstein has come across!  (kk)

Hi, Kent -
I don't remember where I found this ... a 1966 survey from KDWB, Minneapolis - St. Paul, 1590 AM. 
It's interesting because the brand new Ides of March single shows up down at the bottom (must have been its first week) as being on the Harlequin label, which was a promo pressing of 225 copies (Jim Peterik told me this personally).  I don't have any other surveys from that week to compare it to. I wonder how long it remained on the charts on that label before it was shown as being on Parrot.
Mike Wolstein
Chicago area



VERY cool!  And amazing that it would chart this way this far away from home.  (The survey shows a Week Ending Date of May 21st … the Ides record first premiered here in Chicago … on Parrot … on the May 12th WCFL chart (as an "up 'n' comer) and not until May 27th on the WLS Silver Dollar Survey.)  A rare chart indeed … and an AWESOME autographed copy of the single in question.  Thanks, Mike!  (kk)

It seems to be The Month of Jim Peterik!!!

First, this extremely rare Minneapolis survey showing The Ides Of March premiering on the chart at #40 with their very first hit, "You Wouldn't Listen," on the original Harlequin label (along with an autographed copy of that very single) …

Then a full-length interview with Jim in the August issue of Goldmine Magazine …

And then the news that Jim's "Eye Of The Tiger" is the 26th biggest song of the past 60 years according to Billboard Magazine's just released 60th Anniversary Issue of The Hot 100.  (Man, does it get any better than this???)

Wow.  That’s awesome, Kent!  
That must have been the earliest add we ever had. On Harlequin for god's sake!  Thx for sending. Gonna post this!  
JP in Salt Lake City

And then ...

I just did an awesome show with David Pack's Legends of Rock Live …  (Me, David Pack, Richard Page (Mister Mister), John Elefante (Kansas). Dave Jenkins ( Pablo Cruise) … and then Rodney Crowell, Emmylou Harris and Shawn Colvin.  They called it the TrueBeliever Fest, where the songs are the stars. Quite a night.   (The whole thing was organized by Monte Powell, who wrote ten number one hits with Keith Urban and his wife, Anna. 
I just saw the list of the top 600 songs of the past 60 years in Billboard.  But by the time I saw it, you had already run the notice in Forgotten Hits!  You are just so ahead of the curve. You’re the best!  Thank you, my friend!  Hope you are doing great.
Jimbo 
Man, that is quite a line-up … how do we get THAT show to come to Chicago?!?!?  (kk)

Thanx!  When I handed that 45 to Jim (for the autograph) at the Hillside Record Convention in 1983, he (jokingly) tried to steal it from me!  ;-)   Incidentally, if you haven't seen the WBBM-TV piece that was shot by Mike Bush (reported by Sirott), it's posted here:



Since I've been helping Pam Pulice with the Dick Biondi Film for the past four years, I've gotten to be "buds" with some of the local "garage" guys, especially Jim, Ronnie Rice, and lots of others. Great bunch of people. 
And I just remembered this fabulous piece done by WTTW-11 ("How Chicago Rocked the Sixties") ; 27 minutes ... here:



Then, after reading today's column, I just HAD to send this in. 
I picked this shirt up at the "Chicago Groups" record convention at Hillside in 1983.  It was designed by Gary Strobl.  It's one of my favorite t-shirts, and I've never seen another like it!


Mike Wolstein
Chicago area
I feel quite certain that that New Colony Six T-Shirt was a custom design of Gary's … he used to make ALL kinds of shirts back then (specializing in all things Monkees-related) and I'll bet he designed something special for each of the local groups participating that day.  He moved out to LA many, many years ago, but we have managed to stay in touch thanks to our great love of this music.
Since we've run links to both of these features several times in the past, I figured that this time we would post the actual clips right here on the site for those who want to see them.  (I was at that Hillside Record Show as a dealer when Mike Bush gathered all of our Local Heroes together for a special reunion … and Frannie and I watched the complete "How Chicago Rocked The Sixties" PBS special again Sunday night!  Great stuff!)  kk

And Ides keyboardist Scott May sent in this clip from a recent Top Tens Countdown Show, spotlighting The Ides' big hit, "Vehicle"… which comes in at #6!
(I'm telling you, it's The Month of Peterik!!!)  kk



From Clark Besch …

Billboard's All Time Hot 100 Top 100 gives The Ides Of March the #26 position this week!  Jim Peterik … back in the Hot 100 again in 2018!
While "Vehicle" gets snubbed SOMEHOW by the likes of "Sometimes When We Touch" for Top 100 plays of 20th century???
Did we lose stations in the 80's?  There seems to be no songs from 80's to 2000 (THANKFULLY, for the most part).
These lists are absurd in some of the listings, but certainly most garner the rating.  It's just weird.  "Never My Love" #2???  HUH???
Clark
I haven't seen the airplay list yet but for the past several years now "Never My Love" has been coming in second only to The Righteous Brothers' hit "You've Lost That Lovin' Feelin'"… so I'm assuming that's still #1, right?
The Association have been VERY proud of this fact and have been mentioning the new rankings at all of their shows for the past few years.  I'm sure they'll do it again when we see them next week at The Happy Together Show at The Paramount Theater. 
As for "Vehicle," I still hear it every single day ... so it's gotta be WAY up there on the list somewhere! (kk)

