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July 18th, 1969 - The Night That Mary Jo Kopechne Went Off A Chappaquiddick Bridge

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Billie Joe McAllister be damned, even fifty years later it's hard to make light of the events of July 18th, 1969 ... a girl died at the hands of Senator Edward Kennedy and yet no penalty for this death or negligence on his part was ever served.  Kennedy was literally able to walk away from the scene, ultimately getting away with murder.

A 2017 film recaps (with a fair amount of speculation regarding private conversations that no one could possibly have been privy to) the events of that day and the days following as more and more details were being released (much of which were fed to the press by Kennedy's team.)  It takes the approach to the story based on the way Ted Kennedy presented it to the public ... not allowing for much of the conjecture and speculation that has followed over the past fifty years.

Perhaps the most amazing fact of all is that today, 50 YEARS LATER, we still don't know the truth about what really happened that night.  None of the people involved (many of whom are dead now) have EVER spoken about these events ... so all we're left with is all we've ever had ... speculation, conjecture and the presence of a logical mind to try and sort it all out.) 

The most widely-circulated tales of these events pertaining to the incident are as follows:

Senator Kennedy and Mary Jo Kopechne were at a party on Chappaquiddick Island on Martha's Vineyard when Mary Jo reportedly announced that she was leaving in order to catch the ferry in time to get back to her hotel room.  (Kopechne had worked diligently for Bobby Kennedy's campaign the year before and was a close friend of The Kennedys due to her hard work, dedication and on-going support.)  She was one of a group of girls referred to as "The Boiler Room Girls," a group of six women, all in their early-to-mid 20's, attending the party along with six older men, five of whom were married.  

At about 11:15 pm, Senator Kennedy offered her a ride and, as such, was the one driving the car, a 1967 black Oldsmobile, headed to drop Mary Jo off at the ferry to make her way back to her hotel room.  (Kennedy didn't typically drive this car and had to borrow the keys from his chauffeur in order to do so.)  Somehow, he missed the turn-off and headed off in the wrong direction, ultimately driving his car through the guardrail and into the Poucha Pond.  



Kennedy was able to free himself from the vehicle and said that he then made repeated attempts to dive back down and pull Mary Jo from the car ... but was unable to do so due to the complete darkness and heavy current below the surface.  He then walked back to the party he had left earlier and recruited two of his cronies, Joe Gargan and Paul Markham, to help him solve "a very big problem" ... at which time all three men made several more attempts to rescue Kopechne, all to no avail. 

Instead of immediately calling for more help, support and reinforcements, Kennedy then waited nearly ten hours before reporting the accident to the police, closing forever any remaining window of opportunity for saving the girl before she suffocated and drowned.  (Based on the position of the body when the car was ultimately retrieved, it was clear that Kopechne had done everything she could to keep her head above water before she succumbed to passing out and drowning.  Could she possibly have been saved had somebody been sent down on another diving mission in a timely fashion?  This is just one of the many questions raised that we will never know the answer to.)

[The diver who recovered Mary Jo's body, John Farrar, stated on the record that Kopechne most likely died from suffocation rather than from drowning or from the impact of the overturned vehicle.  He based this analysis on the position of the body, as she was clasping the back seat with her face turned upward, trying to breathe in the air pocket above the water level in the car.  Farrar stated that she probably could have been saved had a more timely rescue attempt been made.  He stated on the record that "It looked as if she were holding herself up to get a last breath of air.  It was a consciously assumed position.  She didn't drown.  She died of suffocation in her own air void.  It took her at least three or four hours to die.  I could have had her out of that car twenty-five minutes after I got the call ... but he didn't call."]  Still, the Medical Examiner signed the death certificate stating the official cause of death as "accidental drowning."  

This lapse of time between the accident and the reporting of the accident also provided Kennedy's team of political experts plenty of time and opportunity to concoct the perfect spin on their version of "what really happened."  Even fifty years later it's hard to believe that Kennedy walked away unscathed, forgiven by the public.  

Among the things that simply don't add up is the fact that, according to the other Boiler Room Girls, Mary Jo hadn't told anybody she was leaving ... and, in fact, had left her purse and hotel key behind at the party ... which makes all of this sound more like a joy ride than a trip home.  (Why would she be returning to her hotel room without her purse and keys ... to get into that hotel room???) It was also revealed that Mary Jo wasn't wearing panties when her body was pulled from the vehicle, indicating that Kennedy was likely "distracted" and quite possibly didn't have both hands on the wheel.  (Even stranger ... although Mary Jo didn't have her purse with her at the time of the party, the purse of another Boiler Room Girl, Rosemary Keough, was found in the vehicle when it was pulled from the pond ... which raises yet another question:  Could there have been a THIRD passenger in the car that night?)

Much speculation was made at the time (and during the years since) that Kennedy and Kopechne were having an affair ... or that he made unwanted (or possibly wanted) advances on her in the car ... or that she was pregnant with his baby at the time and perhaps even broke this news to him that night.  Because no autopsy was ever performed (Kennedy had the body rushed back to her family before this could take place), no one can state with all certainty as to the validity of any of these alleged rumors.  And then, once the body was discovered, Kennedy was not forthcoming with any comments, statements or explanations, leading the minds of the 450 press reporters now on the scene to wonder and speculate all kinds of scenarios.  

Kennedy was often captured on film and photographs as intoxicated during his Senatorial reign and, based on comments we received previously when covering the Chappaquiddick incident in Forgotten Hits, was cited for reckless driving four times while attending law school at the University of Virginia ... including once when he was clocked driving 90 miles per hour in a residential neighborhood after dark with his headlights off ... yet despite all these infractions, his Virginia driver's license was never revoked.  He was also expelled from Harvard when he was caught cheating on an exam ... leading to even more speculation regarding the likelihood that he was telling the truth. 

Of the Kennedy boys, Teddy was considered the "least worthy" and least qualified of any political ambitions or aspirations ... yet after the Chappaquiddick incident he would go on to serve 40 more years as a State Senator for Massachusetts until his death in 2009.  (Some will argue that the accident stripped him of any chances of ever becoming President ... and that this was penalty and punishment enough ... but there was far more wrong with Teddy Kennedy than just this one incident that contributed to the factor as to his worthiness for a Presidential bid.)  In fact, his only bid for the President fell short in 1980 when he was unable to secure the support of his party as their candidate, losing to Jimmy Carter ... he never attempted to run again.

It is no secret that the Kennedys lived a privileged life ... in the eyes of so many, they could do no wrong ... and were considered to be "above the law" by most.  The same set of circumstances surrounding Chappaquiddick for ANY other American citizen would not have yielded the same results. 

While the film offers an insightful view into the mechanics and strategy that went into the mission of how to protect Teddy and the Kennedy name, a far more in-depth and detailed account can be found in the British BBC Television Special "Inside Story" commemorating the 25th anniversary of these events and circumstances of that unnerving week. 

(Despite its "matter of fact" direct approach, however, this documentary also introduces some new theories including one that Kennedy wasn't even in the car ... fear of being seen with a young woman that late at night in the intoxicated state he was likely in would jeopardize both his marriage and his standing in the State of Massachusetts ... thus raising the possibility that Mary Jo drove herself off the bridge ... meaning that Kennedy wasn't even aware of the accident until the following morning, at which time he kicked things into high gear to make himself look like the driver as well as imply repeated failed rescue attempts.)  It all sounds a bit preposterous to me ... and I can't see Kennedy's aides going along with such a ruse.  (Most will agree, however, that one of the explanations Kennedy considered revealing to the press was that Mary Jo was the sole passenger and driver ... but his advisors shut down that angle immediately.)  A more logical preposterous explanation might be that Mary Jo WAS pregnant with his baby and that, rather than avoid a scandal, Kennedy arranged for the car to go over the bridge with only her in it.  Or that Mary Jo was already dead BEFORE the car went over the bridge ... and the accident was staged to look like Mary Jo had driven herself off the bridge ... so why cop to taking blame for an incident that most certainly would have a permanent impact on your career?  Like I said, fifty years later with no crystal clear explanation or verification, the mind can come up with all kinds of "what if" scenarios!  (I have since read THOUSANDS of pages on Chappaquiddick theories and watched dozens of hours of video clips and newsreel footage ... and still can't say that I could conclusively tell you what I think actually happened despite the validity of many solid points raised along the way.  The reason for this is because each new possible consideration invalidates what you thought about something else up to this point.  It truly is a vicious circle, all the more frustrating because NO new evidence has come to light in the fifty years since.)  

Most interesting about the BBC expose is their coverage of the inquest and reopening of investigations after the original round of Chappaquiddick coverage had pretty much been put to bed.  It shows several instances where Kennedy is caught in a lie ... changing his story and the sequence of events ... and at one point, even combining bits and pieces of two different versions of the story.  It's pretty compelling stuff and well worth watching. (The video link I originally had posted here has since been disabled ... but search for it ... it is definitely worth seeing.)

The "Inside Story" episode also allows for the Kennedy car being seen by the local sheriff prior to the accident.  In this scenario, after being spotted by the police car, Kennedy's car takes off at high speed when he believes the cop is going to follow him ... it just wouldn't look right to be seen out with a single woman at nearly 1 am, being a married man with a pregnant wife at home ... especially if you're likely intoxicated, too ... so he has Mary Jo drop him off (which is why he REALLY walked back to the party) ... and then, in a panic, Mary Jo drove herself off the bridge.  This supposition allows that Kennedy would have been completely unaware of the accident until the following morning when the car was pulled from the pond ... meaning he really hadn't waited 9-10 hours to report the accident after all ... because he didn't even know it had occurred.  Either way, it's all pretty sensational stuff ... even fifty years later ... with so many unanswered questions ... and so many of the participants no longer with us (and never having talked about any of this on the record.)

Much has been made over the years that nothing short of a man landing on the moon could have kept the story of Chappaquiddick off the front pages of newspapers from coast to coat but incredibly that is EXACTLY what happened!  Kennedy's car went off the bridge during the wee hours of the morning of the 19th ... and he didn't report it until much later that day, at which time a crew was dispersed to pull the wreckage from the river.  The following morning, Apollo 11 landed on the moon, an event watched worldwide by upwards of 500 million viewers ... and when Neil Armstrong set foot on the moon's surface and uttered the infamous "One small step for man ... one giant leap for mankind" speech, nobody outside the Kennedy camp ... who were likely all still sweating bullets while trying to come up with the story they were going to tell the public  ... paid much attention to anything else.  

