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Y'ALL COME BACK NOW, YA HEAR?

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>>>We'll be changing things up a bit moving forward ... many more "random" postings (which eventually could mean multiple postings per day) … as well as some of the longer, more detailed series we've become known for ... so please check back often to ensure that you haven't missed anything.  (kk)
Isn't that what Facebook does?  Are you on Facebook?  I check that every day all the time.  
Patti 
Yes, I suppose ... kind of … but I want to be BIGGER than Facebook!!!  (lol)
Actually, I don't participate with Facebook ... never have … I barely have enough time to do this and lead any sort of life! 
I just figure that after 20 years of doing this now, people know who we are and where we are ...
They just need to come visit on their own without me constantly prompting them with reminders.  (kk)

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We just checked and we've posted over 3200 articles here in the past ten years …

That's like 320 per year … or nearly one per day for EVERY single day spread out over the past ten years.  (No wonder I feel like I need a vacation!!!)

And we'll be cutting back a bit over the next week or so with the Fest For Beatles Fans this weekend, the big Jeff Lynne / ELO show on Wednesday, the 50th Anniversary theatrical release of Elvis Presley's 1968 Singer Comeback Television Special on Thursday and The Happy Together Show on Friday … 

But who knows ... a random thought may still pop up here and there, so please check back often ... or check out some of the other 3200 posts you may have missed!

[Besides ... you know all of those big shows will only help to generate more new postings the following week!!!] kk

Another Shelley Concert Review: Tommy James

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Look over Yonder
What do you see?
The sun is a’rising
Most definitely.
 
Three days after seeing Tommy James in concert, a friend contacted me to say this song kept running through her mind and they felt it was a message for me. (She was not aware of my travels) I will claim the words: THE SUN IS A’RISING MOST DEFINITELY. 

It has been a couple years since I have seen Tommy James, and inside The Cape Cod Melody Tent, the sun may not be a’rising but it sure is hot and humid! I will also claim the words of the Wicked Witch of the West: “I’m melting, meeelllting.” I am sure to be the 90 pound weakling poster child after these August concerts. So THANK YOU, music!
 
An hour of Herman's Hermits Starring Peter Noone, set change, and an hour of Tommy James and his Shondells. Two totally different song styles from the 60s, and yet after reviewing my notes, more similarities than I imagined. 

First, they have killer musicians. 

They are each original lead singers. 

Both have satellite radio shows. 

Each one throws in a country segment. 

In both cases, the audience instantly reacts positively to their appearance on stage, AND the enthusiasm grows to a fevered pitch with clapping, dancing, and jumping by the end of each set. One is British Invasion, one is American Rock and Roll, both are still at the top of their game and the audience loves it!
 
Previously, I have been uncomfortable with the volume associated with Tommy James’ performances. It seemed no matter where they played nor who was on the bill with them, they were much louder. I was much happier with the volume used this time. 

Tommy opens with ‘Draggin’ The Line’ with its deep bass responses. The crowd is in! Next is my above referenced ‘Crystal Blue Persuasion’. This song interpretation, for me, is about clear blue skies opening up positive opportunities, and not to artificial additives. To me, and my friends, the rotating stage appears to keep the performers facing away from us more than toward us. It is possible ... the stage ratchets to a point not quite full circle and then swings back the other way, never totally completing its circle. 

Tommy updates information on the movie based on his book ... 

They are selecting a director and then casting will start. The screen play is done. As Tommy brings up, it was unsettling when the only pictures of your music producers are mug shots. Reading that book scared me, and probably would have been scarier to Tommy, too, if he had been fully informed at the time. Ignorance was bliss?  

The movie ends, as does the book, with a possible scenario between Tommy and Morris Levy. A slowed down slinky version of ‘I Think We’re Alone Now’ plays in the background and completes the movie. Tommy sings this version for us. As hot and steamy as this night was, the two performing groups reached into our hearts and minds and pulled out energy that was not there when we each limped in to our seats. 

Here is Tommy’s set:  
Draggin The Line
Crystal Blue Persuasion
Say, Say I Am
Getting Together
“Please Pull the Twine” (Johnny Cash rewritten)
I Think We’re Alone Now (slow movie version)
Just A Little Bit Tighter
Crimson and Clover
Hanky Panky
I Think We’re Alone Now (original tempo)
Do Something To Me
Mony Mony  

There is one more, but my notes ran together and are not legible. Go see his concert and tell me what I missed. 

All worth the three and a half hour drive. I have a week to catch up with my home and family and then off again on another concert weekend.
Shelley J Sweet-Tufano

You saw two of the very best '60's performers still out on the circuit today ... both Peter Noone and Tommy James "bring it" every single time ... and the crowd loves them.

Thanks, Shelley! (kk) 

The Saturday Survey - August 11th

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8-5-68 - KQV - Pittsburgh, Pennsylvania

 

*Survey courtesy of Craig Pucci and ARSA website

It's interesting to see the discrepancies on these charts from week to week and state to state ... last week's #1 Record in South Dakota was "1,2,3 Red Light" by The 1910 Fruitgum Company.  Here in Pittsburgh, that record is just making its way up the chart (and at a slow pace at that ... moving from #39 to #34 this week).

Lots of "heavy" tunes near the top of this chart, too ... "Sunshine Of Your Love" by Cream sits at #1, followed by "Hello, I Love You" by The Doors (#4), "Born To Be Wild" by Steppenwolf (#6), "Hurdy Gurdy Man" by Donovan (#8), the Vanilla Fudge remake of "You Keep Me Hangin' On" at #11, "Journey To The Center Of The Mind" by The Amboy Dukes at #14 ... yet in between you find the soft rock sounds of The Vogues ("Turn Around, Look At Me"), "Sealed With A Kiss" by Gary Lewis and the Playboys and "Dream A Little Dream Of Me" by Mama Cass!  (That was Top 40 in the '60's ... a little bit of everything ... and yet somehow it all still seemed to fit!)

I'm also partial to the new Petula Clark song at #27 ("Don't Give Up"), written by our FH Buddy Tony Hatch and "Face It Girl, It's Over" by Nancy Wilson.  (Could there be a more out of place song on this countdown???)

I also love the fact that "I Need Love" by Third Booth makes a big leap from #20 to #13 ... this was a HUGE hit here in Chicago, peaking at #2!!!  (kk) 




And one more for good measure ...



In '68, KDKA was the 50,000 watt AM blowtorch heard nationally playing lots of top 40, while KQV was the 5000 watt attempt by owners ABC to mimic WABC and WLS in their larger markets.  It worked pretty well.  After weeks at #1, Pittsburgh's own Vogues get knocked off the top by Cream this week.  One song WLS pushed to #2 was also eventually top 10 on KQV.  The Third Booth was a downstate Illinois band whose"I Need Love" became a well known collectors classic that made one of Bob Stroud's  "Rock 'N Roll Roots" CD a few years back. 

A band from upstate New York, Wilmer & the Dukes, had been playing clubs for years and were having their small taste of national fame with "Give Me One More Chance."  Interestingly, one of the draws for the band was that the black lead singer was backed by an all white band! 
-- Clark Besch



THIS WEEK IN 1968:

8/8/68 – In Miami, Florida, Richard Nixon and Spiro Agnew are announced as The Republican Party nominees for the offices of President and Vice President of The United States.

8/10/68 – Cream’s double album “Wheels of Fire” hits#1 on Billboard’s Top 200 Albums Chart  (perhaps a bit unusual since the #1 Hit on this week's KQV Chart is from Cream's PREVIOUS album!)
 


The Sunday Comments ( 08 - 12 - 18 )

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I got this from Carol Ross, Tommy James' long time manager, after we ran Shelley Sweet-Tufano's review of Tommy's concert …

Hi Kent -
I was just going thru so many covers of Tommy's songs - the one that stands out is SANTANA's version of CRYSTAL BLUE PERSUASION - which is also one of Tommy's favorite covers ... you gotta hear it … just incredible.  Go to YouTube and click Santana/Crystal Blue Persuasion -  Carol

Here, we'll save you the trouble … and now you don't have to leave OUR site to go to theirs!  (lol)



And, speaking of Tommy James, we just got this from Barry Winslow of The Royal Guardsmen …

Hey Buddy,
Tommy James will be playing at the Welks Resort Theater September 14th in Branson MO.  My wife and I are surely going to be there ... maybe you could break away and come. It'd be good to meet and chat if you could.
Take care my friend -
Barry

Boy, wish that we could … but that's just not in the cards for us right now.  (September 14th just happens to be my wife's birthday!)
Once you know for sure that you're going, let me know and maybe I can arrange a face-to-face with Tommy before or after the show!
Have fun … and be sure to report back to us on the concert.  (kk)

UPDATE:  Thanks to Tommy's manager, Carol Ross, Forgotten Hits is going to help reunite Barry Winslow of The Royal Guardsmen and Tommy James at this Branson, Missouri show!  (Thank you, Carol!)
And Barry couldn't be more thrilled ... 

This is awesome, Kent!  Thanks!
Here's a pic of the first tour we did with Tommy, Sam the Sham, and Keith.  I was hoping Tommy would remember.  It was a blast. 
I think Zack Glickman was the tour manager at that time setting on the ground in front of us left in the pic.
Love ya, man!
Thanks -
Barry


You're in for a real treat, my friend ... wait till you see Tommy's show ... it's like he hasn't changed a bit!  Please be sure to send us back a photo this great Photo Op that we can run in Forgotten Hits after the show!  Enjoy!  (kk)

And check out this news about our FH Buddy Freddy Cannon (courtesy of FH Reader Tom Cuddy), which also has a great free ticket offer included (if you happen to live in the New Jersey area!)
Kent: 
Just when you thought Freddy “Boom Boom” Cannon might be taking a short break for a summer vacation, he keeps rockin’ from coast to coast. 
Not long after meeting you in Chicago before a concert, he received an invitation from Stray Cats drummer Slim Jim Phantom to join him on his Sirius XM radio show “Rockabilly Rave-Up.”   Turns out Slim Jim heard Freddy’s new rockabilly tune, “Boppin’ the Blues.” It’s become popular in the U.K. , and he wanted to start airing it on his radio show.    


Freddy and Slim Jim recorded an interview that will debut on Sunday, Aug. 19th at 8 pm, eastern, on Sirius XM.  Slim Jim’s show is heard on Channel 21, which is Little Steven’s Underground Garage Radio. 

Your east coast readers might want to check out the free concert  Freddy will be doing in New Jersey next month, hosted by NY radio icon Cousin Brucie Morrow. 
PNC Bank Arts Center Holmdel, NJ, has a capacity of 15,000.  It will be the venue hosting Freddy, along with:
The Cowsills, The Buckinghams and The Orlons
 7:30 pm concert on Friday, September 28th.
The event is underwritten by the Garden State Arts Foundation.

To request free tickets:
Please send a note requesting the performance you wish to attend and the number of tickets you are requesting with a self-addressed, stamped envelope (#10) to the:
Garden State Arts Foundation, Inc., 
Attention: (Cousin Brucie / Freddy Cannon show), 
P.O. Box 5013, 
Woodbridge,  NJ 07095-5013,
Phone: (732) 888-0550 x7057
- Tom Cuddy
New York, NY
Hope a few of our readers can get in on this … and if you do, please let us know all about it!  (kk)


Kent,
My niece just saw ELO in Denver last night and sent one minute clips of a few of their songs.  They sounded great to me and the crowd sang along well, too!  "Can't Get it Out Of My Head,""Do Ya" and "Don't Bring Me Down" were clips she sent. 
Here's a view from her seat.  Gotta be awesome concert.  I wonder if he made any mention of the Move, as "Do Ya" was his early 45 with them originally.
Clark Besch


I doubt it … this is all about Jeff Lynne and ELO … and after not touring The States for over thirty years, a VERY highly anticipated tour.  (This shot is amazing, by the way!)
Check out his two recent live concert videos … they're both excellent (Hyde Park and Wembley Stadium) and Jeff and the band pull out all the stops to give you a perfect show.  Only three more days … and we can't wait!!!  (kk)


TONY BURROWS:
I have interviewed Tony Burrows.    He had a lot of great performances. 
I can even forgive him for being the low voice on the Pipkins record
'Gimme Dat Ding'.
Phil - WRCO

Actually both Edison Lighthouse and The Brotherhood of Man had follow-up singles to their signature songs ... Edison Lighthouse with IT'S UP TO YOU PETULA and Brotherhood of Man with WHERE ARE YOU GOING TO MY LOVE? … thus making Mr. Burrows' record that of "being a 'one-hit-wonder' four times" instead of six.
Tal Hartsfeld 
Still a pretty amazing track record.
Neither of those songs made The National Top 40 and, while "It's Up To You Petula" did chart here in Chicago, I wonder how many people could hum a line from "Where Are You Going To My Love?"… I'm guessing not a single one.  (A better Brotherhood Of Man example would have been "Save Your Kisses For Me" which did reach #27 in Billboard in 1976 but fell short of The Top 40 in the other national trades … but perhaps Tony Burrows was no longer the lead singer at this point so maybe that's not a valid entry either.
I'm content to give him the distinction of six One Hit Wonders.
(And let's not forget our FH Buddy Ron Dante, currently out on the road singing his own hits as well as the leads on The Turtles' hits during this year's Happy Together Tour.  Ron hit The Top 40 as The Detergents, The Archies and The Cuff Links … and sang background and produced many of Barry Manilow's earliest hits.  He certainly deserves a nod for SOMETHING!!!  lol)  kk  

JIM PETERIK:
The incurable romantic in me that says love will win out emerged when I listened to the story behind Jim Peterik's Ides Of March song "Vehicle"… Good job, Jim!
Shelley J Sweet-Tufano

And, speaking of Jim Peterik, he sent us a bunch of goodies to share this weekend, too, including a bunch of photos from his own personal collection …

Thanks for another great edition, Kent. When do you sleep?
That Harliquin single is super rare.  I have one.
And an even rarer one on the Ginny label under our very short lived name Batt Mann and the Boy Wonders!
The Ides are getting ready for our opening slot for the great Chris Isaak on Saturday at the New Lennox outdoor amphitheater. We only get an hour set so we really got to pack it with the best stuff we got. 
This show signals the first show with Ides veteran Scott May back on the B3 throne after a heart issue. We are so thankful he is back at full strength.  Hope to rock with y’all on Saturday night. 
Also, we will soon be announcing a newly added Cornerstones of Rock show. Stay tuned!  
Thanks again for keeping the good rock alive Kent!!  Rock steady.

Also …
Feel free to post any of these. 

JP in front to my 1953 Seeburg with a copy of Training Wheels, an ultra rare single by original WLS jock Kris Eric Stevens. I wrote it for Kris and the Ides did the track back in 1971.  Thanks to super fan Steve for presenting me with a framed copy signed by Kris Eric himself. 


Photo of Dave Grohl and my buddy Rick Nielsen from a few weeks ago when they shared the stage ... Courtesy of our friend, Jeannie Mikota. Two thugs for sure!


Me with my grade school pal Laura Strama, who came out to see me in her town of Colorado Springs for David Packs Legends Live Show.
Great to reconnect!!

Me with the great Rodney Crowell and David Pack when Legends played the TrouBeliever concert in Snow Mass near Salt Lake. Also appearing was Shawn Colvin, Monty Powell (10 number ones with Keith Urban) and Emmylou Harris. And more!


Poster below. 


The Ides take a bow at the packed show at Brookfield Zoo. 


JP onstage in Colorado Springs with David Packs Legends. 


Jimbo

Wow!  I had no idea about Scott … glad to hear he's back to full strength.  Our thoughts go out to him and Chris.
We found a copy of that Batt Man single in our archives (toldja we've covered just about everything at one point of another!) as well as the Kris Erik Stevens track.
 


Thanks for all the cool shots!  (Wish we could have seen the Brookfield Zoo show! Check out this crowd shot ... The Ides are still packin''em in ... Lions and Tigers and Ides ... Oh My!!!)

And please sure to keep us posted once you can announce the new Cornerstones gig.  (kk) 
Yes ... he had to miss a few Ides shows. Tommy Leershan, a good friend of Scott’s and a Hammond Endorsee, filled in admirably.  
JP


THE CHARTS:   
How great was the music in the 60's? I'd say at least 30 of the songs on this week's survey from 1966 are stone cold classics.  It was really really tough to get a Top-10 record in 1966.
Randy Monk




>>>I think the individual year end rankings of how a record performed that year are better suited as "at the time" reports as hindsight tends to distort some things.  (kk)


I concur with ya, Kent … you need some type of mathematical formula to accurately rank songs across all decades, no matter what kind of chart you are researching, be it national, trade magazine, local surveys, etc.
The mid 1960s had so much change and activity, songs rarely lasted more than 10 weeks on the Hot 100.  For example, how can anyone fairly compare a song that hit #1 but only stayed on the charts for 12 weeks with a song that spends 60 weeks on the chart in 1997? What??
While I enjoy the Whitburn and Company books (top props for the Comparison Charts book!), their vanilla ranking method used to rank year-end or top XXX songs is not an accurate methodology.
My own personal go-to official rankings would be the Kent Kotal and Randy Price charts as displayed here on Forgotten Hits - bring on some more!!!
Mike Markesich


Kent,
I tend to agree that all-time hits or year end charts are best IN THEIR own era.  IF anyone would say that "You've Lost That Loving Feeling" has been #1 on many or most of the all-time hits charts thru the oldies radio era (today, there is no such radio genre on the dial, unless Me-TV FM counts), I'd have been surprised.  Same with "Unchained Melody."  I don't think that song in any way was as popular BEFORE the "Ghost" movie as after.  In the summer / fall transition of 1968, WCFL produced their own "all time hits list."  THIS is what top current all-timer songs would look like back in 1968, as compared to today -- especially in Chicago. 
"Cherish" is #1.  From 1966 to 1968, look at how much music changed and you still find THAT one song at #1.  The Association still owned Chicago music fans with three songs in the top 11 and tack on two more in the top 100!  The Beatles had seven (including the LP cut "Michelle"), but the Association were SOOO big in Chitown.  Because of THAT sound, it is likely that it helped my faves, the Cryan' Shames, rank #9 with a year old somewhat Association sounding vocal harmony sound.  The top 15 songs (leaving out the Shames song AND "Hey Joe" probably) could easily have been what ANY top 40 station would have had then.  THESE are what should be there if looking at the late 60's all-timers chartings.
Of course, being a HUGE Chicago 60's fan, I'm so happy to see the Shames,  American Breed, Shadows of Knight, Buckinghams, and New Colony Six all with a song in there.  The Ides were lurking in the shadows a bit in '68.
On my PERSONAL (KLGR pretend radio) chart as a 12 year old, I also listed MY all-time chart, actually on my 50 year old August 16, 1968 chart.  I've attached it to show how my faves were. 
The Cryan' Shames claimed four of the top 6 songs.  The list is 220 long, but in the top 110 attached, you find the Shames with seven overall, the American Breed (two songs), Buckinghams (three) and the  Shadows of Knight (with one). 
The top 103 were all #1 songs on weekly chart starting in 1963 when I was 7.  The Beatles had 13 songs overall with the biggest, a BIG surprise at 31.  The Monkees get seven.  My THEN current #1 comes in at #80 -- I was UP TO DATE and did not need a CREW to figure out the chart by allowing a month chopped out before publishing.  Haha.
IF I were to do a chart today, it would leave MANY out, but MOST would still be near the top 100 even in revisionist 2000's.
Clark Besch





Wow, I've never seen that WCFL Top 100 Chart before … where did you get that?  (I immediately printed a copy for my own collection!)  kk
I actually have two copies of it now.  It is a yellow original but I had already had it scanned in B&W and ran across it searching my computer for something else and thought of sending it along.  I actually have a sound clip or two of the countdown somewhere from probably October, 1968, I think, from memory.  This would have been after Ken Draper left and a Lew Witz era thing, following the end of the weekly store surveys.  
Clark
Anybody out there have the audio for the full countdown?  I would love to hear this!  (JR:  Wouldn't THIS be a cool thing to run on your WCFLChicago.comwebsite?!?!?)  kk

I bought the first U.S. Hot 100 four cd set a few years ago.  It was an
import through Acrobat / Trapeze music.  It has all 100 songs of that
August of 1958 chart and they are the original recordings.   It works
well for a countdown show and I don't even have to go digging 100 times for cds and records.
Phil Nee - WRCO

This And That:  
>>>I won't be able to make it out to the Dick Biondi fund-raiser / film screening but please report back so that we can share your experience with our readers.  (kk) 

We started out with Pam Pulice and some of the people who are involved with the film explaining to the audience about the film and answering some questions. Special guest John Records Landecker came out and entertained the group for a while with stories about his friendship and professional involvement with Dick Biondi and then we showed the newly-edited 17-minute "teaser" film of "The Voice That Rocked America." 
Afterwards, Scott Childers from Star 96.7 Joliet, came out and spoke for a while about his radio experiences and friendship with Dick. 
Side note: I highly recommend Scott's book about the history of WLS.  I learned that one of the big stars during the WLS "Prairie Farmer" era was George Gobel, who graduated from my high school (Roosevelt HS, Chicago) 30 years to the day before I did.  ;-)
We had an audience of about 100, of all ages. We hope to get the movie on the air before the end of this year.  It's gonna be a winner! 
Mike Wolstein 
P.S.  Sorry for the poor quality of the first shot - the flash wouldn't light up the very dark stage.  ;-(

                    Pam and Landecker
 
Me and Landecker


We can't wait to see the whole thing, Mike … please keep us posted!  (kk)

Wow, I feel like a superstar!  I really appreciate your posting all the stuff about the Biondi film and the Ides 45.  Now all the guys I know throughout 60 years of record collecting and all the record shows will know that I'm still alive.  ;-)
One more little tidbit, which you may already know about: 
While I was down in Beverly, I happened to drive past the Original Pancake House on Western Avenue.  It brought back the interesting story about how the "Rich Girl," in the tune by that title, was Victor Walker, one of the owners of the many Walker Brothers Pancake Houses in the Chicago area.
http://www.philly.com/philly/blogs/entertainment/music_nightlife/Hall--Oates-Rich-Girl-wasnt-about-a-girl-after-all.html
Mike
A VERY cool story that I knew absolutely nothing about ... to think that the inspiration for that great Philly Sound started right here in Chicago blows me away!  (We still go to Walker Brothers for breakfast all the time now that they've opened up a location in Schaumburg!!!)  kk

Talk about your Chicagoland memories … check this out from FH Reader Clark Besch …

Here's a blast from the past for Chicago record store buyers.  Do you remember Lowe's records selling records with this type of hand written messages on the wall with a hand written slip inserted into each position of a 45 on the WLS Hit Parade???  How funny.

You can see a potential buyer scouting out what 45 he wants to buy from the May 27, 1968 WLS chart.


Upon closer examination, you can see that cards are apparently removed when the store is out of stock on a record.


Up close, you can slightly make out some of the titles and the writing on the cards.  Kent could get his#25 People record and #26 "Brooklyn Roads," fave by Neil Diamond, but as often was the case when I wanted certain titles, I will not be buying "Tip Toe Thru the Tulips" (30) OR "She's a Heartbreaker" (31) or more importantly, "I Need Love" by the 3rd Booth (#34) and the new Buckinghams (#35) from Lowe's, but hey, I was going to ALL of the shops today anyway.  I'll find it SOMEWHERE!!!  Besides, I CAN get the new Cryan' Shames at 27 and Association at 28.  I'll be outta money by the time I FIND the others.  At least I taped them last night (June 5 to be exact -- listen to attached), so I have them forever WITH some nice Dodge City static.  Summer listening was always a trial.
Of note, as well, is the fact that the list goes beyond the 40 songs on the WLS weekly printed chart!  #41 is the Beach Boys'"Friends."  I'm not sure that that record ever made WLS' Top 40.  I don't see that it did.  I wonder where the other lower ranked titles came from.  IF we could only ask someone who would know -- LIKE the guy (pictured looking for his car in the Lowe's parking lot) on the WLS survey we are talking about!  I think he might be our "Countdown Boy?"
Clark Besch

Very cool.
And just an FYI … According to Ron Smith's book, "Friends" by The Beach Boys DID chart on WLS … it peaked at #37.  (kk)

Since you mentioned our buddy Chuck Buell, we've just GOT to share this with you ... 
It's called "GoFundMe / Fundraising '60's Style: ... 

Just thinkin' back to my Rapid City, SD, Summer of 1960.
 

Chuck Buell's 1960 GoFundMe Minute Melody is Attached!


Yep ... that's how WE used to do it!!!  (kk)

And this story was all over the news last week …
What are the odds of finding this thing … 40-something years later, abandoned in a wooded area for decades???
And imagine having this rusted old pile of metal just sitting on your property for all this time!
And then what are the odds of somebody coming out of the blue and paying you $25,000 for it?!?! 
Damn!  (kk)  

I reconnected with an old friend / former coworker / one-time fellow musician / and just all around good soul last week, who discovered Forgotten Hits (and my connection to it) and contacted me.  We hadn't spoken to each other in a good 40 years … just lost touch with each other … but she's now a Forgotten Hits fan, too.  (Eons ago, we each took our younger siblings to see The Jackson Five at the old Mill Run Theater In-The-Round in Niles … had to be around 1974 maybe?  The place wasn't even half full … and this was a small theater!)  Nobody cared anymore at the time about The Jacksons.  I remember them bringing a very young (maybe five or six year old) Janet Jackson out on stage with them for a segment … and there truly was nothing at all memorable about the show.

Fast forward ten years and Michael Jackson is the biggest star on the planet (and one of the absolute biggest of all time!)

Anyway, we shared a few exchanges … and then I got this …

OMG!!   When do you find the time to put this together?  Too extensive to look at quickly.  Was looking for the Young Rascals but haven't made it all the way through the different lists.  Checked out Dusty Springfield - jeesh.  So much info.  Loving it.
Betty

I have found sleep to be greatly overrated!

Actually, if you type "RASCALS" into the website search engine ALL kinds of articles will pop up, including my review of their Reunion Show here in Chicago a few years ago.

We're hoping other readers will do the same … it is UNREAL how much ground we have covered.  I can't tell you how many times I've done a Google Search when trying to research a particular topic … and Google brings me right back to my own page because it's something I wrote about eight years ago!!!  Just no way to remember (or catalog!) it all!
Enjoy Forgotten Hits.  It's our love of the music that keeps our thousands and thousands of readers around the world connected … and sometimes sharing those memories with other like souls is the perfect medicine for whatever ails you!  

Oh yeah … here's a link to that Rascals review … but seriously, type in "Rascals" and you won't believe all the stuff that'll come up!  (kk)

Nice try, Kent, but you can’t get rid of me simply by not notifying me that you are still there.   
Shelley
Hey, I'm hoping not to lose anybody … quite the contrary … but everybody out there has to take some responsibility of keeping tabs on all that we've got going on … 'cause we don't plan on slowing down any time soon!
Simply make us part of your daily routine … or, if that's asking to much, then plan to catch up on the whole week's worth of postings when you read The Sunday Comments.
Our regular features won't change … we just hope to become a bit more "immediate" by posting some of this news when we get it rather than wait for it to tie into our next "regularly scheduled programming."  But we may find that we change very little in the process … I don't know … hopefully, that uncertainty will keep Forgotten Hits new and exciting for ALL of us to enjoy!

Speaking of which …

I should point out that we will still maintain our Locals List, featuring upcoming concert information and any special ticket offers that may pass our way that we can share with our readers.  (Watch for one next week, in fact, after we touch base with some of the local promoters we deal with on a regular basis.)
And concert reviews for these shows will continue to be part of our regular routine … so for all of you artists out there, we are happy to share your tour schedules with our readers, because we are read coast to coast and around the world (Whew! That was a real Casey Kasem moment!) … stay in touch with your fans and let them know what you've got going on.  As I've said for many, many years now … Forgotten Hits is a GREAT source to let the oldies nation learn all of your latest news … so USE US!!!  (kk)

THAT'S A WRAP!  See you next time!

It Was British Invasion Rock And Roll Royalty

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I spent Sunday at The Fest For Beatles Fans (or, as us old folks still call it, Beatlefest) at The Hyatt Regency O'Hare.  This is the 42nd straight year that they have hosted this event ... and Beatles fans of ALL ages were on hand to celebrate the music that so changed and influenced all of our lives.

Invited as the guest of Billy J. Kramer, one of the many British Artists who rode the wave of The British Invasion after The Beatles first hit our shores back in 1964, it was probably my eighth or ninth visit to Beatlefest over the past 42 years ... and my first time there in about ten years.

 me and Billy J

Not only was Billy J. there signing books and CD's (he has a brand new release called "Hankey Drive," which shows a photo of the home he grew up in in Liverpool as a boy on its cover ... Billy has also just released a version of John Lennon's "Jealous Guy" as well as another CD called "Raw Influences," on which he pays tribute to all the great music that first inspired him to pursue a life of rock and roll), but he was also performing, bringing with him his band from New York (who were just outstanding, by the way.)

We interviewed Billy a couple of years ago in conjunction with the release of his autobiography, "Do You Want To Know A Secret," which sold so well at the fest that they had to fly out another box of books in order to meet the demand.  (It's a really interesting, honest read ... Billy was truly one of those in the inner circle during the earliest days of Beatlemania in the U.K. ... BEFORE anyone here in America knew who The Beatles were!)

