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The Friday Flash

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re:  Recent Reviews
Our recent reader reviews of The Who concert down in Florida and The Rock And Roll Hall of Fame Induction Ceremony in Cleveland have sparked a few comments ...  

What a great Who review from Rich Turner, piquing my interest regarding tour dates.  Nothing in Michigan, but I see they're hitting the Chicagoland area (All-State Arena, May 13th).  Cool to hear that Daltrey was nailing some pretty challenging vocal parts, since"Reign ..." has to be the toughest in their catalogue.  Probably good to catch him early in the tour.  Looks like a pretty aggressive tour schedule for them old guys.   
I've always been into their early singles the most, but one can't see / hear them live without appreciating not only the energy, but great songwriting.  They really brought a lot of great dynamics into the equation, even with singles such as "I Can See For Miles" and "Happy Jack".  
Dan Hudelson  

Kent,
Thanks for running my review of the Who concert ... I appreciate it. I've turned quite a few of my friends down here in the Tampa area onto your blog and website and they really like it. Wish there was something like that down here that was local like yours is Chicago-based ... but oh well. I love your site and you've got a faithful daily reader. 
As far as the pictures go, I recently got a Galaxy 5 and really got lucky with the photos. The Who also had a great light show and that really made the entire stage area look bright. I will be attending the next Happy Together Tour down here in just a few weeks and I will send something in about that. Really looking forward to seeing Mark Lindsay. He's one of my top 3 or 4 singers of all time. Loved Paul Revere & The Raiders.
Thanks again for all you do,
Rich Turner
Safety Harbor, Florida 
PS. I still cannot recommend the Who show enough. It was really, really great. If it's in your area, I really suggest you go. I know its not cheap, ($150 was the highest price and tickets are cheaper) but two of my friends that went never pay that price for any concert (they struggle for cash) and very reluctantly did because the seats were so good, and really thanked me afterwards for talking them into it.   

Speaking of Who tickets, Thursday Afternoon at 2:00 Chicago Time, The Drive (WDRV - 97.1 FM) kicked off another week of A to Z, one of their most popular features ... just over two thousand songs played back to back alphabetically with no repeats.  The whole kit and caboodle will take just over a week to run ... non-stop GREAT music (Classic Rock) without all the repeats ... AND this time, they'll be giving away chances to win tickets to see The who at The All State Arena ... in fact, they've got 40 PARIS in all to give away ... so be sure to tune in and Listen Live here:  http://wdrv.tunegenie.com/#listenlive   

I'd like to hear what Ron heard about why the Rascals will never get back together again ...
Bill Mulvy
LOL, so would I!!!  (Care to share this little tidbit with our readers, Ron???)  kk    

Wow!  Between the Who concert and the Rock And Roll Hall of Fame Induction Ceremony, EXCELLENT reviews!!!  Thanks for sharing these with us! 
Bob Mayben   

Hi Kent -  
Here are some photos from the Induction Ceremony in my home town of Cleveland.  I did not have a table like your friend, but as a Hall of Fame Member, I have attended all three shows in Cleveland.  Feel free to use any photos ... just be sure to give me credit! 
Tom Apathy  
Happy to do so, Tom!  And, as always, thanks for sharing.  (I'm still hoping that Ron Onesti might send in some photos from HIS incredible vantage point!!!)
Meanwhile, Tom sent us pictures of Darlene Love, Alice Cooper, Sir Paul McCartney (probably the closest I will ever get- Tom) and Paul Schaffer ... as well as shots of Tom Morello (Rage Against the Machine), Chris Layton (drummer for Double Trouble), Jimmie Vaughan (Fabulous Thunderbirds, older brother of Stevie Ray Vaughan), Miami Steve Van Zandt and Tommy James and Bill Withers (unfortunately did not get a clean image of Bill - Tom)
Here are just a few that we've chosen to share with our readers.  (And Ron, if you DO find the time to send me a couple, I'll be happy to run those, too!)   kk








 

All photos by Tom Apathy - 
for exclusive use in Forgotten Hits
(THANKS, TOM!!!)

Man, if just ONE of those things that happened to your friend Ron Onesti happened to me, I'd be beside myself -- I'd probably be speechless -- or, at the very least, I would have figured that I had died and gone to heaven -- but to have ALL of those things happen in one night -- wow!  Talk about being in the right place at the right time!
I hope he made some connections for his Arcada Theatre.  Who KNOWS who he might have playing there next year!!!
Dan  

Hi Kent,
I hope you don't mind ... the review by Ron Onesti was fantastic, so I shared it with some friends. I did credit the Forgotten Hits page as the source. Thank you!
Eddie Burke
Sounds like this one made EVERYBODY'S day!!!  (kk)

50 Year Flashback - April 27th, 1965

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It's back to the WLS Silver Dollar Survey again this week as they publish yet another "Solid Gold" Chart.  (Silver AND Gold??? Interesting!)

This time around they're celebrating their Fifth Year as a Top 40 Radio Station ... and what a powerhouse they were, too.  With 50,000 Watts beaming a clear signal through the night, you could pick up WLS Radio in nearly every state in the union.  While this gained literally thousands of fans from coast to coast, it would become an even bigger factor in the station's success a few years later when they started promoting some of the local talent starting to make waves here in The Windy City.

But for now ... we seem to have a decidedly British feel to OUR chart, too ...  as 11 of the Top 13 songs on the list belong to British Invasion Artists.

These include Herman's Hermits (#1 with "Mrs. Brown You've Got A Lovely Daughter" and #11 with their remake of "Silhouettes", The Kinks at #2 with "Tired Of Waiting For You", The Beatles with a two-sided hit at #3 ("Ticket To Ride" / "Yes It Is"), Petula Clark right behind them at #4 with "I Know A Place", The Rolling Stones at #6 with "The Last Time", Freddie and the Dreamers at #8 with "I'm Telling You Now", Gerry and the Pacemakers (misspelled as "Gerri"!) at #9 with "It's Gonna Be All-Right", The Seekers at #10 with "I'll Never Find Another You", the aforementioned "Silhouettes" at #11, "Go Now" by The Moody Blues at #12 and "Game Of Love" by Wayne Fontana and the Mindbenders at #13.

The ONLY American Acts to break that spell are Gary Lewis and the Playboys (#5 with "Count Me In") and The Beach Boys, who sit at #7 with "Do You Want To Dance" ... so we've just GOT to feature these two this week!!!

Their 20 Best-Selling #1 Records list is a bit shaken up from previous issues ... but The Beatles still have the Top Three Tracks here on this list, too, with "I Want To Hold Your Hand", "She Loves You" and "Twist And Shout".  (You'll also find The Fab Four at #7, #10 and #15, giving them SIX of the Top 20 Songs from the past five years ... incredible!)

They only dip back to 1960 once, for Ferrante and Teicher's hit "Exodus" ... same thing with 1961 for Lawrence Welk's "Calcutta".  This is a bit surprising as NEITHER of these tunes were the biggest hits of their respective years.  Look at the list closely and you'll see once again that spelling was never really the station's strong suit ... The Singing Nuns (plural)?  The Angeles (huh?)?  At least they finally got rid of those ridiculous apostrophes on The Beatles and The Supremes!

Our favorite jock of the time, Ron Riley, is pictured at the bottom of the survey ... by now his on-air feuds with morning man Clark Weber were legendary ... together, they gave us Personality Radio at its very best.  A "golden" time in radio, to be sure.











Tuesday This And That

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re:  The TRAP Benefit Concert:
Unfortunately, I've been largely out of commission these past few days but I did want to offer one more round of thanks to Robert Colletti, who put together a great line up for a great cause, The Rhythmic Arts Project.  Back on Sunday, April 19th, we rocked The Arcada Theatre with The Cadillac Casanovas, Denny Diamond and The Family Jewels, Members of Rick Nelson's Stone Canyon Band and The New Colony Six.  Hosted by Chet Coppock, Ron Onesti and yours truly, we put together an interesting assortment of musical variety that, admittedly, at times could have been better organized (and certainly more problem-free when it came to technical difficulties) ... yet still managed to touch the heartstrings of those who came, thanks to a very touching and moving video provided by Eddie Turduri, the heart and soul of this organization.  (Eddie's resume is incredible ... this guy has played with just about EVERYBODY over the years ... and it is SO refreshing to see him now giving his time to help those with disabilities and less fortunate than himself.)
If I felt bad about anything at all, it was the fact that we didn't raise as much money as I felt we should have.  Please visit the website and browse around ... see what this group is all about ... and then give what you can.  And, if you were there for the show ... and you had a good time ... please pay a little back to the cause ... as THIS is what this fundraiser was really all about.
More information can be found here:  http://www.traponline.org/
Highlights?  There were quite a few.
First of all its virtually IMPOSSIBLE not to enjoy The Cadillac Casanovas ... without question, one of the most FUN bands you'll ever see in concert.  Not only did I get to introduce these guys on stage, but I also got to spend some time backstage with them as well ... what a GREAT group of guys!
And they're really on a roll right now ... having already played The Surf Ballroom's Annual Winter Dance Party in February, the boys next traveled to Las Vegas for Rock-A-Billy Fest ... so it was a REAL honor to hang out with these guys againwithin the friendly confines of The Arcada Theatre.
Next up came Denny Diamond, who was plagued by technical difficulties for the entire opening of his set.  Thankfully, all was eventually worked out ... and Denny kept the crowd entertained with his great sense of humor (and an assortment of Irish jokes!)  And kudos to both of Denny's sons, who now join him on stage for his Neil Diamond tribute ... but ESPECIALLY to Spenser who spent the entire set playing both bass guitar AND drums simultaneously!!! (It has to be seen to be believed!!!)  I was sitting with original New Colony Six bassist Walt Kemp for this set and told him that if he did ANYTHING less than this for his guest appearance with The Colony, I would be disappointed ... and suggested that he should also, in fact, figure out a way to strap a trumpet to his mouth so as not to be outdone by this young upstart!!!
After a brief auction / intermission, The New Colony Six took the stage, performing most of their hits, along with a Chicago Gold Medley and assorted cover tunes by other bands of this era.
Special Guest Denny Larden sat in with The New Colony Six and performed the 1967 #1 Hit he recorded with Every Mother's Son, "Come On Down To My Boat", which sounded great.  In addition, he sat in with Jay White and Mary Martha and did a BEAUTIFUL tune called "The Man Behind The Man Behind The Guitar", one of the highlights of the entire show.  (Where can I get a copy of this track, Denny?  I loved it!)
All in all, a great night of entertainment ... and all for a very good cause.  Robert told me afterwards that he was hoping to do another benefit concert at some point in time as they would really like to establish a branch of The Rhythmic Arts Project right here in Chicago.  With our rich heritage of local musicians, I think it would be a natural step ... here's hoping we have more to share with you in this regard in the very near future.
Thanks to all who came ... and all who gave ... both of their time on stage to entertain ... and of their hearts for this very worthy cause.  (kk)
 
                                                                                          Me and Ray Graffia, Jr., backstage before the show

re:  On The Radio:
Hello Kent,
Been enjoying your site very much lately.  I've also really been enjoying MeTV-FM.  Several songs they have been playing have reminded me of the old Y103.9 - they would sometimes touch songs no one else would.  That brings me to my point - in the past few weeks on forgotten hits you've mentioned guys like Jim Shea and Jeff James.  How the heck are these two doing?
Out here in Huntley we've got a small community station on 101.5 http://huntleyradio.com .  They run a few programs with older music, it got me thinking how great would it be for somebody like Jeff James to bring back the old Saturday Night 70s program, version 2 so to speak.  The station's listeners are all within the old Y103.9 listening area too!
MeTV is great, but I miss some of the old voices that use to spin our favorite music.  Would love for somebody to land a gig somewhere soon!
- Ed in Huntley
We get at least two or three letters per month asking about the old Y103.9 crew, with folks wanting to check in with Jim Shea and Jeff James just to see how they're doing ... and WHAT they're doing.  The radio industry doesn't really seem to understand the connection that is made between the listener and the on-air personality ... they become part of our lives, someone we can count on every day to hang out with for a while on the way to and from work ... or just in the background during the work day.
In the old Top 40 Hey-Day of Radio, the disc jockey's role was much more pronounced ... there was a genuine respect for what they added to the equation ... and, as a result, many of the jocks were as popular as the artists themselves that they played on the air.  Record hops and such drew huge turn-outs, just so we could see our favorite jocks in person.  With two super power-house radio stations in town, it wasn't at all uncommon to see the disc jockeys move back and forth from one station to the other, each wanting to take advantage of their already established loyal following here in town.
I asked both Jim Shea and Jeff James to say a few words to our readers about where their lives are today ... if they missing being on the air ... what they think about not only the new Me-TV-FM and their expanded playlist and wide variety of music they play ... as well as Y103.9's pretty liberal format, especially when it came to these two guy, pretty much flagship jocks for the station. 
 
Jeff has been pretty vocal of late when it comes to Me-TV-FM ... but Jim Shea we haven't heard from as much.  Here is an update from him that might help to explain why ...   
 
Hi Kent,
Great to hear from Ed and all the fans of Y103.9. Yeah, we did have a very unique thing, especially on the morning show: a "kitchen" where we could go and hash out the issues of the day; a place where we were all on the same side, even with different views, all united in love of the music and the joy that it brought us.
We got to talk (and jam!) with some of the people who made our favorite music and appeared in our favorite tv shows and movies. We talked with, and created some, local celebs. I was trusted and respected by all my various managers there; they let me do my thing and didn't freak out if I took an occasional unpopular stand or played something unfamiliar or shared historical insights.
For the past year I have been at a similarly awesome station in Milwaukee: 94-5 The Lake (WLWK). And loving it! I do a few weekend shifts a week and fill in other times as needed. Musically, it is a true variety format. You will hear Marvin Gaye then Katy Perry then Led Zeppelin then The Lumineers then Blue Oyster Cult then Justin Timberlake. You get the idea. The difference between The Lake and your various Jack formats is the local content we work in over the intros. I have been given a similar green light to that which I enjoyed at Y103.9 in that my content is totally up to me. Again, I'm trusted and respected, so as part-time jobs go, it's a blast.
I won't be in radio much longer though. In my last year at Y103.9 (2010) I had already returned to school, finishing up my degree in bioscience at University of Wisconsin / Parkside. It took a bit longer than anticipated, but on May 16th I graduate, and in August I am headed to medical school at Barry University College of Podiatric Medicine in Miami Florida.  (It is a pretty amazing thing to get in to med school at my age, and many friends simply do not believe it. Mostly those who knew the kind of student I was in high school ha ha ha.)
So to all the great folks involved with Y103.9 back in the day, again, thanks for the experience of a lifetime. 
I'll always love and support radio and broadcasters.  Meanwhile I'm becoming a physician so the price of my bad jokes is about to go up ha ha!  
Speaking of which, if you want an excellent foot and ankle doctor, I'd be happy to help you with that. Although, you may have to come to South Florida. Darn! lol
Jim Shea
 
It's especially tough on the listeners ... and the jocks, too, I imagine, when a radio station changes format and pretty soon your world is rocked upside down because you're no longer part of the plan.  Most often, there isn't even time to say goodbye ... or not a PROPER goodbye anyway ... fans and listeners are simply cut off cold turkey, usually with no explanation.  (So, just how IS The Fox doing these days??!?)
 
Y103.9 was unique in that they were able to expand the typical "greatest hits of all time" concept and give their jocks some leeway into programming some legitimate hit tunes that had simply been "off the radar" for awhile ... and, as such, Forgotten Hits fit in very nicely with this station.  Me-TV-FM is doing much same thing these days, only without the benefit of live jocks on the air holding the whole thing together and making it sound more like a real radio station.  (Not that we don't like the constant streaming or the lack of commercials, mind you ... it's pretty much non-stop music, 24/7 right now ... but there's STILL something about that connection made between a good jock and his audience.  Boy, Me-TV-FM would be well served to pick up a couple of guys like Jim Shea and Jeff James to get things rolling ... BOTH of these gentlemen are TRUE radio aficionados who genuinely LOVE this music ... and, even after all these years, still get a kick out of bringing it to you.  And they have a long-standing, built-in audience of listeners ready to tune in again. Sounds to me like this is at least worth talking about!!!  (kk)
 
Kent,
In today's FH, Paul Evans mentioned Arnie Amber doing a DJ shift with his son Kevin and said that they were the only father - son on air team at the time.
Many years ago here in OKC, we had a father - son air team that worked only on Sunday mornings, going off before noon. Can't really remember their name or how long they were on the air here. It seems like they weren't on for very long. I believe they programmed country music at the time.
I enjoyed immensely the ten songs you posted today. As the Magic Lanterns would have said, "It's a SHAME SHAME these songs are not heard anymore on the radio".
Larry Neal
 
re:  Elvis - The Beatles - And Frank Sinatra:
Kent,
Today you wrote a couple of paragraphs about some comparisons with Elvis / Beatles, that Mariah and Garth are not the same.  I'd be interested to hear your comments on a comparison between Elvis / Beatles and Frank Sinatra, since many bobby soxers did go to see Frank Sinatra the same way 60s teens went to the airport to see Elvis / Beatles.
Jon M
The mania period of Frank Sinatra's career was way before my time ... so I have no first hand recollections or observations from which to draw ... I can only go by what I've heard and read.
There was more to Elvis and The Beatles than just big turn-outs at the airport ... they changed the way we looked, both physically as well as our outlook on life.  They were both a cultural phenomena that transcended SO much further than just their musical contributions ... although their musical contributions inspired literally thousands of others to follow in their footsteps or emulate them through their own music and style.  What was rare about Elvis and The Beatles is that other artists popped up IMMEDIATELY to ride the wave of what they created ... and then joined them side by side to ride that wave.  However, even 50-60 years later, we still see the influence and inspiration.
Taking nothing away from Frank Sinatra ... he could do it all ... sing, act, dance, make people disappear ... he may have been the original teen idol (although now we'll probably hear from Bing Crosby and Rudolph Valentino fans on this, too!) 
He wasn't a "manufactured" idol the way Frankie Avalon or Bobby Rydell or, years later, Bobby Sherman or David Cassidy or Donny Osmond were ... Sinatraelicited a very genuine response from the audience who fell and love with him and swooned to him en masse.  (Yes, there was a mania ... but remember, too, that they literally had to close the streets when Martin and Lewis came to town ... that was probably a better example of mass hysteria at the time than what Sinatra typically generated!) 
However, like The Beatles and Elvis, Sinatra managed to hang on to a VERY loyal audience who stayed with him through to the very end ... and beyond ... so yes, I'd say he had a similar impact ... although there was never really anything to show for it in the way of long sideburns, ducktails, mop-top hairstyles, black leather and boots (Elvis, Beatles or otherwise), etc, etc, etc.  (Much like my Mariah Carey fake boobs / Beatles wigs analogy the other day, I don't remember there being a rush by teenagers to the stores to buy big ears and receding hairlines so that they, too, could look just like their idol!)  
Sinatra was a crooner who sang songs given to him in his own unique style (which was copied and mimicked by many) ... but many of these were "standards" (or became standards) designed to appeal to a much broader audience.  Elvis and The Beatles targeted the kids ... and paved the way with a brand new sound that nobody had ever heard before.  Both went through an extensive period where moms and dads hated them ... while Sinatra played if "safe" by appealing to everyone.  As such, I think Elvis and The Beatles were viewed more as "ours", if you know what I mean ... something us kids could relate to as new and maybe just a little bit dangerous.
I've used this analogy several times before but I still think it fits.  In 1966, at the height of musical creativity ... with artists like The Beatles and The Beach Boys and The Mamas and the Papas and The Rolling Stones and Bob Dylan ... and brand new upstart acts like The Troggs and Tommy James and the Shondells, and The Turtles and The Monkees and so many other "flower power", hard rock, psychedelic acts dominating the music scene and the pop charts, 51 year old Frank Sinatra hit the top of the charts with "Strangers In The Night" ... and we couldn't believe it.  (Or, perhaps more accurately, we were OUTRAGED!!! What was this old man doing on the radio with our favorite pop idols???)  In our minds, he didn't BELONG there ... rock and roll had been well-established by this point ... and Sinatra had no business invading our sacred turf.  Besides, he'd already had his moment in the sun.  Yet today we think absolutely NOTHING about shelling out hundreds of dollars in the hopes of securing a seat to what will most likely be a completely sold out concert by 73 year old Paul McCartney!!!  73?!?!?  20+ years older than Sinatra was at the time!!!  And the guy's performing at The Super Bowl and headlining Lollapalooza for God's Sake!!! 
And then, a year later, Sinatra has recorded a #1 duet with his DAUGHTER?!?!  How DARE he!!!  (Today Tony Bennett sings with Lady GaGa and nobody even blinks!)
Anyway, there's my typical long-winded answer ... not sure what you'll take away from it ... in summary, I guess I'd say, "Yeah, it's KINDA the same ... but it's also WAY different".  (kk)
 
Hey Kent,
Just read the review of The Who concert. 
Do you think "The Beatles: The Next Generation" will ever happen? I'm sure they would like to record and perform all new material and not old Beatles songs. What I understand is that Dhani Harrison, James McCartney, Sean and (maybe) Julian Lennon are interested in getting together, but the only holdout is Zak Starkey. I know he tours with The Who, but I wish he could make a little time for it, because there is huge interest out there. I wonder if Ringo has another drumming child or if Pete Best has any kids. :-)
- John LaPuzza
See that???  From Lollapalooza to Johnny LaPuzza in one swift motion ... ah, the magic of Forgotten Hits!  (lol)
I, for one, certainly hope not.  (Did we learn NOTHING from "The New Monkees"?!?!?)
While I think it would be INCREDIBLY cool to see a one-off performance of The Beatles Kids on TV or something, I think trying to cash in at this stage of the game would be off-putting to most, myself included.  (Julian's gotta be 50-something himself by now, right?  And he already tried the rock career.)
This one just wouldn't work for me ... and I don't believe you can try and "create" a phenomena, no matter what gene pool you start with.  Would it be cool for one incredible show to see them all do something by their famous fathers and then something of their own?  Yeah, probably ... but then record it and preserve it for all eternity.  Anything more than that would never work ... and the critics would eat them alive.  (kk)
 
re:  This And That:  
Tuesday, April 21 at 9:05am· HAPPY BIRTHDAY, ERNIE MARESCA, APRIL 21, 1939 4/21/1939 = Happy Birthday, Ernie Maresca.
Hometown = Bronx, New York. Ernie wrote many songs for Dion. He used the sound of the record "Quarter To Three" to write "Runaround Sue" with Dion. Ernie wrote "The Wanderer" around the hit "Kansas City". In 1962, Danny Kessler of Seville Records suggested that Ernie try singing a song he had written called "Shout! Shout!( Knock Yourself Out )." Marv Holtzman and Murray Spahn, also
of Seville Records, encouraged Ernie to try it to see what would happen. Ernie got together with the Del Satins, the group that backed Dion up on all his hits without the Belmonts and, in March 1962, "Shout! Shout!" became a top 10 hit. After this Ernie went back to writing songs, instead of singing them.
Special thanks to our friend, Frank Buongervino, for the above information.  (Knock yourself out, Frank!)  kk
Just saw the new list you ran for the Arcada Theatre -
You're gonna' love the Bronx Wanderers!
Danny
You know, they actually play here quite often ... and yet I've still never seen them!  (kk)
 
And, speaking of upcoming shows, Henry Gross just sent us some new tour dates ...

Henry will be performing is one-man show "One Hit Wanderer on May 2nd at The Murray Studio Theater, Ruth Eckerd Hall, in Clearwater, FL at 8:00 pm
In addition, Henry will be performing solo acoustic gigs on the following dates:
May 22nd - Lafayette's Music Room, Memphis, TN - 7 pm
June 18th - Port City Cafe, Portsmith, OH
July 3rd - Red Dragon Listening Room, Baton Rouge, LA
 
Dear Forgotten Hits Readers,
I am very pleased to announce my latest radio interview show, which I have posted on the Jersey Girls Sing website.
It is with Will Millar (pronounced "Miller"), the founder and leader of the Irish Rovers. To access it, please click the above link or the one toward the bottom of this message.
"The Unicorn" by the Irish Rovers was surely one of the most unlikely hits of 1968 or, for that matter, any year. The writer was Playboy cartoonist and singer-songwriter Shel Silverstein, who was probably just as surprised when the group hit the top ten with it as the group was.
Will was the lead singer of that fondly-remembered song about those silly unicorns who missed the boat and as a result became extinct. (That's what happened if you believe Shel!) The other three group members on that hit were Will's brother George, Will's cousin Joe and the late Jimmy Ferguson.
Will was with the group for over 30 years. He told me that if it wasn't for his Jaguar breaking down in front of an Italian restaurant, the Irish Rovers may have never achieved stardom! Yes, fate played a huge role in their extremely interesting career. He is a most interesting guy in so many respects!
Ronnie Allen

Why The Rock And Roll Hall Of Fame Will Never Live Up To Its Promise and Potential

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Mr. Onesti's review reads like one of my actual dreams, where I go from room to room seeing these great musical idols or I am traveling, bumping into them along the way.  Not sure if I would have been able to talk coherently if I were there.  Doesn't it sound like the made-up stories of that kid who sat next to you in school?  (exhale) But this was real!!  Amazing!!!
Shelley Sweet-Tufano
I think EVERY person on this list would have loved to experience a night like that ... but I, too, think I would have been tongue-tied.  (kk)

*****

However, the future prognosis for The Rock And Roll Hall Of Fame is not good ... most of us have been upset with the ways and means of this organization for a good number of years now ... but after reading this article in Rolling Stone last week, I am now CONVINCED that the situation will NEVER improve ... and, in fact, has only gotten worse ... and that's a REAL shame.  The potential and foundation on which this organization was built has clearly been lost in the shuffle somewhere.
 
Originally designed to spotlight only the artists who made the greatest contributions to moving rock music forward, both as an art form and expanding its horizons, head and shoulders above the rest ... outstanding in their field ...one cannot help but wonder how you enshrine side by side artists like Chuck Berry, Elvis Presley and Bill Withers ...  The Beatles, The Beach Boys and Leonard Cohen ...  Stevie Wonder, Buddy Holly and Bonnie Raitt or Percy Sledge.
 
The scales have been tipped, never to return to "even" again.  Is Green Day a great band?  Yes, they are.  Were they extremely popular and innovative for their time?  Yes, they were.  Do they belong in The Rock And Roll Hall Of Fame?  Probably ... but NOT at the expense of long over-looked artists like Chicago, The Guess Who, The Moody Blues, Yes, Electric Light Orchestra, Three Dog Night, Chubby Checker, Freddy "Boom Boom" Cannon, Tommy James and the Shondells ... and SO many others that have not only been continually passed by ... but have never so much as ever even graced the ballot.
 
