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50 Year Flashback - October 12th, 1965

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KEWB lists this week's #1 song as "Yesterday" by Paul McCartney ... despite the fact that it is also charting the B-Side of that record, "Act Naturally", which is sung by Ringo.  ("Yesterday" premier on our WLS Silver Dollar Survey as Paul McCartney, too ... but after that it was properly credited to The Beatles.

Speaking of The Beatles, you'll find former drummer Pete Best well represented on this survey ... first with a news story stating that he was suing Ringo (along with Beatles Manager Brian Epstein) ... followed by an ad for an album attributed to "The Savage Young Beatles", recorded in Hamburg while Best was still a member of the quartet.

A pretty exciting Top Ten this week on the KEWB Chart ... Herb Alpert and the Tijuna Brass are up 13 places (from #15 to #2) with "A Taste Of Honey" and The Rolling Stones leap 18 spots with their latest, "Get Off My Cloud".

Meanwhile The McCoys debut at #6 with "Hang On Sloopy", now charting side-by-side with the Little Caesar and the Consuls version which holds the #6 spot from the previous week.  (Talk about two drastically different versions!  This one would have been no contest for me!  However, the Little Caesar version DID make The Top Ten in Canada, from where the group hailed.)

Also debuting in The Top Ten this week are "Dance With Me" by The Mojo Men and "1,2,3" by Len Barry.

"Little Miss Sad" by The Five Emprees, a big hit here in Chicago, falls from #10 to #15 this week, placing it just ahead of an early Glen Campbell track, "The Universal Soldier".  The Beatles precede it with another two-sided hit, "Help!" / "I'm Down", now making its way down the charts.

Future Three Dog Night singer Danny Hutton is at #23 with "Roses And Rainbows", which climbs seven places this week.  And Dino, Desi and Billy (#28) and The Sunrays (#25) bring up the rear with their hits "Not The Loving Kind" and "I Live For The Sun"













Thursday This And That

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re:  The Rock And Roll Hall Of Fame:  
I have been trying to vote for the Rock and Roll Hall of Fame nominees since you first posted the information. I have used the links provided. I have made my choices and upon submitting them I get this ... FORBIDDEN (403) ... CSRF Verification Failed ... Request Aborted.
I don't know what I am doing wrong.
Stacee
I had some difficulties, too ... I can only attribute this to the volume of people on the site at the same time.  Think about it ... the nominees were announced on Friday Morning ... and by 8:00 Sunday Night over 117 Million Votes had already been cast.  (Now THAT'S some heavy traffic)  
By the way, leaders at 8 pm Sunday Night were:
Chicago (25.3 million)
Yes (19.7 million)
Deep Purple (19.5 million)
Steve Miller (19.4 million)
The Cars (18.6 million)  
At this point, Janet Jackson was in sixth place, TEN MILLION VOTES BEHIND The Cars.  Considering how long some of these top five acts have been on our Deserving and Denied List, this makes The Rock And Roll Hall Of Fame Nominating Committee look even more foolish than usual!  
And this is only the beginning (Chicago pun intentional) ... the online voting doesn't end until DECEMBER!!!  There's no telling how high this vote count is going to go!  (kk)

Tom Cuddy sent us this clip of Scott Shannon of WCBS-FM shows his support of Chicago for The Rock And Roll Hall Of Fame ... no doubt about it, he has been one of their largest supporters for over a decade now.  Looks like justice will finally be done next year.  (kk)
https://app.box.com/s/819hw6ea8tswy9johoyftibee87fy849

We're hearing from several sources that Chicago doesn't belong in The Rock And Roll Hall Of Fame because they were a soft rock band.  What?!?!? Just listen to their first several albums ... they were the very definition of fusion back then ... blending rock and jazz into a whole new artform.  Listen to tracks like "Beginnings", "Questions 67 and 68", "Listen", "South California Purples", "I'm A Man", "Make Me Smile", "25 or 6 to 4", "Lowdown", "Free", and hits like "Dialogue", "Feelin' Stronger Every Day", "Old Days" and "Alive Again" and THEN tell me that this group doesn't rock ... right up there with the best of them ... and better than most.
Because The Rock And Roll Hall Of Fame waited so long to finally recognize them, folks can only seem to focus on the material they recorded in the '80's under the guidance of David Foster ... go back and listen to the albums that launched their career.  These guys should have been inducted twenty years ago!!!  (kk)

My five choices would be Chicago, Cars, Steve Miller, Spinners and Yes [even though I can't stand them]. I will guess that something like NWA will get in as the RRHOF loves putting in some artists who have very limited recording careers but attract attention.
Mark the Shark
I voted for the exact same five you mentioned ... all artists who have paid their dues and forged ahead with a unique approach to music.  (Plus they make for a nice mix, too.)  This weekend WLS-FM was saluting the members of The Rock And Roll Hall Of Fame, with special emphasis on the newly nominated Class of 2016 ... and while I didn't listen long, it's a pretty safe bet that this Classic Rock Station did NOT feature any music by NWA, The JB's, The Smiths or Nine Inch Nails ... nor have they EVER played a track by any of these artists.
On the one hand, it seems like the only way to do a feature like that, saluting the new cast of nominees, is to play SOMETHING by EVERYBODY, just to give your audience a taste of what it's all like ... but the fact of the matter is that, even within the context of a special show like this, this music STILL doesn't fit ... and might put off their audience long enough to switch to another station playing something a whole lot more familiar and listener-friendly.  When I see this happen, I cannot help but wonder "Then what makes them worthy of Rock And Roll Hall Of Fame induction???"  (kk)

I am stunned that people don’t have a problem with people like Janet Jackson for nomination to the R&R HOF. She’s Madonna with a better tan. This is why the HOF has been such a Clown Show. I don’t know what you exactly call the gobbledigook dance stuff these people do, but it Ain’t Rock & Roll!!! At least Ringo, Joan Jett & Cat Stevens do some Rock tunes! Whether they belong in can be debated, but they fit the criteria more than JJ & Madonna, etc. It’s all a big farce anyway ... they put in way too many people each year and it’s gotten so watered down with fringe elements and non-Rock artists. Yuck!   
Ken

A final update from Tom Cuddy (along with a quote from Chicago's Lee Loughnane) ...

ROCK & ROLL HALL OF FAME: Fan Vote Is Through the Roof   
Wednesday 02:54PM Oct. 14, 2015 PT   
Chicago has 23-percent of the vote with a month-and-a-half to go.  
While rock fans have been voicing their opinions for years that band such as Deep Purple, Cheap Trick and Yes should be in the Rock and Roll Hall of Fame, it's Chicago who is leading this year's fan vote.  
As of Wednesday afternoon, the band that brought horns to the forefront in rock, has garnered 23% of the vote, which breaks down to 37.4-million votes. Four acts are battling for second, but trail Chicago by 12-million votes. They are, in order: The Cars, Yes, Steve Miller and Deep Purple.   
Janet Jackson has just under 10-million votes, with Cheap Trick behind her with just over two-million. Los Lobos brings up the rear with 360,000 votes. But, there is still plenty of time as voting runs until December 9th. You can place your vote at RockHall.com.  
If the current order stands, then Chicago, Yes, Steve Miller, Deep Purple and The Cars will make up a fan ballot to go along with the other 800 ballots cast by artists and music historians. The three previous winners of the Rock Hall Fan Vote – Rush, KISS and Stevie Ray Vaughan– were all inducted the following April.  
The Class of 2016 will be announced in December with the ceremony set for April in New York.  
This year's vote is by the far the biggest ever. Last year there were only 60-million votes total.   

Rock Hall Fan Vote standings as of Wednesday afternoon 
1. Chicago 23.52% (37,361,735 votes) 
2. The Cars 16.19% (25,721,652) 
3.Yes 16.17% (25,689,145) 
4.Steve Miller 15.97% (25,372,090) 
5. Deep Purple 15.95% (25,336,645)
6. Janet Jackson 5.91% (9,389,328) 
7.Cheap Trick 1.28% (2,037,711) 
8. The Spinners 1.25% (1,992,024)
9.Chaka Khan 1.14% (1,806,198) 
10. Chic 0.83% (1,310,967) 
11. The J.B.'s 0.58% (925,264) 
12. N.W.A 0.39% (625,988) 
13. Nine Inch Nails 0.31% (488,810) 
14. The Smiths0.27% (431,161)  
15. Los Lobos 0.23% (359,967)   

In an interview last year, Chicago trumpet player Lee Loughnane shared his feelings about their omission thus far from the Rock Hall.    
We used to think more about it than we are now, because it’s inexplicable why we wouldn’t be in it. To be able to work at this level this much time later it doesn’t mean anything to be in it or not be in it -- or, if it does, we haven’t been able to experience that yet. If it does happen, that’s something that will happen and then be gone, ‘cause any award or accolade that you are given is fleeting. Then you have the next moment after the ‘Thank you very much.’ What do you do now? Move on.

And, speaking of Halls of Fame ...

re:  The Memphis Hall Of Fame:
Keith Richards to Induct Scotty Moore, Jimmy Fallon to Induct Justin Timberlake Into the Memphis Music Hall of FameMemphis, TN … Highly anticipated additions for this Saturday evening’s Memphis Music Hall of Fame Induction Ceremony at The Cannon Center in downtown Memphis are expected. Jimmy Fallon, host of The Tonight Show Starring Jimmy Fallon, is scheduled to induct friend Justin Timberlake. Keith Richards, guitarist and member of The Rolling Stones, is scheduled to induct friend and rock guitar pioneer Scotty Moore.
Scheduled musical performers for the 2015 Memphis Music Hall of Fame include Steve Cropper, guitarist and former member of Booker T. and the MGs, who will join famed drummers Jim Keltner and Steve Jordan in tribute to inductee Al Jackson, Jr.  Tracy Nelson, blues vocalist and lead singer for Mother Earth will be performing in tribute to inductee Memphis Slim. Also, scheduled to perform will be Grammy®-winning R&B artist, Melanie Fiona. Charlie Rich’s son, musician Charlie Rich, Jr. will honor his father in song.
This year, the Memphis Music Hall of Fame is honoring 2015 inductees Alberta Hunter, Al Jackson, Jr., Scotty Moore, Charlie Rich, Sam & Dave, and Justin Timberlake. Inductees Sam Moore of Sam & Dave and Justin Timberlake are scheduled to attend. They join such previous Inductees as Elvis Presley, B.B. King, Al Green, Jerry Lee Lewis, Howlin’ Wolf, Isaac Hayes, Johnny Cash and others, bringing the roster to 54.
Tickets for the October 17 event are available from Ticketmaster by calling 1-800-745-3000 or by visiting www.ticketmaster.com. All attendees are subject to change.
The Memphis Rock ‘n’ Soul Museum administers the annual Memphis Music Hall of Fame announcement and induction, in cooperation with Memphis’ many music organizations and attractions. The Memphis Music Hall of Fame museum is now located at 126 Beale Street between the Hard Rock Café and Lansky Clothiers. For more information about the Memphis Music Hall of Fame Induction Ceremony and the Hall of Fame museum, visit www.memphismusichalloffame.com.    

re:  Neil Sedaka:  
Love the Neil Sedaka song. I know I have never heard it before but it is that sexy movie sort of song. It almost made me think of an older James Bond movie soundtrack song.  Love it.  
Glad you were finally able to get the post up. A lot of interesting stuff.  
Stacee  
It's a very pretty song ... apparently he's recorded a couple of different versions of it over the years but it still never reached chart success.  Frannie says when she hears it, she wants a martini!  (kk)    

Sedaka or Jobim?  
Compare this to the Sedaka track "Alone At Last." Start listening at about :25 after the long intro.
https://www.youtube.com/watch?v=YfsbSewMVas  
David Lewis  
There's no question that there's a similarity here ... and they were recorded about 20 years apart!  (kk)    

re:  This And That:  
One of your readers commented on a copy of Billy Joe Royal's (RIP ... loved him) 'Down In The Boondocks' you posted reminded me of another unique recording.  I had a copy of Pete Townshend's 'Let My Love Open the Door' a few years back that gave the most interesting sensation thru ear buds when the music went from ear to ear.  A music buddy tried to duplicate the sound because he remembered it, too, but we just couldn't get there.  Do you recall this copy or know where I can find it; and would you post this in your 'Helping Our Readers' section so someone else may recognize what we're talking about?   It'd be nice to know what album the song was on originally when something like this comes up.  Thanx for still caring about OUR music as much as your readers do.   
Patti  
Sorry, but I'm not familiar with that one ... but that's not to say that one of our astute readers out there won't know exactly where to go.  Stay tuned.  (kk)  

UPDATE:  Before our posting even went out, Patti solved her own request!  
The one attached is the copy I referred to in my previous e-mail (see below)  I found it in my 'favorite songs' folder.  If you look on the DETAILS page in PROPERTIES you'll see the information lists 'My Music' as the album and the date as 1996.  I have no memory of where I got this, but would dearly love to know where it originated if you have any clues.  Thanx!  
Now that I've actually heard it, it's got to be from some type of compilation CD of some sort as I don't see an album by that name associated with Townshend directly.  (Or perhaps a British import with a slightly different mix?)  It's definitely not the hit single version ... or the one featured on the "Empty Glass" LP from which this song first sprang.  Those are just guesses on my part ... does anybody know for sure?  (kk) 
https://app.box.com/s/r7j7cuvpwmpjinucc9t7h0td6s2m6bpl   

Here are a couple of shots of Burton Cummings performing at The Ridgefield Playhouse, in Ridgefield, CT.  During the show Burton also spoke about his fondness for Gerry Marsden, lead singer of Gerry and the Pacemakers and then sang one of his personal favorites, "Ferry Across the Mersey."  Burton saidhis t-shirt is to acknowledge his appreciation of the music of Richie Valens.  Not only is he sensational in concert, but he has such a huge passion for music in general and the artists that have inspired him. I, too, have seen him with and without a band, and have enjoyed him either way tremendously.  Although you have to prepare yourself not to expect "American Woman," when he's without his band.
-- Tom Cuddy
 

(Forgotten Hits exclusive photos by Tom Cuddy)

The Fest For Beatles Fans has some REALLY cool looking Fab Four lava lamps available ... I like them all ... but I think the "Rubber Soul" one is still my favorite.  Check 'em out here:
https://www.thefest.com/store/index.php?main_page=advanced_search_result&search_in_description=1&keyword=lava+lamps

 

And, speaking of The Beatles ...
 
>>>KEWB lists this week's #1 song as "Yesterday" by Paul McCartney ... despite the fact that it is also charting the B-Side of that record, "Act Naturally", which is sung by Ringo.  ("Yesterday" premiered on our WLS Silver Dollar Survey as Paul McCartney, too ... but after that it was properly credited to The Beatles.  (kk) 
As for "Yesterday" being credited to Paul originally, he performed the song on Sullivan as a solo ONE day before Capitol released the 45 in the US.  Thus, early chartings likely attributed the song to Paul upon seeing the TV show.  Both A & B sides had been getting airplay for a month through UK imports of the "Help!" album which the US counterpart had omitted these songs from. 
The Pete Best LP ad reminds me that we got the LP in a Wichita record store two years later.  There was a huge stack of them and we had never heard of Pete Best!  We wondered if it was another Beatlemania cash in LP by an obscure soundalike, but upon close reading, decided to buy it for 2.99.  It was the real deal and included their "What'd I Say" version we had recorded off radio earlier.
Seeing Yesterday and Act Naturally at #1 with Help and I'm Down at #14 shows there was still some extra saturation in late 65 of Beatlemania.  It got worse fast.  Capitol Starline's 45 release of the old cover of "Boys" created more controversy and saturation.  
On October 11, 1965, Capitol Starline "reissue" label released 10 old Vee jay tracks on five singles.  "Boys" got the main attention, even garnering Billboard's "Top 20 Singles" prediction in the Oct 23, 1965 issue!  The very same week, the record was already listed as #102 on the Hot 100 Bubbling Under.  It seems that Capitol realized it was not a great idea to promote the old song and tried persuade stations from playing it as a new release the following week. 
The song started at #38 on WLS on Oct 22 chart and then zoomed to #18 and quickly disappeared.  Attached is the WLS chart from Oct 29 and also the WABC New York chart from Oct 23 where "Boys" was the pick hit while "Yesterday" was #1 and "Help!" #12. 
To add more proof of Beatlemania's hold in late 1965, here's a clip from my tapes that has NOT been passed around.  In just an hour, you'll hear the three singles featured four times on the Dan Ingram afternoon drive time show!
More interesting may be seeing (and hearing) "Eve of Destruction" on WABC check and #4 on their chart.  With ABC close ties between WABC and WLS, you will not find "Eve of Destruction" on a WLS chart.  In Billboard, Gene Taylor made headlines singling out "Destruction" as not appropriate for the station to play.
Clark Besch
Several points to your comments ...
WLS charted "Yesterday" first as a Paul McCartney single as well.  I remember questioning this years ago and, after showing the chart to both Clark Weber and Dex Card, Card called the survey a "fake".  It absolutely isn't ... check with ANYBODY who has this chart in their collection and that's the way WLS published their Silver Dollar Survey for the week of September 3, 1965 ... which is all that much MORE amazing since Macca didn't do the song "solo" on Sullivan until September 12th ... nearly ten days AFTER WLS first charted the record this way.  (Although it premier at #20 that week, WLS had been playing the track for five weeks off the British "Help" soundtrack LP.  Ron Riley regularly featured Beatles tracks not available in America due to the different album configurations released by Parlaphone in the UK and Capitol Records here in The States.



"Boys" charted for five weeks on WLS, peaking at #18.  I seem to recall listening at the time and one of the deejays explaining that The Beatles themselves had asked that radio stop playing the record as a single as it was no longer in keeping with their current sound of the day.  I believe he even said that this would be one of the last times they'd be playing the record!  (Keep in mind the boys were about to go back into the studio to record what would become their "Rubber Soul" album ... and their music was never the same again after that!)  In fact The Beatles had just appeared here a couple of months before at Comiskey Park ... this is the concert that I had a free ticket to courtesy of my cousins ... but my Dad wouldn't let me go because it would have been too long a trip to pick me up the next day in Deerfield ... and yes, it HAS emotionally scarred me for life!!! As you can imagine, WLS was playing EVERYTHING Beatles-related to help hype the concert.



It wasn't JUST Vee Jay tracks that made these special Capitol Starline releases ... in fact, the B-Side of "Boys" was "Kansas City", which appeared here in America on the "Beatles VI" LP, several months after first making its appearance on the British "Beatles For Sale" album.
The others in the series (there were six singles released simultaneously in all) were "Twist And Shout" / "There's A Place", "Love Me Do" / "PS I Love You", "Please Please Me" / "From Me To You" (which is how I FINALLY got my copy of "From Me To You" since it has never appeared on a commercially released Beatles LP during the time the band was together), "Do You Want To Know A Secret" / "Thank You Girl" and "Roll Over Beethoven" / "Misery" (another track that never made a Capitol LP).
Fab4 Collectibles has a beautiful set of these available ... you'll find all of the details here:

Just wondering where KEWB was located.  Occasionally I don't recognize the call letters on your weekly charts.
Thanks,
Jon M
Radio. It's a sound idea!
It looks like they broadcast out of the Oakland area.  In fact, I found this cool website where you can listen to old audio clips of the station, circa 1959 - 1966!  Check it out!  (kk)

Hello Kent!
I will be sending you a review of the KOOL103 Caravan Of Stars concert in Jackson, Tennessee, soon.  It was a fantastic concert that included a tribute to Billy Joe Royal and I will be sending pictures along with the review.
Billy Joe is certainly missed by all his friends, fans and all the performers who have performed with him and in Jackson.  I especially miss him because he was one of my all time favorite music heroes and legends!  It was always fun spending time with him. He was truly special and such a great man who loved and adored everyone and treated all his fans like old friends.
Thanks for all the great stories!  I will see you on Friday at the Chicago Cornerstones Of Rock!  
Take care,
Jim
Unfortunately you won't see ME there ... we'll be at the Stevie Wonder show ... but please send us your review of the show!  (And that goes for any of our other readers able to attend, too!)  kk

Hi Kent -  
Just a note for readers ...  
Veteran music industry guitarist / manager RICK LEVY is now tour manager / bandleader for TOMMY ROE and manager / rhythm guitarist for THE BOX TOPS.  
Both legendary acts will be performing regularly and ... in some cases ... packaged together.  
Rick is also a professional potter, residing in St. Augustine Beach, Florida.  
www.ricklevy.com  
Thanks!  
Rick
Looking forward to finally meeting you and Tommy Roe next March when you hit The Arcada Theatre!  (kk)

Just got this from Carol Ross, Tommy James' manager, who tells us that plans for a movie based on Tommy's book, "Me, The Mob And The Music" continue to move forward ...

MATTHEW STONE TO PEN SCRIPT FOR ROCK ’N’ ROLL LEGEND TOMMY JAMES’ BIOPIC: ME, THE MOB & THE MUSIC
Producer Barbara DeFina announced that Matthew Stone - whose credits include Intolerable Cruelty, Soul Men, and Free - has been signed to adapt Tommy James’ critically acclaimed autobiography Me, The Mob & The Music: the gripping, true life tale of Tommy’s tumultuous relationship with Morris Levy, head of Roulette Records, which was a front for the Genovese crime family in New York.
Starting with the #1 1966 smash “Hanky Panky,” Tommy James - with the Shondells and solo - unleashed a staggering string of mega-hits, including “Mony Mony,” “I Think We’re Alone Now,” “Draggin’ The Line,” “Crimson and Clover,” and “Crystal Blue Persuasion.” In 1969 alone he sold more singles than The Beatles.
Barbara DeFina, of DeFina Film Productions, is producing the film with James. Her many credits include Goodfellas, Casino, Cape Fear, and the upcoming Silence.
Matt Stone is represented by ICM Partners and Nelson Davis LLP. George Sheanshang and Mark Schwartz represent Barbara DeFina and Tommy James.
A couple of weeks ago we told you that Tommy was finishing up a new album featuring a series of "unplugged" remakes of many of his greatest hits called "Accoustitronics", which will feature a few "celebrity guests".  And Tommy's coming back to Chicago on November 13th at The Rialto Square Theater in Joliet.  (kk) 
>>> For anyone interested in the best-selling records charts of the 1940s, the online archive at cashboxmagazine.com now includes the charts from that decade: http://50.6.195.142/archives.htm.  As the Cash Box charts from this period listed more records each week than the concurrent Billboard charts, there are many records on these charts that never appeared on any Billboard chart.  The online chart archive now has the entire 52-year history of the Cash Box best-selling pop singles charts, from late 1944 through late 1996, when the original print edition of the magazine ceased publication.  (Randy Price)  
It's great to see that Cash Box charts from the forties are now posted on Randy Price's excellent Cash Box site.  I have been looking for Chicago area charts from the forties, and Cash Box published weekly city-by-city Juke Box charts from that time.  Unfortunately the only place that seems to have a complete collection is William And Mary College, and getting copies would involve traveling to Alexandria, VA.  Maybe someone on your list could "help out a reader" if they know of any other places these would be available.  Thanks for all your help, Kent, and for keeping us oldies-lovers connected.
Ed 

All you radio buffs out there are going to LOVE this website ... in fact, you'll probably spend hours here just browsing around!

Mr. Kotal,
I am sorry to bother you but I am hoping you can help me.  I have been trying to find out the progress of Sonny Geraci since his illness and I have had no luck.  Mr. Geraci is very special to me, but not because of his singing (which is and always has been fantastic and he is beautiful!) but because of his determination to get through this very dark time in his life. You see I have been through some dark times of my own (from 2012 to early this year) and although I cannot even imagine what he has been through, I have imagined that he has been determined to make it through this time and that has been the driving force that has helped me through mine.  I know with our determination and our Father in Heaven beside us, we will both be SURVIVORS!! If possible could you please let me know of a website that has updates on Mr. Geraci?  I would really appreciate any help.
Thank you,
Nana

PS - Sorry for the war & peace email :)
No worries.  I think the family has been fairly private with Sonny's progress, but we're hearing good things. (I'm not aware of a website that offers "health updates" ... but this is what his good friend Dennis Tufano told me recently):
Sonny Geraci is slowly coming back. Mentally he is in very good stead but physically he is not strong enough to get on the stage. He’s working hard to get back out there. The jerk who stole the money has been released from his prison stay and there’s hope that he will be paying back the money or go back to prison.
I will keep you posted as much as they keep me posted. Thx. 
Dennis

I'm sure that most of you know that Dennis is referring to the guy who ripped off all the funds raised for Sonny's benefit concert in Statesboro a couple of years ago ... this guy ought to be made to pay back every penny and then some for taking this money under false pretenses.  A number of us made donations to Sonny's health fund in an effort to help his family with all the medical bills ... and this asshole pocketed the take. 
The GOOD news is that it sounds like Sonny is working hard to get back up on that stage and perform again.  He has a very loyal following ... we get letters regularly asking how he's doing ... but as I said, his family is seldom forthcoming with new information. 
Thankfully Dennis has kept us up to date whenever possible so we can help pass the word along to Sonny's many fans.  (Dennis is one of the most genuine, kind-hearted people you'll ever meet in this or any other lifetime.  His selfless efforts to help those in need ... like Sonny Geraci and Marty Grebb ... people whose music has touched SO many lives ... is unparalleled.   Dennis, you're a saint and we love ya.  (kk) 

Dennis also updated us on Marty Grebb ...  

Marty is doing well under the circumstance of his health. He’s a very positive and optimistic soul. He is loved and his music is his peace.  He has a full performance schedule with The Weight band.  If you haven’t heard them, you must ... they are the THE BAND incarnate!!! 
Dennis 
Marty is an INCREDIBLE musician ... I am SO proud and pleased that he has been able to rise above all the pettiness and bullshit and just live his life to the fullest, doing what he loves doing the most.  This is all that much more commendable under the circumstances.  You guys have brought so much joy to us all over the years.  At some point, we all come to realize that there just isn't enough time in our lives for all the behind-the-scenes crap that goes on in your chosen profession.  It's so easy to get wrapped up in all the games that you lose sight of what drew you to this in the first place ... which is the love of the music.  (When you guys were organizing the benefit concert at The Arcada, there was all kinds of craziness and innuendo going on that the general public never knew anything about.  Marty's simple response to me in the heat of all this nonsense was simply:  "Ahh ... drama"  (lol)
Please keep us posted, too, about the fund-raising video and how folks can order a copy.  Proceeds from this will also go to Marty's health fund.  Thanks, Dennis!  (kk)  

Kent ... 
I wonder if you and your readers remember these funny guys.  
Frank B.


Boys, boys, boys ...

This story made headlines this week as Tom Jones lashed out at his (apparently) former friend and labelmate, Engelbert Humperdinck.  (The two were also tied together due to their association with manager Gordon Mills throughout the '60's.)  

Tom Jones Calls EngelbertHumperdinck a "C***" (Twice!); Engelbert Dismisses Gracefully    
by Paul Cashmere, Noise11    
Music legend Engelbert Humperdinck was shocked to learn that Tom Jones used the "C word" when talking about him to a British newspaper last week.   
Jones had been bottling up the sentiment for decades when he let fly to The Metro. When asked about their rivalry, Jones replied, “It’s as I say – ‘once a c*** always a c***”.  Engelbert was taken aback by the comment, especially the language used considering Tom’s Knighthood. In response he posted “to be honest i feel sorry for Tom always being in a bad mood. Life is too short to hold anger inside. I wish him luck”.  
When Tom Jones and Engelbert Humperdinck were chart rivals in the 60s and 70s, they were both managed by the same man, Gordon Mills. Mills and Jones’ formed their own record label, MAM, with Engelbert as the label’s biggest star. The label became the UK’s biggest independent label of the early 70s but tensions raised when Engelbert left the label. “I have always held Gordon Mills in very high esteem. He was my friend. He believed in my talent but for the sakes of my career I felt it best to branch away from MAM,” Engelbert told Noise11.com.  
Tom apparently took Engelbert’s departure personally and has been bottling the tension all these years.  
British record producer Simon Britton, who worked with both Engelbert and Tom on the All Together Now charity single commented, “Tom Jones totally overstepped the mark in an interview today in the Metro Newspaper regarding an Icon & True Gentlemen. To use the C*** Word twice in One Sentence is not acceptable. In fact it’s Disgusting… Just a little bit bored of Tom’s stories of “When I Was with Elvis” and so on.. How the Hell did Tom earn the Title Sir? This is a Gentlemen & Sir if you Will.. ‪#‎Truth”.
Engelbert has put the outburst behind him as he prepares for his trip to Australia next week for his 2015 Australian tour
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Jones (or as I like to call him, Old Mr. Sock-In-The-Pants) has had a few media outbursts recently ... he made headlines a few weeks ago when he was ousted as one of the judges on the British version of "The Voice", to be replaced by Boy George.  Chill, baby!  (kk)  

re: Happy Together, 2016:  
Here's the official line-up for next year's Happy Together Tour. 
Headlining (of course) are The Turtles ... along with Mark Lindsay and Chuck Negron, two co-headliners that always bring the house down ... and The Cowsills (who stole the show last year with their impeccable harmonies.) 
Also back this year is Gary Puckett (I've lost count of how many of these tours he's done now) and new-comer Spencer Davis (which is a bit of a surprise since all of The Spencer Davis Group's hits were sung by a young Stevie Winwood!) We had strongly campaigned for Lou Christie, who would make the PERFECT addition to this line-up where the artists typically come out and perform their four or five biggest hits, accompanied by a shared back-up band.  (We saw Lou this past summer and he was fantastic.  Here's hoping Flo and Eddie will give him some fair consideration for Happy Together, 2017!!!)  kk



For some reason Box wouldn't let us embed the music files last night or this morning ... the only thing we were able to do was post links to the music ... which we hate to do as it forces you to leave the website in order to hear it ... and we don't EVER want you to leave the website!!! (lol)
I apologize for the inconvenience but they didn't answer my "Help Request" in time to resolve for this morning's posting.  (kk)

Cornerstones Of Rock: American Garage Bands - Chicago Style - A Forgotten Hits Exclusive!