Even Amazon appears to be down to their last copy!  Better order soon ... and it's currently $10 off!

https://www.amazon.com/You-Want-Know-Secret-Autobiography/dp/1781793611/ref=sr_1_1?s=books&ie=UTF8&qid=1534241994&sr=1-1&keywords=billy+j.+kramer&dpID=51-k7%252BITa4L&preST=_SY291_BO1,204,203,200_QL40_&dpSrc=srch

Our original interview pieces:

https://forgottenhits60s.blogspot.com/2016/08/forgotten-hits-interviews-billy-j-kramer.html
https://forgottenhits60s.blogspot.com/2016/08/more-with-billy-j-kramer-today-in.html
https://forgottenhits60s.blogspot.com/2016/08/wrapping-things-up-with-billy-j-kramer.html

We had a lengthy talk with Billy and his absolutely charming wife Roni before he took the stage, covering a wide variety of topics. They are two of the nicest, most down-to-earth people you could ever meet and it was a VERY nice visit.  Billy turns 75 later this week (the 19th) and you would NEVER know it.  (Thank you again, my friend, for the chance to catch up!) 

Billy had five Top 50 Hits here in The States between 1964 and 1965, including three written by the song-writing team of Lennon and McCartney.  (He remained popular in England for decades, doing television, theater and performances and has come back to The States a few times as part of The British Invasion Tour and to perform at several of these Fests For Beatles Fans.  He is now a U.S. citizen, living in New York and absolutely loving it.) Incredibly, this was my first time to ever see him in concert ... and he did a nice mix of both old and new material that went over very well with the fans.



Next up were the recently formed duo of Peter and Jeremy ... another first for me, and the opportunity to enjoy a very entertaining look back at the incredible hit catalogs of both Peter and Gordon and Chad and Jeremy.  (In fact, our last trip to Beatlefest was to see the then newly reunited Peter and Gordon ... and it was a breath-taking concert.  I cannot believe that was twelve years ago already!)






Humorous anecdotes filled their set, which also included a good bit of poking fun at one another.  Peter, of course, currently hosts his own weekly radio program on Sirius XM, and spends a great deal of time talking about when Paul McCartney was dating (and later engaged to) his sister, Jane, as well as occupying a room at the Asher family home, during which time Peter was privy to hearing a number of new compositions that John and Paul were working on.  (In fact, Paul gave the duo four chart hits as well, including their breakthrough record, "A World Without Love," which went all the way to #1.  Asher played a short bit from Paul's original demo, recorded there in the Asher home, as well as showed photographs of Paul's hand-written lyrics, including the hastily written bridge just prior to Peter and Gordon taking it into the studio to record.  VERY cool stuff!)

Their set featured the obvious hits ("A World Without Love,""Yesterday's Gone,""A Summer Song,""Nobody I Know" ... during which Peter botched the guitar solo for what he said was the tenth time out of thirteen tries! ... and an absolutely beautiful reading of "Distant Shores," a song I was never particularly fond of, but which sounded note-for-note perfect on stage Sunday Night.)


It also allowed for a couple of unexpected surprises like "Lady Godiva," which got a rousing round of applause and "As Tears Go By," sung after a VERY long-winded story that Peter Asher told about Marianne Faithfull.  (It has always been our civic duty to point out things that just don't work in the concert setting ... and this was definitely one of them ... the story went on forever ... and although there were certain elements of truth throughout it, it didn't seem to convey a completely accurate timeline of events as recalled by Peter.  Far better to cut the story short by about two-thirds and concentrate on just hitting the key points.) 


Chad and Jeremy enjoyed a bit of television success here in The States, appearing on a number of comedies such as "The Dick Van Dyke Show" (as The Redcoats ... still one of my all-time favorite episodes), "The Patty Duke Show" and even "Batman" (on which they sang "Distant Shores" before Catwoman stole their voices.  (Jeremy made it a point of thanking Batman for returning it to him, else he wouldn't have been able to perform for us Sunday night!)



Peter says that he and Gordon were invited to the set of "Batman" ... and even got to sit in the Batmobile ... but were never asked to actually appear on the show.  (He then showed a clip of Peter and Gordon on "The Red Skelton Show" ... and got in a dig regarding how difficult Jackie Gleason was to work with when they appeared on his program as well.)

Of the three vocalists, Jeremy's voice sounds the closest to what we remember from back in the day, retaining its soft tone and sweetness.  Billy J's voice is much deeper and fuller now and sounds much richer, especially on the new material, while Peter's has taken on more of a raspy tone that lends itself well when harmonizing.

I strongly urge one of our local promoters to book a "real deal" British Invasion Show ... the fans' love for this music has never waned ... and a package show like this (plus a few other stars of the day) would most certainly pack them in.

All in all, a GREAT night of '60's British Invasion Music ... catch them if you can should they hit your area.  (Oh wait ... that's The Dave Clark Five, isn't it?!?!)  kk

Front Row (L-R):  Peter Asher and Jeremy Clyde;
Back Row (L-R):  Billy J. Kramer and Kent Kotal

SPECIAL FEATURE #1:
My original Peter and Gordon review, presented '60's FLASHBACK style, as it predated our website by about two years ... unfortunately, resurrected in tribute to the great Gordon Waller after his passing:
https://forgottenhits60s.blogspot.com/2009/07/more-on-gordon-waller-and-peter-and.html

SPECIAL FEATURE #2:
One of the other entertaining guests we got to see at The Fest For Beatles Fans was Leslie Cavendish, "The Man Who Cut The Beatles Hair."
He told the story of how he was first introduced to The Beatles through Jane Asher, whose hair he had been cutting and styling.  He would go on to cut Paul's hair for years and, although always a HUGE fan of the group, always kept it on a professional level, never so much as even asking for an autograph.
Soon Leslie had become so popular that he was cutting the hair for a number of popular rock groups, like The Rolling Stones, The Dave Clark Five and The Bee Gees.  Paul asked him one day, "So who else's hair have you been cutting?" and Leslie would bring him up to date.  In fact, the two were so close that Paul invited him to partake in their new television film, "Magical Mystery Tour," and you'll find Leslie on the bus and as part of the crowd throughout the film.
Finally, a couple of years later, one of Leslie's cousins was in from out of town visiting and asked him if he could possibly get them an autograph.
Leslie explained all of this to Paul ... telling him how in all these years he has never asked him for an autograph ... and how it wasn't for him but rather for his cousin, who would be SO pleased to have it.
Of course, Paul obliged ... signing it as Paul McCartney (The Dave Clark Five)!!!  lol  Too funny!  (He then showed a photo of the autograph, which can also be found in his book.)  kk

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SICK BAY:
Aretha Franklin's family was gathered together at her bedside earlier this week to most likely say their final goodbyes to this singing legend.

Aretha has been fighting health issues for years now … decades, really … and she was described as "gravely ill" earlier in the week.

The Queen Of Soul placed an incredible 88 songs on Billboard's Pop Singles Chart between 1961 and 1998.  (So, despite this incredible statistic, how come EVERY time I hear Aretha's name, my mind automatically kicks into playing "Hey 19 … that's 'retha Franklin … she don't remember the Queen of Soul"???)   

Her Hit List includes seventeen Top Ten Hits and two #1 Hits ... "Respect"… do I need to spell it for you? … #1 for two weeks in 1967 … and then, TWENTY YEARS LATER, "I Knew You Were Waiting (For Me)," her duet with George Michael, that topped the charts for two weeks in 1987.

In between she won over our hearts with tracks like "Baby, I Love You,""(You Make Me Feel Like) A Natural Woman,""Chain Of Fools,""(Sweet Sweet Baby) Since You've Been Gone,""Think,""I Say A Little Prayer,""Spanish Harlem,""Until You Come Back To Me" and a host of others. Her legacy is unmatched on both the Rhythm and Blues and Pop Charts ... and she has been awarded with eighteen Grammy Awards over the years.

Always a bit eccentric, we will miss her none the less … but her music will live on for many more lifetimes long after she's gone.  (kk)


On the plus side, our FH Buddy Tommy Roe is doing just fine after having quadruple bypass heart surgery a couple of weeks ago …

kk …
I know Tommy is a horse owner.  The #8 horse in the last race at Saratoga is "DIZZY."  I'm betting it!
Any update on Tommy's condition?
FB



As a matter of fact, I got this from the man himself just the other day … 

Hi Kent ...
Thank you for reaching out … it is  very much appreciated.
All the love and best wishes from my fans is absolutely amazing.  Please let them know that I am doing very, very well and should be back to normal in another four weeks. My doctor's at UCLA Medical center were brilliant and, like an artist at work, left me with a hardly noticeable scar. I am a lucky man.
Say hello to Billy J for me and to all my fans at Beatlefest.
Love to all,
Tommy

I did exactly that, Tommy!

Billy told me that you were on his first tour of America back in 1964 … and that in between the time of that show and when he came back to perform at The World's Fair, you had been drafted … but then there you were, in the audience, shaved head and all, at The World's Fair to see Billy perform.  

Amazing!

He sends his love and support.  Please get better soon.  (Four weeks?!?!  That's just amazing!!!)  kk

Unfortunately, we know FAR too many artists who have had heart issues these past few years. (Another one that immediately comes to mind is Freddy Cannon, who Billy J tells me was quite the wild man back in the day.  Billy … he still is!  lol)  And just a few weeks back, we told you about Michael Nesmith's recent heart surgery.

On the plus side, we have seen SO many remarkable recoveries ... and I mean FULL recoveries, where the artists are able to get back out on the road and do the thing they love best ... performing for their fans.

Just last week we heard that long-time keyboardist for The Ides Of March, Scott May, recently went thru some heart issues as well … but the good news is that he, too, is "on the mend"… and ready to take the stage again at the next Ides performance.

Get well to ALL our favorite artists out there!  (kk)

Thanks for your concern, Kent -- I'm doing fine now!


And gone but not forgotten …

Bobby Hatfield of The Righteous Brothers would have turned 78 last week (August 10th.)  Bobby passed away back in 2003 … it's almost impossible to believe that it's been that long already!

Frank B sent us this Facebook post that his former partner Bill Medley posted on the anniversary of his birth …

ELO:

Tonight's The Night!

It seems like it took forever to get here, but after months of anticipation (and living vicariously through the massive crowds who got to see Jeff Lynne's ELO performances at Hyde Park and Wembley Stadium) we are FINALLY going to see ELO for ourselves tonight at The AllState Arena in Rosemont, IL.

Frannie found this cool shot take from behind the stage capturing the complete band with the massive crowd behind them at their Houston show.


I don't know what kind of photos we'll get (if any) but I honestly just can't wait to experience the whole thing first hand.  (I saw The Electric Light Orchestra when they performed at the old Chicago Stadium in 1976.  This was the show where they landed a spaceship on stage.  They played SO loudly that you literally could not enjoy the show … everything just blended together into one convoluted mess of noise to the point that you couldn't even tell what song they were playing for a good portion of the show.)
Their opening act that night was a relatively unknown duo known as Hall and Oates.  Moving forward, they would soon be headlining gigs of their own.   (In fact, post-1978, Hall and Oates may have been the bigger act in the long run!)

Watch for a full review by the weekend (if not sooner … we took the rest of the week off as we're also going to the Happy Together Show in Aurora on Friday Night and the 50th Anniversary screening of Elvis Presley's comeback television special on Thursday night.)  Yep … it's another big Triple Play week for Forgotten Hits!!! So stay tuned for all the details!

THURSDAY THIS AND THAT (The "Nooner" Edition!)

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ARETHA:
As expected, Aretha Franklin passed away earlier this morning at the age of 76.  Accolades are coming in from all over the globe for the very first Female Inductee into The Rock And Roll Hall Of Fame.

Ultimate Classic Rock ran a very nice photo timeline showing Aretha thru the years, 1956 – 2017 … you can check it out here:

And here is the Complete Aretha Franklin Hit List …

ALL of her Top 50 Hits on both the Billboard Pop and R&B Charts ... nearly 90 titles in all!!!:

1960 – Today I Sing The Blues  (POP – xx; R&B - #10)
1961 – Won’t Be Long  (POP - #76; R&B - #7)
1961 – Rock-A-Bye Your Baby With A Dixie Melody (POP – 37; R&B - xx)
1961 – Operation Heartbreak  (POP – xx; R&B - #6)
1964 – Runnin’ Out Of Fools  (POP - #57; R&B - #30)
1965 – One Step Ahead  (POP - #119; R&B - #18)
1966 – Cry Like A Baby  (POP - #113; R&B - #27)
1967 – Lee Cross  (POP – xx; R&B - #31)
1967 – Take A Look  (POP - #56; R&B – 28)
1967 – I Never Loved A Man (The Way I Love You) POP – 9; R&B - #1
1967 – Do Right Woman, Do Right Man  (POP - #xx; R&B – 37)
1967 – Respect  (POP - #1; R&B - #1)
1967 – Baby I Love You  (POP - #4; R&B -#1)
1967 – (You Make Me Feel Like) A Natural Woman  (POP - #8; R&B - #2)
1968 – Chain Of Fools  (POP - #2 ... and #1 in Cash Box; R&B - #1)
1968 – (Sweet Sweet Baby) Since You’ve Been Gone  (POP - #5; R&B - #1)
1968 – Ain’t Now Way  (POP - #17; R&B - #9)
1968 – Think  (POP - #7; R&B - #1)
1968 – You Send Me (POP - #56; R&B - #28)
1968 – The House That Jack Built (POP - #6; R&B - #2)
1968 – I Say A Little Prayer  (POP - #10; R&B - #3)
1968 – See Saw  (POP - #14; R&B - #9)
1969 – My Song  (POP - #31; R&B - #10)
1969 – The Weight (POP - #19; R&B - #3)
1969 – The Tracks Of My Tears (POP – 71; R&B - #21)
1969 – Can’t See Myself Leaving You (POP - #28; R&B - #3)
1969 – Gentle On My Mind  (POP - #76; R&B - #50)
1969 – Share Your Love With Me  (POP - #13; R&B - #1)
1969 – Eleanor Rigby  (POP - #17; R&B - #5)
1970 – Call Me  (POP - #13; R&B - #1)
1970 – Spirit In The Dark  (POP - #23; R&B - #3)
1970 – Don’t Play That Song  (POP - #11; R&B - #1)
1970 – Border Song (Holy Moses) / You And Me  (POP - #37; R&B - #5)
1971 – You’re All I Need To Get By  (POP - #19; R&B - #3)
1971 – Bridge Over Troubled Water / Brand New Me  (POP - #6; R&B - #1)
1971 – Spanish Harlem  (POP - #2 ...but #1 in both Cash Box and Record World; R&B - #1)
1971 – Rock Steady  (POP - #9; R&B - #2)
1971 - Oh Me Oh My (I’m A Fool For You Baby)  POP - #9-B / R&B - 9
1971 – Day Dreaming  (POP - #5; R&B - #1)
1972 – All The King’s Horses (POP - #26; R&B - #7)
1972 – Wholy Holy  (POP - #81; R&B - #49)
1973 – Master Of Eyes  (The Deepness Of Your Eyes)  POP - #33; R&B - #8
1973 – Angel  (POP - #20; R&B - #1)
1974 – Until You Come Back To Me (That’s What I’m Gonna Do)  POP - #3; R&B - #1
1974 – I’m In Love (POP - #19; R&B - #1)
1974 – Ain’t Nothing Like The Real Thing  (POP - #47; R&B - #6)
1974 – Without Love  (POP - #45; R&B - #6)
1975 – With Everything I Feel In Me  (POP - #xx; R&B - #20)
1975 – Mr. D.J. (5 For The D.J.) – POP #53; R&B - #13
1976 – You  (POP - #xx; R&B - #15)
1976 – Something He Can Feel  (POP - #28; R&B - #1)
1977 – Jump  (POP - #xx; R&B - #17)
1977 – Look Into Your Heart (POP - #82; R&B - #1)
1977 – Break It To Me Gently  (POP - #85; R&B - #1)
1977 – When I Think About You  (POP - #xx; R&B - #16)
1978 – Almighty Fire (Woman Of The Future)  POP - #103; R&B - #12
1979 – Ladies Only  (POP - #xx; R&B – 33)
1981 – United Together  (POP - #56; R&B – 3)
1981 – What A Fool Believes (POP - #xx; R&B -17)
1981 – Come To Me  (POP - #84; R&B - #39)
1981 – Love All The Hurt Away (with George Benson)  POP - #46; R&B - #6
1982 – It’s My Turn  (POP - #xx; R&B - #29)
1982 – Jump To It  (POP - #24; R&B - #1)
1982 – Love Me Right  (POP - #xx; R&B - #22)
1983 – Get It Right  (POP - #61; R&B - #1)
1983 – Every Girl (Wants My Guy)  POP - #xx; R&B - #7
1985 – Freeway Of Love  (POP - #3; R&B - #1)
1985 – Who’s Zoomin’ Who  (POP - #7; R&B - #2)
1985 – Sisters Are Doin’ It For Themselves (as The Eurythmics and Aretha Franklin)  POP - #18; R&B - #66
1986 – Another Night (POP - #22; R&B - #9)
1986 – Ain’t Nobody Ever Loved You  (POP - #xx; R&B - #30)
1986 – Jumpin’ Jack Flash  (POP - #21; R&B - #20)
1987 – Jimmy Lee  (POP #28; R&B - #2)
1987 – I Knew You Were Waiting (For Me) with George Michael  (POP - #1; R&B - #5)
1987 – Rock-A-Lott (POP - #82; R&B - #25)
1988 – If Ever A Love There Was (as The Four Tops with Aretha Franklin)  POP - #xx; R&B - #31
1989 – Through The Storm (with Elton John)  POP - #16; R&B - #17
1989 – It Isn’t, It Wasn’t, It Ain’t Never Gonna Be (with Whitney Houston)  POP - #41; R&B - #5
1989 – Gimme Your Love (with James Brown)  POP - #xx; R&B - #48
1991 – Everyday People  (POP - #xx; R&B - #13)
1992 – Ever Changing Times (with Michael McDonald)  POP - #xx; R&B - #19)
1994 – A Deeper Love  (POP - #63; R&B - #30)
1994 – Willing To Forgive  (POP - #26; R&B -#5)
1994 – Honey  (POP - #114; R&B - #30)
1998 – A Rose Is Still A Rose  (POP - #26; R&B - #5)
1998 – Here We Go Again  (POP - #76; R&B - #24)
2003 – Wonderful  (POP - #xx; R&B - #46)
2008 – Put You Up On Game (with Fantasia)  POP - #xx; R&B - #41

So Aretha dies on the same date as Elvis … today being the 41st anniversary of his passing on August 16th, 1977.

And, speaking of Elvis …

kk …
Look who's asking Elvis for an autograph.
FB

A young Madonna, fighting for Elvis’ autograph back in 1970! Happy 60th Birthday to Madonna!! 
Scott Shannon

And, speaking of Scott Shannon …

Frank Buongervino (see, now you know why we just call him Frank B.!!!  lol) tells us that Scott Shannon will be doing his 1000th show on WCBS-FM this Friday (the 17th)
You can listen to The Big Show live right here …
Congratulations, Scott … you know, this whole radio thing just might work out for you!!!  (kk)
Aretha passes on the anniversary of Elvis’ death? Wow.
Aretha stopped by the store quite often while touring. I will remember her entrances. Quite a show-woman. 
Shelley

FREE THIS WEEKEND?: 
Hi Kent, 
Here's some news from the Dick Biondi Film team -- 
The closing scene of the Dick Biondi movie is being filmed at Chicago's Italian Fest on Taylor Street this Saturday night, August 18th, at 8:00 PM. Our host, Ron Onesti, will lead us in singing Biondi’s signature song, On Top of a Pizza ... and if you’d like to be part of it, you may even get on camera! Of course nobody can sing it like Dick but we’re gonna give it our best shot.  So come on out and join the fun!  
We’ll have a booth set up throughout the entire fest (Thursday - Sunday) so stop by and say hello and bring your family and friends to pick up your official Dick Biondi Film Tee and mug, and celebrate all things Italian, including Chicago’s most lovable deejay.  We could use some help at our booth so if you are available, please contact me at theDickBiondiFilm@gmail.com.  
Thanks to all of you who continue to root for us and support our tribute to the wonderful Wild I-Tralian, Dick Biondi.
For more info:  http://www.arcadalive.com/onesti-festivals/  
See you at the festa! 
Much love and gratitude, 
Pam 
xox

Good morning! 
"Italian Fest" is happening down in Chi-Town this weekend ... I'm sure
music fans will love to come on down. 
We'll have the Dick Biondi film booth set up, and everyone is invited to stop by.
It runs thru Sunday, and on Saturday evening we're going to have a giant sing-along in which we'll be led in singing "The Pizza Song," which will be used as the grand finale of the Dick Biondi film "The Voice That Rocked America".  Should be loads of fun.
Mike Wolstein

New Releases:  
Kent: 
Capitol Records announced this past week some of their upcoming projects, including the next Beatles anniversary release and a Motown documentary.  More details below:
Not all of Capitol Congress’ highlights came courtesy of newcomers. Bruce Resnikoff, President and CEO of Universal catalog division UMe, introduced a lengthy video showcasing a host of upcoming CMG reissues, including a 50th anniversary edition of The Beatles’ White Album remixed by George Martin's son Giles, a “lost” Glen Campbell album featuring a duet with Elvis Presley, and multiple vinyl reissues celebrating the 60th and 80th anniversaries of Motown and Blue Note Records, respectively. Also coming on the Motown front is Hitsville: The Making of Motown, a documentary featuring never-before-seen footage from label founder Berry Gordy’s private archives.
-Tom Cuddy
Sounds like some interesting stuff coming down the pike.  (Of course, we're most interested in the new White Album Box Set, featuring many of the original demos made by the Beatles individually before regrouping in the studio after their trip to India.) 
Wouldn't it be nice if Capitol kept this tradition going and FINALLY released "Let It Be" again on home video for the 50th Anniversary of that release?!?!

And speaking of upcoming Beatles releases, Eagle Rock Entertainment has just announced that a new, pristine print of John and Yoko's "Imagine" will be showing in theaters.  (With the Elvis Comeback Television Special now in limited release and "Yellow Submarine" back in select theaters celebrating that 50th Anniversary, the market seems prime for more music-related releases showing up on the big screen!)

And, speaking of Big Screen Music Releases ... check this out ...


JOHN LENNON & YOKO ONO - "IMAGINE"

RESTORED & REMIXED FOR CINEMA AUDIENCES

WITH ADDITIONAL CINEMA-ONLY EXTRAS

IN SPECTACULAR DOLBY ATMOS IN SELECTED THEATERS

Official trailer:  HERE
Screening in cinemas Worldwide from September 17, 2018
Full cinema list and tickets available now from
www.imaginefilmtickets.com
New Cinemas Added Daily

Music fans will be celebrating this September, as John Lennon & Yoko Ono’s Imagine hits the big screen. Including previously unreleased cinema-exclusive bonus material, restored footage, remixed, remastered and immersive Dolby Atmos soundtrack mix, it’s a unique opportunity to witness Imagine like you’ve never seen or heard it before!
Imagine is a cinematic collage of color, sound, dream and reality. Produced and directed by John and Yoko, who, with numerous guest stars including George Harrison, Fred Astaire, Andy Warhol, Dick Cavett, Jack Palance and Jonas Mekas, create a world of imagination as rich and moving as the music that accompanies it.
The ground-breaking music film features a different visual treatment for every song, and follows John and Yoko during the recording sessions for Imagine in both the UK and New York, as they co-produced the record with Phil Spector.
Imagine has been restored frame-by-frame, from the original reels with the audio remix by triple GRAMMY® Award-winning engineer, Paul Hicks. It is accompanied by 15 minutes of never-before-seen extras including studio footage of John and his band (including George Harrison, Nicky Hopkins from the Rolling Stones, Alan White from Yes and Klaus Voormann) performing "How Do You Sleep?" and "Oh My Love" in a specially created Dolby Atmos surround sound "raw studio" mix that puts you in the center of the recording studio while the band play live.
“The people who all worked on IMAGINE were Peace People and it was so enlightening and exciting all the way through to be one of them. Remember, each one of us has the power to change the world.”– Yoko Ono  

For details of cinemas participating in this special event screening visit www.imaginefilmtickets.com
Running Time
83 Minutes
Certificate: TBC













































ELO:
Going to see ELO next Tuesday (my birthday!) - cannot wait, although from the videos I've seen, their stage show has been scaled down a bit from last year. 
I saw that tour with the spaceship, too, and it was rather amazing - the band came up through the ship. I can only think of what that must have cost. 
Looking forward to them doing "Handle With Care." 
Still, cannot wait!  
David Salidor  
"Handle With Care" was just one of the MANY highlights of last night's show.  (I was talking with Billy J. Kramer at Beatlefest last weekend, where Roy Orbison, Jr., was also appearing
Can you imagine if The Traveling Wilburys had ever done a tour?!?! The WEALTH of material they could have covered, live on stage, between the members of that band?
Even just one live, filmed concert event for the rest of us to cherish for the rest of our lives.
You will not be disappointed in ANY way with your ELO experience ... in fact, I'm willing to wager you'll rate it one of the best shows you've ever seen in your entire life!  (kk)

Kent,
If you don't know about this site below, it is awesome.  Type in artist and city and venue if known and you can find exact dates you saw an artist and often, their setlist that night! 
Here's the exact concert we saw with the spaceship in 1978 in Omaha.

OK, this is pretty cool … it shows that ELO played The Chicago Stadium in 1975, 1976 and 1978 … but when I search Hall and Oates, none of these dates come up … only one in 1981.  (Possibly because they were the back-up band that nobody cared about at the time???)
It’s kinda like when I saw Three Dog Night in 1970 … they were the hottest band on the planet at the time and their opening act was some guy named Elton John.  Three Dog Night had recorded a couple of Elton’s songs that had already been hits in England but had not caught on here in The States yet … including “Lady Samantha” and “Your Song,” which would go on to become his big breakthrough hit.  I think they thought they were doing the kid a favor by bringing him out on tour with them as they clearly loved his music.  Needless to say, once “Your Song” hit, Elton would never be the “opening act” again!!!  (kk)

Here is the ELO Spaceship we saw at the Omaha Civic Auditorium in 1978 … https://www.youtube.com/watch?v=kXReQZ55fVc  
Roger Besch  

Which means that the show that I saw here in Chicago HAD to be 1978 as well, since the spaceship was constructed to coincide with their "Out of The Blue" tour … so my memory timeline is off by a couple of years.

Weird because I remember Hall and Oates being relatively unknown at the time … but by 1978 they had already had six Top 40 Hits. Their biggest hits were still to come … but they had already topped the charts in 1977 with “Rich Girl” and had Top Ten Smashes with “Sara Smile” (#4, 1976) and “She’s Gone” (#6, 1976).  They’d kick off a string of 13 straight Top Ten Hits (save “Your Imagination,” which peaked at #33) in 1980, during which time they’d collect five more #1 Hits:  “Kiss On My List” (1981), “Private Eyes” (1981), “I Can’t Go For That (No Can Do),” 1982, “Maneater” (1982) and “Out Of Touch” (1984).  The Electric Light Orchestra during that same stretch only hit The Top Ten two more times (and one of those was as a “duet” with Olivia Newton-John.)  kk

SPEAKING OF ELO ...

We got home VERY late from the concert last time (sure glad I took the rest of the week off!  lol) so I haven't had time to write a review yet ... suffice to say that it was incredible from start to finish.

We're going thru the photos today (I can only tell you that no cell phone photos or videos can even begin to do justice to the spectacle that we witnessed last night) ... for those of you out there going to see this, be prepared to be COMPLETELY blown away!  More as time permits ...

Meanwhile, as you can see, I'm scrambling as it it to get a Thursday This And That posted!!!

Lots of talk about Steve Perry’s new album, coming out October 5th.  (He released his new single, “No Erasin’,” this week.
Perry blames the delay (this is his first album of new material since 2004!!!) on a number of things, the loss of his long-time girlfriend in 2012.  He has since channeled that love into inspiration, which resulted with many of the tracks featured on his new LP.

In a prepared statement, Perry said:

Years ago, I disappeared.  There were many reasons, but mainly … my love for music had suddenly left me. I knew that simply stopping, was what I had to do. If music was ever to return to my heart, then and only then I would figure out what to do. If not … so be it, for I had already lived the dream of dreams.
Many years passed. One day, I began sketching some musical ideas with the creative freedom that I was the only one who would ever hear them. One song led to many. My love for music had returned.
Then another beautiful thing happened ... I met someone and I fell in love with this person.  I found love. My precious Kellie gave me a life I never knew I had. And then I lost this person to breast cancer … I lost her in December of 2012. I now deeply understand the meaning of: ‘It’s better to have loved and lost, than to have never loved at all.’
In the midst of that, I had written some songs and, before I met her, I had sketched some more … And so in May of 2015, I began recording. These songs are special to me. I respectfully ask that you please listen to them, and whatever they make you feel, I thank you for listening.
--Steve Perry

Here is the video just released for “No Erasin’” … a special deluxe edition of Perry’s new CD will include five bonus tracks not found on the regular edition. 




More postings as time permits throughout the weekend ... stay tuned!!!  (kk)

Concert Review: JEFF LYNNE'S ELO (Allstate Arena, Rosemont, IL, Wednesday, August 15th, 2018)

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It was, without question, the most highly anticipated show of our lives.

For over two years, we have been monitoring the web faithfully waiting for the announcement of Jeff Lynne’s ELO American tour dates.

When the word finally came, we bought our tickets IMMEDIATELY … nearly nine months in advance … for his appearance at The AllState Arena in Rosemont, IL, on Wednesday, August 15th, 2018.  

It had been, after all, 35 years since Jeff Lynne last toured The States.