Check out this article from Rolling Stone (run by the same Jann Wenner who has thrown his weight around for YEARS controlling The Rock And Roll Hall Of Fame) and you will see that we are forever doomed to ignore the artists who GOT us here ... in favor of the newly eligible acts, up for consideration solely on the basis that they have paid their necessary 25-year dues, rather than their actual achievements and contributions ...
 
The annual Rock and Roll Hall of Fame induction ceremony was held this past weekend at Cleveland's Public Hall. Green Day, Ringo Starr, Bill Withers, Lou Reed, Joan Jett & the Blackhearts, Stevie Ray Vaughan and Double Trouble, The "5" Royales and the Paul Butterfield Blues Band all entered the institution, and every living inductee was on hand to perform.   
 
Now we have a question for you: Who should enter the Rock and Roll Hall of Fame in 2016? Anyone that released their first album or single in 1990 or earlier is fair game. Newly eligible acts include Smashing Pumpkins, Blur, A Tribe Called Quest, Alice in Chains and the Black Crowes. There's obviously also a huge list of previously eligible acts, including N.W.A, the Smiths, Sonic Youth, Pixies, the Replacements, the Cure, Joy Division, New Order, Devo, Cheap Trick, Television, Yes, King Crimson, Deep Purple, Motorhead, LL Cool J, De La Soul, the New York Dolls, MC5 and Depeche Mode. Vote for whatever act you want, but please only vote once and only for a single selection.   
 
You can vote here in the comments, on facebook.com/RollingStone or on Twitter using the hashtag #WeekendRock.
 
So here's the deal ... 
 
Last week, under the pretense of misleading the public to believe (even for a minute!) that they have ANY say or influence over who is and isn't nominated for future Rock Hall consideration, Rolling Stone Magazine (aka Jann Wenner) asked the public who THEY think most deserves a spot on the future ballot.  Nice gesture, right?  Except the fact of the matter is that Jann Wenner ... and The Rock And Roll Hall Of Fame ... have NEVER cared about what the public thinks ... in fact, I'm convinced that they go out of their way every year to nominate two or three "head scratchers" that the majority of the world isn't familiar with, just to get the "What the fuck's up with that?!?!?"reaction that manages tosteal a few news headlines each and every time.
 
Then,after they ask you who YOU think deserves a spot on the ballot, they then go on to list the people that you (the unknowing, unsuspecting, uneducated, uninformed and unopinionated public) would most likely want to choose from ... in other words, presenting their OWN list of artists from which to choose, narrowing the list down to HUGE, nationally known artists like The Smashing Pumpkins, Blur, A Tribe Called Quest, Alice In Chains, The Black Crowes, NWA, The Smiths, Sonic Youth, The Pixies, The Replacements, The Cure, Joy Division, New Order, Television, Motorhead, LL Cool J, De La Soul, MC5 and/or Depeche Mode, each of whom REVOLUTIONIZED Rock And Roll Music with their earth-shattering, innovative and inventive ways.  (Can anybody out there tell me how ANY of these acts qualifies to even make the ballot!!!) The ONLY vintage acts on this list are Yes, Deep Purple and Cheap Trick, all of whom have made our "Deserving And Denied" List in the past.  Devo?  The New York Dolls?  (They've been suggested several times in the past and never made it in.)
 
What you DON'T see on this list is ANY indication that The Rock And Roll Hall Of Fame is going to do ANYTHING about the TREMENDOUS number of oversights they've had in the past.  Notice that there is absolutely NO mention of Chicago, The Guess Who or The Moody Blues ... Electric Light Orchestra ... The Doobie Brothers ... Chubby Checker ... Freddy Cannon ... The Turtles ... The Monkees ... Tommy James and the Shondells ... and so many OTHERS that have made our list in the past.

Instead, Jann Wenner, founder of Rolling Stone, (who also heads up the nominating committee for the rock hall) continues to exercise his power to insure that the candidates HE feels most worthy get in, regardless of what the public thinks.  That's why you won't find artists like those listed above on the list ... but "rockers" like Bill Withers and Leonard Cohen are in ... and acts like NWA (Niggaz with Attitude) continue to make the ballot year after year after year, despite the clear message being sent by the select few allowed to vote that they really don't belong in there either.
 
As far as I'm concerned, this is simply proof positive that it isn't going to change or improve their method of selection any time soon.  If you haven't already given up on this organization by now (as most of us have), you may as well throw in the towel now ... the artists you grew up with that most influenced YOUR tastes in music don't stand a chance.
 
Let me remind you again of the original mission statement of The Rock And Roll Hall Of Fame ... and how they've back-pedaled to avoid inducting artists that they don't think are worthy enough to belong:
 
Rock and Roll and its artists are viewed in an incredibly subjective manner by any individual brought into the circle of discussion.  As such, there is often widespread disagreement or fracturing of opinion about who is or was a rock artist and what importance did he or she have.
Artists become eligible for induction 25 years after the release of their first record. Criteria include the influence and significance of the artists contributions to the development and perpetuation of rock and roll. 
Nomination and induction into the Hall of Fame is not about popularity, records sales, which label the group is on, or anything other than the process below. The love for, the evaluation of, and the impact of any artist are subjective questions to be answered by the nominators and the voters.  Unlike baseball, football, basketball or hockey, statistics are not relevant.   
The only formal criteria for the performance category is that an artist has to have had their first recording released 25 years ago.  That said, candidates are reviewed and discussed relative to their impact on this music that we broadly call rock and roll.  The innovation and influence of these artists is also critical.  Gold records, number one hits, and million sellers are really not appropriate standards for evaluation.  
People sometimes forget that rock and roll, its artists, and its other participants are viewed in an incredibly subjective manner by any individual brought into the circle of discussion. As such, there is often widespread disagreement or fracturing of opinion about who is or was important and to what degree.  
I really think that all deserving candidates will have their moment eventually.  Unfortunately, it often isn't the time frame they or their fans desire.  In fact, there's not only precedent in our history, but also with the other sports Halls of Fame where many of the legends do not get inducted in the their first year of eligibility, or for many years to come in quite a few instances. 
 
 
So artists like Chicago and Blood, Sweat And Tears that added a whole new dimension to the sound of rock and roll by adding horns are NOT inventive and influential enough to make the cut.  The Guess Who, the biggest selling band in Canadian History, whose music continues to be played around the world daily are NOT considered important enough for consideration.  The Moody Blues and Electric Light Orchestra, who merged symphonic sounds with rock and roll, don't deserve a spot ... but artists like each of the individual Beatles, Neil Young, Stephen Stills, Graham Nash, Lou Reed, Eric Clapton and several others should be inducted MULTIPLE times instead, thus taking the spot that COULD have gone to somebody else previously ignored.  Why induct an artist like Chubby Checker, the ONLY person in the history of rock and roll to top the charts TWICE with the same record, BOTH times igniting an absolute dance sensation that captured the hearts and spirits of both the kids AND the adults ... when you can induct Eric Clapton three times instead???
 
FH Reader Danny Guilfoyles sent us some commentary that ran in Bob Lefsetz's column recently ... it just reinforces everything we've been saying for the past fifteen years.  Most of the artists themselves are fed up with the system ... and no longer care if they get in or not, as the fact that they have been snubbed for so long far outweighs any "honor" that would come with a nomination now, this late in the game.  (The Rock Hall also seems to have a way of waiting until an artist is deceased to honor them, rather than dignify them with an honor while they're still here to enjoy and appreciate it.)
 
 
Many great comments regarding the Rock and Roll Hall Of Fame from members of the music industry in response to a blog by Bob Lefsetz. The majority (all but the final one) are in agreement with the on-going assessment of Forgotten Hits and its readers.
Danny Guilfoyles
 
Bob Lefsetz's original article ...
 
How did we get here? Where the only people who seem to care are those desirous of getting third-rate talent inducted and the old men who are on the nominating committee?
Once upon a time rock and roll ruled the world. They said it would never die.
But it did.
The problem with rock is innovation has stopped. There are some good bands, but they barely test the limits, stretch the dynamics, of those who’ve come before. It’s endless repeats of an old formula. And if you think that’s interesting, you’re probably addicted to your Nintendo 64.
Whereas music has twisted and turned, completely mutated since the core members were inducted.
Now the R&RHOF is all politics. Getting people in. And if you think Ringo Starr deserves to be in as a solo act, you’ve never heard Yes. “Roundabout” means more than all of Ringo’s solo hits combined. But for some reason, prog rock is sorely underrepresented in the R&RHOF.
We’ve all got deserving admittees who are not.
But we’ve given up hope. When KISS and Rush are in before Steve Miller and Kraftwerk, never mind Deep Purple, those who truly care throw their hands in the air and ignore the whole process. They know it’s flawed. That it’s not about artistry, but connections.
And the R&RHOF lumbers on ignorant of the country’s feelings. Making the ceremony bigger, including youngsters for the telecast the same way the Grammys include TV stars. This has got nothing to do with rock and roll.
Once again, rock is dead.
It was killed by greed. Michael Jackson put a stake in its heart with “Thriller.” And everything good dies out. Or how did Billy Joel put it, “only the good die young”?
So close the doors. Throw away the key. The Museum of Modern Art doesn’t include antiquities to broaden its appeal.
Let them have a Hip-Hop Hall Of Fame.
And if we’re lucky, an EDM HOF right next to it.
And while you’re at it, include a POP HOF. With a special one hit wonders exhibit that will draw throngs.
Just like Jann Wenner screwed up his magazine by shrinking its size and then publishing the unsubstantiated UVA rape story, he’s ruined the Rock And Roll Hall Of Fame. Through myopia, by wielding tight-fisted control, by being so inside the bubble as to not know what’s going on.
The R&RHOF is the kind of institution people would rather not be a member of. Madonna’s got nothing to do with rock and some inductees are so far from luminaries, it’s laughable.
Rock ruled the baby boomers.
And since the baby boomers have political power and money, they think they can foist their viewpoint upon the country and it will stick. Just like the Koch Brothers believe by spending enough money they can control the narrative, never mind Congress.
Your old road is rapidly agin’
Please get out of the new one if you can’t lend your hand
For the times they are a-changin’
See that the biggest venue in America is the smartphone. And its stars are Snapchat and Facebook and they’re all about getting people to connect and communicate. It’s no longer about top down, but bottom up. The public rules. To see young and old farts blowing smoke at the R&RHOF ceremony is to witness something irrelevant, assuming we’re paying attention at all.


... and the responses it inspired ...
 
 
Bob -
Ha ha! Right on. The music business keep recycling what went before, except they don't know about melody, or want to know about it. Is it still possible to write a compelling melody? Absolutely. But we get recycled simplistic
Rock is now 60 years old! In the 70's big band had only been out of style for 20 years. Now, today's teenagers are still be forced to listen to their grandparents' or even great-grandparents' music.
Yes, music ruled the world, briefly, as it turned out. Now, it's back to selling soap, but maybe, just maybe, there's a kid in a little club somewhere........
Bernie Leadon


Perfect!
Peter Noone


Bob ... 
I do not believe Steve (Miller) will ever be inducted into the R&RHOF as long as he lives, nor do I expect him to win a Grammy. Steve has treated music industry executives with disdain his entire career and most of them really dislike him intensely.
I remember Dick Hodge and I negotiating Steve's contract with Doovid Barskin of Capitol Records ... Steve rejected every counter offer Capitol made and kept asking for more until we got the highest royalty rate in the industry. Glen Campbell had the best rate at that time, and we topped his by a few cents more, and obtained total artistic control for Steve. Steve was obtaining a true measure of success at this time, and he was in a real position to leveragewhat he wanted, Capitol could not recover any advanced royalties, and had a limited time period to press and distribute Steve's music. Steve had retained all of his publishing rights as well.
Steve is known throughout the industry as not putting up with any Bull Shit from record companies or promoters, and has pretty much operated as his own manager over the years. He has, however, retained an excellent business relationship that has made him a very wealthy man.
For all these reasons Steve and his band are scarcely recognized in "politically" controlled music industry awards and events. I agree with you that the R&RHOF was a well intentioned concept, but has, unfortunately, turned into a misguided joke.
Again, thanks again for being so kind to acknowledge Steve and his contribution to the real Rock and Roll.
At 71, Steve and his band are touring almost continuously performing to sold out venues throughout the World. Remarkably, he seems to be at the peak of his abilities.
Bud Miller


Can you explain why my brothers band Chicago is not in the RRHF? 46 years and 30+ records. So strange how they run that club.
Lauren Scheff


a joke. no joe cocker, chicago, yes, todd r, sting etc. but the e street band is honored even though they're essentially a backing band that has never written a song and were fired by their boss in the 80's (oh....sorry, certainly bruce's wife deserves this over other viable candidates). in fairness, induct tom petty's heartbreakers who at least contribute to the music and have been by his side for an entire career. what started as honoring great artists who represented a true american art form has disintegrated into another vapid tv awards show. what a shame.
Michael Leon

 
Bob -
You want the Hall of Fame to be relevant? Put photographers in it.
And I am NOT lobbying for myself - far from it.
People like Jim Marshall, Gered Mankowitz, David Gahr, David Bailey... and later on Ethan Russell, and others ....those were my heroes growing up. They were the people that brought the music to life on every album cover and on the pages of the handful of magazines that ran rock photos back then.
They deserve to be recognized and honored as much as any band or artist you can think of.
Neal Preston
Ps - Emerson Lake and Palmer!
(Actually, Emerson, Lake and Palmer is another GREAT suggestion ... more Progressive Rock ignored by The Hall ... they should make our Deserving and Denied List as well! --kk)

normally i don’t chime in on your commentary
in this instance I feel compelled to
The Rock and Rock Hall of Fame has been reduced to Jann Wenner’s personal toy anda feeble excuse for a HBO Special.
Oddly enough the recent I Heart Radio special on NBC was a better reflection of music television than the Hall of Fame show
or for that matter this years Grammys
John Beug


Right on the money, Bob. No Steve Miller? That is a joke. Soon artists will start to think about asking for their names to be removed. Watch it happen.
Guy McCreery


Amen from a good friend of Steve's. I just asked him about that the other night after a show in Austin.
Watt Casey, Jr.


Is King Crimson in?
What about our friend Steve Lukather's band Toto? (I'm serious Bob)
These groups made incredible records and sonically in their era were the master records
Maybe they should do this every 4 years like they used to do the Olympics
For that matter what about Mariah? Didn't she assist in the biggest era in the industry....
I mean no disrespect to Ringo as I love him and his band is all our close friends in a revolving door
Doobie Brothers/ Chicago?
Who knew
Chris Apostle
King Crimson has made a number of our ballots over the years ... but have since fallen out of The Top 50.  I think Toto is a GREAT suggestion, however.  (kk)

ELO / Jeff Lynne
Chicago
Cheap Trick
Yes
Harry Nilsson
Joan Jett
Deep Purple...
Never mind. I give up. This makes my soul hurt.
Trey Callaway


Hi Bob,
Thanks for this. I'm not so upset about Ringo getting in as I am the class with him: Green Day and Joan Jett do NOT belong in the Hall before Steve Miller, Todd Rundgren, Yes, the Monkees, Paul Revere and the Raiders, and especially Chicago, who'd been a top-selling band for more than 30 years.
Peace,
Tony Pizza


Don't forget to add Chicago not being nominated, you should write about the politics between them and RS. Jokingly adding maybe it had something to do with naming their albums as numbers instead of titles (except one or two I recall).
long time fan (of yours of course)
Frankie Ball


What can the criteria be if it took Hall and Oates this long and Chicago still aren't in? Forget Todd Rundgren or Little Feat.
Hall of Fames should follow some chronology (older bands first) not hop around in time with no apparent rhyme or reason.
But while the induction process may be a frustrating head scratcher, the exhibits and artifacts resonate with any music lover. Lennon'shand-written lyrics, Beck's Fender Broadcaster from "Having A Rave Up",Janis' Porsche, the Temps gold-plated mic stand, a piece of Otis' plane,
John Cipollina's amp and guitar, Rod Argent's electric piano, etc.
The R&R HOF+M is absolutely a great place to visit if you happen to find yourself in Cleveland.
A lot of these pieces are real goose bump material and the beauty is everyone experiences them in their way. Neither Jann Wenner nor politicscan screw that up.
William Nollman


And how about the ACM Awards being in a 75k Seat venue if that's not about money than I don't m ow what is...
Matt Gaines


Bob, the rock 'n roll Hall of Fame has been a piece of shit for a long time. They are people who don't know good music. It's a joke.
Nick Wegener


Happy to see Rush, SRV & Bill Withers get in .... Besides Yes, what about Deep Purple, Journey, Bad Company, Iron Maiden, Scorpions, UFO, Judas Priest, Boston, Foreigner, and , Pearl Jam?
Shawn Kilmurray


It's all about the numbers on the telly! Like last night with one of the Jonas' Spawn on the ACMs. Country, my foot! They were there for the viewing numbers, not the Country rep. And, anyway, most country nowadays is second-rate classic rock. Dregs.
And that troublesome HOF...we'll never see deserving artists like Paul Revere and the Raiders, Procol Harum, Warren Zevon or Poco in there. What a joke.
-Sean Anglum / Colorado Springs, CO


Glad you mentioned Yes as that's a good example
Roger Maltby


Bob;
I agree with you 100%; however a much better example of your Yes point would be Procol Harum ,who were always a far better live band (I saw both in concert in the early 70's), recorded more accomplished and innovative albums and leave a far more dynamic legacy than Yes ever can.
Stephen Dessau


It's interesting that you mentioned the band "Yes". Yeah that is a real head scratcher. They basically invented a genre.
An outstanding band and they certainly should be in there.
Peter A. Barker


Bob,
R&RHOF…A bunch of Music luminaries getting together to pat each other on the back telling each other how great & rich they are.
RS


My two biggest complaints about this year's class: Joan Jett and Bill Withers. I like Bill Withers music a lot. Soulful voice, great melodies. Good enough to be among the "elite?" Not a chance. And don't get me started on Joan Jett. I went nuts on her on my podcast, Top 5 Records, because she is terrible. All of her hits are covers. Hate Myself... isn't a cover but it's a fucking horrible song! If she is getting credit for The Runaways, why not induct Lita Ford? Did her solo music really influence anyone? Did it bring us Miley Cyrus? Thanks for nothing!
Pete Guzik

Bob,
I am not disagreeing with you (I don't think, I'm not sure), but if the Hall of Fame were simply called the "Music Hall of Fame" would you feel any better? I would because the RRHF includes some amazing inductees...who have nothing to do with Rock, the genre.
How do you deny a true artist like Bill Withers, who is in all ways qualified for the kudos--except that he's not Rock? You don't. You include him--you make sure that future generations know his name by virtue of a permanent account. But you don't call the damned building in which his memory resides the RRHF.
Kyle Osborne


I dearly wish that what you've written here is somehow not true. I really do.
But everyone who has lived a life of music knows that it is.
And they thought the Hindenburg was a disaster....
Dave Dalzell


Steve Perry hasn't been inducted so RRHOF is irrelevant.
Lisa Gregory


The RRHOF is a business. It has no true relevance to the music.
Frank Gagliano


Bob,
The R&RHOF reminds me a lot of the Hollywood walk of Fame. Used to be you had to be one of the classic bona fide Stars. Now you just cough up the dough.
Kaley Cuoco is getting a star?? Clint fricken Eastwood doesn't have one??!!
I think Kiss and Rush deserve to be in, but Madonna and NOT Deep Purple??!! And of course a band like Yes, can the committee NOT recognize the talent in that band??!! I also love Steve Miller's early work
All other genres can get their own HoF, leave Rock n' Roll the hell alone.
Cheers
Mitch Nixon


Bob,
I hope I won't live for the day when Skrillex is inducted before Tommy Bolin.
Great post.
Rob Penland


Chicago, Grand Funk
RR, J Geils, YES, Moody Blues!!!
Why us one hit wonder Percy Sledge in RR HOF and other one or two hit wonders ?
Poetics of dancing when rappers and one hit wonders are in it BS!
Thanks
Doak Turner


Hi Bob,
I love your blog and never responded before, but I think I can go one better. When Jim Henke was curating for the opening of the museum, I spoke to him about Jerry Leiber and Mike Stoller's incredible collection of historical memorabilia. This included the 78 of Big Mama Thornton's "Hound Dog" with the actual Cash Box race charts from 1953, the Hound Dog contract co-signed by their mothers...they were only 19 when they wrote it, a 78 of "K C Lovin," the original Kansas City by Little Willie Littlefield, etc etc. There were boxes that included rare session photos of the Robins, Coasters, Drifters, Brill Building shots, young Mike and Jerry with Elvis. Tom Dowd, Nesuhi and Ahmet Ertigun. Mike and Jerry were the very first independent Music Producers when hired by Atlantic -a title that Ahmet deemed appropriate and it then became a thing.
I say this because after logging for a month and shipping these treasure boxes, just a very few of these items went on display, along with one or two things from Doc Pomus and a few others in a small case in the back of a room. Michael's glove, rock star costumes were in full regalia.
Decisions were out of Jim's hands and politics ruled before the museum even opened.
Bobbi Marcus


You know what killed Rock N' Roll? No one is writing to survive. There were times when the only route they had off of the streets was through their music. Now suburbia kids are playing like they're the Ramones and it ain't workin'. Desperation fuels creativity.
Hip Hop boomed because of the same thing. Rappers literally had to write hit songs or die or starve. Now that industry is also falling to kids of comfort.
Folk on the other hand is exploding. You know why? Go to Folk Alliance International or the Folk Music Ontario Conference in Canada and you'll see why. Most of these artists are gypsy's. They have to write to survive. They go from Folk Festival to Folk Festival in the summer bumming rides or scrounging bus fair. They have to write their way out. Just a few years ago main streamers would frown at the very word 'Folk'...now the stuff is all over HOT radio and the big stars are trying to add acoustic guitars just to fit in.
Give me desperation again...great art comes from great pain.
largemanagement



The one thing I find baffling is how Hip-Hop and Rap still looks and sounds exactly the same since its emergence into the main stream back in the late 80's/early 90's. I'm not talking about Ice T or Ice Cube or Wu Tang Clan of old but seriously the look hasn't changed, the attitude hasn't changed and it's all about the bling, bitches and ho's. I don't get it, that's like the industry churning out the same big hair 80's bands to this day. That would be laughable but Hip-Hop and Rap continue today with the same look and crap and it's considered hip/current and they're still making a ton of money doing it.
Will it ever go away like rock did? I doubt it and that about sums up the attitude of the listening public today. EDM will continue albeit without innovation there will be this Generation Me listening and breaking hips in the old folks homes when it's there time to be put out to pasture.....
This is what's wrong with music today, people listen to what they are told to listen to and if there is a star involved and they worship the hype, they'll always be the mindless sheeple who will follow it.
mmpoppa1


Hi Bob
I agree with so much of what you said.
I never pay attention to the Hall of Fame. But this year it had my attention.
I was 17, lived in Montreal and discovered a little club / coffee house called the New Penelope. I went there like an acolyte going to the alter of music. Didn't matter what it was called. But it was all damn good at the Penelope.
I saw many blues and roots legends. And I was introduced to the sounds of south side Chicago by the Paul Butterfield Blues Band. On multiple occasions I sat about 10 feet away from them in this little gem of a club. They changed my life. I've never forgotten those days. I had never experienced anything like it. A club that held probably no more than 150 people. No liquor. Didn't need it. We had killer music. And I was being baptized at the fountain of music.
So when I heard that the Paul Butterfield Blues Band were being honoured, I was very very happy.
I wasn't in Cleveland last night. I couldn't watch it on TV. Didn't matter. I was, in my head back at the New Penelope in the kind of venue I love watching and listening to the best electric blues band I have ever heard. Yeah and I was only 10 feet from the stage. No one screaming. Just digging it.
Good for Paul, Michael, Elvin, Mark, Jerome, Sam et al.
Regards
Bob Bisnett


Back in the mid-90s, I was a rising young gun in the advertising industry. One of my shop's clients was the Rock & Roll Hall of Fame + Museum. We were their first agency, as I recall. Oddly dull and uncreative client to work on. The decisionmakkers LOVED Elvis, the Beatles, Buddy Holly and 70s rock. They had little regard for Blues, electric blues which birthed rock and roll. Hell, even the phrase "rock n roll" was old Black Blues jukejoint slang for sex/raucous times—not that anyone connected with the rock hall then knew or cared. They'd jump through hoops courting white artists they dug/thought would be draws to loan them memorabilia/make appearances. Some even got compensated for loaning their stuff out. But the Black artists? Not so much. If you gave the hall something, it was an honor to be asked and you'd better have obliged The Hall's requests - for free. If you didn't play ball, then screw you. (ask around, you find that that was their m.o. for more than a few years
.)
When we started on the account we had to go visit the place as it was being built/renovated - in Cleveland, which had as much rock n roll authenticity as Iggy Azaela has hiphop. My first trip to the place it didn't just look like a museum, it looked like a set piece out of the Bonfire of the Vanities - stale, sterile, white, glass, metal... Nothing "rock" or "roll" about it.
The story we got from a couple board members was originally the RRHOF was gonna be in New York which supposedly beat out Chicago and Memphis; but Ohio came thru with a bid at the last minute. And since was OH was already home to more hall of fame's than anywhere else in the US (mostly sports related ones) and they had connections and a system in place for building more HOFs, not to mention a ton more open land to work with than New York, so their bid won.
In short, the Rock Hall was literally built on politics, cash and connections from the jump.
So what you're seeing today is what you've seen for decades... just the RRHOF being the RRHOF. It is what it is now, because that's what it was always meant to be.
such is life.
Hadji Williams


Bob,
You make some very good points about the lack of innovation and envelope-stretching on the current rock scene. That's like shooting fish in a barrel.
And of course there is a lot of controversy and probably a somewhat flawed process of how artists get inducted into the Hall of Fame.
But from my perspective I just have to say that there are a lot of artists who see being inducted into the Hall as a career validation -- a reward for giving so much music to so many people for so many years. An honor from a group of folks, many of whom are peers (all inductees vote in subsequent years).
I don't think that's unfair or necessarily a bad thing.
Sure there are probably a number of artists who maybe shouldn't have been inducted. And sure, we all have a list of artists we believe should be inducted.
That's not a whole lot different than the Baseball Hall of Fame, or probably most, if not all, Hall of Fame institutions across the board.
OK, so we all could have done without Fallout Boy doing the induction welcome speech for Green Day -- I would have though they could have come up with any number of intriguing better choices there. But that was really the only "false" note last night.
I, like you, celebrate music every day of my life. Sometimes in the privacy of my own home, sometimes at a concert, sometimes in my car, and sometimes at events like the Rock & Roll Hall of Fame Induction ceremonies or a MusiCares tribute event, etc.
The main thing is that we all celebrate the music and the people who have made the music that we love and has meant so much to us.
Toby Mamis
 
Interested parties can subscribe to The Lefsetz Letter here:  http://www.lefsetz.com/lists/?p=subscribe&id=1
(He's a bit too "angry old man" for me ... and he'll sometimes flood your mailbox with two or three commentaries a day ... but he is certainly well-respected in the music industry ... and literally EVERY artist who's ANYBODY reads his columns.)  If you like the stuff we do here in Forgotten Hits, my guess his that you'll enjoy his take as well.  Although to the best of my knowledge we've never been mentioned in his rantings and ravings, I DO find that he seems to cover a lot of the same topics that we do ... this month, for example, you'll find his take on The Rock And Roll Hall Of Fame Nominating and Induction Process ... as well as a list of The Top Ten Songs From This Date in 1965 ... all just a coincidence, I'm sure!!!  (kk)
 
**********


THE DESERVING AND DENIED LIST:
 
Good things come to those that wait ... or so we're told.
 
