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A Reader Chimes In With Some Forgotten Christmas Gems

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With Christmas coming up just two weeks from today (can you believe it?!?!), we thought this would be a great time to feature some Forgotten Christmas Gems ... as submitted by new reader Sam Ward ... 

Hi there, Kent, and everyone else reading this blog as well.
It was fascinating to learn about Gilbert O'Sullivan's upcoming U.S. tour next year.  This was never a hit for him, but in 1975, Gilbert O'Sullivan came out with a beautifully arranged and thought-provoking Christmas song called I'm Not Dreaming Of A White Christmas.  I first heard the song during Steve Goddard's Gold, Christmas show for 1980. 
Back then, he was working at KZZP in Mesa outside Phoenix, Arizona, and syndicated his Goddard's Gold show to radio stations in Tucson and Las Vegas.  Since then, his syndication has widened considerably because in 2004, I heard his show on WMJI in Cleveland.  Steve is one of the most knowledgeable disc jockeys about rare oldies that I have ever heard. 
Anyway, I'm Not Dreaming Of A White Christmas is a really beautiful song. 
[EDITOR’S NOTE:  Gilbert’s single … actually just titled simply “Christmas Song” when it charted in 1975, was a #12 Hit in The UK … not too shabby … and reached #92 here in The States in Record World. -kk]


Some other Forgotten Christmas Gems follow …

I'm sure that most of you have heard 12 year old Little Jimmy Boyd's Number 1 Christmas song from 1952, I Saw Mommy Kissing Santa Claus.  But many of you have probably never heard his holiday song from two years later amid the mambo dance craze, I Saw Mama Do The Mambo With You Know Who, unless you heard the song on Dr. Demento's Christmas shows.  You can tell in this later song from 1954, that his voice is starting to change.
I'm sure most of you are familiar with Eartha Kitt's classic 1953 Christmas single with Henry Rene and his Orchestra, Santa Baby. But a year later, Eartha Kitt came up with a follow up called This Year's Santa Baby, which didn't do nearly as well on the charts. In fact, it may not have charted at all. 
You may remember that in the first version of the song from 1953, Eartha Kitt says, "Santa Baby, I want a yacht, and really that's not a lot."  In the 1954 version, she decides that the yacht isn't good enough for her, and what she wants is the Queen Elizabeth!

There is a story going round, and I don't know how true it is, but supposedly Irving Berlin absolutely hated Elvis's version of his song White Christmas, which appeared on Elvis's 1957 Christmas album, and he tried to get radio stations all over the U.S. to stop playing that version of the song.  Supposedly, there was only one radio station that dropped Elvis's version of White Christmas from their playlist, and that was CKWX in Vancouver, British Columbia, in Canada.  Of course, this version of White Christmas that Irving Berlin hated so much was not originally recorded by Elvis at all.  It was recorded three years earlier by the Drifters featuring the smooth bass delivery of Bill Pinkney and the soaring tenor falsetto of Clyde McPhatter.  But the song was just an RNB record at the time, and hadn't achieved the amazing status that it would receive later, being clearly the version that influenced Elvis to record that song in the way he did.  

But I've often thought, if Irving Berlin hated Elvis's version of the song, what would he have ever thought of the Four Lovers’ 1956 version? The Four Lovers recorded for the RCA label, and most of their records didn't chart, although You're The Apple Of My Eye may have charted in some markets. 
The lead singer of the group was Frankie Valli, but RCA was so busy promoting Elvis at the time, that they failed to promote many of their other recording groups and artists.  They didn't even promote any of Roy Orbison's material when he was on the label between 1958 and 1960. 
Anyway, if you've never heard this version of White Christmas by the Four Lovers, check it out on YouTube.  This version of White Christmas is absolutely wild!  That's the only way to describe it, especially in the context of it being recorded back in 1956.  It makes Elvis's version sound absolutely tame by comparison. 
https://www.youtube.com/watch?v=0qc74lJAm_E

Well, as classic and wonderful as the Drifters’ 1954 version of White Christmas is, there was an RNB group from Detroit that also decided to record the song as well, and they never should have even bothered doing so, unfortunately.  Although the Drifters achieved beautiful harmony when they recorded their version of this song, the Diablos, famous for their original 1954 version of The Wind and Adios, My Desert Love, just couldn't pull it off and, instead of rich harmony, as the group
concludes the song, they produced some of the most gastly and off key harmony that I have ever heard.  It's really a shame and actually sad to hear, but the group just didn't have the sense of pitch that the Drifters had, and they just couldn't begin to duplicate the intricate harmonies that were present on the Drifters version of the song.  I give the group credit for trying, but they simply weren't up to the challenge.

Jimmy Dean, best known for his Number 1 smash hit Big Bad John in 1961,
recorded a cute little Christmas song called Little Sandy Sleighfoot four years earlier, and this song may have made it on some country station charts. 

The Little Drummer Boy has become a classic ever since the Harry Simeone Chorale recorded it back in 1958.  But the song has actually been around for quite a bit longer than that. 
There are two fascinating things to note about earlier versions of the song.  First of all, back then, the song was known as Carol Of The Drum, and secondly, until the Harry Simeone Chorale recorded the song as The Little Drummer Boy, it had always been sung at a much faster tempo.  The Trap Family recorded the song back in 1952, and both the Jack Halloran Singers and the Testor Corus recorded versions of this Christmas Carol before the name was changed in 1958.  There's a wonderful parody of the song recorded by Michael Lynch in which the song is done in the style of the Count Five's 1966 hit Psychotic Reaction.  The group does an astonishing job of imitating the Count Five's sound.  Mary is not impressed with these stable rockers, and she tells them to leave the stable on the count of five, just to tie in even more with the Count Five. Perhaps the strangest version of the song, is Johnny Cash's 1959 version, in my opinion anyway.

Carl Mann, who had success with his rockabilly version of the Nat King Cole song Pretend, does a beautiful Christmas song called Today Is Christmas.  Two years later, Joe Dowell, one of two people who recorded the German folk song Wooden Heart, the other one of course being Elvis, recorded a lovely Christmas song called I Wonder Who's Spending Christmas With You.  I really love that song, and I hope when you hear it, you folks will, too.  Another performer that had a lovely Christmas song in 1961 was Ral Donner, with his song Christmas Day.

These days, people think of the Neil Diamond and the Hall and Oates
remakes of Bobby Helms' 1957 ode to rock and roll and Christmas, Jingle
Bell Rock.  But it seems that most people have forgotten Chubby Checker
and Bobby Rydell's 1961 remake of the song.  In the final verse of the
song, there is one lyric change to bring the song more up to date in
1961, and I wonder if anyone knows what that slight lyric change is.  


Well, those are just some forgotten Christmas gems that I like to pull out every year and listen to and enjoy during the holiday season.  If I have helped some of you discover some forgotten Christmas songs that you may not have known about, that's really great.  There are all these radio stations that are playing nonstop Christmas music 24 / 7, but they sure don't play any of these songs, and that's kind of sad.  But, that's the reality of consultant programmed radio I'm afraid.

All the best to you all,
Sam Ward

Another Guest Concert Review

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'Twas the weekend before Thanksgiving and all through the casino floor, not a bell was ringing, not a yell, not a roar.  

The only way a casino can be quiet is if no one is winning. Usually Mohegan Sun is alive with sound, but those of us standing in line at The Wolf Den, found it unnaturally quiet. I have no clue as to whether there is any connection between what I will say next or not, but I want to relay as much as I remember.
 
The Wolf Den has changed. It is still free concerts where you stand in line for a seat, but it has become a perk for the high rollers and not a venue for fans of the performers. There are now so many reserved seats for said high rollers that the chances of getting into a concert have become slim to none. When Grand Funk Railroad performed, the line was its usual massive “around the corner” length. Security staff let everyone stand in line for five hours, knowing there were only ten seats available for the show. It seems to me that common courtesy would have paid off big time here. The people who never had a chance to get into the show, could have been gambling, eating, shopping. In other words, spending money. I do believe that is the end goal of any business. To add insult to those who waited, the high rollers came walking past them asking, “Who is playing tonight anyway?” They do not really care who it is. They just reserve seats in case they get bored, lose money or want to impress the people they are with.
 
Now getting back to the weekend before Thanksgiving. 

On Saturday night, Herman’s Hermits starring Peter Noone is playing. On Sunday, Gary Puckett and The Union Gap is playing. A double hit for my friends and me! 

But also a double edged sword. 

Not everyone can stand in line for long periods of time. Due to medical reasons, my friends can’t. Also, the aforesaid reserved seating doesn’t guarantee anyone in line a chance inside no matter how long you stand waiting. I can still play Last Man Standing so I volunteer to hold places for four people (the maximum allowed) on both nights. 

On Saturday, I get in line at 1:00 PM. On Sunday, I get in line at 1:30 PM. I am first and second in line respectively. If I don’t get in … nobody does. Really not that consoling. I do have an inside seat on Saturday, but I want to be able to enjoy these events WITH my friends, and so I stand for them. I do not know how many available seats there were on Saturday, but on Sunday we found a sensitive security person who told us that 36 seats were open. We had to keep this a secret to protect jobs. We saw both shows.
 
I would be very interested to hear the opinions of performers, concert goers, theatre personnel and others on how they view this turn of events.  It may be surprising to many of you, but the performers who have spoken up have NOT said, “I don’t care ... I get paid.” They DO care about their fans’ welfare and well-being. Someday I will speak of Peter Frampton’s performance at The Wolf Den.
 
Quite honestly, the negative experience of waiting in line disappears when the concerts start and I sit at my computer today telling you they were well worth the wait!! 

Peter Noone was recently awarded Casino Entertainer of the Year, 2019, by the Las Vegas casino operators and voters. Gary Puckett and The Union Gap attend his concert and The Hermits come out to socialize with them before the show. They also get to go backstage afterward. I think I will post the set lists for the shows and add comments along the way. 

    1. Something Good 
    2. Wonderful World 
    3. Love Potion #9 
    4. Dandy 
    5. A Must to Avoid 
    6. Ring of Fire (sung by Johnny Cash) 
    7. Jezebel - WHOA YEAH! I just don’t get to hear this
    performed live as much as I would like. The audience
    comments afterward rated this as the hit of the night. 
    8. Leanin’ on a Lamp 
    9. Sea Cruise 
   10. Daydream Believer - The salute to Davy Jones and The
   Monkees 
   11. All My Lovin'… in which Rich Spina is almost taken
   away by an audience member who is removing shirts, cds
   and electrical tape from the stage.
   12. Sleepy Joe … the audience asked for this one and
   received the reply “We don’t know that one!” Not true.
   Vance Brescia performs it with Peter in the United
   Kingdom, so the two of them did a short version. 
   13. Just A Little Bit Better 
   14. Silhouettes 
   15. Listen People 
   16. Bus Stop - another one that is not heard often. Some
   told me they didn’t realize Herman’s Hermits recorded it
   before The Hollies. 
   17. Because … a favorite song of mine, although not a
   fave of Peter’s. 
   18.Glad All Over … a DC5 that IS one of Peter’s faves. 
19. Hold On - Another YAY! Love this seldom heard song. 20. No Milk Today 
21/22. Started out as End of the World, went to I’m Telling You Now, and then back to End of the World.
23. Jumpin’ Jack Flash (sung by Mick Jagger)
24. Can’t You Hear My Heartbeat
25. Mrs. Brown
26. Henry VIII
27. There’s a Kind of Hush
 
Gary Puckett is a story teller set to music. His producer wanted cover songs on The Union Gap albums, highlighted by a few original hits. So Gary has many stories on why and how these songs were picked. Some are personal favorites. Some were answers to questions like, “Who is your favorite female singer?”
   
1. Gary’s video and instrumental introduction 
2. Lady Willpower 
3. Over You … Gary says, “I like to hear you guys sing. Sounds great!” Probably not, actually. 
4. Kentucky Woman - cover from Neil Diamond 
5. Lady Madonna … guess who originally recorded this one? 
6. Don’t Give Into Him 
7. Quinn the Eskimo … actually a tribute to Bob Dylan (who is from the same Minnesota town as Gary, but different time frames) 
8. To Love Somebody … Bee Gees 
9. Let’s Give Adam and Eve Another Chance 
10. You Better Sit Down Kids … remembering Sonny Bono 
11. Who Can I Turn To? ... from The Roar of the Greasepaint, the Smell of the Crowd 
12. By The Time I Get to Phoenix … Glen Campbell and Gary were friends. 
13.Kiss Me Good-bye … One of my favorite Petula Clark songs 
14. This Girl is a Woman Now 
15. Woman Woman 
16. Home 
17. Dixie / Battle Hymn of the Republic … Tribute to Elvis who, when Gary said, “Hi Elvis. I’m Gary Puckett,” replied, “Yeah man, I know.” 
18. Happy Together tribute: Gary Lewis /Mark Lindsay / Chuck Negron /Turtles 
19. Young Girl
 
Hermits: Vance Brescia
                 Rich Spina
                 Billy Sullivan
                 Dave Ferrara
 
Union Gap: Jamie Hillbolt
                  Woody Lingle
                  Mike Candito
 
Comments from the audience: Peter always puts on a good show, but this is the best I think I’ve seen.
Peter’s voice sounds better than I have heard before.
Gary is still powerful.
Let’s bring The Union Gap back here!
 
These are comments I heard randomly. My friends had really NICE things to say. But you would tell me, “Of course they did ... they are YOUR friends.” 
Maybe. I DO have good taste.
 
Shelley J Sweet-Tufano                                                 

THE FRIDAY FLASH

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Congratulations to Chicago’s very own Earth, Wind And Fire for their recent Kennedy Center Honors induction.
Billboard reports that they are the first African-American band to receive this honor and were inducted along with the incredible Linda Ronstadt, actress Sally Field, the landmark television series Sesame Street and conductor Michael Tilson Thomas.  (There’s always one, right???  Just kidding, Michael!  Well deserved.)
Earth, Wind and Fire will be celebrating their 50th year in the music business next year … and word of a duets album with some very special guests also seems to be in the offering.  (Man, I remember running into these guys at Monty’s Music in La Grange Park back in the day.  In fact, they were there the day we were carrying out our brand new Kustom PA System!  We were even on the same bill (albeit WAY down at the very bottom) with them at a special McCormick Place concert put on by, get ready for this, The Church Of What’s Happening Now in 1973.  Their career took off BIG TIME shortly after that with MONSTER hits like “Shining Star” (#1, 1975), “That’s The Way Of The World” (#12, 1975, and still my all-time favorite by them), “Sing A Song” (#5, 1976), “Got To Get You Into My Life” (#9, 1978, The Beatles’ classic from the blockbuster … yeah right … film “Sgt. Pepper’s Lonely Hearts Club Band”), “September” (probably their best known, most endearing and still most popular hit, #8, 1979), “Boogie Wonderland” (#6, 1979, recorded with The Emotions), “After The Love Has Gone” (#2, 1979), “Let’s Groove” (#3, 1981) and “Fall In Love With Me” (#17, 1983).
If you get a chance, check out the outdoor concert they did with a host of Who’s Who Country Artists a couple of years ago … it is flat out amazing!  Their tour with Chicago a few years back was also a sight to be seen, with both bands performing each other’s hits together on stage.  (More on Chicago below)
And let’s not dismiss the incredible Linda Ronstadt, who’s had quite the career herself … 21 Billboard Top 40 Hits.  Her “The Sound Of My Voice” DVD is now available … and well worth viewing.  (It’s also nice to see, once again, that when it comes to Sally Field, they like her … they really, really like her!  And what can I say about Sesame Street that hasn’t already been said?  It changed children’s television broadcasting … and the concept of educational television … forever.  These timeless characters will live on forever.
Congrats to all of the honorees.  (You can catch the program this Sunday Night, December 15th, on CBS.)  kk

Chicago (another one of our local bands that you may have heard of), will be touring with ‘80’s heart-throb Rick Springfield next summer … but say that they haven't decided yet if they'll get onstage to jam with him like they did with Earth, Wind And Fire in the past.
Founding members Lee Loughnane and James Pankow told iHeart Radio that the question of performing with Rick hasn't been settled … but that they are pleased with the  choice of the Australian star as their 2020 opening act.
Lee Loughnane:  "We have never worked with him before, so I think everyone's going to find out. But normally, when we start working with somebody, their audience and our audience are watching people and listening to people that they haven't actually seen before. So it helps both artists."
James Pankow:  "We kind of pioneered that whole concept, the finale where both artists are together on stage doing each of their greatest hits. Earth Wind and Fire was an incredible experience … there was 21 of us on stage together and it was absolutely electric. They had the horn section, multiple vocalists ... when we both got together to do that finale, it was just amazing."
The Chicago / Rick Springfield tour will begin on June 12th in Concord , California. The band’s current album, “Chicago Christmas” recently debuted at # 1 on the holiday charts.  (kk)

Here’s some GREAT news about one of our favorite Forgotten Hits Celebrity Followers, courtesy of FH Reader Tom Cuddy …

Kent:
I’d like to bring the FH readers up-to-date on Freddy “Boom Boom” Cannon,  As you remember I brought you the sad news at the beginning of the year that Mr. Palisades Park was having problems breathing and did not have enough energy to perform a concert. 
As a result, Freddy decided to retire and he cancelled all the dates he had booked in 2019.  His specialist told Freddy his lungs were in bad shape.  So Freddy followed his Doctor’s orders and took it easy throughout the year.  He started walking every day and was sure to keep up with his doctor’s instructions. 
In recent months Freddy has been feeling a whole lot better.  His breathing has improved significantly and his lungs are in better shape.  Feeling so good, Freddy did a test show recently to see if he would have any issues performing a 30 min set.  It worked out great.
Now Freddy is starting to accept dates again.  This week he’s in Florida at The Villages doing some concerts with Mark Lindsay.
(Here’s an EXCLUSIVE photo of Freddy and Mark taken backstage in a dressing room at The Villages this past week.)


Freddy celebrated a birthday earlier this month and, having survived his health issues, he was doubly appreciative that so many of his fellow artists called him or e-mailed him with greetings.
Merry Christmas to Freddy, his wife Jeanette, his kids and his grand kids in California. 
-Tom Cuddy
  New York, NY
That really is GREAT news, Tom … thanks for sharing.
I know Freddy was heartbroken about having to come off the road.  We talked after he made the announcement and it was so sad to hear him say “My lungs are shot.”  He’s made some incredible recoveries in recent years … which just means that everybody up there is looking out for him … and wanting a little more Boom Boom!!!  (kk)

Hi Kent:
One of the problems with modern media evaluating the 60’s is that they basically think the 60’s started in June of ’67.
Other than the Beatles on Sullivan and a few other moments, their ilk thinks it all started with Sgt. Pepper, Monterey Pop and the Summer of Love.
They mostly neglect the bulk of everything else, especially pre-Beatles on Sullivan.  If you weren’t a drugged up / protesting hippie, you almost didn’t matter in their warped retrospective view of the decade.
For a lot of people who weren’t impressed with the counterculture or interested in it, those events started the rapid downfall and end of the 60’s, not its peak.
Grateful Dead over Del Shannon?  I don’t think so. 
Sgt. Pepper over A Hard Day’s Night?  Not a Chance.
Beggar’s Banquet over December’s Children?  Dream On.
Janis Joplin over The Trashmen?  Keep dreaming!
That was the 60’s! That was Rock n Roll.
Ken

Hi Kent ... 
Very  interesting reading from Shelley  Sweet -Tufano.  I can identify with her story about waiting in lines for concert seats. Brings back a lot of memories about waiting in line for hours only to have the privileged "line cutters" go in front.  Apparently, they thought they were more important than everybody else.  The general admission tickets were like a "free for all" when the gates opened.  One had to be careful not to get trampled.  Some claimed their seats in unusual ways, like it was a matter of life and death.  Thanks, Shelley, for your write up.
The Buckinghams are always great. Btw, I liked hearing about my favorite Jersey band in the Cornish book "Good Lovin"   l will have to check that out. I didn't know that my favorite Rascal Eddie was sometimes on the moody side.  It sounds like a good read.
And lastly, Christmas just isn't the same without hearing the soulful and upbeat voice of Darlene Love. Luckily, I will hear it sometime during the yuletide season.  Take good care.
Sandy

>>>Cash Box did chart songs back before 1955 but they often listed ALL of the versions available.  Here, you will see "Goodnight, Sweetheart" at #8 via MANY artists, listing Spaniels at the end of the line.  They had regional charts as well and the Chicago one did NOT show it, but others listed McGuire Sisters version, etc.
(Clark Besch)



>>>This was a very common practice back in the early-to-mid ‘50’s … when it was still believed that the SONG was the most important factor and not the artist.  (That dates back to the old Your Hit Parade days … as well as a time when sheet music actually outsold records.)  Most typically, ALL of the artists SHARED the chart position … until (or unless) one version truly broke out and away from the others.  In the case of “Goodnight, Sweetheart, Goodnight,” Joel Whitburn’s Cash Box book only shows the versions by he McGuire Sisters and Sunny Gale … oddly enough, NOT The Spaniels’ version.  (Wonder why?)  kk
Starting with the issue dated October 25, 1952, Cash Box, on its Best Selling Records chart, placed a star next to the artist(s) who had the best-selling version(s) among all the artists that were listed below each title.
On the 1955 chart shown, you will notice the stars next to the McGuire Sisters and Sunny Gale for the No. 8 record "Goodnight Sweetheart, Goodnight." The artists under each title were listed in alphabetical order by label, which is why the Spaniels (on Vee-Jay) were listed last. The reason Whitburn included only the McGuire Sisters and Sunny Gale versions in his Cash Box book was due to the fact that those were the only versions that were starred on the published charts.
 – Randy Price

Kent,
I really enjoyed Sam's Christmas songs that he remembered through the years. Personally, most of them I have never heard and or heard of. Without checking my 45 rpm, that video of Chubby Checker and Bobby Rydell doing JINGLE BELL ROCK, is not the original on the vinyl, but anyone gets the point.
Kent, I remember, and you may as well, when radio stations (traditional top 40), didn't start playing Christmas songs on the air until at least around December 10th, plus or minus.
Larry
Yes, and I think I enjoyed and appreciated them much more than this beat-you-over-the-head saturation that we’re faced with now.  (Then again, we have readers who listen to Christmas Music all year ‘round … so it really all comes down to personal taste.)
As for Sam’s selections, I wasn’t familiar with any of them either … and we’ve been featuring Readers’ Holiday Favorites for twenty years now!
ALWAYS nice to broaden our horizons a little bit by discovering some “new” oldies!  (kk)

A couple of quick reminders …

Remember, you can vote for your FIVE favorite nominees on this year’s Rock And Roll Hall Of Fame ballot until January 10th
Cast your votes here:  https://vote.rockhall.com/
The Top Five current leaders (all with over half a million votes) are:
The Dave Matthews Band (approximately 750,000 votes), Pat Benatar (just over 650,000 votes), The Doobie Brothers (right around 600,000 votes), Soundgarden (550,000 votes) and Judas Priest (with just over 500,000 votes.)
There’s still time to make your vote count …
Head over to the official polling booth now!  (kk)

Meanwhile, the polls have closed for this year’s Rewound Radio Top 77 Countdown (it’s really more like Top 3000!!!) … but you can listen to them play down all of the winners during the week between Christmas and New Year’s … and what a fun listen that is!!!  (I haven’t missed it in at least ten years!)  kk

We just ran the new Ides Of March video for “Friends Like You” a couple of weeks ago … and now they’ve already got ANOTHER clip ready from their “Play On” CD.

And it just  happens to be another one of my favorite tracks from the album.

You can check it out here …


It gives you some insight into their 55 year journey … and shows just why they’re still so popular today.  (In fact, their annual Christmas Concert is tomorrow night at The Arcada Theatre … and good seats are still available.)

From Jim Peterik …

There are still some tickets left for the Ides Christmas show at the Arcada on December 14th - this Saturday.  
Special guest will be the amazing singer, Toby Hitchcock of Pride of Lions, who will astound with his inspirational version of Oh Holy Night. Mike Toomey of WGN will host with his comedy.  
The Ides will do two  sets - the first, all Christmas material - original songs and classics. Set Two is all rock from their amazing catalog of hits.
Rock on!!!  
Jimbo

And, right around the corner is Jim’s annual World Stage Show, which is ALWAYS an amazing cavalcade of music …

We are excited to announce the roster for Jim Peterik and World Stage 2020, to be held at Wentz Center, Naperville on Saturday, January 25th.
There are still some tickets available. 
[But these go quick … EVERY show is a complete sell out! – kk]
The line-up this year includes:
Jim Peterik (heard of him?)
The Ides of March
David Pack of Ambrosia fame
Dave Jenkins of Pablo Cruise
Anthony Gomes (back by popular demand!)
Toby Hitchcock of Pride of Lions
Brooklyn Charmers (Colin Peterik’s amazing Steely Dan tribute band) 
And you know there’s always the chance of a surprise guest!
Also ...  be sure to check out the new Christmas lyric video below …
A gift from the Ides of March! 
Rock on!!  
Jimbo 

And, speaking of The Ides Of March …

>>>One of my fave Ides obscure 45s gets just dues finally!  Their first 45 on Warner Brothers from 50 years ago, 1969, is the opening track on this new 2 CD import from Warner Japan!  "One Woman Man" is a lush sound that is similar to their earlier great tune "Nobody Loves Me," but with a much happier outlook lyrically.  You get the great brass and a sound that was in line with the softer music of the time.  There's even an unintended slight reference to the NC6's 1969 hit "I Want You to Know" musically if you listen closely.  Jim will have to put this back in their concert schedule now, maybe?  A truly great tune.  (Clark Besch)
>>>Omg Clark! This is Epic news!  (Actually Warner Brothers news. Lol!)  This is one of our lost gems 💎 for sure!  It was our first release from Warner Brothers and the first love song I wrote for Karen Moulik (later to be Peterik.)  At the time we were all super in love with Gary Puckett and the Union Gap.  (Jim Peterik)
Jim,
I guess it is BOTH Epic and  WB news, as you recorded for both labels! 
Great to hear the story behind "One Woman Man." 
I listen to both "I Want You To Know" AND "One Woman Man" a lot on my car MP3 player and hear the similarities and start to think about the period they were released, with both about a month apart and indeed, Gary Puckett still a top 40 fave. 
Here's what I hear as very similar, but now makes even more sense with your commentary.  Sadly, the great Ides track fell on deaf top 40 ears only to be given the Paul Anka story exactly five years later when he and Odia Coates made a big hit of their "One Man Woman/One Woman Man."  (Do you think Art Roberts told them they would have a hit if they did an Odia answer to Paul's part like he did with you and "Vehicle"???  ;)
Clark Besch



Peterik’s “Eye Of The Tiger” was all over the fall finale episode of “Schooled,” the new Adam Goldberg spin-off series that sprang from “The Goldbergs.”

And, as if all of this Ides coverage isn’t already enough (or, some may say, too much), now Clark Besch sends us the Cyrkle reunion performance of The Ides Of March’s biggest hit “Vehicle.”  (I’m sorry, Clark … but this is just AWFUL!!!)
So much so that I’m just going to run a link rather than the clip on our site so that those of you out there brave enough to do so can check it out!  (kk)

Is there sucha thing as over saturation on FH? 
The Ides are hotter than ever these days, it seems.  Below, "Vehicle" is on the new Cyrkle reunion live CD that has come out.  They were a great group and as the video shows, the horns are done on keyboards, so a little cop out there on the true sound, but nice of them to include it and the singer (a Cyrkle original member) does a good job. 
Here, you can watch their 2016 performance:
You can get the CD here: http://www.thecyrkle.com/
Clark


kk -
Here’s a message for Larry Neal about the Oklahoma City show coming up on 1/11/2020 …
If it doesn't say Charlie Thomas' Drifters, it’s a phony group.
If it doesn't say Sonny Turners' Platters, it’s a phony group.
There are no Coaters still alive ... but I think Carl Gardner's son has a group of Coaters. 
Kent, correct me if I'm wrong – but back in 1972, wasn't there some controversy over the song "CLAIR?"  Older man / young girl?
FB
I seem to recall something about that … but it was really quite innocent.  (I think this was more a case of somebody trying to make something out of nothing.)
Clair was the name of his manager Gordon Mills’ daughter.  (Mills also managed Tom Jones and Engelbert Humperdinck and, in the early ‘70’s, started his own record label, MAM Records.  Gilbert O’Sullivan was one of the first recording artists he signed to the label.)
O’Sullivan’s real name is Ray and if you listen to the lyrics, you’ll hear him refer to Clair talking to her Uncle Ray.  (O’Sullivan used to babysit Clair while he was waiting for his career to start taking off.)  While at first you get the impression that Gilbert is singing about a love affair between two adults, the lyrics (and the little girl’s laugh at the end of the song) finally give it all away that he’s singing to a child.  In fact, the lyrics take on a whole new context in this light.
Read some of the comments on YouTube from the real Clair Mills for more about how hurting it was to have this song misinterpreted.