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Tonight's The Night!!!   

A few weeks ago we told you about the taping of a WTTW / Sound Stage television special featuring all of our Local Heroes from the '60's ...   

They're calling it their "Cornerstones Of Rock" series.  The Ides Of March are bringing together members of some of the biggest Chicagoland Groups of the '60's:  The Buckinghams, The Cryan' Shames, The American Breed, The New Colony Six and The Shadows Of Knight ... together again on one stage to perform their biggest hits before the television cameras that will document this collection of artists who dominated the local scene ... and the national charts ... back in the glory days of Chicago Rock ... and preserve it for all time.   

Here's a link to our original piece from about two weeks ago:  http://forgottenhits60s.blogspot.com/2015/09/cornerstones-of-chicago-rock-american.html   

Tickets to the taping sold out in the blink of an eye ... and it's been the talk of the town ever since the details were announced.  (Several of our Forgotten Hits Readers will be attending ... and we're hoping that they'll report back with full coverage of the event since we are unable to attend.)   

Between you and me and the lamp post, we first learned of this event several weeks earlier than it was officially announced ... but were asked by Jim Peterik of The Ides Of March and Carl Giammarese of The Buckinghams to refrain from mentioning anything about it on the website with the promise that when they were ready to launch, we would be the first to know and the story would break as a Forgotten Hits Exclusive.  As such, I have to admit that it was VERY disappointing to see all the details outlined by several other sources instead when we could have been (and should have been) the ones to exclusively break the story first worldwide.  (Instead, out of respect and loyalty to the participants, we held back any early announcement, waiting for approval and the official word to let 'er rip.)   

Clearly, loyalty only runs one way in this regard as, despite giving more press to both The Ides Of March and The Buckinghams than probably ALL of the other media sources in the world combined over the past sixteen years of doing Forgotten Hits, we were robbed of the honor of exclusively breaking the news first ... and then denied tickets to the concert as well as access to the rehearsals.  I'm happy to report, however, that in the process I've learned a very valuable lesson ... from now on I'll simply follow my journalistic instincts and go with the "breaking story" every time ... lest it be pulled out from under me while silently waiting for the go-ahead in unfounded trust and broken promises.  (After all, that's what makes or breaks a great publication, isn't it? ... the ability to scoop everybody else with key, breaking news.  The story comes first ... consequences be damned!)   

So with this newly infused thought process in mind (thanks, guys!), I am happy to announce today that Forgotten Hits has learned EXCLUSIVELY the proposed set list for this major event being taped tonight.  (If you've ever been to any television tapings before, you're probably already aware that something like this is always subject to change should things run long, not play well, or end up on the cutting room floor during final editing.  Things are rarely taped in sequence and, in order to arrive at the best possible product, songs are often stopped, restarted and then performed again in order to obtain the most perfect take.  With The Ides Of March acting as the "house" back-up band for the majority of these artists, things may run a little bit smoother than normal ... but if you're one of the fortunate few able to attend ... I heard there are only 400 seats ... I'd still prepare yourselves for a lengthy, somewhat slow-moving night.  But be patient ... because you'll be treated to some GREAT music every step of the way.)   

In all likelihood, when all is said and done the special will only run an hour (or, at best, 90 minutes) when it actually airs ... add in the typical pauses for pledge drives and isolated commentary and interviews and it becomes quickly apparent that the two hours that are being filmed Friday Night will never be fully aired on the station ... which allows fans to hope that through a significant donation to PBS, we might be able to purchase the complete, full length concert on dvd instead.  While no official airdate has been announced yet, speculation seems to put it at late November / early December ... and "Cornerstones Of Rock" may become more of a "regular" feature on PBS as well, with additional chapters and profiles, ultimately airing in other cities across the country, too, much the way Soundstage did several years ago.  

As previously announced, Wendy Snyder will oversee the basic program as host (although it looks like Ron Onesti is now also involved in some capacity as well.  Ron has recently become a WTTW spokesman for many of their musical fund-raising events ... sort of our very own version of T.J. Lubinksy ... only FAR more personable and charming!!!  WTG, Ron!)  And while we were banking on seeing an all-Chicago program, the show is taking some of the focus off our local scene by now featuring not only The McCoys (as tipped here a couple of weeks ago) but also The Standells.  (Too bad in a way, as the set lists of some of our local heroes have been cut short in the process to allow time for these other artists to perform.)    

The Ides Of March will kick off the program with "A Little Bit Of Soul", the Music Explosion hit from 1967 ... and a garage band favorite.  (For the complete list of All-Time Greatest Garage Bands ... as voted upon by our Forgotten Hits Readers ... be sure to check out the link below.)
http://forgottenhits.com/your_top_50_all-time_favorite_garage_bands     

They're then scheduled to go into their own hits "You Wouldn't Listen", "L.A. Goodbye" and "Superman", followed by a tribute to Chase, performing their big hit from the early '70's, "Get It On" with a guest appearance by one-time Chase member Dartanyan Brown.  The Ides then wrap things up by playing their own biggest hit, "Vehicle", after which Jimy Sohns will join the band on stage to perform three of The Shadows Of Knight's biggest hits, "Shake", "Oh Yeah" and "Gloria".   

Next up ... The New Colony Six, featuring lead vocalists Ray Graffia, Jr., and Ronnie Rice.  Ronnie and Ray will be performing four of their hits:  "I Confess", "Love You So Much", "Things I'd Like To Say" and "I Will Always Think About You".  (Just four tracks for the guys who kicked the doors down and got AM Giants WLS and WCFL to start featuring local talent on the airwaves?  Now that doesn't seem quite right!!!)  It's especially nice to see Ray included this time around, as he was snubbed last year at The Ides similar "Cornerstones" show, despite being not only a founding member of the band (Ronnie joined later) as well as the guy who still fronts the group whenever they perform. 

After The New Colony Six, you'll get The Cryan' Shames.  (Sadly these guys never had a National Top 40 Hit ... and believe me when I tell you, they were ROBBED ... their music was amongst the best to ever grace our city ... yet they get FIVE songs to The Colony's four!!!  As Rodney might have said, "No respect, I tell ya".)  They'll kick off their set with "Sunshine Psalm" (huh?!?!  My guess is that this'll be the first song dropped from the broadcast as NOBODY knows it.  I'm also willing to bet that this was a concession of some sort to get original songwriter and guitarist James Fairs back up on stage with Jimmy "Hooke" Pilster and Tom "Toad" Doody!  Man, I would have traded this one for "Mr. Unreliable" or the classic "Greenburg, Glickstein, Charles David Smith And Jones" in a heartbeat!!!)  The group then shines on a couple of my all-time favorites:  "Up On The Roof" (rumor has it that Carole King had The Cryan' Shames' version played at her second wedding), "I Wanna Meet You", "It Could Be We're In Love" (#1 in Chicago for four weeks back in the Summer of '67) and "Sugar And Spice", a record that blows The Searchers' original version away!   

After that, you should experience one of the most anticipated highlights of the evening ... the long-awaited reunion of The American Breed, who perform their #1 Hit "Bend Me, Shape Me".  (All four original members are back for this one, the first time they've appeared together on stage in about 40 years ... yet they, too, will be backed by The Ides.)  And, after all of that, they're only doing one song!!! 

The program then shifts gears to feature The Standells ("Dirty Water" and "Sometimes Good Guys Don't Wear White") and The McCoys ("Come On, Let's Go" and "Hang On Sloopy")  Unfortunately this detracts from the concept of this being a program saluting our local heroes ... in retrospect, an All-Chicago edition followed by an All-Garage Band edition (featuring some of the biggest names of this era from around the country) would have made far more sense ... but that isn't the direction they've chosen to go.   

So, after this brief diversion, out come the headliners ... The Buckinghams, who broke through in a way no other Chicago band from the '60's did, scoring five National Top Ten Hits.  For this portion of the program, the entire current line-up of the band will perform (sans The Ides), bringing out original lead singer Dennis Tufano to sing the last couple of numbers.  (Rumors of Marty Grebb's participation have not been confirmed at press time.)  Kudos to Carl Giammarese for extending the olive branch and bringing Dennis Tufano back to share in this momentous occasion.  (Last year at The Ides show the guy who sang every hit The Buckinghams ever had wasn't even invited!)

And then a two-part finale ... first, a tribute to Aliotta, Haynes and Jeremiah with a performance of the classic "Lake Shore Drive", featuringSkip Haynes, the writer of this song and Ted Aliotta, brother of the recently departed Mitch.  (John Jeremiah passed away a couple of years ago.)

This will all be followed by an "encore" group ensemble performance of The Greatest Garage Band Song Of All-Time, "Louie Louie". 

So there you have it ... tonight's program in a nutshell (all you need to know before it even airs!)  Attendees, please send us your comments and reviews ... and if ANYONE out there gets the word on when this program will air, please let us know this as well so we can pass the information along to our readers.  (We're chomping at the bit to see it!) 

Check back tomorrow for more commentary (some of the underbelly of an event like this isn't always a pretty sight!) and, shortly thereafter, some exclusive photos from our FH Buddy Jack Mongan.
Also next week we'll have a review up on the site of the Stevie Wonder / "Songs In The Key Of Life" concert that we'll be attending this evening while all this is going on at the WTTW Studios.   

Stay tuned!
kk 

Kent Kotal 
Forgotten Hits

Cornerstones Of Chicago Rock - Taking A Look From Another Perspective

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From what we've heard by all accounts, last night's taping of The Cornerstones of Rock was nothing short of incredible.  All of our local heroes came home to perform together again, everybody was in top form and the audience loved it ... and, best of all the entire proceedings were taped for all posterity.  (There have even been some rumblings that, depending on how well this program is received when it finally airs in a month or two, they may just take this act on the road so that other fans across the midwest can enjoy it too!) 

While one might think that coming on the heels of The Benefit Concert For Marty Grebb, organized by Dennis Tufano, former lead singer of The Buckinghams and staged at The Arcada Theatre back in May of this year, this incredible reunion of all our local greats might have lost some of its impact.  After all, many of us had just seen most of these same artists perform their biggest hits a few months before.  But this obviously wasn't the case as the audience rose to its feet again and again as each and every act wowed them with the music we all grew up loving here in The Windy City.   

Some of the biggest drawing cards this time around were the facts that it was all being filmed for broadcast and included some of the great Chicagoland artists overlooked at the earlier event such as The American Breed (who haven't performed together in close to 40 years!) as well as tributes to both Chase and Aliotta, Haynes and Jeremiah. 

As mentioned in our piece yesterday, the inclusion of some non-Chicago artists like The McCoys and The Standells takes away some of the focus from the super-active Windy City Music Scene of the late '60's and early '70's.  And, even at that, other deserving and notable acts like The Mob (featuring Jim Holvay, who wrote four of The Buckinghams' biggest hits ... how the heck did Carl overlook inviting THIS guy?!?!), Spanky and Our Gang, The Flock, Jamestown Massacre and several others who dominated the club scene despite not making the charts were not included in this '60's celebration.  (Sadly one of MY personal favorites ... and one of the most dynamic performers I've ever seen ... Jimy Rogers of The Mauds ... couldn't be there to enjoy his spotlight moment ... as he passed away a few years ago.) 

Chicago is very proud of its rich pop music heritage ... we've executed our "bragging rights" here in Forgotten Hits for YEARS now ... so the concept really isn't all that new.  In fact, thirty years ago Photographer Michael Bush reunited most of these very same acts to appear at a local record convention.   
https://www.youtube.com/watch?v=B505M0mpFnU  
(Of course, it's been awhile since this happened ... and the comradaree between these participants was at a much higher level back then ... sadly, far too many of these artists have been nurturing long-standing wounds over the past several decades ... so it HAS been nice to see some of these folks bury the hatchet every now and then and make nice with one another again ... even if it is just for a special "one night only" occasion.) 

Last year, The Ides Of March hosted "The Cornerstones Of Chicago Rock" as part of their 50th Anniversary (although truthfully the premise was pretty bogus at best ... but then again, as we've learned recently, for all of his incredible talents, loyalty isn't one of Jim Peterik's strong suits ... even when it comes to artists he's been friends with for forty years or more!)  

Billed as a tribute to the lead singers, Ray Graffia, Jr. of The New Colony Six ... one of the original founders of the band ... and the guy who STILL fronts the band in concert to this day ... was left off the bill in favor of Ronnie Rice, who joined the group midway through their second album.  (Truth be told they BOTH should have been there, a wrong that was finally corrected at the WTTW taping last night.)  Without question it was the music of Ronnie Rice that put the band on the national map ... but these days you've practically got to pry a New Colony Six song out of him in concert ... while Ray has continued to perform the complete hit collection (seventeen in all on the Chicagoland charts) on a regular basis.

Also snubbed last year was Dennis Tufano, the guy who sang every hit The Buckinghams ever had.  Sure, Carl Giammarese has kept the "brand" going for upwards of 35 years now ... and he's done an excellent job of doing so ... but everybody knows that the voice on all those hit records belongs to Dennis.  For The Ides to build a showcase around the premise of saluting the lead singers who set the tone of the Chicago music scene ... and then NOT invite Dennis Tufano, was nothing short of insulting.  

And, as far as new and unique concert concepts go, truth be told, Jim Pilster of The Cryan' Shames has been presenting "Chicago Gold" as part of his Cryan' Shames concerts for at least 10-12 years now, often bringing up guest vocalists like Ronnie Rice, Dennis Tufano, Jimy Sohns and Jimy Rogers while The Shames provided the back-up sounds of the music that helped shape our lives back in the '60's, much as The Ides Of March did last night on The Channel 11 stage.  (Jimmy and I have been talking for at LEAST that long about trying to get a WTTW / Soundstage television special together to pay tribute to all these excellent musicians ... but it never went anywhere.)  In that respect, kudos to Jim Peterik for finally pulling it off.  This is a special that needed to be made.  (It still would have been nice to tape some special interviews ... and edit in some of the original clips from back in the day to show all of these acts when they were in their prime.  Hopefully WTTW has a few tricks and surprises up its sleeve in this regard that will do even further justice to this great heritage of music before it officially airs.)    

That being said, the distribution of songs allowed on the program was a bit distorted.  The biggest news of the day was the fact that all four original members of The American Breed were reuniting on stage for the first time in over 40 years.  So, under the huge national spotlight, they brought up Gary Loizzo, Al Ciner, Chuck Colbert and Lee Graziano and then allowed them to perform exactly ONE song together.  (Now granted, it was their biggest hit, "Bend Me, Shape Me", a #1 Record in Chicago as well as in Record World Magazine ... but shouldn't they have been given a little bit more of the spotlight after waiting this long to return to the stage?  And then, after all of that, they didn't even play their own instruments ... The Ides Of March backed them up instead!!!)  Simply put, this isn't something you're going to see every day ... it would have been nice to give the band a little more time.  The reunion of The American Breed was a major coup ... these guys just haven't done any of these "nostalgic" shows. Lead vocalist Gary Loizzo retired from performing to take a seat behind the console, producing much of Styx's early work ... so to see him embrace this opportunity to once again take center stage was a true delight.  Who knows if it will ever happen again?  I believe they should have been able to enjoy a longer moment in the sun.    

The Ides Of March did a great job of filling the role of the "house band", providing back up for all of the various singers who took the stage that night.  The only other group allowed to perform on their own was the current line-up of The Buckinghams. NOBODY out of Chicago had more national hits than these guys did in the '60's ... FIVE Top Ten Hits!!!  They were voted the #1 Group of 1967 by no less an authority than Cash Box Magazine.  (Keep in mind that 1967 was The Year of The Monkees, The Summer of Love and "Sgt. Pepper's Lonely Hearts Club Band" ... so there is NO way to over-emphasize the importance of this honor!!!)   

I will admit that it was really nice to see Carl Giammarese extend the olive branch and invite former lead singer Dennis Tufano up to sing a couple of songs as The Buckinghams' Special Guest at the end of their set ... I have seen few concert attractions more heart-warming than watching Carl, Nick, Dennis and Marty performing together  at The Marty Grebb Benefit Concert a few months back ... it was truly something magical, especially since, by Carl's own admission, he's spent the bulk of the past 35 years trying to make audiences forget Dennis ever even existed!  (My understanding is that inviting Marty to participate in last night's taping was considered as more of an afterthought ... but Marty was already booked for another gig at that point.  It would have been REALLY nice to see HIS performance permanently documented on film, too.)  

It was great, too, to see Aliotta, Haynes and Jeremiah honored with a finale reading of their classic hit "Lake Shore Drive".  Having lost two of their three members recently, it was especially fitting to see them included in this Chicago salute ... and represented by Skip Haynes, the song's writer, and Ted Aliotta, Mitch's brother and one-time member of the band.  Photographer Jack Mongan told me that Skip Haynes said that, other than the original recording, the band had never performed the song live before with the iconic violin part that so dominates the record.  Thanks to the incredible Anne Harris, this, too, has now been captured for all eternity.

Squeezing in songs by The McCoys and The Standells (does anybody other than me even remember tracks like "Sometimes Good Guys Don't Wear White" and The McCoys' version of "Come On Let's Go"???) cut into time that could have been spent on our local heroes.  (Even the group-ensemble finale of "Louie Louie", while certainly fitting in the context of a garage band program, took precious time away from the guys we really wanted to see.) 

In my opinion, one of the greatest oversights of the night had to be allowing The New Colony Six only four songs ... it was THESE GUYS that broke down the door in getting local music played on AM Radio Giants WLS and WCFL back in the mid-'60's.  To only give them four songs (and not acknowledge the fact that, without them, we may never even have had the chance to hear all the great local groups that came along afterwards) is just plain wrong.  At the very least it would have been nice to see them squeeze in a couple more songs.  (In fact, Ronnie Rice told me that one of his biggest thrills last year at The Ides' 50th Anniversary Event was singing "I'm Just Waitin', Anticipatin'" accompanied by The Ides Of March horns ... he says the song never sounded so good.)  Yet fans in the viewing audience weren't treated to this one (which clocks in at all of under two minutes) in order to fit in more time for The McCoys and The Standells, two groups who aren't even from Chicago.  Similarly, it would have been nice to include Ray's 1968 hit "Can't You See Me Cry" as well as "You're Gonna Be Mine", the first song that Ronnie and Ray ever wrote together. 

Don't get me wrong ... sooner or later SOME band would have been the first to breakthrough (also the name of The New Colony Six's first album, by the way) on Chicago radio ... but the fact of the matter is that the ones that DID it were The New Colony Six).  Once they crashed the doors down, The Shadows Of Knight, The Cryan' Shames, The Ides Of March and The Buckinghams were able to walk through that door in 1966 and also stake their claim to local rock and roll sainthood ... but it was The New Colony Six that first opened that door allowing them to do so. 

(Many of these artists have spent a good amount of time attempting to "rewrite history" over the past 45 years.  "Gloria" was NOT the first Chicagoland Hit to breakthrough on the national charts ... and it did NOT go to #1 and sell a million copies.  A landmark recording?  Yes ... absolutely ... Rolling Stone Magazine even named it one of the most important recordings in rock and roll history ... but the guys who hit first were The New Colony Six.)  

Much has been made over the years about the evolution of The Ides Of March ... from the early, garage band sounds of "You Wouldn't Listen" to the sophisticated horns and driving beat of "Vehicle" just four years later ... without question, a remarkable feat.  But what about The New Colony Six?  

They started off as a true garage band in every sense of the word, performing songs like "I Confess", "I Lie Awake", "Dawn Is Breaking", "At The River's Edge" and others, all precursors to a genre we would eventually call punk rock twenty years later.  Then they went into their "pop" period with hits like "Love You So Much", "You're Gonna Be Mine", "I'm Just Waitin', Anticipatin'" and "Treat Her Groovy" before hitting it large with the ballad phase of their career and soft-rock hits like "I Will Always Think About You", "Things I'd Like To Say", "Can't You See Me Cry", "I Want You To Know" and "I Could Never Lie To You".  Then they came back again to wrap things up with the balls-out, up-tempo rocker "Roll On" followed by two of the most beautiful ballads most people never heard, "Long Time To Be Alone" and "Never Be Lonely".  Over the course of their career, these guys explored four or five different genres of music and succeeded at every single one of them!  Certainly ANY one (or two or three) of those songs would have been more fitting to include than "Sometimes Good Guys Don't Wear White" by The Standells!!! 

If The New Colony Six are the band most lacking in respect for their contribution to the evolution of the Chicago sound in the '60's, then The Cryan' Shames have to be the guys most grossly ignored.  Between 1966 and 1969 they churned out some of the best-sounding, precisely executed music to ever come out of The Windy City ... yet despite totally dominating the Chicagoland Charts, they barely made a dent on the national scene.  You couldn't find better harmonies out there ... several other groups of this era have often admitted that they aspired to be "as good as The Cryan' Shames" ... including The Ides Of March and The Buckinghams.  Hits like "Sugar And Spice", "I Wanna Meet You", "Mr. Unreliable", "It Could Be We're In Love", "Up On The Roof", "Young Birds Fly", "Greenburg, Glickstein, CHarles David Smith and Jones" and "First Train To California" as well as key album tracks like "Dennis Dupree From Danville" and "Cobblestone Road" insured that they were always on the radio during this era.  Reuniting original members Jim "Hooke" Pilster, lead vocalist Tom Doody and guitarist / chief songwriter James Fairs was a dream come true for any Cryan' Shames fan who grew up in the '60's. 

Add in The Shadows of Knight and tributes to Chase and Aliotta, Haynes and Jeremiah and this was a pretty killer night of Chicago rock, encompassing all of the "biggies".  But it still could have been better handled.  This show, which is being used to kick off the brand new PBS Series "Cornerstones", should have been ALL about Chicago ... then they could have done an "American Garage Band" special down the line ... and featured FAR more groups to better represent this genre than the two that performed last night ... by all means, expand this into a monthly music series, each time exploring a different area of the music of our generation ... but it is absolutely fitting that the very first program should all kick off right here in Chicago on a show that originated here in Chicago, featuring the guys who originally put our city on the map way back when. 

Stay tuned for broadcast dates ... and as soon as we get news as to how you might be able to purchase the entire, full-length performance on dvd, we'll let you know, as this is something you'll surely want to add to your collection. 

Really happy for Ray and Ronnie.  Wish Jerry, Chic, Craig, Pat and myself could be there, too.  Now THAT would be a cornerstone!  
Do be Colony!  
Wally Kemp
MY hope is that after Ronnie and Ray experienced the electricity of the crowd during this performance, they'll consider putting together a series of shows spotlighting the complete history of the band ... and include many of the original and subsequent members in some fashion, much like what was done at The St. Pats Hall Of Fame induction a couple of years ago or The New Colony Six Reunion Concert in the '80's.  Imagine getting a New Colony TWELVE together (with a horn section and minimal orchestration) and putting on a series of shows that covers their entire catalog.  (And, if things keep moving forward at the rate they are right now, there just may be a brand new New Colony Six Greatest Hits CD to promote in the process!!!  Stay tuned!)  kk  

Gee ... I know a former Chicago DJ  who went into TV ... and could have been a "knowledgeable" host. But, modesty prevents me from naming him!  
Bob Hale  
I'll be the first to admit that Wendy Snyder was an unusual selection to host this thing ... I would have immediately thought of either Bob Sirott or Bob Stroud to handle these honors ... or even just let Ron Onesti run with the whole thing, knowing how much he loves and appreciates this music.  His energy would have kept the whole thing moving at an entertaining pace.  But you, too, Bob, would have made an excellent choice ... as would Clark Weber (who first programmed these tracks on the radio) and Dick Biondi.  At the very least they should have taped brief snippets with everybody to edit into the piece.  (Guys like Art Roberts and Larry Lujack, both of whom are no longer with us, had an impact as well.  It was Lujack who told The New Colony Six that they were promoting the wrong side of their new record and got them to flip it over, making "Things I'd Like To Say" their biggest national hit.  And it was Art Roberts who suggested the "call and response" feature in The Ides Of March's biggest hit "Vehicle".)  SO much more could have been done with this special had they taken the time to do so ... but then it would have had to run for six hours and would likely only draw an audience of a few hundred die-hard fans like ourselves!  (lol)  kk    

Hi Kent:  
I disagree with you a bit on the inclusion of “Sunshine Psalm” in the Cryan’ Shames set. It’s a B side that should have been an A side. It was covered by a few Midwest groups at the time (Sometimes called “I Need Her”), and has gained popularity over the years with Record collectors of Garage Rock, Psych Pop etc. It’s a nice track that should have been re-titled and tried to get a hit out of it.    
The American Breed not doing “Step Out Of Your Mind”?   Whose brain fart was that??    
Ken  
If The Cryan' Shames were doing a retrospective of their own work, "Sunshine Psalm" (along with several other album cuts and B-Sides) would be expected ... but within the context of a "Chicago's Greatest Hits Of The '60's" concert, NOBODY's going to know what it is ... and not question what it's doing there ... especially when legitimate hits were already being left off the set list.  
My hope is that a program like this renews interest in ALL of the Chicagoland bands of the '60's (most of whom have found it EXTREMELY difficult to find work the past few years due to all the festivals trying to save a few bucks by hiring "copy bands" instead).  Perhaps with some heightened awareness, groups like The Cryan' Shames and The New Colony Six will begin lining up summer gigs again after this "Cornerstones of Rock" television special airs.  (Even The Buckinghams may fine next summer a little leaner now that they've been dropped from The Happy Together Tour.)  
As for The American Breed, I can only surmise that because they haven't stayed in touch with one another or kept up performances over the past forty years, it was somewhat difficult to regroup and present themselves as a band again.  Maybe one song was all they could muster up for the program.  I, too, believe "Step Out Of Your Mind" should have been part of the set list ... "Green Light" and either "Ready, Willing And Able" or perhaps the better-known (thanks to multiple cover versions) "Any Way That You Want Me" would have been nice, too.  
Gary Loizzo has been on the other side of the board for so long now that maybe he doesn't miss performing as much as one might think ... but The American Breed are one of only TWO Chicagoland Bands of the '60's to reach #1 on the national charts.  "Bend Me, Shape Me" topped the Record World Chart and "Kind of a Drag" by The Buckinghams reached the summit in Record World and Billboard.  For the record, despite decades of comments to the contrary (and no matter how deserving it may have been) "Vehicle" officially peaked at #2.  (Honestly, I believe it blows the other two away ... but those are the facts, Jack ... I mean Ken!)  kk

Fact ... Not Fiction:

According to The WLS Charts (and the reference source of Ron Smith's EXCELLENT book, "Chicago Top 40 Charts, 1960 - 1969", documenting these lists), here is the actual sequence these artists first hit the charts here in Chicagoland back in 1966.  (Note that The New Colony Six actually did it first ... with two weeks to spare, in December of '65 ... and still nine weeks before The Shadows Of Knight first appeared with their smash "Gloria".)  It's also interesting to see that most of these records performed better in Record World Magazine than they did in Billboard ... Record World must have placed a heavier emphasis on what was happening here in The Windy City at the time ... usually the #2 or #3 market in radio.  (National Chart Information courtesy of Joel Whitburn's Comparison Chart Book.)