Since our series on The Rock And Roll Hall Of Fame first ran back in 2007, several artists from that list HAVE finally been inducted.  These include:
 
ABBA, The Dave Clark Five, Alice Cooper, Neil Diamond, Genesis, Daryl Hall and John Oates, Heart, The Hollies,  Joan Jett, John Mellencamp, Linda Ronstadt, Leon Russell, Donna Summer and The Ventures ...
 
Fourteen acts that at one time made our list of Top 40 Deserving and Denied Artists
 
 
*********************
 
 
When we run our list of "Deserving And Denied" Artists, those who don't follow the day-to-day activities of The Rock And Roll Hall Of Fame are often SHOCKED to see some of the names on this list.  They simply cannot believe that these artists have not been honored by Rock And Roll Hall Of Fame ... they just ASSUMED that, with the INCREDIBLE track record established by each and every one of these acts, they just HAD to have been inducted by now ... but, incredibly, this is NOT the case.  (Instead, we're subjected to yearly ballots that regularly include artists like Niggaz With Attitude and Afrika Bambaataa.)
Based on your votes in years past, here is the most up-to-date list of Deserving And Denied Artists we've been able to assemble:
 
 1. Chicago  (going on 50 years and STILL cranking out new music, Chicago embraced and reinvented a brand new blend of rock and jazz)
 2. The Moody Blues
 3. The Guess Who  (you'll find less than a dozen Canadian acts enshrined since The Rock And Roll Hall Of Fame first began in 1987)
 4. Yes  (very little in the way of Progressive Rock is on their list, too)
 5. The Zombies
 6. Jan and Dean
 7. Chubby Checker  (the ONLY artist to top the charts TWICE with the same record ... AND start a national dance craze embraced by all generations)
 8. Pat Benatar
 9. Jethro Tull  (talk about taking rock in a new direction, how do you overlook THESE guys???)
10.  Ed Sullivan  (How is it possible that the man who brought rock and roll into the living rooms of MILLIONS has never been honored for his contribution to the "selling" of rock and roll???)
11. Steve Miller
12. The Monkees (yes, they were "manufactured" ... but they've never left our hearts ... or our tv screens!)
13. Three Dog Night   (three lead vocalists, each of whom could hold their own with the best of them ... how is THIS not Rock And Roll Hall Of Fame worthy)
14. Deep Purple
15. The Electric Light Orchestra  (like The Moody Blues above them on this list, orchestrating Rock And Roll with symphonic overtones)
16. Blood, Sweat and Tears
17. Styx  (make fun of them all you like, these guys have climbed from just outside The Top 40 to #15 over the past eight years, based on our votes)
18. Journey
19. The Doobie Brothers
20. Joe Cocker
21. Connie Francis  (formerly #1 on the list, Connie has fallen these past few years as The Rock And Roll Hall Of Fame continues to ignore more contemporary ... and mass-appealing artists)
22. Pat Boone
23. Poco
24. The Cars
25. Loggins and Messina
26. Tommy James and the Shondells
27. The Spinners
28. The Turtles
29. Paul Revere and the Raiders
30. Herman's Hermits
31. Todd Rundgren
32. Paul Anka  (another Canadian act LONG over-looked)
33. Bachman-Turner Overdrive (ditto)
34. Neil Sedaka
35. Johnny Rivers
36. Billy Preston
37. Dick Dale (as responsible for the whole surf craze as anybody else who's in there)
38. Grand Funk Railroad
39. Peter, Paul and Mary (why is folk music overlooked by The Rock Hall?)
40. Jim Croce
41. Freddy Cannon
42. Herb Alpert (as a performer ... he's in for lifetime achievement ... but what about his INCREDIBLE run on the charts with a whole new sound?!?!)
43. Gary "US" Bonds
44. Cheap Trick
45. The Commodores
46. The Marvelettes
47. The Grass Roots
48. Peter Frampton
49. Harry Chapin
50. Paul Rodgers / Free / Bad Company
51. Glen Campbell  (as either a sideman OR an artist, certainly there's a spot for THIS guy within those hallowed halls!!!)
52. America

One Week From Tonight: The Benefit Concert For Marty Grebb

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We've been talking about it for months now ... and the fund-raising concert event of the year is finally here.

Now being billed as Chicago Music, '60's Style, the line-up is a virtual Who's Who of Chicago Rock Musicians from the '60's ...

Ronnie Rice (formerly of The New Colony Six)

Jimy Sohns and The Shadows Of Knight (featuring David "Hawk" Wolinski)

The Cryan' Shames (featuring original members lead singer Tom Doody and Jim "Hooke" Pilster)

And ... just added ... Jim Peterik and The Ides Of March!!!

The whole thing caps off with an appearance by Nick Fortuna, Carl Giammarese, Marty Grebb and Dennis Tufano ... with special guest Danny Seraphine, founding member of Chicago on drums ... performing the hits of The Buckinghams.  (In 1967, the line up of Fortuna, Giammarese, Grebb and Tufano, along with original drummer Jon-Jon Poulos inspired Cash Box Magazine to name The Buckinghams as Group Of The Year!)

Other special appearances that night will include The Chicago Experience, featuring the hits of Chicago, comedian Tim Walkoe, Scott May (of The Ides Of March) and more.

A few tickets are still available through The Arcada Theatre Box Office at www.oshows.com ... but you'd better hurry!!!

This is an event NOT to be missed.  (I've seen the set list ... and, although I've been sworn to secrecy, you will be kicking yourself for a LONG, LONG time to come if you miss this concert event ... it is likely to be the very last time you'll ever have the chance to see this much Chicago Rock Royalty sharing the same stage.  In fact, this may be the first ... and ONLY time we've ever had this many of our Local Heroes all performing on the same bill together!)

We hope to see you there!

More info(including silent auction items up for bid):

http://www.concertformartygrebb.com/

 

The Benefit Concert For Marty Grebb (Part 2)

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Man, I am soooo there ... can't wait!
Chet Coppock
I've gotta tell you, I am SO excited about this show ... and the closer we get, talkin' to the guys every day ... even more so.  I am totally pumped to see this, a once-in-a-lifetime event and a way of giving back to a musician who has brought us so much enjoyment over the years.  Hoping to see a TON of Forgotten Hits Readers there that night, showing their support ... and enjoying a GREAT night of music from our local heroes.  (kk)

*****


After what can only be described as a considerable amount of begging on our part, we were SO glad to see The Ides Of March join the line-up for this very special fund-raising event ...   

Me, too, believe me.  See you there!
Keep Rocking!

Jimbo
Glad to see that schedules could be rearranged to accommodate this ... you guys were a BIG part of The Chicago Music Scene ... and you definitely belong up there on that stage.  Can't wait!  (kk)

***** 

Tom Doody, original lead singer of The Cryan' Shames is also happy to be on board ...

Kent - 
I am pleased to be a part of something which is both good and generous.  It is always great to share the stage with friends. Jimmy and I haven't performed together in over three years.  It should be exciting.  
Tom Doody 

*****

I got this GREAT email from Danny Seraphine, founding member of the legendary group Chicago, who will be sitting in on drums for several acts that night, including the grand finale featuring a performance of The Buckinghams' Greatest Hits and more by Nick Fortuna, Carl Giammarese, Marty Grebb and Dennis Tufano ...  

It seems like a lifetime ago when I used to go to the Club Laurel to see Marty (Grebb) and Peter (Cetera), along with Jimmy Vincent and Billy Herman perform with the Exceptions and marvel at their amazing vocals. They were all strong players as well. Marty amazed me because on top of being such a good singer and keyboardist, he also played great sax. I used to think "How is that possible?" or "It's not fair for one cat to have that much talent!", depending on how insecure I was feeling that day.  

During the same time period I got to know the Buckinghams and what good guys they were.  They were neighborhood Italian guys like me, so there was a strong bond immediately. When they had their first hit, Kind of a Drag, it lit the city up. To the best of my knowledge, it was a first ... no other local band ever had a #1 hit in the country before! I didn't know whether to love or hate them. What was I going to do with my horn band that people scratched their heads looking at each other when they saw us. I know, crazy huh?  

Then when Marty joined the Buckinghams, he elevated them musically. They went on to have more hits and open the gates for the rest of us mere mortals to walk through.
Needless to say, I'm really looking forward to stepping on stage with Dennis, Carl, Marty and Nick for the first time in 20+ years. I wish Jon-Jon could be there.  I know it's going to be very emotional for everyone because there is so much history between all of us.   

Peace,
Danny  

You are NOT going to want to miss this show ... more ticket information on The Arcada Theatre website ... www.oshows.com!
 

MERCY!!!!!

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Check this out ... 

The Buckinghams, circa 1967 ... from The Smothers Brothers Comedy Hour ...

Note the British Union Jack stage decor ... 

Totally appropriate for a group from Chicago, don'tcha think???

Nick Fortuna (bass), Carl Giammarese (guitar), Marty Grebb (keyboards, but here sharing vocals with) Dennis Tufano (vocals) will ALL be performing together on stage for the first time in nearly 45 years next Thursday Night, May 7th, at The Arcada Theatre as part of The Marty Grebb Benefit Concert.



No doubt about it ... it will REALLY be Kind Of A Drag if you miss this one!!!



Ticket Info:www.oshows.com

(By the way, the jacket Marty is wearing in that Smothers Brothers clip is just one of the many one-of-a-kind items that will be up for auction at the fundraiser.  And Carl Giammarese has donated a guitar that will be signed by all of the artists participating in the concert event.  You are NOT going to want to miss this show!)

The Sunday Comments ( 05 - 03 - 15 )

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re:  The Marty Grebb Benefit Concert:  
I'm feeling left out here, not being able to get to the Marty Grebb concert, but then, looking over the event comments from the artists performing, just maybe I will hear it here on the East Coast.  
Shelley   

Ah yes ... the Club Laurel!!! Now that's going back. My cousin worked there and got us in once or twice, since we were too young. Saw the One Eyed Jacks! 
Marlene 

Hey Kent, 
Sure wish I could be at the concert next weekend, but I'll be gigging that night as well. 
Tell Jim from the Ides that Bill Scherer from The Fabulous Armadillos says hi. 
I noticed these Buckinghams links on Youtube this morning and don't remember you ever posting them. 
First from the 2014 Happy Together tour: 
Then the Buckinghams in 1965 on a WGN tv show. 
Again good luck with the fundraiser. It's going to be great. 
Bill in MN   
I love those old vintage 1965 clips from the WGN series, "All Time Hits".  The Bucks were regular, featured performed on this local program and we've run several of these now in Forgotten Hits.  I swear they look like babies!!! 
They were posted by original Buckinghams keyboardist Dennis Miccolis ... here's a link to a few more ...  
And here's a link to the two songs they performed on The Smothers Brothers Comedy Hour (or was it The Smothers Comedy Brothers Hour?!?!) back in 1967.  Notice that they're singing along to a pre-recorded backing track, meaning that at least PART of the vocal is going out live.  Sounds just like the record, doesn't it???  (kk)
https://www.youtube.com/watch?v=YD9bdORfr0E   

Kent -  
You rock, man! Bless you for your love of the music and supporting Marty. Thank you. It's been an enlightening experience!!  
Dennis Tufano

Kent,  
So there are occasional times I wished I lived in Chicago to see shows like the Marty Grebb benefit. We get a lot of great shows down here in the Tampa Bay area but nowhere near as many that come through your town. I would love to see Jim Peterik and the Ides of March. I read his book and it's one of the best rock bios I've ever read. I do have to be honest though ... other than the concert situation, Tampa Bay is still better ... but you do get a lot of great shows. I would go bankrupt by just supporting the Arcadia.  
Rich  
Safety Harbor, Fl  
What Ron Onesti is doing at The Arcada Theatre is incredible.  I don't remember Chicago EVER having this kind of variety of acts passing through town.

Check out this line up for the next six weeks:

Tonight:  The Lovin' Spoonful

Wednesday, May 6th:  George Benson

Thursday, May 7th:  The Benefit Concert for Marty Grebb (featuring The Ides Of March, The Cryan' Shames, Ronnie Rice, Jimy Sohns and The Shadows of Knight, The Chicago Experience and Nick Fortuna, Carl Giammarese, Marty Grebb, Danny Seraphine and Dennis Tufano recreating and performing the greatest hits of The Buckinghams!

Friday, May 8th - A Birthday Party featuring The McCartney Years

Saturday, May 9th - Quiet Riot, Y&T and Hellion

Sunday, May 10th - The Bronx Wanderers performing a Mother's Day Sock Hop

Friday, May 15th - George Clinton and Parliament Funkadelic

Saturday, May 16th - Gino Vannelli

Sunday, May 17th - an acoustic set with Gino Vannelli ... followed by an evening concert by Paul Revere's Raiders

Saturday, May 23rd - Edgar Winter and Rick Derringer

Sunday and Monday, May 24th and 25th - The Jason Bonham Experience, performing Led Zepplein I and II in their entirety ... plus all of Led Zeppelin's Greatest Hits

Friday, May 29th - The Alan Parsons Live Project

Saturday, May 30th - Herman's Hermits, featuring Peter Noone

Friday, June 5th - Ruben Studdard performing his Tribute To Luther Vandross

Friday, June 12th - Gene Cornish of The Rascals

Friday, June 12th and Saturday, June 13th - Jenny McCarthy

Sunday, June 14th - Barbara Eden

Sunday, June 14th - Boogie Wonderband, performing their tribute to dance music of the '70's.

It just doesn't get any better than this!!!

And, speaking of upcoming concerts ... congratulations go out to Forgotten Hits Readers Lyn Amenitsch, Joe Malin, Melanie Mordhorst, Neil Neitling, Steve Sarley, Janet Weiner and John and Rosemary Longo, all of whom won tickets to see Engelbert Humperdinck at The Genesee Theatre next Saturday Night, May 9th.  (Tickets are courtesy of The Genesee Theatre and Colleen Rogalski.  In fact, if you think you can make it, we MAY be able to squeeze a few more tickets out of her ... but we need to know NOW!!!  Drop me a line pronto and I'll see if I can add your names to the winners list!)  kk    

re: Me-TV-FM:   
Kent -
Because of you my wife is pissed at me. You recommended MeTV-FM, 87.7. Well, I put the station on a button of her car radio. Ever since I did that, she has never turned it off. Well, when she drives, it is a law that the driver gets to pick the music. Since I am not able to drive my car, I have to listen to what she wants. So I have to listen to HER music which is 87.7 now ... no more talk channels or feel good format.
Well, here is the reason my wife is pissed at me ... with every song that gets played, I say "when was the last time you heard that on the radio?". She told me to "stop saying that!" after every song.  That station is GREAT ... they play oldies that you haven't heard on the air for over 40 years AND not the same song that every oldies station plays. 
The music that will be heard on the station includes hits from such artists as Chicago, Carly Simon, James Taylor, Jim Croce, The Beatles, The Eagles, Elton John, Linda Ronstadt, Todd Rundgren, Aretha Franklin, The Carpenters, America, Bill Withers, Neil Diamond, Neil Young, Don McLean, Gordon Lightfoot, The Bee Gees, Billy Joel, and the best of Motown. Not the songs you hear everyday but one hit wonders and some deep album tracks from those artists. When was the last time you heard "Love Grows Where My Rosemary Goes" by Edison Lighthouse?  Or "One Fine Morning" by Lighthouse?
My wife can't thank you enough for telling me about the station but now she is mad at me for asking after EVERY song "when was the last time you heard that on the radio?".
Thanks a lot!!!!
Bill
LOL ... my wife is the same way ... she listens to nothing else now in the car ... and she used to be a huge Eric and Kathy fan in the morning!  When she gets home, if nothing is on TV she'll set the station to channel 877 which, on Comcast, is a simulcast to 87.7 Me-TV-FM.  Then, before we go to bed at night, we'll drift off to another 30-45 minutes of the station playing in the background!  It has COMPLETELY taken over our lives!!!
Yes, I'm unhappy with some of the repeats ... and I swear I don't think I've EVER gone an hour without hearing something by James Taylor ... but they continue to surprise and amaze me on a daily basis.  It's like they're still adding new music to the play list every single day ... and radio is FUN again!!!
And for all the folks who have written in to say they've had difficulty picking up the signal, this past weekend we drove down to Normal, IL, to visit our daughter and I'll betcha we were able to tune in for at least the first 65-75 miles southwest of Schaumburg, which in and of itself is already about 25 miles from the City Of Chicago.  I'll bet The Drive didn't last another 25 miles beyond that point!
I can't wait for Me-TV-FM to start streaming so Forgotten Hits Readers all over the country can tune in and hear what we've been raving about.  It's EVERYTHING I've promised you guys radio COULD be ... if only somebody out there would take a chance.  (kk)   

For me, it's the little surprises that make listening such a pleasure.  To quote Bill Hengels, when was the last time you heard THIS one on the radio???


Things that make you go Hmmmmm ...
Hi Kent -
I had an interesting thought ... a profound thought.  I heard the song, "It's So Nice To Be With You" by Gallery (I think that is the band - its been so long since I have heard this song, I'm not completely sure.)
Apparently, the CBS.FM Oldies channel in NYC was reformatted recently to include "obscure" oldies songs. Anyway, I love this song. Hearing it again reminded me how much I love a good song and how much it puts me in a good mood for the day.  I can hear it in my head all day long, especially while I am working. It really gets me through the day. 
So I started thinking  that now that I am 64, just turned,  perhaps hopefully one day in the future hopefully soon that there will be revival or reformation of oldies music.  Some of the greatest songs, "feel good songs" like "It's So Nice" will live on ...
And that thought brought me to the conclusion that after I leave this planet and go on to a better place, one of my fondest wishes is that the listeners will recognize that the best of the best songs will live on.  In other words, the music will outlive me (and the rest of the baby boomers.)  
I hope and pray that this will be the lasting legacy of our generation ... OUR MUSIC ... the good and positive and uplifting songs will endure and remain alive forever!  :))
Blossmwrld
Unfortunately radio as a rule is doing absolutely NOTHING to help keep this great music alive ... yet everyone who is exposed to it falls in love with it just like we did back in the day.  You hit it right on the head ... "Feel Good Music" ... nothing beats it.  SO much of the music released over the past twenty years or so has so much anger attached to it ... That's why a song like "Happy" by Pharrell Williams totally captivates the audience ... try not singing along with that one ... or watch the video and try to sit still ... it's IMPOSSIBLE not to want to get up and do "The Happy Dance"!!!
Stations like Me-TV-FM are doing their part to show the completely variety of this music that captured our hearts so many years ago ... rather than just the same old 200 songs that the consultants have determined are the only songs we need to hear in order to link to our past.
Glad to hear that WCBS-FM has expanded their horizons lately ... we've received several other emails that fear the station will soon be 100% '80's and '90's music!  Now if just a few more stations in every major city would simply follow suit, listening to the radio could become enjoyable again!  (kk)   

FH Reader Clark Besch tells us that Reel Radio is back up and running with unscoped airchecks again!  Look for all your favorite, vintage jocks here!  (kk)
Apparently, Reel Radio is BACK online with "on demand" unscoped airchecks!!  YIPPEE!!!
Clark

re:  Leaving Us:
Kent ...
Let me know if I beat Ron (Grim Reaper) Smith with this sad news.
Frank B.
Just like nobody puts Baby in the corner, NOBODY beats Ron Smith with music death news!!!  (kk)  

We lost Tracy Partridge the same day!!!
Actress Suzanne Crough,who played the youngest member of TV's "Partridge Family" (though she didn't play or sing on the recordings) died "suddenly" Monday (April 27) at her Nevada home. She was 52. She eventually gave up acting and worked as a manager of an office supply company. She leaves behind a husband and two children. 
-- Ron Smith   

Jack Ely, founder and guitarist with the Kingsmen and lead singer on their #2 hit, "Louie Louie" (1963), died Monday (April 27) at his home in Redmond, Oregon after what as termed a "long illness." He was 71. Born in Portland, Jack started out as a jazz pianist but switched to guitar after seeing Elvis Presley perform on television. While attending Portland State University, he helped form the Kingsmen, who became the house band for a club owned by a local DJ. They went in to a local studio and, for $50, cut a version of "Louie"-- their crowd-pleasing favorite with mystifying lyrics-- in one take. Before the record had peaked though, Jack got into an argument with drummer Lynn Easton over who would front the band. Since Lynn owned the name, Jack quit and formed his own Kingsmen group. The ensuing legal battle ended with Jack receiving vocal credit and $6,000 in royalties but he was forced to change the name of his own group to the Courtmen. His career essentially ended when he was drafted in 1967. He later became a horse trainer.
-- Ron Smith
Got quite a bit of mail regarding the passing of Jack Ely, especially in conjunction with our recent Rock And Roll Hall Of Fame piece.  If ANYBODY had an influence on millions of kids who picked up a guitar, bass and drums, it was guys like Ely and The Kingsmen, thanks to their #1 Hit "Louie Louie" ... it convinced MILLIONS of us that if THEY could do it, we could, too.  You didn't have to be good ... you just had to rock!  (kk)   

Kent ...
Here's the late Jack Ely singing his hit "Louie Louie" to a horse.
The horse must've liked it ... he gave him standing ovation.Frank B.

Former Drifter and solo star Ben E. King died Thursday (April 30) of apparently natural causes at the age of 76. Ben was born in Henderson, North Carolina, but moved to Harlem at the age of 9. While still in high school he sang briefly with the Moonglows before joining the Five Crowns in 1957. When the manager of the already-successful Drifters decided to fire the entire group the next year in a contract dispute, he replaced them with the Five Crowns, including Ben. Ben co-wrote and sang lead on the Crown / Drifters first hit, "There Goes My Baby" (#2 - 1959). Ben also sang lead on "Save The Last Dance For Me" (#1 - 1960), "I Count The Tears" (#17 - 1961) and "This Magic Moment" (#16 - 1960), but only cut 13 songs with the group before leaving in a his own dispute for a solo career in 1960. His first session for Atco Records yielded "Spanish Harlem" (#10 - 1961) and "Stand By Me" (#4 - 1961 and again #9 when it was re-released thanks to the movie with the same name in 1986). Other hits included "Amor" (#18 - 1961), "Don't Play That Song" (#11 - 1962) and "I (Who Have Nothing" (#29 - 1963). While his career ebbed in the late '60s, it was revived with "Supernatural Thing" (#5) in 1975. Ben was inducted into the North Carolina Music Hall of Fame in 2009.
-- Ron Smith
The movie "Stand By Me" definitely revived Ben E. King's career.  After peaking at #3 in 1961 the first time around, it climbed right back up the charts in 1986, peaking at #9 (proving, of course, that Forgotten Hits is right again ... if you simply expose a new generation to this music, they will fall in love with it just like WE did.  "Unchained Melody" by The Righteous Brothers would be another prime example.)  Ben E. King will be missed.  (kk)
More from FH Reader Ken Voss ...

And how about this?  You can get in the Jerry Lee Lewis Death Pool! 

Kent,
First, I hope you have a great week and wish you continued success with FH.
I discovered something a couple of days ago on the internet, even though I knew about it months ago and somewhat forgot about it.
I am talking about the Jerry Lee Lewis website that tells about his anticipated death. Apparently,
every day a new date is put on the website that tells of his impending death. His anticipated death now is on April 26 at the age of 79. Assuming that he will still be alive on April 26, his death date on the website will change by a day or two. Interesting!
Larry Neal
How'd you like to wake up to THAT every morning?!?!  (kk)  

re:  David Lettermen:
Leaving us in a DIFFERENT way of course is David Lettermen who is winding down his stint as a late night television host.  And he's had some incredible musical guests on his program of late ...
Check out these clips of John Fogerty doing a Creedence medley of hits from his upcoming "1969" tour ... followed by a reunited Hootie and the Blowfish performing "Hold My Hand".







re:  The Wrecking Crew:
Hi ya, Kent:
I haven't ticked anybody off for at least three hours, so here we go.
Over the weekend, I carved out two hours to go the superb documentary on the fabled Los Angeles based "Wrecking Crew."  Drummer Hal Blaine, Bass guitar player Carole Kaye, and lead guitarist,
Tommy Tedesco, emerge as the heart and soul of the production.
A sad, but proud, Blaine explains how a bitter divorce cost him his Hollywood estate, yacht and Rolls Royce. At one point, he went to Arizona to work as a security guard.
So, on to the the main event. Only a nit wit would doubt the musical genius of Brian Wilson. However, after seeing the doc, I have reached this conclusion ... "Pet Sounds" would never have brought forth a musical revolution (See John-Paul-Pepper) were it not for the presence of the "Crew."
Yes, Brian constructed the songs we all love to this day, but it was the virtuosity and the imagination of these gifted studio musicians that made the Wilson project a seminal occurrence in musical history.
We will never see another "Wrecking Crew, a band that backed up countless artists and producers such as Phil Specter,The Righteous Brothers, The Ronettes, The Crystals, Sinatra, Sonny and Cher and countless other musical heavyweights. We should celebrate their overwhelming legacy.
No, to the best of my knowledge the Crew never did turn out tracks for the Captain and Tenille.
Chet Coppock
Host: Chicago Blackhawks Heritage Series
No, but The Captain and Tennille WERE touring members of The Beach Boys' Band at one point in time!!! (lol)
We've been raving about this film for about eight years now ... it is a "must see" event that can now be added to your home music video library.  We've heard from several Chicago-area residents who are planning to check this film out during its one week residency downtown.
Do it!  You'll be glad that you did.  And Denny Tedesco tells us that final details are being worked out now for the official soundtrack album ... man, what a SOLID GOLD piece THAT'S going to be!!!  (kk)

re:  This And That:
After much consideration and evaluation The National Transportation and Safety Board has decided NOT to reopen the investigation into the plane crash that took the lives of Buddy Holly, Ritchie Valens and The Big Bopper on February 3, 1959.
Forgotten Hits has covered this story in great depth over the past few months ... in fact, WE were the ones who broke the news worldwide, thanks to some correspondence from LJ Coon, the man behind the research that prompted all of this to take flight, if you'll excuse the pun!
Evidently, the board feels there just isn't enough sufficient new evidence to proceed. (Meanwhile, Don McLean was able to sell the lyrics to "American Pie" for $1.2Million ... so at least SOMEBODY benefited off of all of this recent wave of publicity!!!)
Sorry it didn't work out for you, LJ ... who sends along his sincere thanks for everybody's efforts to help spread the word.  (A month after Forgotten Hits broke the story, the media across the globe jumped on board ... and soon this was the "talk of the town" worldwide!!!)  kk
Thank you sincerely for all that you do ...
And to all the others who let our efforts be known.
LJ 
 
NOT picked up by the rest of the media, however, is the fact that LJ isn't giving up just quite yet ... 
He is resubmitting his petition, narrowed down to just nine points in the hope that these will be specific enough discrepancies to warrant a new investigation.
 