We further whetted our appetites during the wait by watching his live concert events filmed at Hyde Park London and Wembley Stadium.  The sound and visuals were incredible ... as such, we came into this concert event with extremely high expectations.

I am happy to report that the show exceeded anything and everything that we may have imagined.  

It was a brilliant display of sight and sound … music performed to impeccable perfection by some of the best musicians we have ever witnessed on stage ... and a video, light and laser show that was beyond compare to anything else we’d ever seen in all our years of concert-going experience … an absolute spectacle to take in … and the perfect marriage of “visual music.”


Of course, it didn’t hurt that Lynne was accompanied by twelve other stellar musicians and vocalists, who were collectively able to create a virtual symphony of sound, thus doing the name of the band on stage proud in the process ... let's not forget that this was The Electric Light Orchestra.



Lynne himself states in the concert program that he had thought that he had “already packed it in 30 years ago to be a record producer” ... but now was back out on the road presenting the incredible catalog of music he created some 40 years ago.

(Interestingly enough, the “warm up” music played before ELO took the stage was all music that Lynne had produced for other artists, including tracks by George Harrison, Tom Petty and Roy Orbison … as well as “Free As A Bird” from the first Beatles Anthology album.)

“I love this ELO band and really enjoy our gigs together.  It’s the best time I’ve ever had in music!” – Jeff Lynne


Our experience was also enhanced by having absolutely PERFECT seats … Main Floor … 19th Row … DEAD CENTER … with a clear view of the stage throughout the show (if you didn’t mind standing, of course … which we did for nearly every single song.)  [Ya dunn good, Frannie!  These were GREAT seats!]

After a quick stop in Toronto, Canada, on Saturday, August 18th, he’s only got three stops left on the American leg of the tour (Madison Square Garden in New York for two shows on August 21stand 22nd and The Wells Fargo Center in Philadelphia, PA, on August 24th.)  Then it’s off to Europe, with shows running through the end of October.

The set list has been plastered all over the internet … and he doesn’t seem to be varying from it from city to city … and why should he? …

Song after song after song, he had the entire crowd up on their feet for nearly a two hour show.  (The only song of note that we missed, per Frannie, was "Strange Magic," a personal favorite that was missing from the playlist.)

No cell phone photography or video could possibly do this show justice … it was a spectacle that had to be seen first hand in order to be fully appreciated.  Precision-timed, perfectly synchronized sight and sound from start to finish.  We loved it.

[That being said, you'll still find some of the better shots that Frannie was able to snag from the 19th row posted to the site today.] 


Best Show of the Year?  Probably …

OK … definitely …

I don’t really see anything coming up on our list that could possibly top this (although Ron Onesti has “Woody” Wood of The Bay City Rollers coming to The Arcada Theatre in September, so who knows!!!) …

But really, how could it possibly be anything less than the Best Show Of The Year …

When it’s also one of the best shows we’ve ever seen in our entire lives?!?!  (kk)





SET LIST 
(* = my personal favorites as performed that night):

Standin’ In The Rain
Evil Woman
*All Over The World
*Showdown
Do Ya
When I Was A Boy
Livin’ Thing
*Handle With Care
Rockaria!
*Can’t Get It Out Of My Head
10538 Overture
Shine A Little Love
Wild West Hero
*Telephone Line
*Sweet Talkin’ Woman
*Don’t Bring Me Down
Turn To Stone
*Mr. Blue Sky
ENCORE:
*Roll Over Beethoven

  
One Final Note:

How much did we enjoy the show?

Instead of going to the 50th Anniversary Theatrical Release Celebration of Elvis Presley’s 1968 Singer Comeback Television Special as planned, we opted instead to order a pizza and watch Jeff Lynne’s Wembley Stadium Concert again on Showtime!  (kk)

OK, One More Final Note:

A tip of the hat to the opening act, Dawes, who had the very difficult task of trying to get a crowd of 20,000+ people pumped and primed to see ELO to listen to their one hour set of completely unfamiliar music with at least half an ear.  Actually, they were pretty damn good ... and will be returning to the Chicagoland area for another show in January.  Kudos for hangin' in there and giving it your best shot during what had to feel like the chance of a lifetime ... you won a few of us over in the process.  (kk)

The Saturday Survey - August 18th

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*Survey courtesy of Craig Pucci and ARSA website

8-14-68 KGB San Diego, California 

Moving from KQV last week to KGB this week, we get the switch to a west coast hit parade.  Two of the sounds that had a connecting story were Eternity's Children's"Mrs. Bluebird" and Millennium's "5 A.M."  Despite hailing from Mississippi originally, Eternity's Children's song was very flower power sounding and their vocalist / leader, Bruce Blackman's voice might sound familiar as the vocalist / leader of Starbuck, who had the huge 70's hit "Moonlight Feels Right."  

The Millennium were a studio group created by producer Curt Boettcher (ala Sagittarius) and both "5 A.M." and "Mrs. Bluebird" were produced by him in '68!  Eternity's Children toured with the Strawberry Alarm Clock, who have a beautiful song at #22,"Barefoot in Baltimore."  Despite the psychedelic reputation and group name, the SONG reached Billboard's Easy Listening chart!
--  Clark Besch




When The Beatles recorded "Lady Madonna," Paul McCartney said he used his "best Fats Domino voice" for the lead vocal.

So it's REALLY cool to see The Fat Man sitting at #26 this week with his version of this Beatles Classic.

Nationally Fats' version peaked at #87 ... five months after The Beatles hit #2 with their original.  (What?!?!  A non-#1 Beatles single?!?!  How often did THAT happen???)  kk

THIS WEEK IN '68:

8/15/68 - Radio Free London begins broadcasting.
 
 

The Sunday Comments ( 08 - 19 - 18 )

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More Comments than we can fit, even in a KING-SIZED Edition this week …

So these will spill over for the next day or two …

Be sure to check back often this week …

And scroll back to miss anything you may have missed in last week’s postings!

(Bookmark this site NOW … and make us part of your daily routine!)

First up …

More Tributes to The Queen Of Soul, Aretha Franklin …

Followed by some of your Jeff Lynne / ELO Comments ...

And then some of the more time-sensitive "news you can use"!

Aretha Franklin:

kk …
Here is how ABC News announced Aretha's death.
FB

That's all very nice and all ... but, of course, NOBODY covered Aretha’s death better than Fox News … who ran a photo of Patti LaBelle while informing the nation of her passing.  (Guess we can ALWAYS rely on Fox to give us the most accurate representation in their news broadcasts!)  kk
 
Here, The Rock And Roll Hall Of Fame remembers their first female inductee …   

kk:
I think Keith Richards being stoned ruined the whole moment.
FB


The Rock World reacts to the passing of Aretha Franklin …
Kent,
Sad times for the soul world. 
Here is my fave video of Aretha:
Grammys from Germany … 1971 LIVE, with Aretha playing organ, too.
ALSO, I sent this clip to you back in March for the survey segments:
After the In Sound went bye bye, the Army replaced it with "The Hit Heard Round the World" with Fred Robbins as host.  Fred was on several top stations in the NYC area.  Unlike In Sound, this show usually talked with DJs and record producers rather than the artists themselves.  The DJs were ones from big US markets AND always from DJs round the world, such as BBC's Kenny Everett and Canada, Amsterdam, Vienna, Luxembourg, Copenhagen, Berlin, etc.  They speak in English but have definite accents and often feature US hits that are hot there as well as the top hits from THEIR country's charts.  It's kinda neat if you have readers from other countries and they are mostly 1968 clips I can send.  This show started a bit later and attached is the clip with Jerry Wexler talking up Aretha who had only had Atlantic hits for a year at the time.  He pushes her new hit "See Saw."  Lemme know if you want any of this stuff.
Clark Besch



Thanks, Kent ...
Aretha Franklin was incredible ... a national treasure.  Yes, she will be missed.  Always fun to watch and listen to.   Our Queen of Soul was the original diva.
Sandy

Kent,
Aretha really was in her stride in 1968, following her breakout 1967 on Atlantic.  With Ray Charles now on ABC, chances were unlikely that the two greats would combine for a duet like superstars do today.  Yet, Coke promoted these really cool jingles that featured them both in duet for the first and maybe only time on tape???  Pretty darn cool … and from our old ‘68 radio tapes, the VERY cool Ron "Kingbee" Britain plays a Beatles tune into the jingle!   Was WCFL cool or what?  From the White Album came "Yer Blues"!!!!  How many of you heard THAT on AM radio in 68???
Clark








Here’s how Rolling Stone covered the death of The Queen Of Soul …

My Top Ten Aretha favorites would have been significantly different than theirs … but I always preferred EARLY Aretha when she first broke thru in a big, big way on the pop charts in 1967.
As such, her early readings of “Respect,” “Baby I Love You,” “Natural Woman,” “Since You’ve Been Gone,” “Think” and “I Say A Little Prayer” remain my favorites … and (other than the fact that “Respect” has just GOT to be one of the most over-played tunes of all time), I have never lost my affection for these.  I’ve learned to like “Until You Come Back To Me,” “Spanish Harlem,” “Day Dreaming” and “Chain Of Fools” over the years so those tracks (shown here in totally random order) would have to be my Top Ten Favorites. Every one of them either sparks you to get up and move or evokes a “mood” that becomes your inner groove.Boy, she recorded some fine material over the years!!!  (kk) 

Here is a statement from “The Man With The Golden Ears,” Kal Rudman, publisher of the Friday Morning Quarterback, bible of the broadcast and music industries, and Billboard Magazine’s first R&B Editor, on the death of Aretha Franklin: 

Aretha Franklin personified the unbelievable power of Rhythm & Blues. The magic story of the power of Aretha Franklin emerged when she entered the glory of recording for Jerry Wexler at the incredible Atlantic Records. Her stature in R&B music surpassed anyone before or since. The Queen of Soul has been taken from her throne, and it shall always remain empty. This is a monumental loss to music lovers everywhere.
On behalf of the staff of the Friday Morning Quarterback, we send our deepest condolences to her family.   

We also got this joint statement from legendary songwriters Kenneth Gamble and Leon Huff, founders of Philadelphia International Records:  

We not only admire Aretha Franklin for her singing ability, but we appreciate what she did to uplift the community. We have always been honored and elated -- and are still on ‘Cloud Nine’ – for having her cover two of our songs: ‘A Brand New Me’ and ‘Christmas Just Ain’t Christmas Without The One You Love.’ While we never got the opportunity to work directly with Aretha, she was our dear friend.   
We send our deepest and sincere condolences out to her family. She was truly the best!
-         Gamble and Huff

Great Aretha list. Thanks.
Neal Sabin

I asked "Biographer of the Rock Stars" Mark Bego to share a few words on Aretha with our readers.  His book on The Queen Of Soul covers ALL sides of her incredible career.  As such, she may have been difficult to deal with at times (and I seem to remember her publicly denouncing his final product when it was first released) but I found it to be a fascinating read … and accomplished its goal of presenting the REAL Aretha Franklin.  (The book will soon be rereleased through Skyhorse Publishing … and Mark tells us that it’s already at the printer now, with some new revisions to bring things up to date.)

Here is what he sent me … along with the new press release explaining the rush release of his newly revised version …

Dear Kent and Forgotten Hits:
Well, this has been a long and sad week for the music business.  On Sunday when the news broke that Aretha Franklin was “gravely ill,” we all drew a deep breath, wondering what bad news was to follow.  Unfortunately, on Thursday, August 16, “The Queen of Soul” passed into immortality, and the music world will never be quite the same.
For me, Aretha’s music and soulful way of singing has been a part of my life since I was a teenager in suburban Detroit.  I will never forget the first time I heard “Respect” come across the airwaves on my little portable RCA transistor radio.  It made an indelible impression on me. That voice!  That passion!
When I was in college I had a “record review” column in the campus newspaper.  I remember nearly wearing out my copy of Aretha’s “Young, Gifted and Black” album.  I absolutely loved it.  Franklin sang with such conviction, she was unlike anyone else I had ever heard.  The glowing review I composed about it was the first time I wrote about Aretha, but I knew it would not be my last.
A decade later, I had my first streak of best-selling books, and I received a phone call from Aretha’s publicist, asking me if I could go to her house in Bloomfield Hills, Michigan to interview The Queen of Soul herself.  My answer:  “Hell yes!”  At the time I was doing the interview for Westwood One Radio.  Imagine my excitement as I sat on Aretha’s living room sofa interviewing her for hours!
In 1989 I had the honor of writing the first and “most definitive” biography on Aretha Franklin.  (The complimentary words above were not from me, but from the press.)  I was happy that I had been able to put all of my energy into making this one of the most fully researched books of my career.
As I was writing it, I was able to gain access to so many of the key people in Aretha’s life:  Atlantic producer Jerry Wexler, Columbia producer Clyde Otis, Arista producer and record maven Clive Davis, and several of her friends and associates.  Although dozens of my books were released after that, over the years it was only “Aretha Franklin:  The Queen of Soul” that I have been asked three times to update.  What an honor that has been. 
I have done it again this week, for a special “Tribute Edition” of my book, from Skyhorse Publishing.  It is already at the printing press and due in bookstores in the next ten days.  When the publisher asked me to update it, to quote Aretha:  I knew I had to “Jump To It.”
It has been bittersweet for me to have been phoned by many radio stations this week to discuss Aretha Franklin and her amazing career.  While I have been honored to do so, I am also saddened by the fact that I now have to speak of Aretha in the “past tense.”  Although she is no longer with us, she leaves behind such a wealth of incredible music, her artistry and her voice will live on for years to come.
I know that we all love songs like “Respect” and “Freeway of Love,” but please do yourself a favor and listen to some of the jazz and standards she recorded when she was a teenager, and a young woman in her early 20s.  Her voice on those Columbia Records albums from the ’60s was so clear and fresh, it, too, is a window into her soul.
Although Aretha is no longer with us, some things are definite and will remain unchanged. One of those things is the incredible legacy that Franklin built in her many years as a recording artist.  She was a pop singing diva.  She was a rock and roll legend.  She was the peerless singing star of gospel music, soul music, jazz, and even arias. There is no diva quite like her.  Aretha Franklin was and always will be known as “The Queen of Soul.”
With respect and love,
Mark Bego

EXCLUSIVE:

COMING SOON:“Aretha Franklin: The Queen of Soul” by Mark Bego
Author Mark Bego, who has done two books previously on Aretha Franklin, will be releasing, with Skyhorse Publishing, Aretha Franklin: The Queen of Soul.
Says Bego: “Aretha Franklin will always be remembered as being a true original.  Her voice was so strong and pure, it was like a force of nature, and it brilliantly redefined the word “soul.”  Aretha’s songs like “Respect,” “Think,” “Rock Steady” and “Freeway of Love” will forever represent an era of sheer musical brilliance.  I will always recall my one-on-one interview with Aretha in 1985 at her Detroit area home, as one of the most unique afternoons of my entire writing career.  It wasn’t so much an interview, as it was a visitation with royalty.  Aretha Franklin’s legend and her amazing body of recorded music will live on to attest to her unflagging reign as “The Queen of Soul.”
Be on the look out for this newly updated edition … I know I’ll be picking up my copy as soon as it hits the streets.  Thanks, Mark!  (kk)

FH Reader Danny Guilfoyle sent in this … Bob Lefsetz’s take on Aretha.  (Interesting that he starts his piece with the Steely Dan reference, too ... the day after my piece ran!!!  Maybe great minds really do think alike ... or maybe not.)

"Hey nineteen
That's 'Retha Franklin
She don't remember the Queen of Soul"
That was recorded by Steely Dan in 1980, when Aretha already appeared to be in the rearview mirror.
But she wasn't.
Forget the forgettable Arista hits, but remember her appearances on the Grammys, at Obama's inauguration and the Kennedy Center Honors. Aretha Franklin transcended the hit parade, she was an icon as big as the music business itself. She forged her own path, and we loved her for it.
Now you've got to understand it was a different era. That's right, the baby boomers had it best, they lived through the Beatles and the explosion of soul. Back when you owned a transistor radio instead of a smartphone, when we were all excited by what emanated from the single speaker in the dashboard, when if you wanted to know which way the wind blew, you listened to music.
It started with "Respect."
1967 was the Summer of Love, it was also the year before the deaths of Martin Luther King and Bobby Kennedy. There was a brief respite before the darkness overtook the light. Not that the light never shined thereafter, it's just that we always expected the other shoe to drop, and it did. Tell a denizen of the sixties that racism is now prevalent and minorities are excluded on the voting rolls and their heads spin. We fought for freedom, the sky was the limit, we were on action, not reaction, and ultimately we all got on the same team, rednecks grew their hair, they were ultimately against the Vietnam War, and the twin pillars were Motown and rock.
And then came Aretha.
She started off on Columbia, which didn't know what to do with her. Sometimes you're too early, sometimes you're lacking chemistry, sometimes you need someone to midwife you to success.
Like Jerry Wexler. Used to be the Jews and the blacks walked side by side. Why African-Americans find fault with the Semitic people today I do not know, we're both minorities, both fighting to end injustice.
And Columbia was part of a conglomerate, whereas the more nimble Atlantic had a long history in black music. Aretha was finally home, at least when it comes to record companies.
"What you want
Baby, I got it"
Talk about girl power, talk about the beginning of the feminist revolution, Aretha's place in the pantheon has not been elucidated. It was women who embraced Aretha first, they could hear the power in her voice, her message.
And overnight, "Sock it to me baby" became par of the vernacular. On "Laugh-In," hell, even Richard Nixon uttered it on television.
That's the power of a hit single, that's the power of music, at least back then, can you imagine Trump quoting Kendrick Lamar today?
No way.
But "(You Make Me Feel Like) A Natural Woman" sounded completely different, we shouldn't have been surprised when she subbed for Pavarotti at the Grammys and hit "Nessun Dorma" far over the fence, she could sing anything, she could make it her own. That's the mark of a great artist, one who has breadth, who is not one note. Arguably this number is the one that made Goffin and King household names, and it was only a few years later that Carole cut her version on "Tapestry," but even King would admit that Aretha owns it.
As for "Chain Of Fools," once again it was a new twist, unconnected to what came before, other than it had soul! Aretha may not have written these songs but she owned them. And unlike Michael Jackson, she did not coin her own moniker and she did not fight for the spotlight, she was quiet about her career, she just kept making hits. Whether it be 1972's "Rock Steady," from the album "Young, Gifted And Black," or the surprise "comeback" hit from 1973, "Until You Come Back To Me (That's What I'm Gonna Do)" in an era where FM ruled and AM was a backwater. I heard this on the jukebox at the Alibi in Middlebury, Vermont and I had to buy the album, to be able to play it at will, it's all about the chorus, not that there isn't so much more.
And then came the victory lap. Aretha's triumphant appearance in the "Blues Brothers" movie, where she blew every other musician off the screen, owning the movie in a matter of minutes, back in an era where musical performances onscreen were still rare, unavailable, this voice that emanated from the radio, the performance was every bit as energetic and believable and then...
Aretha disappeared.
Well, there was a bit of MTV action, especially 1985's "Freeway Of Love," but the recording was overproduced, a relic of the early MTV era, when the oldsters still had traction before the popsters and the rappers took over. Aretha's performance was stellar, but she didn't star in the song like she did in previous numbers and the metronomic, rhythm machine track didn't swing like the hits of old, it lacked an element of soul, not that the verse was not catchy.
But Aretha suddenly became unavailable. Especially at the turn of the century, when seemingly every classic act took to the boards since they could no longer have radio hits, in an endless dash for cash, to the point where the younger generation became unfamiliar with her, she certainly was a legend, but they didn't realize she was a living, breathing person who could still deliver. She was a diva, she had to do it her way, but when you saw her her magnetism attracted you and then you found yourself hovering over the arena, able to fly on the notes alone.
She knew she was that good, that great, that phenomenal, truly above everybody else. But she didn't have to advertise herself, the penumbra was irrelevant, all she had to do was open her mouth.
For her last famous public appearance on the Kennedy Center Honors. You didn't want to follow Aretha, you couldn't! She came out playing the piano, people aren't supposed to be trained, but Aretha paid her dues in church, she didn't burst on the scene with no backstory. And when she stood and shed her fur and sang... You could say belted, but this was not Mariah Carey, Aretha was always in service to the song, she showed off without trying to, all she had to do was perform!
And there you have it folks, she was here and now she's gone.
Too many of them are gone. From Bowie to Frey to those who O.D.'ed before their time, like Prince. But pancreatic cancer got the Queen of Soul. There's really no treatment, it's a death sentence, a couple of months and you're out, done, finished.
And in this case Roger Friedman gave us advance warning, so we weren't surprised, today these deaths come from seemingly nowhere, like records.
But still...
76 ain't young, but it's not old either. Paul McCartney is 76 and he's got a new album, he's still touring, he's still alive, we expect these musicians to live forever.
But they don't.
And when they're gone they're never coming back, like the era they dominated.
But most of the classic acts have been forgotten, touring sans original members, there are only a few giants, superstars who can still sell every ticket, but no one lives forever and at some point this era will fade.
Will the music survive?
It appears so, because it was built on a different foundation. When you could not be famous for nothing, when you had to have talent to make it, when you had to pay endless dues to break through. We baby boomers lived through the Renaissance, they painted and sculpted after Raphael and Michelangelo, but at no time thereafter was there such a burst of genius, such dominance. Same deal with music. I know, I know, you want to believe it's the same as ever, but change happens, and it has.
So certainly spin the records. But if you ever had a hankering to see these legends, go now. It was joke that this was the last time for the Stones, that you had to see them before they died, but at some point Mick and Keith will truly go, then what?
It'll be like today. Aretha was here, always in the back of our mind, the records still as vital as they were yesterday, and now, pfft, she's gone!
Kinda funny in a country focused on youth. We only give legends their due when they pass.
But that's not true of Aretha, she was always here, those records are forever. Just go to a wedding or bar mitzvah, you'll hear 'em, everybody knows them. As big as Michael Jackson was, Aretha was bigger. But she lived her life privately, with fewer shenanigans. And she tried to live it for herself, but there were endless tragedies and mistreatments. But still, we were and still are the beneficiaries of her fantastic talent. She ultimately suffered for us.
And we still remember the Queen of Soul.
-         Bob Lefsetz

ELO:
What?!?!?
We’re at the ELO Show?!?!?
REALLY?!?!?!? 

kk …
That Jeff Lynne / ELO review was great.
It was almost as good as the Doo – Wop Show review you did a month ago.
Major plus for this review.
But ------------
I'm forced to deduct points for canceling Elvis. L-0-L !!
FB

Great ELO review – wish I could have seen this show – but your enthusiasm comes through loud and clear – sounds like a great time.
Cindy
Order the Hyde Park Concert … you’ll be blown away!  (It’s the next best thing to being there … best live concert video I’ve ever seen!)  kk

Saw Stephen Bishop last night with Tom Cuddy … best show of the year so far - till Tuesday!   Great ELO review - can't wait for Tuesday when I see them!
David Salidor  
Best birthday present you could have possibly given yourself!!!  You’ll LOVE It … enjoy the show … and be sure to report back!  Thanks, David!  (kk)


SO glad to hear.  Going to see them in Philly next Friday!  A Bucket List show for me.
JR Russ 

Nice pics!!! 
I gotta say that I KNOW every one of the songs, which doesn't happen too often at concerts for me.  Love most of them.  I can sing along with ALL of them (well, maybe not the instrumental!).  I'd pick a couple different ones, but overall an awesome set. 
As to the ELO / Hall & Oates concert you saw on setlist, the site IS awesome in many ways, but depends on who managed to save the lists or books or other, so if something is NOT listed, it is just that no one made a setlist at the concert or maybe it's not in print somewhere else.  Like ARSA for surveys, this site has SOOOO much to offer that missing dates and songs are inevitable, but it still works well if you check the songs sung at a different arena from the same tour. 
Clark Besch  
Yeah, I don’t know how many people were keeping tracks of set lists back in the late ‘70’s … not like it is now where everything is so immediate and available online.  (This would be even more true of the back-up band, I would think.  Like I really liked Dawes, who opened for ELO … but couldn’t tell you the title of a single song they sang ‘cause prior to the show, I’d never even heard of them!  Lol)  kk



Where was ELO's greatest song: "Hold On Tight"?!?  Jiminy Christmas!  How could Jeff put on a superb live show and leave out the Top 10 track which instantly sends your heart soaring!?! 
Gary Theroux
"The History of Rock 'n' Roll"
Definitely a “missing in action” track, to be sure … I noticed it right away, too.  I was a little bit surprised that he featured a couple of deeper catalog cuts over a few more obvious hits … but I guess he wanted to mix things up a little bit (and make himself happy, too!)
Honestly, I was a little surprised that “Can’t Get It Out Of My Head” was included since this wasn’t released as a single in England … but I’m glad he did it as I thought it was one of the strongest performances of the night.  (kk)

Hi Kent:
Thanks so, so much for sharing the ELO review … you nailed it!
I really wanted to go to that show but I do not like the Allstate for many reasons (but that’s my problem.) Anyway, by reviewing the set list I see I missed a GREAT concert (too bad for Drew!)
Have a good weekend and thanks again for keeping me posted. 
Drew Paul

Hi Kent,
I'm not there yet, it might be Monday or something, but if I send an ELO review it might be more like a short story, because the ELO concert was right in the middle of one very INCREDIBLE waking-day for me!  One of those days I'll never forget.
I was whacked by an ENERGY TSUNAMI and I was bouncing-off-the-walls for close to forty hours (WITH A NIGHT'S SLEEP IN THERE and certainly abated the second day).  It was crazy fun, 71-year-olds ain't spozeta feel like this!
I might do best to include excerpts from my emails when I write my short story about Wednesday.  On second thought, probably WAY too much to post on FH.
Frank
No, send it in … I’ll run the whole thing!  (kk)
OK, my best try at a post.  (I should have been out the door already for Friday and Saturday stuff in Wisconsin.)
This was the best concert of my lifetime, no question.  I have to say that in my 71 years on this planet, I've only seen four "big name" PAID concerts in my lifetime:  Simon and Garfunkel at Pine Knob in Michigan in 1969, Frank Sinatra in Toledo, Ohio in 1971 or 1972, and Chuck Berry in Macomb, Illinois (!!!!) in whatever year he was 72.
I've seen music as diverse, also, as The Highwaymen (the country and western band) in Carthage, Illinois (this needs even more exclamation points … what an unlikely place) back in January, Sun Ra and His Arkestra twice, Laurie Anderson, Diamanda Galas, a number of symphony performances, Deerhoof, the opera Oresteia of Aeschylus (an opera that is NOT an "entry-level" one), Einsterzende Neubauten, Negativland, the list goes on.
To some of you, some of those might be like fingernails on the chalkboard.  I enjoyed all!
However, ELO was one of those "BUCKET LIST" concerts, and even with the bad seats (DUE stage left), the performances and the show were magnificent.  Does that word describe it adequately?  NO! It's hard to find a word in English that works, and the only reason they weren't actually on my bucket list is because I had NO clue they would ever be touring again ... I just assumed the group was long, long gone.  If I had known they were together in any form, they would have been on my bucket list, but an alert friend in Pontiac, IL, told me about it and got tickets quickly, though not quickly enough for the good seats (because it took me time to see email and such), but that wasn't an issue. 
The positioning actually gave us the PERFECT amount of volume:  LOUD, BUT not overbearingly loud.  I am so grateful to my friend John that he spotted this and was able to find any tickets at all for two of us sitting together.  (He had a better seat, but there were no doubles at all elsewhere.)  My roommate Todd was there, and he had a cool transformational thing happen ... he does NOT like crowds and this was the first time in his lifetime that he was good-with-it.  HOW COOL IS THAT?
The concert exceeded my best expectations, and I will never forget August 15, 2018, because the concert was actually in the dead-center of a long waking-day where I was "bouncing off the walls" for seventeen hours.  All I did was to have ONE ordinary hit of weed early in the afternoon.  Wednesday was nothing short of being slammed by an  ENERGY TSUNAMI ... I've never tried speed but I think weed has a similar effect on me and I'm very sensitive because I RARELY use it, but even this was unprecedented and exceptional.  The combination of just having stopped a very long streak of work downstate, hanging out with my roommate for the first time in a good while, and anticipating ELO, was the "perfect storm" just waiting for that little smoky catalyst to set off the bomb. 
With the ELO concert right in the middle, this is the most fun day of at least the Millennium so far, and ranks in the top days of my lifetime.  September 21, 1996 (VERY long story, I won't even try!) exceeds it, but there can't be any more than one or two other days that exceed it.
I had a long wait for the musical peak of my lifetime, as I've generally considered ELO to be the BEST musical act, of any kind, to emerge in the past fifty years.  (Good place to stop, because going back just a few more years brings in Pink Floyd, The Beatles, The Moody Blues, The Rolling Stones ... and it starts getting really complicated then.)  
Frank Merrill

Man, you gotta wonder what show THIS guy was watching!!!
Check out this review of ELO’s show in Austin, Texas …

Reminder:  
The full-length, hour-long Carpool Karaoke featuring Paul McCartney airs this Monday Night (August 20th) at 8 pm Eastern Time on CBS.  (That’s 7:00 pm here in Chicago … and our DVR is already set!)  kk

More tomorrow ... in Forgotten Hits!

 

CONCERT REVIEW: The Happy Together Show, 2018 (Paramount Theater - Aurora, IL - Friday, August 17th)

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I couldn't help thinking it the whole time I was sitting there ...