12/17/65 - The New Colony Six - I Confess  (#2 here in Chicago ... and peaked at #64 nationally in Record World Magazine; #80 in Billboard)

2/18/66 - The Shadows Of Knight - Gloria  (#1 here in Chicago ... and peaked at #6 in Record World Magazine; #10 in Billboard)

3/25/66 - The Buckinghams - I'll Go Crazy  (#19 here in Chicago, "bubbled under" nationally)

3/25/66 - The New Colony Six - I Lie Awake  (#19 here in Chicago on WCFL; #20 on WLS; #97 in Record World'; #111 in Billboard)

5/20/66 - The Shadows Of Knight - Oh Yeah  (#13 in Chicago; #39 in Billboard)

5/27/66 - The Ides Of March - You Wouldn't Listen  (#7 in Chicago; #41 in Record World; #42 in Billboard)

6/3/66 - The Buckinghams - I Call Your Name  (#14 in Chicago; "bubbled under" nationally)

7/1/66 - The Cryan' Shames - Sugar And Spice (#4 in Chicago; #39 in Record World; #49 in Billboard))

7/1/66 - The New Colony Six - Cadillac  (#27 in Chicago; "bubbled under" nationally)

8/19/66 - The Buckinghams - I've Been Wrong  (#13 in Chicago; "bubbled under" nationally)

8/26/66 - The Ides Of March - Roller Coaster  (#19 in Chicago; #92 in Billboard)

8/26/66 - The Shadows Of Knight - Bad Little Woman  (#19 in Chicago; #88 in Record World; #91 in Billboard)

10/21/66 - The Cryan' Shames - I Wanna Meet You  (#6 in Chicago; #62 in Record World; ##85 in Billboard))

11/11/66 - The Shadows Of Knight - I'm Gonna Make You Mine  (#25 in Chicago; #90 in Billboard)

11/18/66 - The Buckinghams - Kind Of A Drag  (#2 in Chicago, #1 in Billboard and Record World)

12/16/66 - The New Colony Six - Love You So Much  (#2 in Chicago; #55 in Cash Box and Record World; #61 in Billboard)

The American Breed didn't chart with their first hit until 1967.
 

The Zombies Concert Review

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Forgotten Hits Reader Brad Joblin send us this review of The Zombies concert he saw in  Ridgefield, Connecticut last week.

This is the big reunion tour that features not only Colin Blunstone and Rod Argent (who have been back together again touring and recording a new album for the past couple of years) but also original bassist Chris White and drummer Hugh Grundy.  Guitarist Paul Atkinson passed away in 2004.)

The showcase focal point this time around is the performance of their "Odessey and Oracle" album in its entirety.  (By the time this record was first released in 1968, the band had already split up.  One of their biggest hits, "Time Of The Season" was released as a single the following year ... and soon The Zombies had the #1 Single in the country ... but couldn't even tour behind it!)

The Zombies are making select stops around the world to perform this special set of music.  (In fact, they were right here ... well, 90 minutes away ... last Friday Night at The Star Plaza Theater in Merrillville, Indiana.)  A complete list of tour dates can be found here: http://www.thezombies.net/future/

(We had the chance to see them a couple of years ago when they performed at The Arcada Theatre ... as the opening act for Burton Cummings!!! Man, what a night of music THAT was!)

FH 2013 Concert review here:
http://forgottenhits60s.blogspot.com/2013/10/zombies-concert-review.html

Here is Brad's official report ...


Kent,
 

Last night, at The Ridgefield Playhouse (Ridgefield, Connecticut), The Zombies treated a nearly sold-out crowd to absolutely the finest musicianship.
 

Quoting Rolling Stone from last summer: 
 
"Nearly 50 years after The Zombies released their landmark Odessey & Oracle, the four surviving members who recorded that album will reunite to perform their classic LP live and in its entirety. Singer Colin Blunstone and keyboardist Rod Argent will be joined by bassist Chris White and drummer Hugh Grundy this autumn when the original Zombies reform to perform Odessey & Oracle live for the first time; the band initially broke up in December 1967, four months before their 1968 masterpiece was released.  Guitarist Paul Atkinson, who also featured on Odessey & Oracle, passed away in 2004.  Guitarist Tom Tooney, drummer Steve Rodford and ex-Argent bassist Jim Rodford will fill out the current Zombies touring lineup."


The first act of the show included The Zombies hits and some great new tracks from their album released days ago called "Still Got That Hunger", which includes some very catchy tunes, especially the track "New York".  Listen to a 30 second preview here:
  


http://www.amazon.com/New-York/dp/B014QHGUCE/ref=sr_1_10?ie=UTF8&qid=1444881069&sr=8-10&keywords=Still+Got+The+Hunger

This is the actual set list from the first act:



After an intermission the band returned, now joined by Hugh Grundy, Chris White and a special guest, the genius keyboard player from Brian Wilson's band, Darian Sahanaja, who added special support on vocals and keyboards, including a Mellotron M4000D.  Promptly, they commenced the powerful and dead-on performance, track by track, of "Odessey and Oracle", nearly 50 years after its release.  The magic was still there and made even more enjoyable by the outstanding sound mixing by Zombies FOH engineer Dale Hanson.  From the first track “Care of Cell 44” to the classic last track "Time of the Season" we were blown away. 

Set list for second act:





The Zombies enjoyed the company of Paul Shaffer backstage and they talked after the show late into the night.  Clearly Paul admires these guys, and rightly so.

 
Backstage at The Ridgefield Playhouse.  Left to Right: Hugh Grundy (original drummer), Rod Argent (original keyboard player and vocals), Colin Blunstone (original lead singer) and Paul Shaffer.  Photo Courtesy of Brad Joblin (c) 2015

Brad Joblin
Ridgefield, CT


VERY cool, Brad ... thanks so much for sending.


Have you read Carl Wiser's interview with Colin Blunstone?  You'll find it on his Songfacts page here:
http://www.songfacts.com/blog/interviews/colin_blunstone_of_the_zombies/
 

50 Year Flashback - October 19, 1965

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We're back in Chicago for this week's chart.  The Beatles sit on top with their two-sided hit "Yesterday' / "Act Naturally" and The Top 20 still seem to be pretty well populated for British Invasion acts:  Herman's Hermits at #3 with "Just A Little Bit Better:, The Rolling Stones at #5 (up 19 places) with "Get Off My Cloud", The Animals are at #12 with "We Gotta Get Out Of This Place" (up 10 notches), Marianne Faithfull's at #13, and The Fortunes are at #18.

Climbing the chart are The Gentrys with their first big hit "Keep On Dancing" (it premiers at #23 this week) while the "5 Star Record To Watch" is The Beatles' version of "Boys", a record that will soon be pulled off the market as it was no longer in keeping with the sound of the band today.  (Capitol Records was still tying to cash in on their earlier success by re-releasing tracks on their new Starline Record Label ... and "Boys' / "Kansas City" was their latest means of doing so.  Neither of these tracks were released as singles here in The States upon their original release dates.  It was hardly representative of a band who was currently in the recording studio laying down tracks for their Christmas release "Rubber Soul"!)

Also of interest this week here in Chi-Town:  Danny Hutton's solo hit (pre-Three Dog Night) "Roses And Rainbows)  sitting at #30, Neil Sedaka's beautiful "The World Through A Tear" (which tanked nationally) and "Trouble With A Woman", a local hit for Kipp and Ken.





The Cornerstone Of Chicago Rock - Part 3 (and Concert Review)

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Kent, 
For me, "Cornerstones" was a glorious reminder of the free-spirited 60's and my stint as a roadie with the New Colony Six. The rich memory of watching the band record "I Will Always Think About You" at the old Chess Studio is a vibe that will last forever. As I recall, after the Six laid down the vocal track, I sped off to the old Batt's Deli to get the guys cheeseburgers.
There was a natural competition between local bands in those days but also a remarkable degree of respect; we wanted to outsell other groups but we also looked upon Jimy Sohns, the Buckinghams, The Shames and the underrated Flock as members of a very exclusive club.
I will always remember the Colony gigging on Don Webster's "Teen Beat" in Cleveland with The Union Gap and the Outsiders.  Hey, we were young, we experimented, we kept our bills in a sock. Our worries seemed inconsequential.
It's truly a shame that today's 20 year old kids will never experience the originality of sounds that we were blessed to enjoy.
Where is the next Chuck Berry (89 years old on Sunday), Brian Wilson, Jagger, Richards, John, Paul or Daltrey? The train has left the depot ... it just ain't comin' back.
KUDOS to our buddy Ron Onesti for engineering this magnanimous project
Chet Coppock 
 

Check out this video on YouTube:



Tom Cuddy    
Funny thing is I don't think a single clip in that entire montage is actually from the show!!! (lol)
A pre-promotion of sorts, I guess but I'm thinking the real deal is going to be a WHOLE lot better.  (kk)

Hey Kent:   
I wasn’t saying the American Breed should have done “Step Out” over “Bend Me”, They should have done both!! At least their two biggest hits.
On “Sunshine Psalm”, I think it depends on what audience you are trying to reach. If you are just trying to reach a group who remembers these bands from the 60’s, then I would not include the song. If you are trying to reach younger people who have only been exposed to these groups in the last 10 to 20 years, then it might be prudent to include it. The Hipsters and younger record / music enthusiasts have a completely different take on these songs. They have no historical perspective on them. They basically are all the same, unless some radio outlets include them. Two of the more asked for Cryan’ Shames tracks in more recent times are “Sunshine Psalm” & “Ben Franklin’s Almanac”. These are flip sides, but to younger people and Garage Rock enthusiasts, these are now the more desired sides of the record. Take for example the Beatles'“I Want To Hold Your Hand”. In it’s time, it was the #1 record of 1964 and by far the more popular side of the 45. But, in the last 30  years I would say that the flip side, “I Saw Her Standing There”, has become at least as popular if not more so. It’s just the way it goes. If you want to include this type of viewer in these shows, then it makes sense to play the song. 
The McCoys did an excellent version of “Come On, Let’s Go”. That was a Top 10 hit here. Maybe they shouldn’t have been on this particular show, but seeing them do that song would be great! Was there any idea of getting some of the other bands who had followings in Chicago like Del-Vetts, Little Boy Blues??  
Ken
I totally get that The American Breed should have done more than just their one biggest hit ... and that was the whole point of my response.  My guess is that they only prepared the one song ... like I said, it's not like these guys have been performing together regularly for all these years.  From that perspective, I'm just happy to see them included at all ... as they normally don't partake in these type of festivities.  (Maybe this, too, will lead to something better.)
And I also agree with the "I Want To Hold Your Hand" / "I Saw Her Standing There" analogy ... and have made the exact same point many times over the past ten years.  As big and as ground-breaking (and world-changing) as "I Want To Hold Your Hand" was at the time, it has paled in comparison to much of their earlier work from this same era.  (I always felt "She Loves You" should have been the bigger hit anyway)
I do NOT agree, however, that the B-Sides "Sunshine Psalm" and "Ben Franklin's Almanac" have eclipsed their A-Side counterparts.  "Sugar And Spice" just may be one of the most infectious singles released in the '60's.  (I never much cared for "Young Birds Fly" in the first place ... so "Sunshine Psalm is more of a moot point for me.  However, read what James Fairs says about the song below for a better understanding as to why they chose to include it.  All of that taken into account, I STILL don't believe it would have garnered as strong a reaction as "Mr. Unreliable" or "Greenburg Glickstein" may have under the same circumstances.
As for hit local performers left off the list, any number of other local acts were overlooked for this, most likely due to timing restraints (and familiarity to the potential mass audience.)  There's a bigger world out there than those who read Forgotten Hits (that love this sort of thing!)  lol.  Sounds like it was a great show from start to finish ... yes, I would have gone All-Chicago for the first time out and given some of these artists the chance to do more with their time slot.  Heck they could STILL take the Rick Derringer and Standells footage and edit them into an All-Garage Band Show and thereby air more of what will end up (for televising purposes anyway) on the cutting room floor.  (kk)  

This may clarify one of your blog's points:
Those of us who played through the sixties saw what packed the dance floors and rocketed the excitement. For the Shames, it was an electrifying version of 'Hey Joe' and ripped version of 'Sunshine Psalm'. You'd look up from your guitar and see the place goin' nuts! Now we can't lay any claim to 'Hey Joe' as an original; it's more of a classic. But Sunshine Psalm was, and is, ours. A hit? No ... a key part of the experience, most certainly! We'd change it up, just to keep things interesting, and we did so again for this special event. Steve Eisen blew a great ending solo (of course) and it was a great set closer.
Not everything fits neatly into a package, and I'm always looking to find that missing ingredient that completes the picture.
I hope this helps to explain things a bit. 
All the best,
James Fairs 

Wow! You really were on fire in print on Friday.
I'm glad you let your frustration out.
You are a great guy and it got you screwed.
I was wondering if I got you fired up at lunch on Thursday?
Steve Sarley
No, this has been brewing for quite some time.  At some point you just have to tell it like it is.  Extensive coverage on ALL the Chicago bands has gotten me criticism over the years from experts in the music industry ... "Yours will never be a national sheet because you focus too much on the groups from Chicago, most of whom didn't raise a blip on the national scene" ... I can't tell you how many times I've heard that one ... but I have maintained from Day One that I wasn't partial to this music because it came from Chicago ... I loved it because it competed on every level with the best of the music that was out there at the time. No, not all of it ... but there are some exceptional stand-out tracks that simply cannot be denied.  ("You Wouldn't Listen" by The Ides Of March is as good as ANY song released in 1966 ... yet it never made The National Top 40.  "It Could Be We're In Love" by The Cryan' Shames topped the Chicagoland charts for four straight weeks ... yet never rose above #85 in Billboard.  I've had music scholars who heard the song for the first time EVER in Forgotten Hits tell me that this song is on par with what Brian Wilson was writing and producing at the time.)  Likewise, The New Colony Six, who wrote all their own songs and played their own instruments.  (The Buckinghams had the biggest hits from coast-to-coast, but a big percentage of those came from the pen of Jim Holvay, who never got the chance to enjoy the same success with his own band, The Mob.  The others were cover versions of tracks written and recorded by the best of the best like The Beatles and James Brown ... and who didn't do the Lloyd Price song "Lawdy Miss Clawdy" back then.  They took the vocal arrangement of "Mercy Mercy Mercy" into The Top Five just five months after jazz great Cannonball Adderley hit #11 with his instrumental take.)
What I found disappointing on a personal level was the fact that even after a week-long profile of The Ides Of March 50th Anniversary Box Set ... excellent concert reviews of their Christmas Show and a free ticket giveaway to Jim Peterik's Lifeforce (where Jim told me my promo was so good it made HIM want to go to the show!), coverage of the dedicating of Ides Of March Way, an excellent review of his autobiography ... plus literally dozens and dozens and dozens of other Ides Of March promotional pieces over the years, this STILL wasn't good enough to get Jim to honor his word to break the story nationally here first in Forgotten Hits ... or allow us access to cover the rehearsals since we knew up front that we couldn't attend the main event.  (And I have to believe that a good percentage of that decision was influenced by Carl Giammarese of The Buckinghams who, for YEARS now has accused me of favoring Dennis Tufano's shows over their own ... which is, plain and simple, 100% not true.)  We've promoted BOTH artists to the hilt in Forgotten Hits over the past sixteen years, doing countless profiles of the original days of the band as well as keeping folks up to date with what both Carl and Dennis are doing these days.  Me simply pointing out the fact that EVERY original hit the band ever had was sung by Dennis Tufano is not showing prejudicial or preferential treatment ... it is simply stating A MATTER OF FACT.  Period.
So yeah, being aced out of the announcement ... and then not being allowed to attend the rehearsals (despite promises to give these the same coverage we did for The Marty Grebb Benefit Concert ... which was nothing short of outstanding and sensational ... ask ANYBODY!!!) ... totally pissed me off.  When asked what I was going to say about it, I simply replied "just speaking my mind" ... and that's EXACTLY what I did.  (kk)   

Hi Kent -
THANK YOU for the GREAT comments on the Cornerstone Garage Band Tribute!  Even without seeing it yet, I agree with you that The McCoys and The Standells should not have been there. More New Colony Six (my FAVORITE GROUP like you!) songs should have been included. I have ALL their albums and they did some innovative music from every angle! 
The Buckinghams were given due justice with ALL their hits and ANYTHING the Cryan' Shames recorded was FANTASTIC. So glad Jim Fairs came to join the group, too. 
Jimy Sohns is UNBELEIVABLE and I would see him perform any day! The Ides of March, from my alma mater Morton West and Charles E. Piper School, really put BERWYN on the map with their music. 
Would have liked to have The Mob, The Mauds, Spanky and Our Gang there also ... Maybe one day!
Can not wait to see the program on Channel 11 and buy the DVD with the uncensored version!
Keep on ROCKIN', Kent. You are the local "Dick Clark" with your Forgotten Hits.
Carolyn

>>>Does anybody other than me even remember tracks like "Sometimes Good Guys Don't Wear White" by The Standells and The McCoys' version of "Come On Let's Go"???  (kk)
Kent,
To answer your question, I remember the songs SOMETIMES GOOD GUYS DON'T WEAR WHITE and COME ON LET'S GO.
The show itself will probably be aired in February if I was guessing since that is the normal time for them to take donations for programming. I am quite sure I will order the DVD and I again am assuming one will be put out of the concert.
Larry  

Kent,
You have become too jaded about live shows in your old age. Of course this song, or that song, could have been included / eliminated. Who knows how many shows you and I and the rest of the FH team have been to in the last 50 or so years, (a figure that was brought up several times during the nite). We've seen great shows, good shows, OK shows, and a few that were down right awful (disappointing might be a better description). While you and I are native Chicagoans and last nite's show has special memories about the music, not everyone in FH is. I was there. I drove 327 miles, one way, to see this show. (Yes, I clocked it). I missed the last one a couple months ago, because of logistics, and I was determined to see this. I was not disappointed. Nine acts, plus guests, were on stage at one time or another, and as you mentioned for the Louie Louie encore. I wasn't expecting a full set by the Buckinghams, NC6, the Shames, or anyone else. So I will break this down for you, song by song.
I actually might have had the best seats in the house. There's no way that the VIP seats were worth $75.00 than general admission. I had front center and was seated next to a sweet 81 years old woman named Marge Abbott, who just happened to be the sister of Ides bassist, Bob Bergland. She says she attends all the Ides shows in the area.  I was told that the venue would hold about 450 seats before the fire marshall would get worried, and yes, every seat, plus some standing room, was filled.
So here's the set list, plus notes I made. 
The Ides Of March opened the show with the Music Explosion hit, Little Bit O' Soul. Not sure about the inclusion of that song, but It didn't detract from anything. Four more songs would follow:
You Wouldn't Listen
L.A. Goodbye with a string section added
Superman
Get It On the tribute to Bill Chase which featured Dartanyan Brown, formally of Chase. 
The set concluded with Vehicle.
Next up were the New Colony Six. They, like much of the artists of the night, were backed up by the Ides Of March. To see Ray Graffia, Jr., Ronnie Rice and Bruce Mattey, on stage, even for four songs, is a treat. I , too, would have liked to have heard Roll On or I Lie Awake. I'd also like to be independently wealthy and have world peace.
Their set list was:
I Confess
I Love You So Much
Things I'd Like To Say w/ string section
I Will Always Always Think About You
Not only were there three vocalists, but counting some of the Ides Of March, there were as many as seven vocalists, with nobody getting in the way of anyone's harmonies.
On to the Cryan' Shames, which I was really anxious to see. They had always been my fave Chicago area group. As you mentioned, the Shames were robbed as far as Billboard peak positions were concerned, but I won't get into that, and it's been covered in FH before. Sometime when you have a slow day Kent, I'll run you a piece on just how trade journals, Billboard, Cashbox and Record World, come up with their stats and sales probably figure into it the least. I also gotta say that Jim Fairs has made a deal with the devil. I will assume for the moment that Jim is at least 65, the same age as me. (I'll have more on that stat later). I suppose he could go to the same hair stylist as Jim Peterik does. Hmmm hairstyling for Jims. He's got hair halfway down his back and it's still dark. Now that can be altered, but he looks like he could be his kid. Jim also related how he came to write It Could Be We're In Love. Great harmonies as well. They did five songs.
Sugar & Spice
It Could Be We're In Love
Up On The Roof 
I Wanna Meet You 
Sunshine Psalm
I, too, would have liked Mr. Unreliable. Maybe I'll ask for my money back. Maybe this is a good time to mention that, for the most part, time wasted moving equipment around was very minimal, a fact that was impressed upon me as I picked this moment for a needed break and in that short time, The American Breed was halfway thru Bend Me Shape Me, their only song for the nite. I have major trouble with that aspect. Even the Standells and McCoys got two songs. 
I met Jimy Sohns about five months ago at a record show in Springfield and in Peoria, IL. A very nice man, and wild and crazy on stage. I would like to see a full set by him one day. I tend to doubt it will happen for me tho. More on that, too. Jimy did three songs. When not performing, he sat in the audience (non VIP).
Shake (a nice surprise)
Oh Yeah 
Gloria
I didn't know about the Standells being there, until that nite. They did two songs. They did mention how the White Sox had co-opted the song for their slogan. Nice to hear Chicago's only World Series winning team, in the last 100 years mentioned. MC Wendy Snyder, also mentioned she was a Sox fan.
Dirty Water and Sometimes Good Guys Don't Wear White. 
OK so the latter song isn't well known, so what? How many concerts have you been to where there was at least one song that the audience wasn't familiar with? It's a cinch you won't hear it on oldies radio anytime soon. I can see why you wonder about the inclusion of them, and the next act, Rick Derringer / McCoys. Wendy Snyder remarked when she was a rock jock, they played Rock And Roll Hoochie Koo so often, she had the cart # memorized. Rick played Hang On Sloopy and Rock And Roll Hoochie Koo.  Rick made mention of Hang On Sloopy being the official Rock and Roll song of Ohio.  Rick also mentioned how Hang On Sloopy was #1, while Yesterday was #2 while he was on tour with Ringo. That is until someone mentioned that maybe he should ask Ringo if it was OK if he said that. Ringo didn't care.  
A similar feat was brought up during the Buckinghams' set. I had never seen Dennis Tufano play with them, so this was gonna be a treat ... at least that's what I thought. They would play five songs.
Don't You Care
Mercy Mercy Mercy
On both of these songs, Dennis was not with them. Dennis came on to sing the next three.
Susan
Hey Baby (They're Playing Our Song)
Kind Of A Drag
Dennis remarked how it had knocked off I'm A Believer off the top spot. Nationally anyways. The song stalled at #2 in Chicago. 
While it was well known that there would be a tribute to Mitch Aliotta, of Aliotta Haynes & Jeremiah, Skip Haynes, who wrote the song, and sings it, was actually a last minute addition, having heard about it, because a friend happened to be listening to Wendy Snyder talk to Jim Peterik and Carl Giammarese on her show about the event, and told him. There was a fiddle/violin player helping out, I didn't catch her name. For some reason they played the song twice. OK with me. Maybe an equipment malfunction. 
I was thinking there would have to be some closing number where everyone got on stage and sang and I was right. When they said it would be the greatest garage band song of all time there was no doubt that it would have to be Louie Louie and I was right. 
It was a great show.  Thirty songs in all were performed and it moved pretty quickly. Lake Shore Drive was the only song repeated.
Because I live in the middle of nowhere, and the closest major town for concerts, is St. Louis, Mo., I have to think this might have been the last concert I ever attend. It has to do with two things. First off, coming home at midnight, or later, and driving 100 miles or so is exhausting, especially in inclement weather. Next is the fact that Mrs. Jack, works five nights a week and doesn't necessarily have the corresponding evenings off. Mrs. Jack gave her blessings for me to attend the show with her immediate predecessor. Is this the best show I ever attended? Probably not. My ears are still ringing from a Springsteen concert I saw in 1977. A top 10 show for sure, and maybe a top five. There is talk about bringing the show to venues in the Midwest. If it comes to St. Louis, Effingham, or Evansville, I will show up. I'll be anxious to see the show when it airs on PBS. I'm sure there are details I forgot, but I think I got everything.
Jack Levin (Rock And Roll Never Forgets)
As cool as it would be to take this show out on the road and let other fans of the music see it, I'm really not sure how practical and realistic that would be.  Ronnie Rice singing regularly with The New Colony Six again?  Probably not going to happen (although with the backup of The Ides, they certainly could expand their horizons musically ... and include some of those songs I suggested earlier.)  On a full show / tour level, I see no reason why they couldn't break this into a two one-hour sets and give fans more of what they want to see from The Cryan' Shames and The American Breed, too.  Plus this would allow Peterik to incorporate some of his Survivor hits into the program ... I can't imagine seeing Peterik and The Ides and NOT hearing "Eye Of The Tiger"!!!
Carl and Nick inviting Dennis to continue to participate is even LESS likely to happen.  (And in this regard, Carl brings up a good point ... the "value" of the band ... whether it be two original members, three original members or four original members ... really doesn't change based on the head-count.  The Buckinghams are going to make whatever they're going to make ... they'd just have to share the pot more ways.  The Carl and Nick / Buckinghams Show has done just fine on its own for many, many years now and while bringing Dennis Tufano out as a "special guest" is a nice touch from time to time, I can't imagine they'd want (or feel any need) to do this on a regular basis.
Plus realistically once the entire show is available through DVD, you can watch it as many times as you like ... you don't really need to go out and see it again and again.  (Coupled with The Marty Grebb Benefit Concert, this would make TWO incredible additions to any Chicagoan's musical collection.)  I would rather see a renewed interest in all these acts so that they might book more summer shows as individuals (where they could expand their own sets to include more of their hits) ... or "double team" as a couple of package shows.  Imagine a "Chicago Gold Weekend" featuring The Shadows Of Knight, The Cryan' Shames and The Buckinghams on one night ... and then The American Breed, The New Colony Six and The Ides Of March on another.  Venues could sell two-day passes to see the whole thing ... and then on night one, Ronnie Rice could sit in as a featured guest of The Shames and Dennis Tufano could sit in as a special guest of The Ides ... now EVERYBODY's represented without any internal conflicts raising their ugly heads!!!  (See guys ... ALWAYS thinking!!!)  Now THAT'S a show I'll bet you could sell tickets for!  (kk)   

Kent,
Anyone would be hard-pressed to find a bigger music ambassador than you for the city of Chicago, or for that matter, most of the proven artists music scene in this country.  The music artists and luminaries that pop up in Forgotten Hits certainly speak to its credibility and value.  Wish you were on the board of the Rock & Roll Hall of Fame as looking at their latest voting stats speak loudly of your musical tastes and credibility.  When it comes to zeal, enthusiasm, and love of music, I think most everyone would agree, we don't know where in the hell you find your energy but please tell us the website where we can purchase it.  I am sure you hear this repeatedly, but don't stop what you are doing.  Other music publications could take a lesson from your example spreading the medicine of music and the candid, honest reporting of Forgotten Hits.  Thank-You,Tim Kiley
Thank you, Tim ... your email made my day.  And let me state again for the record ... we often find ourselves in the position of having to call 'em as we see 'em ... which, from time to time, requires us to render our opinion ... but in MOST cases we find it FAR easier to simply state things as a matter of fact ... because you just can't argue with the truth.  (kk)   

Wow, Kent – awesome coverage!  I was humbled and nearly brought to tears over some of your incredibly kind words; a zillion thank yous would fall far short of being sufficient.  Blown away, kk – what you wrote is what I feel. 
My perspective on the invitation, Kent, is validation from sources that have otherwise chosen to remove our band, The New Colony Six, from its rightful place as the group that  broke down previously insurmountable airplay barriers that seemingly existed at Chicago, Midwest and Nationwide radio stations and led to the crush of wonderful Chicago music that came from the Colony and so many of our fabulous peers and subsequent generations of performers in the months, years and now half century+ following the “Breakthrough” by our song, “I Confess”.  Our band was always a collective and never an individual --- from writing to performing, from backroom decision-making to our onstage presence, from departing members to selecting newcomers, from anything to everything -- we were truly a group.  Hence, prior omissions from previous events and even the limited participation that has been allowed in this coming program have been tough to take.  (At one point we were cut from six songs down to three ... I had to fight hard to settle in at the four we ultimately performed.)
Perhaps this is just the increasing sensitivity of an aging man, but the show’s inclusion of Bruce, Ronnie and me at least advocates for the recognition of NC6 as what was and still is a cooperative democracy and not an autocracy … and is very much appreciated!  WE will do our very best to rock the house, despite the absence of many important NC6ers – past and present.   
We are kindred spirits and to use the oft repeated but never more apropos phrase, I feel as though we are “brothers from a different mother”.  Love ya, man!       
Ray   

Hi Kent! 
Thanks so much for the positive comments on the Cornerstones show we taped on October 16 at WTTW.  Everyone onstage and in the audience had a blast.  I'm still buzzing with good vibrations. 
It went really well and I wish you coulda been there.  
Please understand that this was our chance to do a more complete job than we were able to do in last year's Cornerstones show. That was not a matter of my disloyalty -  there were many factors beyond my control that caused not every band to be represented in full. We did what we could.
As far as the American Breed, Gary requested they do just one song - Bend Me Shape Me - and we agreed to it.  What a thrill to see the breed reunited.
I'm glad we got to join many forces that couldn't seem to come together prior to this show.
If you knew the work that was done by me and others leading up to this show to get this whole team working together, I think you might be a bit more charitable. Shows like this are never easy to mount but so worthwhile.  We are moving forward - together ... not looking back on the growing pains of the past.
I'm overwhelmed by the Chicago fan support and of course I'd like to thank you for your support and passion through the years.  
I'll send you an update soon.  
Thanx again for all you did to promote this historic night.
Keep Rocking!
Jimbo 
Jim, I have always ... and WILL always help promote the events of our local heroes ... I have ALWAYS been a fan first ... and would have LOVED to have been at that concert.  But because I knew in advance that I already had Stevie Wonder tickets (review to come) I felt the best and closest way to accomplish that (and still help give you guys the press you deserved) was to attend the two nights of rehearsals ... and help build the hype from the pre-show perspective.  (Now by that point this gig was LONG sold-out ... so nobody reading this had anything to gain in the way of possibly attending ... but I believed ... much as we did with The Marty Grebb Benefit Concert ... that we could still drum up some excitement from coast to coast for fans anxious to see the first airing of this landmark event.  Couple that with some exclusive photos like we did for the Grebb gig and everybody wins.)  What upset me was the fact that after being aced out of the initial announcement (after direct promises from you and Carl in this regard) that no restitution was made by invitations to the rehearsals.
Be that as it may, this doesn't diminish my love for this music and the artists who created it ... and, as such, I will always be excited and willing to help in any way I can. 
Believe me, I DO show great appreciation for all that goes into putting together a show like this ... and in that regard, you did a commendable job ... outstanding in fact, based on all I've heard from the folks who were actually there that night.  (And I think that you would be the first to agree, on the record or off, that a lot of the obstacles you fought with last year's Ides Cornerstones show were due to the behind the scenes politics of certain participants.  Those same influences almost caused you to miss The Marty Grebb Benefit Concert which, had that happened, I believe you would have regretted for the rest of your life.)  My sincerest hope (and expectation) is that you, as an individual who has certainly earned his right at the top of the heap, will always use your best personal judgment, kick these distractions to the side and NEVER lose sight and focus of what these events are really all about in the first place.  As you have seen first hand, the love from the audience comes back ten-fold ... please don't let ANYONE ever stand in the way of what you truly believe in your heart.  (kk)   

Kent -
Thank You once again for all you do for the Music. You have been a great friend, sound board and voice of reason for all of us music makers from Chicago and beyond! God Bless and looking forward to seeing you soon.
Dennis Tufano

Leon Russell - Live At The Arcada Theatre

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We had plans to attend this concert but then when Frannie got me Stevie Wonder tickets for my birthday (on the same date), we opted for the bigger show.  (It was FANTASTIC!!! Watch for our review tomorrow on The Forgotten Hits Website).