And, speaking of Chicago groups doing well on Billboard's latest rankings, check this out …

In celebration of the 60th anniversary of the Billboard Hot 100 chart this week, the magazine tabulated the Top 100 groups and duos of the rock era, based on chart performance.  In other words, from Aug. 4, 1958 through last week.
Chicago is the Top American Band in Billboard chart history and # 4 overall, behind the Beatles, the Rolling Stones and the Bee Gees!
The Billboard magazine, with the complete list,  will be on newsstands this week.
FYI: Current tour partner, REO Speedwagon, was # 60 on the list.  The highest ranking current act on the list is Maroon 5 at # 11.
What a terrific acknowledgement of Chicago’s contributions, as they continue to tour the country this summer with REO Speedwagon, and as their “Chicago 2” PBS-TV “Soundstage” episode continues to air.
- Tom Cuddy

TOP 10 BANDS AND DUOS OF THE LAST 60 YEARS
1. The Beatles
2. The Rolling Stones
3. The Bee Gees
4. Chicago
5. The Supremes
6. Hall & Oates
7. The Four Seasons
8. The Temptations
9. Beach Boys
10.The Carpenters

Speaking of #1 Records, I just read that the Bebe Rexha and Florida Georgia Line hit "Meant To Me" is now enjoying its 36th WEEK at #1 on Billboard's Country Hits Chart!!!  This is UNHEARD of!!!  An all-time new chart record!  (Actually, it's not a bad song ... and not too hard to watch either ... just ask any of the 539 MILLION people who have already watched this video ... that's more than HALF A BILLION people, folks! ... but #1 for 36 weeks?!?!)  Yowzah!!! (kk)




>>>Hi Michel - I just finished reading your book yesterday … a VERY enjoyable read.  You've had a VERY exciting life ... (I'm jealous!!!)  Congratulations!  (kk)  
Thank you so much, Kent. It has been a really crazy ride, that's for sure. It still is … I had to cut off the book when I got to the 80’s because I had already reached more than 80,000 words (about 300 book pages) and I hadn’t even got to a lot of the fun stories like working for producer Michael Mann (Band Of The Hand and Manhunter, both of which I scored the music for) and hanging with Faye Dunaway, who held my hand all through the mixdown of her film Silhouette.
If this book is a financial success I am going to do a sequel, but if it isn’t I’m still satisfied that I finally got this much down on paper. When I started I thought it would be a six month project, but it ended up being a 3 1/2 year project. Boy, was I clueless!
Anyway, I'm looking forward to reading what you have to say about it.
Many thanks,
Michel
Scroll back to August 7th to read the full review in case you missed it.  Great book … and a fun read.  (kk)

And here's a new piece sent in by FH Reader Tom Cuddy about one of the guys Michel worked closely with … although not necessarily always in a good way (read the book!!!) …


Congratulations to our friends over at The Drive … they're now officially Chicago's #2 radio station.  Sure, they picked up quite a few new listeners after the demise of The Loop … but they've also retained those listeners … and then some.  Folks are liking what they hear.  (Two for Tuesday has become a "must listen" at work … no matter what department you walk through, you'll hear this playing.)
Meanwhile, kudos, too, to Me-TV-FM, now tied for 9th with their best ratings yet.  The oldies and classic rock are alive and well in Chicago!  (kk)

FH ANALYSIS:  We've been listening to The Drive quite a bit a work lately so this recent ratings success hits home a little harder.
But I must confess that I'm curious about why the "formula" is working so well.
Forget about Two For Tuesday, a long-standing tradition at The Loop for decades ... this feature is always a joy to listen to ... but the station's daily fanfare seems to be a very select (few) number of artists who then get played as many as 8-10 times a day!  (Is this REALLY what the listeners were looking for?)
Now granted, I typically work about a ten hour day - which is a LONG time to listen to the radio, especially one station ... but today alone I heard EIGHT songs by AC/DC ... probably equally as many by The Rolling Stones and Aerosmith and maybe as many as ten by Led Zeppelin.  Each day also seems to feature essentially the same play list ... always a couple of tunes by Boston (two or three seems to be the norm), a few Beatles tracks thrown in, a couple by Eddie Money and Jimi Hendrix, at least three or four by The Eagles and then at least a pair of tracks from Journey, Pink Floyd and Bob Seger ... all Classic Rock fanfare for sure ... but it seems to have taken on the pattern of a "daily dose" ... and I mean EVERY day, day in and day out ... and as such, other than Bob Stroud's program (where he'll do features like Ten At Ten and One 45 at 1:45), they don't seem to stray too farm from the beaten path ... which, I can only assume, is the PROVEN path based on the station's increasing ratings. (They are also playing more and more Listener Requests ... but by and large these seem to be tracks the station would have been playing anyway.)
Good for them ... but honestly I think most listeners want more ... and The Drive certainly has a deep enough catalog to accommodate.  (Their 8-10 day long "A to Z" feature is one of their most popular ... and is ALWAYS filled with some pleasant surprises.)  A few more "surprises" thrown in on a daily basis would be a welcome relief from hearing the exact same playlist five days a week.  (kk)