How do you review a show that you have essentially seen about a dozen times now?  (Note to Shelley:  I don't know how you see Peter Noone and Herman's Hermits 8-10 times a year ... my "repeat performances" have been spread out over several years!!!  Now granted, he is one of the most accomplished, charismatic performers on the circuit ... and has a way of making every show seem somewhat unique by adapting to the crowd and the city where he's performing ... but essentially ... musically speaking ... it's exactly the same show every single time.  Yes, he mixes up the song line-up every now and then ... perhaps as much to prevent his OWN boredom with these tunes as anything else ... and I have NEVER seen him put on a bad show ... he kills it each and every time ... but again, I found myself thinking about this instead of paying complete attention to the Happy Together Show on stage Friday Night ... and the fact of the matter is that this was MY loss ... because there is absolutely NOTHING that any of the acts on stage did wrong to present anything other than a hit-filled, exciting show.  But I digress.)

Simply put, there are really no unexpected surprises anymore ... and this same cast of participants has been part of (in some form or another) every Happy Together Show I've seen.  (Sure, there have been some different line-ups ... typically either Chuck Negron or Mark Lindsay are the "second in command" show closers ... and this year they're featuring BOTH ... which does make for a stronger line-up overall) ... but the fact remains that you still know exactly what you're going to get before you even take your seats ... and I believe that most of the audience in each and every city are "returnees" who have seen the show perhaps as many times as I have!  lol

Last year they mixed things up a little bit by adding Ron Dante (who sang his Archies and Cuff Links hits) and the recently reformed Box Tops, which offered a nice change of pace ...

But for several years now The Association, Gary Puckett, the aforementioned Lindsay and Negron, The Turtles (of course!) and, for at least the past three or four years, The Cowsills have been who we've come to expect to see.

Don't get me wrong ... this is the most "bang for your buck" show out there ... between this year's line up of The Turtles (who featured Ron Dante filling in for an ailing Howard Kaylan), Chuck Negron / Three Dog Night, Gary Puckett and the Union Gap, The Association, Mark Lindsay / Paul Revere and the Raiders and The Cowsills, these artists have collectively had an INCREDIBLE 83 National Top 40 Hits ... and you know that within the confines of a show like this, each artist is going to come out and sing their five or six biggest hits and be on their way.  It's a show that'll feature jam-packed hits, from start to finish ... all thriller with no filler!

Still, it's hard to muster too much enthusiasm after this many viewings ... but I put that on me, not on anyone associated with the show ... ALL of the artists performed their hearts out Friday Night (August 17th) at The Paramount Theater in Aurora, IL.  (And, in all fairness, after seeing ELO on Wednesday Night, this would haven been a tough act for ANYONE to follow!!!)

That being said, what follows if more of a recap than an analysis ... EVERY artist was great and kept the crowd going all night long.  (Apologies in advance for the quality of these photos ... all are cell phone shots from the 21st row.  We did not go back stage for this one.)


For starters, they did mix up the running order of the line-up this year ... which left it up to The Cowsills to open the show.



As far as I'm concerned, The Cowsills are one of the best acts back out on the road today.  (In fact, they have stolen the show on the Happy Together stage each and every time we've seen them.)

They were equally as good Friday Night (although the vocal mix was a little muddier than usual.)  That's not The Cowsills' fault ... but the soundboard guy (who was positioned literally right behind us) should have been paying closer attention to kind of "brighten things up" a bit.

Still boasting Susan, Bob and Paul Cowsill, they did their usual set of "The Rain, The Park and Other Things,""We Can Fly,""Indian Lake,""The Theme from 'Love ... American Style'," and their biggest hit, "Hair."  (Susan explained how she was a superstar with a #1 Hit at seven and then "washed up" at the age of ten!  lol)

Naturally, they went through the whole Partridge Family story (The Cowsills were the inspiration for TV's "family" rock group, which included Mom and the two youngest children.)  And, if by some chance you haven't seen it yet, you have GOT to check out "Family Band," the documentary released a few years ago that revisits (in great detail) the career of The Cowsills ... it is, without question, one of the best Rock Docs ever made.



Next up was Mark Lindsay, former lead singer of Paul Revere and the Raiders ... who also notched a few solo hits on his belt in the early '70's. 
 




Mark's set seemed to be the longest of the night and included a medley of "Steppin' Out" / "Just Like Me,""Hungry,""Good Thing," his solo hit "Arizona" (one of the best vocals of the night ... and the crowd definitely agreed with me), The Raiders ONLY official #1 Record, "Indian Reservation" and "Kicks," where Lindsay did his famous leg kick up over his head ... nothing short of incredible at the age of 76!!! 



The Association wrapped up the first half of the show with their hits "Windy,""Never My Love,""Cherish" and "Along Comes Mary."

Original members Jim Yester and Jules Alexander and "newbie" Del Ramos (he joined the band in 1972) provided examples of The Association's perfect harmonies (as well as most of the humor) for the night.
 


After a brief intermission, Gary Puckett took the stage.



His voice is still booming after all these years ... and my complaint remains the same as it has for at least the last two decades ... the original melodies to these songs, six of which made The Top 11, including TWO #1's, are nowhere to be found in the way he currently sings them.  

He makes it impossible for the audience to sing along (and then asks them to!)  We LOVE these songs, Gary ... PLEASE go back to doing them the right way!!!  (Of those six Top 11 songs, the only one he didn't perform was "Don't Give In To Him" ... otherwise, "Woman, Woman" (#2, 1967); "Young Girl" (#1, 1968); "Lady Willpower" (#1, 1968); "Over You" (#5 1968) and "This Girl Is A Woman Now" (my personal favorite ... and #3, 1969) made up his set list.

Chuck Negron of Three Dog Night was next.



Due to health issues, Chuck's voice has been hit or miss at these shows for the last few years ... but he nailed it Friday Night. 

He kicked his set off with "Celebrate," their #11 Hit from 1970.  He wisely stayed away from the ballads this time around (which are what did him in on the last Happy Together Tour.)  Instead we got a knock-out version of "Eli's Coming" as well as "Mama Told Me (Not To Come)" [another #1 Hit], their first #1 Record, "One," and their BIGGEST #1 Hit, "Joy To The World," which Chuck belted out with all the vigor of forty years ago.  (A great set)



Wrapping things up, of course, were The Turtles, this year featuring Mark Volman and Ron Dante, who was standing in for a recuperating Howard Kaylan.  (I was a little surprised by the fact that no mention of Howard being out was made until about the fourth or fifth song of their set, when Ron was allowed to sing his own #1 Hit, "Sugar Sugar."  I would have preferred a couple more nods to Ron's "hidden" solo career ... like maybe "Tracy" by The Cuff Links or another Archies song "Jingle Jangle" ... in fact, a reference to "Leader Of The Laundromat" would have been a fun addition, too.)



That being said, the best of The Turtles' hits were represented ... "It Ain't Me, Babe,""You Baby,""She'd Rather Be With Me,""You Showed Me,""Elenore" and (of course ... how could they not ... I mean they named the whole tour after this one!), "Happy Together."  Missing was their #14 Hit "She's My Girl" ... and, I have to admit that I was a bit disappointed that Mark Volman didn't take advantage of the fact that Howard isn't on this tour, and perform "You Know What I Mean," a Forgotten Hits favorite that Mark also likes quite a bit ... but is NOT one of Howard Kaylan's favorites!  (See Mark, you coulda snuck that one in and nobody would have been none the wiser!)



As has been the custom for every Happy Together Tour, they then "start the show over" by bringing out each artist to reprise a short portion of one of their hits, followed by a full ensemble reading of "Happy Together" to close the show before a final bow.



All in all, a fun show of nothing but '60's classics ... as I said earlier, between them, these artists have created some of the best music (and memories) of this era ... and it's a real treat to have them all presented in one place at one time.

Highly recommended (especially if you haven't already seen it!)  lol

Dates Remaining: 
(not many ... the tour wraps up next week!!!)

Tuesday, August 21st - Louisville, KY - Kentucky State Fairgrounds

Thursday, August 23rd - Appleton, WI - Fox Cities Performing Arts Center

Friday, August 24th - Onamia, MN - Grand Casino Hotel

Sunday, August 26th - Deadwood, SD - Deadwood Mountain Grand

And, they came up with an absolutely AWESOME T-Shirt for this year's tour, too!!!



[A personal thank you to Ron Dante, who comp'd us tickets to the show!  Thanks, Ron ... wish we coulda said hello in person!!!]

Tuesday This And That

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More Sick Bay Reports:  
Greetings Kent,
Wanted to fill you in on the status of Domingo Samudio.
(We know him, of course, as Sam The Sham)
He is resting at home, following surgery. He is doing fine and hopes to be recuperating for a at least 2 - 3 more weeks.
His surgery adds to those other 60s Acts that have been well documented on your blog.
I will keep you informed as time goes on.
John Eckert
By all means, please pass along our best wishes for a speedy recovery.  (Sadly, I think we’re getting to that point with some of our ‘60’s favorites that this is becoming the “norm” rather than the exception.  This is why I HATE to see these groups still fighting about crap that happened 25, 30, 40 years ago.  SUCH a waste of time … especially when no one really knows just how much time any of us have left.)
Thanks, John.  (kk)

Clark Besch also sent us a very lengthy piece on the passing of Jeff Travis of The Coachmen ... far more than we can post here (especially for a group who never had a National Top 100 Hit) ... but clearly a sentimental favorite of Mr. Besch and the folks who grew up in the Lincoln, Nebraska area.

As such, we are happy to forward this a FOUR separate emails to anybody who requests it.  (Note:  There will be several attachments so please be sure you can receive a large file when asking.)  As is ALWAYS the case, Clark has compiled some very extensive notes, newspaper clippings and local charts showing the popularity of this local band.  (Their biggest national hit "bubbled under" in Billboard at #114 in 1966.)  Just drop me a note at kk@forgottenhits.comand we'll send it along.

Also on the mend is Marty Balin of Jefferson Airplane / Starship fame. 
He just fileda lawsuit in which he states that he was left “totally disabled” by the care he received at a New York City hospital, following an emergency heart procedure.  
According to Balin, he filed the suit against Mount Sinai Beth Israel Hospital, alleging that the staff there botched his recovery from open-heart surgery in 2016, causing him to lose half his tongue, his vocal cords, left thumb and the mobility in his left hand.
Ultimate Classic Rock reports (by way of The New York Post) that Balin, 76, was in New York for a gig on March 12, 2016, but the day before was rushed to Mount Sinai Beth Israel with a cardiac issue and did not leave the hospital for three months. While there, he wound up having having open-heart, triple-bypass and valve-replacement surgery, and spent time in the hospital’s intensive care unit.  
During Balin’s time in the ICU, he required a tracheotomy, which he claims was performed improperly, resulting in the loss of half of his tongue and use of his vocal chords. He also alleges his IV was incorrectly inserted and improperly monitored, resulting in his left hand being paralyzed and his thumb on that hand requiring amputation. He also got bedsores and now requires dialysis after his kidneys were damaged during his stay. 
Balin’s lawyer, David Jaroslawicz, told the Post the hospital branch was apparently in the middle of closing, and lacked the specialists and resources to care for patients with Balin’s serious needs. “It was a horror show,” Jaroslawicz said. 
Balin’s lawsuit notes he “had become totally disabled and has never recovered properly.” Mount Sinai Beth Israel has not responded to the suit. 
(And you thought YOU were having a bad day!!!)
So sorry to hear this ... another great voice in rock and roll history silenced far too soon.  Best of luck to you, Marty, in getting the best resolution possible in light of all of this.  (kk)

Meanwhile, ANOTHER great voice in rock and roll history is poised and set to make his return ...   

Steve Perry:   
Hi Kent,
Here’s a pretty decent interview that KQRS-FM (Minneapolis - St. Paul) morning man, and National Radio Hall of Fame member, Tom Barnard recently conducted with Steve Perry about his recent recording activities:
Paul Haney  

Happy to see that Steve Perry is back in the game.  He looks good and sounds great.  His voice sounds strong and he is on his way to a comeback. Maybe he can rejoin his band, "Journey." 
I have seen a lot of tribute bands appearing here and there paying homage to Journey.  Arnel Pineada is wonderful, but I personally don't think he will ever top the talent and showmanship of Perry. 
Thanks again for your blog.  I am grateful I got a chance to respond. 
Sandy
I don’t think there are ANY plans for Steve Perry to rejoin Journey … let’s just all be thankful that he’s finally singing again after all these years … and if this new LP can somehow jump start is long-dormant solo career, all the better.  (Let’s face it … he can still always sing any Journey songs he chooses in concert!)
One step at a time … and it’ll be baby steps at first … ‘cause this has been a LONG time comin’.  (My guess is we'll be hearing a WHOLE lot of Steve Perry and Journey in the months to come, helping to build even more anticipation for this hot new release.)  kk  

kk …

Check out Scott Shannon's surprise guest last week.  (I think you had him first.)

FB
I’m telling you, there’s going to be a TON of Steve Perry news between now and when his new album comes out on October 5th.  (And it looks like he’s already deeply involved with the promotion machine!)  kk 

ELO:  
Kent,
Just "WOW!," man!
 
I watched both ELO specials and I don't ever remember a concert feeling this good - and I only watched them on t.v.!
Good for you for going and good for Frannie for getting such great seats (and taking such great photos.)
Hope you're well, my friend.
Best,
Bob Rush

When we first heard the scuttle a couple of years ago that Jeff Lynne was going to tour The States again, we vowed to make this our Must See Concert of All-Time.
Like a lot of people, we have always kept a change jar … throw in any spare change we have at the end of the day and then, if we were lucky, every six months or so we’d cash it in and go out and have a really nice dinner.
Well, this time we upped the ante … and started a Quarters Only jar … meaning that we were not allowed to spend any quarters … if we got one (and no matter how many we got), it went straight into the jar.
When the concert was finally announced and they released the ticket date, we cashed in our quarters … and had over $400 saved (money we likely NEVER would have saved otherwise!)  So we took that $400+ and with it, were able to not only buy our concert tickets (and damn good seats at that) but also pay for our parking, buy three T-Shirts and a Program and grab dinner before the show.  It was awesome … and involved absolutely no dipping into pocket to do so.  (Highly recommended if you’ve got the discipline to do it!)
We’ve already got another Quarter Jar going right now (but probably won’t have enough saved in time to buy Eagles tickets when they return to Chicago in October … I think for The Eagles, we probably need to start a Five Dollar Jar!!!) … but we’re trying! 
I can only assure you that this was one of the best concerts we’ve ever seen in our lives … and WELL worth every penny … er, quarter!  (kk)

Hi Kent,
One more awesome read, my friend. 
ELO … a great band for sure. 
So sad to hear about Aretha … she was awesome.
Try to get some rest if you can ... lol ... I know ... take care!
Barry

Kent,
I regret not being able to catch the E.L.O. show. Your description matches how I would've imagined the show to be.  I fell in love with their music after the first time I heard the 10538 Overture. 
Great review.  
Dube

Just read your review of the Jeff Lynne / ELO concert – sounds amazing.
My brother was there, too – probably seated not far from where you were – main floor, dead center, 17th or 19throw – he said it was the best concert he has ever seen – said that if you closed your eyes, it sounded like a record playing, the band was so good.  Now I’m wishing that I would have gone!
Debbie
 

DIONNE WARWICK:   
We told you about the new PBS Special saluting the career of Dionne Warwick a week or two ago.
Well, it had its first official airing last Saturday night (August 18th) and is a fitting tribute to another ‘60’s Diva … all the more meaningful now with the passing of Aretha Franklin this past week.
Did you get a chance to see it?  Outstanding job ... lots of GREAT clips from throughout her career.
Here is what “The Second Disc”’s Joe Marchese says about it …
From the moment she burst onto the music scene in 1962 exhorting “Don’t Make Me Over,” Dionne Warwick has been a musical force with which to be reckoned.  The legendary singer blended elegant pop and deeply-felt soul in a fashion which remains unrivaled today for its sophistication and polish; her signature songs like “Walk On By,” “I Say a Little Prayer,” “Alfie,” and “I’ll Never Love This Way Again” have all become cornerstones of the new American songbook.   Dionne’s remarkable life and career will be saluted on a new Public Television special which begins airing nationwide in many cities on Saturday, August 18, with additional telecasts the following week and on some stations into September. Check your local listings or go to this PBS station search link: https://www.pbs.org/tv_schedules/

MY MUSIC Presents: Dionne Warwick – Then Came You traces Warwick’s history from her upbringing in East Orange, New Jersey through her breakthrough success in the 1960s as one-third of the “triangle marriage” with Burt Bacharach and Hal David, right up through her successful collaborations with Thom Bell and Barry Manilow and to the present day.  A “Who’s Who” of talent have lined up to pay tribute to Warwick in this fascinating portrait of an artist and her craft, including Bacharach, Manilow, Gladys Knight, Smokey Robinson, Johnny Mathis, Richard Carpenter, Chuck Jackson and Steve Tyrell.  Warwick herself is featured in brand-new interview footage, as well.

At the heart of Then Came Youis a treasure trove of rare, full-length performances by Warwick at all stages in her career, including indelible musical performances of the following classic songs:
  • “Anyone Who Had A Heart”
  • “I Say A Little Prayer”
  • “Do You Know The Way To San Jose?”
  • “I’ll Never Fall In Love Again”
  • “Don’t Make Me Over”
  • “Theme From ‘Valley Of The Dolls'”
  • “Alfie”
  • “The Windows Of The World”
  • “Promises, Promises”
  • “Message To Michael”
  • “Reach Out For Me”
  • “Make It Easy On Yourself” (with Burt Bacharach)
  • “Then Came You” (with The Spinners)
  • “I’ll Never Love This Way Again”
  • “Heartbreaker”
  • “That’s What Friends Are For” (with Elton John, Gladys Knight and Stevie Wonder)

    This one-of-a-kind special is part of the acclaimed MY MUSIC series of fundraising “pledge shows” presented by Series Creator/Executive Producer TJ Lubinsky and producers Jim Pierson and JoAnn Young.  During the PBS airings, viewers will have the opportunity to purchase Then Came You on DVD – which offers an additional, all-new documentary, The Dionne Warwick Story, not seen on TV as well as extended song performances and other extras, along with a pair of exclusive, new PBS-only CD releases offering many rarities, including tracks never-before-on CD and previously unreleased masters.
The deluxe 3-CD The 1960s Singles Plus is the set for which Dionne fans have long been waiting: a complete collection featuring the A- and B-sides of every one of her classic Scepter Records singles, first released between 1962 and 1977.  A total of 74 songsare featured including all of the classic original Bacharach/David productions like “I’ll Never Fall in Love Again,” “Promises, Promises,” and “Anyone Who Had A Heart,” and rare favorites like “Slaves,” “Amanda,” “He’s Moving On,” and many, many more.  All of the remastered tracks are presented in their original mono single mixes, with the exception of a few later titles issued as stereo singles.  Music historian Paul Grein has provided the new liner notes, and rare pictures are sprinkled throughout.

But TJL wouldn’t leave Dionne’s career hanging!  She followed up the Scepter years with further triumphs, and TJL is proud to present them on another collectors’ dream release.  Hits & Rarities 1974 - 1999 is the first comprehensive look at this period in Warwick’s career, featuring such smashes as “Then Came You,” “I’ll Never Love This Way Again,” “Heartbreaker,” “Déjà Vu,” and “That’s What Friends Are For.”  Among the rare tracks here are the duet “In Love Alone” with Richard Carpenter; the lullaby “Sail Away” recorded for a children’s album; the Bacharach / David reunion “On My Way” from the 1999 film Isn’t She Great; and the new-to-domestic CD recording of “You’d Be So Nice to Come Home To” from the Dionne Warwick Sings Cole Portersessions.  And that’s still not all.  Seven previously unreleased tracks premiere on Hits & Rarities, including duets with Barry Manilow (“Never Gonna Let You Get Away”) and Barry Gibb (“Let It Be Me”); Manilow’s production of the Bacharach/David classic “The Last One to Be Loved”; “What Becomes of Love” from the 1981 television miniseries Jacqueline Susann’s Valley of the Dolls; two concert tracks; and the full, extended stereo version of her theme to The Love BoatTSD’s Joe Marchese has penned the liner notes based on new interviews with Warwick and Bacharach, and it’s all been remastered at Sony’s Battery Studios.

Check your local listings for the My Music presentation of Dionne Warwick – Then Came You on Public Television premiering this weekend in most areas. Be sure to call your local PBS station or any PBS outlet of your choice to make a donation and receive the new CDs and/or DVD or go to the link hereand pledge online.

This is NOT a cheap collection ... it requires a one-time donation of $180 in order to get the 3-CD Complete Scepter Singles Collection, the '70's - 90's "Hits And Rarities" collection and the DVD of the PBS Television Special (which also comes with a bonus disk of another Dionne Warwick profile tribute show that PBS did a few years ago) ... but, for right now anyway, it's also the ONLY way to get your hands on ALL of this great stuff ... and the special was done impeccably well.  (I've gone to the site three or four times now to order it but keep freezing when it comes time to click the "order" link!  lol)  I've got a hunch I won't be able to resist for much longer, however ... this stuff is just WAY too cool not to have!  (kk)
 


This And That:

>>>Here is a clip of Aretha Franklin being inducted into The Rock And Roll Hall Of Fame.  I think Keith Richards being stoned ruined the whole moment.  (FB)
NO ... that is just Keith ... maybe stoned always or just rolling.
Shelley


From Chuck Buell ...


With the recent anniversary of Elvis' Death, a friend asked me if he were still alive today, did I think he might still be singing.

Well, first of all, Elvis would be 83.

But his question got me to thinkin' ...
If Elvis were alive today, he might be singing these songs ~~
Love My Slender
(OK, admittedly, I had to manipulate this product box to create this special Elvis Banana and Peanut Butter Flavor!)
Heart Stent Hotel
I Can’t Help Falling ...
Don’t Cry, Fatty
Frailhouse Rock
Won’t You Find My Ring
A Big Hunk O' Flehm
CB (which stands for "Caustic Boy!")
 

Wrecking Crew Member Michel Rubini just sent me this note after he received a totally unexpected royalty check this past week.  (What a nice, unexpected surprise ... especially for a session you don't even remember!!!  lol)

Hi Kent,
Well, life never ceases to surprise me.
If you remember when you read my book, there is a partial list of artists who I have worked with in the past at the back of the book. The reason I called it a partial list was  because I know there were a lot of sessions and artists my memory does not serve up when I am trying to recall my history, and here is another example of exactly what I was talking about.
I just got a new "use check" today from the Musician’s Union for playing on Julie London’s version of “Louie Louie,” which appeared on her “Yummy, Yummy, Yummy” album.
Heres the link on Wiki: https://en.wikipedia.org/wiki/Yummy,_Yummy,_Yummy_(album)
I don’t remember doing this session at all. I wonder how many more I don’t remember!!!
I see that it was recorded at TTG because my good friend Ami Hadani is listed as one of the engineers, and somewhere else it also says it was recorded at TTG. Also, Tommy Oliver was the producer. Somewhere in the book I think I mentioned I was Tommy’s number one call guy for piano.
Anyway, I am attaching a copy of the check and the notice from the Musician’s Union just for fun … maybe you can put it up on your site under a title like “Rubini’s Forgotten Hits!”  That's just a joke and a play on words for you, but as you can see you are not the only person who has forgotten hits!
That's all for today; I wonder what tomorrow holds in store for me.  I guess we will see mañana!
Cheers,
Michel
PS: This is a photo showing the union letter and the check, just in case somebody might need a little more solid proof of what I wrote above.

 

PS:  Also ... just a note to let you know that an excerpt from your review is now up on my website at the “book” page with a hyperlink back to your site to see the complete review. Here is the direct link:
Many thanks again for the wonderful words. FYI, I think something very nice is going to happen within the next two weeks but I’m keeping that close to my chest for the moment. You’ll be the first to know when it actually happens.
Cheers,
Michel
PPS: In case you’re into cars, this Is My Ferrari … (1995 - 348 Spyder)


Thanks so much, Michel – I reallly appreciate the link. 
And yes, this is a TOTALLY awesome car.  Thanks for sharing.
And once you’re ready to let the cat out of the bag, please let me know, as I am ALWAYS happy to help spread the word thru Forgotten Hits!  (kk)

Hi Kent,  
When a musician / FH freak gets to have the summer off, he gets to catch up on his reading of FH and his snooping for music related goodies.
I've become a What's My Line Junkie, too.
Here's a show featuring Leiber and Stoller as guests.
Here's one more from 1964 where Brian Epstein makes a short appearance.
Bill Scherer
Great clip.  Can you believe the host called him "Barry" Epstein rather than Brian?!?!  Unreal!  And, as someone else commented, then barely allows Epstein to speak!!!  (I DID love the line "Did you ever regret it?" however!!!)  kk

Hi Kent,
Thanks for the Brian Epstein clip.
We had to drive back to New York … all of the flights were cancelled … so Roni and my guitar player and I drove back.
Hope you like the new music …
Talk soon.
Billy 
Never in my wildest dreams did I ever think that I would be sharing a Brian Epstein clip with Billy J. Kramer, who actually WORKED for Brian Epstein back at the height of Beatlemania and The British Invasion.  (Seriously ... does it get any cooler than this?!?!?)
Billy made an interesting point during one of our discussions before his show at The Fest For Beatles Fans.
He’s a bit put off by all the copy / cover / tribute bands that are flooding the market these days. 
He said that his manager told him that he just HAD to see 1964 when they performed at Carnegie Hall … “You won’t believe how good they are … it’s like seeing the real thing!”
But how do you tell someone who has SEEN the real thing … and been out on the road with the real thing … and recorded songs written by and given to him by the real thing … that you now want him to compare it to ANY kind of tribute?
Now granted, “the real thing” is gone … but Billy says that even seeing old film clip footage of The Beatles doesn’t do them justice.
“And I don’t just mean The Beatles after they’d made it … and were up on stage wearing the suits that Brian put them into.  I’m talking about the REAL Beatles, playin’ the clubs … The Cavern and out on the road … when they were still wearing their leather jackets on stage and clowning around … and playing REAL rock and roll covers better than everybody else.  Nobody knew they could write their own songs back then … they just did what EVERYBODY else was doing … playing American Rock And Roll and driving the audience crazy by doing it better than anybody else.  That was the REAL Beatles for me … and I was there and often in the van with them on the way to the next gig.  So how is ANY band going to impress me by doing their tribute to The Beatles when I was there to see the real thing?”
(Even more interesting, perhaps, when one considers that every night Billy J. comes out for the grand finale and jams with Liverpool, perhaps one of the best-known Beatles cover bands around the globe!)
It’s all part of the gig, I know … and Billy is more likely to take the stage singing “Be-Bop-A-Lula” than one of his own hits anyway … but it’s interesting to hear all of this from the perspective of somebody who was actually there as it was happening.  Like he told me, “You weren’t even aware that it was happening at the time, because it was all around you … and you were in the middle of the storm … so yes, you saw the crowds get bigger … and I honestly don’t know how we got out of some of those places alive, looking back, ‘cause there was really no security to speak of … it’s a miracle that we made it out alive.”  How can he possibly relate to four guys up on stage wearing wigs pretending to be The Beatles?  (kk)

And, since we're talking about The British Invasion ...  

>>> Peter and Jeremy also did an absolutely beautiful reading of "Distant Shores," a song I was never particularly fond of, but which sounded note-for-note perfect on stage Sunday Night.)  kk

‘Distant Shores’ is actually my favorite. Listen to those lyrics! And the melody flows. But then, we know I am the romantic correspondent.
I agree with you on Billy J. Kramer’s voice. It is deeper, bolder, and richer and I have said that in reviews. As is common, he went through a rough patch but came out flowering.
Thank you for the Peter and Jeremy detailing. I knew you would be at The Chicago Fest and could do it. It was a surprise to me when I saw Peter, Chad and Jeremy a few years ago on just how much Marianne Faithfull influenced (?) the British Invasion scene. So maybe that is why the story continues to lengthen over time. I do love hearing the stories. It was really a village of performers, helping each other out, over in the UK. 
Shelley Sweet-Tufano
I think I would have preferred something like "Willow Weep For Me," one of their hits that got a bit more airplay back in the day ... or even "If I Loved You," also better known.  (Another of my very favorite Chad and Jeremy songs is "I Don't Wanna Lose You Baby," a Forgotten Hit if there ever was one ... but a recording that still holds up exceptionally well today.)
I would have loved to see Peter, Chad and Jeremy … too bad Chad has decided to “quit the road” for the time being.  And I can personally vouch that Gordon Waller’s voice was perfect till the end … the show Peter and Gordon put on at the 2006 Fest For Beatles Fans was nothing short of outstanding … tears in my eyes, it was so good.
I didn’t want to give too much away on the Peter and Jeremy front … so many great, humorous stories to share … but best to see it live for yourself if you can … so please check to see if they happen to be coming anywhere near you … a very worthwhile concert experience.
(Then again, I’m hoping Ron Onesti might take my not so subtle hint and look into booking this duo for The Arcada Theatre!!!  

And it looks like FH Reader Carolyn Mondragon agrees with me!!!)  kk

Hi Kent,
Great Idea to book a "British Invasion" show.
Other than the time of our local Chicago Groups, it was my FAVORITE  era of music and all that went with it!
Carolyn

By the way, here's one more shot of Jeremy Clyde I took while the duo were performing on stage.  I didn't realize I could do some of this cool editing on my cell phone ... but I think this one came out pretty well (if I do say so myself!)