Meanwhile our long-time FH Buddy Steve Sarley WAS able to attend the Leon Russell show ... and as a lifetime fan of Russell's we couldn't have picked a better suited guy to handle this review.

Take it away, Steve!  (kk)    


I’ve been a huge Leon Russell fan since 1968 when he released his first Asylum Choir album with Marc Benno. I’ve followed him closely since then and must admit that he is at the very top of my list of favorite musical performers. Being able to see “The Master of Space and Time” perform live at the Arcada Theatre this past Friday night was something I really looked forward to.  I’ve seen Russell play in concert a few times in the past, both as a solo act and also as the bandleader for Joe Cocker on the legendary Mad Dogs and Englishmen tour.  

The last Time I saw Leon was in 1999 at Lisle’s Eyes to the Skies Festival. He played for 90 minutes and didn’t take any break between songs. It was if he played one, long, hour-and-a-half medley. Of course, he didn’t even speak a word during the entire show. The music was great, but the performance was not what you want when you go to a concert. 

After the show, he autographed merchandise that the crowd purchased but he did it in his trailer. His son took the merchandise from the fans and walked it back to Leon who sat in the dark on the bus. He didn’t shake a hand or say a word to anyone. 

I learned that Leon is a total loner who may possibly suffer from some kind of issue with personal contact. The only way to interview Leon is to send him your questions via fax and he will return his answers in the same manner. Weird, huh? 

That said, I just had to see Russell in concert one more time. The legend is 73-years old and had major brain surgery in 2010 and also suffered heart failure the same year. 

Ron Onesti was not in attendance at his Arcada Theatre because he was busy emceeing the big PBS Chicago Legends taping. I hate to admit it, but Onesti’s absence was missed. The guy is so damned likeable, the short time he spends on stage talking to the audience at his shows is almost like being entertained by an extra opening act. 

The real opening act was a man named Riley Etheridge, Jr. He plays the acoustic guitar and has a very pleasing vocal style. He was accompanied by a bass player, a fiddle player and a mandolinist. I’m a sucker for mandolin and fiddle, so Etheridge went over big with me, even though I am not a huge fan of the folk genre that his music mostly fell into. 

His set ran about 35 minutes and all the songs were very good. The New Yorker really charmed the crowd and even got away with making the mistake of declaring himself to be a New York Mets fan. 

During the short intermission, it was hard to miss the fact that Russell’s stage set-up included a big digital grand piano. The last time I saw Leon, he played on a tiny electric keyboard. When he recorded his album with Elton John, “The Union,” Elton made Leon Russell promise to never play the electric piano again. He felt that Leon’s fans deserved to hear his music on a traditional instrument. I guess that Leon keeps his promises. 

After a short break, Russell and his band walked onto the stage. Russell uses a cane and moves incredibly slowly. He is not a tall man, but is towering in his white straw Stetson hat. His frame is quite wide. He wore a charcoal gray suit and a pair of dress loafers with a blue Hawaiian-type shirt. You had to realize that this was going to be a different kind of Russell concert because Leon wasn’t wearing his signature aviator sunglasses. I can’t remember the last time I was able to actually see the man’s eyes. 

He sat down at his piano and did a rousing version of Ray Charles’, “I Got a Woman.” It sounded great but I was totally blown away at the conclusion when Leon turned to the audience and related an anecdote about meeting Elvis Presley at the MGM in Las Vegas. 

He said he had been invited backstage by his fried, James Burton who was Elvis’s guitar player. Upon the introduction, Russell said to the King, “Hello, Elvis. I’m Leon. How the hell did they talk you into making all of those bad movies, anyway?” 

I was stunned to hear Leon talking conversationally and telling such an amazing tale. It was the first of the night and it wasn’t to be the last. He talked about making friends with Bob Dylan at The Concert for Bangladesh, recording with B.B. King, how he chose to change his name to Leon Russell from Russell Bridges and a number of other incredible tales. He said that he knew his first marriage was headed for divorce when his then-wife told him, “You know, if your fans knew you as well as I do, they wouldn’t like you either!” Leon was absolutely charming and his stories were mesmerizing. 

His band consisted of, Jack Wessell, his bass player and background vocalist for the last 33 years, drummer Brandon Holder and Beau Charron on guitars, pedal steel, mandolin and organ. All three sidemen were extremely polished at their crafts. 

Russell played and talked for a little over an hour-and-a-half. The time flew by. Some people consider Russell’s voice to be an acquired taste, but I’ve always loved its uniqueness. At the Arcada his voice was quite strong and actually better than I had heard it in a long time. He mixed his hits with covers of songs that he really likes. He worked some of his classics into versions with new tempos and arrangements that made them sound fresh. 

His set list was:  
“I’ve Got a Woman”  
“Prince of Peace” 
“Out in the Woods” 
“Rolling in My Sweet Baby’s Arms” 
“Stranger in a Strange Land” 
“Let the Good Times Roll” 
“Dixie Lullaby” 
“Back to the Island” 
Bob Dylan’s “A Hard Rain’s Gonna Fall” 
Ivory Joe Hunter’s “Kansas City Woman” 
“Wild Horses” 
“Georgia on My Mind” 
The Beatles’ “I’ve Just Seen a Face” 
“Hummingbird” 
“Tight Rope” 
“Delta Lady” 
“The Ballad of Mad Dogs and Englishmen” 
Gospel legend Andrae Crouch’s “He’s Watching Me” 
“A Song for You” 
“Jumping Jack Flash” 
“Papa Was a Rolling Stone” 
“Kansas City”    

Leon stood up after that and waited for the applause to stop. He said, “You know, this is the part where we walk off the stage and then act surprised that you keep clapping. Then we turn around and come back out and play a song to finish the show. Those of you that know me know that I’m not very big on walking. So, let’s just pretend we walked off and walked back on again. He sat down and finished with a rousing rendition of “Roll Over Beethoven.”   

On his way off the stage, Russell waved to the adoring audience and the stoic genius actually beamed a huge smile, something that is a Leon Russell rarity, to be sure. 

I must report that I haven’t been this pleased to see a show in many, many years and I can’t wait for Leon to come back again. Leon Russell’s show was first rate and I recommend it very highly.
-- Steve Sarley

P.S.  I had to laugh at the end of Leon's show.  
He walked off the stage and the lights came up.  
The sound system started playing one of my favorite Stevie Wonder songs.  
I thought of you guys and hoped you had a good time.
Actually we had a GREAT time ... watch for our review tomorrow!!!  (kk)

Stevie Wonder - Live At The United Center (October 16th)

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It has become a very popular trend of late for an artist to go out on the road and perform an entire piece of their collected work.   

One of the first we ever saw do this was Brian Wilson, who took us through the landmark "Pet Sounds" album with his outstanding new band.  (A few years later he did the same thing with the resurrected "Smile" LP, which never actually saw the time of day at the time of its originally scheduled release.  In fact, the circumstances surrounding this entire fiasco became the beginning of the "Brian In Bed" period of his life.)   

Several other artists have followed suit ... but Stevie Wonder has taken on an especially challenging project in that "Songs In The Key Of Life" was originally released as a 2-LP Set (plus bonus EP featuring four additional cuts) back in 1976, nearly forty years ago.   

Wonder has pulled out all the stops in his efforts to recreate the album in all its original glory ... at times there were as many as THIRTY musicians, background singers and dancers and musical directors up on stage with him ... including a killer, dynamite brass section as well as a mini orchestra of strings.  Early on, Stevie told us that he would not be extending this tour again as the costs to bring this to the stage the magnitude of such an undertaking in all its full-blown glory (and then travel around North America to promote it) was costing in excess of five million dollars!   

As such, we felt especially privileged to see this incredible production.  (We missed it the first time it hit town ... but this time around Frannie bought me tickets for my birthday ... and we both agreed that it ranked right up there with the very best concerts we have ever seen.)  In fact, I will go on record right here and now and say unequivocally that I can't imagine that Stevie Wonder could have performed this set of music ANY better forty years ago when it was brand new than he did Friday Night at The United Center (nor would have had the resources then to do so.)  Start to finish, it was an amazing, incredible night of music ... with Stevie in EXCELLENT voice throughout.   

The album is SO well-known at this point that the entire audience was able to follow (and sing) along every step of the way.  "Songs In The Key Of Life" debuted at #1 on The Billboard Top 200 Album Chart (it would hold the top spot for a total of fourteen weeks!) and was the second best selling album of 1977, falling just behind Fleetwood Mac's "Rumors" LP.  (To give you an idea just how strong and competitive music really was in 1977, the album that eventually knocked it out of the #1 spot was The Eagles'"Hotel California" LP!!!)   

"Songs In The Key Of Life" was nominated for seven Grammys and eventually won both Album Of The Year and Male Pop Vocal of the Year.  "I Wish" also won Best Male R&B Vocal. (Stevie Wonder had dominated the Grammy Awards in years past thanks to releases like "Fulfillingness' First Finale" and "Innervisions".  When he didn't release a new album in 1976, Paul Simon, who won for Album Of The Year for "Still Crazy After All These Years", thanked Stevie Wonder as part of his acceptance speech "for not releasing an album this year.")   

Ironically, the release of the album came after a rather lengthy negotiation between Stevie and Motown Records.  Wonder had threatened to leave the music industry altogether (and, sensing this as simply a negotiation ploy, several other labels came courting.)  Motown Head Berry Gordy just didn't feel (despite an INCREDIBLE track record of three straight Top Five Albums) that Stevie could successfully pull off a two-record set.  After months of negotiating, Wonder signed a seven year deal with the label ... at the time the most lucrative deal in history ... seven albums over a seven year period with a guarantee of $37 Million and COMPLETE artistic control over all of its the content ... an unprecedented contract ... and then, after numerous delays along the way, he finally released his masterpiece in late September of 1976.  (When all was said and done, even Berry Gordy had to admit that Motown Records had made a HELL of a deal in resigning their star performer back to the label.)  The album premiered at #1 on The Billboard Album Charts, only the third record in history to do so. (It was also the first two-record set ... and the first album by an American Artist ... and the first album by a Black Artist)  To date it has sold approximately 28 million copies.  (Stevie joked in concert that "you bought the album ... you bought the CD ... you bought the 8-track ...") and we sure did.  I've personally owned this collection on vinyl, cassette and CD and have never grown tired of it!  

If it took 30+ musicians to bring this magic to life on stage, it's a true testament to the reportedly 130 musicians who recorded it in the studio with Stevie Wonder nearly forty years ago!  (Another point strongly stressed by Stevie on stage Friday Night was the importance of preserving music in schools ... pointing out that EVERY note played that evening would be played by REAL musicians on REAL instruments.  While Wonder can get a bit preachy at time, THIS message came through loud and clear ... and as one of the strongest examples of this or any other generation of pure, raw musical talent, every word he spoke touched us deeply in the heart, especially with having a daughter so intimately involved with the arts.)   

One of the stand-out performances was "Sir Duke" (it reminded me a lot of the impact currently being experienced by the Bruno Mars / Mark Ronson hit "Uptown Funk" today ... music doesn't get any more infectious than this! ... and I guess to a degree "Sir Duke" was the "Uptown Funk" of its day. Recorded nearly forty years ago it still sounds every bit as fresh, exciting and vibrant today.) Also receiving a tremendous reception was "Isn't She Lovely" which, although never officially released as a single, probably has garnered as much airplay as ANY other Stevie Wonder record ever released.   

Start to finish, it's an incredible album ... in 2005 Rolling Stone Magazine ranked it as the 57th Greatest Album in History.  The album (with its four bonus tracks) runs just under two hours when played in its entirety.  After about a twenty minute late start (traffic was HORRENDOUS getting near The United Center), Stevie performed Sides One and Two (along with a couple of the EP bonus tracks) before taking a brief intermission, after which time he completed Sides Three and Four and the other bonus tracks.  In both sets he did some extended special features spotlighting all of his incredible background singers, an unbelievable set on harmonica and saxophone built around the track "Easy Goin' Evening" (which morphed into several other songs, including, at one point, "The Star Spangled Banner") as well as a lengthy tribute to Chicago Blues featuring songs by Jimmy Reed and Curtis Mayfield.  And then, to top things off, after telling the crowd that they had to wrap things up by 11:00 (by which time it was already about twenty minutes PAST that deadline), he went on to perform another 40-minute hits medley that included another dozen Stevie Wonder classics, topped off by a full-length version of "Superstition" to end the night.  (Several people got up and left when Stevie announced he had to wrap things up ... and, as such, missed some GREAT music in the process.) And let me tell you ... this Stevie Wonder Mega-Mix (with Stevie performing as DJ Ching Ching Boom), coming 3 1/2 hours into the set, packed every bit as much energy as anything we experienced all night.  We waited to the very end ... FOUR HOURS from beginning to end ... before heading out to the parking lot and the ensuing traffic jam to follow.   

I am SO glad we made it to this show.  If ever there is a concert that deserves to be videotaped and marketed to the public, THIS is it.  I'd buy it in a heartbeat, just to be able to watch it again and again.   

We found this "Songs In The Key Of Life" jukebox online, which features every track on the LP.  http://www.steviewonder.org.uk/multimedia/audio_player/songs_in_the_key_of_life.html  
It makes for a great refresher course if you haven't heard this in awhile.  
Prepare yourself to be blown away all over again ... trust me!  (kk) 
Kent Kotal 
Forgotten Hits  

I've got to say that The United Center looked absolutely amazing as we were pulling in ... all kinds of Stevie light up marquees... absolutely beautiful (if not a photographer's best friend!!!)



 
Evolution of a Song:
It first gained life as the album track "Pastime Paradise" on Stevie Wonder's "Songs In The Key Of Life" album.


It was then revamped as "Gangsta's Paradise" by Coolio in the film "Dangerous Minds", and went all the way to #1 on Billboard's Hot 100 Pop Singles Chart.


And then, leave it to Weird Al Yankovic to revitalize it again as "Amish Paradise" (complete with Coolio hair dreds!!!)  Gotta be one of his funniest videos ever!

The Friday Flash

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All kinds of good stuff today ... 

And, if everything goes according to plan, we'll have postings all weekend, too, so stay tuned!  

re:  Cory Wells:  
I'd seen them a couple of times over the years and they were always a fantastic live act. After one show we were behind the theater hoping to score some autographs as the band went past.  Michael Allsup stopped to sign just a few autographs, but Cory and Danny rushed right by everyone without even making eye contact. Regardless, they are definitely in my top 10 all time favorite concert acts.
-- Tom Diehl   

By the way, the death of Cory Wells pushed Three Dog Night's "The Complete Hit Singles" CD back into The Top Ten overnight.  (kk)   

Kent ...  
Scott Shannon was an MC for Three Dog Night as a young DJ.
Frank B.
http://wcbsfm.cbslocal.com/2015/10/21/scott-shannon-cory-wells-three-dog-night-rip/ 
I think Scott used to warm up the crowd for Rudolph Valentino back in the day, too.  I swear, this guy has been EVERYWHERE and met EVERYBODY ... man, the stories he could tell ... if anybody should write a book, THIS is the guy  who should do it ... so many great adventures over the years with every rock star imaginable.  (I'm telling you, Scott, we can make a few bucks with this!!!)  kk  

Hi Kent -  
So sorry to hear of Cory Wells' passing. I wasn't a big fan of Three Dog Night for some reason, but my favorite song of theirs was "Mama Told Me Not To Come" ... and Cory sang lead on that one!  He is in Rock and Roll Heaven now!!! Carolyn
Yes, but NOT in The Rock And Roll Hall Of Fame ... where he and his compadres Danny Hutton and Chuck Negron most certainly belong. 
I'm still adjusting to the idea that Cory Wells is gone ... he was in SUCH fine voice the last couple of times we saw him.  And I still can't believe he was 74!!!  That puts him a year older than McCartney, whose career started a good five or six years sooner.
And once again I'm extremely bitter about The Rock And Roll Hall Of Fame ignoring Three Dog Night ... what other rock group had THREE exceptional lead vocalists and helped introduce the world to great songwriters like Randy Newman, Elton John and Laura Nyro ... all of whom are IN The ROck And Roll Hall Of Fame ... as well as Harry Nilsson, Russ Ballard, Hoyt Axton, Paul Williams, Dave Loggins, Leo Sayer, John Hiatt and Allen Toussaint, each of whom made a fortune when Three Dog Night covered one of their tunes.
And once again The Rock And Roll Hall Of Fame has let another member of rock royalty pass away, rather than honor and acknowledge them during their lifetime.  FAR too many were not considered until just after they'd left us, despite STELLAR careers in music ... and, on more than one occasion, passed away just prior to the induction ceremony after they'd FINALLY been recognized.
Stop worrying about the NEW acts ... most of whom have not sustained a career deserving of induction and recognition ... and start honoring some of those who came before ... many of whom most likely influenced some of these "newbies" to get into the music business in the first place.  (kk)   

And, speaking of The Rock And Roll Hall Of Fame ...

re:  The Rock And Roll Hall Of Fame:
>>>I have been trying to vote for the Rock and Roll Hall of Fame nominees since you first posted the information. I have used the links provided. I have made my choices and upon submitting them I get this ... FORBIDDEN (403) ... CSRF Verification Failed ... Request Aborted.  I don't know what I am doing wrong.  (Stacee)  
>>>I had some difficulties, too ... I can only attribute this to the volume of people on the site at the same time.  Think about it ... the nominees were announced on Friday Morning ... and by 8:00 Sunday Night over 117 Million Votes had already been cast.  (Now THAT'S some heavy traffic!)    kk  
UPDATE:  Try this link ... it seems to be much more user-friendly:  
http://rockhall.com/voting/2016-rock-and-roll-hall-of-fame-nominees-vote/   

If the fans had their way, they would still induct Chicago, the Cars, Yes,Steve Miller and Deep Purple to the Rock and Roll Hall of Fame but what used to be less than 1% separating the five front runners is now a flat out runaway for Chicago.  The jazz-rock group now holds 23.52% of the total vote in which fans are able to select five out of the fifteen nominees. The other four in the upper tier of voting are in the narrow range of 16.19% to 15.95%. Then there is Janet Jackson with almost 6% of the votes and all of the rest of the field are below 1.3%. 
-- Vintage Vinyl News    

Hi Kent, 
I don'tunderstand the criticism of the inductees into the Rock and Roll Hall of Fame. I have been to the Hall three times.  The Hall of Fame is a Profit organization, so the inductees are based on who will pay to go there  Most of these people are young and they never heard of the groups and artists that belong there.  They go to see the newer artists that they are familiar with.  The Hall of Fame exists only because of the young people that go there.  The owners could care less about who belongs in the Hall of Fame .., they just want the younger people to go see the artists that they remember ... and the Hall just wants to make money.  Hell, it's a miracle that Elvis made it.
Sorry, but that's the way it is. 
Arnold Kirkbride  
Well, I can honestly say that that's a perspective never heard before!  
The Rock And Roll Hall Of Fame was founded under the notion of honoring those who made the greatest contributions and longest-lasting influences in the development and growth of rock and roll.  It was the first time rock and roll was ever truly recognized as an art form. 
The inaugural class included Chuck Berry, James Brown, Ray Charles, Sam Cooke, Fats Domino, The Everly Brothers, Buddy Holly Jerry Lee Lewis, Little Richard and Elvis Presley ... the Founding Fathers of Rock And Roll.  (If they built a Rock And Roll Mount Rushmore, all of these guys would be there!)  Over the next few years, The Coasters, Eddie Cochran, Bo Diddley, Aretha Franklin, Marvin Gaye, B.B. King, Bill Haley, Rick Nelson, Roy Orbison, Carl Perkins, Jackie Wilson, The Beatles, The Beach Boys, The Drifters, Bob Dylan, The Supremes, Dion, The Rolling Stones, Otis Redding, The Temptations, Bobby Darin, The Four Seasons, The Four Tops, The Kinks, The Platters, Simon and Garfunkel, The Who and Stevie Wonder all joined the ranks ... and this was all within the first five years!!! 
I guess one could argue that once all these folks got in, who else could possibly measure up and be deemed worthy.
By comparison, in the last five years we've seen Donna Summer, Randy Newman, Public Enemy, The Beastie Boys, Dr. John and Tom Waits inducted.  Not that ANY of these artists didn't make their mark on the music scene ... but how can any of them POSSIBLY be compared to the original cast, if you will, for whom this foundation was started? 
It has NOTHING to do with drawing young folks out to the museum.  If anything, the museum caters to us "vintage rockers" by housing displays and tributes to all KINDS of great artists dating back to the '50's and '60's, many of whom have never been blessed with induction much less a nomination.  Simply put, The Rock And Roll Hall Of Fame has lost its way ... and, in the process, all sense of perspective, importance and relevance.  This year (after a MAJOR shake-up on the nominating committee), we are FINALLY seeing long-overdue artists like Chicago, Yes, Steve Miller, The Spinners and Deep Purple enjoying their moment in the spotlight. 
Who'll get in?  We'll have to wait until December to find out ... but the very notion that "it's a miracle that Elvis made it" just speaks VOLUMES of how fucked up this entire process has become!  (kk)   

Speaking of Halls Of Fame, FH Reader Bob Merlis sent us this report from the recent Memphis Music Hall Of Fame Induction Ceremony ...


STARS SHINE AT MEMPHIS MUSIC HALL OF FAME INDUCTIONS 




This past weekend’s fourth annual Memphis Music Hall of Fame induction ceremony drew a sell-out crowd at the Cannon Center in downtown Memphis. Inductees included blues and jazz singer Alberta Hunter, original Elvis Presley band leader Scotty Moore, drummer Al Jackson, Jr., rock ’n’ roll/country/jazz icon Charlie Rich, soul greats Sam & Dave and contemporary pop giant Justin Timberlake.  Notables present included Keith Richards who accepted on behalf of Scotty Moore who was unable to attend.  He actually dropped the award which appeared to be undamaged; he apologized and quipped, “..but I dropped it classically, tastefully,” Jimmy Fallon presented the award to Justin Timberlake who noted, “This is the f**king coolest thing that has ever happened to me.” He was joined by Three 6 Mafia’s DJ Paul and Computer and Memphis Grizzlies point guard Mike Conley, Jr. Timberlake’s wife, actress Jessica Biel was also in attendance. 
Tracy Nelson who founded the band Mother Earth sang Memphis Slim’s composition “Mother Earth” in honor of his induction while Reba Russell performed Alberta Hunter’s signature song “Nobody Loves You When You’re Down and Out.”  Al Jackson, Jr. was honored by a performance that featured drummer Steve Jordan and Jackson'sBooker T & The M.G.’s bandmate Steve Cropper.  The late Charlie Rich was inducted by Knox and Jerry Phillips, the sons of Sun Records founder Sam Phillips and accepted by Rich’s son Charlie Rich, Jr. who performed his father’s classic hit “Behind Closed Doors.”  The evening concluded with a rousing performance by Sam Moore of Sam & Dave who was joined by Timberlake, Stax great William Bell, Cropper and others. Also on hand in speaking or performance roles were Jim Keltner, Preston Shannon, Amy LaVere, Tennessee Governor Bill Haslam, Memphis Mayor A.C. Wharton.
We’ve assembled a few photos shot backstage by Steve Roberts for the Memphis Music Hall of Fame.

Bob also sent us some great photos of the event ...



Jimmy Fallon, Justin Timberlake, Mike Conley, DJ Paul

   Keith Richards and Sam Moore 
 Justin Timberlake, William Bell, Steve Cropper, David Porter   
  Jimmy Fallon and Keith Richards
 

re:  This And That:  
From Vintage Vinyl News:   
David Cassidy has entered a not guilty plea in his recent arrest for leaving the scene of an accident. 
Cassidy was in a Florida courtroom on Tuesday to answer charges in a September 9 incident where he allegedly was was weaving in and out of traffic at a high speed before sideswiping atruck and the median. It is reported that he initially stopped at the scene but soon got back in his car and raced off. Police found his car a couple of hours later at Cleveland Clinic in Weston, FL where Cassidy claimed he had a preexisting appointment. He also told police that he did stop at the scene and exchange information with the truck driver.The eventual charges in the incident included leaving the scene of an accident, making an improper lane change, operating a vehicle with a suspended license and operating a vehicle with an expired registration. He was not tested for alcohol or drugs.Cassidy returns to court on November 11.Meanwhile, Britain's Daily Mail talked with truck driver Pedro Vargas about the incident. He said "I was driving at 60 maybe 65 miles per hour. For him to hit me like this he was coming at 80 maybe 90 miles per hour."Vargas injured his elbow trying to control the truck from rolling over after being hit. He also had trouble breathing after the incident, laying down on the pavement. The driver said Cassidy tried to tell him that the smashed light from his own car belonged to the truck, returning to his car which had a flat tire and fleeing the scene. "'His car was destroyed at the front on the left side and the right side tire had exploded. I remember how badly damaged it was and he ran like that."
A witness chased Cassidy for about a mile before he pulled over only to try and cover his license plate with a piece of clothing.  