Still, Kennedy couldn't resist the P.R. aspect of this whole circus ... he showed up at Mary Jo's funeral wearing a neck brace for all photo opportunities ... something he had NOT been seen wearing since the accident.  Stories of a concussion also circulated as a contributing factor to taking him so long to report the incident.  (The neck brace idea backfired big time ... he was ridiculed in the papers the next day.  Even his closest aide, Joe Gargan, told him "You are not the victim here, Senator ... a woman has died.")  Gargan resigned after the Chappaquiddick incident was closed, severing life-long ties with the Kennedy family.  When his own mother, Rose Kennedy's sister, died when Joe was six, he was raised by Ted's parents from that point forward ... yet he found the circumstances of this event so appalling that he could no longer associate with his cousin.




Incredibly, Kopechne's family forgave the Senator immediately.  (Speculation has always been that they were financially compensated by the Kennedy Family for their loss.  Records released years later showed that in addition to a $50,000 life insurance policy on their daughter, they also received $90,904 from Kennedy personally, who also picked up the tab for all of the funeral expenses.  When asked why they didn't take further legal action and pursue more, they felt that this would be perceived as "looking for blood money.")  Although later admitting that they felt there were still a lot of unanswered questions, they never really discussed the incident again.

Neither have any of the Boiler Room Girls ... or Teddy himself, who took whatever undisclosed facts that may exist with him to his grave.  (Many of the key players in this God-awful horror show have also since passed on ... none ever revealing anything on the record that would help to fully explain the events that actually transpired on Chappaquiddick Island ... meaning that at this point, we will never really know the full story.)

Deputy Sheriff Christopher Look testified that he saw Kennedy's car (with a female passenger in the front seat) at about 12:40 am.  This, too, doesn't quite add up.  Teddy stated that he and Mary Jo left the party around 11:15 ... the last ferry departed at midnight ... and Look's eye-witness account states that at 12:40 am Kennedy and Kopechne were still driving around.  They easily could have made it to the ferry before midnight had they headed straight there ... even making the wrong turn doesn't add up ... there simply isn't enough road left to still be driving around at 12:40 am ... if that's the way they were headed, his car would have gone off the bridge an hour sooner if this were the case ... but it couldn't have if Look spotted the two of them together at 12:40 am.  Where were they really?  And had Mary Jo really intended to go back to the hotel if she left her purse and hotel key behind at the party?

Reports also state that on Kennedy's walk back to the party he would have had to walk past four houses ... yet he didn't stop at any of them to make a call for help.  Instead, he went to get his aides Gargan and Markham in order to make additional attempts to rescue the body.  Obviously at this point it was already clear in his head that he did NOT want the events of the evening to become public. (So much for his "clouded thinking" excuse.)

When these additional efforts proved unsuccessful, all three men went to the ferry landing, where Kennedy then dove into the water and swam across the 500-foot channel back to his hotel room.  Why? Perhaps he was, as stated, a little bit crazed at this point ... or perhaps he wanted to look as drenched as possible as a means of presenting the look of someone who made repeated attempts to save the body.  Kennedy says he returned to his hotel room at about 2:30 am ... and made it a point to run into the hotel desk clerk and ask him for the time (thus establishing a solid alibi as to his whereabouts at that hour) ... but despite assuring Gargan and Markham that he would call the accident into the police, he still failed to do so.  The following morning, before notifying the police, he called numerous friends and lawyers for advice ... all from a pay phone back at the ferry station rather than from his hotel room.  (Several calls ... including a couple to another mistress ... were also made from a detached room at the cabin where the party had been held that night.  Kennedy aides quickly cleared out all evidence of liquor and any other party paraphernalia and, once the story had been leaked to the press, all of the remaining Boiler Room Girls were rushed off the island before they could be questioned by the police.  (Nope ... no cover up going on there!)



At around 8 am, a fisherman's son saw the submerged car in the pond, told his father and they notified the authorities ... again before Kennedy himself had made the call.  He was still at the ferry pay phone when he heard that the car and body of Mary Jo had been discovered ... at which point he went straight to the police station to make a statement:

On July 18, 1969, at approximately 11:15 pm in Chappaquiddick, Martha's Vineyard, Massachusetts, I was driving my car on Main Street on my way to get the ferry back to Edgartown. I was unfamiliar with the road and turned right onto Dike Road, instead of bearing hard left on Main Street.  After proceeding for approximately one-half mile on Dike Road, I descended a hill and came upon a narrow bridge.  The car went off the side of the bridge.  There was one passenger with me, one Miss Mary Kopechne, a former secretary of my brother, Senator Robert Kennedy.  The car turned over and sank into the water and landed with the roof resting on the bottom.  I attempted to open the door and the window of the car but have no recollection of how I got out of the car.  I came to the surface and then repeatedly dove down to the car in an attempt to see if the passenger was still in the car.  I was unsuccessful in the attempt.  I was exhausted and in a state of shock.  I recall walking back to where my friends were eating.  There was a car parked in front of the cottage and I climbed into the backseat.  I then asked for someone to bring me back to Edgartown.  I remember walking around for a period and then going back to my hotel room.  When I fully realized what had happened this morning, I immediately contacted the police.

A full week after the accident, on July 25th, Kennedy plead guilty to the charge of leaving the scene of an accident causing bodily harm.  His lawyers argued that any impending jail sentence should be suspended due to his ageand prior reputation.  The prosecutors agreed. Judge James Boyle sentenced Kennedy to two months' incarceration, the minimum penalty for these charges in the state of Massachusetts, which he then suspended, referring to Kennedy's "unblemished record," stating that he "has already been, and will continue to be punished far beyond anything this court can impose."  (He did, however, have his driver's license suspended for sixteen months ... yeah, that'll show him!!!  Kennedy didn't even have a valid drivers license when he was driving the death vehicle on the island!)

That evening, Kennedy made a prepared statement, which was broadcast live on all three networksThere was no press present and there were no questions asked afterwards.  It is believed that Kennedy had two speeches prepared that night ... one resigning his position as State Senator and one asking for forgiveness and appealing to the citizens of Massachusetts as to whether he should continue his term in office.  He chose to go with the latter ... and leave the resigning decision up to his public.

Highlights of the fifteen minute speech included statements that:

"Only reasons of health" had prevented his wife from accompanying him to the regatta.  (Kennedy's wife Joan, pregnant at the time, was confined to bed rest, due to two previous miscarriages.  She ultimately attended Mary Jo's funeral and stood beside her husband in court three days later.  Shortly thereafter, she suffered a third miscarriage, which she blamed on the Chappaquiddick incident.)

There was "no truth whatever to the widely circulated suspicions of immoral conduct" regarding his behavior with Kopechne that evening.  (This remains a huge matter of debate.  All of the Kennedy boys were known for their libido!)

He "was not driving under the influence of liquor" ... also a bit hard to believe for such a well-known drinker ... I mean he DID leave a party where plenty of alcohol was being served.  Kennedy had also consumed a number of drinks earlier that day at the annual boat races in which he was a participant.  (One might wonder if Senator Kennedy ever spent day not "under the influence of liquor!")

He stated that his doctors had informed him that he had suffered a cerebral concussion and shock (something that is believed to have been concocted after meeting with his political advisors ... the "Chappaquiddick" motion picture says the doctor never examined him at all).  He said that he was not seeking to use his medical condition to escape responsibility for his actions ... and that his conduct during the hours immediately after the accident made no sense to him at all, going on to state that "I regard as indefensible the fact that I did not report the accident to the police immediately." 

He stated that "all kinds of scrambled thoughts" went through his mind after the accident, including "whether the girl might still be alive somewhere out of the immediate area," whether "some awful curse actually did hang over all the Kennedys" (another sympathy tactic ... brothers John and Bobby didn't bring their unfortunate circumstances upon themselves!), whether there was "some justifiable reason for me to doubt what had happened and to delay my report" and whether "somehow the awful weight of this incredible incident might in some way pass from my shoulders."  He said that he was overcome by "a jumble of emotions ... grief, fear, doubt, exhaustion, panic, confusion and shock."

He explained that instead of notifying the authorities immediately, he instead "requested the help of two friends, Joe Gargan and Paul Markham, and directed them to return immediately to the scene with me, it then being sometime after midnight, in order to undertake a new effort to dive down and locate Miss Kopechne."  After unsuccessful efforts to find and save her, he instructed Gargan and Markham "not to alarm Mary Jo's friends that night" and then returned to the ferry with the two men and "suddenly jumped into the water and impulsively swam across, nearly drowning once again in the effort, returning to my hotel around 2 am and collapsed in my room."  (Please note that absolutely NO mention of enlisting the help of Gargan and Markham was in Kennedy's original police report written at 11 am after the body had been found.  Read it again above and you'll see how the lie evolved to fit the circumstances.)

Before concluding his statement by reading a passage from his brother John's book "Profiles In Courage" (another sympathy ploy), he asked the people of Massachusetts to decide whether or not he should resign ...

If at any time, the citizens of Massachusetts should lack confidence in their Senator's character or his ability, with or without justification, he could not in my opinion adequately perform his duties, and should not continue in office.  The opportunity to work with you and serve Massachusetts has made my life worthwhile.  So I ask you tonight, the people of Massachusetts, to think this through with me.  In facing this decision, I seek your advice and opinion. In making it, I seek your prayers.  For this is a decision that I will finally have to make on my own.

Clearly, he had the support of the People of Massachusetts, who stood by him then ... and for the next forty years, regardless of conduct and innuendo.

In the fifty years since the Chappaquiddick Incident, dozens and dozens of books have been written, claiming to tell the story of "what really happened" ... new "eye-witness accounts" ... hidden back-stories by some of those involved with "the cover-up" ... (is there ANYTHING related to the Kennedys that doesn't have some sort of a conspiracy theory attached to it???) ... but perhaps the most interesting angle of all ... is that there was a third person in the car that night.