Dear kk:
I have re-submitted points #1 thru #8 and the CAB's #12 point to The NTSB (John DeLisi) 
See my responses below to the following for further review, and re-consideration.
Please read ... the #1 thru #8 points that NTSB John DeLisi responded with The NTSB:
Did you find each of the eight points to your satisfaction / unanswered, concerned?
Did you find my eight responses, to your satisfaction and meeting The NTSB Code-49 (para: A or B)?
Did it seem like to you that the NTSB just skimmed the surface with just 1 thru 8 'Cherry Picked' points to pacify me out of a 24 page Petition.
a). The Aircraft  N3794N is still in a secured holding facility, since the CAB Investigation submitted on September 23, 1959
b). Dwyer Flying Service was FAA certified for ONLY VFR Chartered Flights both Day and Night
c). To fly the February 3, 1959 Chartered Flight (there could not have been any weather phenomena) that didn't equal FAA certified VFR.
d). After The Mason City, Iowa, accident of February 3, 1959, Dwyer Flying Service certified by The FAA for VFR ONLY both Day and Night was never Prosecuted or De-Certified by The FAA nor was Dwyer Flying Service Insurance canceled. In fact...Dwyer Flying Service
Insurance company settled a lawsuit just days before the CAB findings of September 23, 1959.
(So, NO Violation of weather / VFR certification took place)
The FAA certification is just that, and doesn't account for The Possibilities of Carburetor / Induction Icing
This Aircraft / Chartered Flight N3794N on February 3, 1959, departed to the south with a Left-climbing turn  to a 315 degree heading, stopped the climb at 800 foot AGL, flew the 315 degree heading for slightly more than 2 minutes.  The Owner (Jerry Dwyer and The Tower Operator) then witnessed the aircraft began a " Slow Descent" to the Northwest.  The " Slow Descent" took 1 minute and 6 seconds to reach / impact the farm field with the right wing first.
a). The CAB report found that "The Magneto Switches were found in The OFF position".
(Much like our Car Ignition, to turn OFF the Magneto would take the turning of The Key three separate notched positions to Reach the OFF position)
b). There wasn't a 3,000 foot per minute VSI Instrument in the aircraft N3794N (However, there is a 2,000 fpm VSI Instrument)
c).  February 3, 1959 ... Temperature 15 Degrees - Dew Point 8 Degrees - Relative Humidity 60%
(How close was the possibility of Carburetor / Induction Icing?  Was the investigation and were the investigators astute enough in 1959 to consider "Carburetor / Induction Icing" the morning after?
d).  That famous Sperry Artificial Horizon / Gyro was always in The aircraft N3794N, since the very first day Dwyer Flying Service purchased this aircraft. That instrument was right there in front of Pilot Roger Peterson, from Day One on every one of his flights in this aircraft N3794N.
But remember ... Pilot Roger Peterson DID NOT have to be instrument rated,  ALL of The Dwyer Flying Service Chartered Flights were ONLY FAA Certified for VFR (both Day and Night)
The FAA certification is just that, and doesn't account for the possibilities of Carburetor / Induction Icing.
I provided a 24 page Petition, to The NTSB for consideration 
Question:
Which one(s) of the #1 thru #8 points of The NTSB and which one(s) of the #12 points from The CAB report / findings most concern you?  I invite you to feel uncomfortable about the outcome of the Mason City Iowa accident. In order for The National Transportation Safety Board (NTSB) to consider a petition for reconsideration, it must meet the requirements specified in 49 Code of Federal Regulations 845.41: 
a). must either present new information or 
b). show that the original report's findings were erroneous 
L J
L J Coon
 
Forgotten Hits has obtained a copy of the "rejection" letter Coon received from the committee ...
 
John DeLisi: NTSB
Thank you for your January 15, 2015, and February 10, 2015, letters regarding the Mason City, Iowa, airplane crash. 
As stated in our previous letter to you, in order for the 
National Transportation Safety Board (NTSB) to consider a petition for reconsideration, it must meet the requirements specified in 
49 Code of Federal Regulations 845.41: 
a). It must either Present new information or 
b). Shows that the original report's findings were erroneous 
Upon review of the accident report issued by the Civil Aeronautics Board (CAB) on September 23, 1959,    and your letters,    we find that the criteria for a petition for reconsideration were not met. 
If you'd like to see a detailed analysis of their findings (and LJ Coon's responses to these findings), drop me an email and I'll be happy to send it along.  (kk)

Hey Kent,
It was funny to read how you would segue from Lollapalooza to my last name. Yes, they do rhyme, and I'm called that often. I also get Joe Palooka, from people who can't handle the pronunciation. I can thank my Italian father for that. What I know is that nobody in the family really knew how to spell their name, only how to pronounce it. I have met some shirt-tail relatives from the Chicago area; one, in Oklahoma City. To me, he just looked like anyone else down there (very midwestern American), but he showed me his high school picture, and oh yeah, he's family. I remember hearing about the comic strip, "Joe Palooka" from my folks. He was a buffoon heavyweight boxer, but a real sweet guy. There was a short-lived tv sitcom about him. Because I was so young, I don't remember much about it ... only that they had the actor overstuffed to make him look brawny. By the way, my best friends (and girlfriend) call me Johnny, and you have earned the right to do so! :-)
As far as the next generation of The Beatles go, I didn't come up with the idea. I do think they could make a one-time event of it, and not try to re-create Beatlemania. You're right about all the comparisons. One studio album really intrigues me, though. It would be cool to hear what originality they could all come up with, writing and performing all new material, and how it would sound.
- Johnny boy
 
 
Kent,
Thank you for the update on Jim Shea and Jeff James.  Those guys made Y103.9 unique.  It was my favorite station, and, frankly, I enjoyed it more than I had enjoyed any radio station since back in the 60s. I keep up with Jeff through Facebook, and I wish Jim the best as he heads to med school.
Dan Crabtree
 
Earlier this week temporary construction fencing went up at the site of Jimi Hendrix Park in Seattle Park: a tangible indication that construction has begun in earnest.    
ERRG, Inc. is the contractor set to transform the open green space in Seattle’s Central District into a celebratory space worthy of its namesake, hometown rock icon Jimi Hendrix. The 2.5-acre park, located adjacent to the Northwest African American Museum, will come to life throughout the summer and is scheduled to be complete by the end of September.
The contractor will begin work by installing the underground utilities and the connection to the city sewer line.  Next they will start the demolition work, move to the rough grading of the site, then on to the more visible built improvements. This project will complete phase one of the work.  Fundraising for Phase 2 has begun and information can be found here:  www.jimihendrixparkfoundation.org
There will be a planting party in late summer and the community is invited to attend.  Planting instructions and tools will be provided.  Stay tuned for more information.  
-- Bob Merlis
A special ticket discount offer to this year's Ponderosa Stomp has been extended until May 5th ...
Full details here: 
Tickets for the concerts are offered as a two-night package at a discounted rate of $100 now until May 1 TUESDAY, MAY 5.  Click to purchase: http://ow.ly/LmMAB
PHENOMENAL LINE UP OF PERFORMERS INCLUDES FREDDY “BOOM BOOM” CANNON + LOS STRAITJACKETS, IRMA THOMAS, BARBARA LYNN, ROY HEAD, BRENDA HOLLOWAY, P.F. SLOAN, BILLY BOY ARNOLD, SAN ANTONIO CHICANO SOUL REVIEW AND MANY MORE! 

re:  Cool New Releases:
Gonzo Multimedia has just released an exclusive Cream Triple DVD Set Featuring Tony Palmer's Original Classic Films With Ginger Baker, Jack Bruce & Eric Clapton  
Cream Farewell at the Royal Albert Hall (Bonus Features: We're Going Wrong from All My Loving, Layla and Tales of Brave Ulysses from All You Need Is Love, Facsimile of the Original BBC Script)
This was one of those occasions of which it can truly be said that those who were there, will never forget it. Legendary rock trio Cream featuring Eric Clapton, Jack Bruce and Ginger Baker performed their final gig on November 26th 1968, at the Royal Albert Hall. The show was filmed and recorded that evening and originally released on film and CD. Aside from the band's reunion concert in 2005 it was Cream's only official full concert release on video. It was originally broadcast by the BBC on January 5, 1969. It was not released on video in the US until 1977. The opening acts for the concert were future progressive rock stars YES who were just starting out and Taste an Irish trio led by Rory Gallagher. Now for the first time the concert is available in its original broadcast version, together now with rare bonus features taken from Palmer's landmark films, All My Loving and his definitive series on the history of American popular music, All You Need Is Love!
Jack Bruce - Rope Ladder to the Moon (Bonus Feature: 2009 Interview between Jack and Pete Brown)
Jack Bruce remains the greatest bass player in the entire history of rock 'n' roll. He became a legend because of his association with Cream, still one of the most extraordinary bands ever to grace the stage. But his own story is even more extraordinary. Born amid the slums of Glasgow known as the Gorbals, his musical talent was quickly recognized and he attended the Royal Scottish Academy of Music where he played the cello and keyboards. Then he discovered jazz...and rock 'n' roll. Although Cream did not immediately bring the financial rewards some people imagine, after the group broke up in 1968 he was able to buy a large island off the Scottish coast.
With Cream Jack also discovered that he was a talented composer - many of the group's famous hits were written by him - so it was no surprise when in 1970 he released a jazz-orientated LP of his own compositions called “Songs for a Tailor”.
This 55-minute film, made at the same time, takes Jack from the Gorbals, via Cream, to his island called Sanda, playing the cello, the sitar and thundering away on the organ of the Albert Hall in London, while featuring many of the tracks from his LP. With his strong socialist principles (his father had been a member of the Communist party) Jack Bruce himself provides the striking commentary. “What kind of a society do we want?” it begins....
Originally shown on the BBC in 1971, this critically acclaimed film has been restored to something approaching its former glory and reminds us yet again what a great musician Jack Bruce was.
Ginger Baker In Africa with Fela Ransome-Kuti (Bonus Feature: The Artist by Baker Gurvitz Army)
Producer Tony Palmer explains, “In November 1971, Ginger Baker wanted to set up a recording studio in Lagos, then the capital of Nigeria. He was among the first great musicians to realize the potential of African music. He decided also that it might be an invaluable musical experience if he traveled to Nigeria overland. Unfortunately, this involved crossing the Sahara Desert. Mad? Well, crazy - but that was what was so endearing both about the man and the musician. He bought a Range Rover - one of the first ever models - and it fell to me (because of my relationship with CREAM) to film this odyssey. And the music of Nigeria, when he finally got there, was a revelation. This was before the time of the oil boom and a succession of corrupt governments; the music pulsated with reckless freedom, from the African talking-drummers of Oshogbo, to a visit to the eastern city of Calabarwhere Ginger's friend (the then unknown) Fela Ransome-Kuti performed for us with devastating power.
“I remember filming Kuti in a stadium filled with several hundred Africans. Ginger & I, his driver and my cameraman were the only white faces. Scary. But not so scary as our nights in a Calabar hotel (well, 'hotel' is a bit of an exaggeration). The walls of our room, not to mention the seedy mattress on the floor, we recovered black with mosquitoes. I remember Ginger saying that if we survived this, we could survive anything. I'm glad he did, and the film pays tribute to his indomitable spirit and to his extraordinary musicianship.”
For more information:
 
After the positive reaction to our recent concert review of "The Who At 50", we thought you might be interested in this vintage concert from 1982 ...
THE WHO - LIVE AT SHEA STADIUM 1982 
FIRST EVER RELEASE OF THE FULL SHOW, WITH RESTORED FOOTAGE AND NEWLY MIXED SOUND 
~DVD, SD BLU-RAY, AND DIGITAL FORMATS~
~JUNE 30, 2015~
New York, NY (April 30, 2015) — This June, Eagle Rock Entertainment will celebrate the 50th Anniversary of The Who with the first ever DVD, Blu-ray, and Digital Video release of Live At Shea Stadium 1982 [MSRP $19.98 Blu-ray, $14.98 DVD]. This is the first official release of the full show and features restored footage and newly mixed sound.
The Who (Roger Daltrey, Pete Townshend, John Entwistle, and Kenney Jones) delivered both classic tracks and rarely performed songs: “Pinball Wizard,” “Won’t Get Fooled Again,” “My Generation,” “Substitute,” “Who Are You,” “I Can’t Explain,” “See Me Feel Me,” “Baba O’Riley,” and many more. The tour promoted the 1982 album It’s Hard and the set list was comprised of several tracks from that album, some of which the band would only play live on this tour.
The Who’s 1982 North American tour was their last to feature Kenney Jones on drums and the band did not tour again until 1989. This concert film features the show from the second of their two nights at New York’s Shea Stadium and was filmed on October 13th 1982.
2015 is a year of even higher profile than usual for this legendary band - with their 50th Anniversary European / North American tour taking place this summer. Live At Shea Stadium 1982 shows exactly what their reputation has been built on.
TRACK LISTING
1) Substitute  
2) I Can’t Explain  
3) Dangerous 
4) Sister Disco  
5) The Quiet One  
6) It’s Hard  
7) Eminence Front  
8) Behind Blue Eyes 
9) Baba O’Riley 
10) I’m One  
11) The Punk And The Godfather  
12) Drowned  
13) Tattoo  
14) Cry If You Want  
15) Who Are You  
16) Pinball Wizard  
17) See Me Feel Me  
18) Love Reign O’er Me  
19) Long Live Rock 
20) Won’t Get Fooled Again  
21) Young Man Blues  
22) Naked Eye  
23) I Saw Her Standing There   
24) Summertime Blues  
25) Twist And Shout

re:  Frank, Elvis, The Beatles, et al ... :
Kent,
Thanks for your follow-up to my Sinatra question.  It was exactly what I was looking to hear ... your articulation of something I knew about, but wanted you to put words to it.  The longer length of your response just made it all the better.
Thanks,
Jon M  
Radio. It's a sound idea!
 
Hey Kent,
In today's FH, you wrote about Elvis, The Beatles, and Sinatra, and how they shaped the lives of our "yoot". You stated that Frank was the original teen idol and not "manufactured", like Frankie Avalon or Bobby Rydell was, several years later. I don't know if there is any truth to this, but a long time ago, I heard that J. Edgar Hoover actually pressured the record companies to "manufacture" new squeeky-clean teen idols, like Avalon, Rydell, Boone, Fabian, and others, because he thought Elvis was such a threat to the security of our country. Do you or your readers know anything about this? 
- John LaPuzza
First time I've heard this one ... but, as paranoid and conspiracy-concious as he was, it really wouldn't surprise me.  Do we know if Hoover was wearing a dress when he said it???  (kk)
 
Here's another brand new release that I thought sounded rather interesting ...
 
Superstar Vocalists From Both Sides Of The Pond Come Together For A Special Tribute To The Beatles!  
Featuring performances by Heart’s Ann Wilson, Todd Rundgren, Asia’s John Wetton, Judy Collins, Jack Bruce, David Clayton Thomas and more!  
Los Angeles, CA - An all-star gathering of musical luminaries bring their warmest performances to a brand new tribute album featuring 16 acoustic renditions of the best song’s by The Beatles! Keep Calm And Salute The Beatles offers heartfelt and inviting contributions by artists such as famed Heart vocalist Ann Wilson, who leads an elegant and meditative take on “Across The Universe,” while fellow Brit John Wetton belts out a passionate and playful version of “Penny Lane.” Another of the album’s highlights is a devastating interpretation of the mournful ballad “Eleanor Rigby” recorded by legendary Cream vocalist Jack Bruce just prior to his passing in late 2014. It was Bruce’s last recorded performance and a testament to the man’s prodigious talent and sincere passion for music. Other incredible performers include legendary Todd Rundgren, singer/songwriter Andrew Gold, Martha Davis of The Motels, ‘80s icon Howard Jones, Stephen Bishop and so many more. The entire project was overseen by producer extraordinaire Billy Sherwood (Yes).  Any Beatles fan worth their salt won’t want to miss it!
1. Across The Universe - Ann Wilson
2. Penny Lane - John Wetton
3. Eleanor Rigby - Jack Bruce
4. Blackbird - Liz Madden
5. Norwegian Wood - Andrew Gold
6. Hide Your Love Away - Todd Rundgren
7. All You Need Is Love - Helen Reddy
8. I’ll Follow The Sun - Judy Collins
9. And I Love Her - Howard Jones
10. Ticket To Ride - Felix Cavaliere
11. Let It Be - KC
12. Yesterday - David Clayton Thomas
13. Nowhere Man - Martha Davis
14. All I’ve Got To Do - Stephen Bishop
15. Something - Billy Sherwood
16. Hey Jude - Leo Sayer
Purchase the CD version: http://geni.us/KeepCalmBeatlesCD
Purchase the special bonus track version on iTunes: http://geni.us/KeepCalmBeatlesdigi
CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
 
You've probably heard by now that Elvis' two private planes (The Lisa Marie and Hound Dog II) have been taken off the auction block.  Sounds like the Graceland Estate has gotten involved and now owns these planes and they will continued to be displayed and greet visitors for a long time to come.
 
Meanwhile, it made news headlines around the world when Paul McCartney performed at Buddakan last week for the first time in 1949 since The Beatles filmed a concert there. (Slow news week?  Or are we just so starved for good oldies news?)
Actually, this was a pretty big deal.  Not only did Macca grace the Buddakan stage again but he also performed a Beatles tune live for the very first time EVER!!!
McCartney dug out the "Help!" chestnut "Another Girl" and performed it as part of his show.  (No, he didn't have a bikini-clad hottie to strum this time ... but it was still pretty cool to hear this one again just the same.)
With a catalog as deep as his, he could almost change up the set list nightly ... but he pretty much sticks to the tracks he thinks his fans most want to hear.  (kk)

re:  Diggin' Forgotten Hits:
Just a crush note from a fan.
I still read Forgotten Hits every day. My eyes get really big when people start comparing artists from different eras. I think it's fun but not particularly important except AS fun ... like old sports buffs comparing the short pants two hand set shot era of the NBA with the high-flying take as many steps as you need slam dunk circus of today.
I was alive when Frank Sinatra was a teen idol but I was in elementary school and we all thought he was a joke. I was in the Air Force when Elvis hit the big time and I damned near died laughing at that silly man with the silly name. I was about thirty when The Beatles became famous and I thought they were the silliest of all. Point is, for some of us, all these changes were startling and it took a while to get used to them. Sinatra of the 50s reinvented himself and became the ring-a-ding-dinger who created a template for pop singers like Steve Lawrence, Bobby Darin, Eydie Gorme, etc. Many took the Sinatra way as THE way, while non-emulators like Nat King Cole (and later Johnny Mathis) did their own thing. I never embraced Elvis Presley's music as a whole, while I did like a song here and there. I changed towards the Beatles as they changed and their craft showed through the mopheads and teen screaming.
I get virtually nothing out of current pop music as my brain is hardwired in another direction and I really don't think anyone anywhere is writing and performing music for 80 year olds.
I don't care who has the most # 1 hits. I don't care who is or isn't in that silly Rock and Roll Hall Of Fame. I have about a million mp3s and way too many CDs so my music world is one of isolationism, be that good or bad.
But I LOVE Forgotten Hits. I love your passion for what you do and the passion for all those artists and fans who frequent your website and mailbox.
As I said, this is a crush note. I promise not to stalk you beyond the scope of the internet. 
Mister Hil
Wow, THANKS, Hil!!!  Your letter made my day!  As one of the original 35 folks on the list, it's a TRUE testament to what we've been doing here that you're still checking in fifteen years later!!!  And your points are well taken.  As a connoisseur of ALL good music, I regard your opinion very highly.  You have always told me that it doesn't matter WHAT it is ... or WHO it is ... Good Music is Good Music.  Simple as that.  (kk)

50 Year Flashback - May 4th, 1965

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Here is yet another survey that shows the Them version of "Gloria" at #1 ... pretty amazing when you consider that this record charted for exactly ONE WEEK on The Billboard Hot 100 Pop Singles Survey ... and peaked at #93.

Sam The Sham and the Pharaohs jump from #30 to #2 with their very first chart hit, "Wooly Bully" ... that's quite a leap!  Although it never officially hit #1 on The Billboard Chart, the magazine ranked it as the Biggest Single of 1965 on their Year-End Chart ... ahead of "Satisfaction" by The Rolling Stones, "Downtown" by Petula Clark, "You've Lost That Lovin' Feelin'" by The Righteous Brothers, "Help!" by The Beatles, "My Girl" by The Temptations and several other far more-likely candidates!

Another great track on this week's survey is "Concrete And Clay" by Unit 4 + 2.  I also liked the Marvin Gaye record "I'll Be Doggone".  Elvis' gospel hit "Crying In The Chapel" is at #17, up eleven places from the week before ... and the Freddie and the Dreamers record, "Do The Freddie" finally shows up on the list instead of the far-inferior Chubby Checker record by the same name.  (Are you ready to do your jumping jacks???)

The novelty hit "Queen Of The House" by Jody Miller, based on the Roger Miller smash "King Of The Road" is at #13 ... while Roger has this week's "Hillbilly Hit" with "Engine Engine Number Nine"!!!



















And The Blitz Just Keeps On Comin'!!! (Man, I Am SO Ready For This Show!!!)

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Great news ... The Benefit Concert for Marty Grebb has legs!!!

A second fund-raiser has been scheduled for May 27th in California ... featuring headliners Bonnie Raitt, Leon Russell and Ivan Neville.  Dennis Tufano will also be on board and several special "guest" musicians are also expected to attend and perform.

Vintage Vinyl News is reporting ...

The Canyon Club in Agoura Hills, CA will be the home of three music greats on May 27 as they put on a benefit for legendary studio musician Marty Grebb.

Bonnie Raitt, Leon Russell and Ivan Neville will perform to raise money for Grebb, who has been fighting cancer for some time. The show is in conjunction with the Sweet Relief Musicians Fund with proceeds used for medical bills and living expenses.

According to a show announcement, Grebb "has already undergone numerous cancer-related medical treatments and surgeries, and the charges that are not covered by Medicare have exhausted his ability to pay with his income as a working musician."

Also on the bill are James "Hutch" Hutchinson, Jim Keltner, Johnny Lee Schell, Rick Braun and a number of others plus more special guests are expected to be announced.

Grebb was raised in Chicago and took up piano at eight, saxophone at ten and, later, guitar. In 1966, he joined the Buckinghams as their keyboard player and went on to play with the Fabulous Rhinestones, Paul Butterfield and Mike Bloomfield. 

As a session musician, Grebb has played with a who's who of artists including Raitt, Russell, Olivia Newton-John, Roger McGuinn, Maria Muldaur, Eric Clapton, Willie Nelson, Rosanne Cash and Buddy Guy. 


Regarding this week's Chicagoland "kick-off" concert, Dennis Tufano adds ...

Getting together on stage for one night with all of Chicago’s legends of the 60’s is truly a gas! 
It will be a “live jukebox” of Chicago 60’s hits and for the first time ever, I believe, all on the same show! 
It’s a gift back to the fans in Chicago to get a taste of every song they helped make popular and it will generate much needed funds for a very special Chicago Musician and friend, Marty Grebb.  
The most exciting moment for me was when we saw "Kind Of A Drag" in Billboard at #1 with a BULLET!!!!! Everything that followed was super cool, too, but that moment was FAR OUT, GROOVY and OUT OF SIGHT! And the beginning of a long and wild ride in music.  
Chicago musicians, fans, friends, family and Ron Onesti have all stepped up to make this an historic event for Chicago music lovers. It’s all hard work from many people … but WHAT A PAYOFF!!! 
Thank you for your support on this event. You rock hard, my friend!  
See you all there!!! 
Dennis Tufano  

Carl Giammarese concurs ... man, what a night this is going to be!!!  

Hi Kent, 
When Dennis Tufano contacted me to participate in the benefit for Marty, immediately I was all in.  We were all like brothers back in the day ... we shared a common goal, with all its success and failure, and experiences ... like I said, we were brothers. I am confident the May 7th concert will help Marty so that he can get all the medical treatment he needs.  
On a happy and positive note, it will be an exciting evening to bring so much Chicago talent together on the same stage. As far as I'm concerned, there was nothing like the Chicago music scene in the 60's, with so many great bands and talented musicians. Our concert will be special for me to once again share the stage with Marty, Dennis and Nick for this one time only concert. Also special is to have Danny Seraphine joining us on drums ... he is a tremendous talent.
Thinking back to I believe it was the end of 1966 when we asked Marty Grebb to join The Buckinghams. At the time, he was in a band called the Exceptions with Peter Cetera when we asked him to join us. The Exceptions were an exceptional band. They covered everything from The Beatles and Beach Boys to James Brown and everything in between. The Buckinghams already had a # 1 hit with Kind Of A Drag, so I think it was a no brainer to join us, ha. Marty immediately added a dimension to our sound. His musicianship was far ahead of the rest of us, so it was a welcome addition. When you look back through the years at his accomplishments and who he has performed with, you understand how great a musician he is.  
I could ramble on, but I'll stop by saying its gonna be an exceptional and special evening without losing sight of what this night is all about, and that is we all hope and pray for Marty's health. He has a lot more music to give us, God willing. 
Carl Giammarese  

Do NOT miss this concert!!!  A limited number of seats are still available through The Arcada Theatre Box Office ... order your tickets online at www.oshows.com!!!

And this just in!!!

FH Reader Clark Besch tells us that he's been working with Cary Mansfield (ALSO a Forgotten Hits list member) of Varese Sarabande Records ... and that together, they're putting the finishing touches on what promises to be the ultimate Buckinghams Hit Singles package right now  ...