(Kinda like the Bread / David Gates song, “Everything I Own” … it sounds like a beautiful love song to a girl … but once you realize that David wrote the song for his dying father, everything takes on a completely different meaning.  If you haven’t already done so, give it a listen from that perspective and see just how powerful and heartfelt a song it really is.


Or, from a completely different (and ridiculous!) perspective, “My Girl Bill” by Jim Stafford!



The Happy Together Tour will make a stop at The Genesee Theatre next year on Saturday, August 8th.
The line-up this time around includes headliners The Turtles (once again featuring Ron Dante subbing for Howard Kaylan, performing not only some of The Turtles’ biggest hits but also his own #1 smash by The Archies, “Sugar, Sugar”), Chuck Negron (formerly of Three Dog Night), The Association, The Vogues, The Cowsills, The Buckinghams and Mark Lindsay (former lead singer of Paul Revere and the Raiders.)

And The Who have just announced a six show residency at Colosseum at Caesars Palace in Las Vegas! 
They’re calling this their “Moving On” tour … and concerts will take place on May 5th, 7th, 9th, 12th, 14th and 16th of next year … and tickets are on sale now thru Ticketmaster / Live Nation.  (kk)

After having just seen “That Little Ol’ Band From Texas” a few weeks ago, I’m anxious to see his new DVD release spotlighting their 50 Year career.

You can read more about it here … 

ZZ Top’s big, brazen blues-rock, combined with a surrealist charisma that continues to intrigue fans, catapulted the band into worldwide stardom. Their history is deeply explored in ZZ Top: That Little Ol’ Band From Texas, which will be released via Eagle Rock Entertainment as a DVD+Blu-ray set on February 28, 2020. The package is available along with exclusive That Little Ol’ Band merchandise bundles from https://smarturl.it/ZZTopDoc now.
Produced by the award-winning Banger Films (Super Duper Alice Cooper; Peabody/ International Emmy award-winning Netflix series Hip-Hop Evolution), ZZ Top: That Little Ol’ Band From Texas, presented through the unique Banger Films lens, delivers the story of this power trio in an artistic style that complements the distinctive ZZ Top vibe. Originally premiered at a sold-out showing at the Cinerama Dome in Hollywood earlier this year, the film experienced a successful 10-week theatrical run via 150 screens nationally.
It unveils the story of three teenage blues musicians: guitarist Billy F Gibbons, bassist Dusty Hill, and drummer Frank Beard, as they went on to become international sensations. The film traces ZZ Top’s rich legacy, from their bar gig beginnings to their defining MTV era and meteoric rise to fame. In addition to interviews with the band members, the disc features conversations with such high-profile fans as Billy Bob Thornton and Joshua Homme (Queens Of the Stone Age), as well as never-before-seen archival footage. Shot exclusively for this film, an intimate ZZ Top performance at the historic Gruene Hall – the oldest dance hall in Texas – is intercut throughout the documentary.
Alongside the film, this DVD+Blu-ray set also includes two live performance segments. 18 minutes of the Gruene Hall performance, along with the Ham Estate Archive, which spotlights rare pre-Eliminator ZZ Top concert footage from 1976 and 1981, complete the set.
Currently celebrating their half-century career with extensive tours of both Europe and North America, ZZ Top continues to inspire fans 50 years after their inceptionThat Little Ol’ Band From Texas takes a deep dive into the band’s history that’s truly an interesting ride.
Extras:
Gruene Hall Bonus Performances (21 minutes):
Shuffle In C / Fannie Mae
La Grange
Brown Sugar
Blue Jean Blues
Ham Estate Archives Bonus Performances (22 minutes):
Thunderbird
Tush
Beer Drinkers & Hell Raisers
I’m Bad, I’m Nationwide
Manic Mechanic

News you can use … for the next two and a half weeks anyway …

FH Regular Chuck Buell tells us …

Check This out!
This year, everyone on the planet adds up to . . . THIS YEAR!
Start with your age and add your birth year and see the total.
Now do the same with anybody else’s age and birth year!
Go ahead! Just try it, first with yourself!
CB ( which stands for "Calculating Boy!" )
It’s true, it’s true!  So have some fun with this and amaze your friends!   
(Personally, I think this would be true of ANY year ... if all you're doing is taking the year you started and adding to it the age you're at right now, wouldn't the total ALWAYS come out to the total equaling the current year?!?!  (Hey, I know math is hard, people ... in fact, I've heard that five out of three people have problems with it ... but this one seems like a puzzle even Captain Obvious could probably solve!)  kk


Celebrity-author MARK BEGO visited MICKY DOLENZ Friday night for his It Was 50 years Ago tour at the Celebrity Theatre in Phoenix. 
Bego wrote Dolenz’s official bio I'm A Believer: My Life of Monkees, Music and Madness. 
And then on Tuesday Night Dolenz was interviewed by actor Alec Baldwin in LA for his podcast.  (Watch for airtimes)


And, speaking of Micky Dolenz and Mark Bego, their PR Guy (and long-time FH Reader) David Salidor got the Billboard treatment this week.  You can read the whole story / interview here:


Why don’t we feature this holiday tune from our FH Buddy Bob Lind …

TO MY FRIENDS AND FANS ... who are not on FaceBook, or at least who don't always see my FaceBook feed … I post this song and/or send it out every year around this time. It's as close as I come to writing a "holiday song." I wrote it sometime around 2005. Not much has changed since then.  Still my sentiments.
Love to all of you.
Yers,
Bob Lind

The 2020 Soul Train Cruise has sold out (for the ninth time!) 
Lucky fans who grabbed ticket in time will get to see The Jacksons, The Isley Brothers, Johnny Gill (in a special performance January 21), Cameo, Peabo Bryson, War, The Manhattans featuring Gerald Alston, Atlantic Starr, Regina Belle, Karyn White, Harold Melvin’s Blue Notes, Con Funk Shun, The Family Stone, Jean Carne, Brick, The Urban Guerilla Orchestra” and a Barry White Tribute featuring Jourdan Carroll, Jason Miles, Cruise Host Tony Cornelius, Gospel Host Clifton Davis, Co-Host Angela Stribling (of Pillow Talk Radio), Co-Host Jerry Wells, original Soul Train dancers Derek Fleming and Patricia Davis, Soul Train Cruise Comedy Club featuring Kevin Bozeman and Trenton Davis and music executive Chuck Gamble.
“When the very first Soul Train Cruise set sail back in 2013, we wanted to create the ultimate experience for the old school R&B fans,” says Alan Rubens, StarVista LIVE Senior Vice President of Entertainment and Executive Producer of the Soul Train Cruise. “We wanted to make sure our guests would be surrounded by their favorite music, have opportunities to interact with the superstars they love and relive favorite moments from their lives while creating new memories. Every year since then, we’ve set the bar even higher with bigger stars and round-the-clock events that you can’t find anywhere else. It’s incredible to see that there is a huge group of fans out there who love this as much as we do and want more of it every year.”  
“The Soul Train Cruise captures the essence of Soul Train’s spirit and is a special place where we get to say hi to and hang out with the greatest fans in the world,” adds Ronald Isley of the GRAMMY Award-winning Isley Brothers. “There’s really nothing else like it on the planet.” “The StarVista LIVE team has done a tremendous job of honoring the Soul Train legacy,” says Tony Cornelius, former Soul Train Executive and current Host of the cruise. “The StarVista LIVE team brings all the things we love so much about Soul Train to life to create a music-filled vacation experience for everyone to enjoy.”
Guests aboard the Soul Train Cruise experience seven days of nonstop Love, Peace and Soul, spending their days and nights with the stars during more than 50 live performances and over 25 celebrity interactive events. The vacation of a lifetime includes parties at the pool, a Gospel Hour, live interviews, cocktail receptions, Q&A sessions, dance classes with the original Soul Train dancers, wine tastings, celebrity-led game shows, costume parties and so much more.
The full-ship charter cruise will take place aboard the Holland America Line Nieuw Amsterdam, a luxurious ship that features an array of premier dining, lounges surrounded by panoramic views, a world class spa and salon and elegant staterooms. Cabin prices include access to all of the major concerts, gourmet meals, 24-hour room service and daily events. Further information is available at www.soultraincruise.com or by calling 844-266-7685.

Here’s news of an upcoming tribute to another often under-appreciated ‘60’s band, The Lovin’ Spoonful … and it’s all for a good cause, too …

WILD HONEY ORCHESTRA & FRIENDS
 SAVOR THE LOVIN’ SPOONFUL
Benefit concert for the Autism Think Tank
to take place February 29 at the Alex Theater 

Benefit-concert producers the Wild Honey Foundation will present the music of the Rock ’n’ Roll Hall of Fame members the Lovin’ Spoonful as a fundraiser for the Autism Think Tank. The event will take place Saturday, February 29, 2020, at 8 p.m., at the historic Alex Theatre, 216 N. Brand Blvd., in downtown Glendale, Calif.
Led by acclaimed musical director Rob Laufer (whose credits include George Martin’s Hollywood Bowl tribute to Sgt. Pepper), Wild Honey Orchestraand Friends (guest singers TBA) will explore the groundbreaking catalog of one of the 1960s’ most influential if underrated bands in the folk-rock-country (Americana) world. In the tradition of Wild Honey’s benefit events (which have saluted the Kinks, Buffalo Springfield, the Band, Beach Boys ’67-’77, Big Star, and the Beatles, among others), the musicians will passionately celebrate every nuance of more than 30 of the Lovin’ Spoonful brilliant songs: “Do You Believe in Magic,” “Summer in the City,” “Six O’clock,” “Coconut Grove,” “You Didn't Have to Be So Nice,” “Darling Be Home Soon,” “She's Still a Mystery,” “Full Measure,” and so many more.  Beloved by their peers — Paul McCartney, John Lennon, Ray and Dave Davies of the Kinks, and many others — the Spoonful created a rich and varied catalog of hits and hidden treasures that’s a perfect fit for the Wild Honey Orchestra and their merry band of guest performers.
Current members of the Orchestra include a who’s who of respected L.A. recording artists: Laufer, guitar, vocals; Elliot Easton of the Cars, Dennis Diken (Smithereens), guitar; Jim Laspesa (Brian Wilson / Dave Davies), drums; Derrick Anderson (the Bangles); David Goodstein, drums, vocals; Chris Price (Emitt Rhodes); Willie Aron, keyboards, vocals; Jordan Summers (Jakob Dylan) and Danny McGough (Tom Waits and more), keyboards; Kaitlin Wolfberg and Lyn Bertles, strings; Nick Vincent (vocals, drums); and Tara Austin and Nick Guzman (vocals).
As in previous years, the concert will benefit the Autism Think Tank, a non-profit that brings together a team of top autism specialists, via an Internet medical conference, to tackle the medical/psychological issues faced by kids like Wild Honey co-founder Paul Rock’s 15-year-old son Jake, a non-verbal autistic boy with extreme digestive distress and self-injury issues.  Thanks to medical advice from a member of the Think Tank medical team, Jake’s often debilitating self-injury has been reduced by 95%. By giving families access to cutting-edge treatments, the Autism Think Tank provides welcome relief from the suffering that comes with severe autism.  Since 2013, the Wild Honey Foundation has raised over $100,000 for the organization, which now operates under the wing of the newly formed Autism Healthcare Collaborative. Here’s a wonderful short video on how the Autism Think Tank works: https://youtu.be/cDszQ9BpKw8
Dating back to 1994, the 501(3)(c), non-profit Wild Honey’s numerous grassroots benefit events have featured appearances by Brian Wilson, Dave Davies (the Kinks), Richie Furay, Garth Hudson, Jackson Browne, Carlene Carter, Alex Chilton, the Bangles, Beach Boy Al Jardine, Micky Dolenz, Mike Mills (R.E.M.), Al Stewart, Denny Laine, Tony Asher, Dave Gregory of XTC, Danny Hutton, Terry Reid, Chuck Negron, Matthew Sweet, Colin Hay, Dan Wilson, Jody Stephens (Big Star), the Continental Drifters, P.F. Sloan, Jon Brion, Peter Case, the Plimsouls, Victoria Williams, the Williams Brothers, Dave Alvin, the Blue Shadows, Aimee Mann, Michael Penn, Scott Miller (the Loud Family), Ann Magnuson, and many others. The shows have been produced at the Alex and various other Los Angeles-area locations including the Morgan-Wixson Theater, the Roxy, the Knitting Factory (Hollywood), and the El Rey Theatre.
Besides the Autism Think Tank, Wild Honey shows have raised funds and awareness for the Children’s Music Fund, Sweet Relief Musicians Fund, Habitat for Humanity, the Liberty Hill Foundation, USC Norris Cancer Center, and the Coalition to End Gun Violence.
For more information about the Autism Think Tank please go to:https://www.autismhc.org/
For more information on the Wild Honey Foundation, please go to: 
Presale tickets on sale Wed., Dec. 11, noon. General sale tickets, Fri., Dec., 13 at the Alex Theatre box office.  https://t.e2ma.net/click/yarsu/e3jidh/a4xasf 

kk …
Here’s a link to Wild Wayne's show from Sunday …
I don't expect you to get through the whole show. 
He did a tribute to Herb Cox (of the Cleftones). 
Herb Cox died on Saturday and this show aired at 6 PM Sunday.  He had less than a day to put it together.
In my opinion, You and Wild Wayne are tied for # 1 --- Interviews + Reviews + Research.
Frank B.
Well, that’s some pretty good company indeed.
I’ve still gotta go with Rewound Radio as the #1 source to hear the widest variety of oldies music anywhere … put together by very knowledgeable folks where there’s ALWAYS a surprise you don’t see coming.  (And their Saturday Dee Jay Hall Of Fame salutes are great, too, featuring vintage air checks of some of the biggest names in Top 40 Radio from yesteryear.)
And I still really think you’ll like Sam Tallerico’s Lost And Found Oldies Show … the music may be a BIT more “modern” than your normal tastes … (it leans more toward ‘60’s and ‘70’s tracks) … but it’s VERY well put together by a guy who really has a passion for this music.  (And he’s been getting a really good response to our recent B-Sides features.)
Give this show a listen when you’ve got a chance …


On 12/11/1972, Apollo 17 Landed On The Moon.
The last two to walk on the moon = Gene Cernan and Harrison Schmitt.
My Cousin Frank Used to sing with The Chaperones.
(And you thought I was the only famous singer in the family, singing along with the jukebox at Larry's Pub!)
If you don't believe me, Wild Wayne has a clip of Cousin Frank introducing this song on his show …
The Chaperones – Cruise To The Moon - https://www.youtube.com/watch?v=X9Wcyo17Af0 
When most of my friends hear me sing at Larry's Pub, they tell me to keep my day job.
Problem is, I don't HAVE a Day Job!
Frank B.

Harvey Kubernik has ALL kinds of new articles out  (Be sure to check back here tomorrow for a very special Jimi Hendrix Page!)
He’s also got a great piece / interview with The Ventures that I will be happy to forward to anyone who asks for it.  (Just drop me an email)
As well as a very nice piece on Joe Smith, who we lost about ten days ago.  (Same deal … you want it, you got it … but it’s too long to run here so I’ll forward it back to you via email.)

For absolutely DIE-HARD Beach Boys fans, here comes word that four previously unreleased, undiscovered tracks by Beach Boys Dad Murry Wilson have been found among The Beach Boys’ archives.
Murry, of course, was famously fired by his sons Brian, Carl and Dennis for his constant meddling in the studio … but released his own album of instrumental tracks (“The Many Moods Of Murry Wilson”) in 1967.  (Wilson also discovered and produced the surf-rock group The Sunrays, who hit the charts with the Top 40 Hits “I Live For he Sun” and “Andrea” in 1965/1966.)
Sunrays leader Rick Henn brought Murry another group to record in 1969 called Snow … and they lent their vocals to four tracks that never saw release (including The Beach Boys’ classic “Break Away,” which Murry wrote together with his son Brian) that will now be made available digitally on December 20th.  (The other three tracks are “We’re Together Again,” “Wilderness” and “Bless Me.”)
You can catch a very short snippet of their version of “Break Away” here …
https://youtu.be/LeQcjyIQWbs (It’s AWFUL!!!)
Like I said, for absolutely DIE-HARD Beach Boys fans only!  (kk)

In the category of New Releases that we actually DO care about, look for a deluxe 4-CD Box gathered from Cream’s final album (“Goodbye”) and tour to be released on February 7th.
The new set will feature four complete live concert appearances (October 4th, 1968, at The Oakland Coliseum, October 19th, 1968, at The Los Angeles Forum, October 20th, 1968, at The San Diego Sports Arena and November 26th, 1968, at The Royal Albert Hall in London.)
Of the 36 tracks featured, 29 are premiering on CD for the very first time. 19 of those are previously unreleased in any format, and ten more (from the climactic Royal Albert Hall show) have previously only been available on DVD.
The original album release topped the charts in The UK and went all the way to #2 here in America back in 1969.  (kk)

Here’s a bonus for all of you who have been writing in about seeing the “It Was 50 Years Ago Today” salute to The Beatles’ White Album on the second leg of its tour.
Arcada Theatre House Photographer Lou Bilotti just sent us some great shots of all of the featured artists to share with our readers …





 

Christopher Cross – Micky Dolenz – Todd Rundgren – Jason Scheff – Joey Molland - ALL great performers! (Thanks, Lou!)
We saw the show for a second time at The Arcada on December 2nd.  (kk)

And a final smile from Chuck Buell …

Chuck Buell's "Friday Finale Funny!"


That's all right, Kent! It took me twice to get it, too!
Don’t feel bad … it took me THREE read-thrus before I got it! 
(One of those “OK, I must be missing SOMETHING” moments!!!)  

Meanwhile, the countdown continues as we make our way thru The Top 100 Most Essential Classic Rock Songs Of All Time.  (We'll be at the top before you know it!)

Get you daily fix here:  https://classicrockessentials.blogspot.com/

December 15th

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"Someday We'll Be Together" by Diana Ross and the Supremes holds on to the #1 spot for another week ... but The Jackson Five make their big move this week as "I Want You Back" jumps from #9 all the way to #2.

But also making big strides this week is "Raindrops Keep Falling On My Head" by B.J. Thomas from the hit film "Butch Cassidy and the Sundance Kid."  It moves from #11 to #3 this week.

"Venus" by Shocking Blue makes another ten point leapt this week to #20.  (Over the past three weeks it has moved from #40 to #30 to #20!)

And our FH Buddy Ron Dante has TWO hits on the charts again this week as "Jingle Jangle" by The Archies moves from #34 to #26 and "When Julie Comes Around" by The Cuff Links debuts at #39.

I also like the Vic Dana track at #33.  "If I Never Knew Your Name" was a Neil Diamond track that Vic did an exceptional job with.




THIS WEEK IN 1969: 
December 9th– Singer Jakob Dylan (son of Bob and future lead singer of The Wallflowers) is born 

December 10th– While testifying at his trial for possession of hashish and heroin in front of The Toronto Supreme Court, Jimi Hendrix claims that while he had experimented with them, he had now outgrown drugs.  After eight hours of deliberation, the jury finds him not guilty.

Also on this date, Rick Nelson, Michelle Lee and George “Goober” Lindsey appear on The Glen Campbell Goodtime Hour.

December 12th– Colonel Parker signs another record deal for Elvis through RCA’s budget label Camden Records, guaranteeing the release of four new albums (three in 1970 and one in 1971)  For this they are paid a $300,000 advance against future royalties.  (Elvis also picks up a gold record for “From Memphis To Vegas” today.)

December 14th– The Jackson Five appear on The Ed Sullivan Show tonight performing “I Want You Back,” “Stand” and “I Wonder Who’s Loving You Now.” 

December 15th– John Lennon makes his final live appearance in England on this date as The Plastic Ono Band partake in the Peace For Christmas Benefit Concert for UNICEF at the Lyceum Ballroom in London.  Also performing as part of this very special event:  Eric Clapton, George Harrison, Keith Moon of The Who, Billy Preston and Delaney and Bonnie.

Some Of Your Recent Classic Rock Essentials Comments

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>>>Hello kk – Applause, for doing the research … I’m sure it’s an arduous task!
It was interesting to see that four of my songs were in the top 200 of the 3333! 
Now I’m curious to see all the songs which were higher on the survey than #123!
Taking into account the millions of rock tracks generated since, let’s say, the 1950’s, it gives us pause.  I am grateful for all music lovers.  (Robert Lamm / Chicago)

>>>Now how cool is THAT?!?!  (kk)  

How cool was the shout out from Robert Lamm, you asked?
As my daughter would say, COOL BEANS!!
Now if that doesn't make you feel validated, then I don't what to tell you!
I'm so happy for you and pleased that I'm along for this momentous ride!
No one is forgetting you kk, NO one!
Bob Seger says " Still like that old-time rock n' roll …
That kind of music just soothes the soul … 
I reminisce about the days of old … 
With that old-time rock n' roll"
With each day the excitement builds!
When it is finished, we all will have awesome playlists to build with 3333 to choose from.
Thanks again for doing this!
(This is so exciting!!!)
With ongoing respect,
Nikki Sloane

I have to admit that it WAS pretty cool to get this … and see that he’s been following along with the countdown.
I did get the chance to meet all of the Chicago guys a few years ago when we were invited to their show at Ravinia … got to have dinner with the band before the concert and then hang out with them all a little bit backstage after the show … but you’re right … getting something like this lends great credibility to our efforts here … so yes, it was a VERY nice surprise.  (kk)

As was this from Jim Peterik, who had songs by both The Ides Of March AND Survivor fall within our Top 150 …

Hi Kent!  
What a great way to wake up on this cold Burr Ridge morning!
Two songs from my career in music making the essential list!!
Thank you all!  
And to you, Kent, for this amazing feature.
This is kinda like your Eye of The Tiger achievement!  
And the Ides will always remain Your Vehicle, baby.  
Jimbo

Checking out #’s 100 thru 80 on the classic rock list, one song so far that I NEVER hear on OUR classic rock station that is indeed good, but I never hear it on classic rock, is "The Weight" by the Band.  I personally would not include it in my Top 1000, but it is good.  
I DID have to look up "Pour Some Sugar On Mme" (would not play on your video) and I DO hear that one, but it came out in ‘87, two years after my semi-self-imposed music cutoff when I quit buying every song that came out just to keep my collection up.  Luckily, oldies stations and my old tapes filled the gap where new music always was.  :)   

I was watching this video below ...



... and the opening commercial reminded me of one of my first records, Del Shannon's "Runaway".  

Due to my overplaying on my old clunky heavy record player as a five year old, it developed a skip.  One day, I decided to fix it and went down to dad's tool room and grabbed the thinnest blade screwdriver I could find and ran it meticulously thru the part that was bad to get the dirt or whatever out.  The result was that I now had a white area in the grooves and when played, still had the skip, but now had a loud swish noise thru that part. 
I learned from that? 
Well, kinda. 
25 years later, I was cue burning great 45s occasionally on my 60's radio show.  Maybe I never learned?
Anyway, I loved this commercial and remembered it always from my OWN incident.  Too bad that BIC pens do NOT write every time these days.  I throw SO many away.
Clark Besch

Unfortunately several of the videos were no longer available by the time the countdown finally ran ... VERY frustrating as you can imagine, as I spent HUNDREDS of hours auditioning a wide variety of available videos to post on YouTube only to find that they have seen been taken down or those YouTube accounts had been cancelled.  But I think you all still get the jist.   (Besides, most of the time if you just wait a few days, they're back up there again anyway!!!)
"Pour Some Sugar On Me" happens to be one of the most over-played classic rock songs out there right now ... this one and a couple by Bon Jovi seem to fit the mold of what "consultants" are telling radio stations they need to play in order to maintain a "hip" audience.  (Yeah right ... go after the folks who weren't even born yet simply because it fits the "perfect and desirable age demo" every radio station and advertising agency is looking for ... whether they know and love the music or not.  THAT makes sense!!!)
Why not just define your audience for who it is ... and give them a play list that will keep them tuned in ... and then market and advertise to THAT demographic to sell them the types of products that they would be interested in.  (What???  60 year olds don't buy new cars???  Or electronic gadgets?  Or take expensive vacations?  They spend money too ... and plenty of it.  I'm thinking it's gotta be hard for these advertisers to see the world as it really is with their heads shoved that far up their butts!  All I know is you're leaving a TON of money on the table by NOT marketing to this audience ... because they WILL respond to the products and opportunities that fit their life style.)  kk 

As a final note, I'm sensing a little bit of disappointment from the bleachers as we move ever closer to the top ... 

Good Morning!
I'm still excited about the countdown, but I'm finding it harder and harder to repeat my mantra of "it's the people's countdown" as we get closer to the top.
Some of these weren't even on any of my lists nor did I vote for them.
Some for me would've been better forgotten forever. 
HOWEVER, I respect the process and will continue to share, discuss, and pass on to my DJ friends as Forgotten Hits and this is what the people want.
Have a wonderful Sunday!
With respect!
Nikki

As much as the ten songs, from 51-60 were great, the ten from 41-50 were mediocre at best. I just can't hold my tongue any longer. More than one should have had a three & a zero in front of them.you sure you don't have a typo or two there? In The Air Tonight at #41? Higher than Let It Be? What's next? A Groovy Kind Of Love? You Can't Hurry Love? Kansas? Bon Jovi? All of these songs  ahead of Runaway? For the most part while I may not like the song, but I can see it being placed there, with a reasonable deviance. I've made a list of what I perceive is still on the board. Hopefully there are no more "typos". 
Jack

You have to remember that as we get closer to the top, the songs that you’re currently hearing now in heavy rotation will take over the countdown.  (I’ve said from the beginning that the most interesting part of this countdown will be the BOTTOM 2500-3000 … those are the songs that radio is ignoring and deserve the occasional spin now and then … we’re already hearing these other ones near the top of the chart every day now!)
But even as predictable as many of these titles may be, you still may be surprised at the finishing order of some of these.
I think we can STILL keep you interested and intrigued as we move closer to the top.  (Besides, you CAN’T give up on us now!!!  Lol)  kk



FH Reader Dann Isbell (who knows a thing or two about countdowns … he’s already published a couple of books ranking the biggest hits of the ‘60’s and ‘70’s) sent us a list of songs that HE thought would end up in The Top 100.
Well, he got 47 of them right … so maybe there are a few surprises left for ALL of you!
Just like everybody else, you’ll have to wait until the countdown finishes up on December 30th… (but what a GREAT New Year’s Eve Countdown this will make!!!)
We’ve had everyone from deejays on the list to the ever-reliable Frank B., who wanted to count them down on Larry’s Pub’s Jukebox, asking for an “advance copy” of the rest of the list.
Nope … ain’t gonna happen … WE need to count them down first!
Here’s hoping ALL of you have fun with these results …
Remember to email your favorite Classic Rock Stations and DEMAND that these songs be heard … there are SO many great “Forgotten Hits” on this list that TRULY deserve to be played every now and then.
In the meantime, enjoy the countdown!  (kk)

On the plus side …

Dann has agreed to compile the final list in ways that can be analyzed several different ways … including (but not limited to) the final ranked countdown (#1 - #3333), the actual countdown as it happened in reverse (and the way it would happen if broadcast in any portion, #3333 - #1), an alphabetical list by song title, a list of songs by artist … and he’s even going thru all of the extra steps to review where these songs can be found as they first appeared and the year of that release.  Quite a task (and more than I’m up to at this point!   Lol)

So stay tuned for that, after the first of the year.

Then all of you who have been asking for it can download your own copy as a personal keepsake … and reminder to keep emailing your favorite classic rock radio stations and DEMAND that they play something other than those same 250-300 songs every day!!!  Let’s make Classic Rock Radio interesting again!!!