Nice story today on Petula Clark last weekend on CBS Morning.  I have the whole Lloyd Thaxton video shown, but with a running number thru it.  This shows that the video DOES exist somewhere without that nagging number. 
IF you saw the whole video, you'd see that Lloyd just about steps over the line of just flirting.  Pet herself raised her eyes in questioning his words.  Can't blame him, tho, for finding her pretty.  She's my fave 60's female singer.  Touring in a bus at 85!
Clark Besch
OK, so now I've GOTTA see the whole Lloyd Thaxton Clip!!!  (I used to love his show … a VERY entertaining guy … and not much of him to be found on YouTube.)  I remember shortly before he died he and his wife were talking about releasing a series of shows for home video … in fact, I believe he was on Dave The Rave's "Relics and Rarities" show, too, talking about it.

Then when Lloyd died so suddenly, his wife kind of disappeared, too.  At one point she said that she might be interested in pursuing the release of some of these great, vintage clips … and then I never heard from her again.  Too bad, really, as the core audience that would really eat this stuff up is dwindling … in fact, the ideal release time was probably about fifteen years ago!  (Sure would love to see it 'tho!)

I remember talking with Howard Kaylan when Dave was having Lloyd on his program … Howard insisted that he call in to talk to Lloyd and thank him for giving The Turtles such a HUGE break at a time when they needed it most.  He couldn't say enough nice things about him.

It was always an entertaining show … in fact, I think my Mom enjoyed watching it every bit as much as I did!!!  (kk)

BTW:  Petula Clark returns to The Arcada Theatre on November 11th.  Tickets are on sale now: 
Also, this is the same clip CBS Morning ran last year when Petula returned to The States for her last US Tour … but I'm happy to run it again, too.  The fact that Petula is still out their singing her hits at what will be 86years of age is nothing short of amazing.  (She's been doing this since she was nine years old!!!)  kk

ASIDE TO DAVE THE RAVE:  Do you still have contact information for Lloyd Thaxton's widow?  We really should talk to her about getting some of this stuff released ... I, for one, would LOVE to see some of these highlights and rarities again.  Let me know if you think we might be able to team up on this one!  (kk)

And finally ...   

Well, it’s official (and, unfortunately, it’s not good news) …  

It only took me nine months … but I FINALLY took my car back to the dealer to see if they could program it to pick up 87.7, Me-TV-FM with a software upgrade … and they cannot.  (Such an upgrade MAY be coming … because, they tell me, several people have been asking for it … which is the very same thing the guy at Best Buy told me nine months ago ... but at the present time, no such upgrade exists for my car.  

Damn!  (Guess I’ll just keep listening to Rewound Radio on Blue Tooth for the time being!)     

If Me-TV-FM’s signal was just a LITTLE bit stronger (like strong enough to be picked up at 87.9), I could do it … and since 87.9 apparently doesn’t belong to ANYBODY right now, I cannot help but wonder if SOMEHOW this might be an option (?)  Beef up that signal just a LITTLE bit to cross over ... or take 87.9 under your wing (and, hey, why not 87.5, too!) and make Me-TV-FM accessible to ALL avenues out there to gain listeners.  (A pipe dream, I'm sure ... but hey, it's worth the ask!)  kk
 


A Guest Concert Review Double Header!

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We’ve got a Shelley Sweet-Tufano Concert Review Two-fer for you today …
As the Summer Concert Series winds down again (man, where the heck has this year gone?!?!), we’ll feature reviews of a couple of different shows she saw recently as yet another Guest Concert Review.  (If you’d like to submit a review of something you’ve seen recently, drop us a line … we welcome your input!)  kk

First Up … The Oldies Spectacular Show!


Get a cup of coffee, tea or glass of wine and have a read.

I want to take a moment to focus on the support staff that work with our 50s, 60s, 70,s and 80s musicians. I know it is not an easy job working with / serving the public. (that’s us in this case) On its best day you can laugh, smile and say, “Wow! That was a fun time!” At its worst, you STILL must smile, while gritting your teeth or keeping down panic. You need to keep remembering, “I have coffee and a soft bed at home. It’s ok.” For this weekend I want to thank Lou Christie’s Ladies and LAR Enterprises, Inc. for helping me with ticket purchases, concert information, and making me feel welcome. So Kathy, Linda and Laura:  THANK YOU! There are many people making it all happen.

This is an “Oldies Spectacular” sponsored by The Lions Club of Southampton and Radio Station WLNG out of Long Island. We have mentioned this oldies station before in Forgotten Hits. Tonight’s Master of Ceremonies is Cool Bobby B, host of the Doo Wop Shop Oldies Show on Tuesday nights. The following is his intro:

Pennsylvania, 1957, at precisely midnight, and under a full moon, a shadowy figure breaks the flimsy lock on a “day timer” radio station transmitter room, cranks up the power to 100,000 watts and broadcasts Street Corner Harmony records (later to be know as Doo Wop.)  The police responded but before they could apprehend him, the intruder slipped out the back door and into Rock ‘n Roll history, leaving but a single clue … a cowbell. He remains wanted to this very day, but that same voice can now be  heard throughout the country on the nationally syndicated Cool Bobby B’s Doo Wop Stop.

It’s a true story. Bobby B even beats us to the lobby after the show (he had just closed the show from the stage) and says Good-night and Thank You to each patron. That is one slippery disc jockey.

The Quotations open the show. Although they have appeared on the My Music TV shows, this is the first time I have seen them live. It was NOT my ‘Imagination’ - they were very good. Beautiful harmonic renditions despite reported health issues from one of their team. Each act sang full sets (the concert was three and a half hours long) and so even though I wrote down each song all night, typing the set lists would overshadow the space on this review. If anybody wants to know, ask me. I will be glad to send any and all to Kent, but for now let’s talk performances.

The Quotations gave us fast and furious, (Let Me In) humor, (What’s Your Pain?) smooth, (Sha-Boom, Sha-Boom) and romantic (Smoke Gets In Your Eyes.)  Of course, they performed “Gimmee the Mah Mah Mah ... Gimmee the Mah Mah Mah gination” ... and now this song is stuck in my head. 

Imagination is funny ... (Oh stop it! ) 

They were an unexpected treat for me starting the show. The Lions Club has done a great job printing full page info on each act so I will be quoting a few lines about each one.

“The Quotations are a doo-wop band that got its start in 1958 when the boys were students at James Madison High School in East Brooklyn, New York. Like so many rock and roll groups, they would hang out in the neighborhood, harmonizing and dreaming of the day they would get their chance to “make it” into the big time. But in those days, Barney’s Pool Room on King’s Highway was about as far as they got, but it was the center of their universe and a place to meet.”

It took ‘Imagination’ …

Red suit … red shoes … Let’s go to the Peppermint Lounge. Joey Dee runs out, jumps around and dances (girls twist better) through his set. 

"1600 Pennsylvania Avenue, 10 Downing Street, and maybe one or two others ... these were among the few addresses around the world which were instantly recognizable to just about anyone who was alive during the 1960’s. But all they had to do was hear, “There’s a place down on 45th Street …” and anybody who was even barely conscious knew it was the location of the Peppermint Lounge, a rather small nightclub which had become the primary watering hole for the rich and famous of that era. And it was all due to a handsome, talented kid from New Jersey named Joey “Dee” and his super-energetic band called the Starlighters, who rocked the place to the rafters every night to the great delight of the glittering clubbers who flocked to see them.”

Two ‘twist’ songs and, of course, ‘Shout’ are performed by Joey tonight, as well as a Rap parody named ‘Pants On The Ground’. The Quotations become his back-up singers (standing off-stage) for ‘Peppermint Twist.’  He brings them out to give them their credit applause. Nice, right? Speaking of applause, Joey tells us he wants to take a picture for his family in Florida to prove that he received a standing ovation tonight. So what do we do? Stand up! Joey gets his picture and skips (yes, skips) off-stage.

White boots, white pants, and a bright “shocking orange” shirt delight the crowd as Lou Christie emerges to end the first act tonight.

“Throughout the 1960’s Lou recorded hit after hit that would sell millions of copies to his loyal fans around the country and around the world. The list of hits included 'Lightning Strikes,''I’m Gonna Make You Mine' and the controversial 'Rhapsody in the Rain,' which was banned from air play because of lyrics that were deemed 'suggestive' for the time. But as so often is the case, material that’s suppressed becomes even more desirable than it might have been without the censorship and 'Rhapsody' became one of Lou’s major recordings.”

I am picking up a pattern on Lou’s introductions from stage to stage. A common phrase used is: APPEARING ON THIS STAGE IS THE MAN HIMSELF, LOU CHRISTIE. Think about this. I finally had to. To be called “the man himself” time after time requires one to be elevated to a certain position or stature. I have heard from other performers that “Lou is just a nice guy.” Three times from the audience tonight a woman shouts out, clearly audible, “YOU’RE STILL HOT!” He IS still hot. He is still in command of a powerful voice that brings falsetto and romance together in a classic “Moon-Pie” combination (Northerners: “Scooter-Pie.”)  When they sing to us, these performers still make us feel desired and appreciated … and young. He gets all the words right for "The Heart of Saturday Night" and brings down the house with "Lightning Strikes" and the encore of "Never My Love."

Intermission.

“Frank Reina is the original second tenor of The Capris. Tony Sergi joined The Capris in 1985 as their drummer. At 13 years old, John Monforte started singing as a first tenor on the street corners of Queens. Lou Esposito joined The Capris in 1998 after their guitarist Danny Spitalieri became ill. Michael D’Amore is lead singer and the newest member of The Capris.”

Thus begins the second half of the show. 

The Capris verbally pay homage to Eugene Pitt, founding member of The Jive Five, who passed away July 5th. They mention him often and dedicate songs to him. Their initial appearance on stage is to a jumpin’ "Great Balls of Fire."  They are obviously looking out for the men in the audience when they tell them to keep away from "Runaround Sue." Great harmonies and a blistering falsetto from Michael D’Amore mark their set, which gives me another view of "Love Potion #9."  Boy, that was one busy gypsy supplying all that potion to these vocal groups. 

Frank steps up as spokesman and regales the crowd with stories. I almost love these stories from the artists as much as the music. The stories they tell pull the time, the people, and the music together into a cohesive unit. How to end the set? Only one way: "There’s A Moon Out Tonight."  And actually, there was no moon. There was a partial new moon lunar eclipse. Ironic.

And closing the show are The Duprees.

“The Duprees are known the world over for their romantic interpretations of some of the most beautiful love songs ever written. They have made a career out of giving new life to old hits. If you take the Glenn Miller arrangements of the 1940’s along with the tunes of Joni James, Frank Sinatra, Jo Stafford, Nat 'King' Cole and the vocal harmonies of Tom Petillo, Tony Testa, Phil Granito and Jimmy Spinelli and put them together, you have the sound of THE DUPREES.”

It is a puzzlement to me as to why this is the first time I have seen The Duprees in live concert. They sing 15 songs and have a killer stage show, but our paths have not crossed before. “We sing harmonies in love songs. It’s what we do.” Yes, it certainly is! Beautiful, classic songs that even if they are not about romantic love, bespeak of love of some type. My mouth dropping favorite was "Exodus." I loved this song from the moment I first heard it, yet to hear it swell up from the stage with the strength of “THIS LAND IS MINE. GOD GAVE THIS LAND TO ME” not only gives goosebumps, but brings tears. My all-time favorite movie (speaking of tears) is GONE WITH THE WIND. Yes, they performed "Tara’s Theme," which did not have words in the movie and certainly could never have been sung by Scarlett given the drama of the plot, but now helps you to relive the events the movie portrays and hope that Miss Scarlett is wiser and open to a new outlook. At one point, Phil Granito is given the stage and turns into a human Gumby singing a medley that ends with "Say You Will."  This is a sudden, surprising contrast to their coordinated love harmonies movement. The final song, "You Belong To Me," is a culmination of romantic love in its harmonic best.

For those of us who love the 50’s, 60’s, 70’s music, what comes around will just keep going around. There is a flash of new … a dash of classic … and an eternity of delight and memories. New performers join the seasoned and the “Hits just keep on coming” in concerts around the world. I am delighted ... and frustrated ... that currently there are more concerts within a three hour radius than I can get to. This week is my vacation from both jobs and Saturday brings a show in Coney Island, a show on Long Island, a music fest in Milford, CT, AND I am traveling home that day from concerts in Pennsylvania. 

Wait a minute … I am scheduled to work Monday night? During my vacation? I MEAN REALLY??!! 

It’s ok … Deep breath … I have coffee and a soft bed here at home.
-- Shelley J Sweet-Tufano

******

And now, one last blast of Summer!

One more week and then school starts. Although I have concerts scheduled in September, October, and November, this weekend marks the last official reign of my summer concert blitz. I wanted this part of my summer to arrive, but I didn’t want it to end, and that is always the result of it beginning.  

Hot and humid again? Yes, I just stated this was summer. What’s my problem? It isn’t raining! At the Quakertown, PA Univest Outdoor Performance Center, the crowd gathers early with their chairs in tow. I have a ticket for a reserved seat so I don’t need to bring a chair, but I envy the people sitting behind me in their comfortable lounge chairs while I occupy an upright folding chair. I connect with many friends here who also must sit upright in reserved seating. Nothing dims the fun, whether you are sitting or reclining, at a summer outdoor concert.  

Craig Thatcher and Nyk Van Wyk (pronounced Nick Van Wike) are a talented guitar and fiddle duo who play lengthy Irish ditties, jaunty roving tunes and tributes to the past local steel industry, whose vacant buildings have been restructured into an art center. Bethlehem Steel Stacks is not far from Quakertown and I know many of Forgotten Hits' Readers have visited and performed there. Craig is also an old friend of drummer Dave Ferrara, who also hails from this section of the country. Dave draws a lot of the attention whenever he appears close to home. 

Craig and Nyk start with a song written while Craig was returning home from a trip to Ireland, and the Emerald Isle feeling is abundant. Nyk’s fiddle wails quickly and cleanly as he takes the lead in the melodies and the two become the perfect act to open the show. People sitting next to me are locals and tell me stories about Craig and how popular he is in the area. The Irish Festival here, at home, is in a couple weeks and this readies me to look ahead to that weekend. 

An outdoor concert, an indoor concert and the end of my summer. Peter Noone and his Hermits play a major role. I don’t know if this is a new jacket or a jacket that the airlines have finally reconnected to its owner, but the blue on blue print is youthful and dapper. It reflects / absorbs stage lighting very well in natural light or spotlight. Vance Brescia controls the stage when he picks up a role of black tape and deftly bundles up T-Shirts before sending these projectiles flying into the crowd. Peter spends much of his time in the audience. A place that used to emit a fearful situation is now humorous fun because there is no possibility of the audiences being able to rush the stage now. I think some of us could, but “mind your manners” is in the forefront of our experiences now. Again, the couple next to me fills me in on their love of the 60’s performers. They came to Quakertown to see Tommy James a couple weeks ago and now return to see Herman’s Hermits starring Peter Noone. “It has been 20 years since we last saw him.” We talk music, radio and Forgotten Hits. They tell me, “It’s great that you love the music. We are older than you and grew up with it. But you wouldn’t know about that time.” OK, GO WITH THAT THOUGHT, YOU WONDERFUL PEOPLE!! 

While in the audience, a woman yells at Peter, “You’re just adorable!” Lou Christie is hot, Peter Noone is adorable. This concert circuit is fun! The best part of the outdoor venue was an impromptu opportunity when Peter is singing, “Traveling Light” and a train slowly motors by yelling out “HI, HI!” to the stage and its viewers. Instantly Peter reaches down, grabs a harmonica and with the banned quickly catching up, they start “Folsom Prison Blues.”  What an opportunity! That will make this concert stand out from others. Even the train enjoys this. 

The indoor concert is at Mohegan Sun Pocono. This was a venue adventure for me. The original Mohegan Sun, in Connecticut, has brought me years of music enjoyment and I just had to check the new place out. This concert was not booked by Mohegan but by an outside promoter. It was also his first booked in the Mohegan ballroom. The sound system was reminiscent of Tommy James concerts I attended ... Loud. The advantage I had sitting in the middle was that it was equally loud in both ears. Some of my friends had one ear ringing as they were off to one side or the other. Peter again spent much of the concert strolling through the audience and a few times he seemed to experience or feel the uncomfortable volume issues. I know the staff were trying out different features with the lighting (spotlights were not able to follow quickly) and video camera projection. At the end they worked out some beautiful split screen and fade-ins and outs  And they improved at the technical spectrum as the concert evolved. But as my valet the next morning said to me, “They still have a few things to work on.” Beautiful casino and scenery and the Mohegan tribe is diligent in what they do, so the future here looks bright. Truthfully, they selected a great first show. On a rotten night, Herman’s Hermits starring Peter Noone puts on a great show. 

And their special guest openers? 1910 Fruitgum Company! 

A friend pointed out the autograph line for 1910 Fruitgum Co. ... “Look how long it is!” And why not? They put on a fabulous opening act of 60’s hits we love to sing. Last summer, they announced that Bobby Brescia was leaving the group and moving to The Philippines. I announced it here in a review ... BUT there he was on keyboards at Mohegan Sun Pocono! Great! 

Yummy, Yummy, Yummy
Kicks
Green Tambourine
Indian Giver
Surfin’ USA
You’re The One
1,2,3 Red Light
Simon Says

A tribute to Bill Burkette of The Vogues with "You’re The One" and a song Frank Jekyll sang on the bus with The Beach Boys, "Surfin’ USA," gives proof of their musical abilities that goes beyond the bubblegum image. Again, the 60’s were such a diverse selection of choices and we could cross over from one to the other at will. Oh sure, there were musical snobs just like with classical lovers. For some, you could NOT like anything else but R&B if you liked The Stones. If you catered to Motown, then you must turn off the radio for pop and bubblegum (at least if there were others in the room with you.)  And certainly, for some, folk rock and protest meant the only way to change the world. I never had, never will have that issue. I like the song / singers or I don’t. Throw the labels away. Using music to connect autistic and cerebral palsied children to the world reinforces the fact for me, that music is personal. There is no one genre that is “best”. And here is where I will garnish enemies. Uplifting songs with a positive presentation have a longer lasting impact on the success of children. 

Good-bye Summer, and thank you!
-- Shelley J Sweet-Tufano
 

Thursday This And That

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Back in the early “Email Only” days of Forgotten Hits we used to run a supplemental feature called “Leftovers,” which gave us the chance to “Clear The Decks” whenever we would start to fall behind with our regular postings.

It is with those very best of intentions that we present today’s Thursday This And That Page … chock full of goodies, old and new, trying to pave the way for the weekend.

Enjoy! 

kk …
8/21/1947 = Don't forget to wish Carl Giammarese a Happy Birthday.
Frank B



I did!  (His is six days before mine … and I swear we had this exact same situation last year around this time!!!) 
If you check out this video clip (man, I just love The Decades Channel … another brain child of Neal Sabin of Me-TV and Me-TV-FM), you’ll see from the footage that Carl first started playing guitar for The Buckinghams when he was just six months old … and it’s been a long and illustrious career ever since!
Happy Birthday, my friend!  Hope you had a blast!  (kk)

A few words about a couple of our other Local Heroes ...  

Great edition, Kent! 
Thanks so much for running my pieces.

You’re the best! 
Here are a few shots from the Ides show with the great Chris Isaak at the New Lennox Outdoor Amphitheater.  What a great crowd!  
Please credit Kristie Schram for photos.   







Thx man!
Jimbo 
Hey, TOTALLY my pleasure … thanks for sharing them.  (Some great pix here, btw!)
One of the biggest perks of doing Forgotten Hits is being able to show the REAL music fans out there things that they might otherwise never have the chance to see.
Was talking with Billy J. Kramer about this very thing the other day.
Sure, you can do all kinds of shows … and at some point I suppose they all kinda start to run together … but from the FAN’s perspective, seeing these artists is a VERY big deal … having a personal CONNECTION with these artists is something that they will carry and keep with them for the rest of their lives.
I know you, Jim, always make it a point to visit with the fans after the show.  You help to create that special moment and connection … whether they’ve seen you two hundred times or this is their first show.  It doesn’t matter … it still creates a very special event in the hearts of the fans out in the audience that night … a shared memory that they will keep with them forever.
I am SO proud to be part of this.  That’s why we LOVE giving away free tickets to some of these shows … so that others out there can share in the experience of the event … because I know that EVERY single person who reads Forgotten Hits is a real, honest to God music fan … someone who has been touched my this music and inspired by this music for decades now.
So thank YOU for your generosity in allowing us to share.  (kk)
Unique content!  That’s what you’re all about.  
JP 

Hi Kent –
I just received this from Dennis Tufano …

 

More info to follow … I don’t live in California, but this sounds great. 
(OK … I just got more info …) 
***SPECIAL EARLY PURCHASE OFFER!!!*** 
During the ticket purchasing process, the customer will have the option to select a Pre-Show VIP Meet and Greet Upgrade Ticket, limited to the first 100 buyers. This is a one hour private session in our banquet room at the venue with all of the artists from 2:30 PM to 3:30 PM (The show starts at 4:30 PM). We will provide appetizers for the guests at this Meet and Greet!
HURRY! SPECIAL OFFER ENDS SEPT 4!
Well? Pretty exciting, right?
Shelley (maybe I could hitch-hike)
That sounds like a GREAT show ... a double bill of Dennis Tufano and Lou Christie would make for an excellent concert.  (And, based on your recent review, it sounds like The Duprees are pretty impressive on stage, too!)  Dennis is back here in Chicago on September 23rd at The Copernicus Center … more information via the link below …
https://copernicuscenter.org/dennis-tufano/



Here's a link to another GREAT review of the Jeff Lynne / ELO Concert, this one held at Madison Square Garden as the band wraps up the American leg of their tour...    
http://www.themacwire.com/the-glorious-corner-jeff-lynne-and-elo-return-monkees-michael-nesmith-and-micky-dolenz-and-more/   
The article also mentions the resumption of The Micky and Mike Show tour, postponed when Michael Nesmith had to go in for immediate quadruple by-pass heart surgery.  (Prior to reconnecting with Dolenz next year, The Nez is going back out on the road in September with a new version of his First National Band, too ... so I would have to say that the surgery was a MAJOR success!!!)
Make-up dates are scheduled for March 5th in Red Bank, New Jersey at the Count Basie Theatre; March 6th in Glenside, P.A. at the Keswick Theatre; March 8th in Huntington, New York at The Paramount; and March 9th in New York at the Beacon Theatre.
And there's a brand new Michael Nesmith / First National Band live cd available now, too ... "Michael Nesmith and The First National Band Redux: Live at The Troubadour" captures a concert that Nesmith gave last January, the excitement from which apparently whet his appetite for more tour dates and thus, the unusual Monkees Reunion shows he did with Micky. (You can catch OUR review here):  
https://forgottenhits60s.blogspot.com/2018/06/monkees-monday-concert-review-of-mike.html


Here’s a new book all you chart-aholics out there are going to love! 
Written and compiled by Bill Carroll (who has worked on similar projects like “Ranking The ‘60’s” and “Ranking The ‘70’s”), “Ranking The Rock Writers” is a comprehensive and complete catalog of ALL of The Top 100 Singles appearing in the three major trade publications, 1955 – 1991 … and then ranking them by songwriters to determine the most successful songwriters (and songwriting teams) of The Rock Era.
The end result captures the chart history of over 24,000 songs, written by nearly 12,000 different songwriters and 11,000 songwriting teams.  Bill has even taken into account any known aliases that these writers may have written or published under … and the results are simply staggering.  (This is a MASSIVE volume of information … nearly 900 pages listing every charted hit, categorized by both song title AND by songwriter.)
So, for example, a couple of weeks ago when I was writing my review of the Steve Cropper Concert and I wanted to know which songs Steve had a hand in writing back in the day, I could simply flip to the alphabetical Songwriters Index and see that 55 of Steve’s titles have charted in The National Trades between 1955 and 1991.  His all-time biggest hit was “(Sittin’ On The) Dock Of The Bay,” first a hit for Otis Redding in 1968, when it earned 7420 chart points.  (Covers by Michael Bolton, The Dells, The Reddings, Sergio Mendes and Brasil ’66, Sammy Hagar and King Curtis and the Kingpins are also noted.)  Cropper also contributed to “Knock On Wood,” “Green Onions,” “In The Midnight Hour,” “Time Is Tight,” Aretha Franklin’s “See Saw,” “634-5789,” “Soul Limbo” and “Ninety-Nine And A Half (Won’t Do).”
All of the writers are also ranked by number of TOTAL chart hits and point accumulated during this time period. 
It is no surprise to see Paul McCartney listed as the most successful songwriter of The Rock Era … as the author of 192 chart hits, both as a solo artist and in tandem with John Lennon, Macca earned 195,949 total chart points.  (His work with Michael Jackson, Elvis Costello, Denny Laine and others is also accounted for.)
McCartney also tops the Songwriting Teams list (with John Lennon), accounting for 139 chart hits and earning 255,037 total points.  Other songwriting legends and teams teams that ranked at the top of the list include the Motown Super Trio of Holland, Dozier and Holland, Hal David and Burt Bacharach, Mick Jagger and Keith Richards, The Brothers Gibb, Goffin and King, Elton John and Bernie Taupin and long-lasting chart topping mainstays Leiber and Stoller, Paul Simon, Lionel Richie, Stevie Wonder, Neil Diamond, Mann and Weil, Brian Wilson, Bob Crewe and Bob Gaudio, Stevie Wonder, Chuck Berry, Bruce Springsteen and more.
The method of how these statistics were compiled goes on a little too long and is, quite frankly, a bit too scientific for me … but this can be attributed to Carroll’s background (an esteemed Professor of Chemistry) … a simpler explanation with a couple of examples “dumbed down” to layman’s terms would have been sufficient.  Still there is no denying the amount of painstaking research that went into compiling this very impressive volume of work.
I know that I will continue to use this guide as an invaluable source of songwriting information as well as a means of giving credit where credit is due.  (The thing about a book like this is, the facts don’t lie … these statistics were compiled from each record’s actual chart performance AT THE TIME and are not weighted in any fashion by hindsight or long-term popularity.)
A must-have for any collection of serious pop chart history.  (kk)

You can order your copy here ... as well as get all of the pertinent information you could ever need:  http://ranking.rocks/the-writers
(Bill told me that he probably spent over 3000 hours compiling the writers section alone!  Now that's some SERIOUS dedication!)  kk

And, speaking of Paul McCartney, what did you think of the expanded one hour Paul McCartney / James Corden Carpool Karaoke episode?  Makes you wonder how much more there is that they haven’t shown.  (The two spent the whole day together after all!)
I thought it was great … lots of additional live pup footage … and some topics touched on that you really wouldn’t expect … Paul’s Japanese drug bust … the whole “Paul Is Dead” rumor … VERY entertaining stuff and the two seemed to get along quite well.  Definitely a soft spot in McCartney’s heart for his upbringing in Liverpool … and, for lack of a better word, it went a long way in sort of “humanizing” him in a way that Joe Average Public doesn’t typically get to see.
Macca’s new CD is out on September 7th… and with this much buzz already circulating (the original 23 minute version of Corden’s McCartney segment had over 430 million views, thus prompting the more in-depth version … not bad for a 76 year old mega star, eh???),it’s sure to be his biggest chart hit in years.  (kk)  

Tom Cuddy sent us this recent update: 

Michael Jackson’s ‘Thriller’ is no longer the best-selling album of all time in the US
https://www.nme.com/news/music/michael-jackson-thriller-best-selling-album-2368877
These two LPs have teeter-tautered back and forth in and out of the #1 spot for years now … but it looks like The Eagles have taken a pretty commanding lead at this point (kinda surprising in a way because they have released FAR more complete Greatest Hits packages in the years since.  The material on this LP doesn’t even include their landmark “Hotel California” tracks!)
But that’s OK because the “Hotel California” album is now the THIRD biggest selling LP of all time, giving The Eagles TWO of the Top Three Best Selling Albums EVER!!!  (Now you can see why they have to charge such exorbitant prices for their concert tickets!!!  These guys are just barely getting by!)
For the record, Michael Jackson still tops this list with worldwide sales … but here in The States, it seems to be The Eagles’ game all the way.  (kk)

Also from Tom:

'Blues Brothers' Director John Landis Remembers Aretha Franklin: 'She Was a Real Soldier'
https://www.billboard.com/articles/news/8470968/blues-brothers-director-john-landis-remembers-aretha-franklin

In addition, Tom sent us a Goldmine Magazine article about The Cowsills, which says that siblings Susan, Bob and Paul have recently re-recorded a capella versions of some of their biggest hits (including "The Rain, The Park And Other Things,""We Can Fly,""Hair,""Indian Lake" and others.
The new LP will be called "The Dockside Silhouettes," available soon thru their website.
And to make things even MORE exciting, brother John Cowsill (who now drums for The Beach Boys) flew in and added HIS vocals to these tracks, too!
Talk of a follow-up LP, featuring all new material, most of it penned by the band, is also discussed.
The Cowsills put on an amazing, jaw-dropping show ... it's GREAT news that they're recording together again, too!  (kk)


kk:
Your viewers might enjoy knowing about this filmusic event.
Filmmaker Neil Norman, the owner of GNP Crescendo Records, also sent me this WLS survey. Chicago was a big radio market for the Seeds in 1967.  Meanwhile, up in the Gary Pig Gold and Burton Cummings side of the Pine Curtain that week ...  
Best,
Harvey Kubernik



 