Kent, 
A new exclusive for Forgotten Hits Readers!  
Over the last two months, I've worked with Varese Sarabande Records' Cary Mansfield on a project that could be announced before the benefit for Marty Grebb this week.  It's been awhile since the Buckinghams' singles have all been in print on CD, but that will change soon.   
Varese will be releasing "The Buckinghams:  The Complete Hit Singles" on CD early this summer.  Taken from the original master tapes, this CD will have all 15 original"A" sides of the band's USA Records and Columbia Records singles.  Not only will it include all of the national hits by the band, but also the local Chicago hits that were released on USA Records as well as the later Columbia singles that were just as exciting as the big hits, but lost out to the psychedelic music generation.  
Cary Mansfield has LONG been a fan of Chicago 60's music and has veteran Steve Massie mastering the project that will include a booklet featuring new previously unpublished photos of the group in their heyday.  For me, it will be a full circle occurrence.  Cary asked me to write the liner notes for Varese Vintage's very first 60's compilation CD in 1993, "Bend Me, Shape Me:  The Best of the American Breed."  He's letting me reprise the role 22 years later for the Buckinghams CD.  These Chicago bands have always been my greatest loves in music and I am thrilled to be a part of this project. 
I know the Marty Grebb tribute will be a great event and I wish I were going to be with you all.  Marty was a phenomenal part of the Bucks' success.  During their time with Columbia, Marty wrote or co-wrote more of their recorded songs than anyone else.  Many will know Marty only for his work with the Buckinghams, but his work previously with the super group, the Exception, as well as his work with the Fabulous Rhinestones in the 70's are well worth seeking out, as well.  Good luck to Marty in the future and I hope all have a great time at this event.
-- Clark

 


  

Prepare Yourselves To Be Blown Away!!!

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When Dennis Tufano first talked to me back in January about putting together a benefit concert to help raise funds to offset some of Marty Grebb's mounting medical bills, I thought it was a great idea and was all in to help support his efforts in any way I could. 

As he explained to me, "This could have been any one of us" ... so pulling something together like this for Marty touched the hearts of a lot of people who were quick to lend their support.

Marty looks at it this way ...  

Hi Everybody -  

What does this concert mean to me?

For myself, it shows me personally, that there are a lot of people that care about me, by agreeing to make the effort to appear -- It's quite beautiful -- 

Beyond that, it's an opportunity for several things -- varying healings, not just my own -- reaching out in this manner means more water under the bridge where it belongs for many people -- letting go -- musically, spiritually, (which most all music is, except that which intends to be otherwise) -- joyfully, emotionally, passionately, excitedly, humorously, and many other possible "lys" -- 

I know there will be quite a powerful vibe in the room, and the spirit will come down --  

God Bless ALL!    
Marty

Thanks, Marty ... let's hope for universal healing at every level ... if we can't lean on each other, what else have we got?  I am SO glad that I could help out in ANY small way to help make this happen.  See you at the show!  (kk)

*****

Last night I was invited to attend the rehearsal for "The Buckinghams' Greatest Hits And More" set which will close The Benefit Concert For Marty Grebb tomorrow night at The Arcada Theatre and let me tell you ... it was nothing short of OUTSTANDING!!!
 
I don't care WHEN you've seen The Buckinghams ... WHERE you've seen The Buckinghams ... or in what CONFIGURATION you've seen The Buckinghams ... you have NEVER seen The Buckinghams look and sound like this!!!
 
There was electricity in the air ... and the buzz will continue throughout the night as a list of Chicago Rock Legends take the stage ... Ronnie Rice (formerly of The New Colony Six) ... Jimy Sohns and The Shadows Of Knight ... The Cryan' Shames (featuring Tom Doody and Jim Pilster) ... Jim Peterik and The Ides Of March ... The Chicago Experience (whose rehearsal we ALSO caught last night ... absolutely AMAZING!!!) ... and, capping it off, Nick Fortuna, Carl Giammarese, Marty Grebb, Danny Seraphine (original drummer and founding member of Chicago) and Dennis Tufano, performing The Greatest Hits Of The Buckinghams and More.
 
LOTS of one-of-a-kind auction items ... concessions stands filled with all kinds of cool, autographed memorabilia ... and an INCREDIBLE night of music.
 
It all happens tomorrow night ... FOR ONE NIGHT ONLY ... at The Arcada Theatre. 
 
The Benefit Concert For Marty Grebb.  
 
Ticket information here:  www.oshows.com
 
(And let me tell you, Marty looks and sounds FANTASTIC in every way!!!  Man, what a talented musician and vocalist he is.  Let's hope the magical healing powers of music can lift the spirits in each and every one of us ... and help drive away ... or at least suppress ... that which ails us. Come on out tomorrow night and celebrate the music ... celebrate the cause ... and have a good time.  You'll be glad you did!) 


Tonight's The Night!

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And we can't wait!!! 

(Hope to see several of our readers there at the show tonight!)

Here are some final words by some of the artists participating in tonight's Benefit Concert For Marty Grebb ...    

Dennis is doing a good thing by putting on this benefit concert because you always try to help those around you and people you grew up with and even people you don't know.  I don't know Marty all that well but I have known him for fifty years now and I think he's a great player and a great guy ... I hate to see this happen to anybody, whether you're in this biz or just your next door neighbor.  Hopefully I'll escape ever having to need one of these for myself one day, but you never know. 
Anyway, here's a story from the old days: 
Back 1966 / 1967, the name of every girl you met depended on whether The Buckinghams came to town first or The Shadows.  If we got there first, they were all named Gloria ... if Dennis Tufano got there first, they were all named Susan. 
-- Jimy Sohns / The Shadows Of Knight


This is going to be a fun event ... it'll be fun to see Marty ... I haven't seen him in SO long. 
I remember seeing The Exceptions many years ago - and it probably was The Club Laurel - 
And all I remember about that whole night, besides how great they were - and they were exceptional, The Exceptions - was this guy playing keyboards ... and all of a sudden he steps up on his bench and picks up his sax, and he's blowing the sax all the while playing the Hammond with his feet ... with shoes on!  I didn't understand HOW that could happen. 
The minute that Dennis called me back in January about doing the show, I immediately said yes - I told him that as long as I could get the band together, we're there.  There was never a doubt - who knows, they might be doing one of these for ME soon!  But it'll be fun seeing all these guys again and hopefully everything goes right and we can get some of Marty's bills paid. 
-- Jim Pilster (Hooke, The Cryan' Shames)

Well, here's the thing - I didn't really know Marty all that well - I think Marty kinda came in as a second keyboard player right - I mean, wasn't there already another keyboard player in the band and I didn't know if he got sick or died - only that Marty was now in the band. 
(For the record, original keyboard player Dennis Miccolis, is still alive and well ... Marty was simply his replacement.  Original Drummer Jon Jon Poulos, who started the band with Dennis Tufano, died in 1980, several years later -- kk)
So I met Marty after that but even then I really didn't get to know him, but I hear he's a real good guy.  So when I got the call to do this, I  thought it would be a great thing to do, you know, a really good idea to do something nice for Marty and to see a bunch of old friends.  I had just done the 50th Anniversary thing with The Ides and it went over real well and a lot of this was going to be the same group of guys, so I said "sure" - I mean, how you gonna say no? 
I know for me, and I'm sure a lot of the other guys like Marty, it's like the late '60's and you're having the time of your life and it's like a competition ... I don't mean a competition because we all liked each other and wished each other well, but we all wanted a part of that same spotlight ... and all I can tell you is for me, a 22 year old kid, it was great -- and if afforded me a lot of the things I still have today.  We looked out for each other and to see The Bucks be the #1 Band on Bandstand was a big thing, just to see them on TV and they were on everything there for awhile.  To me, they were always good guys and Marty being a part of that group, I think it was great.  
I feel bad that he's going through this whole thing - I wish that we were doing this show for a different reason - it would have been nice just to get all of us together. 
-- Ronnie Rice

Me and the Ides of March are totally pumped about joining the team on May 7th to raise the roof and funds for the immortal Marty Grebb.  I remember being blown away by his talent many times through the years ...  first by his soulful vocals on Mercy Mercy with the Bucks, then at the Wild Goose in Schererville, Indiana, when the Ides shared a bill with the Fabulous Rhinestones.  
It will be great to see and jam with many of our favorite contemporaries from the then-emerging Chicago rock scene.  
Our thanks go out to Dennis Tufano for his vision and stamina to see this to fruition.  
Expect the unexpected tonight at Ron Onesti's fabulous Arcada Theatre.  
Truly hope to see you there.  
I can't wait!
In Rock we Trust!!!
Jim Peterik- Ides of March


Folks interested in bidding on some of the silent auction items would do themselves well to get to the theater a little early tonight, where many of these pieces will be displayed on exhibit.

Some truly one-of-a-kind items will be available, so if this is your thing, you will definitely want to check it out. (Unfortunately there will be no online auction ... winners will be notified that night during the intermission.) 

Check out all of this cool stuff!!!


********SILENT AUCTION UPDATE!!!!**********
 
Marty's stage / photo / tv clothes from the 60s!!!

1)  Marty's suit made in Chicago at Fox Bros. Tailors 1967
2)  Marty's Beatle boots made in England
3)  Grey suit jacket designed by Dennis Tufano for the group

Other items for the silent auction so far:

Carl Giammarese has purchased and is donating a Black Epiphone GC Les Paul Style guitar which will be signed by the artists in sliver sharpie

Two tickets to the Neil Sedaka concert at the Arcada
 
A Pair of really good seats for Chicago White Sox
 
Gift Card Basket
 
A "Box of Bucks" Signed Buckinghams collection
 
Many cool items from musicians and actors
 
Silent auction details:
Bids will be taken before the show at "The Auction Station" in the lobby - Cash and Checks gratefully accepted and preferred ... credit cards will also be accepted.

Other items will be available for purchase at the concession tables, including many more rare and autographed pieces of memorabilia, gift baskets, specialty items and more.

And check out these EXCLUSIVE photos from Tuesday Night's Rehearsal, courtesy of Jack Mongan.
NOTE:  ALL photos are copyrighted / Jack Mongan Photography (2015) 

The multi-talented, mega-talented Marty Grebb ... 


Carl Giammarese and Dennis Tufano, who'll be sharing and trading off lead vocals tonight ... the voices of The Buckinghams  (and wait till you hear them!!!)


Danny Seraphine on Drums ... original drummer and founding member of the legendary band Chicago ... so good, they actually named a city after these guys!!!


Bassist Nick Fortuna (who'll also take you for a ride down the Expressway To Your Heart tonight)


Thanks again to Jack Mongan Photography for use of these photos in Forgotten Hits!
 

More Of Your Rock And Roll Hall Of Fame Comments

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re:  The Rock And Roll Hall Of Fame:
I agree wholeheartedly with your list of artists deserving of induction yet not found worthy of consideration by the powers that be. I would also like to add to that list another artist who rarely gets credit for contributions and creativity. Tony Burrows had a string of great hits ... one (Melanie Makes Me Smile), a great, catchy tune ... even bore his own name. He had hits in his other incarnations as White Plains (My Baby Loves Lovin'), First Class (Beach Baby), Brotherhood of Man (United We Stand), The Pipkins (Gimme Dat Ding), and, of course, Edison Lighthouse (Love Grows Where My Rosemary Goes). Sheeesh, what's a guy have to do?    
Dube
 
Kent, 
My two centavos: 
When in Cleveland, check out a Cavs, Indians or Browns game; the nice collar parks, Coventry, the Cleveland Museum of Art, etc., and skip the RRHOF. As one reader pointed out, it not relevant. It's run by and has been permanently tainted by idiot / bureaucrat / dictator / asshole Jann Wenner, the great inventor of phony gang-rape stories. Don't reward deplorable behavior with your dollars or time.  
Bill Fortune
 
Once and for all:
Forget about The Rock and Roll Hall of Fame altogether.
Let's just simply listen to the music and get all our information from Joel Whitburn.
Everything one needs to know to keep the "Rock and Roll era" in perspective is in his books.
Not to mention parts of Rock and Roll's history is in some of our memories as well.
That is: whatever portions we caught while growing up (and beyond).
Chubby Checker and Freddy Cannon are still NOT in the R&RHOF?
And still no Tommy James and the Shondells or The Guess Who?
(Yes, ELO and ELP would then follow accordingly ...)
WOW!
Tal Hartsfeld
 
 
Hola Kent,
The list of Deserving and Denied artists would constitute the beginnings of an entirely new RRHOF. The fact that it exists is testament to the ridiculousness of the current hall.
I had a chance to visit the RRHOF a few years ago and decided against it specifically because of who wasn't in there.
It would surely be a hoot to see all the artists that are enshrined and the memorabilia representing them, but I don't think I could enjoy myself knowing that some of my favorites have been excluded, while some artists that literally disgust me are represented. Yes, they may have a large following but many should not be classified as Rock N Roll artists as they deserve a Hall of their own, which I feel would be untenable since they have such a small supporters that they could not sustain themselves, which is why they have been afforded space in the highly supported Rock N Roll Genre.
The innocence and beauty and angst of true Rock N Roll (along with a lot of country) endures while the "Parental Advisory" Genre attracts only the very immature and rebellious youth who abandon it once they mature. 
My Rock N Roll Hall of Fame is intact in my own mind and it differs from anyone else's, although I suspect that most, if not all of my contemporaries, would share almost the same listing. I needn't concern myself with what others do ... I step to my own beat (sorry Mr Thoreau) as I expect most people do.
My Oldies Music will forever enrich my life and I haven't time to worry about what others try to promote.
You know, Kent, I haven't seen too many "Rap" or "Hip Hop" downloads on your wonderful site.  That's because they belong to another blog as well as another Hall of Fame.
Regards,
CharlieOFD
While we've yet to visit it (maybe this summer [???] ... although I'm kinda starting to feel like The Cubs with that whole 'maybe next year' attitude), I hear it's beautiful and definitely worth seeing.  And the museum is NOT tied into the nominating or voting committees that ultimately decide who gets in.  (In fact, we spoken to several people from the museum over the years who are just as baffled as we are over some of the ridiculous picks these committees continue to come up with.)
I might not feel as disgusted by The Rock And Roll Hall Of Fame process as I do were the public in any way, shape or form somehow involved.  As you say, we all have our favorites and our own ideas as to who does and doesn't belong ... but at least if put to a vote by the MASSES, I could justify it by saying "well, the people have spoken ... and, even if I don't agree with all the choices, I can accept this."  Instead, we have a narrow-minded nominating committee of just a select few who give the voting a committee a list to choose from each year ... and I also happen to know that some of these voting members scratch their heads as well ... some don't bother to vote at all ... because they don't feel the list is worthy enough of such an honor.  Fact is, we're never going to change it or fix it ... which is why most of us have given up on caring about any of this a long, long time ago.  Based on the list Rolling Stone published of who THEY feel would be worthy candidates for next year's ballot, I can't even imagine watching the ceremony on TV ... nobody there that interests me at all. (kk)
 
Hi, Kent:
Being from another generation is a lot like being from another planet. The Rock and Roll Hall of Fame means nothing to me so I can speak as an alien life form.
I heard a lot of good music growing up in the 1940s but none of it was ever enshrined, to my knowledge, in some kind of Hall of Fame. The fame didn't need enshrining or some official coronation as royalty. We knew who the great ones were.
When some organization creates a Hall of Fame what it really creates is the notion that somebody or something is worthy of enshrinement;  that this form of entertainment, athletics, etc. is so important that a hallowed temple should be built to pay homage to it. It also creates a group of people who are self-appointed to tell whoever is willing to buy into it what is great, what is significant, what is shrine-worthy. Side effects are controversy, record sales and TV shows. For me, the best part is the controversy, because it makes for interesting dialogs that I can read on your website. It's like those fascinating discussions about which movie won an Oscar for best picture vs what many feel should have won. The object of any movie maker should be to make a good movie, not some damned award. The same can be said of the music makers.
We still know who the great  ones are, don't we?
Hil
 
Sadly, the day that Mariah Carey (and her screeching tires and brake noise down a mountain road -- also known as her voice) gets inducted into the Rock Hall before even a tenth of the people on your listing of the more deserving artists get in, it will be GAME OVER for me.  And she will be eligible next year.Be afraid.  Be very afraid.T. Jay Dexter
There are certain "givens" and Mariah will likely be inducted on her first round of eligibility.  Sadly, so will Britney Spears, who has probably graced the cover of Rolling Stone Magazine more times than The Beatles!!!  Go figure THAT one out!!! (kk)
 
Interesting comments, to be sure ... but hardly anything I haven't been saying / thinking for more than 15 years.
I've visited the R&R HOF four times over the years.  The building and experience itself is wonderful ... the process by which inductees are chosen sucks bilge water.
'Nuff said ...
Brad
And that's an important distinction that needs to be made and that we HAVE made numerous times over the years.  The Rock And Roll Hall Of Fame MUSEUM is a glowing tribute to the artists who have provided the soundtrack to our lives ... you'll find hundreds of artifacts here by folks who haven't been enshrined by the nominating committee.  But it's the nominating committee (led by Jann Wenner) that has made a mess of things.  Off the record, several folks connected to the museum have fessed up to their own embarrassment at some of these selections ... but they have absolutely NO say so in the matter ... and simply carry on because they've got a museum to run.  Until there is a shift in power within the organization itself, we're doomed to just keep repeating ourselves.  I mean all you have to do is look at their list of who THEY believe the next "most likely candidates" should be.  Seriously?!?!  How CAN we take you seriously!!!  (kk)
 
The R&R HOF Committee is a sham ... it's all politics ... and Jann Wenner is a pompous jerk.
Half the inductees don't belong there. 
~ Bob
 
Hi -
Rick Levy here ...
I am attaching letter I have sent to the Rock n Roll Hall of Fame Foundation on behalf of TOMMY ROE.  He obviously should be inducted, but maybe because his hits were AM, and maybe because he didn't live a life of excess and self indulgence (which they seem to love), he is constantly overlooked.
But fans know ... Tommy is a songwriter, singer, artist, who survived and succeeded though the British invasion while most other American acts vanished.
THANKS -
RICK LEVY
Rick's letter:
To The Rock And Roll Hall Of Fame Foundation
Hello friends,
I am manager and bandleader for pop rock legendary songwriter and artist TOMMY ROE.
Yes, I have written in the past to have Tommy considered for induction into the Hall Of Fame, as he is already in the Georgia Music Hall Of Fame, Hit Parade Hall Of Fame, Songwriters Hall Of Fame and Rockabilly Hall Of Fame.
Why you have not inducted him, I do not know.  Perhaps because his music is pop,feel good, AM radio MONSTER HITS, perhaps because he actually is monikered the King Of Bubblegum, or perhaps because he lived and lives a relatively normal life.
Fact is Tommy Roe had The Beatles as his opening act ... the last time the fab four ever performed as a support act (UK, 1963).  They then asked Tommy to open for them on their first North American Concert, February 11, 1964, at the DC Coliseum.  Tommy will be featured interviewee in the upcoming Ron Howard directed docu-film on the Beatles touring years.  The Beatles actually performed "Sheila" in their early touring days.
Fact is, Tommy Roe is one of the very few American solo acts to survive and THRIVE throughout the onslaught of the British invsaion ... but "inventing" his good time pop music.  He wrote and recorded SIX Top Ten Hits during the '60's, more than any other American Solo Artist ... SIX Top Tens!
Fact is, Tommy has 23 Billboard chart singles, 11 Top 40, 6 Top 10, 4 Certified GOLD ... and, of course, with "Sheila" and "Dizzy", two international giants.  His 2012 album DEVILS SOUL PILE earned TWO Independent Music Network awards as well.
So while Tommy Roe is just an all around great guy ... and perhaps hasn't left a trail of destruction behind him ... but smiles, happiness and great memories ... and one HELLUVA track record ... I would hope Tommy, at 73 years old and still performing, will be considered for induction.
Thank you.
Rick Levy
I wish you all the luck in the world but as we've seen time and time again, The Rock And Roll Hall Of Fame Nominating Committee pays absolutely NO attention to letters or petitions from fans.  (Several years ago a petition with over 10,000 signatures on it supporting Pat Boone was completely ignored and discarded.  Several other major petitions ... The Monkees and Neil Sedaka immediately come to mind ... were similarly disregraded without so much as an acknowledgement that they had been received.)  They simply don't CARE what the music fans think and operate on their own agenda.  (kk)
 
Kent,
Regarding your Rock And Roll Hall Of ShamMMM list ...
Your 52 artists all have one thing in common (except for the Spinners -- they will be on next list, likely).  I don't think any of them recorded for Atlantic Records at one time or another.  I'd bet that 60-80% of those in the Fame DID record for Atlantic, right?  Favoritism??  Slightly. 
The Kingsmen should be in for ONE record and their national appeal as the ultimate original garagers, but we get one time Atlantic artists MC5 instead.
Jack Ely and the Kingsmen inspired SO many garage bands.  Sad to hear Jack passed the other day at 71.
Clark Besch
While Ahmet Ertegen was still alive there is NO question that a little bit of favoritism was applied by Jann Wenner to please him ... once you get past the obvious nominees of the first few years, just the list that followed.  Hey, Atlantic Records turned out some stellar talent over the years ... and MOST of those inducted deserve their spot in The Hall ... but when Atlantic artist Percy Sledge is scratching his head over his own nomination, I've got to believe that some better choices could have been made along the way. 
And The Kingsmen is another EXCELLENT example of where The Rock And Roll Hall Of Fame has failed us.  They're simply NOT living up to their own credo.  How many thousands (and maybe even hundreds of thousands) of bands were inspired to give music a shot thanks to the raw, elementary sounds of "Louie Louie"?  When I look at the lists of nominees from the past decade, I cringe to think that these folks, who represent themselves as the most knowledgeable music people on the planet, continue to overlook the obvious in favor of the trendy.  (kk)
 
Hi Kent - 
Please include my top five list / requests for artists deserving to be the in R&RHOF:
YES - With the following members, IMO - Steve Howe, Jon Anderson, Rick Wakeman, Chris Squire, Bill Bruford, Alan White (and mainly for the artistry during the YES “main sequence” which included the timeframe - The YES Album through Going For The One - as described by author Bill Martin in his book, Music Of YES from 1996)
POCO - Legend has it that The Eagles sat at the feet of POCO in their rehearsal space and listened, watched, dreamed and formed their band around the style of these “country rock” pioneers (Members most deserving, IMO - Richie Furay, Jim Messina, Rusty Young, George Grantham, Timothy B. Schmit and Paul Cotton)
The Moody Blues
Chicago
Todd Rundgren
Thanks,
Mike Stineman
Countless artists over the years have acknowledged the inspiration provided to their own musical careers by Poco ... should of the knowledgeable, previously inducted artists have SOME say as to who else belongs up there with them in The Rock's Hallowed Halls?  It's where the system breaks down the most ... giving the inducted artists some say goes well beyond voting only for their friends and comrades ... it gives them a voice into the whole process of insuring that the proper people are credited and inducted. (kk)
 
I really appreciate your top 50 "Who's Not in the Rock and Roll Hall of Fame" list. 
Chubby Checker should be nearer the top of this list as "The Twist" changed the face of how people dance (without contact with their partner) that has been a cultural change along with musical change.
How about The Tokens?   From their original Doo-Wop beginning as with lead singer Neil Sedaka, to many chart records throughout the 1960's as well as the long-standing #1 record The Lion Sleeps tonight, Margo, Margo, Medress and Siegel were Bright Tunes Publishing, BT Puppy Records (responsible for their own hits and all the hits of the Happenings) to producers for The Chiffons (how about He's So Fine?), one of the first artists to perform commercials that became "hits" (Great Shakes and the Clairol commercial "She Lets Her Hair Down")  The popularity of The Lion Sleeps Tonight reached a whole new audience with the making of The Lion King.  This group affected Doo Wop, Pop, R&B and Childrens music over the last 50 years. 
Clay Pasternack
Rocky River, Ohio
Believe it or not, when we ran our first Rock And Roll Hall Of Fame expose series, The Chubby Checker Fan Club told us to back off with our push for Chubby ... they felt his induction would come in good time ... "Don't worry about Chubby ... the Rock And Roll Hall Of Fame will take care of itself" was the exact message they sent me.  (I've always wondered how an artist's fan club is doing that artist any service with an attitude like this!)
Now, all these years later, he still hasn't even so much as made the ballot.  Recently, Chubby's been telling the media that they'd better induct him soon while he's still around and able to get up on the stage and "twist again".  No question in my mind that he belongs just for the incredible impact he made on pop culture in general.
The Tokens have been on and off our list numerous times over the past eight years ... they just don't seem to have the support of the masses as worthy candidates.  Again, they did SO much more than record "The Lion Sleeps Tonight" ... but with Neil Sedaka also long overlooked, I don't think we'll be seeing these guys inducted any time soon.  (kk)

My suggestion, for what it's worth, is that they need to do something similar to what baseball has done and have a veterans committee to consider acts from the early days.  Let's say 1955 - 1970 or so.  It would be independent of the regular voting and maybe add two or three older names a year.
Mark (GoHawksGo)
We've made a similar suggestion over the years ... and I think it's a great idea.  But then staff that committee with knowledgeable music people who were there at the time and can make a meaningful contribution to the selection process.
I've also suggested a mass induction ... fess up to these oversights and induct a dozen overlooked, deserving and denied artists in a special ceremony independent of their regular, annual event ... no, it probably won't give them the tv ratings they want by marketing this thing to HBO ... so run it on PBS where there is a HUGE audience for this sort of thing and these "vintage" artists.
Another thought is to have the inducted artists themselves come up with a list of nominees ... acts that influenced THEM to get into the business of rock and roll and carve out a successful career.  Who would know better than THESE guys?!?!  There is SO much that COULD be done, were the strings not so tightly controlled by the people at hand.  (kk)
 
 

The Sunday Comments ( 05 - 10 - 15 )