That scenario goes something like this ... 

Kennedy was NOT having an affair with Mary Jo Kopechne but WAS having an affair with either the wife of a highly placed political figure, who was also on the island that night ... or another one of the boiler room girls, most likely Rosemary Keough, whose purse was found in the car when it was recovered.  Mary Jo had too much to drink at the party and went to lie down at some point ... but the party noise was still so loud and boisterous that she couldn't sleep ... so she instead went to sleep in the back seat of Kennedy's car.  (This would also explain why her purse and hotel key were left behind ... she had every intention of "sleeping it off" and then returning to the party.)

However, at some point and time Kennedy and his REAL lover decided to rendezvous ... driving off in that car completely unaware that Mary Jo was sound asleep in the backseat ... and really DID drive off the bridge and into the water.

This would mean that both Kennedy and his "date" were able to escape, leaving the car in the water before making their way back to the party.  (Kennedy apparently still planning on not notifying the authorities until the morning, thinking it was nothing more than a minor traffic accident.)  Mary Jo eventually woke up in the submerged vehicle and tried, to no avail, to escape.  This would explain why she was found in the backseat of the car ... and why some other woman's purse was found in the vehicle.  Some reports say that when Kennedy informed his confidant Joe Gargan about the accident, the original plan was for Joe to take the blame for driving the car off the bridge, absolving Kennedy from any wrong-doing completely, which he was fully willing to do as a means of covering his boss's ass ... but that Gargan reneged on his offer the minute he learned that a death was involved.

Following this scenario, when Kennedy got the news the next morning that his car was found in the pond with a dead Mary Jo Kopechne inside, it was the very first he had ever heard about the severity of his accident.  There may be some truth to this.  Prior to learning the news, Kennedy was completely relaxed and interacting with other folks on the island.  Once Gargan and Markham informed him of the current state of affairs, Kennedy spun into a horrified mess.  It was at this point that he and his team of experts began concocting the elaborate story and sequence of events that supposedly happened the night before.

Why Kennedy would risk putting himself at such a high risk of exposure politically still isn't clear ... but that's exactly what he would have done had any of this happened.  (Perhaps this still makes for a safer story to be driving one of his supporters to the ferry rather than admit to an affair with the wife of some high-stakes politician???)  

Still, I'm not sure I buy it.  Kennedy essentially gave up his highest aspirations for a political career that could have included the Presidency of the United States ... he fully admitted to wrong-doing (albeit at the lowest level of offense ... leaving the scene of an accident where he knew there was bodily harm ... apparently he had SOME assurance that this is all he would be charged with.)  I just cannot believe that THIS story would have been the one his father and all their political advisors would have chosen had Kennedy not been the one driving the car that night. 

We will never know for sure what really happened that night in Chappaquiddick.  (kk)

THE FRIDAY FLASH

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>>>Last week we told you about waking up to Me-TV-FM playing Jethro Tull's "Living In The Past."  Well, today (at 4:56 am when my alarm goes off) it was Tull's "Bungle In The Jungle" ... and THIS time I can't help but feel like it was personal.  (lol)
So if it was, Rick, thank you very much ... it didn't go unnoticed ... and it is much appreciated.  (And if it wasn't, oh well ... then you probably need to mix up the schedule a little bit so that folks NOT waking up at 5 am get to hear Jethro Tull on your station, too!  lol)
And now that you know my wake-up time, PLEASE don't start programming obscure Joni Mitchell or Gordon Lightfoot album tracks at that time of day ... I need something "bright and bouncy" to make me want to get out of bed in the morning ... and something by either of these two would probably force me back to sleep, during which time I would almost assuredly have horrible nightmares!  (kk)
Good morning, Kent!
Nothing like waking up to the roar of the lion at the start of that timeless and memorable Tull song!  A pure coincidence that you woke up to two Tulls five days apart.  And thank you for the mentions of the station in your blogs of Saturday and today. 
Let me quell your fears right now:  the softer, acoustic singer-songwriter stuff rarely makes an appearance during what radio likes to the call its morning-drive hours.  Slow Gordon Lightfoots or Joni Mitchells are generally off-limits as you’re getting ready for your day.  It goes back to some music research findings uncovered during my smooth jazz days.  When people need to wake up and get moving, they subconsciously gravitate toward songs whose beat is faster than their resting heartbeat.  Hence, we have a rule dating back 20+ years:  avoid playing ballads in the morning. 
Up and at ‘em!
Rick
Whew!  Well, I know I’LL sleep better tonight!!!  (kk) 

Then again, SOME people actually LIKE those Joni Mitchell album tracks  (I think I just found a kindred spirit for Neal Sabin!)  

Kent,
I just have to laugh every time you chastise MeTV-FM for playing Joni Mitchell album tracks. 🙂 But she's incredible! Her voice is an instrument itself, I love the imagery in her lyrics, and she incorporates several different musical styles into her music. In fact, I'd love it if MeTV-FM would do an entire weekend of her music. I'd be glued to the radio.
My wife can't stand her for some reason, so I'm not allowed to listen to her (Joni, that is ... I'm required to listen to my wife) if we're taking a road trip, so I understand that not everyone shares the same passion as me.
Anyway, here are my votes from Ballot #12:
1 - FREE MAN IN PARIS - JONI MITCHELL (OF COURSE!)
Colin Donahue 

CONCERT REVIEW: 
Ray Graffia, Jr., founding member of The New Colony Six, was the lucky winner of a pair of tickets to go see John Sebastian (he of The Lovin’ Spoonful, of course!) at The City Winery last Monday night.
As it turns out, The Colony and The Spoonful shared the stage a time or two back in the day, so there was some hope of reminiscing that we could all share in (and live vicariously through) … but sadly, it didn’t happen.

Here is Ray’s full review:

Holding down the Arbortech fort solo this week except on Friday, hence more than a bit tardy regarding the review for the John Sebastian tickets you / FH blessed me with, Kent, but, presuming that better late than never still applies, here goes ...
First of all, John offered us a great show - wonderful stories, great guitar playing, really good on harmonica, too, though used infrequently but --- I was totally stunned by the change in his voice.  In addition to busyness at the real world business here at Arbortech Corporation, that is the other and really the primary reason I dallied in sending you a review.  Whether medically caused or otherwise, it sounded to me as though he sang a full octave lower than "in the day".  Perhaps he changed the keys to the tunes but I was singing along to myself, or at least quietly enough so as not to interject my voice into his performance or bother folks at neighboring seats, but had no problem adding an octave higher vocal "track" -- so hoping he is all right.
He was on key consistently throughout the evening so no issues whatsoever there, but I opted out of my original intention to stick around after the encore and see if he came out for an informal "Meet & Greet".  If I stayed and he did, I wanted to ask J.S. if he remembered any of the few times New Colony Six shared the stage with Lovin' Spoonful but decided against that - essentially because of what felt to me like a pretty significant change in his vocal range.
So, trying to keep things brief as is unusual for yours truly ... in conclusion: 
  • First time I ever was at the venue - great place and had great seats but pretty pricey (though quite tasty) food and beverages (I stuck with H2O)
  • Street parking is essentially unavailable even though arrival at site was nearly an hour early - valeted but then faced a rather lengthy wait to get the car back after the show so my drive to the far NW and going to work the next day were each a bit of a struggle
  • Ran into a couple of NC6 boosters who recognized me so that was very cool and quite surprising
  • The evening was great fun and a real kick being up that late "on a school night" - aging process does not take kindly to unusually shortened resting time but missed nary a minute of work time
  • Heard "The Bill & Wendy Show" on WGN radio the next morning and Wendy was there with her family but I did not see her - too bad as I am a fan of her work, loved spending time with her during the filming of the Cornerstones of Rock - American Garage PBS TV Special, where she emceed the live performances, and, in case you've never heard her blues playing, super talented, college-aged son, "Mikey Mac" perform, you need to hear him playing and singing Chicago Blues music one of these days - perhaps he will have a show of his own at City Winery one day ...
  • Enjoyed the night and super grateful for the tix
  • Thank you and City Winery for providing the evening out - back to the day's activities here in beautiful (?) Johnsburg 
Peace, brother Kent – 
Hope to see you in Addison on 8-1 - Jimy Sohns and Shadows of Knight will open for us - for the final Colony concert of 2019 (last one ever?) and also, if you get a chance to come back to the Arcada for another dose of Cornerstones the Saturday after Thanksgiving, please be sure we get a minute or 6 to chat, okay? 
Love ya, man, and love the amazing and extensive work you do to keep the music of our generation alive.  Be blessed as you have blessed me with your friendship and support for New Colony Six - shame on you for lack of promotion for The RJM Band though ... ;o) 
Ray 
P.S.  Did I tell you yet that there is an Aussie label that is releasing a CD compilation this year where all the tunes will be Bee Gees music but as interpreted by other artists?  They are including RJM's "Let There Be Love", which I attached today in case I have not yet bored you with the tune! 
P.P.S.  Since I am also unsure if I shared what happened on 3-28-19 with you yet, please note that the arrival of June Elizabeth Graffia, my second granddaughter - both children of Ray III and Kat - coincided with my own date of birth, albeit a mere 73 years later!  Clearly and unequivocally my best birthday gift ever so am sending you a pair of pics - the one showing then ~26-month old Isla Belle Graffia holding her baby sister and methinks the other is obvious! 
THE END!!!!!! 
We weren’t able to attend the John Sebastian show but it sounds like you had a pretty good night out.  The City Winery is a BEAUTIFUL place to see and hear a concert and while the menu is a bit too eclectic for my taste (we usually eat at Lou Malnatti’s across the street prior to the show!), I see an awful lot of people chowing down before, during and after the show.
I’m curious how Wendy Snyder described John Sebastian’s vocals on her program.  Definitely a very talented guy and a gifted songwriter.  I never had the chance to see The Lovin’ Spoonful, but did see a couple of John’s solo shows in the early ‘70’s, both times when he was the opening act for America.  Sounded great then … but that was a long time ago!
As for RJM, we ran a good two solid chapters on the band during our month-long New Colony Six series many moons ago when you and I first met.  (Thanks again to Jack Levin for making that connection as we’ve been close friends ever since ... you have shared so much with me over the years … and inviting Frannie and I out to your home a few years back to witness an actual New Colony Six Reunion in your basement is a memory that I will cherish forever.)
And we DID talk about the latest edition to the Graffia family … our youngest grandson turned one about two weeks later (so we’ll swap baby pix!)
Cool about The Bee Gees covers album … maybe it’ll include the incredible Nigel Olsson track “Only One Woman” that I bought on a 45 WAY back in 1975 … man, I LOVE that song!  I’ve never been able to find it on cd … nor have I ever found a version of The Bee Gees themselves performing this tune.
I’m running “Let There Be Love” again, too, so that others may enjoy it.  Maybe you can fill us in as to how essentially a “start up band” happened across this tune at a time when The Bee Gees were essentially between phases of their career.  (Of course you know all about those career phases … having gone thru the early garage cycle, followed by the “pop” cycle and then the ballads period, for which the Six have been permanently typecast it would seem.  I shouldn’t really say that after The New Colony Six were invited to perform out at Cave Stomp in New York a few years ago as one of the earliest “garage bands” of that era.  HAD to be hot out there playing in the garage wearing those colonial outfits ‘tho!!!  Lol)
Thanks, Ray, always love hearing from you … send me more info on the August 1st gig, too, so we can share it with the locals.  (And how cool was it to be heading into The City Winery and get recognized by some fans of ‘60’s music!!!  Wouldn’t The Colony sound great at that venue!!!)  kk