Tuesday This And That

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FREDDY CANNON:
>>>Kent: I’d like to bring the FH readers up-to-date on Freddy “Boom Boom” Cannon.  As you remember I brought you the sad news at the beginning of the year that Mr. Palisades Park was having problems breathing and did not have enough energy to perform a concert.  As a result, Freddy decided to retire and he cancelled all the dates he had booked in 2019.  His specialist told Freddy his lungs were in bad shape.  So Freddy followed his Doctor’s orders and took it easy throughout the year.  He started walking every day and was sure to keep up with his doctor’s instructions.  In recent months Freddy has been feeling a whole lot better.  His breathing has improved significantly and his lungs are in better shape.  Feeling so good, Freddy did a test show recently to see if he would have any issues performing a 30 min set.  It worked out great.  Now Freddy is starting to accept dates again.  This week he’s in Florida at The Villages doing some concerts with Mark Lindsay.  Freddy celebrated a birthday earlier this month and, having survived his health issues, he was doubly appreciative that so many of his fellow artists called him or e-mailed him with greetings.  Merry Christmas to Freddy, his wife Jeanette, his kids and his grand kids in California.   (Tom Cuddy)

>>>That really is GREAT news, Tom … thanks for sharing.  I know Freddy was heartbroken about having to come off the road.  We talked after he made the announcement and it was so sad to hear him say “My lungs are shot.”  He’s made some incredible recoveries in recent years … which just means that everybody up there is looking out for him … and wanting a little more Boom Boom!!!  (kk)

HI KENT, 
YES, I’M DOING IT AGAIN!
THANK YOU FOR REPORTING THAT I’M BACK!
I WORKED WITH A BAND NAMED ROCKY AND THE ROLLERS …
KENT, THIS IS A REAL GREAT ROCK AND ROLL BAND!
MAYBE ONE DAY YOU WILL HEAR THEM THEN YOU WILL KNOW!
ANYWAY, THANK YOU.
TOM CUDDY IS MY VERY GOOD FRIEND AND, AS YOU KNOW, HE KNOWS HIS MUSIC AND THE ENTERTAINMENT INDUSTRY.
KENT, TO YOU AND YOUR FAMILY, HAVE A VERY MERRY CHRISTMAS AND A HAPPY NEW YEAR  FROM FREDDY BOOM BOOM CANNON AND MY FAMILY.
GOD BLESS YOU.
Right backatcha, Freddy … to you and yours.
SO good to hear that you’re doing so much better!
Hoping we can connect somewhere down the road again.  (kk)

BURTON CUMMINGS / RANDY BACHMAN REUNION TOUR:
We’ve been telling you for the past two years that it was gonna happen … they were even going to film another Soundstage episode together … but now 2018 and 2019 have passed without an official tour.  (Burton and Randy DID do a couple of special appearances together in Canada this year, which reportedly went very well.)
Well, now Burton has been teasing a reunion on his Facebook Page that would make it sound like an OFFICIAL reunion tour in 2020 is going to happen.
Check out this link, sent in by FH Reader Tom Cuddy …
(All I can say is … WE CAN’T WAIT!!!!!)  kk

And, speaking of Burton Cummings, we lost another great Canadian artist this past week as early rock pioneer Jack Scott passed away …

JACK SCOTT:
kk:
Wild Wayne is reporting that Canadian singer Jack Scott has died.
FB
I heard about his passing first thing this past Thursday morning. There is a group of FH Readers who regularly campaign for his inclusion in The Rock And Roll Hall Of Fame.  Honestly, I doubt that it will ever happen as he just wasn’t well known enough (or revolutionary enough) to have made a difference … but that doesn’t diminish his contribution to the overall scene at the time.  I know first hand that he still has a large legion of fans who support and appreciate his work … and many years ago, I know that a petition for his induction was circulated on line ... and that didn’t get it done either.  (I will say this … based on The Rock And Roll Hall Of Fame’s track record, it’s probably more likely that he would be considered now that he’s gone than it would have been before.  They just seem to wait until we lose these artists before they give them fair consideration.  I mean, why would we want to recognize them during their lifetime when they could be around to appreciate it???)
Scott had ten National Top 40 Hits:  “My True Love” (#3, 1958); “Leroy” (#11, 1958), “With Your Luck” (#26, 1958); “Goodbye Baby” (#8, 1958); “The Way I Walk” (#25, 1959); “What In The World’s Come Over You” (#3, 1960); “Burning Bridges” (#2, 1960); “Oh, Little One” (#34, 1960); “It Only Happened Yesterday” (#25, 1960); “Patsy” (#35, 1960) kk  

Kent,
You probably already know this by now, but a friend of mine just emailed me to tell me that Jack Scott passed away yesterday. No details of his death were known. As my dad would have said, " He was a good one". Always did like LEROY
Larry

kk:
From Glen Fisher's current newsletter, sent out today …
FB

Jack Scott was very good, but “The Best in Canada?”  I have to say, no way.
Burton Cummings is head over heels the best rock musician to come from Canada.  He's also very intelligent and a helluva nice guy. 
In 1976, at the end of their show at Arie Crown, he told the audience that he and the band would be at this record store on Oak Street near Rush. I went over, and there were maybe 15-20 fans there. After 45 minutes, I was one of three fans left. Needless to say, I monopolized Burton and Bill Wallace (bass player) for about an hour and then they finally gave up and decided to leave. I walked with them to their hotel over on Michigan Avenue. That made my whole year.  ;-)
I've been to a dozen of his shows, beginning in 1970 and ending about seven years ago, and he still puts lots of our old-time rockers to shame.  He gets my vote hands down.
Happy holidays!  And thanks again for a fantastic site.  Nothing like it anywhere I've been.
Mike Wolstein


I’m quite sure I was at that same Arie Crown show in ’76.
If you haven’t seen Burton in seven years, you definitely owe it to yourself to check him out again … he is still every bit as good as ever.  (And now, if he’s going to do a reunion tour next year with Randy Bachman, it becomes a MUST SEE concert!)
Search our website for some of our recent Cummings concert reviews … he’s amazing!  And, if by chance you haven’t seen it, read our exclusive interview with him, too.  You can find that here:

THE ROCK AND ROLL HALL OF FAME:
Let’s just say that this organization has been known to get this wrong a time or two in the past.

Here’s a guy who’s been ignored for as long as The Rock Hall has existed … and for absolutely no good reason …

Hi Kent,
How can anyone in the music business not think that TOMMY JAMES qualifies for the ROCK AND ROLL HALL OF FAME ... his music and influence has stood the test of time. 
Please read below and pass this on.
Carol Ross, Manager
CRYSTAL BLUE PERSUASION, CRIMSON AND CLOVER, MONY MONY, HANKY PANKY, I THINK WE'RE ALONE NOW, SWEET CHERRY WINE, DRAGGIN' THE LINE, THREE TIMES IN LOVE and MIRAGE - just a few of the many hits - 23 GOLD SINGLES, 9 PLATINUM ALBUMS and over 100 MILLION RECORDS SOLD WORLDWIDE - 32 BILLBOARD HOT 100 CHART HITS.
Artists around the world have and continue to cover Tommy's songs - BILLY IDOL, JOAN JETT, BRUCE SPRINGSTEEN, CARLOS SANTANA, REM, PRINCE, KELLY CLARKSON, DOLLY PARTON, CHER, TOM JONES and even THE BOSTON POPS.
Tommy's music is featured in 60 FILMS and 53 TV SHOWS to date along with numerous commercials ... BMI lauded Tommy for his success with the presentation of a FIVE MILLION AIR AWARD for his music being played more than 21 million times on air.
Tommy's critically acclaimed autobiography ME, THE MOB AND THE MUSIC, listed on ROLLING STONE'S Top 25 Music Memoirs, is now in production for a film with producer BARBARA DEFINA, whose credits include GOODFELLAS, CASINO, CAPE FEAR, AGE OF INNOCENCE, SILENCE, THE GRIFTERS and YOU CAN COUNT ON ME ... she also produced MICHAEL JACKSON'S video 'BAD.' 
The screenplay is being written by MATTHEW STONE, whose credits include INTOLERABLE CRUELTY and BIG TROUBLE. 
TONY AWARD WINNER KATHLEEN MARSHALL just signed to direct - she received TONY AWARDS for choreography for the Broadway productions of ANYTHING GOES, THE PAJAMA GAME and WONDERFUL TOWN - she was also nominated for DIRECTING each of those musicals.
Tommy is now enjoying more success with his own radio show on SIRIUS/XM RADIO -'GETTIN' TOGETHER WITH TOMMY JAMES  - airing Sunday evenings, 5 – 8 pm Eastern on the 60s on 6 channel.
The prestigious NEW JERSEY HALL OF FAME inducted Tommy and his life size hologram can be viewed at the NJHOF EXHIBIT at NEWARK AIRPORT in New Jersey - Terminal C.
Tommy recently received THE PITTSBURGH LEGEND AWARD and THE JUKEBOX ARTIST OF THE YEAR AWARD.
Now entering his 51st year in the music business, he continues to tour around the country and Canada.
Follow him on Facebook, Twitter and Instagram - 
For additional information and touring schedule check out his website -TOMMYJAMES.COM

EARTH, WIND AND FIRE:
You mentioned Earth, Wind and Fire in this week's jumbo edition of The Friday Flash. 
Here's their Chicago roots:
In 1969, Maurice White, a former session drummer for Chess Records and former member of the Ramsey Lewis Trio, joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area. The three friends eventually got a recording contract with Capitol Records. Calling themselves "The Salty Peppers," they went on to have a marginal hit single in the Midwestern area entitled "La La Time," initially released on TEC Records, and re-issued in 1969 by Capitol. 


La, La, La (Part 1) b/w La, La, La (Part 2) (Tec 1014 / Capitol 2433) 1969
                Listen to “La, La, La (Part 1)” - https://youtu.be/qUuCAYP_uD0
Uh Huh Yeah b/w Your Love is Live (Capitol 2568) 1969
                Listen to “Uh Huh Yeah” - https://youtu.be/mOxCYuutZ_A
                Listen to “Your Love is Life” - https://youtu.be/UDgJPa3Zbnc

The Salty Peppers' second single, "Uh Huh Yeah," did not fare as well. Maurice moved on from Chicago to Los Angeles. He added to the band singer Sherry Scott and percussionist Yackov Ben Israel, both from Chicago, and then asked his younger brother Verdine how he would feel about heading out to the West Coast. On June 6, 1970, Verdine left Chicago to join the band as their new bassist. Maurice began shipping demo tapes of the band, featuring Donny Hathaway, around to different record labels with Maurice naming the band Earth, Wind and Fire, based on his astrological sign Sagittarius. His shopping landed them with Warner Bros. Records with their debut album released in 1971.
Ken Voss

It took a little while for them to catch on then, too.  Ten singles charted before “Shining Star” broke the band in a big way in 1975, hitting #1 on the Pop Singles Chart.  (The biggest of those early hits was “Mighty Mighty,” which wen to #29 in the Spring of 1974.  “Evil” (#50, 1973), “Keep Your Head To The Sky” (#34, 1974), “Devotion” (#33, 1974) and “Hot Dawgit” (#50, 1975) all made it into The National Top 50 … and, as “Shining Star” was climbing the chart, a duet reunion of sorts with Ramsey Lewis called “Sun Goddess” also went to #44.  (Lewis was also on their hit “Hot Dawgit.”)  Surprisingly, none of these early records charted here in Chicago.  (kk)

THE KENNEDY CENTER HONORS:
>>>The Kennedy Center Honors show that when it comes to Sally Field, they like her … they really, really like her! (kk)
Totally unimportant, but interesting is the fact she never said that, at least not on Oscar night. Comics said it and, as usual, that is what gets remembered. I've attached a clip of what she said and "really" is no part of it.
Hey, I said it was unimportant. Did you know the queen in Disney's Snow White didn't say "Mirror, mirror on the wall?" LOL. I could go on, but I won't.
Hil
I still can’t believe they honored her for “Places In The Heart” and overlooked all those awesome “Smokey And The Bandit” movies!!!  (Tallk about life being unfair ... I don’t think she ever won anything for “Gidget” or “The Flying Nun” either!!!)  kk

Did you guys watch this ceremony?
I've got to say it was one of the best Kennedy Center Honors I've ever seen ... entertaining from start to finish ... starting with a VERY emotional tribute to Linda Ronstadt (and the performance of some of her biggest hits, including "Blue Bayou" and "When Will I Be Loved" ... both performed by Carrie Underwood ... and "You're No Good," sung by Trisha Yearwood.  Aaron Neville even came out to sing "Don't Know Much" and was joined by Yearwood for the duet.  Guest speakers (including Don Henley, Emmylou Harris and Kevin Kline) spoke of Ronstandt's forays into other styles of music ... she truly covered it all during the course of her remarkable career.
Then came Sally Field ... and yes, there were references to Gidget, The Flying Nun and Smokey and the Bandit ... but also to her landmark roles in "Norma Rae,""Places In The Heart,""Forrest Gump" (where she was greeted by Tom Hanks as "Hi, Mama!"), "Mrs. Doubtfire" and "Sybil."
The salute to Sesame Street was outstanding ... it changed the way we viewed TV for Kids forever ... and I can't even imagine how many celebrity guests have lent their talent to this program over the years.
But the salute to Earth, Wind And Fire blew it all away.  What an amazing showcase of material, performed by everyone from John Legend to Ne-Yo to The Jonas Brothers to Cynthia Erivo, who was remarkable.  The entire audience was up on its feet for "Boogie Wonderland,""Shining Star,""Fantasy,""Sing A Song,""Can't Hide Love" and the grand ensemble finale of "September."  I also especially liked magician David Copperfield's story about how the band wanted to incorporate some music into its stage act ... so Copperfield came up with an illusion that would make it look like band leader Maurice White had disappeared on stage.  The band absolutely loved the idea ... but in unison asked " ... but can we try it with Verdine?" (Maurice's brother)  It was very touching (and perhaps just a little bit uncomfortable) when they explained how Maurice had to retire from the road as he was no longer able to perform due to Parkinson's Disease ... sadder still since co-inductee Linda Ronstadt is suffering from the same debilitating diagnosis today.  He died nearly four years ago ... but was  clearly the driving force behind the band, who still perform today, offering up music of mass appeal, as evidenced by the tribute performances shown Sunday night.
I'm sure the program will be available On Demand ... and also online at CBS.com ... definitely worth two hours of your time.  (kk) 

THE BUCKINGHAMS:
I mentioned the other day that The Buckinghams will be playing select dates on next year’s Happy Together Tour (including a stop right here in Chicago at The Genesee Theatre on August 8th.)

Carl Giammarese explained things a little bit further for me ..

Hi Kent,
Yes, we are on a hand full of Happy Together tour dates, and the Genesee is one of them.  There are a couple in Colorado, one in Greensburg, PA, and there may be a few more. It’s a great tour, but I couldn’t commit to a full tour.  We played 53 dates last summer … that’s a lot! 
Speaking of the Genesee, we are playing a show with America on March 6th. It is different for us as we are performing unplugged ... just Nick, Dave and I … two acoustic guitars, bass and vocals. Really looking forward to it! It’s always fun to do something different. We plan on playing “I’m a Loser” from the first Tufano and Giammarese album.
By the way, this past Saturday night we played a Christmas show at Bradley-Bourbonnais Community High School at 700 West North Street in Bradley. It was a funraiser for KCTC (Kankakaee County Training Center). 
Here’s a little background on what it’s for and what they’re about.
KCTC is a not for profit organization that employs 200 workers plus 450 developmentally disabled adults. They provide services for many companies, including 5 Shark Tank companies that you see on TV. 
KCTC is a model organization that others around the country use as an example of working with adults with development disabilities.
KCTC’s vocational program in Bradley, IL, is not the only service we offer for adults living with developmental disabilities; we also offer rehab, residential, and day programs for senior citizens. The purpose of the senior citizen program is to enhance an individual's daily living and communication skills, to maintain and possibly improve their functional skills through recreation and leisure activities, to provide them opportunities for community outings, and to fulfill their socialization needs.
For those looking for meaningful work with developmentally disabled adults in Bradley, IL, look no further than Kankakee County Training Center for the Disabled, Inc. Our staff are trained to fulfill the mission of our programs, which is to provide adults with developmental disabilities the opportunity to acquire skills necessary to become more productive, contributing members of their community.
This concert provided a great opportunity to do something for this organization … which is what the holidays are all about.
Have a Very Merry Christmas!
Carl G and the entire Buckinghams family
That America show sounds really interesting … a real switch-up for you guys … should be fun.  (An unusual pairing, too … but VERY cool to see them blend the ‘60’s and ‘70’s here!)
Best Holiday Wishes to you and yours as well …
Hope to catch up with you guys again real soon, whether it be a Cornerstones Of Rock Show, a Happy Together Show, the America concert of The Buckinghams solo … or all of the above!!!  Thanks, Carl!  (kk)

[By the way ... Happy Together tickets at The Genesee Theatre are selling like crazy ... so you'd better grab yours in a hurry!]
https://www.geneseetheatre.com/events/detail/happy-together-tour-2020
THIS AND THAT:
kk …
One of your big complaints –
Today, between noon and 3 PM I heard the # 1 song of 1970, "RAINDROPS KEEP FALLIN' ON MY HEAD" by B.J. THOMAS, three times on Rewound Radio.
FB
Had to be during their Rewound Dee Jay Hall Of Fame segment, spotlighting either this week in 1969 or some type of 1970 Year-End Countdown I imagine.  Yeah, it would seem that a little bit of editing could have remedied that situation and made the listening experience a little more pleasurable for those folks who tuned in … but back in 1970 we probably really DID hear “Raindrops Keep Fallin’ On My Head” at least twice during every deejay’s four hour show!  (kk)

From Ron Dante, after he saw our Sunday Survey featuring our WLS Fifty Year Flashback ...

Kent -
1969 was a terrific year for my Archies and Cuff Links.
Thanks for posting that WLS chart.
Have a great Christmas and here's to the best new years for you and your family.
Ron


Talk about great shows, check out this killer line-up (sent in to us by FH Reader Ken Voss) for an event coming to Erie, Pennsylvania in March, 2020 …https://www.facebook.com/events/473341616645391/ 

Regarding Ken's letter yesterday about how the media evaluates the decade of the 1960s, focusing mainly on the last three years of it, I, myself, am quite aware of the "decade divide" phenomenon -- of how a decade starts out as "the continuation of the last one," develops a "character of its own" midway through, and often ends itself in a realm that doesn't remotely resemble its first two or three years.
Just for the record, I'm quite embracing of the entirety of (mainly) the '50s, '60s, '70s, and most of the '80s.  I think the musical diversity and attitude and mindset differences during each sub-era, all put together, renders the whole that much more interesting and fascinating.
Tal 
For me, the thing that makes the ‘60’s the most exciting and inventive decade of them all is the very fact that ALL of these wide varieties of music and genres coexisted together side by side … and nobody even gave that a second thought at the time.  That was part of their charm … and part of what shaped those of us growing up during this era to embrace the sounds of Roger Miller and Iron Butterfly … The Beatles, The Beach Boys and The Four Seasons right alongside the biggest hits coming out of Motown by The Supremes, The Temptations and The Four Tops … Bobby Goldsboro, Bobbie Gentry, Bobby Vee, Bobby Darin and all the OTHER Bobbys who came along … “In The Year 2525,” “Crystal Blue Persuasion,” “Blowin’ In The Wind” and “They’re Coming To Take Me Away, Ha-Haa!”
No other time in the history of music has provided this much diversity or inspiration.
Sure, every decade offered up something new … be it Rock And Roll in the ‘50’s, The British Invasion in the ‘60’s and (for better or for worse) Disco in the ‘70’s.  Each decade made SOME type of statement.  But for every great Elvis record in the ‘50’s, you got something by The Everly Brothers, Chuck Berry, Paul Anka, Ricky Nelson, Fats Domino and The Platters.  For every #1 Hit in the ‘60’s by The Beatles (and there were TWENTY of them!), you got #1 Hits by The Supremes, The Beach Boys, Petula Clark, Otis Redding and Jeannie C. Riley!  And the ‘70’s gave us two COMPLETELY different sounds by The Bee Gees, the singer / songwriter stylings of James Taylor, the horn-rock innovations of Chicago, teenie bopper groups like The Jackson Five and The Osmonds and the Disco Diva, Donna Summer.
It was the combination of ALL of the musical styles and genres that helped music evolve during this era.  I wouldn’t trade it in for ANYTHING I’ve heard since!  (kk)

EVERYBODY loves a good countdown …

And, in addition to the one running on Rewound Radio between Christmas and New Year’s (which, if any past years’ programs are any indication, will likely play as many as 3000 favorites as voted on by their listeners), Sirius/XM’s ‘60’s on 6 Channel has ALSO been tabulating votes for the past several weeks in order to determine The Top 600 Songs From The ‘60’s … which THEY will begin counting down on Monday, December 30th.  (This was an interesting ballot … where you were allowed to vote for your ten favorite songs from the early ‘60’s as well as your ten favorite songs from the late ‘60’s, which ties in nicely with the on-going discussion above.  Most of the time these days their ‘50’s Channel features songs from about 1954 – 1963 … right up to The Beatles coming into vogue … which I think is a more appropriate way of presenting The Golden Days Of Rock And Roll.  The artists featured in this format helped to influence all of the groups who came over and enjoyed success during The British Invasion.

Plus Me-TV has been running an online poll to determine The Top 16 ‘60’s Favorite Songs, Favorite TV Shows and Favorite Movies!  (Kinda like the Sweet 16 Countdowns we did back in 2016!)

The final song countdown has just been completed … and here are The 16 Favorites as voted upon by their television viewers, newsletter readers and radio listeners …

#1 - "California Dreamin'" - The Mamas and the Papas
#2 - "Daydream Believer" - The Monkees
#3 - "Sweet Caroline" - Neil Diamond (seriously?!?!?) 
#4 - "Hey Jude" - The Beatles
#5 - "The Sound of Silence" - Simon & Garfunkel
#6 - "Light My Fire" - The Doors
#7 - "Unchained Melody" - The Righteous Brothers
#8 - "Yesterday" - The Beatles
#9 - "Can't Help Falling in Love" - Elvis Presley
#10 - . "(I Can't Get No) Satisfaction" - The Rolling Stones
#11 - "House of the Rising Sun" - The Animals
#12 - "For What It's Worth" - Buffalo Springfield
#13 - "My Girl" - The Temptations
#14 - "(Sittin' On) The Dock of the Bay" - Otis Redding
#15 - "Brown Eyed Girl" - Van Morrison
#16. "I Heard It Through the Grapevine" - Marvin Gaye
As far as Favorite ‘60’s Movies go, the ballots are still being tabulated … but the early leader seems to be “The Sound Of Music.”  In this category, I voted for “The Graduate” and “Butch Cassidy and the Sundance Kid” … but there are SO many more great movies to be considered.  (Damn!  I forgot all about “In The Heat Of The Night” … and “Guess Who’s Coming To Dinner” … and what about “Psycho”?!?!?)
Also on the list you’ll find “Goldfinger,” “To Kill A Mockingbird,” “Mary Poppins,” “A Hard Day’s Night,” “West Side Story” and “Rosemary’s Baby.”  (How’s THAT for a diverse list?!?!?)
I haven’t seen any results for Favorite ‘60’s TV Show yet (I voted for “The Fugitive” and “The Dick Van Dyke Show,” two prime examples of the best of the decade … as well as programs that have aged nicely over the years.)

It’s a GREAT newsletter … always full of interesting trivia and tidbits.  Head over to MeTV.com and sign up!

As the calendar flips to change decades they (like us) will begin to focus more on the anniversaries of the 1970’s … our Fifty Year Flashback begins almost immediately and throughout the year we will look back at interesting news headlines and events … as well as feature EVERY WCFL Big Ten Survey released that year!

(Of course, WE'RE running one heck of a countdown right now, too ... it's THE TOP 3333 MOST ESSENTIAL CLASSIC ROCK SONGS OF ALL TIME ... as determined by YOUR votes ... nearly one million strong!
We'll be wrapping that up on December 30th ... which gives you plenty of time to check out the other countdowns mentioned above!)  kk

Kent: 
Here's something for your voluminous files about rock and roll.
Clark Weber
Bob Sirott interviews CLARK WEBER for the ILLINOIS ROCK & ROLL MUSEUM
As one of the ones who was there when it all was happening, you’ve got some WONDERFUL memories to share.
You can pick up a copy of Clark’s book here:

>>>There's a new New Colony Six single on the charts this week ... my LEAST favorite record ever released by the band ... "Barbara, I Love You" debuts at #33.  (kk)
Kent,
I guess one man’s ceiling is another man’s floor.
In 1969, the NC6 had four #1 records on my personal charts, each spending two weeks at the top except for "Barbara, I Love You," which topped in December for FIVE weeks!  Only the Hollies' Look Thru Any Window" and the Fireballs'"Long Green" managed five weeks at #1 on my 60's charts, so the last ‘69 NC6 45 was the best at that time for me. 
Today, when it comes on my MP3 player, it gets repeated several times before moving on.  Actually, all of theirs do, as well. 
I cannot call the song the BEST of theirs today, but it is still ONE of their best for sure. 
Ronnie Rice even did a Merry Christmas message for WLS to play before the song when airing at this time 50 years ago! 
I THINK the NC6 garnered the year’s best award on WLS for 1969 for local groups, too.
Clark Besch
They did … and they had a HELL of a run here in Chicago.  (Now that Joel Whitburn has published his Comparison Chart Book, we can see that The New Colony Six charted an incredible19 times … more than ANY other local band of this era.)  Sadly, only THREE of those hits registered as Top 40 material nationally … they certainly deserved better
My personal favorite looking back?  Probably “Long Time To Be Alone,” a 1971 release that barely made The Top 100.  This one should have been a HUGE hit in my opinion.
But there are SO many that I love to this day … “I Confess,” “Love You So Much,” “You’re Gonna Be Mine,” “I’m Just Waitin’ Anticipatin’ For Her To Show Up,” “Treat Her Groovy,” “I Will Always Think About You,” “Can’t You See Me Cry,” “Things I’d Like To Say,” “I Could Never Lie To You” (another HUGE personal fave), “I Want You To Know,” “Roll On” and “Never Be Lonely” … each and every one of these songs still brings me enjoyment every time I hear them.
Kinda surprised about the Ronnie Rice Christmas message for “Barbara, I Love You” … he didn’t even handle the lead vocals on that one!  (That honor fell to drummer Billy Herman, who also wrote the tune.)  kk

Hi Kent,
I would love the two Harvey Kubernik articles if I could.  Now if I could only get Harvey to let his books be put out in Kindle form so I could read them, things would be great. <grin> 
I'm still reading FH and loving it.
Thanks for all you do.
Bill Scherer in MN

Since you brought it up, I asked Harvey if there were any plans to publish his books in Kindle form …

Here’s what I got back …

Thanks for asking, Kent –
I am currently in discussion about some Kindle and E-Books of my catalog. 
When I began the big book coffee-table size format journey, it was a world before some of the new digital avenues were established. 
In the meantime, please feel free to continue to display the links to articles. 
HK

>>?"Vehicle" is on the new Cyrkle reunion live CD that has come out.  (Clark Besch)
Pretty cool, Kent. What an honor!
We love the Cyrcle guys and hope we get another rock cruise with them again soon!  
Jimbo 

And finally, THIS from FH Reader Mike Wolstein:

Might be in bad taste ... 
But, what the heck.  ;-) …
Jim might get a chuckle.
Mike


Everybody’s been quick to jump on the anti-Tiger bandwagon …
Just the other day on the way into work I heard one of the DJ’s offer this up as their Joke Of The Day:
What’s the difference between Santa Claus and Tiger Woods?
A:  Santa only had THREE Ho’s!!!
(rimshot)
Merry Christmas Everybody!  (kk)

THURSDAY THIS AND THAT

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THE ROCK AND ROLL HALL OF FAME / TOMMY JAMES …
WHAT’S WRONG WITH THIS PICTURE?!?!?:
>>>How can anyone in the music business not think that TOMMY JAMES qualifies for the ROCK AND ROLL HALL OF FAME ... his music and influence has stood the test of time.  CRYSTAL BLUE PERSUASION, CRIMSON AND CLOVER, MONY MONY, HANKY PANKY, I THINK WE'RE ALONE NOW, SWEET CHERRY WINE, DRAGGIN' THE LINE, THREE TIMES IN LOVE and MIRAGE - just a few of the many hits - 23 GOLD SINGLES, 9 PLATINUM ALBUMS and over 100 MILLION RECORDS SOLD WORLDWIDE - 32 BILLBOARD HOT 100 CHART HITS.  Artists around the world have and continue to cover Tommy's songs - BILLY IDOL, JOAN JETT, BRUCE SPRINGSTEEN, CARLOS SANTANA, REM, PRINCE, KELLY CLARKSON, DOLLY PARTON, CHER, TOM JONES and even THE BOSTON POPS.  Tommy's music is featured in 60 FILMS and 53 TV SHOWS to date along with numerous commercials ... BMI lauded Tommy for his success with the presentation of a FIVE MILLION AIR AWARD for his music being played more than 21 million times on air.  Tommy's critically acclaimed autobiography ME, THE MOB AND THE MUSIC, listed on ROLLING STONE'S Top 25 Music Memoirs, is now in production for a film … with some A-Listers onboard to facilitate … producer BARBARA DEFINA (GOODFELLAS, CASINO, CAPE FEAR and MICHAEL JACKSON'S video 'BAD’) … MATTHEW STONE, who is writing the screenplay (and whose credits include INTOLERABLE CRUELTY and BIG TROUBLE), director KATHLEEN MARSHALL, who has received TONY AWARDS for choreography for the Broadway productions of ANYTHING GOES, THE PAJAMA GAME and WONDERFUL TOWN and was also nominated for DIRECTING each of those musicals.)  Tommy is now enjoying more success with his own radio show on SIRIUS/XM RADIO -'GETTIN' TOGETHER WITH TOMMY JAMES  - airing Sunday evenings, 5 – 8 pm Eastern on the 60s on 6 channel.  The prestigious NEW JERSEY HALL OF FAME inducted Tommy and his life size hologram can be viewed at the NJHOF EXHIBIT at NEWARK AIRPORT in New Jersey - Terminal C.  Tommy recently received THE PITTSBURGH LEGEND AWARD and THE JUKEBOX ARTIST OF THE YEAR AWARD.  Now entering his 51st year in the music business, he continues to tour around the country and Canada.  (Carol Ross, Manager)
Without question, this is a GROSS error in judgement on the part of The Rock And Roll Hall Of Fame … and is just another example of why they have lost all credibility with music fans and artists all over the world. 
They need to fix this and make things right.  There are still dozens and dozens of deserving artists that need to be recognized yet are passed over again and again and again.  Tommy is certainly at the top of that list.  (kk)
Hey Kent,
Ms. Ross's letter is dead on.  Indeed, how is it even possible that Tommy hasn’t been elected to the R&R Hall of Fame?  It’s rather upsetting.
Something’s rotten in the state of the Rock and Roll Hall of Fame.
Paul Evans

THE KENNEDY CENTER HONORS:
>>>I've got to say it was one of the best Kennedy Center Honors I've ever seen ... entertaining from start to finish ... starting with a VERY emotional tribute to Linda Ronstadt, followed by Sally Field.  The salute to Sesame Street was outstanding ... it changed the way we viewed TV for Kids forever ... and I can't even imagine how many celebrity guests have lent their talent to this program over the years.  But the salute to Earth, Wind And Fire blew it all away.  What an amazing showcase of material.  The band continues to offer up music of mass appeal, as evidenced by the tribute performances shown Sunday night.  I'm sure the program will be available On Demand ... and also online at CBS.com ... definitely worth two hours of your time.  (kk) 
I have to agree about the Kennedy Center Awards show.  It is getting to be the best of all those award shows.  Linda Ronstadt enjoyed it and the people singing her songs were spot on (even if they weren't ORIGINALLY her songs).  There was plenty of mention of Eagles members in her band, but MY hero, Andrew Gold, can be heard quite well on "You're No Good," playing guitar as another famous member of her early band. 
The Earth, Wind & Fire entertainers were really good as well and the band members obviously enjoyed it all. 
Sally Field NEVER gets old, does she?  Always thought she would have been great on "Laugh in" as a regular.
I did not know the conductor, but the female playing "Hoe Down" was fabulous!  Of course, ELP did a rock version that was great as well.
Indeed, Sesame Street was a real eye opener, even when we moved to Lincoln in 1971 and had first taste of Public TV and that show.  I was 14 and older than one should be for watching, but it was first time viewing.  After watching what my Rayderz have done this year, the attached sound bite I recorded in 1971 from SS seems the new appropriate name for my team.  ANYWAY, enjoyed Tom Hanks' conversing with Big Bird on the Kennedy special.
Clark Besch
Could you imagine collecting fifty years of special guest appearances on Sesame Street to put together a two hour tribute special?  Literally everybody who was anybody clamored to get on this show … especially once they had kids of their own.  What a fascinating project that would be to siphon through all that footage and try to come up with the best highlights!  (Come on, HBO … you need to get somebody working on this right away!)