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re:  Gino Vannelli:  
One of the best shows we saw last year was Gino Vannelli at The Arcada Theatre.  (My wife's been a lifetime fan ... and I liked all of his hits ... so I figured if Gino did his job right that night ... in his sexy, sultry, enticing way ... it'd be a win/win for everybody!!!  lol)  
Fact is, he blew me away!  Exceeded my every expectation. GREAT show ... GREAT storyteller ... and his band is out of this world.  
He'll be back at The Arcada for TWO shows later this month ... Saturday Night, May 16th, with the full band ... and then a BONUS show on Sunday afternoon (2 pm) performing an all acoustic set.  
We're so excited about this that we're offering a special 20% discount on tickets to BOTH of these shows through the Arcada box office.  Order your tickets online at www.oshows.com and punch in the special code FH2015 ... and you'll get 20% off your order.  
This is a show we think you'll really enjoy and we'd love to see you out there.  
(By the way, after the acoustic set on Sunday, grab dinner and then come back to see Paul Revere's Raiders ... their first Chicagoland appearance since the passing of Paul Revere.  This, too, is always a great show ... and you can pick up tickets for this one through the Arcada website, too.  Sorry, the 20% discount only applies to the Gino Vannelli show.)  kk  
Read our review of last year's show here: http://forgottenhits60s.blogspot.com/2013/11/gino-vannelli-live-at-arcada-theater.html

re:  George Benson:
We caught the George Benson show at The Arcada Theatre Wednesday Night ... what a class act! 
Benson, a ten time Grammy winner, has mastered the art of making it all look seamlessly smooth and effortless.  Of course that's what decades of honing your craft will do for you ... but I swear he just gets better with age.  (A true testament to the respect he has earned for his skills ... sitting right up front were two of Buddy Guy's daughters, who were clearly raised on this music ... and had the utmost respect for George's talents.  And these girls KNOW a thing or two about good music ... and the skill it takes to play it!!!)
He kicked off his set with one of my favorites, the smooth jazz classic "Breezin'", a #63 Billboard Hit from 1976.  He continued to warm up with more guitar magic before finally cranking out his first vocal ... and from there the hits just kept on coming.  He did 'em all ... including "Love X Love", "Love Ballad", "Give Me The Night" and my personal favorite George Benson tune, "Turn Your Love Around" ... although I've gotta be honest with you ... based on a couple of gestures he made at the beginning of this song, I couldn't help but wonder aloud "Does this mean he wants to do it in the butt???"  Let's just say that this performance gave WHOLE new meaning to turning your love around!!!
Best song of the night for me, hands down, was his killer rendition of Norah Jones'"Don't Know Why", on which he displayed an understated yet perfectly executed guitar vibe that was supplemented by sporadic vocal bits and pieces, courtesy of his percussionist Lilliana De Los Reyes, who also handled background vocals and high harmonies throughout the evening.  (I swear she looks all of sixteen years old ... but is a VERY talented and valuable asset to the sound of George's incredible band.)
Speaking of which, George's on stage line-up also includes Stanley Banks on bass, Michael O'Neil on guitar, David Garfield (Musical Director and keys), Khari Parker on drums, the aforementioned Lilliana de los Reyes on percussion and vocals and Thom Hall, also on keys ... ALL accomplished musicians who compliment each other very nicely on stage. If there was one misstep during the night it was when he performed the unexpected "Wichita Lineman", praising the talents of the young man who first recorded it and made it a hit back in the late '60's.  However, when George said " ... and his name was Glen Campbell", I immediately and instinctively reacted with "IS!!!  His name IS Glen Campbell ... he hasn't left us yet!!!"  George immediately corrected himself and then performed the song to perfection, making it sound just as relevant as a mellow, bluesy piece as it did as a country hit all those years ago.
After wrapping things up (to a rousing standing ovation), George returned to the stage, where his encore went on nearly as long as his entire set!!!  He came back out and talked about the man who most influenced his career, Nat "King" Cole, and then performed an extended version of "Nature Boy", one of Nat's most familiar tunes.  Other songs followed, wrapping up with his first big radio smash, Leon Russell's "This Maquerade" (#8, 1976) and a VERY lengthy version of "On Broadway" (#5, 1978), which featured a solo spotlight by each of the players up on stage.
His last US show for a couple of months is tonight (the 9th) in Pittsburgh ... after that he's all over the globe, making stops in Russia, The Ukraine, France, Switzerland, The United Kingdom and Austria.  He returns to the States in mid-August with dates on both coasts through the end of the year.  You can find the full tour itinerary here:  http://www.georgebenson.com/all-tour-dates/
(One report I read said that George hasn't performed in the Chicagoland area for 27 years!!!  So catching him at The Arcada was a real treat!  In fact, Ron Onesti, who just this past week celebrated his 10th Anniversary since saving The Arcada from demolition, told us that he's been trying to book George for all ten of those years ... and this was the first time they could make it happen.)  That coup was to the benefit of each and every one of us in the audience that night.
I would be remiss in reviewing George's concert without mentioning his hysterical opening act,  comedian Damon Williams.  He had us laughing from start to finish with his rapid-fire take on some of life's typically taboo topics.  And it was clear that Damon was having fun up there, too.
If you have the chance to catch this night of all-around, exceptionally good entertainment, please do so.  A VERY enjoyable evening awaits you.  (kk)



Photos copyright 2015, Luciano J. Bilotti - 
For exclusive use on The Forgotten Hits Website
THANK YOU, LOU!!!



re:  The Drive's 14th Anniversary Birthday Party:
Once again, The Drive, Chicagoland's Premier Classic Rock Station is throwing themselves a birthday party ... and, once again, the presents go out to their loyal listeners.  (Wow, 14 years already ... and I've been their since Day One!!!)
This year's concert event will take place on Friday, June 12th, at The Rosemont Theater, and will feature Dennis DeYoung, performing the hits of Styx along with Heart.
But you can't buy tickets to this concert ...
That's because The Drive is GIVING THEM AWAY!!!
The ONLY way to get a ticket is to WIN it ... and they're giving you several opportunities to do so.
Visit The Drive's website for more details ...
There will be random ticket give-aways at disclosed locations ...
You can win by being the 14th Caller any time The Drive plays a song by Styx or Heart on the radio ...
And you can register to win tickets on line each and every day for random drawings throughout the broadcast day.  (And believe me, I'm trying ... I have never seen Heart and would LOVE the chance to see them in concert.  I've been to most of The Drive's Birthday Bashes ... and this one sounds like a real fun event.)
More details here on The Drive Website:   http://wdrv.com/ 

re:  The Rock And Roll Hall Of Fame:
Legendary DJ Dick Biondi took issues with (in his words) "those A-Holes at The Rock And Roll Hall Of Fame" for ignoring groups like Chicago and The Ides Of March (not to mention most midwestern groups in general) during his appearance at The Marty Grebb Benefit Concert Thursday Night.
He encouraged everybody in the audience "who owns a computer" to email the Hall and demand that some of these artists be recognized.
Unfortunately (as we've said time and time again), these efforts are meaningless ... The Rock Hall has their own agenda and are not influenced or swayed in any way by what the majority of the public things ... we've seen petitions with 10,000 names on it completely ignored in the past.  (Unless, of course, Elton John makes a personal pitch for Leon Russell, who then gets in on the very next ballot!)
And you know, for the most part, I'm OK with that ... let the inducted artists have some say in the whole selection process ... after all, THEY know who influenced them to pursue a career in music.  I guarantee you they'll come up with a FAR better list than Jann Wenner and his nominating committee will!
I still say they need to hold a special ceremony ... run it on PBS (where the right audience WILL tune in to see this happen) ... and mass-induct a dozen "deserving and denied" artists that have unjustly been ignored by the committee thus far.  Or, as one FH Reader suggested, assemble a Veterans Committee of artists, deejays and journalists who were THERE in the '50's and '60's and let THEM come up with a list of worthy artists.  Because, quite honestly, MOST people out there cannot take The Rock And Roll Hall Of Fame seriously until the right these wrongs.  (kk)   

Hey Kent -
The RRHOF voting process reminds me of a New York or Paris fashion show where designers create clothing to impress each other, instead of showing anything the general public would ever wear. In other words, their voters go out of the way to be too hip for the room, looking down condescendingly and imposing their arrogance upon the unwashed masses. "We know better than you!" Very pompous and dismissive of the early days of rock and roll, and of what the people really want. I just ignore what Jann Wenner has to say about anything, especially when his rag slandered an entire frat at U.Va. Thanks!
- Larry Cave
  50yearsagoonthehot100.blogspot.com   

re:  THIS AND THAT:  
Kent ...
50 Years Ago The British Nearly Took Over The U.S. Charts
Do I remember?  Well, let's see ... since I ran a 52-Week Salute to The British Invasion last year in Forgotten Hits, pointing out their U.S. chart domination on a weekly basis ... and continue to run our Monday Morning Surveys each week, I'd have to say we've covered this topic pretty well ... better than most, in fact!  But it's cool to see that some of the new, young turks over at Billboard are now discovering this phenomena, too.  (kk)
Of course NONE of that means ANYTHING if you believe this load of crap, also sent in by Frank B ...
http://wcbsfm.cbslocal.com/2015/05/06/study-hip-hop-more-important-than-the-beatles-british-invasion/   

Just like he did with The Billboard Charts of the '50's, '60's, '70's, '80's, '90's and 2000's, Joel Whitburn is now starting to publish the weekly Cash Box Charts.
First up, the 1970's ... featuring EVERY chart published by Cash Box Magazine from 1970 - 1979 ... full page reproductions (in black and white) in an 8 1/2 x 11 format.
Books are in stock now and available for immediate shipment.
And, for a limited time only, you can get $10 off the cover price.  (kk)
Visit The Record Research Website now to order your copy ...
And, speaking of cool new releases, The Wrecking Crew DVD and BluRay edition will FINALLY be available on June 16th.  Producer Denny Tedesco tells us that's been nearly 19 years to the day since he first started this project.
Fans have been waiting for this one for a long, long time.  Magnolia Pictures wanted to do a theatrical release first ... but the discs will FINALLY begin shipping next month to all of those who have long been waiting to get their hands on a copy.
PLUS there are over SIX HOURS of bonus material that will accompany the release.
If you were a Kickstarter contributor, you will receive your copy automatically.
Anyone else interested in preordering a copy should visit the official website now and get on the list.
This has been a LONG time coming, people ... and I can assure you that it was well worth the wait.  Order your copy today!  (kk)   

Here's a cool shot of Micky Dolenz and Jack Black, sent in by FH Reader David Salidor ...  
BLACK & DOLENZ AT THE D TRAIN:
Jack Black (half of Tenacious D) welcomed Micky Dolenz to the NY premiere (at The Landmark Sunshine Cinema) this week of his new movie The D Train.


>>>I don't know if there is any truth to this, but a long time ago, I heard that J. Edgar Hoover actually pressured the record companies to "manufacture" new squeeky-clean teen idols, like Avalon, Rydell, Boone, Fabian, and others, because he thought Elvis was such a threat to the security of our country. Do you or your readers know anything about this? (John LaPuzza)  
>>>First time I've heard this one ... do we know if Hoover was wearing a dress when he said it???  (kk) 
Kent,  
Not that I was ever a supporter of J. Edgar Hoover, but I am on a never-ending crusade to dispel urban myths, and the one about him wearing dresses seems to be just that. J. Edgar was active in Scottish Rite Masonry. This also holds true of people like John Glenn, Gene Autry and Bob Dole. There are ceremonials and plays within the Scottish Rite where the garb worn is similar to that worn by cardinals, bishops, emperors, kings, monks, etc. Obviously, someone who saw one of these pictures, seeing Hoover wearing a garment not typical of 20th century accepted male, attire drew this conclusion, a conclusion doubtlessly fueled at least partially by the fact that J. Edgar Hoover wasn't exactly Mr. Popular.  
Does this me we can say for certain that Mr. Hoover never engaged in kink in the aforementioned or other veins? Of course not! But the fact is the photograph or photographs viewed by whoever don't support the premise. Hence we have an urban myth that's on par with the one about Dick Biondi being fired from WLS in 1963 because of telling a dirty joke, that punch line of which has yet to be heard on a replay.  
While we're on the subject, anyone hear the news that Paul McCartney is really dead? (He hadn't noticed that the lights had changed.)  
Bill Fortune   

Kent ...
Listening to "Wild Wayne's Memory Machine."  He just re-played his 1988 interview with Ben E. King.  
Here are the highlights of the interview:
Like so many others, he started in Gospel Music.
Before the Drifters, he tried out for The Moonglows.  Didn't like the Moonglows ... they had strange difficult harmony.
---  Charlie Thomas was supposed to sing lead on "There Goes My Baby."  He couldn't learn the lyrics fast enough so they asked Ben E. King to sing lead.
---  "Save The Last Dance For Me. " He recorded the song after he left the group.
---  "Spanish Harlem." Snow storm prevented other group members from getting to the studio. The start of his solo career. I heard that it was because of a money dispute.
---  "Stand By Me." He wrote this song while listening to Sam Cooke sing "Lord Stand By Me." Even though he was not in the group, he took this song to the Drifters. They didn't want it so he recorded it solo.
--- John Lennon's recording of "Stand By Me" surprised him.
--- He was honored that Aretha Franklin recorded a couple of his songs.
--- He knew that "Stand By Me "was going to be in a movie.  He was shocked when he found out that it was the title of the movie and that it was a serious movie. The song was back on the charts
in 1986, because of the movie.
Frank B. 
 

Speaking of Ben E. King, Tom Cuddy just sent us this recently posted YouTube clip of King singing his big hit "Stand By Me" with Paul McCartney and James Brown!  all that musch more unusual when you consider that it was John Lennon who recorded his own version of this tune for his "Rock And Roll" album.  (Actually I've heard John's version several times since King's passing ... something I haven't heard played on the radio in YEARS!)  kk

I just interviewed Jay Siegel on my show this past Friday.  If you missed it, it is now on our website at number 68.  It runs about 30 minutes and is a great interview.
First go to the station website ... then go to interviews, number 68.
DJ Stu 

Kent,
On the next edition of my Top Shelf Oldies show, I will be featuring songs from this year's IRS104 (It Really Shoulda been a Top 10 hit), as compiled by Rich Appel. And, I'll be giving away a copy of the 5-CD set containing all 104 songs on this year's IRS104 survey that I put together for Rich. The show streams on Wednesday, May 13, 8:00 p.m. ET on Top Shelf Oldies (www.topshelfoldies.org), and will also be available in the Randy on the Radio Archives (http://ramtownlive.com/randyontheradio.html). The CD set will be awarded by a random draw from email submissions with the correct answer to a question I will ask during the show concerning one or more of the songs I play. The deadline for entries is the following Wednesday, May 20, at 8:00 p.m. ET.  
– Randy (Price)   

Errol Brown, lead singer of Hot Chocolate, the London-based quintet that gave us "You Sexy Thing" (#3 - 1976), "Emma" (#8 - 1975) and "Every 1's A Winner" (#6 - 1979), died of liver cancer at his home in the Bahamas Wednesday (May 6). He was 71. Errol was born in Jamaica but moved to England when he was six. Though the group split in 1986, Errol continued with a solo career that culminated in a farewell tour in 2009. The Queen made him a Member of the Order of the British Empire for his musical success in 2003.
-- Ron Smith   

Congratulations to our buddies over at WRLR ...   

WRLR 98.3 FM RELEASES IT'S VERY OWN RADIO PLAYER APP 
WRLR 98.3 FM is very excited to announce the release of the station's very own radio player app. The app developed in house by Michael 'TechTalk' Kastler has just finished beta testing by the WRLR Engineering group. The app allows listeners to get the station on their smartphone no matter where they are. Listeners will see the name of the song and artist currently playing, a list of the last few songs played, and be able to rate the song or program with a thumbs up or down. Icons are conveniently located on the screen so the user can get to the WRLR website or email the station. A small banner message highlights sponsors who support WRLR operations. [Screen shot attached] 
Initially the app will be available only for the Android operating system. The radio player app is available from the Google Play Store and Amazon Appstore. It's a free app. WRLR encourages everyone to download the app, try it out and let the station know what they think of it so it can keep improving it to their liking. 
See the links below to get it: 
PLAY STORE : https://goo.gl/nXsKgO 

AMAZON APP: http://goo.gl/aPHZQM 
http://goo.gl/aPHZQM
Amazon.com: WRLR 98.3FM Radio Live!: Appstore for Android
Amazon.com: WRLR 98.3FM Radio Live!: Appstore for Android
WRLR 98.3 FM is a community radio station based in Round Lake Heights, Illinois (approximately 50 miles northwest of Chicago). It has been on the air since 2005 and is run completely by over 70 volunteers. More than 40 different programs are produced locally. The station is Arbitron monitored and reaches a potential listening audience of more than 250,00 people throughout central and western Lake County, and parts of McHenry and Kenosha counties. WRLR 98.3 FM is an IRS recognized 501 (c)3 non-profit organization.   

From FH Reader Tom Cuddy ...

And some Santana news from FH Reader Alex Valdez ... 
http://musicofourheart.me/2015/04/25/santana-iv-reunion-update/   

Congratulations to our FH Buddy John Madara ... his song "You Don't Own Me" (one of my all-time '60's favorites) just won a Logies award this past week for Australian singer Grace.
The official report reads like this:
PRECOCIOUS teen singer and songwriter Grace was the accidental winner of the Logies, thanks to those relentless promos for the return of Nine’s Love Child tomorrow. The 18-year-old artist has just released her cover of the classic 60s girl power anthem You Don't Own Me and Nine snapped it up to soundtrack the campaign for Love Child's imminent second series.  The song debuted at No. 14 on the ARIA charts on the weekend thanks to radio airplay but it was the relentless flogging of the Love Child ads which spearheaded to No. 2 on iTunes on Monday.  
Not a bad version either ... but then a great song is a great song is a great song.  Give a listen here ...  https://www.youtube.com/watch?v=DosIvd-FdhI 

THE YARDBIRDS 2015 TOUR KICKS INTO HIGH GEAR 
~ RENOWNED GUITARIST EARL SLICK ON BOARD ~  
New York (May 4, 2015)—The Yardbirds, the pioneering band that boasted three of the greatest guitarists of all time – Eric Clapton, Jeff Beck, and Jimmy Page – will now welcome longtime David Bowie guitarist Earl Slick. Founding Yardbirds member and Rock and Roll Hall of Fame inductee Jim McCarty has also recruited bassist Kenny Aaronson (Bob Dylan, Billy Idol, Brian Setzer, Mick Taylor), Myke Scavone (singer, Ram Jam & Doughboys) on blues harp, vocals, and percussion, and guitarist/singer John Idan, who appeared on the The Yardbirds’ critically acclaimed 2003 album Birdland. Founding member Chris Dreja is not able to join the band on these dates, but remains with them in mind and spirit. 
After postposing a brief North American tour earlier this year, The Yardbirds are back on track to perform those and additional dates this fall. Confirmed tour dates thus far are listed below. Additional dates are being finalized.  
The Yardbirds served as an integral part of rock history. Co-founded by McCarty in London 1963 with singer Keith Relf, rhythm guitarist Chris Dreja, bassist Paul Samwell-Smith, and lead guitarist Top Topham, the band melded heavy rock, wild jams, and an improvisatory feel that influenced generations of musicians. Their strict allegiance to the American blues & R&B standards struck a chord with American audiences that were missing out on this sound.  The result of The Yardbirds’ versions of Bo Diddley’s “I’m A Man,” Howlin’ Wolf’s “Smokestack Lightning,” and Chuck Berry’s “Too Much Monkey Business” led to these original artists finally getting airplay on white radio in the U.S.A. The band also earned a chart-topping hit with their single “For Your Love.” 
Electrifying, eclectic, and way ahead of their time, The Yardbirds’ continue their unbreakable legacy. The Yardbirds’ train keeps a rollin’ !!! 

Tour Dates:  
October30 - Infinity Hall / Norfolk CT   
31 - Musicfest Café / Bethlehem PA 
November01 - Newton Theatre / Newton NJ 
02 - BB King’s / NYC 
06 - Harrah’s Casino / Phoenix AZ 
07 - Harrah’s Casino / Lake Tahoe NV 
10 - Harrah’s Casino / Loughlin NV


The new flick on Brian Wilson appears to be a much deserved indictment of Eugene Landy, Brian's shrink and Svengalie ... I have a feeling that John Cusak just nails it in this flick as an aging Brian Wilson 
Chet Coppock 
We can't wait for this one to open next month ... the trailers look amazing!  (kk)   

Get ready for some music!
Pick a decade, pick a year, pick a song.
Enjoy the fun and the memories.     
http://thenostalgiamachine.com/years/1960.html  

Here's one we can't wait to read ...
After interviewing Bobby for Forgotten Hits a few years ago, he will definitely have some interesting stories to tell. (I've already got my copy on pre-order at Amazon!)  kk
Catch our interview with Bobby here:
http://forgottenhits.com/forgotten_hits_interviews_bobby_hart    

re:  Laughs Of The Day:
FH Reader Ken Voss reports ... 
Moans In Britney Spears Song Stolen, Sound Co. Says
By Jody Godoy
Law360, New York (May 04, 2015, 3:06 PM ET) -- Songs by pop star Britney Spears and hip-hop group Travis Porter ripped off recordings of "a woman seductively moaning," a sound effects company claimed Sunday in a copyright infringement suit filed in California federal court targeting Sony Music Entertainment Inc. and RCA Records Inc.
Spears'"Piece of Me" and Travis Porter's "Ayy Ladies" included samples of a woman saying "uhh,""oooh" and "oh yeah," clips that were created by Bangin-Beats.com, a company that sells sound samples to musicians, according to the suit.
Another FH Reader wrote in this week (after reports that Spears fell on stage while performing her act in Las Vegas ... and then extended her residency there shortly afterwards) that we can no longer refer to Britney as a new, modern act ... her first hit, "Baby, One More Time" came out SEVENTEEN YEARS AGO!!!  Man, time sure flies when you're talking crazy!!! (kk)   

And former WLS / WCFL / WJJD / WIND / WMAQ deejay Clark Weber tells us ... 
A man walks into his doctor's office and says, “Doctor, I can’t stop singing '“The Green Green Grass of Home!'
The Doctor says “That sounds like the 'Tom Jones Syndrome!'” 
"Is it common?", he asks.
And the Doc replies, “Well, it’s not unusual!”
Ouch!  Take two aspirin, stick a sock in your pants, and call me in the morning.  (kk)

50 Year Flashback - May 11th, 1965

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Here's a Canadian Chart from this week in 1965.

You'll find The Top 40 content to be very similar to what we've been experiencing thus far by way of our domestic charts ... 

Once again, it's the Chubby Checker recording of "Do The Freddie" that's charting here.  (This is a TOTALLY different song than the Freddie and the Dreamers single, the one that Freddie Garrity actually danced to when they performed it live on The Ed Sullivan Show).  Chubby (maybe perceived to be the more established, familiar or popular artist at the time) sits at #17 this week with his version.

The Seekers top the chart with "I'll Never Find Another You", up from #5 the week before.

Ronnie Dove's in The Top Three with "One Kiss For Old Time's Sake" ... and it would be IMPOSSIBLE for me to overlook the track that sits at #40!

Big movers include The Beach Boys (up from #19 to #6 with their latest, "Help Me Rhonda" and Peter and Gordon.  (Their version of the Buddy Holly tune "True Love Ways" climbs fifteen places from #26 to #11.)

Top debuts belong to Elvis Presley ("Crying In The Chapel"), BOTH versions of "Concrete And Clay" (by Unit 4 + 2 and Eddie Rambeau) and Canada's own Guess Who with "Shakin' All Over".  (Elvis virtually replaced himself on the chart this week ... the week before "Do The Clam" was the #24 hit ... it fell ten places this week ... and this week "Crying In The Chapel" premiers at #25!)

Roger Miller's "Engine Engine Number Nine" is CHYM's Pick Hit To Climb ... we recently featured it as the week's "Hillbilly Hit" on another chart!














(C'mon ... how could I NOT?!?!?!)



The Benefit Concert For Marty Grebb

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You've got us on pins and needles!
We've been waiting to hear all about Thursday's Chicago Rock Benefit Concert!When do you plan on running a review, photos, and videos of this historic event? 
It must have been an incredible night!
Tom Cuddy
It was ... and coverage starts today in Forgotten Hits! 
 
THE BENEFIT CONCERT 
FOR MARTY GREBB

 
 All photos courtesy of Jack Mongan Photography for 
exclusive use in Forgotten Hits and Copyright 2015




Let's just say that we kept our word ...  

>>>I don't care WHEN you've seen The Buckinghams ... WHERE you've seen The Buckinghams ... or in what CONFIGURATION you've seen The Buckinghams ... you have NEVER seen The Buckinghams look and sound like this!!!  (kk)   

Here is some feedback from some of the fans (and musicians) who were there that night ...   

First up,Ron Onesti, who donated the use of his Arcada Theatre for the Marty Grebb Concert Fundraiser, sent this note out to all of the participants after the concert ended  Thursday Night ... and I just HAD to share it with you ...  

OH MY GOD!  What an honor to be a part of this project! Thank you all so much for honoring the Arcada with your presence!  You are all Hall of Famers, true legends, true talents, and true friends!  
Ron, I am SO proud to know you and of all you've done to help keep this great music alive ... and even prouder that you consider me to be your friend and part of The Arcada Family.  You've got one of the biggest hearts in the biz ... and it is always an honor to work with you. 
Happy Birthday ... Happy Anniversary ... and Thanks Again for all that you do.  (kk)


Y'know, back "in the day," these bands would even play high school dances!!  EVEN IN KANSAS!!!  With THE WHO as opening act, the feature band Buckinghams were the main event at KC's Shawnee Mission South High School auditorium dance in November, 1967.  Judging by Jimy Sohns comments today in FH, I assume the Kansas girls were all named "Susan" as the band's current hit was such too! 'HEY, Tufano, get away from my locker!" 
Clark Besch  
http://www.ritland-concert-photos.com/Who/who.html



Steve Krakow of The Chicago Reader ran a neat little piece on Marty Grebb last week ... and gave us permission to include it today in Forgotten Hits ...