  
26-month old Isla Belle Graffia holding her baby sister ...
and newbornJune Elizabeth Graffia in the arms of Grandpa Ray ...

Along with a shot of OUR latest grandchild, future-redneck Luke Carlson!
(Just kidding ... isn't he the cutest kid?!?!)



And, speaking of our Local Heroes …

Hi Kent,
We went to the College of DuPage last Friday night, 7/12, to see the Ides of March play a free outdoor concert.
The venue is beautiful and the Ides drew about 2,500 fans.
I've seen the Ides many, many times (nowhere near as many times as you) so I don't feel like doing a whole review.
Suffice to say, the Ides were totally excellent as they always are. They sound great and they play their collective asses off.
Jim Peterik seemed to be fighting a little congestion, or maybe it was the heat and humidity. He cleared his throat quite often and was regularly drinking water. But his throat problem didn't hurt the performance … Jim hit every note without fail. Larry and Bob took over lead vocals for a song or two. Maybe that was to give Jim a bit of a break. Sore throat notwithstanding, the Ides played one hell of a show.
Other thoughts -
Except for a few pockets in the crowd and to the right of the stage, the audience was pretty dead. I guess it shows the difference between a paying crowd and people who attend free shows. Take the Cornerstones crowd for example. No butts in chairs there, everybody is up and dancing, singing and clapping.
The emcee introduced the Ides but when she brought them back after a short intermission, she called them "Jim Peterik and the Ides of March."
The only problem was she pronounced Jimbo's name as Pet(like a dog)-erik. Boo!  Bad form that should never have happened.
Troopers that they are, the Ides stayed to meet the fans and sign autographs. A scratchy throat wasn't enough to stop Jim from hanging out.
My wife, Joyce, asked Jim if the band had ever played at her high school, Proviso West in Hillside. She has always told me she had seen them there and was looking for proof.
Jim acknowledged that they, indeed, did and blew our minds by telling her that the Proviso show was the first time that the Ides had ever performed "Vehicle" in public.
I shook Jim's hand and thanked him for everything he does for you and Forgotten Hits. He said he was happy to help whenever he can.
I asked him if you and Frannie were at the show. He said he hadn't seen you and was surprised because he said you guys are almost always at every Ides show. He said "I really love those guys." I made Jim laugh when I said that the only person more regular than Kent Kotal was the Danzman. He laughed and said, "Ain't that the truth!"
Later, my friend.
Steve Sarley
THE OUTDOORS EXPERIENCE 
Host of the WeFishASA podcast at www.wefishasa.com
Weekly by-lined columnist - Northwest Herald, Lake County Journal and other Shaw Media newspapers
By-lined column appearing bi-weekly in Illinois Outdoor News
I didn’t even know about this show so thanks for telling us about it.  Yeah, I agree … folks who paid money to see a show tend to be a bit more appreciative of the presentation … but, as you know, The Ides put on a killer show no matter where they play.  (They packed Brookfield Zoo last summer for a concert!!!)
We’ll see them in October when they perform at the Genesee Theatre with Mark Farner (formerly of Grand Funk Railroad) and Bo Bice, the American Idol Runner-Up to Carrie Underwood who had his own #1 hit with Jim’s “Vehicle.”  Bo is also currently the lead singer of Blood, Sweat and Tears … so The Ides Horn Section is going to see a LOT of action that night!!!
How cool is it that your wife was there the very first time The Ides performed "Vehicle" live in concert!!!  What a COOL piece of trivia!  (They played our high school ... Morton West ... all the time ... because they all went there. I got to see them numerous times, including their "farewell show" in the mid-'70's.  Who knew back then that they'd now be 55 years strong!)
Although it’s a very hush-hush affair, Jim also invited us to be there for the live video shoot for the first single from the brand new Ides CD coming out next month.  I can promise you a full report on this one as I’ve never been to one of these before!
He’s just a genuinely good guy who loves nothing more than entertaining a group of people, whether it’s a couple in his living room or 2500 at The College Of Du Page!  He lives to share his gift … and a very special gift it is.  (kk)

kk:
A brand Elvis Presley Fragrance Collection Is Coming Fall 2019 ... Just In Time For Christmas!
Frank B.
https://www.alwayselvisfanclub.com/news/elvis-fragrance?fbclid=IwAR0ciRlkqcg5n2X0va0HH0bXVlZDi18-_kW0hfJzlp8G_bUZPjoZ3cc4OG4
Yes, but seriously ... how many people out there REALLY wants to smell like peanut butter and bananas???  (kk)

LEAVE IT TO MICKY 
Micky Dolenz was joined by Michael Nesmith, Jerry Mathers and Tony Dow at this weekend’s Knoxville Fan Fest.


L-R – Mathers; Nesmith; Dolenz; and Dow
David Salidor
Thanks for making me feel EXCEPTIONALLY old this morning!!!  (lol)
I'm just kidding ... I love ALL these guys ... and all were such a HUGE part of my life growing up.  Thank you all for some incredible memories.  (kk) 

Saw this video that was posted a day ago.  Like you, I always like the original lead singers of bands.  Would be a great show if they brought this show to the Chicago area.  Again, thanks for a  great blog.
Gil McAuliff 
The two main singers in Firefall are reuniting for a set of concerts this year. Check out our interview with Larry Burnett.
https://www.youtube.com/watch?v=pOUtAWSgiLo
While I think this would probably be a pretty interesting show to see (as much for the stories as the music!), I have to say that we have seen the current touring edition of Firefall three or four times now and they have been outstanding in concert each and every time.  I know I’ve made comments before about them deserving to be the headliners on some of these shows rather than the opening or back-up act.  (In fact, a couple of the guys from Firefall have even written in to thank me for the nice reviews.)
I’ll run this in the hopes that either Ron at The Arcada or Dan at City Winery or Colleen at The Genesee will see it and explore the possibility.  (That Peter Asher show Shelly told us about yesterday would be another good one to bring to town!)

The Lyons Township High School’s radio station, WLTL, celebrates the 50th anniversary weekend of Woodstock from Friday, August 16th through Sunday, August 18th.
WLTL-FM 88.1 will feature vignettes of the artist and bands who performed at the Three Days Of Peace And Music Festival.
LT Students Lily Mini (Class of 2020), Caroline Durkin (Class of 2020) and Lauren Scriba (Class of 2019) host the weekend of music, trivia and memories.
The 50th anniversary of Woodstock on WLTL is free. Listen to WLTL at 88.1FM or on your smart device.
Thanks,
Mike Baker
And the Forgotten 45s

kk:
Another death to report.
FB
Comets drummer, Ocean City resident Dick Boccelli dies at 95

YESTERDAY REVIEWS:
I enjoyed the movie Yesterday a bit more than you. I agree that the characters were not likeable. I thought the lead character was bland. I did like the Lennon surprise (which I did not know about before the movie). It also made me think about what the world would be like if there had not been Beatles. There are a couple of folks I know that like to tell me they don't like the Fab Four and have always felt the Beatles were overrated. They claim to be fans of other British stars. I have always maintained that we may not have known about the Rolling Stones, Zepplin, Elton John, and any number of British artists had the Beatles not arrived on these shores. The movie talks about several things that do not exist without the fame of the Beatles. Some of those were humorous. I would give it a 5 out of 10. The love story reminded me of a Hallmark movie with Beatles songs.
Phil – WRCO
The love story had no appeal whatsoever because both characters were so unlikeable … and that was a real shocker for me as we REALLY enjoyed Lily James in “Baby Driver” and “Mamma Mia: Here We Go Again.”  She’s a talented and beautiful girl who comes across as very frumpy in this film, at times looking 20-30 years older than she really is.  (They should have let HER sing some … she’s got a beautiful voice!)
The only guy I thought in the whole film that had a personality was Jack‘s deadbeat friend Rocky … I would have rather seen HIM as the lead!  (And seriously … are people going to buy the soundtrack album to hear Himesh Patel sing these Beatles classics … or are they just going to go for the real deal?)
I’ll agree that the Lennon thing was a surprise … and I wasn’t happy with it when it happened … but the more I thought about it afterwards, the more I came to appreciate the significance of such a meeting … and how John might still be alive today had he NOT been famous.  (Robert Carlyle looked AMAZING as Lennon … I never saw a hint of resemblance until the moment in this film when he first appeared … but now, looking back, I can see it in “The Full Monty,” too … which, by the way, is a 2000% better movie than “Yesterday”!!!)  lol  And it’s got a pretty damn good soundtrack, too!  (kk) 

Your take on the "Yesterday" movie was a lot like what I was thinking when I FIRST heard about what this movie was going to be like.  After seeing the main actor on TV shows promoting the film several times, he is about as boring in person as he is in the movie, which is possibly the biggest detractor in this film.  Could he POSSIBLY sing "Help!" any worse than he does in the film? 