Yep ... sounds "not guilty" to me!  (kk)


Kent ... 
Ron Smith's book says today (10/15) is the anniversary of Rick Nelson's Madison Square "Garden Party" in New York.  This concert was Rick's inspiration to write this Hit Song. 
I know its true 'cause I was there. = 10/15/1971.  
Frank B.  
Amazing how life experiences often become the best inspiration for a song.  Fact is you can't please everyone, so you've got to please yourself.  (kk)


ANOTHER FORGOTTEN HITS SOAP BOX MOMENT:
One of the reasons I feel radio is doomed to just continue to make the same mistakes again and again and again came to light this past weekend when K-Hits announced their new contest. 
Now keep in mind that for the past sixteen years I have harped on relentlessly about how radio continues to drive listeners away by continuing to play the exact same crap throughout the day, day after day, week after week, month after month and year after year.  We have stressed the importance of NOT insulting your listeners by force-feeding them the same crap because you don't feel they're capable of embracing more. 
So K-Hits has come up with the absolutely BRILLIANT concept of featuring "The Money Song Of The Day", which they announce every morning shortly after 8:00.  Then they tell you that they're going to play that song THREE TIMES later that day and that each time they play it, some lucky listener will have the chance to win $500. 
Which means (stick with me here) that the whole concept of this promotion is to get the listener to tune in all day long to hear the same crap they play all day long EVERY day anyway ... and then, as an extra added bonus, they get to hear this one particular piece of crap THREE times that day!!!  Listen to the same crap to get to the SPECIAL crap and then listen even longer so you can hear that SAME crap again and again. 
Hell, I'd give THEM $500 if they'd just expand their play list to about 3000 songs so that we didn't have to hear this same crap more than once or twice every couple of weeks ... instead of two or three times a day!!!  Unreal!  (And the saddest part of all is that there are consultants out there telling everyone who will listen that this is EXACTLY the type of programming the listeners want to hear!!!  And, somebody got PAID for coming up with this lamebrain promotion!!!)  kk   

Speaking of bad radio, long-time WLS-FM General Manager and Program Director Jan Jeffries is now out of a job ...  

Hey Kent -
Jan Jeffries, ex-WLS-FM program director who went back to one of his old haunts in Washington DC, has been shown the door at WRQX after only three months. It appeared he ran WLS-FM into the ground, from what I see on your site. Now he's lost his protectors in upper management in DC, what with all the corporate mess regarding Cumulus. 
Ahh, karma ... 
- Larry Cave
  50yearsagoonthehot100.blogspot.com
 

'Tis true.  Jeffries seems to have been "protected" by The Dickey Brothers, the higher echelon of Cumulus Broadcasting ... but after their ouster a few months ago, it looks like Cumulus isn't having any of Jeffries' recent track record on their resume.  Chicagoland Radio and Media is reporting:  

Jan Jeffries Forced Out From Cumulus  
Former Chicago radio programmer Jan Jeffries exited Cumulus Media today after over 18 years with the company. The exit was not Jeffries' decision, but was expected.
Jeffries served a Senior Vice President of Programming for Cumulus, and
since this past July, as Program Director for WRQX-FM in Washington, D.C., going there after nearly four years in Chicago as WLS-FM Program Director.
Jeffries has been with Cumulus since its start in 1997 and been SVP of Programming since 2007.
Despite questionable results, Jeffries continued to prosper within Cumulus, with almost no chance of being fired. This was due mainly to a very close, personal relationship he held with Cumulus President and CEO Lew Dickey and Cumulus Media Executive Vice President of Content & Programming John Dickey, as well as with the entire Dickey family.
Although in July he was demoted away from Chicago and to a smaller market, there was no concern he would exit Cumulus.
However in September, the Cumulus Board of Directors revolted,
ousting the Dickey brothers from the company. Without Lew Dickey to protect him, it was just a matter of time before Jeffries was also removed from the company. That finally took place this week, with the company confirming the news this morning.
Jan Jeffries first came to Chicago in the mid-1980s, working as a programmer and midday DJ at the former WAGO-FM/G106 (later WCKG-FM and then WCFS-FM). From there, he took a programming job at WLS-FM/WYTZ-FM, before moving on to Atlanta, GA.
Even though he held a corporate programming position with Cumulus Media, Jeffries chose to personally oversee WLS-FM as soon as Cumulus completed their takeover of Citadel Media. He and his family relocated to the Chicago area in 2011 so that he could set up his office within the WLS-AM / FM headquarters on Chicago's State Street.
Jeffries made his presence known fairly quickly at his second round at WLS-FM. Highly successful Operations Manager Michael La Crosse was forced out within a month, as was numerous producers, sales managers, web people, and even the station's longtime receptionist and mail room coordinator. Famed DJ names from WLS-AM's past were rehired to help "revitalize" a station that was already in the Top 10, but these famous DJ names were ordered to only speak for no more than a few seconds at a time, frustrating listeners and fans of these talents. The station eventually dropped its affiliation with Scott Shannon and his True Oldies Channel, fired its morning show host Dave Fogel, shoved beloved Chicago DJ Dick Biondi (who was working without a contract) into the overnight hours, and flipped the playlist to a Classic Rock-heavy version of Classic Hits.
Under Jeffries' oversight, WLS-FM saw its ratings sharply fall, but slowly build themselves back up... until this year. In 2015, WLS-FM's ratings have been trending downward, as listeners have been choosing Classic Hits rival WJMK-FM / 104.3 K-HITS, which is now a Top 10 station (and features former WLS-FM morning host Fogel), while WLS-FM fell out of the Top 10, with ratings and shares at about half of what they were in 2014.
Because of that, a change at the top of WLS-FM was not unexpected. That change came this summer, with Jeffries shipped to Washington, D.C.
Jeffries was
quickly replaced by Brian Thomas, who so far, has not yet made any impact at the station. Outside of opening up the playlist slightly and adding more songs from the late 1970s Disco era, very little has changed and the missteps of Jeffries' continue on. There remains a nighttime vacancy which has been there since the end of July, living legend Dick Biondi remains disrespected and placed in overnight hours, the on-again-off-again morning host duties of Brant Miller continue, DJs are still not allowed to speak much, voice-trackers are heard on-air, and ratings remain well out of the top 10.
WLS-FM's latest ratings are down to a 2.9 share, ranked at #13 (Nielsen Audio's "September" period for ages 6+). That is down from the July ratings if 3.2 and the August ratings of 3.0.
 

Jan Jeffries may be gone from WLS-FM, and now Cumulus as a whole, but his presence can still be felt there.
Something the station REALLY needs to disassociate itself with quickly.  Time to get back to taking advantage of the long-standing legacy of WLS.  (kk) 


'50's Crooner Pat Boone is back with a brand new R&B Album of Duets.  Most famous as the guy who homogenized rock and roll and made it safe for White Middle America in the '50's and early '60's, this guy's record sales were second only to Elvis himself back in the day. 
He has tongue-in-cheek dabbled with other rock and roll genres in the past ... most notably his foray into Heavy Metal in the '80's. 
Well, now the white buck-shoed Boone is back with a series of R&B Duets with the likes of James Brown, Sam and Dave, KC and the Sunshine Band, Smokey Robinson, Earth Wind and Fire, Sam Moore (of Sam and Dave), The Four Tops, Ray Parker, Jr., Kool and the Gang and more.  (Hey, let's face it ... he launched his whole career recording whitebread versions of the most popular R&B tracks of the day ... at a time when most of radio wouldn't play them.) 
Odds are nobody's going to play this one either ... as it's pretty much out there for novelty purposes more than anything else ... but here's the official release from Cleopatra Records ...     

Pat Boone Duets With Smokey Robinson, Earth Wind & Fire, KC & The Sunshine Band, Sam Moore and More on R&B Duet Hits Album  
Nashville, TN – With a career that has spanned over sixty years, Pat Boone has achieved an amazing number of accomplishments. He has been a successful singer, composer, actor, writer, television personality, motivational speaker, and spokesman. He is one of rock & roll’s best-selling artists and has sold over 45 million albums, had 38 Top 40 hits, and appeared in more than 12 Hollywood films. He still holds the Billboard record for charting consecutive weeks by spending 220 consecutive weeks on the charts with one or more song each week. He has hosted his own TV show and has written a number of books including 2 million - plus sellers that have been translated into many languages. Currently, he continues to perform for an audience of millions on both TV and radio, has just completed two films and is still recording. 
"This classic, ultimate party record fulfills a career long desire to record with many of my most favorite artists, bringing me back full circle to my first R&B million sellers,” say an enthusiastic Boone. 
Not one to rest on his laurels, Pat Boone decided to expand his horizons by recording his first ever R&B album. And not one to do things in a small way, he was thrilled to work with some of the genre’s biggest superstars of all time! He has powerful duets with James Brown, Smokey Robinson, Earth Wind & Fire, The Four Tops, and KC & The Sunshine Band plus members of Kool & the Gang, and Sister Sledge and even Hip Hop legend Kool Moe Dee. By joining with Cleopatra Records, this stunning album now has national distribution is available to his legion of fans worldwide.  

Pat Boone R&B Duet Hits  
Papa’s Got a Brand New Bag with James Brown 
Soul Man with Sam Moore 
Get Down Tonight with KC & The Sunshine Band 
Tears of a Clown with Smokey Robinson 
Celebration with Robert “Kool” Bell of Kool & The Gang 
I Can’t Help Myself with The Four Tops 
A Woman Needs Love with Ray Parker Jr. 
We are Family with Joni Sledge of Sister Sledge 
Shotgun with Geraldo Albright 
That’s The Way Of The World with Earth, Wind & Fire Backbone with Kool Moe Dee 
Released October 16, 2015 on Goldenlane Records – a division of Cleopatra Records
We're still having all kinds of issues posting music on the site ... so I'm unable to feature a track this morning.  Hoping to have a new source soon (and open to any suggestions any of YOU might have regarding embedding music files on the website again.)  kk   

Speaking of legendary crooners, Frank Sinatra is getting the Box Set Treatment from Eagle Rock Entertainment. 
Much has been made about this being the 100th Anniversary of the birth of Ol' Blue Eyes ... and Eagle Rock has put together the perfect set to commemorate the event ... more details below.     

Eagle Rock Entertainment To Release Frank Sinatra ~ Sinatra: All Or Nothing At All” ~November 20, 2015~





New York, NY—(October 19, 2015) On November 20, 2015, Eagle Rock Entertainment will release Sinatra: All Or Nothing At All from the legendary Frank Sinatra. Sinatra: All Or Nothing At All is the definitive account of the life, music and career of Frank Sinatra, the greatest entertainer of the 20th century. This release is available on 2DVD, 2Blu-ray, Deluxe Edition and digital formats [MSRP $29.98 Blu-ray, $29.98 DVD, $69.99 Deluxe].  Sinatra: All Or Nothing At All features clips from many Sinatra classics including: “My Way,” “I’ve Got You Under My Skin,” “Fly Me To The Moon,” “All Or Nothing At All,” “The Lady Is A Tramp,” “Nancy (With The Laughing Face),” “That’s Life,” “Luck Be A Lady Tonight,” “New York, New York,” “(Love Is) The Tender Trap,” “Love And Marriage,” “Night And Day,” “Stardust,” “Young At Heart,” “Angel Eyes” and many more! 
Told in his own words through extensive archive interviews, along with commentary from those closest to him, the film weaves the music and images from Sinatra’s life together with rarely seen footage of Sinatra’s famous 1971 “Retirement Concert” in Los Angeles. The film’s narrative is shaped by Sinatra’s song choices for that concert, which director Alex Gibney interprets as the singer’s personal guide through his own life. With the participation of the Frank Sinatra Estate, family members and archivists, Sinatra: All Or Nothing At All is an intimate portrait of the singer, the actor and the man. Focusing on Sinatra’s first 60 years – beginning with his birth in Hoboken, New Jersey and meteoric rise in his 20s – and drawing on comments from friends and family, as well as never-before-seen footage from home movies and concert performances, this unprecedented tribute to the beloved showman follows Sinatra’s growth from roadhouse performer to global singing sensation. 
The Deluxe Edition Box set contains the All Or Nothing At All documentary on 2DVDS, the full Retirement Concert from 1971 on 1 DVD and on 1 CD, the 1965 Walter Cronkite CBS TV interview on 1 DVD, 2 booklets, one of which is a reproduction of the 1971 Life magazine article on the Retirement Concert and 6 art cards in an envelope.  
All Or Nothing At All was directed and produced by Oscar-winning filmmaker Alex Gibney. Executive producers are five-time Oscar nominated producer Frank Marshall, Charles Pignone and Sharon Hall, and Alcon Television Group’s Co-Founders and Co-CEO’s Andrew Kosove and Broderick Johnson.   
With December 12, 2015 representing the 100th anniversary of Frank Sinatra’s birth, what better time to look back on an unsurpassed performer?    

The Wages Of $pin drama continues ... 
Here's "the first compelling" trailer from Wages Of $pin III:  
https://www.youtube.com/watch?v=LahHblX0IfA   

Harvey Kubernik sent me an advance pressing of his brand new Neil Young coffee-table book ... absolutely BEAUTIFUL as always, Harvey!  I have to ask you the question that I get asked at least six or seven times a week ... how on earth do you find the time to do this?!?!  You could literally start your own Book Of The Month Club ... except that EVERY book would be written by YOU!!!  Nothing short of amazing!  (With five or six books now waiting for my review, I am happy to add you to the list ... hardest part for me is that if I'm writing, I'm not reading!!!  But I promise to get to it as soon as I possibly can.) 

Meanwhile, Harvey ALSO sent me these links surrounding a brand new radio special that sounds absolutely AWESOME ... all being built around the 50th Anniversary of The Beatles'"Rubber Soul" album.  (Can you believe it?!?!  50 Years since "Rubber Soul was first released?!?!?  And just last year we were celebrating the 50th anniversary of The Beatles first coming to our shores singing the catchy but nowhere near as sophisticated tracks "I Want To Hold Your Hand", "She Loves You" and "Love Me Do"!!!  Check out the "preview link" below ...  http://www.paulingles.com/RubberSoul/RubberSoulTrailer1.mp3  

Check out the premiere of AUDIO trailer for the radio special, "Isn't it Good: The Beatles' Rubber Soul." 
The two hour program will be available to public radio stations in November.  (also available in a one-hour version)   Writers, musicians and fans lead a tour through The Beatles' 1965 landmark LP on the 50th anniversary of its release (December 3, 1965).   
Pass along this sample to any public radio station folks you know and tell them,  “Available at PRX in time for Thanksgiving Weekend and December."
TO HEAR THE TRAILER CLICK HERE >>>  http://www.paulingles.com/RubberSoul/RubberSoulTrailer1.mp3 
Produced by Paul Ingles.  
Hear his other Beatles programs at PRX:  http://www.prx.org/playlists/94298
Heard in trailer:  
Harvey Kubernik, author, record producer
John Kruth, author, musician
Scott Freiman, Beatles Lecturer
BJ Leiderman, musician
Rob Martinez, musician
Shawn Colvin, musician
Ann Powers, NPR Music
Paul Zollo, writer, musician
Jon Spurney, musician
Jim Fusilli, writer, musician
Anthony DeCurtis, writer
Also in the program
Peter Mulvey, musician
Scott MacNicholl, public radio DJ
Sara Angharad (Schaefer Jones) Bishop, licensed music teacher

And, speaking of The Beatles, check out this hot new auction item ...

Morning Kent got a few dollars to spare?


Take care,
Rockin’ Lord Geoff (in England)   

Here's a new book some of you Beatles fans might be interested in ...  

Just Released: ‘From Me To You’ – a novel set to the hysteria of Beatlemania!   
Garry Berman and Kelly Marie Thompson as excited to announce the release of their first novel written via email about 1960’s pen pals during the British invasion. 
From Me To You is a lighthearted coming-of-age story, placed against the backdrop of the Beatlemania era, written by two actual transcontinental internet pen pals – Garry Berman of the U.S. and Kelly Marie Thompson of the U.K.  
“Garry and I wrote this novel set around Beatlemania in the 1960s,” says Kelly Marie Thompson. “The story follows two trans-Atlantic pen pals, one from Liverpool and one from New Jersey, as their lives, friendship and fanaticism develop to the backdrop of the Beatles' historic moments.”
The story opens in the summer of 1963 when pen pals Ricky Kramer in New Jersey, and Maggie Carter in Liverpool, have been sharing their enthusiasm for the Beatles. Maggie has delighted Ricky with her stories of seeing the group at the Cavern club, and has sent him the Beatles’ early records. 
From Me To You follows their often comic transition to young adulthood on both sides of the Atlantic as their friendship begins to flourish into something deeper. 
For more information about From Me To You, go to: http://www.amazon.com/Me-You-Kelly-Marie-Thompson/dp/0692512527/
Kelly Marie Thompson, who writes comedy, sci-fi and scripts, lives in South Shields, England. Garry Berman, a pop culture writer and lifelong Anglophile, lives in Westampton, New Jersey. Kelly and Garry have been collaborating on comedy scripts by way of e-mail since 2011.  In 2013, they co-wrote a six episode original sitcom Barkers Upon Tyne that has been published as a book.  From Me To You is their first novel.
We had some fun with Garry Berman a few years back when his "We're Going To See The Beatles" book came out ... http://forgottenhits60s.blogspot.com/2008/05/were-going-to-see-beatles.html http://forgottenhits60s.blogspot.com/2008/05/introducing-garry-berman.html

Wanna feel old???
Can you believe it's already been 40 YEARS since "Bohemian Rhapsody" came out?!?!  (see article below)
Last week also celebrated the anniversary of Lynyrd Skynyrd's plane crash (38 years) and the release of Led Zeppelin II (45 years!) SO hard to believe that this much time has passed. (Of course there was lots of "Back To The Future" coverage last year as the date they set their DeLorean to finally came to pass ... October 21, 2015!!! If you saw Jimmy Kimmel's show that night, you caught Michael J. Fox, Christopher Lloyd and Huey Lewis helping to celebrate. (Ironically it's also the night The Cubs were eliminated from post-season play thanks to their four game Mets sweep debacle!!!)

Speaking of Huey Lewis, here the talks about how he came to be involved with the film's soundtrack ... and even won a cameo role in the movie:
http://www.people.com/article/huey-lewis-talks-back-to-the-future-anthem-power-of-love

While "The Power Of Love" became Huey's first official #1 Hit, I always preferred "Back In Time" which was also written for the movie but never released as a single.



40th Anniversary of
Bohemian Rhapsody
Queen - A Night At The Odeon, Live At Hammersmith ’75
The First Tour Bohemian Rhapsody Was Ever Performed On
Super Deluxe Box Set, CD (Hollywood Records), DVD & Blu-Ray
(Eagle Rock Entertainment)
for release on November 20
Bohemian Rhapsody To Be Released on 12 inch For The First Time Ever
With Original B-side November 27th 2015
Queen honored At The Q Awards
With Bohemian Rhapsody collecting the Classic Single Award
New York, NY (October 20, 2015)-- ‘Bohemian Rhapsody’ was the song that changed everything, a song that resonates through time, a special moment in music history that has yet to be repeated. At The Q Awards yesterday, Queen were presented with the Classic Single Award, marking the 40th anniversary of song which was originally released on October 31, 1975.
To mark the occasion for the first time ever, ‘Bohemian Rhapsody’ will be released on 12 inch Black vinyl with the original B-side ‘I’m In Love With My Car’ on November 27, 2015. Alongside this, Queen, A Night At The Odeon, Live At Hammersmith ’75, is set for release on CD (Hollywood Records), DVD & Blu-Ray (Eagle Rock Entertainment). This show was a culmination of the 26-date ‘Queen Invite You To A Night At The Opera’ UK tour and the first tour that they had ever performed Bohemian Rhapsody on.
The CD, DVD & Blu-Ray package features the band’s full live show, complete with a never heard before ‘second encore’ of ‘Seven Seas Of Rhye’ and ‘See What A Fool I've Been’. The DVD and SD Blu-Ray versions also contain two special bonus features – 'Looking Back At The Odeon’, a brand new 22-minute documentary featuring a previously unseen interview with Brian May and Roger Taylor by Old Grey Whistle Test presenter Bob Harris about the 1975 Hammersmith Odeon show, plus the rarely seen Live At The Budokan – Japan 1975 footage, featuring three songs (Now I'm Here, Killer Queen and In The Lap Of The Gods… Revisited) recorded during their legendary tour of the Far East.
Spirits were high within the band for this show; ‘Bohemian Rhapsody’ - universally hailed as one of the most ground-breaking ‘pop’ songs ever released – was in the middle of its record-breaking nine week run at Number One in the UK charts. Their fourth album, A Night At The Opera (the most expensive record ever made to that point) was climbing the album charts on its way to No 1, which it achieved three days after this concert.
With over 6.5 million copies sold worldwide, ‘Bohemian Rhapsody’ is one of the world’s most well known and well loved songs. To this day, it continues to top ‘favorite song’ opinion polls and be discovered by new generations of music fans over and over again. Freddie wrote the whole song – including the composite harmonies – on telephone books and scraps of paper.
Brian May recalled recording ‘Bohemian Rhapsody’; “That was a great moment, but the biggest thrill for us was actually creating the music in the first place. I remember Freddie coming in with loads of bits of paper from his dad's work, like Post-it notes, and pounding on the piano. He played the piano like most people play the drums. And this song he had was full of gaps where he explained that something operatic would happen here and so on. He'd worked out the harmonies in his head."
Queen spent days overdubbing the vocals in the studio using a 24 track tape machine. By the time they were done, about 120 vocal tracks were layered together. The opera parts alone took longer than 70 hours to complete. At the time, it was the most expensive single ever made and upon presenting it to their record label, they were told by various executives that 5 minutes 55 seconds was too long and the song would never be a hit. But after the song was played by DJ and friend of Freddie, Kenny Everett, 14 times in two days before its official release, the song was only ever destined to be a hit. Hordes of fans attempted to buy the single only to be told by record stores that it had not yet been released. Over in the US, it was the same. American radio RKO managed to get a copy of the tape and started to play it in across their network, which forced the hand of Queen's US label to release the song in its entirety.
‘Bohemian Rhapsody’ was Queen's first ever number 1 single and the 1975 UK Christmas number one, holding the top position for nine weeks. It is the first song ever to get to number one in the UK twice with the same version, and is also the only single to have been Christmas number one twice with the same version. The second was upon its re-release (as a double A-side single with ‘These Are the Days of Our Lives’) in 1991 following Mercury's death, staying at number one for five weeks, eventually becoming the UK's third best-selling single of all time.
The single has sold in excess of 6.5 million copies worldwide and has been covered by everyone from Kayne West during his 2015 controversial Glastonbury headline slot, Axl Rose, Elton John and Pink to The Flaming Lips and Elaine Paige and forever immortalized again by Mike Myers and Dana Carvey in the smash hit 90’s film, Wayne’s World.
Queen - A Night At The Odeon, Live At Hammersmith ’75 released November 20th
12-inch Black Vinyl Version released November 27th
Full Track Listing (CD/Vinyl/Digital)
1. Now I'm Here
2. Ogre Battle
3. White Queen (As It Began)
4. Bohemian Rhapsody
5. Killer Queen
6. The March Of The Black Queen
7. Bohemian Rhapsody (Reprise)
8. Bring Back That Leroy Brown
9. Brighton Rock
10. Guitar Solo
11. Son And Daughter
12. Keep Yourself Alive
13. Liar
14. In The Lap Of The Gods... Revisited
15. Big Spender
16. Jailhouse Rock Medley
17. Seven Seas Of Rhye
18. See What A Fool I've Been
19. God Save The Queen
*DVD and SD Blu-ray formats do not include Seven Seas Of Rhye or See What A Fool I've Been.

re: Diggin' Forgotten Hits:
Greetings....
Once again my past catches up with me ... as it always does when I scroll ever so slowly through your site. Incredible research; outstanding clarity of thought; astounding memory ... and just darned good radio history. While I spent more time in TV than radio, it, of course, was radio that set me on my course in Chicago media. So, I obviously read with eagerness almost anything that kindles memories of the "Good Old Days" at WLS ... and a few grand days at WMAQ-AM when it tried to brighten its image. And, I learned a ,lot of the era just by reading the comments of the editor and exchanges with those who really know the era. So, many thanks for keeping it alive, and refreshing my memory about some very GOOD Old Days!
Hale and Farewell (For Now)
Bob Hale
Thanks, Bob ... coming from you that means a lot! (kk)

The Cornerstones Of Chicago Rock - Part 4

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Kent ...  
Thanks for your continued flow of info. Someday they should do a show of Forgotten DJ's of Chicago (Well, Biondi will never be forgotten ... ) ... it might prove to be as dull a show as ever came out of Chicago :)  
Speaking of Biondi, they should have had him on the show to sing "On Top Of A Pizza"!  
Bob Hale  
You know that actually WOULD make an interesting show.  I'll bet we could round up about a dozen deejays from back in the day ... have them come out and each introduce one of the acts ... I think fans would get a real kick out of that, seeing the folks that provided the soundtrack narration of our youth.  (Hey, there was a time when the deejays were nearly every bit as popular as the groups and artists themselves!)  You may be on to something here, Bob!  (kk)  

By the way New Yorker Frank B sent me this YouTube link to one of those Rewind / Big 89 radio specials ...  

Kent ...  
I know you know some of these guys.  
Frank B.  
https://www.youtube.com/watch?v=Jnl8_tdEtA8   

Hi Kent:   
Having a Record Store, I can tell you that in recent years if the Cryan' Shames' 45 of “Sugar & Spice / Ben Franklin” sells, ½ the time at least it is for Ben Franklin. If Young Birds / Sunshine Psalm sells, it is almost always that they ask for Sunshine Psalm. If they are chart / survey oriented collectors, then they want the A sides. I agree that Sugar & Spice is a Great 60’s Record. “Come On, Let’s Go” by The McCoys was a big hit here in Milwaukee. It is also an excellent version of Ritchie Valens’ Classic. “Sometimes Good Guys…”, was not played all that much here. Basically was an Up & Comer for a week or two.   
Ken  
I remember hearing "Sometimes Good Guys Don't Wear White" a few times here on the radio ... and I liked it ok ... but it was hardly what you would consider a "hit".  (WLS charted it for three weeks ... and it peaked at #39!!!)  

Hey Kent!  
Jim Pilster here.  Man, you couldn't have been more spot on in your original assessment of this WTTW thing!   
Thanks Buddy!  
Jim (not Jimbo)      

Two different comments:    
A joy to read Chet Coppock's recollections of those days.  Even though I had already left the group for the particular session he mentioned, those sessions at Chess (both old and new) were amazing.  And all (at least when I was there) were true collaborations.  And he's right - I highly doubt if today's musicians will ever even have the chance to do the kinds of things we (all the Chicago groups) were able to do.   
And that's a shame.  
And that leads to Ray's comments -  
They are 100% right on.  The NC6 wasn't a "manufactured"group - we were just guys that went to school together and truly liked being together.  And many times, particularly in the early days, that was a challenge. But we did enjoy being together.  Breaking through (shameless album plug) the music blockade to put Chicago groups on the map, performing with all the other Chicago groups, hanging out together outside of the band - great memories.  And Ray's comments about "collaboration" are also right on - we did everything together - writing, arranging, rehearsing (ugh!) and ultimately performing. That closeness was our strength, and I think our live performances showed that.  And maybe we didn't get all the recognition and success some of the other Chicago groups did, but what we had was ours, and we couldn't wait to share it with our audience and fans. Well said, Ray.    
Do be Colony!  
Wally Kemp  
Founding member and Bass player  
New Colony Six  

Our FH Buddy, photographer / writer Jack Mongan, covered the show for dnainfochicago and filed this report: https://www.dnainfo.com/chicago/20151019/north-park/cornerstones-of-rock-reunites-chicagos-top-60s-70s-rock-bandsphotos  
You'll find TONS of Jacks' great photos up on this site. (In fact, we even "borrowed" a few for our own use!)

IMPORTANT NOTE:  I was just informed that the photos used below were actually taken by Matthew Ramey at WTTW.  I was unaware of this at the time and certainly don't want to imply otherwise ... so I wanted to make this clear right away.  Jack Mongan's photos are the black and white shots used on the website link above.

 Jim Peterik, fronting The Ides Of March

 Three of the original Cryan Shames ...
(L-R) James Fairs, Tom Doody and Jim Pilster
(backed by The Ides)

 The New Colony Six, also backed by The Ides Of March
(Center, L-R:  Current Member Bruce Mattey, Founding Member Ray Graffia, Jr. 
and Mr. Jukebox Himself, Ronnie Rice, sandwiched in between 
Larry Milas (L) and Jim Peterik (R) of The Ides

 Our buddy Ray Graffia, Jr.