Check this out …


Paul McCartney's Carpool Karaoke segment has proven to be SO popular (over 130 MILLION YouTube hits since it first aired on James Corden's late night TV show) that CBS is now going to show a fully-expanded version, one hour television special on August 20th!!!  (Clark Besch … it looks like you were right … I NEVER would have believed it!)  Plus now I don't have to stay up late or DVR it!!!  (kk)


And talking about a televised event you need to mark you calendar for, check this one out!

SAVE THE DATE: Great Performances Grammy Salute To Music Legends with Neil Diamond (singing “I’m A Believer” with Micky Dolenz), Tina Turner, Queen and The Meters (Oct. 5) - on PBS


Several months ago we told you that Ann Wilson (formerly of Heart) sang her own arrangement of the Lesley Gore classic "You Don't Own Me."
We also told you that we didn't care for it at all!!!
There have been several absolutely killer versions of this song … one of my all-time favorites of any era (and written by our FH Buddy John Madara)

Well, they've finally released a copy of this track … so now you can judge for yourself …

Meanwhile, you can check out our original piece here …

Kent,
Regarding the group BLACK SHEEP that I emailed you about … it never occurred to me that this would be a different group than the one Jim mentioned featuring Lou Gramm(atico) ... but I am almost positive that one of your readers will know if they are one and the same or two different groups.
Along that same time period (1966), there was a another group with just the name of SHEEP. They had a record out on Boom Records called HIDE AND SEEK, a remake of a song recorded earlier (1962) by singer Bunker Hill.
Larry Neal
My gut tells me that these are two separate groups … and that Lou Gramm's Black Sheep didn't appear until the early-to-mid '70's. (I think Jim thought they were one and the same as well … so maybe we've debunked yet another musical myth here in Forgotten Hits!!!  lol) 
The group Sheep charted nationally with "Hide And Seek"… it went to #53 in early 1966 in Cash Box … peaking at #58 in Billboard.  It hit #38 here in Chicago on the WLS chart.  (kk)

And, speaking of Lou Gramm, did you see that Foreigner has been booking more "reunion" shows???  (Man, I hope they come to Chicago … I would LOVE to see all the guys back together again!)
Here's the story we saw in Ultimate Classic Rock …
Along with an USA Today accounting that Tom Cuddy sent us regarding a recent appearance.  (The USA Today article mentions four more reunion shows, two on the east coast and two on the west, but hopefully if the vibe is good, they will soon be expanding their tour schedule to accommodate some of us who want to see them that live in "Middle America," too!)  kk

The Genesee Theatre has just booked the Roy Orbison Hologram Tour for October 21st … the presale ends today at 10 pm …
Just jump over to the Genesee online ticket box office … and type in the promo code GENESEE for your chance to grab tickets before the go on sale to the general public.  (kk)

And, speaking of upcoming shows, here's one for our East Coast Readers …
Happy Anniversary to Vito Picone and the Elegants … incredibly, it was 60 years ago that their hit "Little Star" hit #1 … and they're throwing a bash to celebrate.  You'll find all of the details in the poster below. (kk)




Pam Pulice's latest fundraiser / promo screening of her new Dick Biondi documentary was held Wednesday Night at The Beverly Arts Center.  Special Guests included Ronnie Rice, formerly of The New Colony Six (and still appearing with them at their Cornerstones shows) and legendary disc jockey John Records Landecker.  Unfortunately, we were unable to attend … but hopefully we're getting closer and closer to seeing this film become a reality.
As always, you can donate thru their website:
https://www.dickbiondifilm.com/donate/


Hey Kent -
Have you ever interviewed this guy?
Tony Burrows - A Six-Time One-Hit Wonder
Bill Scherer
I have not ... but would LOVE to meet him.  (I don't think anybody else can make this claim ... although Jay Ferguson comes to mind (Spirit, Jo Jo Gunne and his solo hits) ... but that would only make him a THREE-time One-Hit Wonder!
I know Tony has been doing shows in The States recently ... would LOVE to see somebody bring him to Chicago as part of a '70's package show.  (kk) 
 

A final chuckle from FH Reader John LaPuzza ...

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