THE TOP 3333 MOST ESSENTIAL CLASSIC ROCK SONGS OF ALL TIME:
WOW! Thanks for the shout outs! 
It is so wild and yes, there will be disappointments and disagreements, but I'm hanging with you until the end!  I like that we will be able to have the complete list to do our own study and analysis.  I plan on having a group discussion about it with my music friends, twenty and thirty-something groups who also voted.  Plus it will be fun to build my playlist to have while I work.  Shuffle seems to come to mind.
Nikki

We’re in the home stretch now …

The Top Ten started today … and we’ll wrap everything up on the 30th!

Be sure to check the site each day to see the next song revealed I the countdown!


The suits have won.
I truly hate to say it, Kent, but you've been trying for 20 years to show otherwise, and unless there's a Hail Mary in the next 30 songs, at the end of the rainbow there will not be a golden oldie, there will be just another one of the same 300 songs the corporate whores have brainwashed radio listeners with.
You gave it an unbelievable try, running against the wind. Take solace in the fact you have introduced and reintroduced some readers to some great music.
To all the DJs who read Kent's blog, tell your bosses I will not be listening to commercial radio again. In 10 days, when I turn my radio back on, it's back to satellite radio for me.
I had hoped that FH readers would be different. As I look at what's still on the board, I'm not impressed.
At least Hey Jude & Don't Stop Believin' are off!
Jack
P.S. The radio is off because if there's anything worse than the usual 300 songs, it's those same 300 plus the usual two dozen Xmas songs.
As I’ve said before, we knew all along that The Top 300 would include most of the songs that Classic Rock Radio has been playing to death for the past twenty years.  They’re there for a reason … it’s the music classic rock music fans want to hear.
The whole goal of this exercise was to reintroduce hundreds and hundreds of OTHER songs to be considered as viable alternatives here and there to help spice things up a bit … and I believe the radio world will (and already has) take notice.
The Drive (WDRV-FM, 97.7 Chicago) will be launching their latest A to Z playlist the day after Christmas … and it’s long enough to last well past New Year’s Day … and I’m willing to bet that you’ll hear several songs on this list that didn’t make the cut the last several times out that may have been inspired by our own alphabetical listing of nominees several months ago.  SO many great tracks that don’t get played (and now a chance to hear THOUSANDS of them with no repeats for at least eight days a week!)  Definitely worth tuning in for … if only to hear and experience just how good these songs really DO sound when mixed in with the rest of the regular fare.  (kk)

FREDDY CANNON:
Freddy Cannon was, to us brothers, THE original hard rocker!  His songs were ALWAYS loud, tough sounding, yet always upbeat and happy, with the "Woo" blasting out of each song.  Bobby Rydell and Paul Anka and Frankie Avalon and those were pretty boys with the sweet vocals, while Freddy gave us the LOUD unashamed vocals with the lyrics that were NOT deep, did not have to be UNDERSTOOD as a theme:  "Ya wanna know if you're in love.  Jump Over, woe woe woe!"
They were just good rock 'n roll records.  Freddy made rock 'n roll FUNNNNN!
"The Dedication Song" still is a fave I always loved.  I used the "Don't touch that dial" opening for my radio show opening in the 80's.  SO good to see him well again!  It's no wonder Svenghoolie uses his theme because Sven's schtick is right in line with Freddy's fun stuff.
Clark Besch

Hi Kent ...
Kudos to Freddie "Boom Boom" Cannon.  I am so happy that he is recovering and regaining his health. This is all good news.  I wish him the best on his upcoming shows. He has always been an entertainer and fun to watch. I am sure he can take his audience to "Where the Action Is." 
Sandy

BURTON CUMMINGS:
I, too, saw Burton Cummings in concert in 1976 as opening act for the Bee Gees in Omaha.  Get this, there was no mention of him being on the bill!  Can you believe it?  We were blown away by both acts.
Clark Besch
Burton opened for a number of acts when he was trying to build his solo career after the break up of The Guess Who.
I saw him open for Melissa Manchester AND Alice Cooper, both in the same year!  And I have to believe that he was just rolling with the bunches for a good portion of that time.  But he STILL sounds great today … and if 2020 offers up a tour with former songwriting partner Randy Bachman, then you can count us in!!!  (kk)

From our 2013 interview with Burton Cummings:

‘60’s FLASHBACK:
kk:  A couple of years ago we went to a show that featured America and Jethro Tull ... two acts that would seem to be at opposite ends of the musical spectrum.  But I'll never forget one of the STRANGEST pairings I've ever seen ... and that was seeing a show that YOU did back in the day during the early solo years where Burton Cummings opened up for Alice Cooper!!!  How weird did THAT have to be for you?  (Especially after the whole "Glamour Boy" thing!!!)
BC:  Opening for Alice Cooper was an exercise in professionalism. The first few rows were always painted up like Alice, some of them carrying tomahawks and axes, and I'm out there singing "Stand Tall"… but eventually the band I had won over a lot of audiences.

Hey Kent,
Thanks for mentioning that INCREDIBLE Burton Cummings interview. I'm just beginning to realize how much great information and entertainment I've missed over the last 20 years due to my not knowing about your FH site. 
You covered every base with Burton, much of which I'd known, but there were lots of pleasant surprises there.
If there was only some way I could invent a Flux Capacitor so I could go back to 1999 ...
Again, Happy Holidays to you and yours!
Mike Wolstein
Folks can find that Burton Cummings Interview (one of our best, I believe!) here …



Nice story about Canadian Burton Cummings and his huge fan, Mike Wolstein.  Wow! I know the natural "high" one can get from being around their favorite singer / band and to be able to converse with them in a meaningful way. It truly is unforgettable.
I also wanted to wish you and your loved ones the best for a very Merry Christmas and a healthy, happy and prosperous new year.  2020 already ... Where does the time go?!!! 
Sandra Lorenz
I swear 2019 was the fastest year of my life.  It seemed like every time I opened my eyes another month had passed!
But I am looking forward to a very special 2020 … been waiting for this one for a long, long time. 
Same to you and yours for the very best of the holiday season. (kk)

THIS AND THAT:
I LOVED the Clark Weber interview!  He was certainly right about the influence of the DJs and WLS and WCFL back then.  Not only were my brothers and I listening to ALL those 50,000 watt rockers, but we found WLS to be the BEST of the best always.  I do think it helped that WLS was years ahead of the others. 
I was a Riley Rebel and not under obligation to follow Emperor Weber's commands, but knowing NOW that it was all for fun, I have to thank Clark Weber for all the great memories and advice and friendship he has given me (and FH) these past years.  I've got my Riley Batman Club cards and Weber Moohlah and our Besch brothers 60's reel to reel tapes and all that stuff and still enjoy looking and listening to it all.  It was the TIME OF MY LIFE and I never tire of reliving it -- especially with those who brought it to me AND I NEVER dreamed I would eventually meet.  (Actually, I dreamed that a lot, but doubted it would happen living in Dodge City Kansas). 
Bottom line is that it wasn't just ME.  As time has gone by, I know SO many people, both fans and people in the music industry or in garage bands of the day that LISTENED just like I did, with radio under pillow at night and Art Roberts giving us that thrilling moment of the #1 requested song of the night -- ALWAYS a very new soon to be smash.
Clark Besch

Hi there, Kent,
This was written in your Tuesday, December 17th, blog entry:
>>>You mentioned Earth, Wind and Fire in this week's jumbo edition of The
Friday Flash.  Here's their Chicago roots:  In 1969, Maurice White, a former session drummer for Chess Records and former member of the Ramsey Lewis Trio, joined two friends in Chicago, Wade Flemons and Don Whitehead, as a songwriting team composing songs and commercials in the Chicago area.  (Ken Voss)
Wade Flemons had two hits that I know of, although one of them may have only appeared on the RNB charts. 
One of them was called Here I Stand, recorded in 1956, which the Rip Chords would record seven years later in 1963. 
The other hit was called Slow Motion, and it was out in the summer of 1959, and appears on a Ken Reed aircheck on KLIF that I have from August 31, 1959. 
He also recorded a song with a group called  the Newcomers called My Baby Likes To Rock, but I don't know if that charted nationally or not.  Actually, the Newcomers may have been the backup group on his other records as well.
Like everyone else here in Canada, I was very saddened to learn of the death of Jack Scott.  It's really unfortunate that he received so relatively little recognition for his contribution to music during his life.  In an interview that he did with one of our Toronto radio stations, he mentioned that he had a bad case of the flu, but was
scheduled to fly to New York for a recording session which he didn't want to cancel.  So, while Jack Scott was recording Burning Bridges back in 1960, he himself was burning up with a 102 degree fever from that flu.  I've never forgotten that story.
Sam Ward
Wade Flemons charted a total of five times on the national charts.  His bigges hit was “Here I Stand” (credited to Wade Flemons and the Newcomers), which peaked at #58 in Cash Box Magazine.  (It only reached #80 in Billboard … and didn’t chart at all in Music Vendor … yet another example of the wide discrepancy between the way each magazine measured a record’s performance.)
Here in Chicago, “Here I Stand” went all the way to #24.  The Newcombers record you mention, “My Baby Likes To Rock,” did no chart nationally … or here either for that matter. 
”Here I Stand reached #42 in Canada on the CHUM Chart, where it spent four weeks. It climbed to #19 on Billboard’s R&B Chart … and “Easy Lovin’” actually made The Top Ten.  (It topped out at #70 on the pop charts.)   “Please Send Me Someone To Love” became another Top 20 Hit for Flemons, but didn’t chart pop at all.
That’s an interesting story about Jack Scott.  (kk)

Jack Scott never really quite got the fame or recognition that he deserved.
I have a Facebook page dedicated to all of the beautiful musical memories that Mr. Jack Scott left to each and every one of us.  It's been 60 years since his first gold record, "What In The World's Come Over You," which is just one of many.  He so deserves to be in the Rock and Roll Hall of Fame.  He, and many others like him, paved the way with their gold records for those that are now being inducted. I try to make people aware of this on my Facebook page, "FRIENDS THAT LOVE JACK SCOTT."  I pray that he can get the recognition that he so deserves.
My hope has always been that perhaps one day his family would be able to see him rock that Cleveland stage ... but of course it’s too late for that now.
Believe it or not just two years ago, at 83 years old, Jack Scott headlined the stage in Las Vegas and then jumped on a plane to headline in England.
I would so appreciate it if oldies radio would play some of his awesome tunes, especially now in light of his passing.  (Jack had FIVE Top 20 Hits … how can radio not play ANY of them?)
I do so love listening to all the oldies and, thanks to y'all, perhaps real rock and roll is here to stay.
Thank you so very much  for your time … and y'all have a blessed holiday.
Bonnie Dejan




This is an archived concert photo I recently uncovered from a Rockford newspaper article in 1966. It announces a concert scheduled for 3/19/66, featuring The New Colony 6, The Shadows of Knight, Baby Huey and the Babysitters, The Flock as well as The Grim Reapers and Komens from Rockford. After the outdoor show downtown featuring Johnny and the Hurricanes in the spring of ‘65 and the two summer of ‘65 shows promoted by Barry Fey at Rockford College featuring The Byrds and The Beau Brummels, this would have been the fourth largest show in Rockford. The NC6, SOK and Flock would return the following summer for large shows at the Ice Chalet in Rockford. I remember attending this show, but this is the first piece of concrete evidence I have found that it took place. I think Jim Sohns mentioned it in an interview in FH, or some other form of media, pertaining to the “Goose” nightclub that was actually never in Rockford.
Robert Campbell


>>>I AM an old fuddy-duddy deep down inside!  (kk)
Wha-a-a-t?!  Just because you're totally obsessed with all the minutiae of Oldies, their artists and groups and love sitting in a dimly-lit room wearing a shirt with sleeve garters holding up the sleeves and a translucent head visor counting, categorizing and compiling over three thousand old songs??!!  Nahh! 
( Again -- {:~} )
Chuck Buell


kk:
Forget About All The Singers You Know –
Forget About All The Groups You  Know --
Forget About All The Disc - Jockeys You Know –
Forget About All The ME-TV Executives You Know –
Forget About All Your REWOUND RADIO Connections –
When You're A Hit At Larry's Pub, You've Made "THE BIG TIME."
FB

TOMORROW IN FORGOTTEN HITS:
Watch for another great guest concert review …
This time for Bowzer’s Holiday Rock And Roll Party in Clearwater, Florida!

MERRY CHRISTMAS EVERYBODY!
Me-TV-FM will begin running Wink Martindale’s Christmas Countdown on Christmas Eve, which’ll run continuously through the holiday.  Our long-time FH Buddy Gary Theroux was instrumental in putting this thing together … and it encompasses every genre of Christmas Music you can imagine.  (And, you’ll hear a few things that you DON’T hear non-stop on all the other stations.)  kk


And, with the holidays now less than a week away, we just HAD to share these with you, courtesy of Chuck Buell … (CB) … aka Christmas Boy!



Another Great Guest Concert Review

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Kent, 
 
Spent an excellent evening at Clearwater, Florida's newly-renovated Ruth Eckerd Hall on December 14th. 
 
The show: 
 
Bowzer's Holiday Rock 'n' Roll Party, 2019. 
 
According to Jon Bauman (Mr. Bowzer himself), this was the 12th straight year that he has hosted this particular event here in Clearwater and even though I have lived here most of my life, this was the first time that I have attended. 
 
The draw for me was seeing Mark Lindsay, one of my top five all-time favorite singers, and Gary Puckett (both newly added to the show) along with Peter Noone and some of Bowzer's former bandmates from Sha-Na-Na. 
 
This show has always been advertised as a Christmas event and while that was fine with me, I was also hoping to hear some of my favorite songs from the 60s.  
 
The show opened with Bowzer strolling on stage in his usual greaser outfit from the 50s (but wearing a Christmas hat) and then stopping while turning sideways and doing his usual routine of flexing his muscle while stretching his mouth wide open and greeting the crowd. Classic! 
 
He welcomed everyone to the show and then introduced his backup band, Florida's well known Rocky And The Rollers, and then broke into song doing "White Christmas." His bass voice is simply incredible, even at his age of 72 years. 
 
He then brought out one of his former bandmates from Sha-Na-Na, Johnny Contardo. He told the audience how Sha-Na-Na were responsible for some of the songs from the hit movie Grease and then Johnny sang "Those Magic Changes."  Then together they did "Blue Moon." Both were simply outstanding on this version, with Bowzer hitting some incredible low notes. Bowzer then brought out another Sha-Na-Na bandmate, Henry Gross. 
 
Henry told a little bit about what he has been doing lately, writing songs in Nashville and doing a few gigs here and there. He then sang what he said was a brand new song titled "New Year's Eve" and then, of course, sang the song everybody was waiting to hear, "Shannon," his huge hit from 1976. His falsetto has lost nothing over the years.  (He could do a great Barry Gibb impersonation). 
 
He told the story about how he dedicated this song to the late Beach Boy Carl Wilson because when he met him back in the early 70s, Carl had told him a story about how his dog Shannon had just passed. Henry said that inspired him to write the famous hit and the rest is history. 
 
Bowzer then brought out his three back-up singers, the Stingrays (also dressed in greaser outfits topped with Xmas hats) and they sang a couple of gospel tunes. Bowzer then joined them along with Johnny Contardo and they sang "Twistin' The Night Away," while imploring the crowd to do just that. That was followed up by "Willie And The Hand Jive" and the big crowd favorite, "Shout." 
 
And, because Bowzer said he did not want to leave anybody out of the Christmas holiday, he and the group closed out their portion of the show with "The Chanukah Song." You figure it out.
 
Everybody then left the stage except Bowzer while the crew took maybe three minutes to set the stage for the next act.
 
Bowzer told a few stories while the crew hurried along and then introduced Gary Puckett & The Union Gap. Gary and his Union Gappers took the stage with "Lady Willpower." He immediately went into (my personal favorite) "Over You" and followed that with what he said was his personal favorite and that, of course, was his very first hit, "Woman Woman." 
 
Let me stop the presses right now. 
 
I have seen Puckett a number of times over the last 30 years or so and quite simply his voice has never sounded better than it did tonight. I very strongly suspect that Auto-Tune Live was being used (which can sense and instantly correct any missed notes so subtly that only the most well-trained ears will ever realize the vocals were initially off-key.) I'm pretty sure most performers nowadays are using this device. A couple of other examples that come to mind are Gerry Beckley of America and Justin Hayward of the Moody Blues, among many others. Their voices just a few years ago were starting to sound pretty rough but the last couple of times that I saw them they sounded much better. Much, much better! Hmmm. Anyway, personally I highly approve of the device. At least they aren't lip-synching!  But I digress. 
 
Gary then sang a couple of Christmas songs, "It's The Most Wonderful Time Of The Year" and "Let It Snow, Let It Snow, Let It Snow." Both sounded wonderful. And then, for a special treat, Gary's very young grandson walked out on stage (I'm guessing 4 or 5). Gary scooped him up and they both sang "Santa Claus Is Coming To Town." Major applause and then Gary explained his whole family was here because ... he was a resident of Clearwater and has been for many years. More huge applause , of course. 
 
"I've got one more song to do and please sing along" ... and naturally went into "Young Girl." Bowzer came back out and thanked Gary for being part of the show and announced a fifteen minute intermission. 
 

After the intermission, Rocky And The Rollers came back on stage with Bowzer and the Stingrays and they did a couple more Christmas songs (I missed it because I was in the lobby meeting Gary Puckett and that was a thrill.) I got back to my seat just in time for Bowzer to introduce Mark Lindsay of Paul Revere & The Raiders fame. 
 
With Rocky & The Rollers as his backup band, he jumped right into "Steppin' Out" followed by "Just Like Me." He then spoke to the crowd about how proud he was that the Raiders had four songs featured in Quentin Tarantino's 2019 movie "Once Upon A Time In Hollywood" and said "I would like to feature two of them now."  Mark then sang "Hungry" followed by "Good Thing." 
 
"That's enough rock & roll for now, I would like to show you that I can still do a nice ballad." And "Arizona" was the ballad. 
 
"Back in 1971, the Raiders had a Number One Hit with the song I am about to sing and at that time, it was the biggest selling single in the history of Columbia Records. And it remained Number One for about 12 more years until that twerp Michael Jackson topped it by "Billie Jeaning" us. The song, of course, was "Indian Reservation," and as that song ended, he dived right into the classic "Kicks," which closed out his portion of the show. (No Christmas songs from Mr. Lindsay ... just six classic Raiders hits with his big solo hit.)
 
He sounded great (auto-tune?) and he looked great. He is obviously in great shape (especially for 77 years old) and still sported his classic ponytail. He moved really well on stage and even did a few kicks during "Kicks." I'm nit-picking here ('cause I really enjoyed his performance) but I would sure love to hear him do a few Raiders songs from their 1967-1970 period. I have never heard him play "Him Or Me,""I Had A Dream," Too Much Talk," Mr. Sun, Mr. Moon,""Let Me" or anything from that great album Collage. I would love to hear "Just Seventeen." Oh well, maybe someday. 
 
And now Bowzer is back on stage and tells a few more stories while the road crew sets up for Peter Noone's Hermits band. The latter-day Hermits come out in their Christmas outfits with guitarist Billy Sullivan dressed up as Santa Claus. The other three (Vance Brescia on guitar, Rich Spina on keys, and Dave Ferrara on drums) are dressed up as elves. They all looked adorable. Bowzer then gave a wonderful heart-felt introduction to the man himself, Mr. Peter Noone. 
 
He bounded out on stage with his enormous smile singing his (I believe) first hit "I'm Into Something Good" and encouraged the audience to clap and sing along. He segued right into the Hermits' remake of Sam Cooke's "Wonderful World," and followed that with "Love Potion No. 9." 
 
"We like doing other people's songs also" he said before jumping right into "Dandy." That, of course, was a hit for both his band and the Kinks. "We like to do a little country also" and Noone did a great tongue-in-cheek version of Johnny Cash's "Ring Of Fire." Joking that someone in the front row thought they were coming to see the Monkees, the band played "Daydream Believer" and followed it with "All My Loving" with Peter explaining "We have to do a Beatles song, don't we?" 
 
Now it was time for some more Hermit's hits and they played "Just A Little Bit Better" followed by "Silhouettes" and then just a very beautiful and tender version of "Listen People." And then, with "Here's another ballad," Peter performed a very heart-felt and poignant rendition of the classic "End Of The World."
 
Next comes Peter's classic Mick Jagger impersonation while singing a snippet from "Jumpin' Jack Flash." Great fun! 
 
Back to the Hermit's hits with "Can't You Hear My Heartbeat," with Peter and Santa Claus (aka Billy Sullivan) dancing around during the instrumental break. And then that familiar guitar into of ... wait a minute ... it's "Rudolph The Red-Nosed Reindeer" sung like "Mrs. Brown!' After all, it IS Christmas time. And then, of course, all is right with the world as he segues "Rudolph" back into "Mrs. Brown." 
 
 
The crowd is now on their feet with the opening drumbeat of "I'm Henry the VIII, I Am." Wait a minute, it now becomes "Jingle Bells" for a few verses and then back to "Henry." Of course, it becomes a great crowd sing-along with singing competition and it's all in great fun. And to wind everything up, it's the classic 1967 song "There's A Kind Of Hush." 

Bowzer is back on stage followed by the Rollers and greets and thanks Peter again for a great performance and begs him for one more. Who can refuse the Bowz? 
 
Everybody is back on stage and the Rollers, along with the Hermits and Bowzer, the Stingrays, Johnny Contardo and Peter break into the classic "Goodnight Sweetheart." 
 
Gary Puckett makes his way on stage holding onto two grandkids (the man is in great shape) to join the fun. No Mark Lindsay though ... apparently he flew the coop.   It was a beautiful-sounding song with everybody, including the audience, singing along. What a great way to end the show!!! 
 
The icing on the cake was meeting Peter out in the lobby as he posed for pictures and signed some autographs. Gary Puckett came back out also and greeted and talked to fans. As many times as my girl friend Alice and I have seen both Gary Puckett and Peter Noone, we have never had the privilege of meeting them. OMG, this was a definite huge thrill for both of us. 
 

I have enclosed a couple of pics with my girl Alice and Gary and Peter. My expectations for this show were quite high and they were blown out of the water. Three hours long and a sold-out crowd of 2,130. I'm pretty sure a great time was had by all but especially by me and my girl! 
 
Rich Turner
Palm Harbor, Florida
 
This sounds like an amazing show ... thanks for sharing it with our readers.  (And I have to admit that I am CONSTANTLY blown away by how many of these artists have helped us build Forgotten Hits into what it is today.
 
Bowzer participated regularly while working to get his Truth In Music laws passed across the country ... Henry Gross has been a regular contributor since 2000, as has Peter Noone ... and Mark Lindsay and Gary Puckett have also chimed in a number of times over the years (as has Peter's AMAZING guitarist, VanceBrescia.)
 
It's times like these that I feel truly blessed to have been able to live even the smallest part of the rock and roll dream.  ALL of these artists have meant SO much to me over the years ... and are still out there wowing their fans with great shows like these.  Wish we could have seen it!  (kk)

What's Wrong With This Picture? Tommy James Still Isn't In The Rock And Roll Hall Of Fame!

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In what can only be described as a complete miscarriage of justice, Tommy James STILL has not been inducted into The Rock And Roll Hall Of Fame.

And as if that in and of itself isn't ridiculous and insulting enough, he's never even been nominated!

To put that into perspective, MC5 appear on this year's ballot for the FIFTH time.  (Seriously, there ought to be a three strikes and you're out rule when it comes to something like this.)  When compared to Tommy's career ... well, why even bother ... because there simply IS no comparison.  (MC5 charted one Top 100 Hit ... "Kick Out The Jams" ... which peaked at #82 in Billboard in 1969.  Tommy, on the other hand, has placed an incredible 33 songs on Billboard's chart ... and even that is a bit of an understatement ... as this list includes revolutionary and timeless classics like "Hanky Panky,""I Think We're Alone Now,""Mony, Mony,""Crimson And Clover,""Sweet Cherry Wine,""Crystal Blue Persuasion" and "Draggin' The Line," songs that helped to reinvent and define rock and roll.

Tommy belongs right at the top of our list of Deserving and Denied Artists that The Rock Hall continues to overlook year after year ... 

And yet they've had his suit on display in their Cleveland Museum for YEARS  now ...


And invited him to perform there ...

Yet somehow have never found it justifiable to actually induct him???  (I would LOVE to know what criteria would disqualify him from such an honor ... since I can't think of ANYBODY more deserving of inclusion.  Maybe somebody at The Rock Hall or on the Nominating Committee can explain this to me ... because I'll admit to being completely baffled and bewildered.)