 SO good to see both of these guys smiling ...
Current Buckinghams front man Carl Giammarese (L)
and Original Buckinghams Lead Singer Dennis Tufano  (R)


There wasLOTS of focus last week on The Ides Of March as part of our Cornerstones Of Chicago Rock coverage ... but now comes word that Jim Peterik's OTHER big band, Survivor, have just hired a brand new lead singer and are lining up dates for a 2016 tour.  

FH Reader Tom Cuddy tells us:   

Survivor will be back on stage in 2016.   
The '80s hitmakers -- best known for "High on You,""The Search Is Over" and the Rocky movie anthems "Eye of the Tiger" and "Burning Heart" -- will have a new front man next year. Cameron Barton will take the place of the late Jimi Jamison, who died in 2014.   
Legendary rock band Survivor is embarking on their next chapter in 2016 with a new member who has seemingly given new life to one of rock ‘n’ roll’s preeminent bands. With 21-year-old Nashville resident Cameron Barton assuming lead vocalist duties, the group will take their trademark arena rock sound to their loyal and devoted fan base.      
Barton steps into the role of Jimi Jamison, who passed away in September of 2014.  Survivor is excited to have Cameron bring his powerhouse vocal style to the band’s live shows. “He’s great,” says the band’s Frankie Sullivan. “After hearing him, I was in Nashville within twenty four hours. I was in the studio with him about a day later. I stayed with him for about four days, and put him through the ringer. He just kept getting better and kept delivering.” Barton’s commitment to getting the job done is something that impresses his bandmate. “He’s a very focused guy. Most musicians aren’t that focused when they are that young. He learned twenty songs in about eight days.”   
Sullivan noted that there might be pressure of taking on the role of lead singer in a group with such a historic pedigree, but he says Barton doesn’t seem to be affected by the pressure. “He just wants to do what he does. You get new people in with new ideas, and usually that comes with a different vibe.”   
All in all, the band is hoping that 2016 brings more success with their impending tour and planned album, slated for later in the year. “I think it could be a year to remember.  He has a great work ethic.”    
Survivor released their first album in 1980 on Scotti Brothers Their first Top 40 on the Hot 100 came the next year with “Poor Man’s Son.” Their big break would come in 1982 when the band was asked by Sylvester Stallone to provide the theme song for Rocky III. That single, “Eye Of The Tiger,” hit # 1 – staying there for seven weeks, winning a Grammy for Best Rock Performance By A Duo Or Group With Vocal, a People’s Choice Award, and an Academy Award nomination. The song came in at #18 on the “Top 100 Singles” chart in Billboard‘s 100th Anniversary issue and it’s well over the 300,000 mark on iTunes, where it’s currently holding strong at #9 on their “Top Soundtrack” chart. The band also struck paydirt as a result of a Stallone movie when “Burning Heart” appeared on the soundtrack of Rocky IV in 1985, hitting # 2 on the singles chart.    
The band’s VITAL SIGNS, was another huge success for the band, peaking at #16 on Billboard‘s “Top 200 Albums” chart thanks to the Billboard Top-20 hits "I Can't Hold Back" (#13), "High On You" (#8) and "The Search Is Over" (#4).   
Dates for 2016 will be announced soon. 
For more information about Survivor, log on to their www.SurvivorBand.com
 
(BARTON IS ON FAR LEFT IN THE RED PANTS)

The Zombies - More On This Very Special Odessey and Oracle Tour

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Last weekend we featured a review by FH Reader Brad Joblin of The Zombies' concert at Ridgefield Playhouse in Ridgefield, CT.  Today Tom Cuddy chimes in with a review courtesy of Cleveland's Rock And Roll Hall Of Fame Museum ... and also shares a couple more exclusive photos from the Ridgefield show with our readers.  

ConcertReview: The Zombies At Kent Stage by Bear   

As I walked into The Kent Stage last night I ran into Tom Simpson, the promoter of the show, and he told me “Cleveland’s rock who’s who is here tonight”. I thought he was talking about me but the first person I saw was Jimmie Fox of the James Gang, saw Daffy Dan, saw the owner of Rubber City Radio, a couple of other concert promoters I knew, media people, various Cleveland and New York executives from the Rock And Roll Hall Of Fame and others then Tom turned to me and said “oh yeah, Graham Nash stopped in to see the show too”. 

Okay I knew The Zombies coming to The Kent Stage was a big thing. I knew that them playing “Odessey And Oracle” in its entirety was a big thing but I really didn’t have a sense how big and how it would draw the people it did.   

This was one of only twenty shows they were doing in the country and it drew from many states also. I overheard one gentleman from Florida telling another from Indiana he came in just for this show. Thinking this was going to be primarily a Northeast Ohio crowd, I asked Tom if they had ticket sales from outside the area and he told me they sold tickets to fans in California, Colorado, New Jersey, Texas and ten other states as well as Canada.  

All of these people that came so far were not disappointed. From the opening chords of the 1965 song “I Love You”, you knew it was going to be a special night. They sounded amazing and for guys in their 70’s to still bring it on stage and rock it, that’s one thing ... but to still have the vocals to pull it off fifty years later, that’s amazing and they did it. 

The first set was anchored by the current Zombies lineup of original founding members Rod Argent and Colin Blustone along with one-time Kinks guitarist Jim Rodford on bass, his son Steve Rodford on drums, and Tom Toomey, on guitar.  

The set list pulled from the other Zombies albums included 1964’s “She’s Not There” and “Tell Her No” and a 1965 medley of the Miracles'“You’ve Really Got a Hold on Me” and Sam Cooke’s “Bring It On Home to Me”. There was Blunstone on his 1971 solo single “Caroline Goodbye”, and a nice mix of songs from their superb new album “Still Got That Hunger”. From the new album we got “I Want You Back”, “Movin On”, “Chasing The Past”, Edge Of The Rainbow”, “Maybe Tomorrow”, and “New York”. One nice note throughout the night was the interaction of Argent and Blunstone with the audience. Telling stories about the songs and what inspired them to write them. Letting us see behind the curtain so to speak. It gave you the impression they get what these songs mean to their fans and wanted to share it with them. The highlight of the first set was a rousing rendition of the 1972 Argent hit “Hold Your Head Up”, which had the packed house on the feet clapping and dancing with Rod Argent attacking the keyboards and interacting with the crowd. The last time I heard this song live was 1972 at the old Agora at its peak but last night might have surpassed it just on energy alone.   

If the first set was the whole show, it would have been worth the price of admission alone. 

A twenty minute intermission took place after the first set in which Argent told the crowd to “get some drinks ... we sound better when you’re drinking”. 

The second set was what brought all of these people there, the playing of “Odessey And Oracle”. The band lineup changed slightly as Argent and Blunstone were joined by original members Hugh Grundy and Chris White. When the first notes of “Care Of Cell 44” came wafting out, it was vintage Zombies taking us to psychedelic pop heaven. It was apparent that the magic was still there some fifty years after the release of the album and the emotional weight of the song set the tone for the rest of the night. Blunstone’s vocals resonated on “Maybe After He’s Gone” with harmonies that just hung in the air. As they worked their way thru “Beechwood Park”, “Brief Candles”, “Hung Up On A Dream” the crowds enthusiasm increased with standing ovations following nearly every song. A surprising highlight for me was a sullen, minimalistic performance of “Butcher’s Tale (Western Front 1914) with Argent on pump organ and White on vocals evoked the horrors of a teenager during WWI. Ending the first set was their hit “Time Of The Season” which kept the crowd out of their seats and even after almost three hours wanting more. 

The band came back out for an encore and performed “She’s Not There” again but this time with both bands on stage. To me it was a fitting way to end a great night of music with everyone on stage and everyone in the audience on their feet smiling and clapping. 

Set 1:   
I Love You   
Can’t Nobody Love You 
I Want You Back Again 
Moving On 
Edge of the Rainbow 
Tell Her No 
You’ve Really Got a Hold on Me / Bring It On Home to Me  (Begin Here) 
Maybe Tomorrow 
New York 
Caroline Goodbye  
Chasing the Past  
Hold Your Head Up  
She’s Not There    

Set 2: (“Odessey and Oracle”)  
Care of Cell 44  
A Rose for Emily  
Maybe After He’s Gone  
Beechwood Park  
Brief Candles  
Hung Up on a Dream  
Changes  
I Want Her She Wants Me  
This Will Be Our Year  
Butcher’s Tale (Western Front 1914)  
Friends of Mine  
Time of the Season  
She’s Not There
Colin Blunstone
Rod Argent 
(Photos courtesy of Tom Cuddy)  


Read Brad Joblin's Zombies concert review here: 
http://forgottenhits60s.blogspot.com/2015/10/the-zombies-concert-review.html   

Read our Zombies concert review (from a couple of years ago) here:  
http://forgottenhits60s.blogspot.com/2013/10/zombies-concert-review.html

Read Carl Wiser's / Songfacts Interview with Colin Blunstone here:
http://www.songfacts.com/blog/interviews/colin_blunstone_of_the_zombies/

50 Year Flashback - October 26th, 1965

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The Beatles hang on to the #1 Spot with their two-sided hit "Yesterday" / "Act Naturally" on the WIRL Chart for this week in 1965.

"You're The One" by The Vogues sits at #6 this week ... and I always liked the Jonathan King song at #16, too ... "Everyone's Gone To The Moon".

Because this chart doesn't show last week's position, it's hard to tell which records are on their way up and which records are on their way down ... but it seems to me that tracks like Len Barry's "1, 2, 3", "Let's Hang On" by The Four Seasons and Herb Alpert and the Tijuana Brass' version of "A Taste Of Honey" were all big hits as 1965 turned into 1966.









Brian Wilson Concert Tickets

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Several lucky local Forgotten Hits Readers each won a pair of tickets to see Brian Wilson, live in concert, at The Genesee Theatre in Waukegan, IL, on Wednesday, November 11th, with special guest Al Jardine.   

Joy!
(I am unable to attend - just wanted to add my two cents, or three letters (:>)
Phil

Wilson is a musical genius ... a true "living legend" in every sense of the word ... and his band is nothing short of amazing.

There are still a few seats left available for those of you who didn't win a pair through our Forgotten Hits Give-Away ... but you'd better act fast!!!

Complete ordering information can be found on The Genesee Theatre Website Box Office ... 
http://www.geneseetheatre.com/events/detail/brian-wilson-with-special-guest-al-jardine

VERY special thanks again to Colleen Rogalski and the folks at The Genesee Theatre for this very generous offer.

We asked "the locals" on our list to write a brief essay (just a few paragraphs) explaining what the music of Brian Wilson has meant to them over the years.

And here is our very first winning entry ... courtesy of Mark Magel of Morton Grove, IL ...

Hi Kent, 
My story starts in December of 1962 when my dad moved us to Los Angeles. I had left all my friends back home in Chicago and I was a lost soul.  We sold everything and four short months later we came back to Chicago, broke, to start all over again.   
What I had while I was in LA was my transistor radio and the sounds of KFWB and KHJ to get me by.  I fell in love with the sounds of both the Beach Boys  and Jan and Dean.  The music of the day kept me sane.   
My first live concert was at the Auditorium theater in Chicago in 1968 to see The Beach Boys.  On the same bill was this new group from LA, Linda Ronstadt and the Stone Poneys and Gary Puckett and the Union Gap.  The next day I went over to Rose Records on Wabash and bought every Beach Boys album they had. 
Over the years I have seen them eight times in concert but not since Carl passed away.  I have had moments when I sit here and listen to God Only Knows and Caroline No over and over and get lost in my memories.  Two of the most beautiful recordings ever created.  I won't say I am the biggest Brian Wilson fan. I will leave that for others to judge,  but I will say that his music has made a big difference in my life and I would love to have a chance to tell him that.  And by the way November 11 is my birthday!  It would be the best gift ever to get two tickets to see him for my wife and I. 
Thanks for your consideration,  
Mark Magel  
Morton Grove Il. 60053   

Congratulations, Birthday Boy, you're going to the show.  And if you've never seen Brian's band before, you're in for a REAL treat!  We'll see you there!  (kk) 


Much was made about this year's Brian Wilson biopic "Love And Mercy" (including more than a few comments right here in these pages.)  

Did you happen to hear about the DVD / BluRay release party where actor Paul Dano (who played "Young Brian" on screen) actually got to perform with the REAL Brian Wilson on stage at the party?!?!?  

Check THIS out (courtesy of Rolling Stone Magazine) ...


Paul Dano performed with Brian Wilson and Al Jardine
at a release party for the 'Love & Mercy' DVD. Megan Mack  

For a nervous moment, actor Paul Dano stood quietly onstage Monday night at a Los Angeles jazz club, gripping a microphone with both hands to sing a 1966 Beach Boys classic, "You Still Believe in Me." At the keyboard beside him was the man who co-authored it, Brian Wilson. On his other side stood Al Jardine, another original Beach Boy, who assured the crowd: "He's got a really good voice ...."    

Paul Dano on the Art of Becoming Brian Wilson »  By the time Dano began the song's achingly vulnerable vocal melody, he was already being carried away by Wilson's rich layers of sound, both bright and melancholy. It was another glimpse into the life and music of Wilson, who performed a short, vibrant concert for a crowd of about 200 to celebrate the DVD release of this year's acclaimed movie of his life story, Love & Mercy. Also in the crowd were director Bill Pohlad and co-star Elizabeth Banks.  

"Brian asked me to sing that song because he knows it's one of my favorites," Dano told Rolling Stone afterwards. He portrays Wilson as a young man at his Sixties peak in the film, as career pressures and mental illness begin to derail his life. "My favorite part was the ending, the communal 'ahhhs' and the feeling of communion up there. It's a really beautiful, intimate song."  

With a 10-man band of veteran players crowded onto the small stage beside him, Wilson performed 35 minutes' worth of hits and deeply emotional songs from his Beach Boys and solo catalog. There were gorgeous laid-back falsetto harmonies on "Surfer Girl," dreamy vocals and harmonica on "In My Room," and roaring guitar riffs on "Dance, Dance, Dance."  

As usual, Wilson was a man of few words, but clearly pleased and relaxed onstage at the Vibrato Grill, a hilltop jazz club owned by Herb Alpert, the hit-making Tijuana Brass trumpeter and co-founder of A&M Records. "It's good to be in Los Angeles, where we all live!" he declared to laughs, his blue dress-shirt sleeves rolled at the wrists, thick graying hair swept back. The music was performed with precision and warmth, recreating the essence of the original records.  

For the opening of "Wouldn't It Be Nice," Matt Jardine (Al's son) sang the forceful vocal melodies until Wilson took the hopeful verse: "Maybe if we think and wish and hope and pray, it might come true / Baby, then there wouldn't be a single thing we couldn't do."  

The pop epic "Good Vibrations" began with a false start, and Wilson stopping the band as soon as it began: "Hold it, hold it, hold it! Too fast!"  

"A lot of the people who had something to do with the movie are here tonight," Wilson told Rolling Stone minutes before his performance. "I've seen it five times. I love it. I like Paul Dano's portrayal of me as a record producer."  

Monday's concert and DVD release party was another chance for the cast, crew and subjects of Love & Mercy to reunite around a special project. Dano and John Cusack, who play Wilson at different stages of his life, developed a personal, protective relationship with the musician. And Banks has spent quality time at the Wilson home. 

"I don't want it to end," said Pohlad. "To be able to live with Brian's music in your head for three or four years is not a bad gig. There was something about his spirit, too, that infused the whole thing. It was the nicest, warmest set that I've ever been on. A lot of it has to do with the spirit of the movie and Brian was a big part of it."  

At he same time, Wilson has embraced life on the road. He begins an East Coast run with his band on October 20th in Charleston, South Carolina. "He's actually starting to love to tour," says wife Melinda Wilson. "He comes home and he goes, 'OK, book me up for next month!'"  

For the night's set-closing "Love and Mercy," Wilson sang to his wife as she swayed up front, arm-in-arm with Banks, who portrays her in the film. He was accompanied on the song by a simple keyboard melody and light vibraphone taps. "He sang it directly to her," Banks said after. "He was eye-to-eye with his beautiful wife. It was awkward, almost. It's amazing how romantic it is. That's what they have."   

Set List:
"Surfer Girl"
"In My Room"
"Dance, Dance, Dance"
"Wouldn't It Be Nice"
"God Only Knows"
"You Still Believe in Me"
"One Kind of Love"
"Good Vibrations"
"Surfin' USA"
"Fun, Fun, Fun"
"Love and Mercy"
 

Brian Wilson Concert Tickets - Part 2

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All week long we're saluting the winners of our Forgotten Hits / Genesee Theatre Ticket Give-Away contest for the Brian Wilson Show coming up on Wednesday, November 11th.

(Great seats are still available if you're able to attend ... I can assure you that this will be a show you will long remember!)
http://www.geneseetheatre.com/events/detail/brian-wilson-with-special-guest-al-jardine

Today's winning entry comes from Tom Crowe of Poplar Grove, IL, who tells us ...

Hi Kent,  
I have followed Brian Wilson from the beginning, starting with surf and car songs. Even as hard rock was taking over, there was only Brian Wilson for me. 
Through the years friends would always say that Brian Wilson will never last and that he'll be totally forgotten. Instead, Brian grew each and every year and the music he put out was like no other music in the world. 
Now all these years later Brian is still at he top of his game, even with going through his mental illness. 
He has no one that can compete with him. His music has so much soul and feeling. Whether a sad song or a happy song, he makes you feel the beautiful mood he creates. 
Whether I get tickets or not, Brian Wilson being in my life for all these years for me has helped me through my good and bad times. 
Thank you, Brian Wilson.  
Tom Crowe 
Poplar Grove IL. 61065    
Congratulations, Tom ... you are going to have a blast at this show. 
 
*****
 
Long-time Friend of Forgotten Hits, Billy Hinsche, is back on the road with his old buddy Brian Wilson this month, filling in for regular keyboardist Darian Sahanaja, who is out supporting The Zombies on their Odessey and Oracle Tour.
 
We asked Billy to share a few stories "from the road" with our readers ... and this is what he sent me!
 
I got a call from Brian Wilson's Musical Director, Paul Von Mertens, in mid-July asking if I were available in October to do a few shows back east substituting for Darian Sahanaja, Brian's longtime keyboardist / vocalist.  The last time I toured extensively with Brain was in 2007 (CA and Europe) when I subbed for his other keyboardist / vocalist Scott Bennett.  I was happy to fill in for Darian, who was already committed to doing shows with The Zombies during October.  

A few weeks later, I met Darian at his recording studio in Echo Park where we spent about three hours going over some of the new material, and I even videotaped him with an overhead camera to see exactly where he was placing his hands.  That turned out to be very useful since I was playing violin parts on "One Kind Of Love" and horn parts on the intro to "California Girls," and having a visual reference was much better than simply reading parts off a music chart. He also emailed music files for an entire live concert and recorded his vocals on the left side of the channel and isolated them so I could better learn them.  I listened to that recording many, many times on a CD while driving in my car and on my computer at home.  I also spent a few hours with Scott Bennett at his home in Hollywood going over a few things, too, since he co-wrote "One Kind Of Love" with Brian and I wanted to make sure I was playing the string parts correctly and to his liking.  We also touched on one of my favorites - "She's Not The Little Girl I Once Knew", though we never actually performed it. 

There were a number of things that made this assignment particularly challenging:

1. I had to learn songs from Brian's fine new CD No Pier Pressure that I was completely unfamiliar with from a performance standpoint.  

2. Several songs that I had played thousands of times were now in "new" keys such as "Sloop John B" (lowered a half step from the key of A to Ab), the very intricate "Heroes & Villains" (lowered a half step from D to Db) and "Then I Kissed Her" (raised a half step from C to C#). 

3. I had to learn all of Darian's vocal parts for over 30 songs and "unlearn" all the vocal parts I was accustomed to singing in Al Jardine's band for the past 16 years.

4.  I was going to be using a Kurzweil keyboard with a variety of sounds and specific settings that were programmed into the keyboard every night such as "Wouldn't It Be Nice,""Good Vibrations,""California Girls" and more.  Songs were assigned numbers from three keyboard "banks" of sounds with corresponding "patches" that replicated the sounds everyone was accustomed to hearing on the recordings.  I had to quickly switch from one sound to another and thankfully, I always made it in time with no "accidents" ... though I had a few close calls on the first show which led to my writing notes on the three pages of notes I already had for the vocals that I kept in a 3-ring binder.

5. I would be using "in ears" instead of a monitor to hear the instrumental and vocal blend during the show.  I have been using stage monitors since the '60s, so it took a bit of getting used to.  The only other time I had used in ears extensively was on Brian's 2007 tour.

I had three months to prepare and I practiced at home just about every day between 10 am and 12 noon.  My efforts paid off in that I didn't have any catastrophes or "train wrecks" onstage during any of the shows.  It also helped that my bandmates were so positive, supportive and encouraging for the seven performances I did during the month of October.  Most of all, Brian gave me the inspiration to play and sing well.  He even suggested that I do a lead vocal on "Darlin'" along with Scott Bennett.  In his kind, gentle and soft-spoken way (with a dash of good humor), somehow his presence alone was enough to have me strive to do the very best I could on every song, every night.

I would work with Brian and his outstanding band anytime - maybe I'll get the call again someday.  
 
By the time Brian Wilson hits The Genesee Theatre, Billy Hinsche will have returned home to Las Vegas ... but what a GREAT bird's eye view of Life on the Road with a Living Legend ... Brian Wilson ... thanks, Billy for yet another EXCLUSIVE Forgotten Hits Experience!!!  (kk)
 
And here are a few pix, too ... thanks again, Billy!
 
 Billy and the Boys ...
(L-R): Al Jardine, Blondie Chaplin and Billy Hinsche
Front and Center:   Brian Wilson
 
The Brian Wilson Show ...
(sometimes it takes a village!!!)
 
 


Brian Wilson Concert Ticket Give-Away - Part 3

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Winner #3 in this week's ticket giveaway to see Brian Wilson Live In Concert at the Genesee Theatre on Wednesday, November 11th, goes to Bob Benham of Chicago, Illinois ... who turned in this winning entry ...

Hey Kent,   
I’ve been a Brian Wilson fan since more or less 1966, when I heard his aching falsetto on Caroline, No and then received Pet Sounds for Christmas. What an ear-opener
Even then, as a 12-year old budding music listener I realized the vocals, arrangements and musicianship on that LP surpassed much of the music I’d heard (I wasn’t yet familiar with the Wrecking Crew gang — that’d be much later :) Brian’s music to me is the sound of summer days & summer nights and endless summer (to echo several LP titles) ... The warmth of the sun … California girls … the paradise that was mid-60’s southern California.  
His song themes have often been nostalgic and sensitive  (“When I Grow Up”, “The Lonely Sea” ), yet often simple (“Drive-In” ) and was a soundtrack to the lives of a generation growing up in the 60s. 
I thought his best ballads were as good as The Beatles (“In My Room”). I loved Brian's Wall of Sound production — even though he emulated Spector’s technique, Brian put his own stamp on it.  
As time passed I became more intrigued and fascinated by the man himself and his inner torment … how he descended to the depths of despair only to resurrect his career. IMO The Smile album derailed him for a while … 
I was thrilled to catch him on his Pet Sounds Tour a number of years ago (2000?) — that was a Happening!  
I caught him again at Ravinia in 2013 with Beach Boys David Marks & Al Jardine in the band, and again this past June with Al Jardine & Blondie Chaplin. Even got to see some of the soundcheck (“Do It Again” ).  It was the only concert I attended this summer. The man’s a living legend. 
And considering Brian is due to do a British farewell tour next year you know he’ll likely retire from live performing before long … so I’d like the chance to Do It Again and see this American treasure and his great accompanying band … and I can see you guys, too!  
Bob Benham   
Chicago, IL 



We couldn't have put together an incredible give-away like this without the help and support of The Genesee Theatre in Waukegan (and Colleen Rogalski in particular) ... so thanks again, all for helping us make this happen.   
If you've never been to this theatre before, I can assure you that it must be seen to be believed. 


It first opened to the public on Christmas Day, 1927, a year and a half (and one million dollars!) after investors A.L. Brumund, H.C. Burnett, and D.T. Webb purchased the land, at the corner of Genesee and Clayton Streets, from the Y.M.C.A. (built in 1912) for $130,000.  Waukegan contractor Alva Weeks and Chicago architect Edward P. Steinberg were hired to construct the Theatre. (Steinberg had just built the BelPark and State Theatres in Chicago within the last few years.)  

Construction began in September of 1926.  Originally opened as a movie theater (Christmas Day, 1927, saw four sold out shows and included the film "The Valley Of The Giants") it was based on bigger visions right from the start.  No expense was spared in the creation of the Genesee Theatre. The outside façade was built from terra cotta and pressed brick in ornate design. The main entrance was located on Genesee Street and opened into a huge lobby with a large chandelier. The interior was designed in a Spanish Renaissance style using caen stone, which is a light yellow limestone, and antique plaster décor. The large center dome in the auditorium was fashioned from hammered silver. More than 1200 yards of tapestry fabric, several tons of marble from the Carrera quarries in Italy, and lighting throughout the Theatre combined to make it the most lavish building in Waukegan.  The stage was equipped with the newest technology in stagecraft in order to accommodate live theatre, like vaudeville, music presentations, and film. A massive $25,000 Barton Grande pipe organ was a focal point of the Theatre. For comfort, the Theatre was outfitted with the most advanced heating and cooling system of its time.  

In 1952, the Genesee Theatre was renovated with new seats, a new sound system, and some changes to the décor. 

Thirty years later, in 1982, the Theatre stopped showing movies due to economic decline and the rise of major movie cineplexes. And a few years later (in 1989), it officially closed and went up for sale.   

The City of Waukegan purchased the building in 1999 and began renovations at a cost of almost $23 million with the help of over 120 volunteers. The Genesee Theatre reopened on December 3, 2004 with two sold out shows of Bill Cosby.  (Hmm ... I wonder if they're still anxious to promote this fact?!?!  Then again ... to the best of my knowledge anyway ... no seductive cocktails were exchanged that night.)

Again, the vision was of the grandest scale.  Every attempt was made to restore the Genesee Theatre to its former glory of 1927 ... however several major and minor changes were made. The 1950s marquee was taken down and a new marquee was reproduced from original photographs of the theatre in the 1920s to the 1940s. A lobby was added on Genesee Street where the sidewalk had originally been. The original box office was taken out and moved in order to accommodate more doors into the Grand Lobby. The walls and décor of the original lobby, now the Grand Lobby, were restored ... however a walkway joining both second floor lounges was added. The apartments and suites previously housed on the three upper floors were torn down and fashioned into lounges for theatre use.  


In the auditorium, the balcony was extended to the front and back and the projection booth at the back of the balcony was shifted backward. These modifications allowed the theatre to increase its seating capacity from 1,799 to 2,416. Antique chandeliers and light fixtures from the time period were collected from all over the country and placed throughout the theatre while some lighting fixtures were replicated. The plaster moldings were cleaned and restored and the carpet was replicated from a 1927 photograph. The stage doubled in size and was outfitted with 21st century technology in order to accommodate new entertainment.


Despite the changes to the Theatre, the historic integrity of the Genesee has stood the test of time. From the street and within its walls, the Genesee Theatre is reminiscent of the hope and beauty of the early 20th century and remains a center of the Waukegan community. 

And, in 2009, the city of Waukegan granted The Genesee Theatre Landmark Status.  It truly is one of the most beautiful and historic theatres anywhere in the country.  (Several weeks ago, their contact with the city of Waukegan was extended for another ten years, assuring many more great shows to come and grace the stage of this beautiful theatre.)



In addition to the Brian Wilson show scheduled for November 11th, The Genesee Theatre has several other great shows coming up between now and the end of the year ... 

Jay Leno - 10/29

Brian Setzer Orchestra 11/17 - Christmas show

Christopher Cross 11/22

Michael Bolton 12/8

Darlene Love 12/16

and, JUST ADDED, Chicago's own Richard Marx, appearing December 4th 

You can order your tickets for ALL of these shows through the theatre's online box office ...
http://www.geneseetheatre.com/events/all  

What a BEAUTIFUL way to spend an evening. 