Check out Steve's website here:  http://www.plasticcrimewave.com/   

Hi Kent -  
Hope Marty Grebb's Concert will be available on DVD.  A great keepsake and more money to cover his medical bills.  Looking forward to the reviews!!  
Carolyn  
We will keep you posted ... based on all the outpouring of love that we've seen since Thursday Night, I think there's a pretty good chance that all of the participating artists will agree to have this dvd made available to the public ... heck, they probably want it for their own personal video libraries, too!!!  (kk)  

kk, 
I wish I could be there to help support this wonderful party for Marty. I think it's a wonderful gesture and a class act for all of these incredible entertainers and behind the scenes folks to take time from their hectic schedules to help one of their own. And, my friend, you deserve a LOT of credit for helping put this tribute and benefit together.  You are INDEED a Class act. May the night be a HUGE success, and may Marty get all the things he needs to get him back on the road to good health, and may his financial burdens be eased.  It just goes to show you that through all the terrible things happening in this world and in our country, that when good people are in need there's great humanity in all of us! 
Good luck tonight, God Bless, and Marty ... KEEP FIGHTING!!  
Pete Garrison ... aka peteysmoke  

Last night's show was a once in a lifetime opportunity that Lucy and I would not have been able to experience without your help.  Our seats were last row, center balcony, and they were the best seats in the house.  In fact, Tom Doody of The Cryan' Shames came right up to us as we were sitting in our seats and shook our hands during the intermission and thanked us for coming to the show.  It was great to see all of those bands playing together at one time.  To see Danny Seraphine playing drums for The Buckinghams was fantastic!  I'm a huge Chicago fan anyway and to hear their songs live was spectacular.  We would have paid three times that much to see that show. 
So thanks again for all of your help ... I encourage you to continue with your Forgotten Hits work and keep sending me the emails.  
Best regards and hope to see you next time - 
Drew 
It was a once-in-a-lifetime event, not to be missed, so I'm glad you were able to see it (last minute as it was!!!  lol)  The place was jammed (complete sell out) and EVERYBODY went home satisfied ... what a GREAT night of music! 
And special props to The Chicago Experience ... I caught them at the rehearsal and they blew me away ... sounded even better live on stage.  We are DEFINITELY going to see them again.  (You can, too ... here's a link to their website and upcoming appearances): http://thechicagoexperience.com/   
If you live here locally, you are going to want to check these guys out for sure!  (kk)


I am truly grateful to have been part of this wonderful event for Marty. You guys shaped a generation with your music. Timeless songs, great melodies, meaningful lyrics. You influenced me as a musician. To actually be a part of this is humbling. 
God bless,
Steve Frost 
 

Hi Everyone! 
First of all, I would like to thank everyone responsible for including me in this magical event!!! It was so overwhelming to see so much Love and Talent. Marty is an incredible person and musician and I finally had the chance to not only to meet him but perform with him! I'm still pinching myself! LOL
Marty, I love ya brother!!!
Thank you all for giving your all to make this event successful. It was History in the making!
Dave Zane
 


Hello everyone, 
That magic night was a true blessing for all present and allowed both audience and players to experience  one of the true joys that life has to offer. 
When we share our power of being loving and compassionate human beings, we bless each other and make the world a better place to live for every being on the planet. 
That is the gift that Marty gave to us
Much love and muchos kudos to Chris for pulling us all together.  
Peace ad Ache!! (Gods's grace) to all, 
Rubén P. Alvarez


Hello guys!!!   
Let me say that being the only one on the stage that's not from Chicago (I live here now), I'm truly honored to take a small part in this legendary show.  I'm a fan of everyone that was on that stage and a fan of Chicago music.  Mary Grebb is one very talented individual ... I hope the night was a success for him.  Loads of talent on that stage.  Thank you all for letting me be a part of it!! 
Billy Sullivan

I, too, would like to express my thanks to everyone who went over the top to make this happen. It was a day we'll never forget. Marty, as you can see by the outpouring of efforts ... You are LOVED!
God Bless ...
Paul Wood
Cryan' Shames
The Chicago Experience   

Hi All,  
Mike and I just want to  say what an honor it was to be able to participate in such a great show for such a great cause.  First of all, Marty is a unbelievable talent and hopefully will be with us to keep giving us his music and to be able to share the stage with musicians that we have admired for so long.  Thanks for letting us share the experience. 
Cindy and Mike Gotshall   
Shadows of Knight

Dear Kent;
This is one of those nights where - body and soul - you just felt the magic. Your zest for the music that made the 60's so remarkable seems to ooze through your every pore.
You sorely wanted to turn back the hands, but you stopped, paused and recognized that the list of iconic Chicago rock Gods, gathered on one stage, provided a renewed hope that the music we sang and danced to at the Cellar, The New Place and the Wild Goose (Jeez, did Dex Card really know just how many "Goose" establishments he actually operated?) will somehow reemerge with a young band that will lay the blueprint for rock's next great chapter.
Till then, I will sit in amazement at what I saw this past Thursday at Ron Onesti's venerable Arcada Theater. The Arcada has hosted so many memorable shows during the "Onesti Era", but this given night was a night I truly wished all our F.H. buddies could have been in the house.
There was the engaging passion of a happy -go-lucky Ronnie Rice and the kick-ass funk of Jimmy Sohns, Chicago's original rock 'n roll bad boy.  Jimmy Peterik, a vision in purple (coiffure, glasses and jacket), and his Ides of March teammates made you recognize, once again, that "L.A. Goodbye" remains one of rock 'n roll's most under appreciated tunes.  Chicago's famous, fabulous Buckinghams tossed egos aside as they played with spirit and heart in honor of their drummer Mart Grebb.  Former Chicago drummer Danny Seraphine illustrated once again why he was the fulcrum that delivered a sound for an enduring band that remarkably has never been given a ticket to the Rock 'N Roll Hall of Fame.  The beloved Dick Biondi, 85 going on 15, made mention of the tragic omission of Chicago by the east coast elitists who have for years refused to recognize the vitality of the Midwest's multi-layered sounds.  There was horn section that burned rubber.  But, to be frank, here’s what really grabbed my heart and soul as I sat with my gal-pal Joanne just off stage.
I saw no jealousy, heard no snide remarks. I saw guys who've known each other nearly 50 years  cheering like the devil for each other. The sense of camaraderie was heartfelt and, quite frankly, amazing. The existing vibe was, "We're all in this together!"  Kudos to Denny Tufano and Ronnie O. for their yeoman work in putting this remarkable show together.  Ron, a guy who brings new meaning to the word "kindness", gave up his building to provide a fitting venue for this once-in-a lifetime show with proceeds earmarked to help the ailing Grebb deal with his ongoing physical ailments.  Perhaps, we will see this show again. Perhaps, it was meant to be a one night offering so delicious, so delectable that to try a repeat might somehow seem flawed.
Kent, I hope I've driven home the point. For a lifelong rock 'n roller who will never forget his days as "roadie" with the New Colony Six this was a slice of musical brilliance. An evening so ethereal, so magnetic, that if I live to be 90 the memory will still be colorfully vivid.  Jimmy Sohns, nailed it as he closed out "Gloria", when he barked in almost primal fashion about his trademark number, "I've been screaming it all my life … I been screamin' it everywhere."
Jimmy, keep on screamin'…. cuz, we're still digging you and all the rock 'n' roll royalty that gathered under one given roof for one night of indelible memories.
Chet Coppock:
Author: "Buffone: Monster of the Midway". Due in book stores July 25 
 

After much anticipation and hype, I am happy to say the Marty Grebb benefit concert last Thursday night at the Arcada Theatre, lived up to every bit of it and then some.   There was electricity in the air when we arrived early for what would be a once in a lifetime night for all.  The house was packed and we all settled in for a quick set by Ronnie Rice, lead singer of New Colony Six.  He got the party going and it never stopped.  When will we ever see these great Chicago icons in one room again:  the Cryan Shames, Ides of March, Jimy Sohns of the Shadows of Knight, and of course the Buckinghams.  Also, what a treat to have Danny Seraphine, formerly of the band Chicago, playing drums all night!   When he joined the Chicago Experience on Make Me Smile, with Marty Grebb on lead vocal, it was one of the highlights of the evening.  But there were many other highlights.  The Ides of March and Jim Peterik never sounded better.  The Cryan Shames harmonized on their greatest hits.  It was just one great moment after another, leading up to the group that everyone was waiting for.  Even Dick Biondi couldn't wait, so he introduced the Buckinghams an hour too early.  Oh well!  You gotta love him.  
How awesome to see the all the Buckinghams together again.  You could feel the love and excitement in the air.  I am a huge fan of Dennis Tufano and the enthusiasm and passion he brought to the show Thursday night was unmatched.  He was the driving force and organizer of the show and he orchestrated many emotional and heartwarming moments, the main being when he and Marty sang Mercy Mercy Mercy together at the organ.  The crowd was in tears.  
I first saw the Buckinghams at local sock hops on the northwest side of Chicago back in the 60s.  I don't think there are too many times in life that you get to recreate moments 45 years later.  Thursday night was one of those moments for me and it was surreal and wonderful.
I was happy to see first-hand the talent of Marty Grebb.  Amazing! 
The concert went on for nearly four hours, and I don't think anyone in the house wanted it to end.  No one was leaving and that says quite a bit since most of the crowd was easily over 60 and it was a Thursday night after all! 
On my drive home down North Avenue, I got another "moment".  Driving alongside me was none other than Ronnie Rice!  We rolled down our windows and gave a thumbs up to signal the end of a magical night! 
Janet 
LOL ... I caught up with Ronnie in the parking lot, too!  EVERYBODY had a great time ... fans and musicians alike, as witnessed by the incredible testimonials listed below.  A night to remember for a long, long time to come. (kk) 

THANK YOU ALL ... each and every one of you that made this event utterly awesome and successful!!!  Early on in our formative years, all of us were competitive as we carved our way into Rock and Roll history ... .I now feel that we have come full circle! The amount of energy and LOVE coming off the stage last Thursday was truly amazing.
On behalf of the Shadows, Hawk, Billy Sullivan and that crazy good harp player Dennis Tufano, we want say how proud we are to have been in yet another moment of CHICAGO rock and roll history. 
Rock on Chicago ... Rock on Marty! 
Jimy Sohns


Yes, I agree,  it was an awesome night! Dennis and Chris did a wonderful job putting all that together, and they deserve much appreciation for their hard work.  It's no easy task to pull all that togethe,r but they did it!  Thank you, Ron Onesti, and all the great talent that came together to make this happen. Chicago produced some unbelievable talent back in the day, and I’m proud to be a part of it. I have to mention we have the most loyal and best fans in the world ... we couldn’t do it without their support. Everybody was so giving and made it a special evening for all!
God bless Marty ... we pray we can experience his exceptional talent for many years to come. 
Carl Giammarese


Hi Team Marty!   Awesome night! 
I had the time of my life hanging out with everyone and reliving old and dear times.   
Thanks especially to Dennis and Chris for having the vision and stamina to take this all the way.  
And, of course, to Ron Onesti and his team for his generosity of spirit.  
Everyone's performance was crazy good. We proved we still got it!  Lol! 
Marty, you're awesome.   
On behalf of myself and the Ides of March, thank you!!   Warm regards. 
Jim Peterik
Keep Rocking!


The Power and Courage of Marty Grebb is an inspiration for us all.
I will remember this night forever. Humbled beyond words that I was able to stand, let alone perform on the same stage with the Artists who have left (and continue to leave) blessed and indelible marks on my heart and soul.
If there is any doubt that Music - Our music - The music of our city - is the supreme healing and nourishing energy, that surpasses disease, mends fences, encourages charity and goodwill and just plain makes it all better …
Your performances vanquish that doubt.
Long may you live, Marty!
And to you all: Bravo. BRAVISSIMO!!
Peace and Love,
Scott May

We all outdid ourselves ... our music never sounded so good as it did the other night. The positive energy of us all working in the same direction for Marty, for ourselves, to make the world a little bit better ... It was music for a higher cause. 
To witness the Buckinghams come together for the first time in 45 years, putting all their differences to the side to perform as one again ... I know that wasn't easy, so hats off to you guys.
It was inspiring and a joy to play and be a part of it.  It couldn't have been better. 
As for Ron and the Oshows crew ... great job!!!! Ron, you are a gift to all of us artists. You treat us with dignity and respect. Your support crew are just as special.  The biz needs more Ron Onestis. The music industry would be so much the better for it. BTW, the sound the other night was great, I had so many comments of how good the mix was. Great job, Rich and sound crew.
Peace,
Danny (Seraphine)  

My cup runneth over!  How much beauty and eloquence created by all!!!!
Love,
Marty  

Tomorrow in Forgotten Hits ...
The complete concert set list along with some more great photos ... stay tuned!!!

(from the grand finale ... L-R:  Dennis Tufano, Ronnie Rice, Jimy Sohns, Carl Giammarese and Nick Fortuna ... three Bucks, a Shadow and a 6er ... all up on stage together for the evening's final song "I Go Crazy", a 1966 Buckinghams hit originally done by James Brown)  Photo Copyright 2015 Jack Mongan Photography for exclusive use in Forgotten Hits

Video of this event ...
(The entire concert was video taped ... but so far this is the only clip to have surfaced on YouTube)  Enjoy!

The Marty Grebb Benefit Concert (Part Two)

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SET LIST:  

Several people who missed the show (and some who were there!) wrote in asking about the set list ... this next email provides the perfect opportunity to review it ...  

Hi! Love this blog and figured this would be THE place to get the answers!
Looking for help completing the musical set lists from the Marty Grebb tribute concert in St. Charles the other night ... especially in Marty's set!  Everyone have a look at this and see if you can help eliminate the ???s with titles and personnel. Thanks in advance for your help, and thanks for a terrific blog!
LibraMusica  

They changed things up a little here and there from the original song schedule I was given ... but here is what I've been able to piece together (with a few isolated comments here and there) 

Hosts:  Comedian Tim Walkoe, River DJs Scott MacKay and Danielle Tufano, and the legendary Dick Biondi (who just last week celebrated 55 YEARS since he first signed on to Chicago radio back in 1960 with WLS!!!)

 L-R: Dennis Tufano, Dick Biondi, Carl Giammarese and Nick Fortuna 
(photo courtesy Jack Mongan Photography, copyright 2015)

RONNIE RICE
I'm Ready
Shake Rattle and Roll
I Will Always Think About You
Things I'd Like To Say
ALWAYS a great way to break the ice, Ronnie had some fun with the audience and then gave them the two biggest hits recorded by The New Colony Six, both of which he wrote and sang back in 1968 / 1969.


 Ronnie Rice (photos courtesy of Jack Mongan Photography, copyright 2015)

THE CRYAN' SHAMES
If I Needed Someone
Up on the Roof  (Great version of a great song ... Tom Doody made his way through the audience during this one and those trademark Shames harmony were out in full force)
It Could Be We're In Love
Sugar and Spice
A GREAT set of music from one of my all-time favorites.  (By the way, lookin' sharp, Jimmy ... I like the whole beard thing!  We didn't get a chance to talk after the show ... but my wife caught one of the Cryan' Shames beach balls!!!)

 Original Cryan' Shames members Jim Pilster and Tom Doody
(all photos courtesy of Jack Mongan Photography, copyright 2015)

 

THE SHADOWS OF KNIGHT
Oh Yeah
Shake
Got My Mojo Workin'  (Jimy Sohns was cookin' that night ... and this one, which also featured Dennis Tufano on harmonica, definitely rocked the house!)
Gloria  (As Jimy called it, "Rock And Roll's National Anthem")

 Jimy Sohns, in top form Thursday Night  (photo courtesy of Jack Mongan Photography, copyright 2015)

TRIO with Danny Seraphine, Hawk Wolinski, and Al DeCarlo
Stagger Lee
Johnny B. Goode
Probably the question I got asked the most during Thursday Night's performance was "Who was that guy on guitar playing with Hawk Wolinski and Danny Seraphine?"
Well, it was Al DeCarlo, who also handled the lead vocals on "Stagger Lee".
Their second song ... as far as I could tell, it was just a blues jam / instrumental.  (The original set list called for them to do "Johnny B. Goode" ... and I was quite convinced that it definitely wasn't that!!!  But apparently it WAS "Johnny B. Goode".  We received an email later telling us that:
This was a mini-Madura reunion ... and the arrangement was the same as the one used on the first Madura album...which, unless one is really listening to the lyrics, is pretty radically different than the Chuck Berry!
LibraMusica
Had I HEARD any lyrics, I might have picked up on that ... but to my ears, this was a straight blues instrumental ... so clearly I was missing something!  (lol)  Thanks for straightening this one out for us!  (kk)


Al DeCarlo and Hawk Wolinski
(photos courtesy of Jack Mongan Photography and copyright 2015)

SCOTT MAY AND HIS ONE-ARMED ORCHESTRA
Cool Baby
Without question, one of the high points of the evening.  Scott's tribute to Marty's Fabulous Rhinestones days (with a very touching story about how Marty reworked Scott's original "demo" tape and sent it back with full vocals and instrumentation ... ALL provided by the incredible Marty Grebb.)  You can hear him tell the whole story in the clip below.
May was especially pleased to point out the fact that his band that night featured Marty Grebb as well as Dennis Tufano and Tom Doody on background vocals.  A VERY pleasant surprise to be sure ... and a great performance.  We loved it!

Scott May, courtesy of Jack Mongan Photography - copyright 2015



THE IDES OF MARCH
L.A. Goodbye
Eye of the Tiger
Vehicle
They pretty much HAD to schedule the intermission after this one!  NOBODY was going to top The Ides for pure power and electricity that night ... (until four 1967 Buckinghams took the stage together for the first time in over 45 years!!!) ... and they delivered in fine form.  You could tell Peterik was having a blast up there ... I am SO glad that he was able to rearrange his schedule to appear.  (Check out his comments above ... HE was glad, too!!!)


(All photos courtesy of Jack Mongan Photography, copyright 2015)



INTERMISSION

THE MARTY GREBB ALL STARS
Take It Easy
50 / 50
Come Rain or Come Shine
For What It's Worth
Latin Medley
Man, Marty can do it all ... and he certainly proved it during this set.  "Take It Easy" is a song he says he wrote especially for this concert ... a state of his current affairs, if you will ... and it's absolutely BEAUTIFUL.  (We had hoped to share a copy with our readers today but Marty tells me he has yet to record the song ... and now plans to do so with Danny Seraphine on drums!)  And "Come Rain Or Come Shine", delivered as soulfully as Ray Charles ever did it, paid tribute to those who have left us from the Chicago Rock families performing that night.  If Marty is ailing at all, it sure didn't show Thursday night ... he was in top form throughout the evening, jumping from guitar to sax to piano to organ ... and his vocals were stirring and spot on.

(Photos courtesy of Jack Mongan Photography, copyright 2015)

THE CHICAGO EXPERIENCE
Dialogue
Questions 67 and 68
Make Me Smile
Colour My World
Incredible ... a MUST SEE act if you get the chance this summer.  (We posted a link to their itinerary on yesterday's page ... scroll back to see where these guys are playing this summer ... we'll probably see you at one of their shows!)  They have TOTALLY nailed the Chicago sound ... killer lead vocals by Brian Hemstock and Adam Briel ... scorching guitar by Ron Brandt ... and a horn section that rivals Chicago's very own.  How great were they?  The night of this performance I turned to my wife and said "I have NEVER seen Chicago perform "Dialogue" as well as these guys just did here tonight."  And I mean that ... and I've seen Chicago live at least a dozen times.  Absolutely amazing.


(photos copyright 2015, courtesy of Jack Mongan Photography)

THE BUCKINGHAMS
Back in Love Again
You Misunderstand Me
Don't You Care
Hey Baby (They're Playing Our Song)
Expressway to Your Heart
Mercy Mercy Mercy
Susan
Kind of a Drag
The moment of magic ... FOUR of Chicago's best-known Buckinghams on stage together performing their hits again for the first time in 45+ years.  "Back In Love Again" (written by Marty) was the PERFECT opening song ... and has always been one of my all-time overlooked favorites.  You rarely hear this one on the radio ... or performed live ... so this was an especially sweet treat to kick off their set.  Carl and Dennis were BOTH in excellent voice that night ... and you could just tell they were having the times of their lives playing these tunes together again.  "Don't You Care" was excellent ... and Dennis and Marty swapped out their vocal parts from the original recording, allowing Marty to take the lead this time with Dennis doing most of the filler.  And "Susan" (sung by Carl Giammarese) is still my all-time favorite Buckinghams song.  (I just wish SOMEBODY would figure out what to do with that Jim Guercio-produced psychedelic interlude!!!  During the rehearsal, Marty explained that they were going to De-Guerc it for the live show.  I'm one of those rare few, I guess, who actually PREFERS the Guercio single mix over what sounds to me like a chopped-off, quick-edit version that plays on the radio quite often today.) 



 

 
 

(All Buckinghams photos courtesy of Jack Mongan Photography, copyright 2015)

Man, what a night ... Electric doesn't even BEGIN to describe it.  A once-in-a-lifetime event that had to be experienced.  (Folks are STILL buzzing for the past two days about how they've got to do this again next year ... honestly, I don't think that's likely to happen ... which makes Thursday Night's show all that much more precious and exciting.) kk 

ENCORE with ALL
I Go Crazy


(photo courtesy of Jack Mongan Photography, copyright 2015)

Here are a couple more clips from last Thursday Night's concert ...






For anyone out there who wants to make a donation to Marty, please go towww.sweetrelief.organd look up artist Marty Grebb.

Or, to donate by check, make the check out toThe Marty Grebb Fund at Sweet Reliefand mail it to:
Sweet Relief Musicians Fund
2601 East Chapman Avenue, Suite 204
Fullerton, CA 92831
Sweet Relief Musicians Fund is a 501(c)3 non-profit charity.  Federal ID #95-4443269

Thanks for your awesome coverage of the Marty Grebb Benefit Concert!  
I can’t imagine not being part of this heartwarming, magical, musical  event!!    
Would you please mention on your blog that we have a limited amount of “Official Concert Posters” as well as Buckinghams Photos (autographed by The Buckinghams at the concert) that will be available for purchase. All proceeds will go to the Marty Grebb Sweet Relief Fund. 
I will post the details  within a day of two on the Official Concert website: http://www.concertformartygrebb.com/about-us.html   
As well as on The Official Concert Facebook page: 
Thanks Again!  
Pam Dixon

One of the perks of doing a show like this is that you get to meet a lot of really cool people whose passion for this sort of thing runs as high as mine does.  One such person I met was Jack Mongan,a Chicago-based freelance photojournalist, who provided the majority of photos used during our entire Marty Grebb series, spread out over the past three weeks.
Shooting a concert like this has to be a welcome change of pace for a guy like Jack, who otherwise is just as likely to be photographing a murder scene or breaking news story!
He tells us ...

I met Dennis Tufano many years ago in LA when I was an associate producer on a show called Remington Steele. Growing up in Chicago in the 60s, The Buckinghams were my favorite group. They were our Beatles. The Shadows of Knight, our Stones. It was a great time for Rock and Roll in Chicago and, the country.
Dennis was acting and doing voice over work and when the woman who ran the Loop group I used in post production told me he was in her group, I said, " That's it ... He works every session he can or, you don't ..."
Despite all of this, I had never seen the Buckinghams. Last week was the first time! Definitely worth the wait .
Dennis and I reconnected on Facebook and, when he saw some of my work, he said he'd like me to shoot the concert.
This has to be the high point of my photographic career and I am honored to have been even a small part of such an iconic event. I will be forever grateful to Marty and Dennis for the opportunity.

Jack Mongan

AND ... SPEAKING OF SUSAN ... 

Forgotten Hits Reader Clark Besch (who's also written the liner notes for a brand new Buckinghams "Complete Singles" release coming out this summer) asks ... 

Can you do a Helping Our Readers poll for me? 
I would like to know how many out there like the "Susan" Buckinghams song with the edit or without the edit of sound effects?  I actually had the DJ version of both when the song came out and preferred the long version, whether it made sense of not.  I seem to be the only one who likes it that way.  Also, how many people ever heard the short version on the radio when it was a hit?  I NEVER heard the edited version at the time, even tho I have an aircheck with it being played on KYNO in California at the time.  Anyone remember hearing the short version?  I KNOW WLS played the full length, because I have it taped off them.  Does Shelley Tufano remember or have any comments about the edit version vs. long version?
Clark Besch  

For the record, Shelley Tufano is no relation to Dennis Tufano, lead singer of The Buckinghams during the hit years.
I have ALWAYS preferred the psychedelic interlude ... A) Because it's how I first heard and best remember the song ... and B) The edited version is such a short, sharp edit that it doesn't sound right ... the song needed SOMETHING to bridge the two parts.  Maybe the psychedelic interlude wasn't the BEST choice (although it certainly was "of the time") ... and I know the guys were shocked and hated it when they first heard it ... but I've come to appreciate it as a "Sound of '67".
I can say that growing up here in Chicago, we ONLY heard the full-length version.  In fact, I don't think I heard the "chopped edit" version until the mid-'80's ... and my immediate reaction was "What the hell was THAT?!?!?"
Happy to open the polls on this one ... what say you, Forgotten Hits readers???  (kk)






 
 

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re:  The Marty Grebb Benefit Concert:
Here's a link to the official website ...
Check out all the cool stuff posted there:
 
I wanted to thank you for your exceptional promotion of Marty’s benefit concert over the past couple weeks. What a smashing success that was!
Tommy Scheckel
 
Kent,
Your coverage is phenomenal. ! I am humbled and honored to have been featured in such a professional site. Thank you so much !
Jack
 
Kent,
Thanks so much for the great coverage of the show for Marty. And we especially appreciate the shout out!  All the guys in The Chicago Experience were honored to be a part of this great event. 
As an aside, you have mentioned Psyche Pscene magazine. That was my cousin Joe Gino’s magazine. I remember as a kid, going to Joe’s studio with my father on weekends to watch them put the magazine together. Fond memories!
Please keep in touch, and let us know if you can attend one of our shows.
Best regards,
Steve Frost
We will DEFINITELY be coming out to some of your summer shows ... thought you guys were fantastic and I want to see and hear more.  Definitely one of the highlights of The Marty Grebb Benefit Concert.  Thanks, Steve!  (kk)
 
Thank you so much for sharing these memories with me ... it brought back so many, many memories of how simple and fun life was.
Bettyann
 
Your coverage of the Marty Grebb concert was incredible.  Even though as an out-of-towner I was jealous that I couldn't be there to see this, you brought it all home in vivid living color with your series of reports. Congratulations on a job well done.  I hope it raised a lot of money ... and Marty, long may you run.
Dan 
 
re:  Other Up-Coming Shows:
SO many good shows coming up ...
Locals on the list already know about the 20% Discount being offered for this weekend's Gino Vannelli concerts at The Arcada Theatre ... just visit The Arcada Website (www.oshows.com), order your tickets for the Saturday Night (with Gino's full band) and/or the Sunday All-Acoustic 2 PM Matinee Show ... and, at checkout time, punch in the special code FH2015 ... and you'll get 20% your entire ticket order.  
Later that same day on Sunday, it's the first return appearance of Paul Revere's Raiders since Paul's passing last year.  (The Arcada was the last place Paul Revere performed before health issues forced him off the road.)
He will DEFINITELY be there in spirit on Sunday, May 17th, as The Raiders take the stage for a 5 pm show.
 
Drummer Tommy Scheckel tells us ...
Just a reminder that The Raiders will be performing at the Arcada Theater in St. Charles this Sunday, early evening (May 17th at 5 PM) and I’d like to invite EVERYONE out to see the show. It’s a very special date for us since The Arcada is the very last place Paul Revere performed in this world. Paul had thousands of concerts and TV appearances dating back to the late 50s – and it all ended at The Arcada, just over a year ago. To me, The Arcada is as special a place as the Surf Ballroom. Paul will be there with us on Sunday, both in spirit and in video.
Hope to see everyone there!
Tommy
We are REALLY looking forward to seeing the new show.  Yes, Paul will be missed ... but all of this great music now lives on through you guys ... so you can count on us to be there for what I know will add up to a GREAT night of entertainment.  Thanks, Tommy!  (kk)


In the weeks to come, The Arcada will feature
George Clinton and Parliament Funkadelic (that's TONIGHT!)
A Frankenstein / Hoochie-Coo Night with Edgar Winter and Rick Derringer (May 23rd)
Jason Bonham's Led Zeppelin Experience (featuring Led Zeppelin I and II in their entirety), May 24th and May 25th
The Alan Parsons Live Project - May 29th (We'll DEFINITELY be there for THIS one!!!)
Herman's Hermits featuring Peter Noone on May 30th
Ruben Studdard's tribute to Luther Vandross - June 5th
Gene Cornish of The Rascals, June 12th
June 26th - Dr. John
June 28th - Don Felder, formerly of The Eagles
July 7th - The Bacon Brothers
July 12th - Arlo Guthrie
July 17th - Whitesnake
July 26th - Tony Orlando
And much more to come.
Already on the docket:  The Stylistics, Belinda Carlisle, Firefall with Poco, Christopher Cross, Johnny Rivers, Sheena Easton, Blood Sweat And Tears (featuring Bo Bice), Kansas, Neil Sedaka, Ronnie Milsap, Leon Russell, Mickey Gilley and, just added, the return of Burton Cummings, ALWAYS a great show.
Complete ticket information on the website:  www.oshows.com
 
The Rialto Square Theater in Joliet has lined up Engelbert Humperdinck (August 21st), Boz Scaggs (August 14th), Pure Prairie League with Firefall (November 7th) and Tommy James and the Shondells with Gary Puckett  (November 13th)
 
And this just in ... Donny and Marie make their triumphant return to The Paramount Theatre in Aurora for a five-day stay, August 12 - August 16th.
More information:  http://paramountaurora.com/
 
By the way, The Genesee Theatre in Waukegan has booked Jay Leno for an appearance on October 29th!
 