Here's what I wrote to friends when we watched the movie in the theater two weeks ago:

We liked it.  It is a weird thing.  I liked it and it REALLY isn't about the Beatles, which maybe makes it good??  I am not spoiling it by saying it has LOTS of Beatles tunes in it.  Lots of titles are "mentioned" and not sang.  If not for that, amazingly, NO Sgt Pepper songs are actually sang.  There's a twist to the story near the end that I thought made me THINK and was pretty cool to think about. 
Ed Sheeran, current star, plays a big part, which is NOT that great.  It's funny to think that HE has been found guilty and been sued a few times for STEALING from songs. 
I'm not sure why they chose the guy who did the Beatles songs and was the main star, but I believe, had they chosen a better looking guy, the movie might have done better.  Not sure how great a singer he was either, but that was part of the story, maybe? 
I doubt I would watch it again, but it IS pretty good.      
One thing we commented on was that it shows how if this DID happen, the world WOULD want to hear these songs anyway.  They are that great ... and ... the band members were not any older than THIS guy, which makes it even more impressive that they could come up with such magnificent songs. 
Clark Besch

I totally forgot to mention my beef with Ed Sheeran’s performance.  The big story going ‘round is how the original choice for the real pop star was Coldplay’s Chris Martin, who turned the role down.  (I’m thinking that maybe that’s why, when Jack Malik bowls over all of his friends except one by playing “Yesterday,” she says “Well, it’s not ‘Fix You.’”)

Sheeran is such an engaging and likeable performer … I figured he’d have a BLAST in this role … yet he’s as bland as can be … showing not even a remote hint of personality.  All of the likeability he has built up over the past few years is blown away by his performance in this film.  (And this guy has acted before!!!)
It IS cool that some of his records have been produced by Peter Asher (there’s another Beatles connection for you!), who looks as if he could be Ed’s father!!!  (kk)

And in yet even MORE Beatles-related news, Paul McCartney announced earlier this week that we would be writing a musical version of “It’s A Wonderful Life.”  While he said he’s never really had any inclination to write a musical (I don’t see why not … he’s written every OTHER genre of music possible including pop, rock, ballads, new age, classical and film scores.)
But back in the day when reporters asked him and John what they planned to do “after the bubble burst,” they both said that they would likely write musicals together.  So I’m thinking it just took him 55 years longer than he thought it would!  (kk)

Here's another movie we’ve been anxiously looking forward to …

kk:
This looks like an interesting movie.
FB
'Once Upon a Time in Hollywood': The Secret Musical Reference to Charles Manson in the Trailer
Yes, we’ve been talking about this one for months now … even ran the trailer a couple of months ago (which is about the same time of this People Magazine article.)
It’s got a KILLER soundtrack and a killer cast. (This was the movie Burt Reynolds was supposed to be in when he died last year, playing the proprietor of Spahn’s Ranch, which is where The Manson Family hung out during their illustrious reign of terror back in 1969.)
Melding fact with fiction to create a mammoth production, we’ve got high hopes for this one (although, as with ALL Tarantino movies, you know it’s going to take a while to tell the whole story, which is bound to go off in numerous directions along the way!)
I did NOT know about the “Straight Shooter” sheet music on the piano at the Sharon Tate murder scene, however, so this was a new interesting factoid!  (Nor did I know that Roman Polanski at one point John Phillips of The Mamas and the Papas might have been behind orchestrating the murders!)  Yeah, he was crazy … but he wasn’t THAT crazy!!!  (And besides, it sounds like Michelle was sleeping with just about EVERYBODY back then.  Ahh, to be one of California’s “beautiful people” back in the late ‘60s!!!)
Yep … this looks like a good one.  It opens next weekend … and we can’t wait!  (kk) 


PARTING IS SUCH SWEET SORROW:

Goodbye tours are raking in big bucks again this year.  Three of the top ten grossing tours for 2019 feature artists who claim this will be their last go-round on the tour circuit.
These include Elton John (#1 with over $100 million gross in 51 shows thus far), Bob Seger ($45 million in 21 shows) and Kiss ($59 million for 43 shows). 
Other recent tours include Lynyrd Skynyrd, Neil Diamond, Paul Simon and (quite possibly) The Rolling Stones.  (Meanwhile, I think Cher is in the 11th year of HER farewell tour!)
Might as well go out big!  (kk)

CELEBRITY AUTHOR MARK BEGO CELEBRATES SEPTEMBER, 2019, WITH HIS 64th and 65th BOOKS: "SUPREME GLAMOUR" WITH MARY WILSON AND "LIVING THE LUXE LIFE" 
New York Times best-selling author MARK BEGO breaks records by releasing two separate books titles in September, 2019.  One with his longtime best friend, the glamorous MARY WILSON of The Supremes. And, the second one with the brilliant millionaire hotel owner, EFREM HARKHAM.  This brings him to a grand total of 65 published books!
In December of 1975, Bego first met his Motown singing star idol, Mary Wilson, in Rochester, New York, while he was working for music industry trade magazine, Record World. At that first meeting Bego proposed that they write a book on The Supremes together.  Finally, 44 years later Supreme Glamour (Thames & Hudson Publishers), a lavishly illustrated coffee table book on the career of the biggest selling female singing group in the world: The Supremes, will be released in September.
To set the record straight, Bego worked on Wilson's two previous hit books, but Supreme Glamour is a true collaboration for the pair.  This book finds the pair telling The Supremes' story with a fresh perspective and many new insights. Friends for five decades, Bego claims, "Mary has shown me how to live life glamorously with passion and flair for years. She is gracious and wonderful, and I am so excited about this book. It is like a Supreme dream come true!"
Mark Bego is the author of the biggest selling Motown book ever published: the eight million-selling Michael! (Jackson), with an Introduction by Mary Wilson. As Mark explains it, "Mary and I have traveled around the world together, and we have worked on many projects together, but Supreme Glamour  is the absolute pinnacle." Wilson and Bego most recently worked together on Mark's best-selling celebrity cookbook, Eat Like a Rock Star (Skyhorse Publishing, 2017).
Then there is Living the Luxe Life (Skyhorse Publishing), which Bego wrote with Luxe Hotel chain hotelier, Efrem Harkham.  Says Mark, "Efrem is a true inspiration in the business world. He not only owns the Luxe hotels on Rodeo Drive and Sunset Boulevard in Los Angeles, but he shares his secrets to success in his inspirational book. He is a 'rock star' of hoteliers!"
Interestingly enough, the pair first met via one of Bego's rock & roll books.  Explains Mark, "One of Efrem's friends had read the book I wrote with Jimmy Greenspoon of Three Dog Night, and recommended we meet. I was instantly impressed with his 'rags to riches' story.  The first day we met I knew this book had to be entitled 'Living the Luxe Life." The book will also be released in September.
According to Bego, "I am genuinely excited to have two new books coming out at once.  Thanks to Mary Wilson and Efrem Harkham, I truly am living the 'luxe life' with glamour and flair!"   

Here's a photo of the Dynamic Duo at a recent event ... Mary Wilson and Mark Bego ...


And guess what ...

Thanks to Mark and his PR Guro David Salidor, Forgotten Hits is going to have copies of their new book, "Supreme Glamour," to give away!  (This sounds like an AMAZING book ... so don't miss YOUR chance to win a copy.  Drop us an email with SUPREME GLAMOUR in the subject line and we'll register your name to win a copy of this awesome new book!)
1969: 
Very surprised at the long discourse on Chappaquiddick and Ted Kennedy.
Ron Lange 
Surprised in a good way or a bad way?
We’ve been covering the major events of 1969 throughout the year and that was a big one.
It’s always been a hot topic with me … and totally burns me up that we will NEVER really know what actually happened that night … but a girl died and everybody there walked away clean. 
No other regular citizen, under the exact same circumstances, would have been treated the same way.  (But then again no other citizen would have had the resources to have the body and all of the party-goers removed from the island before the investigation actually began.)
It’s just wrong … and it has always BEEN wrong … and even now, fifty years later, all of the coverage I’ve seen, heard and read depicts “poor Ted Kennedy … his political dreams were shattered that night.”
Seriously???  The guy went on to enjoy four more years in the US Senate … Mary Jo Kopechne had HER next 40 years taken away from her.  She never married … she never had a family … she never realized ANY of her potential or dreams.
I feel like I have to keep reiterating … SOMEBODY DIED that night … and we still don’t know how or why … and we never will.  (kk)  

On Saturday we’ll be remembering the 50th Anniversary of The Moon Landing.
Ultimate Classic Rock just ran a feature sharing where 50 of the biggest rock stars were (and what they were doing) 50 years ago this week when we landed on the moon.

And, speaking of the moon landing, LONG time FH Reader and Contributor Jay Jay the DJ (DeeJay of the Stars) send us THIS very interesting tidbit to share with our readers …
Kent,
Many don't know that my real name is Jim Julian and my Mother was Mary Julian … and if you are interested in the 50th anniversary of the landing on the moon, then please watch this video with Sweet Caroline Kennedy of my Mother's involvement in Apollo 11.
I will be accepting an award at the JFK Library in Boston on Saturday plus making a short speech there. Our family is so excited.
I may be the DJ of the Stars but my mom helped put men on the moon and brought them home again.

This has got to beone of the coolest things we’ve ever run in FH!!!  Thanks for sharing, Jimmy!  And congratulations!  (kk)


DIGGIN’ FORGOTTEN HITS
Hi Kent,
Whenever I read Forgotten Hits (and that is all the time) I keep asking myself, when in the hell do you find time to sleep?  Instead of sheep, you must be counting votes!
That's great that Burton Cummings is returning to the Arcada!  As you said, he always puts on a spectacular show!  I can't wait to read your review. 
Keep up the great work, Kent, in keeping the music alive!  Take care.
Peace,
Tim Kiley
Really looking forward to Burton’s show on August 3rd at The Arcada, which appears to be a complete sell out!  (I love the fact that he’s still packing them in … especially in light of the fact that he just played The Genesee a few months ago.)  kk

HAVE YOU VOTED YET TODAY???
Hop on over to the Classic Rock Essential site and cast your ballot was we continue to compile the list of THE TOP 3333 MOST ESSENTIAL CLASSIC ROCK SONGS OF ALL TIME!
https://classicrockessentials.blogspot.com/
Watch for more ballot updates on Monday in Forgotten Hits.