Tommy's music has crossed all timelines and genres ... after scoring massive hits on his own in the '60's, tracks like "Crimson and Clover,""Mony, Mony" and "I Think We're Alone Now" have reached the top of the charts again, two decades later, for artists like Joan Jett, Billy Idol and Tiffany.

His autobiography, "Me, The Mob and The Music" was a national best seller and is being made into a major motion picture.  

He continues to play to sold out crowds from coast to coast, still wowing crowds with his incredible hits catalog and commanding and exciting stage presence.

And he's still writing, recording and releasing new material, most of which is every bit as good as it was some fifty years ago!

And yet he's never made The Rock And Roll Hall Of Fame Nominations Ballot.  It's ludicrous.

We recently heard from Tommy's long-time manager, Carol Ross, on this subject, and then from several other fans in response to her posting.  We'd like to review all of this with you again today.  (Tommy's not the only deserving artist to be continuously passed over ... several years ago when we took The Rock Hall to task for its failure to acknowledge artists worthy of induction, we actually came up with a Top 40 List of The Most Deserving and Denied Artists.)


Hi Kent,
How can anyone in the music business not think that TOMMY JAMES qualifies for the ROCK AND ROLL HALL OF FAME ... his music and influence has stood the test of time. 
Please read below and pass this on.
Carol Ross, Manager
 
CRYSTAL BLUE PERSUASION, CRIMSON AND CLOVER, MONY MONY, HANKY PANKY, I THINK WE'RE ALONE NOW, SWEET CHERRY WINE, DRAGGIN' THE LINE, THREE TIMES IN LOVE and MIRAGE - just a few of the many hits - 23 GOLD SINGLES, 9 PLATINUM ALBUMS and over 100 MILLION RECORDS SOLD WORLDWIDE - 32 BILLBOARD HOT 100 CHART HITS.
Artists around the world have and continue to cover Tommy's songs - BILLY IDOL, JOAN JETT, BRUCE SPRINGSTEEN, CARLOS SANTANA, REM, PRINCE, KELLY CLARKSON, DOLLY PARTON, CHER, TOM JONES and even THE BOSTON POPS.
Tommy's music is featured in 60 FILMS and 53 TV SHOWS to date along with numerous commercials ... BMI lauded Tommy for his success with the presentation of a FIVE MILLION AIR AWARD for his music being played more than 21 million times on air.
Tommy's critically acclaimed autobiography ME, THE MOB AND THE MUSIC, listed on ROLLING STONE'S Top 25 Music Memoirs, is now in production for a film with producer BARBARA DEFINA, whose credits include GOODFELLAS, CASINO, CAPE FEAR, AGE OF INNOCENCE, SILENCE, THE GRIFTERS and YOU CAN COUNT ON ME ... she also produced MICHAEL JACKSON'S video 'BAD.' 
The screenplay is being written by MATTHEW STONE, whose credits include INTOLERABLE CRUELTY and BIG TROUBLE. 
TONY AWARD WINNER KATHLEEN MARSHALL just signed to direct - she received TONY AWARDS for choreography for the Broadway productions of ANYTHING GOES, THE PAJAMA GAME and WONDERFUL TOWN - she was also nominated for DIRECTING each of those musicals.
Tommy is now enjoying more success with his own radio show on SIRIUS/XM RADIO -'GETTIN' TOGETHER WITH TOMMY JAMES  - airing Sunday evenings, 5 – 8 pm Eastern on the 60s on 6 channel.
The prestigious NEW JERSEY HALL OF FAME inducted Tommy and his life size hologram can be viewed at the NJHOF EXHIBIT at NEWARK AIRPORT in New Jersey - Terminal C.
Tommy recently received THE PITTSBURGH LEGEND AWARD and THE JUKEBOX ARTIST OF THE YEAR AWARD.
Now entering his 51st year in the music business, he continues to tour around the country and Canada.
Follow him on Facebook, Twitter and Instagram - 
For additional information and touring schedule check out his website -TOMMYJAMES.COM

Hey Kent,
Ms. Ross's letter is dead on.  Indeed, how is it even possible that Tommy hasn’t been elected to the R&R Hall of Fame?  It’s rather upsetting.
Something’s rotten in the state of the Rock and Roll Hall of Fame.
Paul Evans
 
Carol's letter to you about Tommy James is spot on. 
He and Chubby Checker are at the top of my list of deserved performers who have been ignored by the people who vote for inclusion in the Rock Hall.  It is an embarrassment to what the Rock Hall does. 
I have known and worked with Tommy for over 50 years and he is the consummate pro with all the credentials worthy of enshrinement.  I do not need to go any further.  The credibility of the Rock Hall is seriously in question.
Clay Pasternack
Rocky River, Ohio

Hi Kent,
Yes Sir, another rich installment my friend. 
Oh, I so agree with you about the suits ... they're so out of touch with reality. Tommy deserves to be inducted.  Look how long it took Paul McCartney ... I still can see his daughter's sweatshirt ... "About F***in' Time" ... lol.
IMHO, every corp has it's share of morons the we have to deal with ... welcome to 2019 ... lol
Hope you get a chance to slam down some high octane eggnog and chill a bit.
Merry Christmas, "mien friend". I appreciate all your hard work.
Take care Amigo,
Barry Winslow / The Royal Guardsmen

One of the silly little things that amuse me is how all this chatter about who should and who shouldn’t be in the Rock ‘n’ Roll hall of Shame, sorry, Fame (see how easy my fingers state that?) is the many people in it who wouldn’t know Rock ‘n’ Roll if it reared up and bit their arse.
I’ll state my case (of which I’m certain) …
Why the hell is Freddy the great Boom, Boom Cannon not in this shambles of an organization?
Oh, maybe I’ve answered the question myself and that is indeed the reason he has not been inducted.
Take care,
Rockin’ Lord Geoff (In England)

 L-R:  Me, Tommy, Frannie and Ron Onesti, backstage at Ron's Arcada Theatre in St. Charles, IL, a few years ago

December 22nd

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Diana Ross and the Supremes hold on to their #1 position with "Someday We'll Be Together" as "I Want You Back" by The Jackson Five drops back to #3 and B.J. Thomas'"Raindrops Keep Falling On My Head" flip-flops positions to assume the #2 spot.

"Venus" by Shocking Blue moves up another ten spots this week to #10. (Hey, at least they're consistent!!!  This record has gone from #40 to #30 to #20 to #10 over the course of the past four weeks!)  My guess is it'll go all the way to #1 ... but will it do so in another ten point jump or take a little bit longer to get there?  Tune in next week to see for yourself!!!)

Speaking of ten point jumps, Vic Dana does exactly that with "If I Never Knew Your Name" as his new hit record climbs from #33 to #23.  The New Colony Six are also inching toward The Top 20 this week as "Barbara, I Love You" moves from #27 to #21.


The top debut this week belongs to Tom Jones as "Without Love" premiers at #30.  (This just may be my all-time favorite record by him.) 


THIS WEEK IN 1969: 
December 17th– An estimated 40 million viewers tune in to The Tonight Show tonight to see 36 year old singer Tiny Tim marry 17 year old Victoria (“Miss Vicky”) May Budinger.  For appearing on the program (a ratings bonanza), the couple received a free wedding reception, their wedding apparel, free hair styling, flowers and their honeymoon in the Bahamas.  The couple would have one daughter together (named Tulip, of course!) before divorcing in 1972.  (The divorce would be finalized in 1977.) 

Also on this date, Project Blue Book officially comes to an end.  The project began in 1952 when The United States Air Force began investigating sightings of UFO’s … unidentified flying objects.  Between 1952 and 1969, there were over 12,000 reports compiled by Air Force Officials.  Investigating each one, all but 701 cases were identified as either “atmospheric, astronomical or a man-made event.”  The Air Force determined that of the remaining 701 cases, none of them threatened national security and did not present any evidence of extraterrestrial life or technology.  As such, it was decided that it would make more sense to shut the project down than continue the high operating cost to continue to investigate UFO sightings. 

December 18th– Bobbie Gentry marries William Harrah, owner of the Harrah’s gambling casino chain.  (Ironically, Bobbie first started as a show girl prior to launching her singing career.) 

December 21st– The Ed Sullivan Show presents a retrospective program looking back at the 1960’s, a decade where his program was center stage, providing the looking glass that introduced America to some of the biggest names in show business over the past decade.  
(MEMO TO ANDREW SOLT ... we need to get this released on home video ... Ed Sullivan Remembers the '60's ... people need to be able to see this again!!!)

Titled “The Swinging, Soulful Sixties,” film clips highlight the program, including: 

Broadway-Theater music (taped):

--Richard Burton - Soliloquy from Shakespeare's "Hamlet"
--Robert Goulet - song from "Camelot" and "Happy Face"
--Gwen Verdon - "If My Friends Could See Me Now" (from "Sweet Charity")

Beatlemania (taped):
--The Beatles at Shea Stadium August 15, 1965

Other British Invasion acts (taped):
--Petula Clark - "Downtown" (excerpt) and interview.
--Clips of the Dave Clark Five, the Animals, Herman's Hermits and the Rolling Stones

'60s Headlines and Movies (live in-studio)
--David Frost looks at '60s news events and cinema

Diana Ross & the Supremes (live):
--Ed Sullivan talks to Diana Ross about trends of popular music in the 1960s.
--The Supremes perform a live medley of their hits:  "Baby Love,""Stop! In the Name of Love,""Come See About Me,""My World Is Empty Without You,""You Can't Hurry Love,""The Happening,""You Keep Me Hangin' On,""Reflections,""Love Child" and "I Hear a Symphony"… followed by a live performance of their swan song as a group, "Someday We'll Be Together."

Barbara Streisand (taped):
Excerpt of Barbra Streisand singing "I Cried a River," clips from "Funny Girl" and her Las Vegas appearance.

American performers (taped):
--Herb Alpert - "A Taste of Honey" (excerpt).
--Judy Garland - "Smile."


After The Sullivan Show, Glen Campbell performs his 1969 hits “Wichita Lineman” and “Galveston” on The Glen Campbell Goodtime Hour.  Cher is also on hand and performs a duet of “Jingle Bells” with Campbell.

December 22nd– As part of their effort to promote peace (another was their “plant an acorn for peace” campaign), John and Yoko meet with Canadian Prime Minister Pierre Trudeau for one hour.

Also on this date, Davy Jones of The Monkees, Gordon Lightfoot, Chuck Berry and Frankie Laine appear on “Music Scene.”
 

Just Another Manic Monday ...

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… as we get ready for the holidays.

No new postings on Christmas Eve or Christmas Day (other than our holiday greetings to all) …
But we kick off a flurry of posts to cap off the year (and our on-going salute to 1969), beginning on Thursday, December 26th… and running straight thru to January 5th (so far!) 

So please make plans to join us then … and throughout 2020!

Meanwhile, we got this from Mark Lindsay’s wife Deb after she read Rich Turner’s concert review of Mark’s show down in Clearwater, Florida …

Thanks, Kent!
But Mark never has and never would use auto tune. He has perfect pitch and does vocal exercises 365 days a year for at least an hour a day ... unlike some artists, he does it the old-fashioned way ... talent and practice.
Regards,
Deb

I don't want to sound rude, but 'Start Me Up'!!! Top Ten???
Wow, you lost me there, Kent!
The Stones got redundant and boring after the mid-70's, and this coming from a youngster who started buying them way before 'Satisfaction'!
I just sold 1500 old LP's, but kept the first two Stones albums.
Yep - I love the old Stones!!
Keep up the wonderful work keeping our 'old' music in the ears of new listeners - and us old listeners!
Owen Mahon
Lewisburg, PA

Remember … not my call where everything finished … this list was left entirely up to the classic rock music fans out there (with airplay and downloads factored into the mix.)
I always looked at “Start Me Up” as a bit of a “comeback” record for The Stones in the sense that it returned them to that classic opening guitar riff that set them apart from all of the other bands over the years.  (After “Brown Sugar” in 1971, we got ballads like “Angie” and “Fool To Cry” and “Miss You,” which was damn near disco … “Start Me Up” represented a return to their old rockin’ sound again … and I loved it.  (As I recall, they had the basic track in the can for years but didn’t finally getting around to finishing it until a new album was needed.)
There are still a couple more great Stones tracks coming up in The Top Eight … so stay tuned!  (kk)

Checked out latest in the countdown.  Of the two songs that get played endlessly on classic rock or anywhere, two that I never tire of are "Satisfaction" (which I THINK must still be coming up) and "Dream On" at #9. 
The biggest surprise in The top 60 or so for me is "Already Gone."  It wasn't a huge hit and altho it gets played some on stations, I just am amazed by its high status here.  Maybe it is the "anti-Eagles hits" methodology that I go thru with many bands like the Eagles and Journey and ELO.  I REALLY don't care to hear "Hotel Cal,""Don't Stop Believing'" (Wow, amazed it was so low) or "Evil Woman."  I'd much prefer hearing some of the lesser played tracks by these bands.  It's not that many of us dislike the songs, we just tire of them all the time when so many others should get same play.  It's like when oldies stations became popular in the 80's and we heard the Supremes nonstop.  NOW, I never hear them and it is a breath of fresh air hearing those classics again.
Clark Besch

That’s been our biggest beef over the twenty years of doing Forgotten Hits.  Radio has ruined songs that we absolutely LOVED thanks to over-saturation and repeated airplay.  There are certain artists I can’t even listen to anymore as a result of this … and these were songs and artists that were among my favorites.
Yet I have also found that if I turned off “Jack And Diane” or “Night Moves” or “Brown Eyed Girl” every time it came on for a couple of years, it became a pleasure hearing them again … in moderation.  The love for the music is still there … but these short 250-300 song play lists have made listening to some of it insufferable. (kk)


kk …
I'm saving up to play your countdown in the JUKEBOX.  Can you lend me a few $100?
The Rolling Stones seem to be beating the Beatles.   Or am I wrong?
Frank B
The Beatles had more total songs ... but The Rolling Stones kicked ass on the top end, earning FIVE of the Top 13 spots to The Beatles' two Top 20's ...
Without question, it was The Rolling Stones who dominated the top end of our survey, even surpassing many of the obvious classic rock favorites like Led Zeppelin, Queen, Aerosmith, The Who and The Eagles. 
Radio airplay may not reflect it ... but The Stones were the hands-down favorites once we hit the nitty gritty part of the countdown.  (kk)
 

There was a possibly a 'blink-and-you'll-miss-it' moment in the first ten
minutes of the Kennedy Center Honors show … an apparent visual cheap shot by someone against Linda Ronstadt.
Variety originally broke the story of a photo of her (still very cute) album cover from "Living In The U.S.A.," digitally altered to remove the title, replaced with the words "ROLLERSKATE HOOKER."
It's likely that this part was never shown at the Center during the live ceremony, but added in post-production before its airing on CBS. The network said it would replace the doctored image, but I'd have to go find the online stream of the program to verify if it had been.
Bob Frable
(experiencing a Chicago-esque Arctic blast in Pennsylvania)

Wow, I’d not heard anything about this (nor did I notice it in what had to be a split second photo montage) … but here’s the story Bob is referring to from Variety …

Linda Ronstadt ‘Rollerskate Hooker’ Graphic Slips Into ‘Kennedy Center’ Telecast

Of all the plaudits Linda Ronstadt expected to receive when she was bestowed with kudos at the Kennedy Center Honors, “Rollerskate Hooker” was probably not among them. Yet that was one of the captions in a Ronstadt photo montage when CBS broadcast an hour of highlights from the annual Washington, D.C. ceremony Sunday night.
The modified image took the iconic album cover photo of Ronstadt standing in a hallway on a pair of rollerskates — from “Living in the USA,” a No. 1 LP in 1978 — and replaced the album title with the none-too-flattering moniker in question.
As of Tuesday morning, the image was still in the version of the show streaming on the CBS website, but that will quickly change. Now that it’s been brought to light, the errant cover image will be replaced in the master tape as well as the streaming version. The Kennedy Center Honors are produced by CBS and White Cherry Entertainment. CBS has yet to comment on the situation.
Assuming that the vandalized image was probably retrieved in error off the Internet, it’s not clear where anyone involved with supplying resources for the production would have come across it. When Varietydid Google searches for the phrase “rollerskate hooker” and for images of Ronstadt on skates after the broadcast, the fake cover in question did not show up in any initial lists of top search results.
Among the eagle-eyed viewers who spotted the bizarre “cover” as it appeared on screen Sunday during Don Henley’s introductory narration was Portland writer and radio host Jeff Rosenberg. “Seriously, #KCHonors?” Rosenberg tweeted. “You let some dumb intern assemble graphics for the #LindaRonstadt tribute, and instead of Living in the USA’s cover, show a meme where someone’s replaced the album title with ‘Rollerskate Hooker’?! #qualitycontrol#sorryLinda#KCDishonor#rollerskatehooker”
Ronstadt being the subject of a Photoshop prank could have been random, but her outspokenness might also have made her a target for trolls, as the singer has rarely been shy about speaking up on social and political issues over the decades.
At a dinner for Kennedy Center honorees Dec. 7, Ronstadt responded to a quip made by Secretary of State Mike Pompeo that referenced one of her signature hits:  “As I travel the world, I wonder when will I be loved” Later in the dinner, Ronstadt got up and said, as her sole remarks for the evening, “I’d like to say to Mr. Pompeo, who wonders when he’ll be loved, it’s when he stops enabling Donald Trump.”

Hi, Kent!
When I saw that Christmas cartoon about the air guitar, I decided that I HAD to send this one in.
This roo really knows how to rock!
Happy holidays to you and yours!
Mike Wolstein


 

Here are a few more holiday cartoon funnies, courtesy of the ALWAYS funny Chuck Buell ...


Once Upon a Time in Christmas Fantasy Land Circa the 1960s!  
The Kotals Strolling Chicago’s Magnificent Mile During the Holidays!



You’ll find a very interesting profile of our FH Buddy David Salidor, who handles PR for Micky Dolenz, in this write up we just found …


Hi Kent –
I just finished a superbly researched book with a long title: "The History of Rock & Roll, Vol. II, 1964 – 1977 (The Beatles,The Stones & The Rise of Classic Rock" [Ed Ward, 2019].
This highly enjoyable, tightly written book covers the waterfront: most sixties artists (and quite a few Forgotten Hits / Artists), Woodstock and other festivals and the record biz way back then.
The only glaring omission -- no mention of our great Chicago bands (other than Chicago (one paragraph) and H.P. Lovecraft (one-half sentence)!
Still ... highly recommended.
Clive Topol
I haven’t seen or heard about this one … thanks for the info!  (Obviously, Volume I is still available, too.)  kk

Here's something all you Jack Scott fans out there may find interesting:
https://www.theglobeandmail.com/arts/music/article-jack-scott-was-canadian-rock-n-rolls-forgotten-star/

And a great last minute gift idea from Chuck Buell ... 

For Forgotten Hitters who Dream of a White Christmas!
How about a Beatles White Album Cover on a Metal Lunch Box!
Raised Lettering on the Front.


Photo Pictures and Song Titles on the Back like the Album Sleeve.

Metal Latch Closure and Collapsible Plastic Handle.


Carry Lunch anywhere or put it on Display.
9 Inches Wide by 7½ Inches High by 3½ Inches Deep.

Size Suitable toStore CD’s, Cassettes, or Forgotten Hits 45’s.
Number 11221968 on the Front is the Original Album's Release Date.
Genuine, Officially Licensed by Apple Corps.
Limited Edition with its Hand Numbered Certificate of Authenticity.
CB ( which stands for “Chuck BeatleBoyBuell!” )
Cool - and I’m sure very expensive -
But shouldn’t the ad company more appropriately have filled the box with green apples for the photo shoot?
(Not LITTLE green apples, mind you - ‘cause then it would be an OC Smith lunch box)  kk
HA!  I get it!  And it's presently priced at a very reasonable five bucks ... not a vintage box or anything ... brand new product.
CB
It WOULD make a nice display piece.
I actually DO own this lunch box ...

And this one, too!



We told you last week about Me-TV's Sweet 16 Countdowns to determine the 16 Favorite Songs, Movies and TV Shows of the '60's.  ("California Dreamin' won for Best Song ... and "It's A Mad, Mad, Mad, Mad World" for Best Movie.)

Well, now they're down to the last round in order to determine The Best TV Show ... and it's been a neck-and-neck battle between "The Andy Griffith Show" and "Star Trek," who have fallen within just a couple of percentage points between the two.  (They've changed leaders numerous times already ... but as I type the, "Star Trek" has a slight edge.)

With that thought in mind, here are The Top 16 as determined by Me-TV Viewers as they current stand.  (NOTE:  Only positions #1 and #2 are yet to be determined ... all other positions are final):   

 

Kent,
I really enjoyed the Bowzer piece!  Talk about a talented guy - he also plays concert piano and I believe he even writes music.
In 1990, my girlfriend asked if I'd like to go to Beloit Fest, on the Rock River.  She told me who was playing, and I was ready to go in three seconds.  Turns out she was close friends with Jon. 
He put on a great show, doing lots of classic 50s and early 60s tunes.



Afterwards, we met up with him outside his dressing trailer, where I just HAD to do his famous "Bowzer pose" with him.


We met up at the restaurant in the motel where he was staying and chit-chatted for about three hours.  He's a great guy … and very intelligent and talented.
And I don't want to forget his great opening act!   Everyone recognize this gentleman?  One of the greats!


Happy holidays to all!
Mike Wolstein
Although we've communicated numerous times over the years via email, I've never had the pleasure of meeting Jon "Bowzer" Bauman ... I was introduced to the early days of rock and roll thanks to groups like Sha Na Na and films like "American Graffiti" (which you'll also find referenced in one of the emails below.)
I grew up in the '60's during The Beatles / British Invasion era ... and each week brought new trends in music, along with brand new favorite rock and roll artists ... but I grew up too late to enjoy and appreciate the music that started it all.  It was Sha Na Na (who I also saw live in the mid-'70's durin gone of their rare Chicagoland appearances) and the soundtrack to "American Graffiti" (as well as an incredible 4-record '50's album collection that was advertised on TV that soon made its way into my personal collection) that opened this door for me and allowed me to love all this great music that came BEFORE The Beatles hit our shores.
This sounds like an EXCEPTIONALLY fun night!!!  Thanks so much for sharing with our readers.  (Love the Bowzer pose picture, by the way!!!)  kk


>>>How can anyone in the music business not think that TOMMY JAMES qualifies for the ROCK AND ROLL HALL OF FAME  (Carol Ross)

>>>Many people in it wouldn’t know Rock ‘n’ Roll if it reared up and bit their arse.  I’ll state my case (of which I’m certain) … Why the hell is Freddy the great Boom, Boom Cannon not in this shambles of an organization?(Rockin’ Lord Geoff in England)

I agree on BOTH Tommy James and Freddy Boom Boom Cannon.  They are totally different, but BOTH are totally ROCK 'N ROLL thru and thru!  I will give my old buddy Morris Levy a call about this travesty!  He can get some strong arm tactics going on Jon Landow.  Then, I'll call Abigail Beecher and have her give Jon a lesson on the history of RNR!
Clark  Besch

Hi, Kent ...
Funny you should mention Tommy James being snubbed.  Found this in some old stuff I had laying around – coincidence that it's almost exactly 53 years old.
Notice the top entry of biggest selling records.
Mike