*****

Dear Kent;
If I was governor of California I would insist that the state adopt "God Only Knows' as its official song.  
Seeing Brian Wilson over six different decades has been a musical experience of boundless joy.  
Question: Are Brian and Mike Love in one of their periodic separations? 
I frankly have no interest in seeing the Mike and the Beach Boys but would travel 400 miles tonite by car to see Brian Wilson, America's greatest living poet - inches ahead of Bob Dylan and Smokey Robinson. 
Would love to see the upcoming concert at the Genesee to see Brian and to hear Blondie Chaplin's majestic vocal on "Sail On Sailor."  
Finally, never compare the Eagles to the Beach Boys. There is no comparison. The Boys are the undisputed heavyweight champs - America's greatest rock 'n roll band. End of issue.  
Chet Coppock
Host: Notre Dame football on WLS Radio
Author: Buffone: Monster of the Midway
I think Brian and Mike have ALWAYS been more "off" than "on".  You've still got time to catch Brian at The Genesee but you'd better hurry ... I think the rest of these tickets are going to go pretty fast!  (For the record, I have been informed that Blondie Chaplin will NOT be with Brian for this Chicago-area appearance.  I apologize for any confusion and / or false hope my previous information may have caused.)  kk
 
 

Brian Wilson Tickets - Part 4

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Our final winner in this week's concert tickets give-away for the Brian Wilson Show November 11th at The Genesee Theatre belongs to Bob Burns of Bartlett, IL.

You can still purchase tickets here:
http://www.geneseetheatre.com/events/detail/brian-wilson-with-special-guest-al-jardine

Take it away, Bob ...

For me it started when I bought the Beach Boys Concert Album. I was enamored with the bass guitar more than the six string or the drums. I thought that Paul McCartney and Brian Wilson were more melodic players than the typical bass players in the 60's ... and when I got my first bass at age 16 and joined a garage band, I emulated these players.   
When I realized that Brian was the creative genius of the Beach Boys, I thought. that's why ... all the harmonies and instruments work so well because of his vision of the songs and how they were constructed. I was bummed to find out that he had quit touring before I was able to see Brian on stage, playing his white Fender Precision Bass.  
I followed the ups and downs Brian's career, like many of us did (and still do).  
Pet Sounds was pivotal in my life as a bass player. I know that Carol Kaye was the bassist in the studio for the recording, but Brian was the instructor. Listen to Sloop John B's innovative bass parts hear to what I mean. I finally saw Brian on stage on the Pet Sounds tour - and he played the Fender bass for one song. I think he was looking at me ... for one song. 
-- Bob Burns 
Bartlett, IL  

Brian Wilson has been quite prolific with his album releases of late.  In addition to live, performance releases like "Pet Sounds" and "Smile", performed in their entirety live in concert, Brian has also reached back to his past with his most recent release "No Pier Pressure" (featuring several of today's contemporary artists joining him in song) as well as tribute albums to the music that HE loved growing up ... everything from George Gershwin to Walt Disney!

FH Reader Tom Cuddy tells us Brian's next LP is already in the planning stages ...

According to Premiere Radio Networks,Brian Wilson ischanging direction for his next album. After releasing No Pier Pressure, a well-received collection of original material that hit the Top 30 earlier this year, he's planning to go retro. 

Wilson tells Allentown, Pennsylvania's Morning Call, "We’re going to try a tribute album. Brian Wilson Sings the Great Rock ‘n’ Roll Artists. Like Paul McCartney, Mick Jagger,Little Richard, Chuck Berry. And, you know, Bill Haley." He's planning to work on that next year. 

He also dismissed speculation that he had enough unused material left over from No Pier Pressure to use in a follow-up album. Wilson adds that he hasn't written a new song "for about year, now."

In addition, watch for a COMPLETELY revamped "Beach Boys PARTY!" album to be released in November ... now as a 2-CD Set featuring 70 tracks recorded during these sessions.

More here from Vintage Vinyl News ...


Beach Boys Party! will hit its 50th anniversary on November 8 and, in celebration, Capitol/UMe will release an expanded edition of the album that removes all of the party sounds from the original along with almost 70 tracks from the recording session.  

Beach Boys Party! was a covers album that was actually recorded in a studio and had the party sounds overdubbed later. The set was quickly recorded to satisfy a request from Capitol Records for a holiday 1965 release and to give Brian Wilson additional time to develop the now classic album Pet Sounds. Their tenth studio album in just three years, it reached number 6 on the U.S. Albums chart and included the single Barbara Ann (1966 / #2).

Mike Love said "... we didn't really have time to develop the type of album we wanted to develop, which Brian was working on, called Pet Sounds … So we said, 'Well, what can we do quickly and easily?' And we decided to do this party album."

Over the course of several long sessions at Western Recorders in Hollywood, California in August and September of 1965, The Beach Boys recorded what was, essentially, the first "unplugged" rock & roll album, with instrumentation limited to acoustic guitars, bass, bongos, harmonica and a tambourine. Joined in the studio by a few friends and collaborators, the band ran through many of their favorite songs of the time, including hits by The Beatles, The Rolling Stones, Bob Dylan and others, even spoofing two of their own biggest hits, I Get Around and Little Deuce Coupe, with self-parodying renditions. 

Beach Boys Party! will be released November 20 in a 2-CD set and digital album which includes photos from the sessions, package essays by Beach Boys historians Alan Boyd and Craig Slowinski, and notes by the new edition's producer, Mark Linett. A vinyl LP edition of the Party! album's original 12 tracks, remixed and remastered in the 'Uncovered and Unplugged' style, will follow on December 11.

The track list:

Disc 1


  • THE ALBUM
    • Hully Gully [Session #2 – 9/8/65]
    • I Should Have Known Better [Session #3 – 9/14/65]
    • Tell Me Why [Session #2 – 9/8/65]
    • Papa-Oom-Mow-Mow [Session #3 – 9/14/65]
    • Mountain of Love [Session #3 – 9/14/65]
    • You've Got to Hide Your Love Away [Session #5 – 9/23/65]
    • Devoted to You [Session #3 – 9/14/65]
    • Alley Oop [Session #3 – 9/14/65]
    • There's No Other Baby (Like My Baby) [Session #3 – 9/14/65]
    • I Get Around / Little Deuce Coupe [Session #4 – 9/15/65]
    • The Times The Are A-Changin' [Session #5 – 9/23/65]
    • Barbara Ann [Session #5 – 9/23/65]
  • THE SESSIONS
    • Let's Get This Party Rolling [Session #2 – 9/8/65]
  • SESSION #1 [8/23/65]
    • I Should Have Known Better #1
    • Ruby Baby #1
    • (I Can't Get No) Satisfaction #1
    • Hully Gully #1
    • Blowin' in the Wind
    • DIALOG: "The Sunrays"
  • SESSION #2 [9/8/65]
    • Ruby Baby #2
    • DIALOG: "The Masked Phantom"
    • Hully Gully #2
    • DIALOG: "Carl, Go Get Your Bass"
    • Hully Gully #3
    • (I Can't Get No) Satisfaction #2
    • DIALOG: "That's a Bad Guitar"
    • Ruby Baby #3
    • DIALOG: "What's the Matter, Carl"
    • Ruby Baby #4
    • DIALOG: "Carl's Tire"
    • I Should've Known Better #2
    • I Should've Known Better #3
    • DIALOG: "Wasn't That Great, Folks?"
    • Tell Me Why #1
    • Don't Worry Baby
    • You've Got to Hide Your Love Away #1
    • Little Deuce Coupe #1
    • California Girls
Disc 2

  • SESSION #2 [9/8/65], continued
    • She Belongs to Me / The Artist (Laugh at Me) #1
    • Fooling Around: Hang On Sloopy / You've Lost That Lovin' Feeling / Twist and Shout
    • Riot In Cell Block No.9 #1
    • Fooling Around: The Diary
    • DIALOG: "I Think We Better Do The Next Week"
  • SESSION #3 [9/14/65]
    • DIALOG: "Let's Cook Now and Eat Later"
    • Tell Me Why #2
    • I Should Have Known Better #4
    • DIALOG: "What I Want to Do"
    • DIALOG: "Are We Still In the Party?"
    • Mountain of Love #1
    • DIALOG: "Where's Denny?"
    • Devoted to You #1
    • DIALOG: "What Are You Doing Now?"
    • You've Got to Hide Your Love Away #2
    • DIALOG: "This Phony Party" / Ticket to Ride
    • Alley Oop #1
    • Alley Oop #2
    • DIALOG: "Tune It Like This"
    • There's No Other (Like My Baby) #1
    • There's No Other (Like My Baby) #2
    • DIALOG: "Do the Splits"
    • Devoted to You #2
    • Devoted to You #3
  • SESSION #4 [9/15/65]
    • You've Got to Hide Your Love Away #3
    • I Get Around
    • Little Deuce Coupe #2
    • Mountain of Love #2
    • Ticket to Ride #2
    • Riot in Cell Block No. 9 #2
    • The Artist (Laugh at Me) #2
    • One Kiss Led to Another
  • SESSION #5 [9/23/65]
    • You've Got to Hide Your Love Away #4
    • You've Got to Hide Your Love Away #5
    • DIALOG: "What Did You Stop Us For, Chuck?"
    • The Times The Are A-Changin'
    • Fooling Around: Heart and Soul / Long Tall Sally
    • Fooling Around: The Boy From NYC
    • Smokey Joe's Cafe
    • DIALOG: "I Got One More"
    • Barbara Ann #1
    • Barbara Ann #2
    • Barbara Ann #3 
Perhaps most amazing about this release is the fact that it went  right in to The Top Ten --- for all intents and purposes, a "throw-away" / jam session LP ... but because The Beach Boys' NINTH Top Ten Album in four years, ultimately peaking at #6 ... which is four points higher than their landmark "Pet Sounds" release would chart some six months later. "Party!" in addition to being perhaps the first "live" unplugged album by a rock band also set the stage in many cases as to what 'bootleg" recordings would sound like in the years to come.  Relaxed, behind-closed-doors warm-ups of some of the biggest name artists out there just loosening up before their big show.  Can't wait to hear this one all the way through!  (kk)

And finally Gary Pig Gold has just reposted his review of the 2-hour Brian Wilson Documentary "Brian Wilson: Songwriter".  

Here's the scoop ...

Dear Friends and Harmony Buffs!
Just a quick virtual word to let all know that my good ol' review of the BRIAN WILSON: SONGWRITER DVD has recently appeared anew.
Below is its url for your reading, re-posting, and / or Linking pleasure ...
http://www.ballbustermusic.com/bbm/columns/pigshit/01-2012/ten_reasons_why_brian_wilson_songwriter

Gary
 

The Weekend Comments ( 10 - 31 - 15 / 11 - 01 - 15 )

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re:  The Cornerstones Of Rock:   
The much-talked-about (especially in THESE pages!) WTTW television special that was filmed at the Channel 11 Studios a couple of weeks ago, spotlighting most of our '60's Musical Local Heroes, now has an official air date ... The program will premier TWICE on Tuesday, December 8th, with back-to-back showings at 7:30 and 9:30 pm ... and then will be rebroadcast on Saturday, December 12th, at 9:00 pm as well. LOTS of hoopla surrounding this one ... and we can't WAIT to see it!  Out-of-towners should check your local listings to see when it may be playing in your area.  (kk)

re:  Cory Wells:
Hey Kent, 
I came across this interview with Cory Wells a couple of years ago. There's an assortment of interviews with him on YouTube, but in my opinion, this one is the most insightful of them all:  https://youtu.be/NBOBgjahuL0 
FYI: I sent this link to our mutual friend Joe Klein after he wrote about Corey's passing on his blog. He gave it pretty high marks too. It's an interview that really helps put this guy's talent in perspective and is great way to grasp his legacy. 
Bill Fortune
It is a great clip.  I tried to link to Joe's article about Cory Wells but couldn't find it ... please send me a link when you get a chance so that our other readers can enjoy it as well. 
By the way, the video Cory's talking about in this interview is an EXCELLENT concert filmed, I believe, with The Tennessee Symphony Orchestra in 2002.  Check it out if you get a chance.  Thanks, Bill!  (kk)  

Word came out this week that Cory Wells was battling cancer when he died suddenly last week.  Here is a report filed by FH Reader Tom Cuddy ... but we've seen similar reports on other websites as well ...

Three Dog Night rocker Cory Wells was fighting cancer when he apparently died from an infection earlier this week, his family told The Buffalo News.  
The Buffalo native was diagnosed with multiple myeloma in late September and was undergoing treatment at Roswell Park Cancer Institute, according to Dawn Cussins, one of the singer’s two daughters.  
Close family members of the 74-year-old singer knew about the cancer diagnosis, but he was a “very private man” and did not want his friends or fans to know about it, Cussins said.  
Wells died Tuesday night in Brooks Memorial Hospital in Dunkirk, where he had recently been staying in a cottage on Lake Erie that he and his wife owned, Cussins said. According to Cussins, doctors at Brooks Memorial told the family that Wells died of septic shock caused by an infection.  
“We don’t know what caused the infection. We have no idea,” Cussins said. “He became very ill on Monday, and I called 911 to have an ambulance take him to the hospital … He died Tuesday night.”  
No information about Wells’ illness or the cause of his death had been made public before Cussins and one of Wells’ grandchildren spoke to The News on Friday. A Chautauqua County coroner had said he could not comment, saying the decision on whether to discuss the cause of death was up to the family.  
The music world knew Wells as a charismatic singer whose soulful voice powered one of the most successful rock bands in American history. But his family and friends knew him as the former Emil Lewandowski, a loving father and grandfather who was married to the same woman for 51 years, and who would much rather spend a quiet day fishing on Lake Erie than singing before thousands of people.  
His daughter said Wells became very ill on Monday in the Dunkirk cottage that he and his wife bought in the 1990s. “He was diagnosed with multiple myeloma in late September, and was receiving treatment at Roswell (Park Cancer Institute),” Cussins said on Friday. “His immediate family knew, but he didn’t want many people to know, because he was a very private person.”  
Wells found out he had multiple myeloma after seeking treatment for severe back pain, Cussins said. Doctors told the family the cancer was “manageable and treatable,” Cussins said, and her father had received several radiation treatments at Roswell Park. He was scheduled to receive several more radiation treatments and, after that, chemotherapy. She said no autopsy was conducted. Although Wells was one of the leaders of a hugely successful rock band that performed all over the world, had many top 10 hits and sold millions of records, he preferred fishing or spending quiet time with his family, according to his daughter and one of his five grandchildren, Jake Lyon.  
“He loved his music, and was proud of his music, but what he really enjoyed was spending time with his family,” Cussins said. “If there was a blueprint for a great father and a great grandfather, he was it.”  
Wells loved Western New York, and that is why he and his wife, Mary, bought the Dunkirk cottage after their home in Malibu, Calif., was destroyed in a wildfire in November 1993, his daughter said.  
Cussins said her father was proud of maintaining a solid family life even during the early 1970s, when Three Dog Night was touring almost non-stop.  
“My father never, ever took drugs, and he hated alcohol,” Cussins said. “He was totally against any of his songs being used in beer advertisements because he never wanted to encourage kids to drink.”  
Formed in the late 1960s, Three Dog Night was one of the most popular bands in the country in the 1970s. The band has continued to be a popular touring attraction over the decades. Several recent concerts were canceled because of Wells’ medical problems, although the band had made no mention of cancer.  
“In the years 1969 through 1974, no other group achieved more top 10 hits, moved more records or sold more concert tickets than Three Dog Night,” according to the band’s official website.  
The band’s biggest hits – including “Mama Told Me (Not to Come),” “Joy to the World,” “Black and White,” “Shambala” and “One” – not only sold millions of records, but were often featured in major films and television series.  
Wells shared the lead vocals with two other singers, Danny Hutton and Chuck Negron. Negron left the band in the 1980s, but Hutton and Wells continued to tour together.  
“It is with deep sadness and disbelief that I must report the passing of Cory Wells, my beloved band mate for over 45 years,” Hutton said in a statement on the website earlier this week. “Cory was an incredible singer – a great performer, he could sing anything.”  
The band’s website lists 12 concerts planned between Nov. 4 and the end of this year. So far, the band has not announced whether it will continue touring.  
In an interview with The News in 2012, Wells spoke about growing up on the East Side of Buffalo, where he was born as Emil Lewandowski. He was raised by a single mother who struggled financially, Wells said.  
He recalled being a “poor kid” who worked at the old Sattler’s department store, loved gospel music and formed a “doo-wop group” with some African-American friends as a teenager.  
After graduating from Burgard High School and spending time in the Air Force, Wells said he moved out to Los Angeles to pursue a musical career. It was there that he met Hutton and Negron and formed the band that would become Three Dog Night.  
While he enjoyed making records and performing before audiences, Wells’ real enjoyment came from spending time with family and fishing.  
“There’s a lot of time on the road,” Wells told the Chicago Tribune in a 1986 interview. “I was actually fishing while I was out there on the road. While everybody else was partying, I was getting up at 4 in the morning and going fishing when we toured through places like Florida, the South, back East, up in Canada.”  
Wells loved participating in fishing tournaments in Western New York, and also wrote articles on fishing for several magazines. “He wrote fishing articles under his own name for Outdoor Life, Field & Stream and American Sportsman,” Cussins said.  
In addition to his wife, Wells is survived by his other daughter, Corrie LeFrenaye, and five grandchildren, Cussins said.  
She said many family members rushed to Dunkirk to visit Wells after he was taken to the hospital on Monday.  
“We spent a lot of time with him on Monday and Tuesday,” Cussins said. “He was pretty zoned out, but he could squeeze my hand. We left him Tuesday night and he died at around 9:30 that night … He was a humble, private man.  Knowing my father, he just wanted to slip away quietly.” Cussins said the family has been touched by the outpouring of good wishes from Three Dog Night fans, but at this point, has no plans for any kind of public memorial service.  
-- The Buffalo News / By Dan Herbeck / News Staff Reporter / Google

re:  Happy Halloween:
I guess you've just GOT to include Elvira in your Halloween plans this year!

This probably would have been a WHOLE lot more effective 25 years ago!  (kk)  

Mike Baker And The Forgotten 45s presents Haunted Hits from the Golden Age of Top 40 -  
Airing on Sunday, November 1, 2015, from 12:00 - 1:20 pm on WLTL-FM 88.1 
We will feature the Mercury Theatre On The Air broadcast “The War Of The Worlds” followed by Mike Baker And The Forgotten 45s with the Haunted Hits from the Golden Age of Top 40.  The Halloween themed favorites include:  
from the 50s:   “Dinner With Drac” John Zacherle and more
from the 60s:   ”Ding Dong! The Witch Is Dead” Fifth Estate and more
from the 70s:   “Werewolves Of London” Warren Zevon and more
WLTL broadcasts over the air on 88.1 FM, streaming at wltl.net and the free WLTL app for your smartphone. 
Thanks,
Mike Baker And The Forgotten 45s 

And, for your last minute Halloween needs, be sure to download the Ian Lloyd track here ...   
Hurry! There's still time to add these two great Halloween songs by John Ford of the Strawbs & Ian Lloyd (Stories / "Brother Louie") and Space Drama's dance mix version to your spooky playlists and wake up all the Ghouls stumbling around the backyard!
Download Halloween 320kbps MP3s here:
http://machinedreamrecords.com/mdr_Music/Halloween_FORD-LLOYD_and_ClubMix_SpaceDrama_320mp3.zip
ROCK LIVES!
Ian Lloyd
machinedreamrecords.com  
 


re:  This And That:      
LOTS of anticipation for the brand new re-release bonus edition of The Beatles'"1", now accompanied by full-length videos of many of their biggest hits, including several outtakes. 
The so-called "never-before-seen" video for "Revolution" made the rounds last week ... but I'm not sure where that status came from.  We've had this clip for YEARS and I clearly remember watching it when it first aired on The Smothers Brothers Comedy Hour back in 1968. 
Still, it's great to see it again, especially in such high definition ... and I can't wait to experience the whole gamut of crystal clear video releases. 
(Additional videos have been given the "sneak peek" treatment this past week, including the awesome clip that accompanies "Hello, Goodbye" ... and a 'specially put together clip for The Beatles classic "A Day In The Life" Pre-orders are thru the roof ... for the past couple of weeks it has been the #2 best-seller on Amazon.com ... and you can't even BUY it yet!!! 
But you will soon ... orders start shipping on November 6th.  If you haven't already ordered your copy, may we suggest doing so through The Fest For Beatles Fans website?  You'll find all sorts of OTHER cool stuff here as well ... like those AWESOME lava lamps we showed you a couple of weeks ago. 

http://www.thefest.com/store/index.php?utm_source=iContact&utm_medium=email&utm_campaign=The%20Fest%20Newsletters&utm_content=20151022



Speaking of great videos, here's another link to the brand new Billy J. Gibbons remake of the old Roy Head classic "Treat Her Right" (I mean who doesn't love THIS song?!?!?) ... along with more tour news ... and an upcoming appearance on Conan!  

BILLY F GIBBONS SETS CONAN PERFORMANCE FOR 11/3, PERFECTAMUNDO TOUR LAUNCHES 11/27    

Billy Gibbons and The BFG’s roadshow of his Perfectamundo solo album is now scheduled to hit theaters across the USA starting November 27th in Ft. Lauderdale, FL.  Performance dates originally slated for earlier in November will now commence early in the new year. The band will first be seen on the upcoming broadcast with Conan O'Brien on November 3rd, 2015.   
The  creation of Perfectamundo, the first ever solo effort by the ZZ Top frontman, was catalyzed by the invitation to appear at the annual gathering of the Havana Jazz Festival. Gibbons and Co. set about creating an appropriate Afro-Cuban influenced recording resulting in Perfectamundo for the Concord Records label. The new release is slated to hit the streets on November 6.   
Watch the “Treat Her Right” video:



Billy Gibbons And The BFG’s Perfectamundo tour dates: 
Nov. 27 - Fort Lauderdale, FL - Parker Playhouse 
Nov. 28 - Fort Pierce, FL - Sunrise Theatre
Nov. 29 - Saint Petersburg, FL - Mahaffey Theater
Dec. 1 - New Orleans, LA - Orpheum Theatre
Dec. 3 - Houston, TX - Cullen Performance Hall
Dec. 4 - Austin, TX - The Moody Theater
Dec. 5 - Lubbock, TX -  City Bank Auditorium
Dec. 7 - Solana Beach, CA - Belly Up Tavern
Dec. 8 - Los Angeles, CA - Orpheum Theatre 
Dec. 9 - San Francisco, CA - The Regency Ballroom
Dec. 11 - Portland, OR - Revolution Hall
Dec. 12 - Aberdeen, WA - D&R Theatre
Dec. 13 - Seattle, WA - Neptune Theatre 
Dec. 17 - Havana, CU - Havana Jazz Festival 
Dec. 18 - Havana, CU - Havana Jazz Festival
Dec. 20 - Havana, CU - Havana Jazz Festival 

Our FH Buddy Big Jay Sorensen is doing one heck of a job reminding listeners of all the big musical events that happened "this week in history".  It's become "MUST READING" for oldies fans.  Jay typically spotlights three artists per segment and lets you know what was happening on the music scene for this week in the 1960's, the 1970's and the 1980's.  Some REALLY good stuff to be found here.
I suggest you bookmark this page ... as once our 50 Year Flashback wraps up at the end of the year, we're stepping out of the "music history" box and moving on to other things.  So be sure to check it out here! 

Hi Kent,
Wonderful stories in Forgotten Hits - First 45s. Thanks. 
I bought my 1st record, the 45 RPM version of "Blue Monday" by Fats Domino, in January, 1957, in Minnesota of all places at the list price of 59 cents ... but I cannot remember the list prices after that except that the prices kept climbing.  I think I remember list prices jumping to 69 cents later in 1957.  I think I remember 89 cents in the 1960's for records in 1968 like a re-release of "Rock Around the Clock" that year.  Apparently the list prices held at 99 cents until 1974, if I correctly understand an on-line NY Times article titled '45' SINGLE RECORD: A DISK IN DECLINE, By JON PARELES, Published: October 30, 1986.  The article says the list price in October, 1986, for 45's was $1.99.  The last new release 45 RPM record I bought was "She Bangs" by Ricky Martin in 2000, which incredibly Tower Records carried, at a reasonable but forgotten price.
Bert  


From Robin Leach, Las Vegas Sun: 
Bill Medley of The Righteous Brothers has continued performing and touring since singing partner Bobby Hatfield’s death in 2003, often with his daughter McKenna. Now the singer, 75, is returning to the Strip as an all-new duo, in a sense bringing The Righteous Brothers back to life.
Bill has discovered a singer who he believes best represents the talent and appeal of Bobby. We know that he found the artist in Branson, Mo., where Bill has performed often with The Texas Tenors and John Hagen. 
I’m reliably told the new Righteous Brothers show has landed a residency at Improv in Harrah’s with a pre-Christmas start. 