Oh yeah, The Seeds went all the way to #1 here in Chicago ... a bit of a surprise at the time, honestly ... but "garage rock" was HUGE here in Chicago in the mid – to – late ‘60’s. 
And look at Chicago’s Buckinghams up at #4 in Canada this week!  “Happy Together” by the Turtles is making a huge leap as well, jumping from #29 to #12.  
Would love to hear from some of our readers if they happen to make it out to this event.   (kk)

kk:    
You sure made a really good point about garage rock and SoCal recordings 1966 - 1969 constantly on the WLS AM radio charts.  
It was so cool to actually see the initial WLS survey Neil had in his archive underscoring the Seeds' # 1 position on the chart and that for a brief period they were popular in the Chicago radio market, decades before album and CD reissues, let alone a music documentary on them. 
People at this influential RKO chain Chicago radio station sure supported the sounds of Los Angeles and Hollywood. Delightful to see this visual evidence.
And The Rolling Stones'"Ruby Tuesday" was produced by Andrew Loog Oldham at RCA Studios on Sunset Blvd.  
I saw and met every one of the above, 1966 - 2000, and interviewed just about all of 'em.  I am blessed.  
I think only  two of the above recording artists are in the Rock and Roll Hall of Fame. Has anyone done the math and also realized how seminal and influential all of these recording artists were and how durable their catalogs are? 
How many kids in the sixties and seventies and into the current century heard these groups and their catalogs  and learned how to sing, play and write songs from them? 
Bones Howe, the engineer / producer of The 5th Dimension, and so many other incredible recordings is the  most overlooked music visionary. Listen to his catalog on headphones. 
I was just researching The 5th Dimension and earlier this century a journalist in "The Los Angeles Times" took a misinformed poke at them. Obviously, he must be yet another transplant who came to L.A. for college or stayed in town to get a job or make it in show or literary business. 
Maybe all these transplants from out of SoCal who now toil in the regional music media who dismiss homegrown and Hollywood-birthed sixties and seventies recordings are a California pop culture documentation problem we should be concerned about. 
In "Uno Mundo," Stephen Stills asked for one world. 
And Johnny Rivers headlines the Saban Theater in September. Somebody needs to listen to his 20 chart records as well as his covers of Oscar Brown Jr. and James Hendricks. He's still got it on stage and is now in the Capitol Records studio working on new recordings. 
Thank you again for acknowledging and touting my Laurel Canyon, Turn Up the Radio! and 1967 coffee table size music book expeditions. 
I know my endeavors inform countless CD and vinyl re-releases and a plethora of music documentaries that will be produced or set for theatrical or DVD release. As discussed previously, I'm very happy being in the library for budding filmmakers and producer / directors. 
Today I am putting the finishing touches on a large book, "The Story of The Band From Big Pink to the Last Waltz," which will be out in November. This venture took 50 years and very proud of the work and detail so many people did with me. 
Do I even have to mention some tracks of "Music From Big Pink" were done in Hollywood at Capitol and Gold Star studios? And basic recording for their second album, "The Band," were also cut in Hollywood? 
The Story of The Band, From Big Pink to The Last Waltz, by Harvey Kubernik (Author), Ken Kubernik (Author).
Price $29.95. Format Hardcover
Keep up the good work in covering the waterfront. 
Harvey Kubernik ... Los Angeles native
You are certainly keeping the spirit of the West Coast Sound alive and well in all your publications … ALWAYS well informed, beautifully illustrated documentation, most of it coming from the actual sources themselves, culled from decades of interviews and just being right there on the scene as it was happening.
It was a magical time indeed. I look forward to your book on The Band (the last one on The Doors was outstanding!) and the wealth of material still to come.  Thanks, Harvey!  (kk)


Seeing KGB’s Chart with Ray Stevens’ "Mr. Businessman" at #8 is such a treat, as it is a GREAT lyric and song.  Ray could do "serious" well and this ad from Billboard July 27, 1968, has a visual to go with the 45!  The ad does not even plug the name outside of the cartoon!
Clark Besch
Kent,
Here's a CHUM chart for later this week from 50 years ago.
Doug Thompson


Thanks, Doug.  (We've actually got a Canadian Chart coming up as part of our weekly Saturday Surveys Feature … so be sure to watch for that, too!)  kk 

>>> Have you ever seen or heard about this Top 100 Chart from WCFL recapping the biggest hits of the rock era?  (kk)
No … I never heard of its existence.  That being said, this is one of the more ridiculous all time lists I've ever seen. The interesting thing is that 50 years later, you would still see Satisfaction in the top three. I wonder what criteria they used?
Jack
I just like it because of its "trustworthy" information.  For example, isn't it nice to know that "officially""Harper Valley PTA" was a bigger hit than Elvis'"Heartbreak Hotel"!!!  (kk)
In reference to a couple of your other recent comments, I would highly recommend Slim Jim's Sunday night Sirius XM show for rockabilly fans. I have also attached a photo from my Go Fund Me page from last May.
Jack Levin


Cool to see some of our local heroes represented on the WCFL All-Time Top 100 Chart!  (kk)
OK, despite the weirdness of this Human Resources guy on America's Got Talent this week, you can't help but be happy that the show used the American Breed's "Bend Me Shape Me" as a backdrop for the act after three minutes of strangeness.
Clark Besch
Yeah, I've got to admit that this is one of the creepier things I've seen!  (lol)  kk


>>>I couldn't help thinking it the whole time I was sitting there ...
How do you review a show that you have essentially seen about a dozen times now?  (Note to Shelley:  I don't know how you see Peter Noone and Herman's Hermits 8-10 times a year ... my "repeat performances" have been spread out over several years!!!  Now granted, he is one of the most accomplished, charismatic performers on the circuit ... and has a way of making every show seem somewhat unique by adapting to the crowd and the city where he's performing ... but essentially ... musically speaking ... it's exactly the same show every single time.  Yes, he mixes up the song line-up every now and then ... perhaps as much to prevent his OWN boredom with these tunes as anything else ... and I have NEVER seen him put on a bad show ... he kills it each and every time ... but again, I found myself thinking about this instead of paying complete attention to the Happy Together Show on stage Friday Night ... and the fact of the matter is that this was MY loss ... because there is absolutely NOTHING that any of the acts on stage did wrong to present anything other than a hit-filled, exciting show.  But I digress.)  kk 
I so totally get this! AND let me add that YOU REALLY GOT IT, TOO!
I don’t go to the shows to do reviews. You and I do not get paid for doing that, so I can go to any show I desire without worrying about my reaction. I go to any concert for me, first; my students and friends second, the venues third. Remember, I also majored in Theatre Arts in school. It runs through my blood. The venues love hearing my thoughts on what they do.
You are so correct on Peter Noone, Happy Together Tour, etc. They are consistently GREAT shows, and the venue waits to hear from me on their success level. Recently, my valet delivering my car to me, asked me how I liked their first production in their ballroom. He said, “We have some work to do there.” Venues want to knock it out of the park as well, each time. What better way than with consistently great performers? Then you can see where you need to improve / enhance your staff training and equipment. Then there is the audience.
HOW IS IT POSSIBLE THAT NEW VIEWERS SHOW UP? Haven’t we run out by now? But they are there, and I speak with them. Not TO them, WITH them. I find out why they came, what they expect, how did it compare … and most profoundly … how do you feel now? The euphoria of the after-concert glow is unanimous. Isn’t that in itself worth attending? If something can make you happy and, if even for one night, improve your life … shouldn’t you grab it?
I have a concert addiction. I also have a musical theatre addiction. I read A LOT. I spend time walking on the beach. It helps me smile when a guest says, “Why don’t you have more of my size, the color I want, the price I want to pay, ship and wrap it?” Or when the school system ties my hands further and says, “We decided all students need to learn THIS way only.” I don’t want to smoke or drink, I want to watch the audience react to wonderful, talented performers. I want to see the younger members joining the “oldies” groups and loving the music. I want to see the children dancing. I want to ask the audience, “How do you feel now?” after a concert and see their faces light up. I want to see the performers wriggle their way out of bad jokes, sticky situations, and terrible technical staff / equipment. It improves my life by improving me. I have an affinity for music and the stage.
A side note:  I did not attend the Happy Together Tour this year as the Music Hall  decided to charge sky-high prices, and the surrounding hotels did the same. THAT I am against. I am everyman.
AND Kent … if you were connecting to me when you were at a concert of known quality performers, then AHAH!! We are a community. (Could not resist)
Shelley … changing the quality of life, note by note.
 

Greetings Kent,
Just wanted to check in with you and let you know about the new release on CD from the 60s Group, The Rose Garden. The release is a totally re-master of their Atco LP. It also includes 16 additional tracks, 13 of which were unreleased, including some live tunes and some material with Gene Clark. The title is called “A Trip Through The Rose Garden: The Rose Garden Collection.”  The CD is offered by Omnivore Recordings. 
Hope things are going well.
Take Care -
John Eckert
Talent Consultants
Authorized Representative
The Rose Garden
Hi John!
I've been hearing some very good things about this CD … seems to be a lot of focus on the fact that Gene Clark of The Byrds was involved in some of these recordings.
(For any of you out there who may not remember, The Rose Garden scored a #15 Hit with their 1967 single "Next Plane To London,"  a song I always enjoyed … and featured in our Salute to 1967 Series last year.)
Many years ago there was a rumor going around that the spoken voice at the beginning of the record (the gate announcer) belonged to comedian Steve Martin - which we later proved as incorrect -  but if you listen to it with that thought in mind it really DOES sound like him!
You can order your own copy thru all of the usual sources.  (kk)
Yes, we heard that rumor, too. It was a guy in local LA Radio.  If I remember correctly, his name was Don Elliot. Might have one of the names wrong … getting too old now.
It’s kinda funny … he recorded the boarding phrase in a restroom at the recording studio to get that neat echo! It does sound a little like Steve Martin  when he sez … Gate Nummmmmber Five.
Just got in another batch of the Rose Garden's CD ... be in the mail tomorrow ... should be "On The Next Plane To Schaumburg"! 
Take Care.
John Eckert
p.s. Your Blog is a Daily Read!  

Kent,
Many of you know that one of my many fave artists is Rick Springfield, dating back to the early 70's.  Jill and I got to go see him last weekend outside here in Lincoln at Pinewood Bowl in Pioneers Park.  Outside of his first two RCA LPs, my faves of his are from the 70's, of which he did none of the from.  BUT he was a great showman and guitarist in good voice and we got an extra free experience when he sang his hit "We All Need THE HUMAN TOUCH."  He came out into the audience and what do ya know?  Jill and I actually DID touch him!  It was a pretty cool thing that he did to that song that I captured on Jill's phone.  The video is sideways because of THAT, but worth seeing.  Big file, so may not load for some of you.  It was fun.  That guy has always been able to rock as powerfully as the 60's DC5!
You can download our video (Jill is happy!) here:
If that doesn't work, try my two faves by him from the 70's. He didn't do either, but he was still great to see live.
And what I consider is HIS equivalent to "Maybe I'm Amazed":
Clark Besch
We saw Rick Springfield by accident the first time.  We had flown out to Las Vegas and bought tickets to see David Cassidy in EFX at the MGM Grand … but David was on holiday for two weeks so his fill-in replacement was none other than Dr. Noah Drake, Rick Springfield himself
It was an entertaining enough show but the absolutely highlight for me was when during what was supposed to be the intermission, Rick completely broke character and became rock star Rick Springfield, playing many of his biggest hits for those of us who stuck around.
It was such a cool, unexpected surprise … and definitely the highlight of the show!
He's come thru town a few times recently, but most often as an all-acoustic show … just him and a guitar … and that's really not the show I want to see him do.  (Richard Marx recently did a similar gig at The Genesee Theatre and while it was a very good show featuring some VERY good music … Richard, too, was in great voice and fine spirit … the novelty wore off quickly and I wanted to hear him rock out on some of his great up-tempo tunes.)
Still, there's no doubt that Rick Springfield has maintained his following.  Glad to hear you guys had a great time.  (kk)
I sent this email out to a bunch of friends, even tho the video is a very big file and got several comments from people who are 60's fanatics and yet LOVE Rick as well from the 70's and 80's.  I had no idea in some cases. 
I'm sure some people think he is just some "glamour boy" (to quote Burton Cummings) because of his acting, but before that and after, he has always had great songs and a TON of power behind his songs.
Clark


>>>Actually both Edison Lighthouse and The Brotherhood of Man had follow-up singles to their signature songs ... Edison Lighthouse with IT'S UP TO YOU PETULA and Brotherhood of Man with WHERE ARE YOU GOING TO MY LOVE? … thus making Tony Burrows' record that of "being a 'one-hit-wonder' four times" instead of six.  (Tal Hartsfeld )
>>>Neither of those songs made The National Top 40 and, while "It's Up To You Petula" did chart here in Chicago, I wonder how many people could hum a line from "Where Are You Going To My Love?"… I'm guessing not a single one.  (A better Brotherhood Of Man example would have been "Save Your Kisses For Me" which did reach #27 in Billboard in 1976 but fell short of The Top 40 in the other national trades … but perhaps Tony Burrows was no longer the lead singer at this point so maybe that's not a valid entry either.)  I'm content to give him the distinction of six One Hit Wonders.  (kk)
You're right about Burrows not being part of the group by the time of
"Save Your Kisses For Me." Producer Tony Hiller had recruited a whole new group after the original lineup split up in 1972. (Sure, this is from Wikipedia, but it appears nicely sourced)
Bob Frable
Would LOVE to see Ron Onesti book Tony Burrows into The Arcada as part of a "package show"… we should look into that!!!  (kk)
 

Hey Kent,
Just a short note …
Check out the movie trailer for the new black real estate comedy Arizona. At the 1:15 mark our old friend Mark makes a visit.
Really enjoyed your ELO review backed up with the Happy Together Tour show … we don't get these shows to visit our area in Oregon. The Happy Together tour made a two day stop at a local Indian casino but I would rather not visit these establishments, because of the smoking policies.  We did manage to take in Paul Revere's Raiders last month and the musicianship by these guys was stunning.  And not just the Raiders hits but also the other singers they back-up on the cruises.
Enjoy your free time for the rest of the summer and keep us informed and educated.
Thanks!
Keith
Actually this looks like it might be a pretty funny movie (in a sick kind of way!  Lol)  Mrs. K really enjoyed Danny McBride in “Vice Principals” so she may even want to go!  (lol) 
Paul Revere’s Raiders are coming back to The Arcada Theatre in November (with Mitch Ryder and Peter Rivera, former lead singer of Rare Earth.)  We saw this show last year and it was excellent.  (kk)



Hi Kent,  
I saw both groups Chicago and REO Speedwagon back to back in Irvine, California in June ... outdoor venue.  It was chilly but being a die hard Chicago fan, I am happy I weathered the cold, chilly night.
What an amazing concert … both groups are still sounding AWESOME after all these years.  Saturday in the Park indeed!
Janny G.

re:  BLACK SHEEP  
Kent --
I can confirm 100% that Lou Gramm's Black Sheep is not the same group that Larry inquired about. That group was from La Canada, CA (per Mike Markesich's Teenbeat Mayhem) and released three singles: I Told You / Baa Baa (Bellcor 102, as the Blacksheep), It's My Mind / Arthur (Columbia 43666) and Feeling Down / Suzanne (Columbia 43974). The singles are all excellent "garage" recordings.
Mike Dugo

The group that released "It's My Mind," first issued on the Vision label, then picked up by Columbia for national release one month later, were a group of five teens, most of them lived at that time in La Canada, a suburb of Los Angeles. They had a local release out prior to "It's My Mind," a fantastic garage-rocker titled "I Told You" on the Bellcor label one year earlier (1965). They also had a second single on Columbia in December, 1966,  "Feeling Down."  Lou Grammatico was not a member of this group. 
Mike Markesich

Hey Kent,
This is the same guy that sent you the email about Wilmer Alexander and The Dukes and mentioned Lou Gramm's Black Sheep. You mentioned that you'd like to hear the Black Sheep albums. I can send you cd-rs of the two Black Sheep albums as well as the entire Wilmer and the Dukes album if you like. Just send me an address to mail them to. 
Just an FYI … there is a cd-record shop in Rochester called The Bop Shop on Goodman Street in Rochester, NY (the phone number can be Googled) whose owner is somewhat of a historian on Western NY State music, which includes both bands plus several more. He is a wealth of knowledge and will sell you cd-rs of several Rochester bands' out-of-print cds. I have purchased most of them from him, including the Rustix (on Rare Earth Records), whose guitarist wrote you about the Dukes vs. the Rustix "battles".
Anyway, thanks for printing my letter - that wasn't my intent, but it was fine. My intent was just to thank you for keeping the 60s-70s relevant and available. Let me know about the cd-rs. 
Jim Hill

And now I've gone and printed another one!  (lol)
Sure, I would LOVE to hear the two Lou Gramm / Black Sheep albums … and go ahead and send Wilmer and the Dukes along, too, since you offered.  (I really like their single)  Maybe we can feature a track or two of Lou pre-Foreigner somewhere down the road.  (I always loved Foreigner's music … and am hoping that they will continue to enjoy this brief reunion enough to continue to add shows to the itinerary!  Would LOVE to see them here in Chicago!  Thanks, Jim!  (kk)

UPDATE:As anxious as I was to hear Lou Gramm’s pre-Foreigner work, when the CD’s arrived I opted to listen to the Wilmer and the Dukes disc first … and I am REALLY enjoying it!
Eventually, I’ll get thru it all … but this one has captured my ear for a few play-thrus already!  I’ll keep you posted!  (kk)

ZZ Top Front Man Billy Gibbons is heading out on the road again as a solo act in support of his second solo album, "The Big Bad Blues" due out September 21st. 

Billy F Gibbons Heads Out On The Big Bad Blues Tour This Fall

Photo credit: Blain Clausen
Second Solo Album By ZZ Top Frontman
Available From Concord September 21
Rock and Roll Hall of Fame inductee Billy F Gibbons, guitarist / vocalist for Texas trio ZZ Top, has just announced an October / November North American tour in support of his sophomore solo album effort The Big Bad Blues. Billy and his band, consisting of drummer Matt Sorum (Guns ‘N’ Roses, Velvet Revolver), left handed guitarist Austin Hanks, and Elwood Francis, DJ and harmonica player, will be hitting the road from NYC to California on the two dozen date tour that includes a multi-night stand at New York’s Iridium and culminates at the fabled Troubadour in West Hollywood.  Ticket sales begin this Tuesday, August 14. 
Gibbons commented on the new album’s blues focus, “There’s something very primordial within the art form, nobody gets away from the infectious allure of those straight-ahead licks! I suspect Jimmy Reed did me in early on. The inventiveness of that high and lonesome sound remains solid and stridently strong to this day. We could go on to mention the lineup of usual suspects, Howlin’ Wolf, Muddy, all three Kings [B.B., Albert and Freddie]. The lengthy list of champions is forever carved in stone.”
A lyric video for “Missin’ Yo’ Kissin’,” the very first track of The Big Bad Blues, has just been released. Its hot rod theme is a reflection of one of BFG’s burning passions and includes his fenderless ’34 Ford “Whiskey Runner” built by rodding legend Jimmy Shine. Click to viewhttps://www.youtube.com/watch?v=D2KXQ9jOgZo
The follow-up to the Afro-Cuban-flavored PerfectamundoThe Big Bad Blues is a more straight-forward blues-rock affair, and will hit the streets on September 21 from Concord Records. In addition to the songs penned by Billy, four others were written by blues giants Muddy Waters, Bo Diddley and Jerome Green, Bo’s legendary “Maraca Man”.  The song list also has the girls touch as Gilly Stillwater composed Missin’ Yo’ Kissin’ … Billy remarked “She was writing that about me, wasn’t she?!?
Billy F Gibbons – The Big Bad Blues Tour 2018
Oct-13  Riverside, IA  Riverside Casino and Golf Resort
Oct-14  Prior Lake, MN  Mystic Lake Casino – Showroom
Oct-16  Chicago, IL  House of Blues
Oct-17  Columbus, OH The Bluestone
Oct-18  St. Louis, MO The Pageant
Oct-20  Wabash, IN  Honeywell Center
Oct-21  Cleveland, OH  Agora Ballroom
Oct-23  Kitchener, ON  Centre in the Square
Oct-25  Derry, NH  Tupelo Music Hall
Oct-26  Beverly, MA  The Cabot Theater
Oct-28  Huntington, NY  The Paramount
Oct-30  New York, NY  Iridium Jazz Club
Oct-31  New York, NY  Iridium Jazz Club
Nov-01  Washington, DC  Pearl Street Warehouse
Nov-03  Pompano Beach, FL  Pompano Beach Amphitheatre
Nov-05  Clearwater, FL  Ruth Eckerd Hall
Nov-06  Lake Buena Vista, FL  House of Blues – Orlando
Nov-07  Atlanta, GA  Variety Playhouse
Nov-09  Houston, TX   Revention Music Center
Nov-10  Fort Worth, TX   Billy Bob’s Texas
Nov-11  San Antonio, TX  Aztec Theater
Nov-15  Solana Beach, CA  Belly Up Tavern
Nov-16  Las Vegas, NV  Brooklyn Bowl
Nov-18  West Hollywood, CA  Troubadour
Billy F Gibbons on the web: 

TO MY SOUTH FLORIDA FRIENDS & FANS:
(And those who may be passing through South Florida next week) …
I am writing one last time to remind you that The Stonzek Theatre will be presenting a reading of PEDESTALS, my favorite play, on Monday, August 27th and Tuesday, Aug. 28th.
I know some of you have already reserved (Great!) ... but for the rest of you who might be interested in attending, let me urge you to reserve soon. It's a small space and I don't want to see anyone who wants to see it get turned away.
Here's all the info -- when, where, and how to reserve.
As I'm telling everyone who asks -- and many who DON'T -- if my music moves you, don't miss this play. It's not a musical, but it encompasses all the heart and passion of my songs and does it with the help of some powerful actors who "get" what I've written and infuse it with life.
It's being directed by the amazing Saxz Stevens, whose experience and creativity give it exactly what it needs.
I hope to see you there.
Yers,
Bob Lind
Wish we could see it … sooner or later we WILL hook up.  Meanwhile, congrats on yet another round of soon-to-be accolades, I’m sure.  Thanks, Bob!  (kk)
Helping Out Our Readers:   
Hi, Kent -
This plea for help might sound a little strange, but you're my only hope.
That Peter Knight LP I showed you, the one with the pictures of disk jockeys (among other people), also shows a girl who appears to
be (at that time) an 18-year old Vicki Lawrence.  (Lower right hand corner, second from the right)  I've tried sending messages to her on her Facebook page, but she doesn't respond.
Since you have lots of connections with entertainment folks, do you think you might know someone who knows a way I can contact
her personally to ask if that's really her on that LP cover?   An e-mail address for her would work great, but I can't find one.   Maybe
her management company or whatever?
Vicki is scheduled to do a live appearance in Warsaw, IN, in early September, but it's a 370-mile round trip and I don't have the time or
energy to go down there.
Anything you can suggest would be greatly appreciated.
Thanks a bunch!
Mike Wolstein
I asked Gary Theroux for an update on the PBS Television Special he was working on that would feature home movies of pop stars of the ‘50’s and ‘60’s, relaxing at home or on vacation, while some of their biggest hits played in the background.
We sent out an appeal to some of the artists on our list to contact Gary with information regarding what they might have to share.  (My guess is that if this thing takes off, future episodes will also be put together … but we’re trying to get this first one off the ground with the draw of some big name entertainment!)
Here’s the latest … and if you think that you may have something of interest to share, PLEASE contact Gary immediately … tell him that you got the information from Forgotten Hits and would like to be considered for this project!  Thanks, all!  (kk)

The rough cut of the TV special with the working title of "Inside The History of Rock 'n' Roll" is about 75% complete.   As you know, it is comprised of segments spotlighting key figures in rock, pop and soul between 1955 and 1969.   Nearly every segment is a mix of TV or film performance footage of the artist's best-loved hits, non-performance home movie footage and insightful audio interviews with the spotlit stars.   The toughest part has been finding home movie or home movie-like footage of these hitmakers offstage and out of the spotlight -- just interacting with family, friends and fans in much the same way as us non-celebrities did during that era.  The whole idea of including such footage is to show the side of these stars' lives not on display when they're on TV or in concert. 
Not every artist on this tentative list will make the final cut and there may be some additions, buy here is a short list of artists we’re working with right now:
THE BEACH BOYS, THE BEATLES, CHUCK BERRY, FREDDY CANNON, RAY CHARLES, PET CLARK, DION, FATS DOMINO, THE DOORS, THE EVERLY BROTHERS, THE FOUR SEASONS, ARETHA FRANKLIN, BILL HALEY, BUDDY HOLLY, JEFFERSON AIRPLANE, TOM JONES, JERRY LEE LEWIS, THE MONKEES, RICK NELSON, ELVIS PRESLEY, THE RIGHTEOUS BROTHERS, JOHNNY RIVERS, THE ROLLING STONES, THE RONETTES, DIANA ROSS & THE SUPREMES, NEIL SEDAKA
And while we already have audio interviews with all these stars, if anyone has audio interviews with either Johnny Rivers or Aretha Franklin which are better than what we already have, we're open to licensing those as well.  
What we are primarily looking for right now is 1955-69 home movie (or home movie-like) footage owned by fans, fan clubs, film archives or artist management to whom we will pay a licensing fee.   
To my surprise, these artists' fan clubs and Forgoten Hits Readers have not been particularly helpful in locating such footage -- although we have found some amazing clips from a myriad of sources.   We're still open to review any home movie or home movie-like footage from any source.   If it proves better than what we have now, we'll gladly license that footage and pay the rights holder for any of his or her material which winds up in the final edit.   
I can be reached at garytheroux@earthlink.net.
Gary Theroux
"The History of Rock 'n' Roll"     
Damn … in the past week alone I’ve been surrounded by ‘60’s Mega Stars like Billy J. Kramer, Peter Asher, Jeremy Clyde, Ron Dante, Mark Volman, Chuck Negron, Mark Lindsay, members of The Association, Gary Puckett (who I believe DID respond to our first announcement), and The Cowsills (who you KNOW have a TON of home movie footage because a lot of it was used in their own documentary, “Family Band.”)
Plus we are always in contact with artists like Carl Giammarese and Dennis Tufano of The Buckinghams, America’s #1 Band in 1967 … Freddy “Boom Boom” Cannon … Lou Christie, Burton Cummings, Bobby Rydell, Chubby Checker, Jim Peterik, Gary Lewis and SO many others who would make PERFECT guests on a program like this (and pave the way for future installments to be commissioned!)
Still, that’s quite a list you’ve assembled … by spreading out some of the big names, I can see this turning into a semi-regular series with multiple sequels.  (Now I can’t wait to see it!!!)
Please get in touch with either me or Gary on this as soon as possible … meanwhile, I will run another appeal here today to see if I can snag anything for you.  I think this sounds like a REAL entertaining special, showing a side of these artists that the public NEVER got a chance to see.  (kk)  

And mind you, this is no easy task putting something like this together … 

There are several acts on the list I sent you which may not make the final cut.  I need film or video versions of two 1955 - 1969 hits by each artist to assemble each profile -- but only have cleared one each by Jefferson Airplane, Johnny Rivers and Neil Sedaka.  Jefferson Airplane, for example, only had two hits (!) -- and the only TV version of "White Rabbit" I might be able to clear is the one from "The Smothers Brothers Comedy Hour."  However, the brothers have retired and shut down their operations -- especially after the fire which destroyed their winery.  After many attempts, I've been unable to contact either Dick or Tom -- and therefore I have no idea who to go to in order to clear the version of "White Rabbit" which they control.  (You can see it on You Tube.)  If I can't clear a version, Jefferson Airplane will have to be dumped from this edition.   That's not a huge problem, as I have so many other artists which can and will take their place.  This first volume is not supposed to be comprehensive.  Instead it is a Whitman's Sampler of 1955 - 69 era musical icons.
There are lots of key 1955 - 69 artists not on the list.  Note that Aretha Franklin is missing -- largely because I only have one very brief audio interview clip of her.  The only Motown act listed above is The Supremes -- leaving room for Marvin Gaye, The Temptations, The Four Tops, The Miracles, etc. in future volumes.  Little Richard is missing, along with The Platters, The Diamonds, The Coasters, James Brown, Chubby Checker, Roy Orbison, Jackie Wilson, Bobby Vee, Bobby Darin, Sam Cooke, Brenda Lee, Lesley Gore, Nancy Sinatra, Dusty Springfield, The DC5, Herman's Hermits, The Shirelles, CCR, Paul Revere & the Raiders and many, many more.  There are LOADS of other hitmakers I'd like to profile in future volumes if this first one is a hit -- and the above list doesn't even include the wealth of artists post 1969!
Gary
We'll try to help you in any way we can (even if it means securing footage for future episodes.)  
One more mass appeal to all the artists on the list ... we would LOVE to have you included in this ... but need to hear from you in order to do so!!!
Please drop me an email at kk@forgottenhits.com if you are interested in participating ... and Gary will take it from there.  Thanks, All!   (kk) 
 

 
 



The Friday Flash

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re:  SUPERJOCK:
Rewound Radio will be saluting “Superjock” Larry Lujack this Saturday Afternoon as part of their regular weekly Dee Jay Hall Of Fame Series.
The program kicks off at Noon Eastern and will include Larry’s farewell broadcast on WLS.
Here’s a Listen Live link:  https://rewoundradio.com/

re:  ED KING:
Sad news about the passing of Guitarist Ed King.
King first reached fame in 1967 with the chart-topping hit “Incense and Peppermints” by The Strawberry Alarm Clock.  (This song was voted as The #1 Psychedelic Hit of All-Time” by Forgotten Hits Readers back in 2005.)
In the early ‘70’s, he joined Lynyrd Skynyrd, where he co-wrote their biggest hit “Sweet Home Alabama.”