Hi there everyone,
First of all, I would like to wish all of you the happiest holidays possible, whatever your beliefs are.  To me, it's a real shame that political correctness has gone so far overboard that nobody dares wish anyone a Merry Christmas anymore. 
When I was growing up, clerks never hesitated to wish me a Merry Christmas as I was leaving their department of their store.  Now, because I might be Jewish or some other religion, and might not believe in Christmas, the best I can hope for is "Happy Holidays" or "Season's Greetings"… and that really is sad to me.
Well, enough about that. 
I want to emphasize first that, while it may seem like I am defending the organization’s decision not to induct Tommy James into the Rock And Roll Hall of Fame, I don't feel that I'm doing that at all.  I just hope I am able to give you a slightly different view of things here, which might perhaps help give you a bit more of an understanding of what might be going on here.  I'm not saying it is, but it is a possibility.
Let's face it, rock and roll has been around for a very long time now, although much of society has only enjoyed the last thirty or forty years of this music, if that.  It isn't called rock and roll anymore and hasn't been called that for decades.  Sometime during the mid-sixties, rock and roll was shortened to just rock, and as time has continued passing on, rock historians, many of whom weren't even born yet when the music they are writing about were hits, keep rewriting rock music history and categorizing the music into more and more narrowly defined categories. 
It started with the split between AM and FM stations.  AM rock stations played the top forty, while FM stations played the longer album cuts that might even have some naughty words in them, and weren't suitable for the AM top forty format.  This music heard only on FM stations was first called underground music or psychedelic music if you will. 
Since that original split around 1966 or '67, people have been inventing more and more sharply defined categories of rock music. 
Unfortunately, songs like Hanky Panky, I Think We're Alone Now and Mony Mony have been placed in the bubblegum music category, and for people that grew up on Ted Nugent, Alice Cooper, Led Zeppelin and Lynyrd Skynyrd, they are not going to have much use for bubblegum music.  Sure, it was great for nine to twelve year old girls, but not the kind of music you would want to have to listen to a lot.
Of course, not everything that Tommy James recorded could be placed in the bubblegum music category.  Certainly Crystal Blue Persuasion is a nice ballad, and Crimson And Clover is Tommy's attempt to get into the psychedelic mold of music.  But perhaps because it was so different from his other hits, the people at the Rock and Roll Hall of Fame felt that he was just trying too hard to get in a genre of music that didn't fit him, that he didn't really belong in.  In any case, certainly with his great success, Tommy James should be inducted into the Rock and Roll Hall of Fame. But I am just looking at the question perhaps from their viewpoint.
This, of course, is by no means the first rock artist that has come up about being inducted into the Rock and Roll Hall of Fame.  One artist in particular that caused a really hot debate on Jerry Osbourne's Ask Mr. Music column was Connie Francis.  Now, whether you like her music or not, you have to admit that both Connie Francis and Brenda Lee were real trail blazers in their day, and no other female artists before them had anywhere near the amount of success in such a totally male dominated industry that they did.  And yet, I found some of the responses to this Connie Francis debate very interesting and revealing. 
One person wrote that Connie Francis should NEVER be inducted into the Rock and Roll Hall of Fame because she never recorded any rock music at all ... all of her
songs were pop.  But, back then, she was definitely a singer in the rock and roll field because she was a teenager, and pop songs were recorded by older, more established singers like Kay Starr, Teresa Brewer, Doris Day, Gail Storm, Eddie Fisher, Frankie Laine, Perry Como and the Ames Brothers.
Anyway, obviously the age of the person in question has a lot to do with how they view rock music at any given time in its history.  Of course, Happy Days hasn't done a whole lot to contribute to the early days of rock and roll in a very positive manner.  To avoid the cost of using the original versions on the show, the jukebox on Happy Days always played some bogus cover of the hits they were supposed to be playing. 
I have quite a few friends that lost their interest in rock and roll when the Beach Boys started having hits on the charts because to them, rock and roll was the wonderful harmony heard on doo-wop tunes, and increasingly sax solos were being replaced by guitar solos, and these folks didn't like the direction that rock music was going, and just hated it when the Beatles spearheaded the British Invasion. 
Now, that's pretty early to lose interest in rock music, but by 1969, I sort of lost interest in it myself. 
I just couldn't understand or identify with Jimi Hendrix, I hated Janis Joplin's voice, and Iron Butterfly didn't do a thing for me. 
In February of 1969, I had just heard the Drake Chenault History Of Rock And Roll on WRKO in Boston, and that got me into a period of time in which I totally immersed myself in the music of the fifties. 
I hated so many songs that came out in the summer of 1969.  The song that spoke
the loudest to me was Good Old Rock And Roll by Cat Mother And The All Night News Boys.  But then later, I suffered through disco, I suffered through punk, I actually embraced new wave but didn't like rap music at all.  So now, fifty years after I rejected so many songs from the summer and fall of 1969, they are sounding pretty good to me again, compared to all the crap that's passing for music now.  Of course, I guess this is what our parents felt about Little Richard, Fats Domino and Elvis.
I must admit though, that I was really disappointed when the number 1
song on WDRC in Hartford Connecticut during the week I graduated from
high school, was The Candy Man by Sammy Davis, Jr. I was hoping so much
that it was going to be School's Out by Alice Cooper.  But that song
didn't come even close to being number 1 on the charts.  Oh well, you
can't fault a guy for dreaming!  (grin) 
Anyway, I hope in these ramblings that I've given you some things to
think about. 
Think about the fact that in the fifties, the Platters were considered a rock and roll group, but by the nineties, if they were played on radio stations at all, they were usually being heard on the nostalgia radio stations that were playing the second generation of the music of your life.  Here again, this was people re-inventing the
history of rock and roll music, years later, and deciding that the Platters should be designated as a pop group, and not a rock group. 
Anyway, just some things to think about.
Sam Ward
There are several points I want to address here …
Tommy James transcends any specific genre with this music … he’s done it all.  “Hanky Panky” and “Mony Mony” are just flat out, feel good rock and roll … “Crimson And Clover” took the new element of psychedelia to a whole new level. (When we did our Top 20 All-Time Favorite Psychedelic Songs Poll back in 2005, it came in at #9.)  “Crystal Blue Persuasion” is in a league of its own … I don’t know that you can classify it as any particular type of music.  “Sweet Cherry Wine” has gospel influences while “I Think We’re Alone Now” is feel good pop.  (I’ve never heard Tommy’s music referred to as bubblegum before … but if that’s the way you wanna go, I can accept that for this one and maybe a few others like “Say I Am” and “I Like The Way.”  And, by the way, The Rock And Roll Hall Of Fame has previously held spotlight exhibits saluting Bubblegum Music … yet we all know they wouldn’t DREAM of ever honoring and inducting any of these artists … which goes COMPLETELY against their original credo of saluting artists who took rock and roll to new levels and dimensions.  (By the same token, I can assure you that Tommy’s music appealed to a MUCH wider audience than just “9-12 year old girls”!!!  Tommy is respected by fans and artists of every age and gender.  And his music has proven timeless, with new acts like Billy Idol and Joan Jett loving it enough to record their own versions some twenty years later.
“Hanky Panky” was a complete flop upon first release … but when Tommy James and the Shondells reinvented it, it became a #1 coast-to-coast smash and launched their career.  Every garage band in America went on to learn that song and add it to their repertoire!
For as long as we’ve been doing Forgotten Hits, we’ve heard from the original rock and roll purists that The British Invasion killed rock and roll.  Your Beach Boys example above became a major part of the plot in “American Graffiti” when John Milner proclaimed “I hate that surfin’ shit!”  Disc Jockey Steve Dahl rocketed his career into the stratosphere when he launched his Anti-Disco campaign … and many of us felt (and still feel) the same disdain for rap music.
But The Rock And Roll Hall Of Fame was designed to honor ALL kinds of music … all new expressions and all new avenues taken to advance the concept of rock and roll to new levels of acceptance.  They may not call it “rock and roll” anymore, but that’s the very foundation of all of the music that has come since.
The Connie Francis / Brenda Lee debate has existed ever since Brenda was inducted and Connie wasn’t.  The two posted nearly identical stats in the late ‘50’s and early ‘60’s and music’s two premier female artists.  Both certainly belong in The Rock Hall and when we ran our big 2008 Rock And Roll Hall Of Fame Series, declaring the first of many Top 40 Deserving and Denied Artists, Connie was right up there near the top of the list.
But in several conversations with the folks who ran The Rock And Roll Hall Of Fame at the time, the point was made that inducting Brenda Lee was a mistake … and inducting Connie Francis behind her would only further the mistake.  You can’t “un-induct” somebody, so they felt it best to just leave things along as they were.  (Keep in  mind, there was quite a bit of outrage when Bobby Darin was inducted, too … he was a “lounge singer” … not a rock-and-roller (even though that was the music he used to launch his career, feeling he had  his best shot at reaching a much larger and accepting audience by recording what he considered “drivel” like “Splish Splash.”  To a degree, he was right … it allowed him the opportunity to record timeless pop classics like “Mack The Knife” and “Beyond The Sea” a few years later … and become one of the top drawing acts on The Las Vegas Strip.  (Does THAT qualify for Rock And Roll Hall Of Fame induction?  Not in the minds of many … but can you even imagine him NOT being in there???)
As for me, I think Bobby DOES belong, as does Connie Francis, if only because of the TREMENDOUS impact she had on music at the time.  Brenda Lee may have rocked a little harder on some of her early tracks but these two ladies DEFINED rock and roll from the female point of view.
I also believe Pat Boone belongs in there … because HE brought rock and roll into homes that never would have accepted artists like Elvis Presley, Fats Domino and Little Richard that he was covering, making rock and roll acceptable for pure, white bread America.  (By the same token, how is it even REMOTELY possible that Ed Sullivan has never been inducted into The Rock And Roll Hall Of Fame?!?!?  This guy brought every major rock act into our living rooms for 21 years!!!  And he’s never been inducted?!?!  Further proof that something is VERY wrong with The Rock Hall’s selection process.)
Ditto for Chubby Checker (who we have also campaigned for for twenty years) and Freddy Cannon … Checker launched a worldwide sensation with “The Twist” … no, maybe it wasn’t Beatlemania … but for it’s time, it was pretty damn close!  And Freddy represents The Sound Of Philadelphia and early television giant “American Bandstand.”  (Dick Clark is in The Rock And Roll Hall of Fame and Ed Sullivan isn’t???  What’s wrong with THAT picture?!?!)
As for The Platters, “pop” as they may be, they WERE inducted into The Rock And Roll Hall Of Fame … and deservedly so.  They brought a whole new element to the sound of rock and roll … and had a VERY successful career doing so.
As you can see, I’m pretty passionate about this whole process … and will say that since we first went head-to-head with The Rock Hall in 2008, about half of the artists that made our original Top 40 Deserving And Denied List have since been inducted.
But there are still a lot of “wrongs” that need to be righted … and now, with SO many of these artists being gone, we may be enjoying the last wave of enjoyment and appreciation for this music.
Our commitment here in Forgotten Hits is to never let this music die … to prove that it really IS timeless and transcends all ages and generations.  Go to a Peter Noone concert and you’ll find an audience filled with 6-60 year olds, all singing along with every word.  It’s FEEL GOOD Music … and we haven’t seen or heard the likes of it ever since.
The Rock And Roll Hall Of Fame needs to wake up and make things right.  I have said for YEARS now that they need to do a special induction ceremony where they mass induct all of the artists that they have so wrongfully overlooked over the years … because let’s face it, with all the focus on the “new eligibles” each year who are reaching their 25-year recording milestone, there is absolutely NOBODY on board thinking about the artists who paved the way for these new acts to have careers.
Seriously … Soundgarden, MC5, Depeche Mode, Kraftwerk, Thin Lizzy and Motorhead ahead of Tommy James, The Guess Who, Chubby Checker, Connie Francis and Freddy Cannon?!?!?  In what universe does THAT make sense?!?!  (kk) 

A direct yes or no question ...
Have you ever seen the MC5 live and in person?
My guess is that you have not primarily because they had a short-lived regional career and most of the people who actually saw them are most likely in their late 60s or possibly early 70s.
In addition, due to poor recording quality, but not poor songs, they were never properly captured on audio or video.
I was amazed to read that they charted so much as one song. But then again, I never cared whether the music I enjoyed charted or not.
The only MC5 song that was every properly captured was “Sister Ann,“ which was on their third album. But then the recording engineer had to screw that up with a “Susan” styled psychedelic interlude at the end. If you skip that, it’s a great song.
Based on the format the Rock and Roll Hall of Fame uses, they will never be inducted. The only people voting would be the ones who actually saw them, and that is a small minority. But they still deserve to be in there. You just have to take our word for it. We have no valid recorded proof, but we are “ready to testify”.
Now I am 100% behind you when it comes to Paul Revere and the Raiders and The Guess Who. The Raiders put out some of the best, quality, hard rocking records ever recorded in the mid-‘60s. I would like to see a “sea of hands” of bands from the ‘60s, including those in the HOF, who did not cover a Paul Revere song at one time or another. It would be more like a dry creek.
And it all comes down to integrity, which apparently there is little of in this institution.
About a week ago one of my favorite basketball players, Bill Russell, finally got around to accepting his basketball Hall of Fame ring in a private ceremony. Now how can a player with his accomplishments, on and off the court, not be in the Hall of Fame? 
The answer is that he refused to enter due to the fact that there were lesser known, deserved black players at the time who had not been inducted. He was not going in prior to these players going in. Now he did not publicize this or take a knee. He just wasn’t going in until things were right. That’s the integrity that it’s going to take to correct this wrong and get these deserving bands in. And I don’t think it’s there. Surprise me.
I also think there should be a new category. Due to poor record management available to Chicago bands in the mid-‘60s The Ides, The Shadows Of K, The Flock, The New Colony 6, The Cryan’ Shames, The American Breed, etc., will never get into the Rock and Roll Hall of Fame. But I think they collectively deserve to be inducted as the Cornerstones of Rock.
What other city in the world has put together an all-star team of their best bands from the ‘60s and put them out on the road to perform studio quality music 50+ years later? The answer is none. United I say, they all go in as The Cornerstones of Chicago Rock.
Robert Campbell
A direct answer to a direct question ...
No, I have not ... but here’s the thing about the MC5 … 
They’ve had FIVE chances to get in … and nearly every time (if not EVERY time), they’ve finished dead last in the voting ... which means that even their own team of so-called experts doesn't think they deserve to get in.
It’s time to step over the body and move on … and open up a spot that will give another far more deserving artist a chance to, at the very least, make the ballot.
Nobody ever thought The Doobie Brothers were ever going to get in … yet we’ve campaigned for them for over a decade.  This year, they FINALLY made the ballot (and are currently in third place.)
Maybe someday artists like The Guess Who, Tommy James and the Shondells and Paul Revere and the Raiders will FINALLY get the recognition they deserve … and then earn their well-deserved spot within those hallowed Hall of Fame walls.
(Let’s not forget the Dave Clark Five story … and how, at Jann Wenner’s insistence, they were passed over to allow a rap act to get in instead, figuring that they’d just induct them the following year instead.
And then guess what … Mike Smith died and yet another artist in what’s becoming and increasingly long list of artists wasn’t around to accept their award or reap the glory of FINALLY being recognized.
I say enough already …
I’ll betcha we could EASILY come up with a dozen well deserving acts that could be mass-inducted during a special ceremony …
Air it on HBO (or PBS as a fundraise for that matter) and make things right.  (Sometimes you just have to own up to the error of your ways and apologize to the music fans out there in order to earn back and shred of credibility again.)  kk 

A suburban Chicago tradition dating back to 1995 continues. 
“A Hometown Holiday” airs Christmas Day 7 am – 4 pm on WLTL-FM 88.1 and streams at wltl.net.  Mike Baker And The Forgotten 45s hosts the annual Christmas special with favorites from the golden age of top-40
First heard on the Chicago AM dial, the holiday broadcasts also includes groups and artists whose only hit single is a Christmas song.  This list is available athttps://mikebaker45s.wordpress.com/a-hometown-holiday/.
Thanks, 
Mike Baker
WLTL-FM 88.1 


LOTS of cool radio specials kicking off at and around the holidays …

Me-TV-FM will be broadcasting Wink Martindale’s Top 100 Christmas Classics all day long, beginning at 8 am on Christmas Eve and running straight thru midnight Christmas Night.

The Drive will kick off their latest addition of their enormously popular A to Z list, featuring THOUSANDS of songs from their extensive radio library (including numerous classic rock favorites that made our Top 3333 list) at 6 am on December 26th.  The special will run for over a week (and each night they'll pause it at midnight and resume things again the following morning at 6 am, so that you don't have to miss any of your favorites while you're sleeping!)

Rewound Radio will be broadcasting the results of their own annual Top 77 poll … which in and of itself is a bit misleading … 
'Cause it's really a WHOLE lot cooler than that!
Yes, they WILL be counting down The Top 77 …

But they’ll ALSO be playing ALL of the songs that got nominated … some 3000+ in all, running the entire week between Christmas and New Year’s, which makes for the widest variety imaginable as there are no limits as to what might get played during this annual event.

And while we’ll personally be taking a break on Christmas Eve and Christmas Day, our own Top 3333 Most Essential Classic Rock Songs Of All-Time Countdown will continue with The Top Five beginning on December 26th and running thru the 30th… 

And we can ALSO promise you brand new Forgotten Hits postings every day from December 26ththru January 5th!

Plenty of opportunities to enjoy the holidays … AND the music!

Coming up in Forgotten Hits …

We wrap up our salute to 1969 with a flurry of special posts, beginning on Thursday, December 26th… and running straight thru to the end of the year.

Be sure to stop by as we salute the biggest music, movie and tv shows of 1969 …

And then help us flip the calendar page on Wednesday, January 1st, as our Fifty Year Flashback Salute begins for 1970.

And don’t forget to catch the remaining tunes on our TOP 3333 MOST ESSENTIAL CLASSIC ROCK SONGS OF ALL TIME Countdown as we unveil The Top 5 beginning on December 26th as well!

MERRY CHRISTMAS EVERYBODY!!!

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courtesy of Chuck Buell  (CB ... aka Chrismas Boy!)


WATCH FOR BRAND NEW POSTINGS EVERY DAY THRU JANUARY 5TH ...  

AND HAPPY HOLIDAYS TO ALL!!!

MUSIC RECAP, 1969

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Over the next several days we'll be looking back at some of the "Best Of" lists that best exemplify 1969 ... movies ... tv ... and today, music.

While most will agree that The Grammys are not a very good barometer when it comes to measuring GOOD music (aka "Hit" music ... or reflecting the sounds of the times), they seemed to do all-right in their awards honoring the music of 1969.  

The Record Of The Year Award went to Producer Bones Howe and the Fifth Dimension for their chart-topping hit "Aquarius / Let The Sunshine In," a song that held down the #1 spot for six weeks that year. (We covered "The Story Behind The Song" in one of our earlier salute pieces that showcased the music from the hit Broadway Musical "Hair," which made quite a mark on the pop charts in 1969.)

The Album Of The Year was awarded to James William Guercio (Producer) and Blood, Sweat and Tears for their self-titled LP, which spawned the hit singles "You've Made Me So Very Happy", "Spinning Wheel" and "And When I Die", all of which reached the #2 spot on The Billboard Chart that year.

Song Of The Year was a bit of a surprise ... this honor went to Joe South for his Top Ten Hit "Games People Play".

And Crosby, Stills and Nash were named "Best New Artist" that year as well.

Other significant award winners that year were Harry Nilsson (Best Contemporary Vocal Performance, Male, for "Everybody's Talkin'"), Peggy Lee (Best Contemporary Vocal Performance, Female, for "Is That All There Is"), The Fifth Dimension (Best Contemporary Vocal Performance by a Group for "Aquarius / Let The Sunshine In"), "Color Him Father" by The Winstons (Best Rhythm and Blues Song), Joe Simon (Best Rhythm and Blues Vocal, Male, for "The Chokin' Kind"), Aretha Franklin (Best Rhythm and Blues Vocal, Female, for "Share Your Love With Me"), The Isley Brothers (Best Rhythm and Blues Vocal, Group, for "It's Your Thing"), "A Boy Named Sue", which won honors for both Shel Silverstein as the songwriter (Best Country Song of the Year) and Johnny Cash, who took home the honors for Best Country Vocal Performance, Male. (Cash won an additional Grammy for writing the liner notes to the Bob Dylan album, "Nashville Skyline"!) Tammy Wynette won the Best Country Vocal Performance, Female, for her big hit "Stand By Your Man" and The Edwin Hawkins Singers won Best Soul Gospel Performance for their recording of "Oh, Happy Day". Best Instrumental Arrangement went to Henry Mancini for "Love Theme from 'Romeo And Juliet'" and Burt Bacharach won for Best Original Score Written For A Motion Picture for his work on Butch Cassidy and the Sundance Kid. Finally, Art Linkletter won Best Spoken Word Recording for his very moving "We Love You, Call Collect" and Bill Cosby took home the honors for Best Comedy Recording ... all in all, a pretty spot-on year when it came to recognizing these achievements.

Meanwhile, on The Pop Charts, Billboard Magazine declared "Sugar Sugar" by The Archies to be the biggest single of the year.  

Lead Singer Ron Dante remembers:

1969 was an incredible year for The Archies.
Archies Fun House was the number one Saturday morning show that year and our music was everywhere.  "Sugar, Sugar" was the number one record of the year and the cartoon was even played on The Ed Sullivan Show.  
I remember the "Sugar, Sugar" recording session was really cool with the legendary Don Kirshner, Jeff Barry, Toni Wine and Andy Kim all present.  Don put the whole thing together, getting Archie comics to let him choose the songs, producer and singers.  Jeff and Andy were terrific at coming up with great songs and hooks for the group. Andy even played guitar on "Sugar, Sugar," using a matchbook instead of a pick. 
Jeff worked the musicians a little harder than usual, giving the bass player ideas that took some time.  After I did my lead vocal, Toni Wine and I did all the background vocals and she added her wonderful voice to the "I'm Gonna Make Your Life So Sweet" line.  
In 1969 everything changed ... 
Woodstock, The Moon Landing, The Mets and The Archies.
A perfect year.
Ron Dante    

Some found the unexpected surprise of a bubblegum / pop record earning The Single Of The Year Award a bit dumbfounding, especially in light of some of the other musical trends of that era. Music had definitely taken on a harder edge by 1969 with the formation of new super groups like Led Zeppelin, Blind Faith and Crosby, Stills, Nash (and sometimes Young) releasing their first LPs.  

Here are a few of the comments we received on this topic when our 40th Anniversary Salute to 1969 ran in 2009:

Kent:
Was "Sugar Sugar" by the unforgettable Archies really the number one song in '69? No big deal. Hey, the hooks were kind of catchy.
I couldn't get enough of Creedence, Tommy James, Rush Street, Wayne Cochran and the C.C. Riders or anything via Stax, Volt or Motown. Rush Street, in particular, was just too much fun. The Street had yet to go corporate, so my haunts were Rush Up, Rush Over, Mother's, Butch's and Puncinellos.
Rush Up was the apex of boy - girl attraction. If you couldn't find a babe in that joint by 10 pm you just weren't trying. There was also a tonk bar on Broadway avenue called "The Do It Lounge" which really should have been outlawed.
We just danced until we passed out ... and then danced again. Thank God the place had a 4 A.M. license.
My man Wayne Cochran was appointment entertainment. He was running a band with at least a dozen musicians. They were so damn tight it hurt. The Riders always drove home the point with the heaviest of jazz-funk bass lines and horn sections that were overwhelming.  Wayne, of course, was a handbook on showmanship. I would love to get in contact with him.
Kids today think they're having fun. Forget it. We put a copyright on fun in 1969.
We were doing the popcorn and the funky chicken.
Had to make a few bucks and I was truly blessed. I'd hooked up with WFLD - now Fox 32 - and was working a variety of jobs: news writer, on-camera sports reporter, etc. It was a wonderful rush for a 21 year old kid. 21 years old? Actually on the tube? Couldn't happen today ...No News Director would have the guts.
Here's the deal ... TV, especially UHF, was still very embryonic. I wound up doing all those gigs at 'FLD because the station was running on a short leash budget. My salary was about 200 bucks a week. That wasn't bad since I never spent more than about 300 dollars a week.
Chet Coppock  
LOL ... good stuff, Chet ... I can TOTALLY relate to spending 50% more than what you're earning ... and STILL have that problem today!!! (lol) kk  

Hey Kent,
1969 was the year that I graduated from Falconer Grammar School in Chicago. It was also the year that I discovered bands like Led Zeppelin, Deep Purple, Black Sabbath, The Doors, Three Dog Night, Jimi Hendrix, Elephants Memory and one hit wonder The Bubble Puppy (who I was surprised to see in the Rock and Roll Hall Of Fame One Hit Wonder Exhibit).
I grew up listening to my older brother's music collection (10 Years Older) ... Elvis, the Crewcuts, the Everly Brothers, Roger Miller, West Side Story soundtrack, etc. It was a great foundation to Rock N Roll. But when I saw The Beatles on Ed Sullivan, at 8 years of age, I ran out and bought Meet The Beatles on vinyl and my whole world changed. (Although I have always been an Elvis fan).
1969 was also the year that I began my High School Years at Prosser Vocational. That opened up my eyes and ears to many different types of music ... Santana, Stevie Wonder, the Temptations, and many non-white bands, being that Prosser was a non-district school. You could live anywhere in the city, and attend Prosser. I made many friends of all different races and religions during that time, and still have many friendships from that era.
Mark Zimmerman
Hayward, CA

'69 MEMORIES: What a great year. I spent most of that year in the 8th grade or Junior High (when did it become middle school? lol) and had a newspaper route. I used to build plastic model cars and the entire line-up of '69 Chevrolets became my favorite cars and remain so to this day (a few years later my best friend bought a '69 Chevelle SS396 and taught me to drive standard shift with it). That year I decided to go to Trade School to learn the Printing Business after getting a sampling of it in the Jr. High Print Shop, so that year had a big effect on my life because I worked as a Printer from 1973 up until 2008.
So much great music that year ... the Beatles, Blood, Sweat & Tears, Motown still cranking out great songs and The Rolling Stones, which you mentioned and always kind of makes me chuckle that Honky Tonk Women got knocked out of the #1 spot by Sugar, Sugar although I do love both songs.  (Side-note:  a few years ago I had the good fortune to meet and talk with both Ron Dante and Andy Kim at different times and found them both to be excellent performers as well as very nice people.)  It shows what a wide variety of music was on the radio back then.
I certainly remember the moon landing because our entire extended family was at a barbecue and everybody went inside to watch on TV. My youngest brother was born five days later on the 25th, he just turned 40 (Happy Birthday, Charlie!) and my cousin got married that summer, 1st wedding I ever went to, and she and her husband are celebrating 40 years of marriage this year.
Of course, I watched all the news reports about Woodstock, but at 13 years old, no way could I have gone, although I live about two hours drive from the site.  (I did manage to go to Woodstock '94 ... lots of fun).
My summer ended on a bad note when, in late August, I was nearly killed in a car accident with my brother, cousin and 16 yr old next door neighbor in his brand new '69 Volkswagen Fastback (remember those?). Fortunately, we all survived, but I spent four weeks in the hospital (riding shotgun without seatbelts) and started High School in October instead of September and walked around with two black eyes for about six months.
Anyway, lots of great music including the now much over-played Suspicious Minds and the DJs on WABC playing around when the song faded out and then came back again. I used to love that and nowadays I never hear that version anymore even though the song gets played several times a day by every station in my area.  (I know, we don't need to hear it, but I would love to hear that version on the radio once in awhile)
That's about it for me on 1969 (please excuse the rambling!)
Thanks, Kent, for all you do
Eddie,
Orange, CT

69: Those numbers are not JUST for what some of you are thinking.‘69 the year is indelibly etched in MY mind due to many of the things that a lot of you have mentioned this year in the Forgotten Hits salute. 
For ME, it was when I realized that (during that summer and fall) all types of music clashed and collided to become the true soundtrack of the end of our collective adolescence. Think about it. A WHOLE generation had known about ELVIS and bad movies. Some of his songs were sorta relevant … and then “Suspicious Minds” came out … a career rejuvenator for sure. The Beatles hit their peak (some suggest two years prior) with the release of Abbey Road that fall. CCR was becoming the biggest American rock band. The Stones had “Honky Tonk Women” even with the erased tracks of their founder Brian Jones. Motown was still making relevant music, although NOW mostly influenced by what Sly Stone was up to. Stax was still puttin’ down the grooves … although they maybe had peaked the year before … (Don’t count “Shaft” later, as that was the beginning of the end for the Stax empire.) Bubblegum was still in the mix with Bobby Sherman’s “Little Woman” … although the best true bubblegum was gone already. The ROCK of The WHO, Janis, Jimi, The DOORS were all at the peak of their powers then. The SOUL was still magnificent from Detroit, Memphis, NY … not yet morphing into Disco … although SOME of the roots of Disco CAME from that year … (Listen to the rhythms and beats in Soul songs from ’69.) Folk singers could still sell records … Dylan, Baez, Arlo, Simon & Garfunkel, etc … PURE POP FUN was still available from The Turtles (although their peak was in ’67 & 68.) Lou Christie was a hit-maker from another era … (only gone for two or three years!) And there were STILL a lot of regional hit records in each major city. Just look at all of the WLS surveys that Kent has been posting recently. Even WABC was still playing some regional faves, even at THAT late date. Some records I heard on WFIL and WIBBAGE in Philly were LOCAL records that NEVER made it to NY or Chicago … and could only BE played in Philly today! But … just what WAS the commonality of all this music?? We loved almost ALL of it! And several songs could be played by ONE station. Not all, mind you … the really esoteric tracks were played by the AOR stations … the POP stuff on AM … but for ONCE, AM played a lot of “heavy” hits and a LOT of black music that was only played on “SOUL” stations just a year before … when CHAOS ruled the airwaves … the killings of very popular figures, and not ONE of our generations MUSIC LEGENDS had yet croaked. It’s not because I was 16 in ’69 that made me superior in my tastes in music (which entailed ALL of the above in some magical place in my head) … no. It was the fact that it all was HEARD by the masses.
Today, there is no such thing as a MASS appeal station for ANY genre. Perhaps COUNTRY is close, but even THEY are broken up by niches and old vs. new country. And OLD means the 90’s. I also think THIS is why Classic Hit stations of today that actually PLAY a little of ALL that we remember are doing so WELL in most cities. We didn’t stop liking music in ’69. I know I didn’t. But by ’89, I was gone. New music didn’t cater to ME anymore. BECAUSE much of it was only played on SELECT STATIONS. They were already sliced and diced into little corners of the FORMAT world of consultants and certain programmers. THAT’S when it all went bad. 
It’s not a recent thing. It started in the 80’s ... or maybe even the late 70’s!!!!!!! So my memories of ’69 are VERY fond. I was able to deliver my papers on my bike still, and STILL have time to head to the beach in a nearby Jersey Shore town. I was TETHERED to my earpiece on my paper route (so much so, that a customer asked my mom if I was DEAF! Mom laughed and she thought the woman was gonna hit her. She explained that it was a pocket RADIO that I had in my ear from morning ‘til night!) I didn’t NEED it at the beach that summer, as almost EVERYONE had on either 77 WABC or 102.7 WNEW-FM. There was a chasm already developing between the freaks and the straights … but I was a little of BOTH; musically anyway.
All I know is what I feel NOW. I feel like it was a special time when the stars DID align and the moon was in the seventh pass ... and Jupiter was aligned with Mars. We THOUGHT peace would guide the planet. Alas it didn’t … but musically MILLIONS of us were on one or maybe only TWO wavelengths. And THAT was very special. It will NEVER happen that way again. 
I didn’t get to Woodstock, as my liberal MOTHER wouldn’t let me go. My CONSERVATIVE father said, “Let him go.” Mom won out … as SHE was listening to the MOR station on the radio describing what was about to happen, and SHE didn’t want her oldest being exposed to that “crowd.” Little did she KNOW I knew the crowd. I wasn’t a 100% freak, nor was I a 100% geek.  I knew HOW to get there, and I had a ride!!! But I didn’t go. I savored the MOVIE the following year. I bought BOTH albums … and even got the 4 CD set a few years back … with songs NOT in the movie. I play it once a year around that time JUST to try to LIVE it for real. Then we became adults VERY quickly as a generation, and it all seemed like a dream. It wasn’t. It was a very REAL … but somewhat SURREALISTIC time for ALL of us middle Boomers.
Thanks for reading my thoughts! ‘69 indeed!
BE BIG!
Big Jay Sorensen
WCBS-FMNYC


TOP ALBUMS:
By 1969, the LP was quickly becoming the preferred way to purchase and listen to music. This trend is clearly in evidence as you look at some of the Biggest LPs of 1969 (according to Billboard Magazine ... you'll find OUR list coming up in the next day or two):

1) In-A-Gadda-Da-Vida - Iron Butterfuly
2) Hair - Original Cast
3) Blood, Sweat And Tears - Blood, Sweat and Tears
4) Bayou Country - Creedence Clearwater Revival
5) Led Zeppelin - Led Zeppelin
6) At Folsom Prison - Johnny Cash
7) Funny Girl - Soundtrack (huh?!?!?)
8) The Beatles (White Album) - The Beatles
9) Greatest Hits - Donovan
10) Greatest Hits - The Association

"In-A-Gadda-Da-Vida" coming in as the biggest album of the year was a bit of a surprise ... it debuted on the charts in July of 1968 ... but rode the chart for 140 weeks, or nearly three years!!! Incredibly, it never reached the #1 spot yet still earned enough points during the year to finish on top of Billboard's LP list. Their follow-up LP, "Ball", also finished in the year-end Top 20.