One of my coworkers, Rich Silverman, had the opportunity to watch Peter Frampton Come Alive last week at North Central College ... and raved on and on about what a good show it was.  Frampton did plenty of story-telling between songs and talked about how he ended up with the guitar "Peggy Sue", made my Buddy Holly's widow, when Paul McCartney failed to reply to a phone message.  He also talked about working with George Harrison while his lavish mansion was under construction, leaving just two rooms habitable ... once of which was "the guitar room", where Harrison had literally HUNDREDS of guitars from his collection on display.  (Peter felt as though he had come up a bit short in that department, having brought along only one!)
Sounds like the man can still play the hell out of his guitars (he made sure to bring PLENTY to the stage that night) and, along with his son, put on a very entertaining an insightful show.
I sent Rich this concert review from a show Frampton did this past week in Boston ... and this is what he said ...  
This review pretty much hits the North Central College show on the head.  The play list was very close and for me, when Frampton and George Kennedy played together – especially on “Change the World” - it was magic.  
It is also interesting that both Julian and Peter both covered Beatle tunes. In our show, Peter covered “Norwegian Wood”.  
Peter Frampton may have made his reputation playing Electric Guitar, but [to me] guitar playing talent is displayed when playing Acoustic and his was on full display. I also have to give props to George Kennedy because that dude can flat out play! 
I know you have seen him before, but if the opportunity to see the acoustic set appears, buy the tickets! 
Rich

Kent,
In perusing today's survey, song #36 by Little Jimmy Dickens, MAY THE BIRD OF PARADISE (FLY UP YOUR NOSE) I always did like. In fact, it's the only record by him I have here at my home in my library. I believe it's the only record he made that crossed over from the country charts to the pop charts. #16 by Jonathan King was one of those I haven't heard on the radio in years. In fact,
on this day according to your survey, this turned out to be A GOOD NEWS WEEK for Jonathan King.
Larry 
Only a few 1965 surveys left before the end of the year.  Be sure to check the website every Monday Morning for our 50 Year Flashback!  (kk) 

Kent -
Where was WIRL located? I do not remember that station.  Love the radio station surveys!  
Clay 
Looks like Peoria, IL, to me.  They first signed on the air back in 1948 ... and switched to a Top 40 format in 1960, which they maintained until 1984.  (Wow - sounds like a very similar lifespan to our own WLS ... but with about 10% of the wattage!)  kk 

To my Oldies friends and fans,
This is one for the music history books. 
My co-writer Al Byron ("Roses Are Red (My Love)" and I took "After the Hurricane" to Freddy Bienstock at Hill and Range.  He said that he wanted to show it for Elvis.  So we ran back to my manager and our publisher (his name shall remain unspoken) and he said no, he wouldn't release the publishing, and he wanted to have this demo released as a Paul Evans single.
Let's see. Paul Evans single vs. possible Elvis single.      
Oh well.  Perhaps it shoulda been a hit for me.  But it wasn't.
AFTER THE HURRICANE  (CARLTON RECORDS #543, 1961)
After The Hurricane / Not Me
ENJOY,
Paul
PS  The crash at the end is a real Jawbone of an ass.  There was no computer, and therefore no computer equivalent sound.  (Recorded at Associated Studios)



ROY ORBISON’S HISTORIC MGM CATALOG CHRONICLED IN DECEMBER 4 RELEASE OF THE MGM YEARS BOX SET + ONE OF THE LONELY ONES, HIS “LOST” ALBUM FROM 1969, COMMEMORATING 50TH ANNIVERSARY OF GROUNDBREAKING MGM SIGNING  
2015 marks a historic 50-year milestone for music legend Roy Orbison.
On July 1, 1965, “The Big O” left Monument Records and signed with MGM Records, going on to release 11 studio albums, a film soundtrack and 27 singles over the course of the following eight years, and at the same time scoring another 11 worldwide Top 40 hits.  In recognition of this golden anniversary of Orbison’s signing of one of the most lucrative and groundbreaking record deals of the era, Universal Music Enterprises (UMe) has teamed up with Roy’s Boys, LLC, the Nashville-based company founded by the late icon’s sons to administer their father’s catalog and safeguard his legacy. Together, they are releasing two landmark Roy Orbison packages globally on December 4, each available in CD, 180-gram vinyl and digital form:  
·      One of the Lonely Ones – Recorded in 1969, this is a completely unreleased new studio album.  It’s a 12-track lost Roy Orbison album never-before-heard by the public that was recently discovered by Roy’s sons.  This rediscovered treasure will be released on CD, digitally and on sumptuous 180-gram vinyl.    
·      The MGM Years – Recorded from 1965 through 1973, the box set contains all of Roy’s 11 MGM studio albums, the soundtrack to The Fastest Guitar Alive (written by Roy and Bill Dees for the film starring Roy Orbison) and an album of B-sides and singles from that era.  The box set is available as a 13 CD box, a digital box, or as a special 14 disc 180-gram vinyl release.   All this material has been out of print for decades - 152 tracks in total!    
The first 500 physical The MGM Years box sets (either CD or LP) pre-ordered through The Official Roy Orbison Store (http://store.royorbison.com/) will be bundled with a copy of the unreleased One of the Lonely Ones album in the same format and for the same price as the box set alone on release.  All those who take advantage of this limited time offer will also be promptly emailed a download code to instantly download the One of the Lonely Ones title track.  
Both the unreleased One of the Lonely Ones album and The MGM Years box set are also available for pre-order globally at all major physical and digital stores including, of course, Amazon and iTunes.   
On July 1, 1965, Roy Orbison found himself at a career pinnacle, at the top of the music world.  The previous year, his single “Oh, Pretty Woman” had been a global smash, going to Number One in the U.S., UK, Canada and Australia.  On the business side, Orbison had to choose between staying with his friend and producer Fred Foster at Monument Records or moving to MGM for a deal that Foster could not match.  Foster didn’t have a film company and of course MGM had a full motion picture arm and promised Roy a starring film role.  In the end that proved to be the deciding factor and Roy chose MGM and its so-called “Million Dollar Deal” - an astounding amount for the time.   
At the time, Roy was one of the only American artists to displace “British Invasion” bands including The Beatles at the top of the charts.  Fresh MGM deal in hand, Roy went into the studio in July, 1965, without missing a beat. “Ride Away” was the first single for his new label MGM, which promptly went Number One in Canada.  His first MGM album, There is Only One Roy Orbison, which included the single “Ride Away,” went Top 10 in the UK and charted strongly worldwide.  
This was just the beginning.  Roy would record and release an additional ten studio albums at MGM plus a soundtrack album for the only film in which Roy starred.  This was Roy at the height of his career, yet the Roy that most fans know the least.  
The MGM Years box set finally puts all of these fabulous records in one place.  These include the 11 original studio albums, the much sought after soundtrack to The Fastest Guitar Alive and a newly created compilation album called MGM B-Sides & Singles that contains all 12 MGM era singles and B-sides that otherwise weren’t included in any album; in all, 152 glorious Roy Orbison tracks.  Each song was additionally re-EQ’d and balanced by Roy’s son Alex and GRAMMY®-winning engineer Chuck Turner to bring the masters back to their original warm vinyl sound.  All this amazing material has been generally out of circulation for decades!   Each original album comes with fully restored artwork and each album has been fastidiously remastered by GRAMMY®-winning engineer Richard Dodd.  The box set includes a beautifully bound booklet with extensive liner notes written by Alex Orbison, Roy’s youngest son, and never before seen photos.  
Recorded between January and August of 1969, One of the Lonely Ones is a great, newly discovered, Roy Orbison studio album.  Kicking it off is a sensational version of “You’ll Never Walk Alone,” the Rodgers and Hammerstein classic that charted for Britain’s Gerry & the Pacemakers in 1965.  The Roy penned, guitar-heavy, “Child Woman, Woman Child” can be considered the musical younger sister of “Oh, Pretty Woman.”  And ten other NEVER BEFORE HEARD Roy tracks – what more can one say?  A lost treasure found!
One of the Lonely Ones was transferred from the original tape at the famed Blackbird Studio in Nashville, TN and the tracks were individually mixed by Chuck Turner (whose credits include Johnny Cash, Dolly Parton, Alison Krauss and Marty Stuart) at the Cash Cabin under Alex Orbison’s supervision.  Finally, the restored-to-stereo tracks were put in the capable hands of Richard Dodd for mastering. 
Pre-order links 
The MGM Years (13 CD box set):  http://smarturl.it/BoxSetCD 
The MGM Years (14 LP vinyl box set):  http://smarturl.it/BoxSetLP 
One Of The Lonely Ones (CD):  http://smarturl.it/LonelyOnesCD 
One Of The Lonely Ones (vinyl LP):  http://smarturl.it/LonelyOnesLP    
Roy Orbison – The MGM Years [14 LP vinyl box set; 13 CD box set] (all 152 tracks also available digitally)
1) There Is Only One Roy Orbison (1965)
2) The Orbison Way (1966)
3) The Classic Roy Orbison (1966)
4) Roy Orbison Sings Don Gibson (1967)
5) The Fastest Guitar Alive (Soundtrack) (1967)
6) Cry Softly Lonely One (1967)
7) Roy Orbison’s Many Moods (1969)
8) Hank Williams the Roy Orbison Way (1970)
9) The Big O (1970)
10) Roy Orbison Sings (1972)
11) Memphis (1972)
12) Milestones (1973)
13) MGM B-Sides And Singles (2015) (2 discs in vinyl box set, 1 disc in CD box set)
-- Bob Merlis
Bob even sent along this short video clip showing just how extravagant this box set really is.  You can check it out here:



A lot of VERY big deals were struck in the early '60's with little regard (or knowledge) of the impending British Invasion assault on our music charts.  The Everly Brothers moved from Cadence Records to Warner Brothers in another multi-million dollar deal ... Paul Anka jumped from ABC-Paramount to RCA ... Ray Charles jumped from Atlantic Records to ABC-Paramount and Roy Orbison (after a VERY successful five year run with Monument) jumped ship for MGM Records.
Orbison seemed well poised at the time to do so.  His late 1964 hit "Oh, Pretty Woman" was a MONSTER smash, ending up right near the top of every published list of The Biggest Hits of 1964 ... but sadly he would never recapture that success on MGM.  (Orbison charted 22 times for Monument between 1960 and 1965 ... and those included NINE Top Ten Hits.  He placed 13 more records only the charts for MGM between 1965 and 1970 ... but not a single one of them broke The Top 20.
Not that these aren't great tracks ... Roy was a one-of-a-kind recording artist, unique in every way ... he just never recaptured the success of his earlier works (until 1989, of course, when he hit The Top Ten again with the Jeff Lynne-produced "You Got It".)
Still this is a MAJOR add to any music collection ... in fact the complete, collected work of Orbison's Sun recordings, Monument material and MGM releases is a major coup for ANY music library.  (Now they need somebody to do "the in between years" from 1970 - 1989 when Orbison bounced around from Warner Brother, Asylum, Mercury and a few other labels before landing with The Traveling Wilburys and resurrecting his career with a whole new generation.  (kk)


Poor Tom Jones ... this guy just doesn't know when to keep his mouth shut and his thoughts to himself. 
You know they say there's no such thing as bad publicity ... as long as people are talking about you, it's a GOOD thing ... but lately Jones has been making headlines for everything EXCEPT his musical talent.  (Let's just say that he is definitely NOT going to win the award for the Poster Child for Politically Correctness!)  Jones first mouthed off (to a series of MAJOR backlash) when he was replaced by Boy George on the British version of "The Voice".  Then about a week ago or so he made headlines around the world when he called his former labelmate Engelbert Humperdinck "a cunt" during an interview.  And NOW he's going on about his fear of homosexuals in the music business back in the '60's!!!  (WTG, Tommy Boy!)  Learn when to hold 'em and learn when to fold 'em, Tom ... you're really looking like a complete ass lately!  (kk) 

I was ready for most aspects of the music industry but when I met the producer Joe Meek, that threw me off a bit. Because he was a homosexual. I thought, wait a minute, is the London scene, the people who run British showbusiness – are there a lot of homosexuals involved here? Because if so, I’m going back to Cardiff. So much so that when I signed with Decca and Peter Sullivan became my manager, and he said the same thing Joe Meek said – tell the boys to pack their gear up, I want to talk to you myself – I said, you’re not one of these queer fellows are you? And he said, what are you on about? I became paranoid, you see. I wondered, was that required to make a hit record? But then I got into it and I realised no, it just so happened that the first guy to record me was a homosexual producer. Once I got over the shock of that, and realised it wasn’t true, most people were normal. Well, I shouldn’t put it like that. Homosexuals are normal, it’s not that they’re not normal. It’s just that they are what they are.  
-- Tom Jones


In another one of those "How can we miss you if you won't go away" stories, Phil Collins is telling Rolling Stone Magazine that he's coming out of retirement ...


Kent ...
Interesting story about one of my favorite groups.
Very cool, too, since we just saw Stevie live in concert a couple of weeks ago.  (kk)   

Hello!
I have just discovered your site and love it!  I am hoping you can give an up date on Sonny Geraci, I have searched the internet and cannot find out how this fine artist is doing health wise. I pray for the best.
Thank you
Joanne
Ironically we had just run a short update on Sonny's health condition a week or two ago, brought to us by Sonny's long-time friend Dennis Tufano, former lead singer of The Buckinghams.  Dennis tells us:
Sonny Geraci is slowly coming back. Mentally he is in very good stead but Physically he is not strong enough to get on the stage. He’s working hard to get back out there. The jerk who stole the money has been released from his prison stay and there’s hope that he will be paying back the money or go back to prison.
I will keep you posted as much as they keep me posted. Thx.
Dennis


GAMBLE & HUFF IN FAMILIAR #1 TERRITORY WITH ‘LOVE TRAIN’ & ‘DON’T LEAVE ME THIS WAY' ON SOUNDTRACK TO BOX OFFICE BLOCKBUSTER ‘THE MARTIAN’ 
Pair of #1 Sound Of Philadelphia Classics Also Among Hundreds of TSOP Hits on New ‘GAMBLE HUFF MUSIC’ App 
PHILADELPHIA — More than a generation since The Sound of Philadelphia was a chart-topping, worldwide hit-making machine, legendary producer-songwriters and TSOP architects Kenneth Gamble and Leon Huff have another #1 smash hit on their hands. 
But this time it’s in the movies — again.
A pair of Gamble & Huff #1 disco classics is prominently featured in Ridley Scott’s The Martian, the blockbuster space epic starring Matt Damon, which has been #1 at the box office for three consecutive weeks.
The “Songs from the Martian” soundtrack, on Columbia Records, features a pair of Sound of Philadelphia #1 Billboard pop and R&B classics: “Don’t Leave Me This Way,” by Thelma Houston; and TSOP’s signature anthem, “Love Train” a double chart-topper for The O’Jays. Both are among the hundreds of TSOP recordings available for streaming through the new “GAMBLE HUFF MUSIC” App.
Gamble & Huff are the only songwriters with more than one contribution to the '70s-laden album, comprised of nine of the greatest classics from disco's golden era. The music evinces the plight of the film's protagonist, Astronaut Mark Watney, played by Damon, who during a manned mission to Mars set in the not-too-distant future is presumed dead after a fierce storm and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet with only meager supplies — and limited distractions — including a playlist of '70's disco music left behind by Commander Lewis played by Jessica Chastain (Zero Dark Thirty, Interstellar). “Love Train” helps the movie end on a joyful note as the camera pans to the many people who pitched in to rescue Mark (Damon) from Mars.  Gamble & Huff’s musical connection with Mars actually dates back to 1976, when Dexter Wansel went for a sci-fi theme on his debut album, Life on Mars. Not only has the title track, a haunting piece of space funk, been sampled at least 15 times over the past 20 years alone, but it also has been used in recent years as wakeup music for the NASA team overseeing one of the Mars Rover missions.
Whether on Earth or in outer space, the “GAMBLE HUFF MUSIC” App allows listeners to carry the music of Gamble & Huff and The Sound of Philadelphia wherever they go! Available for iPhone and Android, the “GAMBLE HUFF MUSIC” App offers users at any time to hear the timeless music, as well as rare interviews, with artistslike The O'Jays, Teddy Pendergrass, Patti LaBelle, Evelyn Champagne King and many more.
Download the “GAMBLE HUFF MUSIC” App for iTunes HERE.
Download the “GAMBLE HUFF MUSIC” App for Android HERE.
Gamble & Huff's Philadelphia International Records became the birthplace, incubator and launching pad for the Philly Soul sound aka “The Sound of Philadelphia (TSOP),” a unique blend of R&B rhythms, sweet soul vocals, deep funk grooves, pulsing horn charts and lush string arrangements with melodic structures combining elements of pop, jazz and world music.  With a stable core of artist led by The O'Jays, Harold Melvin and the Blue Notes, Billy Paul, MFSB and the Three Degrees, Gamble & Huff co-founded Philadelphia International Records and began creating monster hits from nearly the first day of its inception in 1971. They continued to record, collaborate and produce major hits with a galaxy of stars from the pop, rock, soul and jazz universes, including Michael Jacksonand the Jacksons, Elton John, Lou Rawls, Teddy Pendergrass, Patti LaBelle, the Spinners, the Stylistics, theDelfonics, Dusty Springfield, Jerry Butler, Wilson Pickett, LaBelle, Archie Bell & the Drells, the Soul Survivors, Laura Nyro, the Trammps, McFadden & Whitehead, Phyllis Hyman,the Dells and many more.
 
And look what's up for a Grammy Award!

Dear Wrecking Crew Friends and Family,
Very short notice. We are proud to announce that we have been included on the short list of possible contenders for the "Best Music Film".
If you are a Grammy Voter or know a Grammy voter, we hope you will consider voting for the Wrecking Crew. There would be nothing better than saying The Wrecking Crew musicians have another Grammy under their belt!

*As this message was being written, we found out that our sound track album is also on a short list for Historical Recording.

Finally, FH Reader David Lewis sent us THIS really cool track ... it's the stripped down vocal only track featuring Grace Slick singing The Jefferson Airplane's big hit "White Rabbit".  Shows you again just what a powerful vocal this really is.
The track was released in honor of Slick's 76th birthday ... and it's quite amazing.  (This has always been one of my all-time favorites!)  kk
Interesting listening to this pure vocal of white rabbit ...

re:  The Rock And Roll Hall Of Fame:
Chicago keyboardist Robert Lamm has come right out and said it. He calls their nomination for the Rock and Roll Hall of Fame "certainly a surprise and something we've all been wondering why we've been passed over for 25 years." 
But he tells us they never let the oversight get to them. "Frankly, Chicago has been working and continues to work and write and record ... since the band started. Our focus hasn't been waiting been waiting for honors of this type." And he's taken note of the strong support they've received in the fan ballot. "I had to look at the figures a couple of times and count the digits. 40,000 I could wrap my mind around; 40-million-plus was really a shock." 
After a very busy year, highlighted by a summer on tour with Earth, Wind and Fire, Chicago has just a few remaining 2015 dates, including Saturday night in Wallingford, Connecticut. Lamm says they'll open the new year with a tour of Japan and go out on the road again with EWF once the weather warms up. 
Though his hometown Cubs lost it all in the baseball playoffs, Lamm says he was already on the sidelines. Born in Brooklyn, he moved to Chicago when he was a teenager. He tells us his "heart had already been broken" because his Dodgers were eliminated the week before by the Mets.

Public voting for The Rock And Roll Hall of Fame Class of 2016 continues through December 6th ... 
Here is how everybody ranked as of 10-26-15.  (Suffice to say that the pack has separated ... although artists 2-5 are a whopping twelve million votes behind the clear cut leader, Chicago, they remain only one million votes apart between themselves.  Votes then drop off sharply by the time you hit Janet Jackson at #6 with 9.5 million votes).  You can view the complete list here (effective 10/31, 11 am)  
Chicago (#1 - 37.5 million votes)
The Cars (#2 - 25.8 million votes)
Yes (#3 - 25.8 million votes)
Steve Miller (#4 - 25.4 million votes)
Deep Purple (#5 - 25.4 million votes)
Janet Jackson (#6 - 9.4 million votes)
Cheap Trick (#7 - 2.2 million votes)
The Spinners (#8 - 2 million votes)
Chaka Khan (#9 - 1.8 million votes)
Chic  (#10 - 1.3 million votes)
The JB's (#11 - 900,000 votes)
NWA (#12 - 650,000 votes)
Nine Inch Nails   (#13 - 500,000 votes)
The Smiths  (#14 - 450,000 votes)
Los Lobos  (#15 - 400,000 votes)

re:  Other Big November Shows:
We spent most of last week plugging the Brian Wilson Show coming up November 11th at The Genesee Theatre in Waukegan ...
But actually there are a LOT of great shows hitting our area during the month of November. 
Here are just a few others that you might want to grab some tickets for ...
1st - Tanya Tucker / Arcada Theatre 
1st - The Tubes / City Winery (sold out)
4th - John Sebastian / City Winery
6th - Sheena Easton / Arcada Theatre
8th - Peter Yarrow and Paul Stookey / Paramount Theater
9th - Howard Jones / City Winery
11th - Brian Wilson (with special guest Al Jardine) / Genesee Theatre
13th - Tommy James and the Shondells (with Gary Puckett and the Union Gap) / Rialto Square Theater
14th - Johnny Rivers / Arcada Theatre
17th - Brian Setzer Orchestra / Genesee Theatre (Christmas show)
21st - Christopher Cross / Arcada Theatre
22nd - Christopher Cross / Genesee Theatre
28th - Kenny Rogers / Star Plaza  (Christmas show)
28th - America / Arcada Theatre
29th - Eric Burdon / City Winery (sold out)

We were too sick to make it out to the Blood, Sweat And Tears (featuring Bo Bice) Arcada Show last night ... if any of our readers were able to attend, we would LOVE to see a review.  Thanks!  (kk)

50 Year Flashback - November 2, 1965

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The Supremes make a HUGE leap into the #1 Spot this week on KHJ as "I Hear A Symphony" climbs from #15 to #1 in only its third week on the chart.  

Another big Top Ten mover would be the two-sided hit by The Yardbirds "I'm A Man" / "Still I'm Sad", up from #12 to #7 this week.

Other tracks climbing five or more places include "Let's Hang On" by The Four Seasons (#23 to #14), "Let Me Be" by The Turtles (the week's biggest mover, up to #15 from #27) and "My Heart Sings" by Mel Carter (#28 to #20).

The songwriting team of Lennon and McCartney can claim THREE of this week's Top 30 tracks with "Yesterday" (#5), "Help!" (still holding on at #30) and the Silkie version of "You've Got To Hide Your Love Away" (#27) from the same film.

Also of interest ... The Changin' Times' version of "Pied Piper", charting here a good six months before the Crispian St. Peters version became the big national hit.








Tuesday This And That

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Looks like the weekend found everybody in good spirits ...

First, Frannie sent me this one ...


And then I got this from Chuck Buell ...   

Just some Comic Fun for you Today that I thought you'd be one to appreciate!


Well, it made me Laff! 
CB ( which stands for "Comic Boy!" )

FH Reader Stacee McDermott sent us this interesting perspective on "trendiness" ...
Who would have ever thought that FIFTY years ago the idea of a group called The Zombies could be so relevant!!!

https://us.lrd.yahoo.com/;_ylc=X1MDBGFjdANtYWlsBGFuA29wZW5MaW5rBGNoA2VtYWlsBGN0AwRldANtdGYEZ2QDc3RhY2FsZWU1NEBhdHQubmV0BGxhbmcDZW4tVVMEbHR4dANUaGUgWm9tBG1vAzAEbXBvcwMxBHBrZwMEcGxhdGZvcm0DWUhPTy1VTlAEcG9zAzEEcHN0YWlkAwRzZWMDbW9kLXNoLW1haWwEc2xrA2xpbmsEdGFyA2h0dHBzOgR0ZXN0AwR0cAN0ZW1wbGF0ZS5tdGYuZW1haWwubWFpbF90b19mcmllbmRfZ3NfdjE4BHRzAzA-/729180320503195538/SIG=12uk8aic9/**https://www.yahoo.com/music/the-zombies-trendy-name-timeless-music-165458712.html
If there ever was an astute choice for a band name, “the Zombies” ranks right up there in 2015. “It was our very first original bass player, Paul Arnold, who came up with the idea,’ recalls band vocalist Colin Blunstone today. “And I sometimes think he come up with the idea out of desperation – because ...
Read the full story

We spent a good chunk of last week giving away tickets to see the Brian Wilson concert at The Genesee Theatre ... and then heard from a couple of readers with more Brian / Beach Boys news ...

I didn't get to go to see the Beach Boys but I heard it was great. Here is a nice article you might be interested in. Carrie  
http://www.mlive.com/entertainment/detroit/index.ssf/2015/07/brian_wilson_sings_the_beach_b.html

And from David Beard ...

At 74 years of age, you would think that Mike Love might be slowing down, but that is hardly the case. Love is working on an upcoming solo album and book, both planned for release in 2016. Even though Mike is tasked with these individual ventures he is still touring more than ever.

DJ Bill Fortune sent us the Joe Klein post we missed a couple of weeks ago regarding the passing of Cory Wells.  We no sooner opened this one to receive another email from FH Reader Rich Turner who tells us that Three Dog Night (One Dog Night???) will fulfill all of its contractual obligations.  Since Danny Hutton sang the least memorable leads of the group ... and since we already know that there's absolutely NO way he's going to team back up with Chuck Negron again ... we have to wonder who the "new voice" is going to be.  (Now that Joe Cocker's gone, my first choice would be Randy Newman ... but I don't see THAT happening either!!!  And let's face it ... Bo Bice is already busy singing with Blood, Sweat And Tears!!!  So who's it gonna be???)
After twelve years, Bill Medley finally officially hired a new "Righteous Brother" ... other groups continue to preserve the musical legacy of their former selves in what amounts to not much more than a "tribute" to the music of said artist.  I guess at some point that's going to have to be enough ... because it may be all we have left.
Simply put, the point just continues to be driven home ... we have lost SO many great voices from our past the last few years ... it's becoming nearly impossible to keep this great music alive ... but the truth is this music will outlive ALL of us ... because it truly IS timeless.

From Joe Klein:  October 21 at 12:45pm· Edited  
Some very sad news to pass along to all you Old Radio DJ's who spun all those THREE DOG NIGHT hit records in the 70's.  I went to a couple of TDN recording sessions early in 1970 at producer Richard Podoler's recording studio. I was only fifteen years old at the time and had dreams of being a recording engineer and record producer, so going to those sessions was a real thrill for me and I still have vivid memories of being at them.  RIP Cory.  
Cory's vocal work on Shambala will always be memorable for me. I remember playing that song for the first time during my short interval at KHJ. It turned into an anthem that I have to listen to periodically, even all these years later. Didn't 3DN w/Wells wrap up a couple of New Jersey gigs not ten days ago? Wow, it's almost like he died with his boots on. He will be missed. Lots of great interviews with Corey on YouTube. 
I especially recommend  
https://www.youtube.com/watch?v=NBOBgjahuL0. 
Peace!
Bill  
Billy, I'm not sure. Several of the group's shows were either canceled or rescheduled over the last weeks due to "severe back pain" being experienced by Cory. But I really like the video you posted above.
Joe

Kent,  
What with the recent passing of original Three Dog Night lead vocalist Cory Wells (as has been mentioned on your blog several times lately) I thought you might be interested in this update.  
Three Dog Night has been scheduled to play at our annual Ribfest charity fundraiser on November 14 here in St. Petersburg, Florida.  Ribfest is a 3-day event held the second weekend of November every year since 1990 and features many classic rock bands along with, of course, the proverbial barbeque ribs and beverages. Just posted on the Ribfest website is a message from Three Dog Night announcing that they will be honoring all their confirmed tour dates that are currently scheduled starting the first week of November.  
The post states that according to the band's agency, WME, prior to his death, Mr. Wells had been concerned about cancelling shows and disappointing Three Dog Night's fans, so he encouraged the band to get back on the road. Continuing with the post, the band took Wells' recommendation and invited one of his favorite singers to join Three Dog Night when they resume the tour in November. A quote from the band's founder Danny Hutton, "Our hearts are heavy, but we are going to honor Cory's wishes and continue. He'll always be with us in spirit." 
So there you go. No mention as to who this new singer is but apparently it will not be Chuck Negron, the third original Three Dog Night vocalist who has been out of the band since the late 1980s. But we will see. Yes, I do plan to attend the all-day event (one of my favorite events and I never miss it). I will send in a review shortly afterward so all the Forgotten Hits readers can hear how the new incarnation of the band performs. Other groups on the bill this day are Robby Steinhardt (the former violinist from the band Kansas) who will perform Kansas music, .38 Special, a couple of tributebands, one performing Doobie Brothers music and the other Santana music, and finally one of my favorite bands, America, who I saw just last year. Three Dog Night is scheduled to close the show.  
I saw Three Dog Night for the very first time in November of 1969 (I must have been just a child LOL) and many times since. So 46 years will have passed since I first saw the band and then now.  
Rich Turner,  
Safety Harbor, Florida    

Frannie sent me this reminder of former Journey lead singer Steve Perry's return to the stage last year with the rock group The Eels, with whom he performed the Journey classic "Open Arms".
It's funny because at the time I thought that this was his way of working himself back into the spotlight ... yet it just never happened.  (A video clip of this performance is included in the link below).
I've often said that without Chuck Negron of Three Dog Night there never would have been a Steve Perry ... but this article takes it a step further and mentions what a fan of Sam Cooke's music Perry was.
Ironically I heard an interview recently that pointed out the very same thing.
"Listen to 'Lovin' Touchin' Squeezin' ... that's Steve Perry doing Same Cooke" ... and it is ... it's almost like he reinvented "You Send Me" thirty years later!  
http://societyofrock.com/after-19-years-steve-perry-steps-onstage-for-the-first-time-for-journey-classic-open-arms 




Kent, 
The record by the Changin' Times did make our local survey here in OKC although I really can't remember how high it got ... I don't believe it charted that high though. #18 by Them was quite a record in that the lyrics didn't start until about a minute into the song. 
Song #20 just goes to show that Mel Carter had songs other than HOLD ME! THRILL ME! KISS ME!, which I guess is considered to be his  signature song. And who knew at the time that song #25 by James Brown would turn out to be the only song one would hear on "oldies" stations many many years later?  
I enjoy looking at these surveys from other radio markets. I play on you tube those songs I haven't heard or thought about in years, that is if you don't post them. Sometimes a record listed reminds me of another record.  
Keep up the good work. 
Larry Neal
Although "Hold Me, Thrill Me, Kiss Me" was certainly his biggest (and it IS a timeless classic), Mel Carter actually had SIX songs that made The National Top 50:  "When A Boy Falls In Love" (#38, 1963); "Hold Me, Thrill Me, Kiss Me" (#8, 1965); "(All Of A Sudden) My Heart Sings" (#35, 1965); "Love Is All We Had" (#50, 1966); "Band Of Gold" (#31, 1966) and "You You You" (#49, 1966).  And he's still recording today.  (A couple of years ago he sent me a copy of his brand new CD and we featured a track in Forgotten Hits). 
James Brown never had the "presence" here in Chicago that he did nationally and I'm really not sure why ... in fact, I'm quite surprised that after the recent biopic more of his music isn't played on the radio today ...  I just don't know that in hindsight much of it has had much cross-over, lasting appeal.  (We actually have a James Brown tune going up on the site tomorrow but again, it's one of his more popular tunes.)  It is kinda cool to see "I Got You" in its premier week on the KHJ Boss 30 Countdown!  (kk)   

Speaking of Classic Top 40 Radio, WCBS-FM just celebrated the 50th Anniversary of their radio antenna being placed high atop The Empire State Building last week.  (I'm guessing this was a brand new antenna installation at the time ... because didn't King Kong rip off the old one a couple of decades before?!?!?)  

Our FH Buddy Big Jay Sorensen remembers ...   

This is SO cool. WCBS-FM was the first station broadcasting from the then new master antenna high atop the Empire State Building. Our station played the song while this incredible light show was done last week.  
So cool to have MY voice come out of that legendary facility. Only in New York. 
BE BIG!  
Jay
http://wcbsfm.cbslocal.com/2015/10/19/50th-anniversary-master-fm-antenna-empire-state-building/  
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