Ed King 1949 - 2018
Former Lynyrd Skynyrd guitarist dies
By Kristin Hall
Associated Press
NASHVILLE, Tenn. (AP) — Ed King, a former guitarist for Lynyrd Skynyrd who helped write several of the group’s hits including “Sweet Home Alabama,” has died in Nashville, Tennessee, according to a family friend. He was 68.
Scott Coopwood said King died Wednesday due to cancer. Funeral arrangements had not yet been announced Thursday.
King joined the band in 1972 and was part of its first three albums with its distinct three-guitar sound.
He is credited on several of Lynyrd Skynyrd’s songs, including “Saturday Night Special” and “Workin’ for MCA,” and his voice can be heard providing the opening count on “Sweet Home Alabama.”
“Ed was our brother, and a great songwriter and guitar player,” said Gary Rossington, a founding member of the band. “I know he will be reunited with the rest of the boys in Rock and Roll Heaven.”
King left the band two years before a plane crash killed singer Ronnie Van Zant and guitarist Steve Gaines in 1977. He rejoined the group 10 years later when it reunited with Johnny Van Zant taking his brother’s place and played with the band until he retired in 1996 due to heart problems. He had a heart transplant in 2011.
King was also an original member of the California psychedelic group Strawberry Alarm Clock, which had a hit that King co-wrote called “Incense and Peppermints” in 1967.

I was so sorry to hear today of the death of Ed King as we have lost another of Rock's legendary guitar players. He first came to fame as lead guitarist of The Strawberry Alarm Clock ( I know everyone can hum the melody of his famous guitar break in their #1 hit "Incense and Peppermints"). He later became part of the three guitar front line of Lynyrd Skynyrd where he wrote the iconic intro to "Sweet Home Alabama."   
Ken Voss

re:  ARETHA FRANKLIN:
The other day we told you that Mark Bego’s Aretha Franklin biography was being quickly updated and rush-released in light of her recent passing.  (I’ve been listening to the special Sirius-XM Aretha / Queen Of Soul Tribute Channel this week.)
Well, here’s the official release … and the good news that Mark has yet another Best Seller under his belt with this one … before it even hits the streets!!!  (Stay tuned, Aretha fans … this is a GREAT book … and we may have a couple of copies to give away to our readers.)

Anyway, here’s the latest scoop … 

MARK BEGO’S NEW “ARETHA FRANKLIN: THE QUEEN OF SOUL""TRIBUTE EDITION" ALREADY HITS NUMBER ONE IN AMAZON

Celebrity author Mark Bego had only days to update his in-depth biography, “Aretha Franklin:  The Queen of Soul” / “Tribute Edition,” and it has already hit Number One on one of Amazon.com’s Best Seller lists!  The moment Bego heard that Aretha was “gravely ill” last week, he started work on a new beginning and a new ending to this engrossing biography.  This is the fourth incarnation of Mark’s popular book which was originally published in 1989. 
The book “Aretha Franklin:  The Queen of Soul” / “Tribute Edition” is being rushed to bookstores by Skyhorse Publishing in New York. It has updated photos, an updated discography, and several new elements. 
Although the book won’t be officially released until September 18th, pre-sales put Bego’s new edition of his Aretha biography at the top of the charts on Amazon’s “New Release” best-seller list in pre-sales for the Kindle version. 
This gives Mark Bego three best-sellers in a row:  following “Life With My Father:  Glen Campbell,” written with Debby Campbell (Top Ten “The Tennessean”) in 2014, and his 2017 Skyhorse Publishing celebrity cookbook “Eat Like a Rock Star” (Top Ten Amazon New Cookbooks List).  The cookbook features Bego’s recipes along with the recipes of 46 rock & roll stars. 
According to Bego, “I’ve been a fan of Aretha’s music since I first wrote about her ‘Young, Gifted and Black’ album in my record review column in the campus newspaper while in college.  I can legitimately say, I have been writing Aretha’s story since 1972.” 
What sets this book apart is that Mark was able to interview Franklin at her Bloomfield Hills, Michigan home at the height of her “Freeway of Love” recording resurgence.  “It wasn’t just an interview,” recalls Bego, “it felt like an official visitation with the Queen of Soul.  She even gave me a tour of her garden.” 
Then Mark was able to personally interview dozens of Franklin’s co-workers, producers, and friends. In addition, he spoke to Aretha’s record producers from each area of her recording eras.  From the Columbia Records days in the ’60s is Clyde Otis, from her Atlantic Records years, it is Jerry Wexler, and from the Arista era he interviewed Clive Davis.  Bego also spoke to longtime friends of Aretha’s including Mary Wilson, Martha Reeves, Freda Payne, and Sarah Dash. Adds Bego, “This book has been a true labor of love for me.”
This is a GREAT book … you can preorder your copy thru Amazon right now … and stay tuned for your chance to win a copy thru Forgotten Hits!  (kk)



And if you don’t already have a copy of Mark’s best selling “Eat Like A Rock Star,” be sure to pick up a copy of this one, too!  (And don’t be surprised if Mark has a “Second Course” book up his very creative sleeve, too!!!)  kk

From Frank Merrill …

This belongs as a post for sure!!!
"R – O – Y – G – B – I - V, Find out what it means to me..."
This is friggin' amazing!
Whatever one believes, God ... or, to some, whatever's out there ... gave a collective reassuring hug to a lot of Detroiters.


Aretha Franklin: A Celebration Of Life will be held next Friday (August 31st) in Detroit.  Stevie Wonder, Jennifer Hudson, Faith Hill, Ron Isley, Chaka Khan, Fantasia, Jennifer Holliday and others and others are slated to perform and speak about the ways that Aretha touched their lives.  (Hudson was hand-picked by Franklin to portray her in a planned biopic that's been in the works for a while now.)  Clive Davis is also putting together a tribute concert, scheduled to take place on November 14th in New York City.  (The performing line-up has yet to be announced.)  

re:  DEFINING THE ROCK ERA:
Hi Kent, 
With all the talk about Billboard lately I was wondering when the first year of Rock and Roll really was?
Growing up, I thought it was 1954 -- in fact, I thought the first History of Rock and Roll documentary that was hosted by Humble Harv said 1954.
I also thought Dick Clark did a 20 year anniversary special in 1974 that had among others, Cheech and Chong.
I know Rock Around the Clock didn't get huge until 1955, but the original release was 1954, plus Elvis' That's Alright Mama was in 1954, or am I dreaming that?
Thanks for any help you or the readers can give me on this. I always figured the reason it changed must have had something to do with Billboard's charts somehow.
Bill
No less an authority than Joel Whitburn told us that he dedicated the distinction of the start of The Rock And Roll Era with "Rock Around The Clock" hitting #1 on the Billboard Chart.  (This, of course, predates their Hot 100 Chart that has been the focus of so much discussion of late.)
Of course there is no absolute defined “start date” of rock and roll … it evolved over time, the hybrid of all that came before it in the way of pop, rhythm and blues and country.  (If you’re going to pick a date, then “Rock Around The Clock” hitting #1 is as good as any … things certainly changed worldwide after that.)
But we all know that tracks like “Shake, Rattle And Roll” and “Good Rockin’ Tonight” and “Rocket 88” and others like “That’s All-Right, Mama” by Elvis (which was never really what one would consider a chart success but absolutely launched his career and put him on the map, at least in terms of the country charts) were among the earliest examples.  (Other R&B hits from ’54 and ’55 of note include “Gee” by The Crows, “Goodnight, Sweetheart, Goodnight” by The Spaniels, “Sh-Boom” by The Chords, “Hearts Of Stone” by The Charms, “Work With Me Annie” by The Midnighters, “Sincerely” by The Moonglows, “Earth Angel” by The Penguins, “I Got A Woman” by Ray Charles, “At My Front Door” by The El Dorados, “Smokey Joe’s Café” by The Robins, “Only You” by The Platters, “Bo Diddley” by Bo Diddley, “Ain’t It A Shame” by Fats Domino, “I Hear You Knockin’” by Smiley Lewis, “Maybelline” by Chuck Berry (whose original lyric to “Johnny B. Goode” said “My, but that little COLORED boy could play”) and “Tutti Frutti” by Little Richard, many of which were covered by white artists, which allowed them to gain airplay and be welcomed into people’s hearts and homes at a time when many still called music produced by black artists as “Race Music.”  (If I’m not mistaken, at some point in time before Billboard launched their R&B [Rhythm and Blues] Chart, a phrase coined by Jerry Wexler of Atlantic Records, they actually had a chart CALLED the Race Music Chart!)
We give things a little leeway here in Forgotten Hits.  If the Rock Era began in 1955 with the success of “Rock Around The Clock,” we also acknowledge some of the other R&B track that helped rock and roll music develop and grow that came prior to that date. 
Remember … everything influenced everybody … where would Elvis had gotten “Hound Dog” (a #1 Hit for eleven weeks) were it not for Big Mama Thornton???  Elvis begat The Beatles … The Beatles launched Garage Rock (and four piece combos) from coast to coast.  James Brown and Jackie Wilson inspired Michael Jackson … it’s all relative … but without one, you wouldn’t get the other.  (kk)

The Saturday Survey - August 25th

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8-23-68 - WAVZ - New Haven, Connecticut 

New Haven was the first "planned" city in America, founded a mere 380 YEARS AGO in 1638!  It's actually just across the Long Island Sound from New York City.  

WAVZ was always a very cool station and played a big playlist for many years, in the 60's.  Detroit's Fantastic Four bring the highest oddity this week at #4 with "I've Got to Have You,"a very cool mix of Temps / 4 Tops  / Marvin Gaye all in one great tune! 


The famous Brothers Gibb gave the Marbles their #37 hit, "Only One Woman," which is very soulfully sung by future Rainbow member Graham Bonnet. 


Sitting at #49 is the incredible Laura Nyro with her great anthem, "Save the Country,"which was recorded by several artists in the 60's and 70's.  Despite a terrific voice, she never really made it with her own recordings, but managed to write a few we love from then, including this one, "And When I Die," Stoney End,""Wedding Bell Blues,""Stoned Soul Picnic,""Eli's Comin',""Sweet Blindness."  If you like her version of THIS song, you'll like the others as sung originally too!



-- Clark Besch 

I've always loved the song "Only One Woman," written by (but apparently never recorded by) The Bee Gees.

I'd not heard this version before, but I like it.  (I became familiar with the tune when Nigel Olsson, Elton John's drummer, cut a version in 1975.  Man, what a vocal!!)  But I've got to give props to The Marbels, too, as this is NOT an easy song to sing.  (Olsson finally scored his own Top 20 Hit in 1978 with "Dancin' Shoes," another great track.)

I love "The Snake" by Al Wilson, which premiers this week at #40, a former "Pick Hit" ... speaking of which ... 

A VERY impressive list of "Sure Shots" this week ... "Hey Jude" by The Beatles, "My Special Angel" by The Vogues and "Street Fighting Man" by The Rolling Stones ... so how the heck do The Barry Goldwater Reunion make this list?!?!?  And what the heck IS this song??? 


THIS WEEK IN '68:  

8/20/68 - The Jeff Beck Group album “Truth” is released


8/22/68 – Cynthia Lennon files for divorce from John Lennon … one day before their sixth wedding anniversary.

8/24/68 – Keith Moon of The Who drives his Lincoln Continental into the swimming pool at The Holiday Inn in Flint, Michigan.  (I believe The Who were banned from The Holiday Inn Hotel Chain for life after this incident.)


The Sunday Comments ( 08 - 26 - 18 )

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Jeez … does it get any better than this?  (Talk about your “Deluxe Treatment”!!!)

Check out this ultra deluxe John Lennon "Imagine" box set coming out the first week of October!  (And with two more Paul McCartney Collections scheduled for this year and the 50th Anniversary Box Set of The White Album, suffice to say that I’ll be broke till WAY after Christmas!!!)

Take a look at all the goodies that are included in this sucka!!!



JOHN LENNON’S IMAGINE – THE ULTIMATE COLLECTION

The Legendary Singer / Songwriter’s Most Celebrated Solo Album Honoured With A Number Of Special Audio Releases On October 5 Via Universal Music

Six-Disc Imagine – The Ultimate Collection Includes Brand New Remastered Stereo Mix, Raw Studio Recordings, Outtakes, Extras and Audio Documentary That Explores Evolution Of Each Song Plus New Surround Mixes On Blu-ray And Updated Quadrasonic Mix For The Ultimate Deep Listening Experience

Imagine and Gimme Some Truth Films Restored and Remastered With Exclusive, Never-Before-Seen Extras For Home Entertainment Release On October 5 Via Eagle Vision


On October 5, Universal Music celebrates the apex of John Lennon’s solo career with a six-disc box set, Imagine – The Ultimate Collection. This historical, remixed and remastered 140-track collection is fully authorised by Yoko Ono Lennon who oversaw the production and creative direction. Spread across four CDs and two Blu-ray discs, this truly unique expanded edition offers a variety of listening experiences that are at once immersive and intimate, ranging from the brand new Ultimate Mixes of the iconic album, which reveal whole new levels of sonic depth, definition and clarity to these timeless songs, to the Raw Studio Mixes that allow listeners to hear Lennon and the Plastic Ono Band’s original, unadorned performances, to enveloping 5.1 surround sound mixes, and a Quadrasonic Album Mix, presenting the original four speaker mix remastered in Quadrasonic sound for the first time in nearly fifty years. This ultimate deep listening experience, which features scores of previously unheard demos, rare outtakes and isolated track elements, also includes The Evolution Documentary, a unique track-by-track audio montage that details the journey of each song from demo to master recording via instructions, rehearsals, recordings, multitrack exploration and studio chatter. The comprehensive nature of the full Imagine – The Ultimate Collection is the absolute best representation of a career artist working at the top of his creative game. imagine - the ultimate deep listening experience

Imagine will also be released in concurrent multiple physical and digital configurations including as a 2CD Deluxe Edition, 1CD remaster, and 2LP 180 gram heavyweight black vinyl edition as well as 2LP limited edition 180 gram clear vinyl. The digital Ultimate Collection will include all audio from the four CDs, and the Deluxe and Standard will also have digital equivalents.                   

Imagine was created with immense love and concern for the children of the world. I hope you enjoy it”, says Yoko Ono Lennon in the preface of the 120-page book that accompanies the box set.

While sifting through boxes upon boxes of the original tapes, engineer Rob Stevens discovered something truly remarkable that had gone unnoticed all these years. “Early 2016, during the gestation period of this project, I'm in the Lenono archives with my people going through tape boxes that have labeling that's unclear, misleading, or missing entirely”, says Stevens. “There's a 1" 8-track that says nothing more on the Ascot Sound label than John Lennon, the date, and the engineer (Phil McDonald), with DEMO on the spine.  No indication of what material was on the tape. One delicate transfer to digital later, the “Imagine” demo, subsequently enhanced superbly by Paul Hicks, appears within this comprehensive set. It was true serendipity.”

This completely never-before heard original demo, a sparse home recording of Lennon on piano and vocal playing one of his most famous songs, globally launches Imagine – The Ultimate Collection today and is available for streaming and for immediate download with all digital album pre-orders.

Also on October 5, Eagle Vision will release two films by John & Yoko, Imagine and Gimme Some Truth, on DVD, Blu-ray, and digital platforms. Both films have been hand-restored from the original film reels and remastered in HD, and their soundtracks have been remixed in surround sound by triple GRAMMY® Award-winning engineer Paul Hicks. Both physical releases feature exclusive, never-before-seen extras including previously unheard “raw” studio mixes, and a fascinating insight into a photo shoot with David Bailey. All are also available for pre-order.magine will also have a limited theatrical run highlighted by an exclusive, immersive Dolby Atmos mix of the music in selected theaters, with further exclusive extra material.

In 1971, John Lennon and Yoko Ono conceived and recorded the critically acclaimed Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, and in the state-of-the-art studio they built in the grounds, as well as at the Record Plant in New York. The title track’s universally appealing lyrics were inspired by Ono Lennon’s “event scores” in her 1964 book Grapefruit, and she was officially co-credited as a writer on the track in June 2017. Upon release, the album went to #1 in six countries –  Australia, Japan, Netherlands, Norway, U.K. and U.S.

The best-selling single of Lennon’s solo career, the titular song was famously written as a plea for world peace. It remains one of the most legendary songs of all time and has earned numerous accolades. BMI designated it one of the top 100 most-performed songs of the 20th century, the Recording Academy Inducted into the GRAMMY® Hall of Fame and the Rock & Roll Hall of Fame inducted it into their 500 Songs that Shaped Rock and Roll. Additionally, the Guinness World Records British Hit Singles book named it the second best single of all time and Rolling Stone ranked it number three in their list of "The 500 Greatest Songs of All Time.” The song has been covered by everyone from Stevie Wonder, Elton John, Ray Charles, Madonna, Willie Nelson, Neil Young, Diana Ross, Herbie Hancock and Joan Baez.

This new edition takes listeners on incredibly personal journey through the entire songwriting and recording process – from the very first writing and demo sessions at Lennon’s home studio at Tittenhurst Park through to the final co-production with Phil Spector – providing a remarkable testament of the lives of John Lennon and Yoko Ono in their own words.

The original Imagine album has been faithfully remixed from the ground up by the aforementioned Paul Hicks at Abbey Road Studios under the supervision of Yoko Ono Lennon. Hicks utilized high-definition 24-bit/96kHz audio transfers of the album’s original first-generation multitrack recordings for the task and the result is that the instruments and vocal now have a completely new level of clarity, especially when it comes to the surround-sound mixes on Blu-ray Disc 1. As Hicks reveals in the book included in the Super Deluxe, “Yoko was very keen that these Ultimate Mixes should achieve three things – to be totally faithful and respectful to the originals, be generally sonically clearer overall and should increase the clarity of John’s vocals. ‘It’s about John’ she said. And she was right. His voice brings the biggest emotional impact to the album.”

Additionally, Hicks remastered the original four-speaker Spector / Lennon / Ono mix of Imagine in Quadrasonic sound, the first time that particular quad mix has been touched since the original release.

The stereo version of the Imagine album proper and its related remixed singles and extras, such as the politically charged “Power To The People”, “God Save Us”, “Do The Oz” and the holiday classic “Happy Xmas (War Is Over)”, comprise Disc 1. Both album and singles outtakes encompass Disc 2 alongside a quartet of what have been dubbed Elements Mixes, including strings-only versions of “Imagine” and “How?” as well as the vocals-only version of “Oh My Love” and the piano, bass, and drums instrumentation for “Jealous Guy.” The Elements Mixes have been created from a few basic elements from the original multitrack recordings to reveal deeper levels of detail and clarity in the sources used for the master mixes that were either buried or summed to mono in order to open them up and present them on a wider, clearer, and brighter soundstage.

Engineer Rob Stevens helmed what are known as the Raw Studio Mixes on Disc 3. These mixes capture the exact moment John and The Plastic Ono Band recorded each song raw and live on the soundstage located at the center of Ascot Sound Studios at John & Yoko’s home in Tittenhurst. The tracks are devoid of effects (reverb, tape delays, etc.) and a far cry from the finished product. Highlights include the extended renditions of iconic Imagine tracks like “I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die,” “How Do You Sleep?” and “Oh Yoko!” On Blu Ray Disc 2, the Raw Studio mixes are presented in 5.1 surround sound for a unique enveloping listening experience that puts the listener in the centre of Ascot Sound Studios with Lennon in front and the band playing all around and behind.

Meanwhile, Disc 4 presents the audio version of TheEvolution Documentary, as engineered by Sam Gannon in mono. This documentary tells the full story of each Imagine song as it goes on its own specific, individual journey from demo to master take via instructions, rehearsals, recordings, multitrack exploration, and studio chatter.

On the first Blu-ray disc, Hicks’ masterful high-resolution surround-sound mix of both the Imagine album proper and its related singles takes centerstage alongside the updated Quadrasonic mix, in addition to hi-res stereo mixes of the singles and outtakes.

The second Blu-ray disc is subtitled “In The Studio and Deeper Listening”, and it features both surround-sound and stereo mixes of the extended album versions, outtakes, and Elements Mixes found on the CDs. It also plays home to DJ and longtime family friend Elliot Mintz’s loving 29-minute tribute to the artists, consisting of his revealing, philosophical, honest and humorous interviews with John & Yoko.

Meanwhile, both the Imagine and Gimme Some Truth video releases coming from Eagle Vision have been frame-matched to the original negatives, with every frame hand-cleaned and restored, and the respective soundtracks remixed and remastered in 5.1 surround sound.

The Imagine film is a cinematic collage of colour, sound, dream, and reality. Produced and directed in 1971 by John & Yoko, who — along with numerous guest stars including George Harrison, Fred Astaire, Andy Warhol, Dick Cavett, Jack Palance, and Jonas Mekas — all create a world of imagination as rich and moving as the music that accompanies it.

Shooting began during the summer of 1971 at John & Yoko’s Tittenhurst home in Ascot, England, as they began recording sessions for the Imagine album. Shooting continued across the pond in New York where the album was completed at the Record Plant, with Phil Spector co-producing.

The Imagine film is widely regarded as one of the first “video albums”, since it features a different visual treatment for every song on the record. The limited theatrical release of Imagine benefits from a spectacular new and wholly immersive Dolby Atmos mix, along with cinema-exclusive, never-before-seen extras from the recording of the album.

Gimme Some Truth is the groundbreaking, GRAMMY® Award-winning film that chronicles the creative process of how the Imagine album came into being, in turn providing a glimpse into Lennon’s creative genius and including many striking, special moments between John & Yoko. The progress of the making of the songs featured on the album is followed through from their inception to the final recording process in Gimme Some Truth, with the film serving as a stunning, fly-on-the-wall document of how one of the most iconic and important albums of the rock era came into being.

Finally, Thames & Hudson (UK) and Grand Central Publishing (US) are set to publish Imagine John Yoko by John Lennon & Yoko Ono on what would have been Lennon’s 78th birthday, on October 9. Personally compiled and curated by Yoko Ono Lennon and packed with exclusive, previously unpublished material, Imagine John Yoko is the definitive inside story-told in revelatory detail-of the making of the legendary album and all that surrounded it: the locations, the creative team, the artworks, and the films, in the words of John & Yoko and the people who were there.

John Lennon is one of the world’s most celebrated songwriters and performers of all time. Lennon has been posthumously honored with a Lifetime Achievement GRAMMY® Award and two special BRIT Awards for Outstanding Contribution to Music, and he has been inducted into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In 2008, Rolling Stone ranked Lennon in the Top 5 of the magazine’s “100 Greatest Singers Of All Time” list. With a message as universal and pertinent today as it was when the album was created, Imagine secures John & Yoko’s collective place in cultural history.

John Lennon: Imagine – The Ultimate Collection [6-disc box set – 4CD+2BD]

CD1 – Imagine
The Album - The Ultimate Mixes Disc 1
Remix in Stereo 16-44.1
Remixed Stereo Album, Singles & Extras
1. Imagine                                                                                                      
2. Crippled Inside                                                                       
3. Jealous Guy                                                                                               
4. It’s So Hard                                                                                               
5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die             
6. Gimme Some Truth                                                                                  
7. Oh My Love                                                                                              
8. How Do You Sleep?                                                                                  
9.How?                                                                                                                            
10. Oh Yoko!                                                                                                 
The Singles & Extras
11. Power To The People                                                                            
12. Well… (Baby Please Don’t Go)                                                         
13. God Save Us                                                                                             
14. Do The Oz                                                                                               
15. God Save Oz                                                                                            
16. Happy Xmas (War Is Over)                                                               

CD2 - The Ultimate Mixes Disc 2
New Mix in Stereo 16-44.1
Elements Mixes and Album & Single Outtakes
Elements Mixes
1. Imagine (strings only)                                                                             
2. Jealous Guy (piano, bass & drums)                                                    
3. Oh My Love (vocals only)                                                                      
4. How? (strings only)                                                                                
Album out-takes
5. Imagine (demo)                                                                                       
6. Imagine (take 1)                                                 
7. Crippled Inside (take 3)                                                                         
8. Crippled Inside (take 6 – alt guitar solo)                                          
9. Jealous Guy (take 9)                                                                              
10. It’s So Hard (take 6)                                                          
11. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die (take 11)
12. Gimme Some Truth (take 4)                                                             
13. Oh My Love (take 6)                                                                           
14. How Do You Sleep? (takes 1 & 2)                                                   
15. How? (take 31)                                                                                     
16. Oh Yoko! (Bahamas 1969)                                                                  
Singles out-takes
17. Power To The People (take 7)                                                          
18. God Save Us (demo)                                                                           
19. Do The Oz (take 3)                         
20. Happy Xmas (War Is Over) (alt mix)                                              

CD3 - Raw Studio Mixes
New Mix in Stereo 16-44.1
Extended Album Tracks & Outtakes – Live At Ascot Sound Studios
Extended Album Versions - Live
1. Imagine (take 10)                                                                                     
2. Crippled Inside (take 6)                                                                           
3. Jealous Guy (take 29)                                                                            
4. It’s So Hard (take 11)                                                                            
5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die
(take 4 – extended)                                                                                     
6. Gimme Some Truth (take 4 – extended)                                        
7. Oh My Love (take 20)                                                                           
8. How Do You Sleep? (take 11 – extended)                                      
9. How? (take 40)                                                                                          
10. Oh Yoko! (take 1 extended)                                                               
Out-takes - Live
11. Imagine (take 1)                                                                                     
12. Jealous Guy (take 11)                                                                           
13. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die (take 21)        
14. How Do You Sleep? (take 1)                                                             
15. How Do You Sleep? (takes 5 & 6)                                                   

CD 4 - The Evolution Documentary
New Mix in Mono 16-44.1
The story of each song on a journey from demo to master via instructions, rehearsals, recordings, multitrack exploration and studio chat
Album tracks only
1. Imagine                                                                                                      
2. Crippled Inside                                                                       
3. Jealous Guy                                                                                               
4. It’s So Hard                                                                             
5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die             
6. Gimme Some Truth                                                                                
7. Oh My Love                                                                            
8. How Do You Sleep?                                                                                
9. How?
10. Oh Yoko!                                                                               

Blu-ray Disc 1 – Imagine - The Ultimate Mixes
Remixed Stereo Album, Singles, Extras & Outtakes
Imagine - The Album
Remix in 5.1 & Stereo 24-96
1. Imagine                                                                                                      
2. Crippled Inside                                                                       
3. Jealous Guy                                                                                               
4. It’s So Hard                                                                                               
5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die             
6. Gimme Some Truth                                                                                
7. Oh My Love                                                                                              
8. How Do You Sleep?                                                                                
9. How?                                               
10. Oh Yoko!           
                                                                                      
Singles & Extras
Remix in 5.1 & Stereo 24-96
1. Power To The People                                                           
2. Well… (Baby Please Don’t Go)                                                             
3. God Save Us (Bill Elliot vocal)                                            
4. Do The Oz                                                                                  
5. God Save Oz (John Lennon vocal)                                                       
6. Happy Xmas (War Is Over)

The Out-takes
New Mix in 5.1 & Stereo 24-96
1. Imagine (demo)                                                                     
2. Imagine (take 1)                                                                                     
3. Crippled Inside (take 3)                                                                         
4. Crippled Inside (take 6 alt guitar solo)                                            
5. Jealous Guy (take 9)                                                                              
6. It’s So Hard (take 6)                                                                                 
7. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die (take 11)          
8. Gimme Some Truth (take 4)                                                               
9. Oh My Love (take 6)                                                                             
10. How Do You Sleep? (takes 1 & 2)                                                   
11. How? (take 31)                                                                                       
12. Oh Yoko! (Bahamas 1969)                                                                  
13. Power To The People (take 7)                                                           
14. God Save Us (demo)                                                                             
15. Do The Oz (take 3)                           
16. Happy Xmas (War Is Over) (alt mix)                                                                

The Quadrasonic Mixes
Remastered in Quad 4.0 24-96
Original 1971 Quadsonic Album Remastered
1. Imagine                                                                                                      
2. Crippled Inside                                                                         
3. Jealous Guy                                                                                                 
4. It’s So Hard                                                                                               
5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die               
6. Gimme Some Truth                                                                                
7. Oh My Love                                                          
8. How Do You Sleep?                                                                                
9. How?                                                                                                                   

10. Oh Yoko!                                                                                                 

Blu-ray Disc 2 – In The Studio and Deeper Listening
The Raw Studio Mixes - Extended Album Versions - Live
New Mix in 5.1 & Stereo 24-96
Experience, in immersive Surround Sound, the moment John and The Plastic Ono Band record each song live, from a sonic soundstage at the center of Ascot Sound Studios at John & Yoko’s home in Tittenhurst
1. Imagine (take 10)                                                                 
2. Crippled Inside (take 6)                                                                         
3. Jealous Guy (take 29)                                                                              
4. It’s So Hard (take 11)                                                          
5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die (take 4 – extended)    
6. Gimme Some Truth (take 4 – extended)                                        
7. Oh My Love (take 20)                                                                           
8. How Do You Sleep? (take 11 – extended)                                      
9. How? (take 40)                                                                                        
10. Oh Yoko! (take 1 – extended)                                                          

The Raw Studio Mixes - Out-takes - Live
New Mix in 5.1 & Stereo 24-96
1. Imagine (take 1)                                                                                       
2. Crippled Inside (take 2)                                                                         
3. Crippled Inside (take 6 alt guitar solo)                           
4. Jealous Guy (take 11)                                                                            
5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die (take 21)                

6. How Do You Sleep? (take 1)                                               
7. How Do You Sleep? (takes 5 & 6)                                   
8. How? (takes 7-10)                                                                                    
9. How? (take 40 alt vocal)                                                                      
10. Oh Yoko! (take 1 tracking vocal)                                                    

The Elements Mixes
From the Master Multitracks
New Mix in 5.1 & Stereo 24-96
Mixes from elements of the original multitracks that demonstrate some of the instrumentations from ‘behind the scenes’
1. Imagine (strings)                                                                                     
2. Crippled Inside (upright bass & drums)                                             
3. Jealous Guy (piano, bass & drums)                                                  
4. It’s So Hard (strings)                                                                              
5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die (guitar, bass & drums)                                                                            
6. Gimme Some Truth (electric piano & guitar)                                 
7. Oh My Love (vocals)                                                                             
8. How Do You Sleep? (strings)                                                               
9. How? (strings)                                                                                          
10. Oh Yoko! (acoustic)                                                                             

The Evolution Documentary
New Mix in Mono 24-96
The story of the songs from demo to master in rehearsals, studio chat and mixed multitrack elements
1. Imagine                                                                                                      
2. Crippled Inside                                                                         
3. Jealous Guy                                                                                                 
4. It’s So Hard                                                                                                 
5. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die               
6. Gimme Some Truth                                                                                  
7. Oh My Love                                                                                                
8. How Do You Sleep?                                                                                  
9. How?                                                                                                                   

10. Oh Yoko!                                                                                                   
11. Power To The People                                                                            
12. Well… (Baby Please Don’t Go)                                                         
13. God Save Us/God Save Oz                                                                 
14. Do The Oz                                                                                                 
15. Happy Xmas (War Is Over)                                                                 
16. Tittenhurst Park                                                                                      

Imagine John & Yoko – The Elliot Mintz Interviews
New Mix in Mono 24-96
Tribute by DJ and family friend Elliot Mintz featuring revealing, philosophical, honest and humorous interviews with John & Yoko.                  