Three Dog Night's debut album made the year-end chart as did classics like "Nashville Skyline" by Bob Dylan, "Cheap Thrills" by Big Brother and the Holding Company and "Stand" by Sly and the Family Stone. And who could forget the cult-classic "Switched On Bach" by Walter Carlos and Benjamin Folkman?!?! (After all kinds of media coverage, it finished up as the 21st biggest album of the year!)

For a look back at another classic album released in 1969, please visit our other web page and click on the Dusty Springfield link ... "Dusty In Memphis" is regarded as one of the best albums of all-time today ... yet upon its original release it only managed a #99 showing on The Billboard Chart.
Click here: Forgotten Hits - DUSTY SPRINGFIELD

Other '69 albums classics include the first Crosby, Stills and Nash album and the first and only Blind Faith LP. Creedence Clearwater Revival would release THREE LPs that year!!! ("Bayou Country", "Green River" and "Willie And The Poorboys" were virtually NEVER off my turn-table in 1969 or 1970!) "Abbey Road" was released too late in the year to make 1969's year-end chart (but wound up as the #4 album of 1970.) Other notable releases include "Let It Bleed" by The Rolling Stones, "Tommy" by The Who, (the first Rock Opera), "In The Court Of The Krimson King" by King Krimson, the self-titled album releases by The Band, The Chicago Transit Authority, Blood, Sweat and Tears, The Allman Brothers Band, It's A Beautiful Day and Santana, the first two Led Zeppelin releases, "Hot Buttered Soul" by Isaac Hayes and "Volunteers" by The Jefferson Airplane. Good stuff ... and necessary components of ANY complete record collection.

12/27 - TV, 1969

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With only three channels to choose from, did we have better television choices back in 1969?

A look at the Fall TV Schedule tells us this:

Sunday Nights: The Ed Sullivan Show was still required viewing back in 1969 ... it aired against The F.B.I. and Walt Disney's Wonderful World Of Color. (Earlier evening fare included Lassie, Land of the Giants, Wild Kingdom and The Bill Cosby Show. Depending on what time dinner was served on any given Sunday Night, I might have watched The Bill Cosby Show ... unless my younger sister had already commandeered the television set to watch Lassie.) Most likely after Ed I switched over to Bonanza (although by 1969 this program had pretty well run its course for me ... incredibly it would air for another four years and, by 1969, had already been a Sunday Night fixture for ten!!!) or The ABC Sunday Night Movie. I don't think I've ever seen an episode of The Leslie Uggams Show and wasn't a fan of The Bold Ones either. Most of my friends were hooked on Mission Impossible but, other than the ultra-cool theme song by Lalo Schiffrin, this one never really grabbed me either.

Monday Night we had Music Scene (which I did watch, naturally!), something called New People, Harold Robbins'"The Survivors" and Love, American Style on ABC, Gunsmoke, Here's Lucy, Mayberry R.F.D., The Doris Day Show and The Carol Burnett Show on CBS and My World and Welcome To It, Rowan and Martin's Laugh-In and The Monday Night Movie on NBC. I was still a big "Laugh-In" fan in '69 and, in that respect, I wasn't alone ... much of the country was ALSO tuned in and Laugh-In ended up being the #1 Television Show of the Year ... but I'll also admit to seeing more than a few episodes of "Love, American Style", too!

On Tuesday Night it was one of MY favorite shows, "Mod Squad" on ABC, followed by the Movie of the Week and then Marcus Welby, M.D., one of my Mom's favorite TV shows. (As "hip" as it seemed at the time, "Mod Squad" SURE looks dated nowadays!!! lol I guess it can best be described as television's version of what THEY thought was hip!!! These seemed to be a current trend, trying to lure in more younger viewers as programs like "Room 222" also tried to show the world through teen-aged eyes.) CBS gave us Lancer, The Red Skelton Hour, The Governor and J.J. and The CBS News Hour, which, at that time, incorporated 60 Minutes into their programming. Over at NBC we had I Dream Of Jeannie (starring Barbara Eden's well-hidden navel), The Debbie Reynolds Show, Julia (starring the beautiful Diahann Carroll ... I liked that one, too) and The NBC Tuesday Night Movie.

Wednesday Night on ABC gave us The Flying Nun and The Courtship of Eddie's Father ... I don't think I've ever seen a single episode of either of these two so-called television classics ... I was most likely tuned into The Glen Campbell Good-Time Hour on CBS, which is how I happened to be one of the ones that caught the video of The Beatles performing "Get Back" on the Apple Rooftop that we wrote about several weeks back. But after Glen, I DID switch over to ABC to watch "Room 222", another one of my then-favorite shows. (As mentioned above, I can only imagine how dated this one must look today!) Other Wednesday Night television fare included The Virginian, The Kraft Music Hall, Medical Center, The ABC Wednesday Night Movie, Then Came Bronson and Hawaii Five-O, whose theme song was a BIG hit for The Ventures that year.

On Thursday Nights I did a bit of channel surfing (and this was in the PRE-remote days, too, when you actually had to get up out of your seat to change the channel!!!) I'd start the night with Family Affair on CBS, then switch over to That Girl and Bewitched on ABC. Then we'd watch This Is Tom Jones, another one of my Mom's favorites before ending the night with The Dean Martin Show on NBC. If you didn't watch THESE shows, you were probably watching The Ghost and Mrs. Muir, Daniel Boone, The Jim Nabors Show, Ironside, Dragnet, It Takes A Thief or The CBS Thursday Night Movie.

Fridays gave us Get Smart, The Good Guys and Hogan's Heroes on CBS before their Friday Night Movie, High Chaparral (another one of my favorites) on NBC, followed by The Name of the Game and Bracken's World or Let's Make A Deal (my Dad's favorite show), The Brady Bunch (brand new in 1969 and now a permanent, historic part of pop culture), Mr. Deeds Goes To Town, Here Comes The Brides (starring new heart-throb Bobby Sherman, who was also tearing up the pop charts by this time with his hits "Little Woman" and "La-La-La, If I Had You") and Jimmy Durante Presents The Lennon Sisters. (Really?!?!? In 1969?!?!?)

Saturdays kicked off with either the back-to-back hits The Dating Game and The Newlywed Game or, depending on the guests, we might instead watch The Andy Williams Show. (Typically, we skipped the competition, which on CBS was The Jackie Gleason Show.) Then came My Three Sons, Green Acres, Petticoat Junction and Mannix on CBS or The Lawrence Welk Show and Hollywood Palace on ABC or Adam-12 and The Saturday Night Movie on NBC.

Emmy Winners for the 1969-1970 Television Season were:

 
OUTSTANDING COMEDY SERIES: My World And Welcome To It (Sheldon Leonard, Executive Producer, Danny Arnold, Producer)


OUTSTANDING DRAMATIC SERIES: Marcus Welby, M.D. (David Victor, Executive Producer, David J. O'Connell, Producer)


OUTSTANDING VARIETY OR MUSICAL SERIES: The David Frost Show (Peter Baker, Producer)


OUTSTANDING NEW SERIES: Room 222


OUTSTANDING CONTINUED PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A DRAMATIC SERIES: Robert Young, Marcus Welby, M.D.


OUTSTANDING CONTINUED PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A DRAMATIC SERIES: Susan Hampshire, The Forsythe Saga


OUTSTANDING CONTINUED PERFORMANCE BY AN ACTOR IN A LEADING ROLE IN A COMEDY SERIES: William Windom, My World and Welcome To It


OUTSTANDING CONTINUED PERFORMANCE BY AN ACTRESS IN A LEADING ROLE IN A COMEDY SERIES: Hope Lang, The Ghost And Mrs. Muir


OUTSTANDING PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN DRAMA: James Brolin, Marcus Welby, M.D.


OUTSTANDING PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN DRAMA: Gail Fisher, Mannix


OUTSTANDING PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN COMEDY: Michael Constantine, Room 222


OUTSTANDING PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN COMEDY: Karen Valentine, Room 222.

As for the actual television ratings for the '69 season, THESE are the shows that finished in The Top Ten:


1. ROWAN AND MARTIN'S LAUGH-IN (NBC) Rating 26.3
2. GUNSMOKE (CBS) 25.9
3. BONANZA (CBS) 24.8
4. MAYBERRY R.F.D. (CBS) 24.4
5. FAMILY AFFAIR (CBS) 24.2
6. HERE'S LUCY (CBS) 23.9
7. THE RED SKELTON HOUR (CBS) 23.8
8. MARCUS WELBY, M.D. (ABC) 23.7
9. WALT DISNEY'S WONDERFUL WORLD OF COLOR (NBC) 23.6
10. THE DORIS DAY SHOW (CBS) 22.8

Other notable programs with 20 million or more viewers: The Bill Cosby Show (22.7), The Jim Nabors Show (22.4), The Carol Burnett Show (22.1), The Dean Martin Show (21.9), My Three Sons (21.8), Ironside (21.8), The Johnny Cash Show (21.8), The Beverly Hillbillies (21.7), Hawaii Five-O (21.1), The Glen Campbell Good-Time Hour (21.0), Hee Haw (21.0), The ABC Movie Of The Week (20.9), Mod Squad (20.8), The NBC Saturday Night Movie (20.6), Bewitched (20.6), The F.B.I. (20.6), The Ed Sullivan Show (20.3), Julia (20.1), The CBS Thursday Night Movie (20.0) and, just missing, Mannix (with 19.9)

The Biggest Movies of 1969

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Yesterday we told you about all of the top TV shows of 1969.

Today we take a look at the big screen box office smashes ... 

And the Academy Awards (and Golden Globes) that followed.

TOP BOX OFFICE HITS, 1969:

RankTitleStudioGross
1. Butch Cassidy and the Sundance Kid20th Century Fox$102,308,889
2. Midnight CowboyUnited Artists$44,785,053
3. Easy RiderColumbia$41,728,598
4. Hello, Dolly!20th Century Fox $33,208,099
5. Bob & Carol & Ted & AliceColumbia $31,897,253
6. Paint Your WagonParamount$31,678,778
7. True GritParamount $31,132,592
8. Cactus FlowerColumbia $25,889,208
9. Goodbye, ColumbusParamount $22,939,805
10. On Her Majesty's Secret ServiceUnited Artists $22,774,493
11. I Am Curious (Yellow)Janus Films$20,238,100
12. WinningUniversal$14,644,335
13. ZCinema V $14,283,305
14. The Sterile CuckooParamount $13,982,357
15. The StewardessesSherpix Inc. $13,500,000
16. Run, Angel, Run!Fanfare Films $13,000,000
17. They Shoot Horses, Don't They?Cinerama$12,600,000
18. A Boy Named Charlie BrownNational General Pictures$12,000,000
19. The Wild BunchWarner Bros.$10,500,000
20. Sweet CharityUniversal $8,000,000
21. The Undefeated20th Century Fox $8,000,000
22. Where Eagles DareMGM$7,100,000
23. Alice's RestaurantUnited Artists $6,300,000
24. Take the Money and RunCinerama $6,080,000
25. TopazUniversal $6,000,000
26. The Prime of Miss Jean Brodie20th Century Fox $6,000,000
27. If It's Tuesday, This Must Be BelgiumUnited Artists $6,000,000
28. Once Upon a Time in the WestParamount $5,321,508    

Top Awards  

Academy Awards: 

Best Picture: Midnight Cowboy - Hellman-Schlesinger, United Artists 

Best Director: John Schlesinger, Midnight Cowboy 

Best Actor: John Wayne – True Grit 

Best Actress: Maggie Smith – The Prime of Miss Jean Brodie 

Best Supporting Actor: Gig Young, They Shoot Horses, Don't They? 

Best Supporting Actress: Goldie Hawn, Cactus Flower 

Best Foreign Language Film: Z, directed by Costa-Gavras, Algeria   

Golden Globe Awards: 

Drama: 

Best Picture: Anne of the Thousand Days 

Best Actor: John Wayne – True Grit 

Best Actress: Geneviève BujoldAnne of the Thousand Days 

Musical or comedy: 

Best Picture: The Secret of Santa Vittoria 

Best Actor: Peter O'TooleGoodbye, Mr. Chips 

Best Actress: Patty DukeMe, Natalie 

Best Director: Charles JarrottAnne of the Thousand Days



December 29th, 1969

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It's the final chart of 1969 as we wind down this year's Fifty Year Flashback.

Diana Ross and the Supremes wind up the year at #1 with "Someday We'll Be Together," their swan song before Ross launched her solo career.

One need look no further than this week's Top Ten to see that diversity still ruled the charts as the '60's came to an end.

The Sound of Motown with Diana Ross and the Supremes and this brand new upstart group, The Jackson Five (falling to #5 this week with their break-thru hit, "I Want You Back" ... you'd be hearing from this brother act ... and one brother in particular ... for many years to come!) ... the heavy metal sound of Led Zeppelin (#3 with "Whole Lotta Love") ... the bubblegum hit sound of Tommy Roe ("Jam Up And Jelly Tight," #6 after his hit "Dizzy" became one of the biggest hits of the entire year), soundtrack music be Ferrante and Teicher ("Midnight Cowboy," #9) and yet another "comeback hit" for Elvis Presley.  (#10 with "Don't Cry Daddy")

Local guys The New Colony Six are about the last of our local heroes still charting as the '60's draw to a close ... their latest, "Barbara, I Love You," climbs to #15 from #21 the week before.  (By now The Buckinghams, The Cryan' Shames and The Shadows Of Knight have already enjoyed their last chart hits ... but next year The Ides Of March, absent from the local charts since their 1966 hit "You Wouldn't Listen," will be back in a VERY big way as they ride their huge #1 Hit "Vehicle" all the way to the top of the charts.  It would be a whole new sound for the band ... and help to usher in a whole new sound of Chicago Music as a band who took the city's name will begin to make their mark next year as well.)

THIS WEEK IN 1969: 
December 23rd– B.J. Thomas earns a gold record for his #1 Hit “Raindrops Keep Falling On My Head”

Also on this date, Willie Nelson’s home in Ridgetop, Tennessee, catches fire while he’s in Nashville.  Rushing home, he runs into the house to rescue his guitar (named “Trigger”) and his guitar case, stuffed with a bag of marijuana.  (Oh Willie!!!)


December 24th– Charles Manson is allowed to defend himself at the Tate – LaBianca murder trial


Also on this date, The Cowsills perform “Jingle Bell Rock” on The Kraft Music Hall.  And the album “The Buddy Holly Story” (a greatest hits collection) is certified gold.  Six days later he will also posthumously be awarded a gold record for his hit single “That’ll Be The Day.”

December 30th– Peter, Paul and Mary earn a gold record for their single “Leaving On A Jet Plane,” written by future country music superstar, John Denver.

December 31st– Jimi Hendrix uses the occasion of New Year’s Eve to introduce his new sidemen, bassist Billy Cox and drummer Buddy Miles at a concert at The Fillmore East in New York City.  The concert is recorded and later released as the live album “Band Of Gypsys.”

1969:  Just how big was Elvis Presley’s comeback year?  
His accountants reveal that Elvis earned $1,096,000 in personal income from motion pictures, $794,000 from music and recording and $150,000 from television, in addition to another $401,000 for personal appearances.
As such, Elvis owes $1,126,000 in income tax this year!  

Be sure to stop by tomorrow and we'll flip this survey over to give you The WLS Big 89 of '69 ... and on Tuesday (New Year's Eve) our own ranking of The Top 69 of 1969 as determined by the national charts.


Happy New Year, Everybody!

The Big 89 of 1969

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As promised, here is WLS' Year-End Chart ... along with the radio station's annual achievement awards ... (anybody remember Evie Sands???)




The Top 69 of '69

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Based on a tabulation of all of the National Year-End Charts ... 

As well as rankings compiled by Joel Whitburn's Record Research and Dann Isbell's Ranking The '60's ... 

Here is the most accurate list of The Top 69 Songs of 1969 ...

# 1 - AQUARIUS / LET THE SUNSHINE IN - The Fifth Dimension
# 2 - SUGAR SUGAR - The Archies
# 3 - HONKY TONK WOMEN - The Rolling Stones
# 4 - EVERYDAY PEOPLE - Sly and the Family Stone
# 5 - DIZZY - Tommy Roe
# 6 - CRIMSON AND CLOVER - Tommy James and the Shondells
# 7 - I CAN'T GET NEXT TO YOU - The Temptations
# 8 - IN THE YEAR 2525 - Zager and Evans
# 9 - GET BACK - The Beatles
#10 - CRYSTAL BLUE PERSUASION - Tommy James and the Shondells

#11 - Hair - The Cowsills
#12 - Love Theme from "Romeo And Juliet" - Henry Mancini
#13 - Build Me Up Buttercup - The Foundations
#14 - Wedding Bell Blues - The Fifth Dimension
#15 - Spinning Wheel - Blood, Sweat and Tears
#16 - Jean - Oliver
#17 - Suspicious Minds - Elvis Presley
#18 - A Boy Named Sue - Johnny Cash
#19 - It's Your Thing - The Isley Brothers
#20 - Green River - Creedence Clearwater Revival

#21 - Proud Mary - Creedence Clearwater Revival
#22 - Hot Fun In The Summertime - Sly and the Family Stone
#23 - You've Made Me So Very Happy - Blood, Sweat and Tears
#24 - Love Can Make You Happy - Mercy
#25 - Bad Moon Rising - Creedence Clearwater Revival
#26 - One - Three Dog Night
#27 - Touch Me - The Doors
#28 - Time Of The Season - The Zombies
#29 - Sweet Caroline - Neil Diamond
#30 - I'll Never Fall In Love Again - Tom Jones

#31 - Come Together - The Beatles
#32 - Little Woman - Bobby Sherman
#33 - Easy To Be Hard - Three Dog Night
#34 - What Does It Take - Jr. Walker and the All-Stars
#35 - In The Ghetto - Elvis Presley
#36 - Get Together - The Youngbloods
#37 - Good Morning Starshine - Oliver
#38 - I'm Gonna Make You Love Me - Diana Ross and the Supremes and The Temptations
#39 - Something - The Beatles
#40 - Too Busy Thinking About My Baby - Marvin Gaye

#41 - Grazin' In The Grass - The Friends Of Distinction
#42 - Wichita Lineman - Glen Campbell
#43 - Baby It's You - Smith
#44 - Traces - The Classics IV
#45 - Leaving On A Jet Plane - Peter, Paul and Mary
#46 - My Cherie Amour - Stevie Wonder
#47 - Someday We'll Be Together - Diana Ross and the Supremes
#48 - The Worst That Could Happen - The Brooklyn Bridge
#49 - Na Na, Hey Hey, Kiss Him Goodbye - Steam
#50 - These Eyes - The Guess Who

#51 - Only The Strong Survive - Jerry Butler
#52 - Take A Letter, Maria - R.B. Greaves
#53 - And When I Die - Blood, Sweat and Tears
#54 - Hooked On A Feeling - B.J. Thomas
#55 - Galveston - Glen Campbell
#56 - Soulful Strut - Young-Holt Unlimited
#57 - This Magic Moment - Jay and the Americans
#58 - Baby, I Love You - Andy Kim
#59 - Fortunate Son - Creedence Clearwater Revival
#60 - Down On The Corner - Creedence Clearwater Revival

#61 - Indian Giver - The 1910 Fruitgum Company
#62 - Put A Little Love In Your Heart - Jackie DeShannon
#63 - Smile A Little Smile FOr Me - The Flying Machine
#64 - Can I Change My Mind - Tyrone Davis
#65 - Cloud Nine - The Temptations
#66 - Oh, Happy Day - The Edwin Hawkins Singers
#67 - Run Away Child, Running Wild - The Tempations
#68 - Hurt So Bad - The Lettermen
#69 - I'd Wait A Million Years - The Grass Roots

1969 proved to be a VERY big year for Creedence Clearwater Revival, who placed five songs on the Year-End Top 69 of '69 Chart.  

The Temptations saw four of their 1969 hits make the list (including a duet with Diana Ross and the Supremes).

The Beatles had three ... as did the new upstart group Blood, Sweat And Tears, who saw all three of their 1969 releases make the final countdown.

Tommy James and the Shondells scored two Top Ten finalists ... while The Fifth Dimension captured not only the year's top honor for "Aquarius / Let The Sunshine In," but also held down the #14 spot with "Wedding Bell Blues."

Also scoring two big year-end smashes were Elvis Presley, Oliver, Three Dog Night, Diana Ross and the Supremes, Glen Campbell and Sly and the Family Stone.

January 1st, 1970

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This year we'll be running 1970 Calendar Highlights on a near-daily basis ... along with new features and comments pages ... so please be sure to check back every day to see just what we might have cooking for you at any given time!

Beginning on Sunday, January 12th, we'll also be reprinting EVERY Top 40 WCFL Survey published that year so you can once again see how 1970's biggest hits fared right here in Chicago.

Here's a quick look at an entertainment headline from New Year's Day, 1970!

1970:  January 1st– Elvis Presley’s latest film (and his last scripted movie), “A Change Of Habit,” opens in theaters on New Year’s Day.  His love interest in this film is television superstar Mary Tyler Moore (post-Laura Petrie / pre-Mary Richards)  Oh yeah … she’s also a nun … so Elvis doesn’t quite get the girl in this one!  (Or does he?)



A Long-Overdue Comments Page ...

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... and our FIRST Comments Page of 2020! 

Here’s a long-overdue comments catch-up page to bring us somewhat up to date.  (With all our year-end 1969 celebrations, it was virtually impossible to post anything else!)  And, of course, we also wrapped up our TOP 3333 MOST ESSENTIAL CLASSIC ROCK SONGS OF ALL TIME Countdown, too!  So not a bad way to finish off the year! 

Meanwhile (for better or for worse!) here’s some of your latest topics of interest! (kk)

DON IMUS:
Of course the big music news story on Friday Night was the passing of Radio Legend Don Imus … a fixture of New York Radio for over fifty years.
Controversial (and often referred to as the first Shock Jock, credited with inspiring countless others who took to the airwaves once he had paved the way, all striving to achieve new heights in bad taste), Imus will sadly be remembered more for his “off color” comment in 2007 in which he described the Rutgers Women’s Basketball Team as “Nappy-headed Hos” than for all of his pioneering radio ways.  (He’s been a Radio Hall Of Famer since 1989 … and you can often hear tributes to him and airchecks regularly on Rewound Radio who I actually expected to interrupt their own year-end countdown of The Top 77 All-Time Favorites of 2019 to pay tribute to this broadcasting legend.  (Apparently, they didn't.)
Imus officially retired from radio in 2018 … but his memory will live on long beyond his passing.  (kk)

From Imus fan Frank B …


SHARIN’ THE LOVE FOR SHA NA NA:
>>>This truly BEAUTIFUL 45 (“Only One Song”) was another "Imagine" with beautiful harmonies worthy of the Beach Boys …
https://www.youtube.com/watch?v=SlU0AekwFHE

Wow! Sha Na Na!  
I never heard Only One Song until today. What a song, what a performance and what a production. String chart. Wow. More info please. Who wrote it. Who produced it, etc. 
The Ides of March had the pleasure of opening for them at the Arie Crown Theater in 1972. They were as energetic and amazing as always. I felt their act was one of the high points of Woodstock. 
The Ides even did a kind of mashup homage to Sha Na Na and an amazing competing 50s tribute act Ricky & The Rockets. We caught their hilarious set in Printers Alley in Nashville on an off night on tour. 
In 1973 we did a week stand at the Swingers Lounge (No kidding!) in Miami Beach with them. We swiped most of their act in a greaser parody we started doing soon after that. We started with an original four chord rocker then with all of us with hair slicked back and playing our guitars behind our heads (and doing steps) … played the American Bandstand theme song ... brought down the house every time!
But it really all started with the great Sha Na Na.
Thanks for sharing the memories.
Rock on!  
Jimbo 
PS ... Clark or anyone - the Ides got unfairly panned for our opening slot at Arie Crown. If anyone can find that review in the Sun Times or Trib, I’d like to personally “thank him!”
JP
I had never heard this song before either … and it’s BEAUTIFUL!  This one absolutely shoulda been a hit.
My guess is they hurt themselves by releasing it as Sha Na Na … it just didn’t fit the image (actually, it couldn’t have gone further cross grain and against type!) … and that’s a shame because it’s a GREAT recording of a GREAT song … performed perfectly.
For all the smiles Sha Na Na brought us over the years, they sort of became a cartoon character … playing up the ‘50’s strictly for laughs despite their very talented musicianship.  (Check out some of their other rare videos on YouTube … these guys were VERY talented.)
“Only One Song” peaked at #94 in Cash Box in May of ’71 … it spent a week at #100 in Record World and “bubbled under” for SEVEN WEEKS in Billboard, only reaching #110 in the process!
To answer Jim’s question above, it was written by Scott Simon, produced by Eddie Kramer, with the strings arranged by Bob Freedman.  The single was released on Kama Sutra 2013-022A in 1971.
GREAT song … GREAT discovery.  Totally love it.  (kk)

Clark Besch adds this info …

Indeed, "Only One Song" is an excellent song, IMO, from 1971.  It reached top 10 on my personal charts then and top 20 in Denver.  It was written by original Sha Na Na member "Screamin'" Scott Simon.  Bob Freedman arranged the strings and Eddie Kramer produced the song.  Kramer engineered on the Beatles'"All You Need Is Love" and was the man that recorded "Woodstock" in a sleepless three day journey. 
You can read about it here: 

While searching for the review in The Chicago Tribune, I came across this cool article / interview with Jim from 1973 …


An interesting take … although I can’t imagine The Ides Of March ever NOT doing “Vehicle” … even without a horn section!  (kk)

Jim chimes in …

Cool article, Kent. Thx for sending!! Lynn VanMatre ... She was boss! 
And you're right ... 
We never dropped it from the set. Lol!  
Did you try the Sun Times for the Ides panning?  He said “… and when Jim Peterik put his Les Paul under his chin and tried to play it like a violin, I thought I’d die laughing!”  
And that was the good part!  
JP

Clark also sent in a few clippings to share from this era …

Looks like Sha Na Na / Ides of March headlined on 
February 18, 1973, at the Arie Crown Theater.

 

And your Miami week in the summer of ‘73 (June 22nd date below) preceded David Ruffin's stint at the "Swinger"!


And your "50's cat" Ides had good timing as it FOLLOWED the Platters' voice (playing there the week before the Ides)!

And here's a misleading ad from Nashville exactly a year later (6-16-1974) with Jim on his own ... 