PARTING SHOT: 
More Chuck Buell Just for Fun Forgotten Hits Trivia here!
“Not Forgotten / Totally Forgotten!”
Many of us remember “Answer Songs,” songs that quickly followed a big hit created in response to the story the original song sang about.
For instance, “My Boyfriend’s Back” was released 56 years ago this month in July of 1963. A song “Not Forgotten!”
In September of that same year, an answer song, “Your Boyfriend’s Back,” was released by Bobby Comstock & the Counts. A song “Totally Forgotten!”
While the Angels held the Number One spot on Billboard for three weeks, one listen to the answer song it inspired easily reveals why it peaked at Number . . . 98!
I know I never played it on any of my radio shows, actually because I’d never heard about it until I was doing some recent Forgotten Hits research.
Coincidentally, and much more amusing to me, I also came across this!


♫♪♫*  "Hey-la-day-la!"  *♫♪♫•     
CB ( which stands for “Contemplating Boy!” )
Hey, Buddy, line forms to the left!!!  (kk)

July 20th, 1969: Man Lands On The Moon

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One small step for man ...
One giant leap for mankind.
-- Neil Armstrong


And with those words, we had officially landed a man on the moon.

In 1961, President Kennedy had challenged us as a nation to make this happen before the end of the decade ... and, in 1969, we did.

The entire world was transfixed watching the landing. Virtually EVERY country covered the ground-breaking event and congratulated The United States on their efforts to win The Space Race. (Well, every country except for China, that is ... according to Time Magazine, they virtually ignored the moon landing ... and one Hong Kong daily newspaper ran the headline "The American People Pray: God Give Me A Piece Of Bread, Don't Give Me The Moon".)

Incredibly, when Kennedy first extended his challenge back in 1961, the nation's entire manned space experience consisted of only 15 minutes and 20 seconds, which was the length of Alan Shepard's maiden voyage on May 5, 1961. In fact, virtually NONE of the equipment capable of making the journey to the moon even existed yet back in '61 ... but over the next eight years, The United States assembled a team of over 400,000 men and women at 120 universities and 20,000 industrial firms to develop the technology (and the fifteen million parts) necessary to make the ultimate half-million-mile road trip.

Our track record up to that point wasn't very impressive ... joining "The Space Race" in 1957, after The Soviet Union launched Sputnik, The U.S. saw thirteen straight failures between 1958 and 1964 while trying to accomplish a successful "lift off" from the Cape Canaveral Launch Pad, headed toward the moon.

And the flight of Apollo 11 didn't exactly go off without a hitch either! Before Armstrong announced "The Eagle Has Landed", the crew experienced a few "tense" moments when, just 160 feet away from the moon's surface, an alarm went off signaling that only 114 seconds worth of fuel remained aboard the lunar module, leaving the crew 40 seconds to decide if, in fact, they could land within the next TWENTY seconds!!! Apparently some communication interference between the command module, the "mother ship" Columbia and The Eagle caused a false reading that potentially could have driven the crew into an area occupied with lunar boulders ... or have forced them to reach the decision to abort the mission entirely. Ultimately, Mission Control simply turned off the radar to remedy this situation and, as we now all know, The Eagle landed safely.

Buzz Aldrin and Neil Armstrong spent a total of five and a half hours on the moon's surface over the next several days collecting soil samples, moon rocks and photographs but, reportedly, NO blue cheese. (Regarding the answer to the trivia question, who was the THIRD astronaut onboard Columbia for this legendary voyage, oft-forgotten about Michael Collins stayed onboard the mother ship, controlling the steering, rendezvous and docking maneuvers.)

From the "You've GOT To Be Kidding Me" Department, we learned when the nation prepared to celebrate the 40th Anniversary of this major event that much of the original video filmed by NASA of the moon landing had been erased over the years ... the scramble was soon on to collect and clean up video from a variety of other sources in order to recapture the complete event for all posterity.




Incredibly, it is entirely possible that the footprint shown above, imprinted by Astronaut Buzz Aldrin on July 20, 1969, on the moon's surface, may remain entirely intact some 50 years later. That's because the moon has no atmosphere and no winds ... so speculation is that, unless it was in some fashion disrupted by one of the countless meteorites that collide with the moon each year, it very likely remains EXACTLY where he left it, looking virtually identical to the photo shown above! Amazing!

Likewise, because there is no wind on the moon, The American Flag planted there had to be rigged with a support bar to keep The Red, White and Blue unfurled ... the 3 foot by 5 foot flag was stiffened with a thin wire so that it would appear to always be waving in the vacuum of the moon's non-atmospheric state!

July 21st

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Toldja this was a hot one ... "Honky Tonk Women" by The Rolling Stones jumps 20 PLACES from #30 to #10 in its second week on the chart.

The Underground Sunshine's version of The Beatles' tune "Birthday" continues to climb ... this was A VERY big record here in Chicago, going all the way to #2.  This weeks it's up nine spots from #27 to #18. 

The Lettermen also have another hit on their hands with their remake of the Little Anthony and the Imperials hit "Hurt So Bad" ... this week it climbs from #33 to #20, a move of thirteen places.  (This song has been recorded  by any number of artists over the years ... but this is by far my favorite version.)


And it looks like Johnny Cash has himself a cross-over hit as the Shel Silverstein-written novelty tune "A Boy Named Sue" climbs from #40 to #30.


This week also gives us our first solo Beatle hit as John Lennon's Plastic Ono Band premier with the peace anthem "Give Peace A Chance."  This is the one he recorded in his hotel room in Montreal just a few weeks ago during his honeymoon / Bed-In For Peace campaign.


THIS WEEK IN 1969:

July 16th– Apollo 11 (with astronauts Neil Armstrong, Buzz Aldrin and Michael Collins aboard) lifts off for the first moon landing.



Also on this date, The Beatles are working on two brand new George Harrison songs at Abbey Road Studios.  BOTH will make their next album … “Something” and “Here Comes The Sun” … two more Beatles classics that certainly hold their own against the Lennon and McCartney songbook. 

July 17th - Performing at The Newport Folk Festival in Rhode Island, Johnny Cash brings up a member of the audience to sing a song.  That audience member is Kris Kristofferson ... and that song is "Me And Bobby McGee" ... and the rest, as they say, is history.

July 18th - Senator Edward (Ted) Kennedy drives his car off a bridge on his way home from a party on Chappaquiddick Island in Massachusetts.  His companion, Mary Jo Kopechne, will drown in the early hours of the following morning in Kennedy’s submerged car.  Kennedy escapes but the Chappaquiddick Incident haunted him for the rest of his life, preventing him from ever running for President of The United States.  Some 50 years later, a film is released commemorating the event … but still leaving more questions than answers.  (Scroll back to read our coverage of this event if you missed it.)

Also on this date, Elvis Presley begins rehearsals for his return to the Las Vegas stage next month at The International Hotel.

July 19th– With keyboardist and lead vocalist Stevie Winwood already recording and touring with the super group Blind Faith, The Spencer Davis Group announces that they are breaking up.  Winwood will go on to form Traffic … and then have quite a successful solo career as well.

Also on this date, The Monkees, Joni Mitchell, Ed Ames and Roy Clark are all guests on tonight's Johnny Cash Show. 

And in Spring Hill, Tennessee, Jimmy Buffett marries Margie Washichek at the St. Joseph Chapel.

July 20th - Neil Armstrong addresses the world from the moon - "One small step for man … one giant leap for mankind".  A reported 500 Million viewers worldwide watch the event.  (The mass media and public focus of this event greatly reduced the amount of press coverage given to the Chappaquiddick Incident of the day before when Mary Jo Kopechne’s body was found and pulled from the water.  I guess if you were going to drive your car off a bridge and leave someone behind, this would have been a good day to do it.)  You can read our coverage of the momentous event in yesterday's posting.

Also on July 20th, Actor Josh Holloway (Sawyer on “Lost”) is born … and R&B Singer Roy Hamilton (who had chart hits with his version of “Unchained Melody” [#1, 1955] and “Don’t Let Go” [#11, 1958] dies of a stroke.

July 21st - The Beatles record "Come Together"
 

CONCERT REVIEW

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Here's an unusual concert review ...

In that the concert actually took place back in 1969!

FH Reader Robert Campbell fills us in on what it was like seeing Led Zeppelin at The Kinetic Playground, fifty years ago! 

Led Zeppelin, Kinetic Playground, 
July 18th and 19th, 1969 



I'm a little late on this review ... 50 years to be exact ... but looking back, this one was a game changer. 

It was a Friday night and six of us piled into a '66 Dodge and headed for The Kinetic Playground in Chicago. 

We had never been there before and I have no idea how we found it, but we did. It appeared to be in an older part of town. I am going to stab at some details here the best that I can as it was a long time ago. 

It appeared to be a former movie theater, as the floor sloped toward the stage. There were these round rooms about eight feet in diameter with open ends facing the stage.  These little rooms had mattresses on the floor. 

I had previously attended three pretty high end concerts ...

Jimi Hendrix, 2/25/68, Civic Opera House
Cream, 3/21/68, Beloit College, Wisconsin
The Who, 8/3/68, Majestic Hills, Lake Geneva, WI, Stage seats, eight feet from John Entwhistle 

... But I was not expecting this. 

Once you got inside, I really don’t remember a whole lot of staff and I don’t remember seeing anything that represented security, etc. You pretty much could do whatever you wanted to, and we did. 

The opening acts were Savoy Brown and Jethro Tull. We  were familiar with Savoy Brown, but not Jethro Tull. The poster and internet correspondence I found about ten years ago also indicated that Litter played that night as well, but we did not see them. If they did, they played before we got there. 