And let's not forget RiverEdge Park in Aurora ... that summer outdoor concert series includes
REO Speedwagon - July 18th
Rock The Yacht (featuring The Little River Band, Ambrosia, Stephen Bishop, Player and Robbie Dupree
Daryl Hall and John Oates - July 31st
Earth Wind And Fire - August 22nd

Elk Grove Village is pulling out all the stops this year, too, with appearances by
Kenny Rogers (July 4th!)
Kansas (July 7th)
.38 Special (July 14th)
and Christopher Cross with Air Supply (July 28th)
 
re:  Susan:
I prefer the uncut version, too.  It might not make sense, but it's the way we remember the song, and it's the way we want to hear it. The chopped version just doesn't sound right at the edit.
David Lewis
 
TAG, I'm it!  Here on the east coast the long version was the more often played, with the 'resized' version used only when air-time time was short.  We probably all thought the DJs shortened the record themselves to fit into these times, much as they 'cut together' other tunes.  OR just cut-off other tunes much to our listening displeasure.  The interlude totally fits into that time frame and added a dimension of surreal, thought provoking, heartache which blasted out in the end in a no-holding back type of emotion.  I never thought it was meant to be anything other than what was first produced.  It fit the era.  Because of that, my students never question it either.  So many other artists used similar techniques, and children love emotional release.  They are so much freer than they will become later on.  In the present, I also never question the live performance of 'Susan' by Dennis Tufano or The Buckinghams.  Short or long, in concert it drives.
Shelley
 
FH Reader Clark Besch tells us about an upcoming musical being put together by James Holvay.  James is the guy who wrote FOUR of The Buckighams' Top Ten Hits back in the day:  "Kind Of A Drag", "Don't You Care", "Hey Baby, They're Playing Our Song" and "Susan" all came from this gifted singer / songwriter.
Now he's trying to get a new project off the ground and could really use your help.  Read on ...
 
Kent,
Maybe yourFH friends can help with a new musical that has its roots firmly in the 60's music we all know and love.  My buddy James Holvay is one of the driving forces and would like to help raise some funds.  Maybe we can all see this when it goes on the road if we can push it some.  I just contributed and I hope you can spread the word.  If you are a fan of "Land of 1000 Dances" by Cannibal & the Headhunters, you are likely to love this show.  James assures me the site is safe and I just donated. 
Clark
 
I was asked to write some songs for a new musical that will be performed in November of this year in Los Angeles.  So as not to bore you with a long-winded email, I've attached a document that explains what the play is about. I would greatly appreciate it if you would help make this play a reality.
Click this link:
and itwill tell you how to contribute.
THANKSin advance for your help. 
Jim
 
re:  This And That:
Kent ...
This past week was the 55th Anniversary of the Frank Sinatra Special -- "Welcome Home Elvis."
Frank B.
A meeting of the ultimate idols at that time.  (For the younger folks on the list, think the Backstreet Boys / New Kids On The Block tour from a couple of years ago!  lol)  kk
 
Sad but inevitable news as we go to press this morning ... Blues Legend B.B. King has passed away. 

Hey Kent,
I had forgotten all about Chubby Checker's recording of the song, "Do the Freddie", but remembered it, after seeing the '65 Canadian pop chart on FH. I haven't heard it since it was popular, and had to go to Youtube to listen, because I've been unsuccessful lately at clicking onto your music service. The song was actually titled, "Let's Do the Freddie", but I have seen photos of 45s with both titles on Parkway's label. I've also seen "(Are You Ready), "Let's Do the Freddie" on some charts. Even though you say Checker was more established and popular, and though he made his living, recording songs about the latest dance crazes, my friends and I were pissed at his audacity, cashing in on Freddie Garrity's "unique" choreography. The guitar chords leading into the chorus are very similar to that of Dreamer Derek Quinn's playing on "I'm Telling You Now". At the time, I thought it was a little vain of my hero to call the dance "The Freddie", but later learned that it was his management that named the dance after him, because so many fans asked "How to do the Freddie". Thus, a new song was born. On the back of the album, with the same title, are instructions on how to do the dance, written by ballroom legend, Arthur Murray, of all people! In my opinion, this was the group's best LP.
Speaking of "I'm Telling You Now", I know I heard another recording of the song that was sung by a woman, played on a local radio station, not long after Freddie's hit came out, which also pissed me off! If any of your readers know who this vocalist was, please let me know. I won't be nasty. :-)
- John LaPuzza
 
How about counting how many Brit artists are on that chart?  One more thing ...
How about the Searchers with two chart riders?  I absolutely love "Goodbye My Lover, Goodbye" -- the song with two titles depending on album or 45.
Clark Besch
 
Good News:
YMCA worth millions to Victor Willis - do you remember who he is?
Ken Voss
 
Bad News:
David Cassidy will not be driving himself anywhere anytime soon. 
Cassidy received his sentence in an upstate New York DUI case on Tuesday, receiving a $900 fine and fifty hours of community service.  He also lost his license for six months and was ordered to install a device on his car ignition that will not allow it to start if he is intoxicated.  Cassidy waived his right to appeal in taking the plea deal. 
The actor was arrested in  August of 2013 outside of Albany, NY at a DWI checkpoint, registering a blood alcohol level of .10.  .08 is the legal limit. 
Cassidy was arrested again for DWI in January, 2014 after making an illegal turn in Los Angeles. This time, he blew a blood alcohol level of .19. 
The two arrests started a year of trouble for Cassidy. One month after the Los Angeles arrest, he announced the he and his wife of 23 years were going through a divorce, triggering a stay in rehab. Even though he was facing jail time in his L.A. arrest, the judge gave him five years probation and ordered him to remain in rehab until he had completed the 90-day program. 
- Vintage Vinyl News 
We caught David's Q&A Show at The Arcada Theatre earlier this year ... I'll be honest with you, he looks FAR from healthy these days (and went through one of his famous temper-tantrums toward the end of the appearance.)  In all fairness, he was losing his voice, which was raspy from the beginning.  He sang a couple of lines from a couple of standards (to piano only accompaniment) from his forth-coming album "Songs My Father Taught Me" ... but rarely stayed on point when answering Ron Onesti's questions, clearly sticking instead to his own agenda regarding topics he wanted to cover.  It was NOT a very entertaining show ... and I don't feel Cassidy drew himself any closer to his fans, acting the way he did. 
I have personally seen him intoxicated and belligerent on stage on a couple of occasions, berating his band members and generally just making a complete ass of himself.  Perhaps, knowing the history of not only his own alcoholism but also the fact that this has run through every key male member of his family, this is beyond his control.  But to take the wheel and put the lives of other, innocent people in jeopardy is inexcusable ... especially as a repeated offender ... and I think the sentence was EXTREMELY light in view of his past history.  (Quite honestly even the fine is a bit ridiculous ... there probably isn't a moment in time when he doesn't have three or four times $900 on his person!)
I did, however, reread his autobiography for the THIRD TIME after seeing this show ... and I HIGHLY recommend this one to even the most casual fan.  It is written in such an entertaining way ... funny, dirty, sexy, sad ... it's got it all.  
You can pick up a copy of "C'mon Get Happy" here:
It's now out of print, replaced by this 2009 update:
One line that TOTALLY cracked me up in David's original bio comes from his step-brother Shaun, who also became a short-lived teen idol in the late '70's.
Here's Shaun Cassidy, talking about the music his step-brother David had to record and perform on The Partridge Family:  "Then suddenly he was acting on this TV show.  And don't forget, 'The Partridge Family' was not just any TV show.  It was very popular and it was considered very 'wholesome'.  So there I was, this kid whose mom and brother were starring in this wholesome show.  And David's music was invariably described as 'wholesome,' too.  So I acquired a 'Partridge Family' kind of image by association.  And believe me, when you're a kid going into your teens -- as I was when David's fame was reaching its peak -- 'wholesome' is not a cool thing to be.  So I pushed hard to go the other direction, to establish a different identity with my peers.  And I made it clear my musical tastes were 180 degrees different from 'The Partridge Family.'  My cultural icons were Led Zeppelin and the Stones.  When I was thirteen, I had dreams of someday going into music -- but the Partridge Family sound was the last thing I would have wanted to emulate."
And THAT, ladies and gentlemen, is why Shaun instead cut tracks like "Da Doo Ron Ron" and "Do You Believe In Magic"!!!  Too funny!  (kk)
 
re:  Beatle-ish:
Roll Up Roll Up for the Mystery Tour, step right this way…
for information on the one and only original Magical History Tour!
"It's getting better all the time!"

AUGUST 22-SEPT 2, 2015
LIVERPOOL - LONDON - HAMBURG
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LIVERPOOL - LONDON ONLY
Presented by Liverpool Productions in association with The Cavern Club, Cavern City Tours and 
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Along with commemorating all the 50th anniversary events on our vacation, we are celebrating our 32nd ANNIVERSARY presenting tours! Our Magical History Tour is 12 BEATLEful days in Liverpool& London& Hamburg (plus Henley, George's home), from August 22 - September 2 INCLUDING HAMBURG (but we can customizeor modify your vacation should you wish to spend less days). You could even join us for Liverpool-only if you wish. Once again, we have kept our rates the lowest in the travel business despite rising costs: ONLY $2599 per person for LONDON / LIVERPOOL, or only $2999 including airfare from NYC. Hamburg may be added as an option for only $999. We also have flights from Chicago & LA, and can arrange flights from other cities. 
In Liverpool, we will visit every imaginable site as we do every year, plus enjoy all the exclusive events our group is privy to. No other tour goes to all the places we go to, gets inside the places we have access to, and has as much fun! We work in conjunction with Cavern City Tours and BeatleWeek to ensure admissions to everything, and up-close seats or V.I.P. perks to events. There will be surprises + special guests, many of whom will be available for autographs & photos. 
In London, we will visit all the significant landmarks . We are the only tour group to ever have held actual recording sessions inside Abbey Road Studio 2.
For complete activities in London and Liverpool, please refer to the past tour reports on our website, and know that we'll be adding new surprises. To give you a taste of some of the Fabtastic things we do on the tours, click here:
www.liverpooltours.com/tourreports.htm.
Special guests in the past reads like a Beatles who's-who, including Pete Best, Cynthia Lennon, Mike McCartney, John Lennon's sister Julia, George's sister Louise Harrison, former Apple recording artist Jackie Lomax, former Wings members Danny Siewell - Denny Laine - Laurence Juber - Steve Holly - Hamish Stuart, Paul's guitarist Rusty Anderson, Beatles first manager Allan Williams, Billy J. Kramer, Gerry Marsden, May Pang, Badfinger's Joey Molland, Klaus Voorman, Astrid Kirscher, Sam Leach, Tommy Roe, Chris Montez, authors Mark Lewisohn, Ray Coleman, Spencer Leigh & David Bedford, members of Brian Epstein's family, members of The Rutles plus others no longer with us such as Beatles chauffeur Alf Bicknell, Cavern DJ Bob Wooler, Ringo's step-dad Harry, John's Uncle Charlie Lennon, Sid Bernstein, and former Apple general manager (and Beatles buddy) Alistair Taylor. They were just a few of the celebrities we have met while on our vacations.
Oh yes, did we forget to brag that on various past tours and events we have had close encounters with Paul McCartney, George Harrison, Ringo Starr, Julian Lennon, Yoko Ono, Olivia Harrison and George Martin?!  
America's greatest Beatle tribute bands have joined us too: 1964 The Tribute, The Fab Four, Rain, British Export, The Return, Penny Lane, Fab Faux, Tim Piper, BeatleMania, A Hard Night's Day, BritishMania, Instant Karma, The MerseyBeat, Abbey Road, Working Class Hero, American English and many more -- not to mention bands from all over the rest of the world who come to Liverpool to perform for us!  
The response to MMTour 2015 has been so incredible, we expect a complete sell-out. So many of our alumni are returning who have traveled with us before. Don't miss out on what is the definitive fan tour celebration in all of Beatledom for over THIRTY years. We have space for you, AND WE RECOMMEND THAT YOU BOOK YOUR RESERVATION AS SOON AS POSSIBLE!  You will once again have the added option of staying over at the Hard Day's Night Hotel around the corner from the Cavern Club.  
Our "Magical History Tour" has been written about in national newspapers, in Beatles magazines, it's been talked about on radio stations worldwide, and has even been featured on television, most notably on the Travel Channel and the BBC! Your host, Charles F. Rosenay!!!, was the founder of the Beatles fan club magazine Good Day Sunshine, he has produced Beatles conventions and festivals across the country for over 30 years, he has co-hosted Beatles specials on QVC-TV, and was featured in a video presentation at the Rock & Roll Hall of Fame when it opened, as one of the world's most famous Beatles fans. He was inducted in to Liverpool's Cavern Club Hall of Fame, and Charles has also been one of the host/MCs at the Beatles stage of Liverpool's Mathew Street Music Festival. Charles and Daniel Levine, partners in Liverpool Productions, produced New York's 50th Anniversary Beatles Celebration, "NYC FAB 50," and are honored to have been welcomed into Liverpool Town Hall by the city's Lord Mayor, truly a distinguished honor. Charles is pictured below with Paul and & Linda, and on the right with Liverpool's Lord Mayor & wife.
Below is a very abbreviated and very early tentative itinerary of some of the bullet point highlights of the upcoming 2015 MMTour (there will be MUCH more than this!):   
Aug 22 Flight Day - Depart U.S. as a group for the greatest vacation adventure of our lives!
Aug 23 Arrive Hamburg - check into hotel - walking tour to The Reeperbahn  in Hamburg's St. Pauli district, one of the two centres of Hamburg's nightlife and also the city's red-light district. Evening event at the famed Kaiserkeller Club. Hosted by The Beatles' friend & bodyguard Horst Fascher.
Aug 24 Follow in the footsteps of The Savage Young Beatles including a visit to the Star Club location, the Bambi Kino, the Top Ten Club, the studio where John, Paul, George, Stu Sutcliffe & Pete Best recorded with Tony Sheridan, and every possible locale of historic interest. Evening event at the famed Indra Club with live entertainment, dancing, special guests.
Aug 25 Transfer to London with a daytime panoramic historic sightseeing tour including House of Parliament, Big Ben, London Eye, London Bridge, etc. Early evening walking tour followed by optional dinner at London's original Hard Rock Cafe.
Aug 26 London comprehensive Beatles sightseeing all-day tour aboard luxury coach with a shopping stop at the London Beatles Store. Possible evening activity - dinner at Bill Wyman's Rolling Stones-themed restaurant "Sticky Fingers."
Aug 27 Subway (tube) walking tour of The Beatles' London with Rene from Beatles Unlimited magazine. Visit Abbey Road! Cross the same road as The Beatles. Take pictures of the historic studio. Sign the Abbey Road wall. Go around the corner and visit Paul's Cavendish Street home. Plus many other surprises. Evening only free night in London - see a West End Show - visit a club - take another Beatles tour!

Aug 28 Depart London by coach for an early stop at Henley-on-Thames for a visit to George Harrison's Friar Park home ("Crackerbox Palace!"). Depart Henley for Liverpool and check into hotel. Evening concert at the Royal Court Theatre with Beatles friends DONOVAN, and after-party at the world-famous Cavern Club.
Aug 29 Full English Breakfast included. Early Morning Beatles Auction in the Liverpool Institute for Performing Arts (LIPA) - Paul's "Fame" school. Late Morning visit inside the childhood Beatles homes of John Lennon (Mendips on Menlove Avenue) and Paul McCartney (Forthlin Road) curated by the National Trust.  Early afternoon stop at the BeatleDays mini-convention at the Marriott Hotel. Late afternoon Beatles Week welcome party at the Alma De Cuba venue & visits to Mathew Street, the A Hard Day's Night boutique shop and more. Evening seats at the Star-studded Lennon 75th Birthday CONCERT at Liverpool's Royal Court, or possible visit to Casbah Club for Pete Best's BestFest2015. Late-night dancing and singing at the Adelphi Hotel with Beatles bands.
Aug 30 Full English Breakfast included. Day-long International Beatles Convention with Special Guests of Honor including Pattie Boyd, Bands, Exhibits, Performances, Autograph sessions, Rare Video Shows, the largest Beatles collectors marketplace in Europe & much more. Evening International Tribute CONCERT event with Special Guests at Liverpool's Philharmonic Hall or Royal Court. Late-night "Beat Party" at the Adelphi featuring 20 bands from "across the universe."
Aug 31 Full English Breakfast included. Morning group entry into the wonderful Beatles Story attraction at Albert Docks including admission to their "Hidden" Photo Gallery and also the animated 4-D motion ride. Plus visit to the Museum of Liverpool and their Beatles exhibition near Pier Head. Afternoon concert with the world's greatest 60's band The Overtures. Early Evening BeatleWeek Anniversary Celebration Concert at Liverpool's Royal Court entitled "With a Little Help From My Friends" starring Mark Hudson, Joey (Badfinger) Molland), Steve Holley (Wings), Earl Slick, Elephants Memory and surprise guests. Opening act: The Original Quarrymen! Late Evening V.I.P. event in Adelphi Hotel grand ballroom "Fab Four Solo Years Extravaganza." Midnight (very optional) annual "All Nighter" in the hotel's three separate convention ballrooms.
Sept 1 Full English Breakfast included. Exclusive all-day professionally-guided comprehensive Magical Mystery Tour of all the city's Beatles sites - including George & Ringo homes - schools, hang-outs, birthplaces, etc. - aboard the yellow MMT bus. This is the most amazing all-inclusive Liverpool tour that takes us to every imaginable site of importance including the Beatles homes, Strawberry Field, a lunch stop at Penny Lane and far too much to list. Hosted in the past by John Lennon's sister Julia and author Dave ("Liddypool") Bedford, among others. Includes Ferry 'Cross The Mersey! Evening Farewell Party with very Special Guest Peter Asher (of Peter & Gordon fame) at the Cavern Club back stage - the very same stage that Paul McCartney played on a few years back!
Sept 2 Full English Breakfast included before departing for airport. "There are places I remember..." Depart to airport for return flight home. (ALL EVENTS - GUESTS - ATTRACTIONS - TOURS SUBJECT TO CHANGE
We have brought thousands upon thousands of satisfied fans from the U.S., Mexico, Canada, Japan and other countries to Liverpool, but mostly we are proud of the level of satisfaction among all our past travelers who all had the time of their lives. We can provide numerous references upon request.  Allow us to make that dream come true for you this Summer. For further info, kindly email us your full name and address, and we will rush you printed materials on what is sure to be the greatest tour ever. Join us and be part of history; you'll have the time of your life! "It's guaranteed to raise a smile!" Reserve your space today.
Thank you & Cheers,
Charles F. Rosenay!!!, Danny Levine, Karen Garcia, Rene van Haarlem and Kelley in the office
“Magical History Tour” Liverpool Productions'"MMTour 2015" 315 Derby Avenue, Orange, CT 06477 USA www.LIVERPOOLTOURS.com or www.ToursAndEvents.com
Phone: (203) 795-4737 Fax: (203) 891-8433 Email: LiverpoolTours@aol.com   

MMTour 1983-2015

 

The longest-running and greatest tour FOR Beatles fans, BY Beatles fans.


 
And, in other Beatles-related news, how cool is this???

PAUL McCARTNEY: Jams at Stepson's Graduation 
He did a handful of Beatles songs with Josh Walther and the Phase 5. 
Paul McCartney spent his Saturday night jamming at a private graduation party in Winter Park, Florida. 
The party marked the completion of college by Arlen Shevell, the son of McCartney’s wife, Nancy Shevell. The band playing the event was Josh Walther and the Phase 5. McCartney approached the group during a break about sitting in for a few songs. He had the band play a blues riff as he improvised lyrics about his stepson’s graduation and then led them through the few Beatles songs they knew.
Bandleader Walther told the Examiner that, "We went through basically the whole catalog of Beatles songs we knew and he really wanted to do '[I] Saw Her Standing There,' but we had never played it. Our piano player pulled up a chart off the Internet and we just totally winged it. It turned out great." 
Walther added that McCartney was really complimentary of the band and a "super nice guy and very unassuming. He seemed to want to hang out more with us, but his wife wouldn’t have it."  

50 Year Flashback - May 18th, 1965

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WIBM broadcast out of Jackson, Michigan ... and this VERY simple chart shows the week's 30 Most Popular Songs in the area.

"Engine Engine Number Nine", a pick hit last week in our 50 Year Flashback feature is already the #8 record on WIBM's chart this week.  Right behind it at #9 is a Bobby Goldsboro track LONG since forgotten by radio (but a pretty catchy record in my mind) ... "Voodoo Woman" ... one of this week's featured tracks.

The duo of Buzz and Bucky are at #11 this week with "Tiger-A-Go-Go", a song that "bubbled under" on the Billboard chart at #107.  Bucky was none other than John Wilkin, who used the nick name "Ronny" when he fronted Ronny and the Daytonas the year before on their Top Five Smash "G.T.O."  (By year's end he'd be back as Ronny charting with their follow-up Top 40 Hit, "Sandy", a LONG-time Forgotten Hits favorite.)  Buzz was a guy named James Cason.  Earlier in HIS career he recorded as Garry Miles (an obvious attempt to confuse the listeners ... and record buyers!) when he cut a version of "Look For A Star", already a hit for an artist named Garry Mills!  (Hard to keep track without a scorecard!!!)

Freddie and the Dreamers are back with a favorite of mine, "You Were Made For Me" at #14.  I truly could not get this song out of my head the other day ... so we'll be sure to feature this one!

I'm not quite sure what the deal is with the Sir Mack Rice version of "Mustang Sally" charting this week at #22.  This one, too, bubbled under in Billboard (#108) but Rice was a Michigan born artist so that may have had something to do with his charting this high on a local chart.  What's really strange about THIS record is that Rice was ALSO a member of the R&B Group called The Falcons ... as was Wilson Pickett, who would chart with the HIT version of this very same song eighteen months later! (Mack WROTE the song ... and obviously Wilson Pickett liked it ... and added it to his OWN repertoire!  The Young Rascals, of course, also did a very popular version of this tune.)

And I couldn't pass up the opportunity to feature Dickey Lee's hit "Laurie" ... EVERY time we run this one in Forgotten Hits we get a GREAT response from readers who LOVED this tune and had long-since forgotten about its existence.  Now HERE'S a track some of the dee-jays on our list should play today ... betcha YOUR listeners will respond in much the same way!










Paul Revere's Raiders - Live At The Arcada Theatre (May 17, 2015)

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Kent,
The hands of fate take no prisoners. 11 months ago you and I hooked up at the Arcada Theater to see our pal Ray Graffia with The New Colony Six along with the irrepressible Paul Revere and the Raiders. Paul would leave us a short time later.  
Meanwhile, Paul Revere's Raiders turned up at the Onesti Palace to bring forth the joy and musical joy that has made this legendary group so eternally fascinating. I DON'T mean to slight other band members, but this is on the square. The fulcrum, the driving force behind the 2015 group is former Buckinghams drummer, Tommy Scheckel. The kid is a drum kit powerhouse, a consummate showman in the mode of Keith Moon.  Kudos to the Raiders for covering hits by The Animals, Steppenwolf and The Monkees.
The Raider kick is still in place ... the music will always be a treat. However, make no mistake this is Tommy's baby.
3.5 stars ... a riveting slice of rock that defined my youth.   
Chet Coppock,
Author: Buffone: Monster of the Midway   

Going to see Paul Revere's Raiders nearly one year to the day after his final live appearance at The Arcada Theatre was a little bit haunting.  We had seen him there before several times and his rapid-fire banter was amongst the best in the business.  Yes, Paul was getting older but he lived to perform, no matter what health issues may have been thrown his way.  Knowing now how painful it must have been for him, especially near the end, Paul never let it show and every performance was executed with precision timing in an effort to make each and every audience member feel special and unique.  It worked ... and we often marveled at how a man his age managed to keep his wits about him and still come across so sharp and entertaining.
It's because he LOVED to perform, ladies and gentlemen and it showed ... each and every one of us felt the magic every time he stepped on stage.  And, just like he promised he would, he continued to do so to nearly his dying day.
At his request, The Raiders have carried on.  (Some of these musicians have stood by Paul's side for upwards of 35-40 years, playing some of the best loved music in rock and roll history ... and, thanks to a newly revamped song line-up, they managed to squeeze in nearly every single one of them Sunday Night at the Arcada.) 
Making a list (and checking it twice) you'd be hard pressed to find a hit that wasn't featured Sunday Night, either as part of a medley or performed in full ...
LIKE LONG HAIR, LOUIE LOUIE, STEPPIN' OUT, JUST LIKE ME, KICKS, HUNGRY, THE GREAT AIRPLANE STRIKE, GOOD THING, UPS AND DOWN, HIM OR ME - WHAT'S IT GONNA BE, TOO MUCH TALK, DON'T TAKE IT SO HARD, MR. SUN MR. MOON, LET ME, INDIAN RESERVATION and BIRDS OF A FEATHER were all performed to the delight of their fans.  They also slipped in versions of "Steppin' Stone" (a song they actually cut BEFORE The Monkees), "For What It's Worth", "We Gotta Get Outta This Place" and "Born To Be Wild" along with snippets of "Whole Lotta Love" and "Were An American Band."
The video tribute to Paul Revere that kicked off the show showed an older Paul still in top form with his trademark banter ... and Ron Onesti's reading of his newspaper column acknowledging Paul's passing was touching and spot on.
Echoing Chet's sentiments above, I have got to say that while Tommy's drumming is certainly a show unto itself, I can't for a moment slight the other members of the band who've been cranking out these hits for multiple decades now:  Ron Foos, Doug Heath, Danny Krause, Jamie Revere and lead singer Darren Dowler, ALL of whom deserve a major nod, along with Chicago's own, Drummer Tommy Scheckel.  Every one of these guys has remained faithful to the music and the spirit OF that music that got them here and afforded them a life-time career of sharing their "feel good" music with their millions of fans around the globe.  (With that thought in mind, one quick word of advice to the guys ... don't over-compensate with volume ... it simply isn't necessary.  EVERY SINGLE ONE OF THESE SONGS stands alone on its own merit as both a cherished gem and a part of our cultural DNA ... allow the beauty of each tune to come through for all of us to savor and enjoy!  This show was LOUD!!! ... or, at the very least, louder than it needed to be.)
Long may The Raiders run ... their fans were out in force to hear this feel-good music one more time ... and there's no question that they delivered.  Catch them if you can.  (kk)



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