Speaking of great vintage Ides newspaper articles, it looks like their 1966 manager, Mike Considine may have spewed out the most "fake news" in 1966 as "Roller Coaster" was released.  He spouts (among other follies in the Berwyn paper) that they were "originally scheduled to accompany the Beatles on their American Tour and also offered to tour with the Rolling Stones."  I'm surprised he did not mention that the Ides were bigger than Jesus (as John had just offered up in Chicago a month earlier).  :)
Clark

Wow!  That's some pretty impressive bullshit for 1966!  (lol)
Of course that's why they paid him the big bucks!  
(Which is crazier?  The fact that Considine would say it ... or that The Berwyn Li(f)e would actually print it without any fact-checking at all?!?!   (kk)

Kent,
I enjoyed the letter and your response about Sha-Na-Na, as I hadn’t thought about them in a very long time.
I saw them in a gym-filling concert in a spring 1970 at Loyola when I was there. Sha-Na-Na was the opening act, and B. J. Thomas was the headliner, a strange mix to be sure.  
Sha-Na-Na blew the rafters off the place and the crowd was wildly enthusiastic. There was an hour-long (!!!) break before B.J. Thomas went on, and the going story was that he wouldn’t follow THAT until things has settled down enough.
Us college radio station people tried to get station IDs from visiting performers, and ATTACHED is one from Sha-Na-Na.
Kevin Killion
(the other KK)




1969 FLASHBACKS: 
>>>Monday Night we had Music Scene (which I did watch, naturally!), something called New People  (kk)  
Amazing how Music Scene didn't get expanded, even to a half hour! 
The New People, produced by "Mod Squad" makers Danny Thomas and Aaron Spelling, was the saga of a group of college students surviving a plane crash on a South Pacific island with a built-up, though uninhabited, town already there. It amazingly lasted until midwinter despite its mostly unknown cast. There have been several articles about it; the one I read is from Billy Ingram's TVParty site (http://www.tvparty.com/recnewpeople.html), and the first episode is on YouTube (https://www.youtube.com/watch?v=0bXYM-bHSwg) 
Nice of them to write the show to fit a 45-minute time slot, although that likely prevents any reruns nowadays. 
The show's creator, originally known only by a pseudonym, was soon unmasked as Rod Serling, and its cool theme was sung by Kenny Rogers and The First Edition!
Bob Frable

>>>By 1969, the LP was quickly becoming the preferred way to purchase and listen to music. This trend is clearly in evidence as you look at some of the Biggest LPs of 1969 (according to Billboard Magazine)  kk  
Cash Box's ranking of the Top Albums of 1969 was very similar to Billboard's, the main difference being that the cast album for Hair beat out In-A-Gadda-Da-Vida for the top spot, and Romeo & Juliet added another soundtrack to the Top 10, keeping the Association's Greatest Hits below the Top 10 (at No. 11). 
– Randy Price

Since Shel Silverstein got a mention in FH the other day, I thought I'd pass this along ... Shel graduated from my Alma Mater, Roosevelt High, up on the north side, in June  of '48.
Only picture I've ever seen of him with hair!
Have a wonderful new year!
Mike

Kent,
It was fun reminiscing on the year of 1969.  Wow ... is it really 50 years ago. 
I remember the music as I knew most of the top songs from that year, about 90%.  I also remember seeing the most popular movies of that day like Butch Cassidy and the Sundance Kid. 
It was fun to know that we shared the same opinions of the shows that were on the three … yes, three tv channels.  Ed Sullivan, Laugh In and Lloyd Thaxton, Shindig and Hullaballoo were always a must see. And let's not forget my favorite dog show, "Lassie."  lol  Seems like yesterday.   
Thanks for reminding me what a simple life it was and easy living time it was. 
Sandy

Hi Kent,
First thanks for another fabulous year of Forgotten Hits.
It's still my favorite thing to read, even if I have to play catch-up a lot!
Looking at the 1969 tv season, I still think I could find more to like, with less work, than I can now days.  It takes more time to find the good ones than I have to watch them.  And we have to pay more, too. <grin>
There are a bunch of Room 222 shows on Youtube. They can be a little dated, but the story lines seem to hold up -- certainly better than Mod Squad.
Bill Scherer 

You can listen to Sam Tallerico salute the last week of 1969 on his Lost And Found Oldies Show here ...
https://www.mixcloud.com/LAFOS/lafos-december-28-2019-lost-and-found-oldies-show/?utm_campaign=notification_new_upload&utm_medium=email&utm_source=notification&utm_content=html

And I know that Phil Nee (WRCO) is doing (was doing? already did?) a tribute to the Biggest Songs of 1969 as well.  (Dammit, Phil, why aren't you guys streaming yet so I can post a link!!!  Or, at the very least, put up a podcast / rebroadcast link so folks all over the country can tune in and listen to what a GREAT job you're doing there!!!  Maybe 2020 will finally be the year ... you certainly deserve it!)  kk
 
THE TOP 3333 MOST ESSENTIAL CLASSIC ROCK SONGS OF ALL TIME:
Hi Kent:
To answer your question, I'm pretty sure I have the TOP 4 figured out - just not the order.
I have now burned 18 CDs with songs from your TOP 3335*, and am sure to do more.
And I have outlined three chat room games (so far) from that list as well.  I will start running them some time in the new year.
Again, thanks for the massive undertaking.  And although we can quibble about acts that I feel were unfairly limited or excluded (Supremes, 4 Tops, 4 Seasons, Del Shannon, Gene Pitney), it's still been a fun ride.
Of course, there are also acts I could do without, like Rush, AC/DC, Black Sabbath, and others.
But we all have our personal likes and dislikes.
Keep on rockin' in the free world.
Brad
Hey, let us know more about the chat room games … maybe some of us can chime in!
It’s been a hell of a ride … and after all the work that went into compiling this incredible list, I can’t believe it flew by as quickly as it did.
A few jocks on the list have featured bits and pieces from the final Top 3333, which is very cool … and we’re still talking about a home to run the bulk of the list sometime early next year.
In the meantime, thanks to the efforts of Dann Isbell (he of “Ranking The ‘60’s” and “Ranking The ‘70’s” fame), we’ll have the COMPLETE list available shortly after the first of the year as well … so be sure to stay tuned for that!  (kk)

Hey Kent –
Figured out a format for the show tomorrow, I think it should be pretty cool.
I will be referencing the Top 3,333 frequently during my show tomorrow and I think it should be pretty cool.
In the meantime, here are my predictions for Top 5:
5. Gimme Shelter
4. Sweet Home Alabama
3. Hotel California
2. Layla
1. Bohemian Rhapsody
Thanks for another inspiring idea and the plug on your page today.
Sam
Well, that was pretty close!  (As all of you have since seen, “Hotel California” finished ahead of “Layla” … and duked it out with “Bohemian Rhapsody” for the duration of the polling period.
These two probably flip-flopped the #1 and #2 positions at least fifty times … and sometimes as many as five times in a single day!  As such, they were the clear top two favorites.)  
“Layla” held the #1 spot for exactly ONE DAY … and it was on the very first day that the polls opened … and then never again.  (Actually “Sweet Home Alabama” overtook it a time or two but finally settled down behind the Eric Clapton classic at #4.)
And, as mentioned in the postings, the top Rolling Stones song fluctuated numerous times along the way before “Gimme Shelter” finally won out to come in at #5.  (Still, five songs in the Top 13 is a pretty incredible feat!)  kk

kk …
I've decided to start my (or should I say YOUR) countdown today. 
Going with the Top 60, every Thursday - till I get it done. 
#5 - "GIMME SHELTER" by the Stones is a good "BAR SONG." 
Dennis (the bartender),  "GIVE ME A BEER AND A SHOT AWAY."
FB

I listened to Sam Tallerico’s salute to our Top 3333 Most Essential Classic Rock Songs Countdown, who took a completely different take by coming up with other songs that HE felt should have made the list, spotlighting the years 1970 – 1979 … and I have to admit that he came up with a couple of GREAT selections.  (I even downloaded a few!!!)
But I need to weigh in on the way he and his co-host Barney evaluated the number of artists who placed songs in The Top 100, because it kind of distorts the picture.
Let’s face it … only a combination of 100 songs can make this Top 100 list … so to evaluate an artist’s overall placement becomes a bit distorted when narrowed down to such a small playing field.  (That being said, The Rolling Stones, who had FIVE of The Top 13 Songs overall, were CLEARLY the leaders any way you cut it …they had NINE Top 100 songs (plus one that just missed … “Miss You” came in at #102 …) and 56 titles overall on the Top 3333 List.
It would have been more accurate to list The Top 20 Artists based on their TOTAL chart placements.  (Example:  Toto had two songs that finished in The Top 100 … but only nine overall … so they wouldn’t have made the Top 20 Biggest Artists list … yet they came in at #18 on Sam’s countdown.)

So, now that all is said and done …

Here are the Top 20 Artists based on overall tracks included in The Top 3333 List:

# 1 – The Beatles (140 tracks)
# 2 – The Rolling Stones (56)
# 3 – Elton John (44)
# 4 – Paul McCartney (40)
# 5 – Chicago (36)
# 6 – Led Zeppelin (34)
# 7 – Fleetwood Mac (33)
# 8 – The Who (32)
# 9 – Creedence Clearwater Revival (31)
#10 – Billy Joel (31)
#11 – Bob Dylan (30)
#12 – Bruce Springsteen (29)
#13 – The Beach Boys (29)
#14 – Rod Stewart (29)
#15 – Bob Seger (28)
#16 – The Eagles (28)
#17 – Steely Dan (27)
#18 – Queen (27)
#19 – Tom Petty and the Heartbreakers (26)
#20 – Eric Clapton (25)

Also placing 20 songs or more:  Aerosmith, David Bowie, The Doors, Electric Light Orchestra, The Guess Who, John Lennon, Linda Ronstadt, Simon and Garfunkel and Van Halen.

And that doesn't even begin to take into account OTHER Classic Rock Staples who scored well overall like The Byrds (17 tracks), The Cars (16), Alice Cooper (14), Crosby, Stills, Nash and (sometimes) Young (17), The Doobie Brothers (17), Foreigner (14), Genesis (16), Hall and Oates (18), George Harrison (17), Heart (17), Jimi Hendrix (13), Jefferson Airplane/Starship (14), Journey (13), The Kinks (15), John "Cougar" Mellencamp (18), Steve Miller (13), The Moody Blues (18), REO Speedwagon (13), Santana (15) and Styx (14). 

Think about it for a second ... when you consider that an artist had to post Fleetwood Mac-type numbers to even represent 1% of the total list, I feel the overall content offered fair representation to the artists MOST feel are deserving of classic rock airplay. 


And another point that needs to be better examined …

During the course of the program, Sam made it very clear as to his total disdain of The Kinks’ song “Wateroo Sunset,” which placed at #1561 on our countdown … and made The Top 77 (as it ALWAYS does!) on Rewound Radio’s list … while Barney mentioned that he turns off Joan Jett’s “I Love Rock And Roll” EVERY time it comes on the radio … and therein lies the factor of personal taste … which is what makes a countdown like ours so diverse and reflective of what listeners REALLY want to hear.  (For the record, Jett’s tune came in at #60.)
That’s why you really have to absorb the WHOLE list to get a clearer picture.
Counting down The Top 100 gives you a great handle on what the listeners want (which is what a few other stations are doing) … but even at that, you’ll still find 300 MORE songs that YOU think should be on the list … (odds are you’ll experience the same thing if you count down The Top 500!!!)  That's why ANY classic rock radio station limiting itself to a 300 song play list is performing a SEVERE injustice to their listening audience.
And THAT's what makes the WHOLE list such an encompassing feature.  (kk) 

You can listen to the podcast here:
https://www.mixcloud.com/LAFOS/lafos-classic-rock-essentials/?utm_campaign=notification_new_upload&utm_medium=email&utm_source=notification&utm_content=html

GREAT JOB, AS USUAL.
I didn't guess the # 1 song ... but some of the younger guys at Larry's Pub got it right.
HAPPY NEW YEAR!
By the way, my birthday is coming up in February.
Here's An Idea … In Case You Haven't Figured Out What To Get Me.




P.S.  It’s only Day One and I'm already having withdrawl symptoms …
No numbered song to wake up to. 
Frank B.

That’s actually a pretty good price for this …

Assuming it actually plays, that is! 
Happy Advance Birthday, Frank …
Now don’t bug me again about it this year!!!  (kk)

Greetings Kent! 
The voters have spoken and voted. 
 I finally got to see the last five songs voted for in your "Classic Rock Vote" survey.   Yaay!  
My physical therapist will be happy to know I got the last five. lol   She has been asking me.
After much anticipation, I must admit that my reaction was a bit disappointing for the number 1 song choice, "Bohemian Rhapsody."   I know it's popular, but not one of my favorites. 
Lynyrd Skynyrd didn't surprise me by making it to the top five ... How about that Dixie flag on the video!!! ... How things have changed! 
Love Hotel California ... Good selection.
Layla and Hotel California I knew would be somewhere in the top ten.  And I was pretty sure the Stones would score big, too.
Seems to me that your readers may be a lot younger than me.  But that's ok. It’s because they are keeping the music alive.
Now I wait patiently for the entire list.  70 pages is a lot to print.  I will do my best.  And thanks for all the time and effort you took to do the survey.  What a huge project!  I commend you.    
Best wishes for a healthy and happy new year! 
"The Beat Goes On." 
Stay well.
Sandra Lorenz

Hi Kent!  
Congrats on your epic, world-beating initiative! It’s kind of like your personal Eye of the Tiger moment. I know so many people who appreciate the assets you’ve uncovered. 
That live version of Gimme Shelter makes my day and proves that the Stones are the best rock & roll band in the universe!  (And Stickney)
Rock on!!! 
Jimbo 
Good Morning, Kent (and Jack)!
I have so much respect for both of you and I have to give a huge Southern thank you for your knowledge and guidance for helping me through the process.  I look forward to other countdowns although smaller like on your blog and reading about the wonderful world of music.
Now it's all revealed and it WAS an exciting ride through the charts.  Lots of memories, lots of wonderful forgotten songs that need to be heard.  We need to start asking for any of these favorites on the charts that we don't hear anymore.
My question this morning is, Would the #1 have been this high had there not been a movie?  It wasn't my vote at all, but I certainly respect it.  This song is heard on classic rock stations all the time around here along with the other songs that we say are overplayed, especially since the film was released.  
Thanks again for taking the time and efforts along with all the craziness. 
I appreciate you so much … and I wish you the Happiest of New Year's!
With respect,
Nikki Sloane
There’s always going to be some debate as to how much influence the film “Bohemian Rhapsody” had over the SONG “Bohemian Rhapsody” … but please also consider the fact that this song as a single, upon original and re-release, has charted three times in the past 42 years (most recently as a result of the film’s release) and, incredibly charting higher in 1992 after its use in “Wayne’s World” than it did originally when it was released in 1976.  And the deaths of Tom Petty and David Bowie certainly had an impact as well.  (Would Tom Petty REALLY have charted 26 titles otherwise?)
Lots of factors come into play … tracks like “Listen To The Music,” “Long Train Runnin’” and “China Grove” ALL would have charted higher 20-25 years ago than they did … would they have charted higher next year once the full blown Doobie Brothers Reunion Tour kicks off?
Airplay, while a factor, was scrutinized carefully … because, as I’ve mentioned before, all thirty radio stations monitored were essentially playing the exact same songs on a daily basis.  Just because these are the songs that are being played DOESN’T necessarily mean that these are the songs the listeners really want to hear.  If nothing else, our Top 3333 List certainly proved that!
I’m proud of what we’ve done … and I really do believe that over time, as more and more people discover it … and start to bombard their favorite classic rock stations with NEW requests, we just may start to see a change in the way those stations are programmed in the future.  (Heck, even All Request Hours would be a huge improvement!)
Stay tuned … this is far from over!  (kk)

Kent,
What an awesome job you and your readers did with that countdown! I can't begin to imagine the effort you put into compiling that and made it extra special with the youtube links.
Full disclosure ... I only voted a couple times ... so I've no one to blame but myself if MY choices didn't rank higher.
Part of the fun is commenting on what's NOT there, all in fun. I sure hope that radio programmers take your readers' suggestions to heart and possibly help save the future of Classic Rock radio.
And OMG, those 1969 wrap-ups were must reads!  Really looking forward to what you have in store for us on Forgotten Hits in 2020!
Best,
Sam Tallerico

Hi Kent -
Thanks so much for your hard work in all this.  It’s taking some "reading!"
Question please …
ON the number #3 song Layla …
It’s live but who are musicians?
Apart from Eric Clapton, I spotted Steve Winwood, Jeff Beck, Drums = Kenny Jones & Charlie Watts, Bill Wyman on bass, Mr. Cooper on Gong!!! 
But who were the other two guitarists and keyboards?
Any help gratefully received and Happy New Year!
Regards -
Geoff Dorsett
Radio Presenter
The comments also mention Jimmy Page ... which would put all three legendary Yardbirds guitarists on stage together for what very well may be the one and only time!  (Might have been cool to see George Harrison involved ... but since this song was written about his wife ... while he was still married to her ... it just may have hit a little too close to home!)  kk

Please note thatTHE TOP 3333 MOST ESSENTIAL CLASSIC ROCK SONGS OF ALL TIME List will remain posted for your future viewing pleasure.  To see the COMPLETE List, simply hit (and continue to hit) the "Older Posts" link at the bottom of the page.  Meanwhile, we hope to have a final, printable copy to share in a few weeks.  Thanks again to everyone who voted ... and followed along.  (kk)

THIS AND THAT:
We had a Billboard Hot 100 first last week …
For the first time ever in the history of The Billboard Chart, Christmas songs held the #1 and #2 positions …
And not just ANY Christmas songs …
Mariah Carey’s “All I Want For Christmas Is You” (from 1994) spent its second straight week at #1 (it previously peaked at #3 in its initial release … and made The Top 40 ten more times after that) …
And “Rockin’ Around The Christmas Tree” by Brenda Lee (originally a #9 hit when it was first released in 1960) came in at #2 for the week.  (Who’d have ever thought?!?!!!)
Of course, the way the charts are compiled these days is completely different than in days of old (for many years NO Christmas songs charted on the main Hot 100 List … Billboard ran a special Holiday Chart for this purpose.)  It came back and charted eight more times, peaking at #9 again last year.)
Two other Christmas tracks make The Top Ten this week … “A Holly Jolly Christmas” by Burl Ives sits at #6 and “Jingle Bell Rock” by Bobby Helms comes in at #9.
By the way, the only other Christmas song to ever hit #1 on Billboard’s Hot 100 Pop Singles Chart was “The Chipmunk Song” by The Chipmunks in 1958 … and it held the #1 spot for four weeks that year!   
And, this just in ...
Mariah Carey's Christmas Classic will officially be the first #1 Record of 2020 when Billboard's new chart is released later this week.
That makes Mariah the first ever in Billboard Chart History to score a #1 Record in FOUR consecutive decades!!!  (And to think that she did it with a song she recorded in 1994!!!)
This also gives Mariah 19 #1 Records, just one behind The Beatles, who have held the distinction of most #1's ever since 1970.
It'll be VERY interesting to see what she comes up with for later in the year!  (kk)
(kk)


Happy and Healthy New Year to you and Frannie!
Thank you for all you do!
Mike DeMartino


2019 paled in comparison to the number of significant rock deaths we’ve had to deal with over the past few years … still each loss hurt us deeply and reinforced just how important the musical contributions of these fine artists helped to provide the soundtrack to our lives. 

This past year, we said goodbye to Paul Whaley of Blue Cheer (1/28), Peter Tork of The Monkees (2/21), Stephan Ellis of Survivor (2/28), legendary Wrecking Crew session drummer Hal Blaine (3/11), surf guitarist Dick Dale (3/16), Scott Walker of The Walker Brothers (3/25), Russ Gibb, the Detroit disc jockey who started the Paul Is Dead rumor in 1969 (4/30), Leon Redbone (5/30), Dr. John (6/6), songwriter Dave Bartholomew (6/24), Eddie Money (9/13), Ric Ocasek of The Cars (9/15), Ginger Baker (of Cream and Blind Faith fame, 10/6), George “Pops” Chambers of The Chambers Brothers (10/12), Paul Barrere of Little Feat (10/26) and Neil Innes of The Bonzo Dog Doo-Dah Band and The Rutles (12/29).

In addition, we lost music moguls and haymakers Joe Smith, Alan Pearlman, Reggie Young, Jim Dunlop, Sr., Joe Hardy, Gerry Sticklles, Elliot Roberts, Ed Cherney and Robert Freeman.  (kk)
 
Got this from FH Reader Jack Levin in response to Sam Ward’s comment last week …

Today's music sucks compared to back then.
I hear this a lot.
In fact, I first personally heard it back around 1964, when I really started to pay attention to music.
My mom would ask, “Why are you listening to this crap?”
Now 55 years later, I still hear it, except not from my parents, from my peers.
How soon we forget!
So Sam Ward doesn't like today's music.
He doesn't like the term "Rock" over "Rock And Roll".
One thing at a time here, Sam.
First and foremost, today's top 40 is not meant for you, for me, and I would wager the majority of FH readers. It's a concept our parents didn't understand, and then our older siblings, as the English beat groups took over the charts from Elvis and the rest of the 50's crowd.
I've seen criticisms of the first decade of Rock And Roll as saying you can see why the Beatles had to happen. Well, if it hadn't been for that decade, the Beatles, the Stones, the Kinks, et al, would not have happened.
The period between 1964 – 1972 is not the definitive time period. It just happens to be the time period in which many of us made the transition from snot nosed brats to adults.  Most definitely, it was "Our Time."  So what? Does it make everything that happened before or since, any less significant? There's a lot of music, in that eight year span that sucks, too. More than a few can be found on the Top 3333, but I won't go into specifics.
On the B side of the coin, there's still a lot of great music being recorded as we head into the next decade, both by established acts, as well as newcomers. You gotta get off your ass and look for it.
With the advent of satellite radio, internet radio, and blogs like FH, there's a goldmine of music out there for your listening and dancing pleasure.  Every genre, sub-genre, and sub-sub- genre, etc., is out there. 
You don't like the term "Rock"?
Truth be told, I don't either.
Consider it a corruption of the English language.
I can't believe for a college English class, back in 1968, I wrote a report on that subject.  Obviously, this is long before texting became part of everyday life for all, but me.  (Am I the only person who has never texted anyone?) But I digress.
Consider the shortening of Rock And Roll to Rock an early casualty.
I wish I had a kept that paper. Who knew I could see into the future?
Happy Rock And Roll New Year to all.
Jack (Rock And Roll Never Forgets)
Points well taken … but seriously, for 2020, shouldn’t you change it to ROCK Never Forgets?!?!?  Get with the times, man!  (kk) 

The Beach Boys (my favorites (:>), wrote and recorded a bunch of truly great songs that went unnoticed or under-appreciated in 1969.
Thanks to bootlegs and now copyright expiration, many of those tunes are available. Sonic delights!
Thanks, Kent, for another year of great stories and stats on our favorite music,
Phil 
PrayForSurfBlog.blogspot.com   
Pray For Surf Interviews & Podcasts>>> 
Rare Beach Boys Video Archive >>> 
Our Prayers for The Beach Boys on Facebook >>> 
Surf's Up: A Beach Boys Podcast Safari on Facebook >>>   
You probably already know this but I guess the copyright expiration factor is only allowing for three or four tracks to become available for right now ...
But word is that a combo Sunflower / Surf's Up Box Set may be coming next year ... so that should really be something to look forward to!  (What have YOU heard???)  kk   

Yes, the chatter is that both Bruce Johnston and Alan Jardine have made public comments about an upcoming set with unreleased songs / alternate versions from the Sunflower / Surf's Up era.
Hoping so!!
Phil

Can you imagine being out on a sea glass expedition (something Frannie has done numerous times over the years) and finding this???


Kent,
I am currently watching the bowl game between Oklahoma State University and Texas A & M. They just ran a Taco Bell commercial with the song LET'S GET TOGETHER in the background. And yes, it was Haley Mills singing it. When was the last time you heard that record by her as well as her JOHNNY JINGO? I bet there's not too many people who saw that commercial knew that that was Haley Mills in the background. Have a Happy New Year!
Larry
Funny - I just saw the same commercial watching something else - and now I have a craving for nachos!!!
Let’s Get Together went to #1 here in Chicago - and they did resurrect it for the Lindsay Lohan remake so I’m thinking that a whole new generation did, in fact, discover the song.  In fact, when we were downtown a couple of weeks ago and my 23 year old daughter burst out singing it out of the blue! Lol  (kk)
LOL. You know, Kent, what goes around comes around.
And then some thirty seconds later I saw that commercial again which features Clarence "Frogman" Henry's (I DON'T KNOW WHY I LOVE YOU) BUT I DO.
Larry 
UPDATE:  This evening I saw and heard a commercial for the first time that features Lesley Gore's 1965 hit "Sunshine, Lollipops and Rainbows."  (Actually, they probably could have featured the whole song ... it's just over a minute long!  lol)
There are times when it really sounds like Lesley singing ... but I'm not sure that it is (unless it was in some fashion remixed and enhanced.)  Still, a nice surprise to see and hear this one again!  (Naturally I can't remember the product that was being advertised, which is typically the case for me ... once I hear a great song being used, all of my focus shifts to that!)  kk
 

I am the one that Mark Lindsay's wife Deb accused of saying that her hubby was using auto tuning. First of all I apologize that she thought this. I was mainly referring to Gary Puckett in the piece. And maybe I am wrong about that. But anyway I reread the review and I did not say for a fact that Mark Lindsay was using auto tuning. I stated that he sure sounded great and then put auto tune? in parentheses. Just wondering. And if she says he's not then that makes his voice sound that much more remarkable. I did say that he was one of my five favorite singers of all time and that the show he put on that the night was exceptional. I also said that I had no problem with any artists using auto tuning because let's face it everybody wants to see their favorite artists looking and sounding as great as they always remember. They make better guitars nowadays, better drum kits and better keyboards, so all musicians can sound better. So why not auto tuning to make the voice sound better. And as I said it is not lip synching. But anyway I apologize again to Deb Lindsay if I made it sound like her husband was using auto tuning.
Rich Turner
Palm Harbor, Florida 

I would agree that your review was worded in such a way as to question the possibility that Mark’s voice was in some way enhanced simply because it sounded SO good … and that the auto-tune comments were more directed toward Gary Puckett’s performance … but I’m also happy to hear Deb set the record straight and let everybody know that even some 50+ years later Mark still takes his role as an entertainer very seriously and goes thru the necessary vocal exercises to keep everything up to par.  (I will say this … I’ve seen Mark Lindsay live about half a dozen times now in the past ten years and he ALWAYS puts on a great show.  It’s SO reassuring to know that he’s still up there doing those high kicks after heart surgery a year ago … but I also agree that a FULL Mark Lindsay concert is the way to go if you want to hear some of the old Raiders tracks a bit off the beaten path.

For the record, here is Rich’s original assessment of Mark Lindsay’s performance …

>>>With Rocky & The Rollers as his backup band, he jumped right into "Steppin' Out," followed by "Just Like Me." He then spoke to the crowd about how proud he was that the Raiders had four songs featured in Quentin Tarantino's 2019 movie "Once Upon A Time In Hollywood" and said "I would like to feature two of them now."  Mark then sang "Hungry" followed by "Good Thing." 
"That's enough rock and roll for now … I would like to show you that I can still do a nice ballad." And "Arizona" was the ballad. 
"Back in 1971, the Raiders had a Number One Hit with the song I am about to sing and at that time, it was the biggest selling single in the history of Columbia Records. And it remained Number One for about 12 more years until that twerp Michael Jackson topped it by "Billie Jeaning" us. The song, of course, was "Indian Reservation," and as that song ended, he dived right into the classic "Kicks," which closed out his portion of the show. (No Christmas songs from Mr. Lindsay ... just six classic Raiders hits with his big solo hit.) 
He sounded great (auto-tune?) and he looked great. He is obviously in great shape (especially for 77 years old) and still sported his classic ponytail. He moved really well on stage and even did a few kicks during "Kicks." I'm nit-picking here ('cause I really enjoyed his performance) but I would sure love to hear him do a few Raiders songs from their 1967-1970 period. I have never heard him play "Him Or Me,""I Had A Dream," Too Much Talk," Mr. Sun, Mr. Moon,""Let Me" or anything from that great album “Collage.” I would love to hear "Just Seventeen." Oh well, maybe someday.   (Rich Turner)
Watch for a brand new Rich Turner Guest Concert Review coming up on January 6th!  (kk) 

Having always been a HUGE Jim Croce fan, this news definitely intrigued me … 
https://crocechronicles.com/?blogcategory=You+Don%27t+Mess+Around+with+Jim&blog=y

I probably saw Jim perform five or six times in his all too brief career.
The first time was at The Quiet Knight, a small pub up on the north side of Chicago (as opposed to the south side, where Bad, Bad Leroy Brown typically hung out.)
The night at The Knight (sorry … I just HAD to do that) ranks high in my memory because of the prominence these two artists who performed that evening achieved over the next several months.
Opening the show, solo at the piano, was Jackson Browne, about to hit the charts in a very big way with “Doctor My Eyes.”
Headlining that night was another new act … Jim Croce, performing with his AMAZING guitar-playing sidekick Maury Muehleisen, whose sister has participated with Forgotten Hits from time to time over the years.  (Sadly BOTH these artists were lost in that plane crash in 1973.)  I was won over immediately and bought his “You Don’t Mess Around With Jim” album that very same week.  (The hit single would go all the way to #1 on the WCFL Chart in September.)
The last time I saw him was at Ravinia, where I had second row pavilion seats … another amazing show.
The night of his plane crash I was sitting in a restaurant on Ogden Avenue in Berwyn called Mickey’s when I heard the news … one of the waitresses and the guy behind the counter told us … and I was stunned … SO saddened by this loss, knowing that Jim’s career would have gone on for many more successful years had this tragedy not taken place.
Forgotten Hits Reader (the late, great) Bill Hengels had the pleasure of working with Jim’s widow Ingrid in getting a concert he recorded at Harper College released on CD … it features a number of tunes not normally associated with Jim’s catalog.  He, too, had a strong, long-lasting love for Jim’s music.  In fact, it seems that everyone Jim ever touched … even if it was just from a distance while he was on stage … came away with a very special glowing feeling inside.  Hard to believe he’s already been gone almost fifty years.
I still never turn off a Jim Croce song when it comes on the radio (although I will admit to being tired of “Bad, Bad Leroy Brown” and “Time In A Bottle,” which was never one of my favorites.  On the other hand, “Operator” can still stir an emotional charge when I hear it … and some of his LP cuts (like “New York’s Not My Home,” “It Doesn’t Have To Be This Way,” “Next Time, This Time” and “I’ll Have To Say I Love You In A Song” (released as a single posthumously) rank among my favorites.  (kk)

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