IMAGINE / GIMME SOME TRUTH – DVD, BLU-RAY AND DIGITAL RELEASE

Imagine (Film)
1. Imagine
2. Crippled Inside
3. Good Morning
4. Jealous Guy
5. Don’t Count The Waves
6. It’s So Hard
7. Mrs. Lennon
8. In Bag
9. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die
10. Mind Train
11. Whisper Piece
12. What’s That In The Sky?
13. Power To The People
14. Gimme Some Truth
15. Midsummer New York
16. Oh My Love
17. How Do You Sleep?
18. How?
19. Oh Yoko!
20. Beach / End Credits      

Gimme Some Truth (Film)
1. Imagine
2. Crippled Inside
3. Oh Yoko!
4. Jealous Guy
5. It’s So Hard
6. I Don’t Wanna Be A Soldier Mama I Don’t Wanna Die
7. Gimme Some Truth
8. Oh My Love
9. How Do You Sleep?
10. How?
11. Imagine

DVD / Blu-Ray Extras
1. Jealous Guy (raw studio out-take)
2. How? (raw studio out-take)
3. Gimme Some Truth (raw studio out-take)
4. David Bailey photoshoot

In other John Lennon news, his assassin Mark David Chapman, was denied parole again last week for the tenth time.
As reported by The New York Times, the parole board wrote in their decision that his release "would be incompatible with the welfare and safety of society and would so deprecate the serious nature of the crime as to undermine respect for the law."
"You admittedly carefully planned and executed the murder of a world-famous person for no reason other than to gain notoriety," they continued. "While no one person's life is any more valuable than another's life, the fact that you chose someone who was not only a world renown person and beloved by millions, regardless of the pain and suffering you would cause to his family, friends and so many others, you demonstrated a callous disregard for the sanctity of human life and the pain and suffering of others."
In addition, they stated that releasing Chapman would not only suggest that his crime was less serious than it was, but also acknowledged that his own safety was at risk, because someone could potentially seek to harm him.
He can appeal again in two years … but I don’t think Mark David Chapman will ever see the outside of a prison cell again.  (kk)

This And That: 
I will be re broadcasting a 2003 interview I did with Ed King on my show Saturday Night.  Here are three segments from that day.



Phil - WRCO

Hi Kent:
Regarding your question about MeTVFM edging up a couple tenths of a MHz, we’d move if we could.  That would solve everything, wouldn’t it?!  Unfortunately, as is the case with every FM station, we’re locked into a precise spot on the FM band by our license.  Any station that even accidentally shifts up or down from their precise licensed frequency risks being fined.  So, we’re locked into 87.7 (87.75, to be precise).   We’re exploring all — legal — options, as always, however.
Heading up to Ravinia in a few hours for the Beach Boys / Righteous Brothers show.  Have a good weekend!
Rick O’Dell
Program Director
Me-TV-FM
I was back at the dealer on another matter this morning and talked to a different service technician as well as the parts department – neither is aware of any software upgrade that can be done to my vehicle or there being any type of “kit” that can be installed that will allow me to pick up 87.7 … we even talked about an antenna booster that might allow it to come in, even if the dial can’t be set that low … the parts guy even googled it, trying to help me out … so it’s definitely not for lack of trying.
The real shame and most frustrating part is this … although the Me-TV-FM ratings keep improving, I cannot help but wonder how much higher they COULD be if the station was more accessible, allowing frustrated listeners who would LOVE tune in the opportunity to do so … but can’t right now because of this unfortunate situation.  (kk)

Check out Billy J. Kramer’s 75th Birthday Party surprise!  
Billy J. Kramer’s 75th Birthday Party at the Famous “My Father’s Place” on Vimeo: https://vimeo.com/285828369

I'm almost famous now. I appeared in FH along with Jim Peterik and Billy Gibbons.
Jack
Stay tuned ... I’ll let you know when you officially get there!  (In the meantime, don't quit your day job!)  kk

Hi Kent –
I have seen this show and it's great ... a suburb mixture of early Rock and Roll and Doo Wop (hello, Frannie!)  Maybe something to post on your Local List?
Clive Topol

Heck, let’s just share it with EVERYBODY!!!  (kk)

Kent:
I read the full review of my new “Ranking The Songwriters” book and I couldn't be more pleased.  Thanks very much for taking the time to go into such depth.
As to the methodology, I take your point.  I realize the complexity; I just wanted to make sure that I laid it all out for people to see so I could say "Nothing Up My Sleeve".  I can tell you that figuring how to score the tagalongs -- multiple song versions charting in the same slot in one week -- and doing it for the 2000 or so of them was kind of a hair shirt.
Your simplified version -- or about as simple as it gets – is, in fact, at
ranking.rocks/methodology.
Thanks again, man.  Have a great weekend.
Bill

It is a very impressive and comprehensive piece of work that I know I’ll refer to often.  Pulling all of this together had to be so much more complicated in that a lot of this information wasn’t readily available at the time … and, even when it was, was often conflicting information at that! Plus all the aliases!
People ask me where I find the time to do FH - I can’t even imagine taking on a project like this (and maintaining the discipline to see it thru!)
I’m constantly working on side projects (but rarely finishing them) because the day to day task of putting Forgotten Hits together takes so long as it is … so you have my utmost respect for what you’ve done.
Simply put … Good job Bill!
kk

Kent:
At the risk of sounding like a fanboy, FH is what amazes me.  The breadth and depth of content and your own knowledge of the inside stories is pretty fantastic.  And to do this while holding down a day job is a real achievement.  Although I worked on RT70s while I was still working, RTRW started when I "retired" (although I still maintain a pretty good portfolio of chemistry related work).
Anyway, kudos to you and all your devotees for creating this locus of backstories for the rest of the world.
Bill  

From the CHUM Eyes Right Chart:


Davy Jones
Paul McCartney
Peter Noone
Wonder what “top selling album” I could have won?
Shelley J Sweet-Tufano
I thought the second one was Mike Smith of The Dave Clark Five … but I suppose you could be right now that I look a little closer!  (I was kinda iffy on Davy Jones, too … but then again I never stared into their eyes the same way all of you girls did!!!)  Any other guesses?  (We've missed the postmark deadline, however, so nobody's winning any free LPs today!)  kk

Sirius XM is extending their Aretha Franklin Channel thru August 31st… and on August 29th will be celebrating the birthday of Michael Jackson on several different channels across the dial.  August is ending on a pretty soulful note!  (kk)

Aretha:

Larry Lujack:
kk …
Did you happen to hear?  Noon Saturday (Eastern Time) = Larry Lujack, one of your favorites, on Rewound Radio’s DJ Hall Of Fame Show.  It will include his last show = August 28, 1987.
Frank B. 
Yep – I can’t wait!
I posted an announcement this morning plus sent out a special email last night to many of the jocks on the list. You wouldn’t believe how many I heard back from within ten minutes of sending!
The love for Lujack here in Chicago is still immense, even after all these years.
I let Allan Sniffen know that he’s going to have a big audience of well known jocks listening to his tribute program.  (Even Scott Shannon will be tuning in!)
Lujack in his prime was untouchable. I don’t know how much of that will come across on his last show - but there are a ton of clips on YouTube to give you some idea as to just how revolutionary he was for his time.  (kk)


I try to listen each Saturday as I go in and out of the house — I have “rewound” on all five of the Echo Dots I have scattered about the house. I enjoy hearing the various styles of the Dee Jay’s from the past (when radio was fun).
Unfortunately, we are on vacation out of town and I’ll have to miss this weekend and the great Larry Lujack.
Thanks for the heads up though! 
Dan Guilfoyle 

When it came to “Show Prep,” nobody worked as hard as Larry did! Plus “Lil Tommy” was the perfect foil. They were a great team! 
Clark Weber  

While living in Bloomington, IL from 1966 to 1973, I listened to Larry Lujack a lot -- maybe too much.  In re-listening to airchecks of my own broadcasts as a very young DJ during that period, I can clearly hear how Larry's cynical wiseacre tone influenced my on-air style -- to its detriment!   Only ol' Lar could pull off the high-wire act of his very distinctive broadcast persona and truly make it work.  I couldn't -- because my natural tone and his were different kinds of animals.  It took quite a while for me to fully work the Lujackistics out of my voice but I finally did -- knowing that one can never fully succeed if all your are is an imitator of someone else and not truly yourself.   I can report, though, that ol' Lar did not fully disappear from my life.  I still have about a two-hour aircheck of him on WLS in my archives. His last broadcast venture was voicetracking an online station I was involved with and was founded by his old WLS boss, John Rook.   And if you look carefully at the infamous schoolroom sketch we shot for my comedy-variety TV series "Cavalcade," you may notice a Larry Lujack WCFL poster stuck on one wall of the set.  I put it there minutes before the cameras rolled. 
Gary Theroux
"The History of Rock 'n' Roll"    

Cool Kent.  Thanks for sharing.
Maybe now I’ll forgive old Uncle Larr for trashing Superman.  Lol!
Jimbo 

Hey Kent ...
Thanks for the heads up on the Larry Lujack tribute.  
Clearly one of the best air personalities ever!    
As a young night kid at WLS, I was often the brunt of his sarcastic humor...
Always admired his quick wit on and off the air. 
Several years later, John Rook hired both of us to join Super CFL, and so the friendship and fun continued.
Great guy ... dearly missed by many.
Kris Erik Stevens
He was one of a kind. 
I remember a time when it didn’t matter WHO you talked to or who you asked …
If you said, “Did you hear what Lujack said this morning?” the automatic answer was “Yes” … usually followed by a word-for-word, play-by-play of exactly what that was, as Larry would push the envelope with what he could get away with saying on the air.
Things like the Cheap Trashy Showbix Report and the Klunk Letter of the Day became daily must-hear staples.
And then came Animal Stories … and those 5-10 minutes a day when he crossed over into Tommy Edwards’ show helped to boost your mood on a daily basis.  (The duo recorded and released four albums’ worth of material, with all of the money raised going to charity.)
It didn’t matter where he went (bouncing back and forth between WCFL and WLS and then back again and again) … or which time shift he was on … people made it a point to listen.  (Like I’ve always said … Appointment Radio.)
Listeners to his last show barely heard the tip of the iceberg (although I don’t care if you ever heard Lujack on the air before or not … it was IMPOSSIBLE not to get a little choked up at the end when he broke down at the end of the show in his final Address To The Nation as he recalled … without ever actually saying it … the death of his son earlier that year … most definitely a factor in calling quits at the point that he did.)
There are TONS of Lujack clips on YouTube … click on virtually any one of them to get a better appreciation of what his show really sounded like back in the day. 
I know we had a lot of jocks listening to Rewound Radio today … I didn’t know that Allan Sniffen wouldn’t be on live afterwards (as he usually is) because I was really looking forward to hearing some of the phone calls and emails he most certainly would have received.  (Rewound Radio salutes a different classic Top 40 Disc Jockey every Saturday at Noon Eastern Time in their regular DJ Hall Of Fame Series.)  kk


The Saturday Survey:


>>>A VERY impressive list of "Sure Shots" this week ... "Hey Jude" by The Beatles, "My Special Angel" by The Vogues and "Street Fighting Man" by The Rolling Stones ... so how the heck do The Barry Goldwater Reunion make this list?!?!?  And what the heck IS this song???

Hi Kent,
It should be the Barry Goldberg Reunion.  https://www.youtube.com/watch?v=c86tGmj5j_Q
Barry Goldberg was the original keyboard player with the Electric Flag and is still active today in the Rides with Stephen Stills.
Many good players on the album the song is from.
Tom Carroll

That 'Goldwater' thing is a typo. 
It's actually by the 'Barry Goldberg Reunion.' Goldberg was better known as a member of the Paul Butterfield Blues Band and the Electric Flag.
Bob Frable
Hmmm … some sort of subliminal political thing perhaps!!!
Although “Hole In My Pocket” only managed to “bubble under” in Billboard at #103, it did reach #77 in Record World … and #90 in Cash box.
(Barry Goldwater never had a chart hit record … but Everett McKinley Dirksen hit The Top 40 the year before with “Gallant Men.”  Kk

I had totally forgotten all about WAVZ. That and WABeatleC were the two stations I listened to when we moved to CT. But who was Ed Flynn? Looking at his time slot, I was at school. WAVZ is now a sports commentary station, but in the 60’s and 70’s it was Top 40, owned by Kops - Monahan. 
Shelley J Sweet-Tufano

A Monday Morning Quickie! (aka Happy Birthday To Me!)

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Kent,
Here's a birthday present to share with everyone on Forgotten Hits' blog on your birthday!!
Altho FH'er Stu Shea never got to see a Lloyd Thaxton show, he was able to dig up this tape from a friend and send it to me decades ago.  I have been transferring tapes to digital daily in my collection and with your talk of Lloyd's show and watching it, I thought I'd send this along courtesy originally of Stu.  I don't think he'll mind.
Anyone who has watched Lloyd's teen show will already know that his shows were a bit off-kilter every week.  He reminded me of a somewhat square adult trying to be Dick Clark.  He even used Dickie's long microphone for interviews.  I always wondered why Dick Clark often played songs that were completely UNDANCEABLE on Bandstand, but Lloyd was off the deep end often.  He played top 40 variety to max plus oldies weekly.  He told corny jokes, faked playing the band and lip-synching songs HIMSELF.  YET, we watched his shows as a chance to see and hear our faves and his syndication ratings were thru the roof for teen viewing which meant every market needed this show on their stations.  HE talked about how "pretty" girls were (like someone else we know?) and asked teens about songs that most would not buy such as "Walk in a Black Forest."  He TOLD kids what to do during his show:  "CLAP YOUR HANDS, DO THE WALTZ and SMILE!!!"  Was he thinking he was Dick Biondi???  He talked over records, used drop ins and canned laughter, cut the 45s short often and sometimes didn't know what song an artist did.   He had contests weekly like lip-synching and dance contests and gave away albums to winners like ones we all wanted, "HORST JANKOWSKI"!!!  The song selection was just amazing (but not necessarily good).  One thing to his credit, he DID laugh and make fun of himself.  He didn't take himself too seriously. 
Here's some British guests we have talked of on FH lately.  Chad, Jeremy AND JILL!  It was when Jill was going to team up with Chad and record "Cruel War."  Lloyd did not have a clue why Jill was even there or who she was, the way it sounds. 
Then on another show from 65, he'll interview the hip group of the time, the BYRDS!!!  A nice long interview, followed by Johnny Cash music.  Go figure.  This 16 minute clip of TRUE HISTORY can be downloaded for the next few days here:
HAPPY BIRTHDAY, KENT!!!!
P.S.  Stu sent this very cool 45 that Aretha fans might wish to enjoy!
I can remember Lloyd Thaxton's very first show.  He opened it at the piano, playing this amazing piece that I had never heard before.  My Mom even came in from the kitchen to see just what was going on … and then, about two-thirds of the way thru, he lifted his hands, turned around on the bench and stood up and walked away, while the song kept right on playing … he had been faking it the entire time!
It was funny as could be … and even my Mom fell in love with him right on the spot.  He absolutely HAD us from that point forward.
You're right, he did have on some pretty obscure guests … and I swear he was giving away a different James Brown album nearly every single day … very little of which we ever heard on Chicago radio … or saw or heard on his program.
Still, it was pretty entertaining television … would LOVE to see some of this stuff finally see the light of day again.  (Never heard back from Dave The Rave on this … but it WOULD be very cool to connect with Lloyd's widow again and see if we can persuade her to move forward with some type of release schedule.  (kk)

Yesterday, August 26, 1968, marked the 50th Anniversary of the release of “Hey Jude.” 
Apple Records was an experiment of idealism in 1968. On this date, Monday, August 26, 1968, Apple released its "First Four" Singles - Hey Jude / Revolution, Those Were The Days by Mary Hopkin, Sour Milk Sea by Jackie Lomax, and Thingumybob by The Black Dyke Mills Band.  A major record company could release hundreds of songs in a year and not have the success of this new upstart company. Three of these songs are true standards and truly loved by everyone. Derek Taylor even predicted Mary Hopkin's vocal gem would become a standard at weddings forever!
But I wanted to write about Hey Jude today.
I was a waiter at Kutsher's Country Club, Monticello, NY, and usually napped after breakfast (with my radio on, of course). I was half asleep when the song came on. It was a Twilight Zone moment. I was in and out of sleep and the song seemed like it was going for an hour! I could barely get my head around what I had just heard. I knew it was a new Beatles song, of course, but how long was it on for?
After lunch I rushed back to wait for it again (did not have to wait long at all!) It really hit me like a ton of bricks. I was totally amazed and knocked out by it. Two weeks later, it shot right up to #2 on WABC in NYC. Cousin Brucie said the switchboard was overloaded with fans yelling why it wasn't #1. He apologized on air for it. It was Number One for the next two months, knocked out of the top slot by ... you guessed it ... Those Were The Days.
To me, it was much more than a single. It was like an entire album in one song. I was late to many of my classes in my senior year at Adelphi U. I just couldn't turn the song off the radio while Hey Jude played, even thought I had the single on my turntable until the White Album came out three months later. And the 'b side' (Revolution) was not too shabby either.
Paul and John were at the height of their creativity. Hey Jude is my favorite song of all time and it usually ends up at #2 in the Classic Rock fan voting for Greatest Song Ever (Stairway to Heaven has that honor, but not in my book). 50 years later, I still never, ever get tired of hearing it. I imagine I never will ... na na na nanana na.
Peace and Love,
Mark Lapidos
The Fest For Beatles Fans
It took a little while to get my head around this one when it first came out ... approximately 7 minutes and 11 seconds, to be exact! ... and then I was hooked.
It was just so EXTREMELY different than anything else we’d ever heard … and then when the clip aired on The Smothers Brothers Comedy Hour six weeks later (we now know that it first aired on David Frost’s UK television progamme … but in OUR world, it had its premier courtesy of Tommy and Dickie!), it was SO cool to see what the band had come up with, especially the “cast of extras” featured at the end, joining The Fabs on stage for the “Na-Na’s”.  (In my own memory, it aired so much sooner, probably due to the complete saturation of airplay their new single was receiving on the radio) … but by its October 6th airdate, “Hey Jude had already been #1 on the Billboard Chart for two of its soon-to-be nine weeks.  (Everybody warned them at the time … even key members of their own camp … that radio was NEVER going to play a seven minute single on the air … it was simply too long and broke the ‘three minute’ rule long established as the attention span of the average listener … to which John Lennon responded, ‘They will if it’s us.’  Man, was he right!)
I will admit that fifty years on I probably choose to listen to it only about half as often as it’s on … but I cannot deny for a second the impact it had when it was first released … the biggest single EVER in their U.S. catalog.  (kk)

Rolling Stone Magazine remembers “Hey Jude” …

>>>Check out Billy J. Kramer’s 75th Birthday Party surprise!  Billy J. Kramer’s 75th Birthday Party at the Famous “My Father’s Place” on Vimeo:  https://vimeo.com/285828369
THIS was the Long Island concert I couldn’t get to on August 18th. I need a plane.  Shelley

Great to see my hometown AM station profiled this past week ...
The Swingin' 60 survey started in the spring of 1963 or thereabouts, also with the "Cutie Of The Week" contest - that ran until November, 1970.  The high school girl that won a transistor radio for that final "Cutie" contest ended up working at the same employer I also worked for. It was back in the late 1980s; I brought in my survey to show her once I recognized her name. It blew her mind!
WAVZ sounded cluttered and goofy, even during 1968 … the jocks mostly older guys, trying to sound hip … especially the morning man, a Dean Martin-esque persona'd old-timer named T.J. Martin - nothing like the teenage oriented Boss Radio DJ's and format that ended up being programmed on the other New Haven AM station, WNHC, which debuted in late 1968.
But WAVZ did play everything listed on their weekly surveys, and logged big hits that weren't as big on a national level.  In 1968, the Dells hit #1 with "There Is". Robert John's "If You Don't Want My Love" also topped the WAVZ Swingin' 60 in 1968. And the local New Haven group, North Atlantic Invasion Force, hit the top with their local classic, "Black On White". One of my faves, "I Loved And I Lost" by the Impressions, hit the Top 10 in September, 1968 - one reason I could recall it years later after hearing it on the air as a young tyke!
The WAVZ jocks in the mid '60s were local journeymen, meaning they always rotated around the region, never really going anywhere beyond Connecticut, or the tri-state NY / NJ / CT area.  Johnny Ringo, the WAVZ evening drive guy from late '65, lasted to mid '67 … he was the one who vacated for greener pastures beyond the region; last I heard, he was out in Arizona … anyone got an aircheck of him?
Ed Flynn was perhaps the longest mainstay WAVZ jock, an easy going, low-key on-air persona. Maybe that's the reason he was able to withstand staff and programming changes at the station during the mid '60s and early '70s.  He would return on occasion, eventually becoming a popular talk show host on WATR in Waterbury, Connecticut before finally retiring around five or so years ago.
By 1972, WAVZ was HOT with a great Top 40 sound (the new WAVZ) and a stellar line-up of DJs.  I can still hear Mason Lee Dixon hootin' and screamin’ in my brain! For those who do not know of him, try to imagine the Real Don Steele on steroids!
Mike Markesich

I DID listen to the rebroadcast of Larry Lujack’s last show on WLS and know I have this on cassette somewhere … BUT I thought it was a disappointing last show other than hearing Larry play his fave tunes, like "Ballad of John & Yoko!"  Along with Ron Riley, Lujack is my fave DJ all time, but this was mostly TV people being vultures and even his last (how many of THOSE did he have?) address to the nation was two things repeated several times, basically.  He was great, but this show was a letdown.
BTW, WLS banned the above mentioned Beatles tune in 1969.  When I interviewed Gene Taylor in 1991, he said they did not ban ANY song.  Hmm.
Clark Besch
They absolutely DID ban it … and several other singles in the ‘60’s, too, contrary to what Gene may have told you.  (Two that immediately come to mind are Lou Christie’s “Rhapsody In The Rain,“ of which you are well aware, and “Society’s Child” by Janis Ian, a #12 Hit on the “CFL Chart.)  Speaking of WCFL, they played “The Ballad Of John And Yoko” … and it charted Top 10 (#8 to be exact) … but they didn’t publish any of their 1969 surveys for public consumption, so we can only follow the in-store recap sheets.  (kk)


I ended up listening to part of the show on my iPhone — thanks for the link!  
Dan Guilfoyle
Not his best work by any stretch – I think at that point he was just ready to get off the air – but still, a pretty touching finale.  (Would have been far more interesting if they couldn’t have kept Les Grobstein out of the picture … but then again that would be true of every single radio program Lujack ever did!)  kk 

For the record, there are five Animal Stories collections.
Jack
I stand corrected.  (kk)

Tuesday This And That

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From Tom Cuddy …

Aretha Franklin's '30 Greatest Hits' Becomes Her Highest Charting Album in 50 Years
 

Sadly, this always seems to be the way … but far too many people come to appreciate an artist after they're gone and no longer with us.  Aretha had 43 Billboard  Top 40 Hits … an incredible run from 1967 - 1973 with Top Ten Hits like "Respect" (#1), "Baby I Love You" (#4), "(You Make Me Feel Like) A Natural Woman" (#8), "I Never Loved A Man (The Way I Love You)," #9, "Chain Of Fools" (#2), "(Sweet Sweet Baby) Since You've Been Gone" (#5), "Think" (#7), "The House That Jack Built" (#6), "I Say A Little Prayer" (#10), "Bridge Over Troubled Water" (#6), "Spanish Harlem" (#2), "Rock Steady" (#9), "Day Dreaming" (#5) and "Until You Come Back To Me" (#3) … and then a big comeback in the '80's with "Freeway Of Love" (#3), "Who's Zoomin' Who" (#7) and "I Knew You Were Waiting (For Me)" with George Michael, #1.  (Let's just say she was hard to miss!!!)  Hopefully some of these sales represent brand new listeners discovering her incredible catalog of music for the very first time.  Aretha will forever be The Queen Of Soul.  (kk)

>>>He can appeal again in two years … but I don’t think Mark David Chapman will ever see the outside of a prison cell again.  (kk)

I agree.  Due to being so controversial, Lennon was my least favorite Beatle.  As far as Chapman,  I don't believe this tiger or any tiger can ever change his stripes, no matter how much rehabilitation he has had.  I have yet to hear a story that says being in prison has helped someone conform to "being a good citizen."  Many times it only hardens them.  The judge made some good points.  Now I will get down from my soapbox. Thanks!
Sandy

♪♫•*HAPPYBIRTHDAYTO░ ░YOU! *•♪♫


Hope Your Special Day is . . . ah . . . Special!
Chuck Buell


Happy Birthday, Kent!
We're still digging every Forgotten Hits blog and still have no idea how you have the time to put it all together for us. 
Carry on ...
David Lewis

Happy Birthday Kent!
Decided to run out to the Fox Valley to see the Jan and Dean Beach Party show … lots of tickets as this was very sparsely attended … maybe 20% full.
I enjoyed it. Substitute last minute lead guitarist (brother of another member) … sure could PLAY but wasn’t always there on some of the vocals, but then neither was Dean sometimes.  (I just want make sure it's clear about what a GREAT job the sub lead guitarist did. I think the regular guitarist had an emergency and had to go back the day before the concert so BRAVO!)
Not trying to be critical … just the facts … and it worked for me and an appreciative small crowd. 
(Honestly, I was very surprised the Arcada didn’t do some 2/1 tix sales or give aways for this show)
They performed all their hits of, course, and a LOT of Beach Boys and others like Hotel California … kind of turned into a sing-along for me and many ... could have turned into a dance party but frankly this wasn’t a highly mobile crowd ;~)
Played about an hour and a half.  Arcada AC really struggling to keep up … and it wasn’t.
Have a great week.
BOTH our Birthdays are next month. We make it a Bday week and MONTH!
Bill
We had hoped to go to the Jan and Dean (well, actually just Dean, since Jan's been dead for years now!) Show … we saw them a few years back at one of those outdoor venues (Elk Grove Village, I think) and they were REALLY good … great vocals and harmonies and a nice mix of Surf and Summer tunes.
We went out to The Arcada Saturday Night to see The Vogues and Jay and the Americans but apparently the show was a complete sell-out and Ron hadn't left tickets for us so we turned around and headed home.  (Figured it would be the same situation on Sunday so we didn't even try.  NO idea it would be so empty.)
Our offer is ALWAYS standing to all these great venues around town … The Arcada, The Genesee Theatre, The Paramount, The Copernicus Center, City Winery … if you need help with a show, (be it slow moving ticket sales or whatever), PLEASE contact us and we'll put together some kind of special ticket offer … or even do a ticket giveaway to put some butts in the seats that will spend money at the bars and concessions and still help generate some revenue from the concert.  (Let's face it, EVERY artist wants to look out from the stage and see a full house!)  That's what we're here for … so USE US!!!
As for the air conditioning at The Arcada, it's been an on-going challenge to keep the place cool.  With a much older crowd attending these types of shows, it becomes even more critical to climate-control things … and this goes for the artists performing on stage as well, under those hot lights.  (Don't forget … many of these guys are well into their 70's now, too!)  I know Ron's been trying to get some financial support from the City of St. Charles to help with the renovation process (the bathrooms really need work, too … the "please excuse the remodeling" signs have been up for years now with absolutely zero much-needed improvements made to the facilities) … all I know is that before the show on Saturday that we never got to see, we ate across the street at El Puente, an EXCELLENT Mexican restaurant, that was packed to the gills, thanks to numerous reservations made by other folks attending the show … so The Arcada absolutely DOES bring business into all of the neighboring restaurants … here's hoping something can be worked out SOON in this regard to allow The Arcada to do some much-needed upgrades and make the entire experience more enjoyable for all parties concerned .  Let this be the last unbearable summer.  (kk)
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