Savoy Brown and Tull both put on pretty damn good shows.  Each set lasted about 1 to 1.5 hours.  

Around 10:30, Zeppelin came on and they immediately broke into a two song, back to back medley ... Communication  Breakdown and Good Times Bad Times, a couple of songs you would expect them to end with, but they burned these two right out of the box, which is a good indication of where this set was going.  

They then slid into Dazed and Confused. This show was beyond incredible. The balance of the set lasted about 1.5 hours and consisted mostly of the songs from their first album, which had just been released in January of '69, as well as a couple of songs from the Yardbirds days, most notably, Train Kept a Rollin'. They did not play any of the Yardbirds, per se hits.  

At midnight, the show slammed to a halt, but it was not over. All three bands came back and played an additional 45+ minute set. Zeppelin played last and wound it up at 3:00 am the next day. 

Absolutely amazed by all of this, we piled back into the Dodge and somehow found our way back to Rockford, IL, where we arrived at 6:00 am after the sun had risen. It’s much easier to go to sleep before the sun comes up.   

Although I have been to plenty of shows since, I have never attended a show of this magnitude again. The three bonus sets were the icing on the cake. 

Exactly three months later, we returned to the Kinetic for another Zeppelin show. It was on a Sunday night and the opening act was Santana, another act we were unfamiliar with. Due to the fact that it was Sunday, there were no bonus sets, but it was the only time in my life that I did not make it to my first class the next day. 

The reason I bring up this show is that looking back, this show slammed the door on the 60s and opened the door to a new era. I did not realize this at the time, nor was I saddened about this. What does sadden me is that about half of my friends completely discarded the 60s and embraced the new era, while the other half still maintain strong ties to the 60s, the new era as I reference it (I refuse to use the 70s as it is still 69), as well as the 50s. There are other factors, but I’m going to leave it at that. 

I have no memory of what happened the next day after the first Zeppelin show. At the time, my summer job was working for The US Geological Survey. For most of the summer we worked out of our area, but we were recently transferred to Sandwich,IL. Our crew consisted of a classic “Redneck” and two college longhairs from Madison and Rockford. On Sunday afternoon, I drove my '64 Triumph Spitfire back to the rickety, turn of the century, wooden hotel in downtown Sandwich where we were staying. This was kind of like an old west hotel and was located right on the main railroad tracks, like 60 feet away. 

All night long, every hour on the hour ... cling, cling, cling ... clang, clang, clang ... roar, roar, roar, a huge train would go by and almost shake you out of bed. We were on the second floor and there was a gang bathroom at the end of the hall, tub only. If you wanted to watch TV there was a dimly lit dayroom with a couple of chairs and maybe a 12” x 12” black and white TV. And that’s where I was when the first man set foot on the moon. Did I by chance mention that we were also the only longhairs in town at the time?

-- Robert Campbell

Tuesday This And That

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Sign me up for the Mary Wilson Book Giveaway!
I remember seeing The Supremes in the Summer of 1965 at a pretty small, intimate club in San Jose, CA, while on a quick week's vacation to San Francisco!
I was just a Young Semi-Naive Radio Guy then, but with no fears about introducing myself to the Club Manager and modestly telling him I was a "DJ" on the leading radio station in Denver, Colorado ( KIMN ). I asked him if it would be possible to meet them before their show began.  After all, Diana Ross and I were the same age and all! (I had bought their latest album earlier that afternoon and had it in hand in case meeting them worked out.)  He said he'd tell them, went to the back and was gone for a few minutes.
Hold on!  Moments later, Diana Ross came out to say hello to me!
We talked for a very short time (after all, they had a show to do starting in a few moments!), so I asked if she would take the album I had back to their dressing room and have she and the others autograph it. She said, "Sure!"  but she didn't know how she might get it back to me, because they were leaving immediately after their last song to avoid getting delayed by club-goers.  I suggested maybe she could send it to me. She said, "Sure!"  I wrote down my name and the station's address and gave it to her with the LP, and that was it!  Simple! I was pretty excited!  
They put on a great show, and a few days later, I went back to Denver.
I'm still waiting to get my autographed album back  . . .
Chuck Buell
LOL … TOO funny.  (I suggested to co-author Mark Bego that maybe we could get Mary to sign a copy for you should you win one of the ones that we’ll be giving away in September when the book gets released.)
He said:
Kent:
That is too funny! The disc jockey will have to take the matter of the missing album up with Diana Ross. I am certain many people have a "bone to pick" with Miss Ross ... LOL!!!  Maybe she absconded with it? 
So far I have only seen one copy of the "Supreme Glamour" book, which Mary Wilson and I posed for photos with at our party at the Blackbarn restaurant in NYC on June 3rd.  After the photos were taken, the book was snatched back by the publicist from the publisher, and he promptly left with it.  It kinda parallels the story of the missing LP!  How ironic!  We’ll be in touch when the book's release nears.
Cheers,
Mark

Mark also told us …
Thank you so much for the great piece today in Forgotten Hits.  I can't wait to tell Mary that we are now dubbed "the Dynamic Duo" ... love it!!!
Cheers,
Mark

FORGOTTEN HITS GIVE-AWAYS:
Register now to win a copy of the brand new Mark Bego / Mary Wilson Book SUPREME GLAMOUR, due out in September …

Or a pair f tickets to see NELSON (Rick’s son Matthew and Gunnar Nelson) in either Findlay, Ohio on September 6th or September 7th at The Loraine Palace Theater in Loraine, Ohio, about 100 miles east of Findlay …

Or …

Tickets to see The Fab Four (one of America’s PREMIER Beatles Tribute Bands … we love ‘em!) at The Arcada Theatre on November 1st.

Just send me an email and show which contest you’d like to be entered for … and then watch these pages for the results.
It’s that simple!  (kk)

Speaking of great shows, we just got this from our FH Buddy Rick Levy …

We’ve got some great shows coming up featuring HERMAN’S HERMITS starring PETER NOONE, THE BOX TOPS, THE VOGUES, THE HAPPENINGS and more.  In fact, we’ll all be performing together in Fort Meyers, Florida, on January 30th, 2020.  Keep watching these pages for more details
Rick

kk:
Since we've been talking about this movie, I thought you might find this article interesting …
MANSON 'SLAY PAD’ FOR SALE
One of the Los Angeles houses where followers of Charles Manson committed notorious murders in 1969 is for sale.
The home, in the hilly Los Feliz district, is where Leno and Rosemary LaBianca were slain, the night after actress Sharon Tate and four others were murdered by Manson followers in Benedict Canyon.
The 2-bedroom home is priced at $1.98 million, the LA Times reported. The house falls outside a requirement that sellers alert buyers to a death on site in the previous three years, the listing agent has mentioned its roots.
Does the murder scene add to the value of the house?
FB
Not for me, it doesn’t!  I think I’d be too creeped out about the whole thing to ever live there.  (That 50th Anniversary is right around the corner as well.)
But have you seen the pictures of this home?!?!  It’s absolutely BEAUTIFUL!!!  (kk)
Take a gander at some of these:

Hi Kent ...
Thought you might enjoy this! Apollo 11 Playlist ...
HAPPY MOON DAY! 
There was music on Apollo 11. Here’s what astronauts listened to for their moon walk | The Star
RR Amore 8000

Ironically, FH Reader Gary Strobl sent us this piece about another one of John Stewart’s songs paying tribute to the moon voyage … 

Hello Kent,
Here is this remarkable song that John Stewart wrote about the moon landing 50 years ago. 
Chip Douglas produced the first version of this song.
Here is what he wrote about that session.
CHIP DOUGLAS:  The original recording was done at Harmony recorders right after the moon landing. Henry Diltz plays muted banjo on that. The "Capitol copy" version was done a little while later. The first two on you tube are different mixes from the Capitol copy version.  The "Mashup" contains the Harmony and Capitol versions mixed together. The string parts were the ones I wrote for the Harmony version, and were copied note for note on the Capitol version (I don't think I got credited for that). Buffy might have a copy of the Harmony version somewhere.
This song does not get the attention it truly deserves.
Please share it with your friends if you have the chance.
Huge hugs to you!
Love, Peace & Happy Days Ahead,
Gary

FH Reader Tom Cuddy sent us these reports about the Burton Cummings / Randy Bachman Canadian Reunion show that happened last week …



This sounds like a beautiful, intimate evening of story-telling.  SO happy that these guys are getting along again right now … and hoping that a Soundstage episode and a US tour are not too far off in the future.  Would love to see the two of them again, even in this acoustic setting.  (kk)

Hi Kent -
Your Friday Flash Comments were FANTASTIC!!
Thank You for posting the photo of Micky, Mike, Beaver and Wally (an early crush of mine)!  It brought back many memories.
Looking forward to seeing the Shadows of Knight and New Colony Six in Addison! My Favorites!
Keep up the GREAT WORK!
Carolyn
The show is Thursday, August 1st… Ray Graffia, Jr. shares more details below …

Hi Kent –
Here is a link to event details surrounding our August 1st appearance in Addison:

As to some of your other queries from last week … 

I always was and still am a big fan of the Bee Gees, Kent, and found Let There Be Love on an album I had purchased.  I thought it was a wonderful tune, brought it to the RJM crew, who also liked it and, given group wisdom's belief that perhaps use of a ballad would positively impact record sales and add to airplay (neither of which actually applied, BTW, since there were more founding NC6ers in RJM at the time than there were in NC6), we recorded the song and watched it go essentially nowhere ... sigh! 
As for Wendy Snyder’s take on the John Sebastian concert, I was in the middle of a lengthy Arbortech phone call when she mentioned being at the show and while I did catch that their whole family went, I had to focus on real world biz, so missed most of her review - may be accessible online at the WGN radio site perhaps?????? 

Other topics:

  • Cavestomp was at the Warsaw Theater in Brooklyn - found and attached a poster!

 

  • Colony at City Winery would be great - wanna book that one for us?
  • Too bad Pat never even acknowledged all the notes each of us used to try to get him to come in for the St. Pat's "Hall of Fame" induction but super glad that you and Frannie and uber NC6 rock historian, Jerry Schollenberger, and others outside the band were able to drive out to the super boonies and join us for the pre-induction party - found and attached a photo of that memento too!  

  • Picture in the background was from us during a Beach Boys' tour when Brian was not touring, but both Dennis and Carl were, and both then still alive (pretty sure that Chic took the picture, hence not in the shot) –
  • I also sent along a slide from an Arbortech recycling and wastewater treatment training offering I made a few years ago so you can see / share that, too, if you'd like - always close my presentations with rock & roll history so those attending remember me, and, hopefully Arbortech, by association!
    • Luke is indeed cute but methinks Isla wins cutest tyke though surely due to personal favoritism --- but cannot wait to see what June will look like as she grows - seemingly will have red hair and blue eyes - at least that's what she has at the present time. 
    I think this covers items you tossed out for additional yadda yadda but if I missed anything, just holler back --- will be leaving the office noonish today for a radio interview over in Round Lake that may be interesting as it is quite likely to touch upon religion and its pertinence or lack thereof to a certain rock and roll band member's pre-, during and post career / life choices.  Hence, if you see this prior to interview time at ~1 PM, you may be able to catch the conversation here:  WRLR 98.3FM – The Voice of Lake County!  Being a now-retired Roman Catholic Deacon as well as a maybe-should-have-retired-decades-ago rocker, I was intrigued when they offered up the topic, so we'll see how it goes and where it goes. 

    Blessings to you, Frannie and Paige (and Luke, et alia...)! 
    Peace,     
    Ray     
    P.S.  Added a (clearly self-serving but hard to make a 73-year old look halfway decent so seeing this one made me smile) shot Jack Mongan took during the April Dick Biondi benefit concert in case you hadn't yet seen it along with a photo explaining the jersey my kids got me ... when viewed from its backside!


                        

    Here are a few more photos from this very special Dick Biondi event that Pam Pulice sent us.  (Jack’s a GREAT photographer, isn’t he???)
    Sounds like we’re getting closer and closer to the final edit of the film … so stay tuned for more details!  (kk)



    Kent,
    I'd like to make a comment on CB's assessment of answer songs in today's FH, especially the answer to the Angels' My Boyfriend's Back.
    I guess there were literally hundreds and hundreds of answer records made, but the great, great majority of them were not hits.
    To my knowledge and recollection, Bobby Comstock's answer of Your Boyfriend's Back was never played here in the OKC area, but I do have a copy of it. He had a few records on the Lawn label with probably his 1963 song Let's Stomp being his biggest. His biggest record here in the OKC area came in 1961 with Garden of Eden which I believe was on Festival records, a branch of King. That record was top 10 here. I also reminded his version of Tennessee Waltz in 1959 got extensive air play. Have a great weekend and stay cool. They said on the radio today your heat index will be around 111 degrees.
    Larry
    It is DEFINITELY hot here!!!  But summer was so long overdue this year, that this certainly beats the alternative!  (Snow in May?!?!)  kk 

    “The Pretenders With Friends” - The Pretenders featuring Chrissy Hynde Performs With Special Guests Iggy Pop, Shirley Manson of Garbage, Kings of Leon and Incubus!
    Blu-Ray/DVD/CD package featuring Bonus interviews with Band members, Slide show, Trailers & More!
    Grammy Award-winning, multi-platinum selling band The Pretenders featuring the Legendary Chrissy Hynde performs with special guests including Iggy Pop, Shirley Manson of Garbage, Kings of Leon and Incubus, recorded live at the Decades Rock Arena in Atlantic City, NJ.
    Songs include “Brass in Pocket”; “Message of Love” by Incubus, "I'm Only Happy When It Rains” by Shirley Manson, “Precious”; “Candy” by Iggy Pop and Chrissy Hynde",  “Talk of the Town”; “Back on the Chain Gang”; “Drive” by Incubus; “Mystery Achievement", "Fools Must Die" by Iggy Pop, and "Middle Of The Road" encore performance featuring The Pretenders with Iggy Pop, Incubus, Kings Of Leon and Shirley Manson.
    Decades Rock Live is an innovative live concert series that features performances by celebrated artists from rock to soul who have influenced popular music over the last 50 years, as well as performances from some of today's hottest recording acts who have been inspired by these legends. This 75 Minute concert program was filmed in Hi-Definition and is presented in Stereo and 5.1 Surround Audio.
    Track Listing:
    01 ”The Wait”
    02 “The Losing”
    03 “Back In The Chain”
    04 “Talk Of The Town”
    05 “I’m Only Happy When It Rains”
    06 “Day After Day”
    07 “Bucket”
    08 “Up The Neck”
    09 “Drive”
    10 “Message Of Love”
    11 ”Precious”
    12 “Fools Must Die”
    13 “Candy”
    14 “Mystery Achievement”
    15 ”Brass In Pocket”
    16 “Middle Of The Road”
    Bonus Materials
    DVD includes Bonus interviews with Band members, Slide show, Trailers & More!
    Includes a CD also!

    And this one sounds especially interesting … (I’ve already pre-ordered my copy!)
    I remember writing about this event right before it happened … tried to get tickets but it was already sold out … would have LOVED to have been there to see these guys reunite one more time … but now we can ALL watch the concert in the comfort of our own homes.
    Check it out … along with the promo clip …




    Here’s one we were looking forward to seeing …
    Now maybe not so much …

    FH Reader Clark Besch explains:

    ECHO IN THE CANYON Review:
    I don't know if you've seen this or already read reviews of it, because it's been out awhile.  Here's my take if interested.
    We FINALLY got to see "Echo in the Canyon" today when the film finally hit Lincoln's theaters.  I had read no reviews but figured it would be a documentary to go along with Harvey Kubernik's EXCELLENT 2009 huge book synopsis of Laurel Canyon LA in the 60's era titled "Canyon of Dreams." 
    I have to say that the film certainly had some good parts but a fair amount of disappointment as well.
    On the good side, it featured (mostly) new interviews with several key figures and band members of the area and era that were fun to see.  
    On the NOT SO GOOD side, half of the film was five younger singers: Beck, Fiona Apple, Cat Power, Regina Spektor and Norah Jones as well as the film's creator (and narrator, Bob Dylan's son Jacob Dylan), singing a lot of songs from the four bands that are the featured artists of the film during the four years, 1964 - 1967.  THAT is the big drawback.  FOUR bands??  The four being the Beach Boys, the Byrds, the Mamas & Papas, and Buffalo Springfield. 
    Basically ONE member of each band was interviewed, while the five youngsters provided rather dull and at times undecipherable drivel about the music they did NOT grow up with in some cases AND did not know.  There was no attempt to hide their performances using teleprompters to sing the lyrics and Beck hardly seemed to know how to even harmonize any lyrics on one song.  It was a bit like the "Yesterday" movie for me at that point.  No Doors???  
    On the good side again, the songs they chose to sing now in their own unique stylings (which Dylan says were done in the "true" stylings of the songs – hmmm, not quite!) were not the big hits we all know, but some of the very cool songs not heard on radio anymore.  They presented a youngsters’ take to the original Byrds version of one of my Byrds faves, "It Won't be Wrong," but neglected to mention THAT SONG was an early 45 when they were the Beefeaters and on Elektra Records.  Too obscure to ask about that in the conversations, I guess.  To the bad, Dylan's voice was almost always MUCH lower than the original vocalists on the songs, so any attempt to SOUND like the originals was out the window.  I just did not care for their "versions." 
    YES, Dylan talks with MANY superstars, but they could have talked with MANY more, as Harvey did in his EXCELLENT book.  I was looking for a documentary and I got a concert of people I have no idea about with some great clips of original talks from people who REALLY knew what happened.  They did a REAL head scratcher when they sang "Never My Love," a song NOT by any of the four groups or even written BY the Association.  I'm not sure why they plugged "Goin' Back" (barely in their 64-67 film frame) so much other than to give an explanation for the Byrds firing Crosby, which he reputes right while the song is sang in the film.
    Throw in that they kept showing clips of a 60's movie (Model Shop) I had never heard of and used the same footage and photos (OFTEN) more than once in the film.  I wondered if watching the 60's movie might be better than the one I was watching now??? 
    There were a few still photos that DID fit their purpose for the film, but were NOT from the 64-67 era they were portrayed as.
    There WERE some nice clips for sure and some good memories in this film, but the new singing and the five youngsters sitting at a table of late 60's albums and trying to explain … I'm not sure WHAT they were doing, actually ... was stupid at best. 
    I wasn't in Laurel Canyon anymore than those five were, BUT I was alive and listening to 60's music intently IN the 60's and a group of my friends chatting about those bands and our memories would have been better than what the film gives us, IMO.  There was MUCH more to add and even MORE to delete from this film to make it really a nice retrospective.
    It's a hodgepodge of things that don't really present any story, IMO.  I'll throw this film in with the Elton, Yesterday and Queen movie as "kind of" good, but far from my hopes ... again.
    Clark Besch

    Thursday This And That

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    Hi Kent, 
    I remember my friend Ken Ferino calling me up a few days before the Led Zeppelin show and asking me if I wanted to join him.   We agreed to meet over there and get tickets the day of the show.  No ticket service and the price was either $3.00 or $5.00.  There were no seats.  You either stood, sat on the floor or found yourself in one of those strange pods. The Kinetic Playground was either an ice skating or roller skating rink before it became a concert venue.  I went on Saturday night and Zeppelin played three sets.  I lived in Chicago and got home at 4:30 in the morning. 
    The third set, Jimmy Page and Robert Plant asked if they could play some Everly Brothers songs, but the crowd still wanted to hear the songs from the first album.  What a shame!  Jethro Tull was an impressive live band.  That summer I also saw BS&T, Jefferson Airplane, War with Eric Burdon and even Iron Butterfly at the Kinetic Playground.  As a result, I've never been able to enjoy a rock show in a stadium.
    Robert Campbell, thanks for rekindling the memories.
    Tom Carroll 
    Scroll back to Monday's post if you happened to miss Robert's 1969 Led Zeppelin review.  (kk) 

    Hi Kent, 
    I have a few corrections to your blog from Sunday July 21, 2019 ... since I assume you always want it right! ;-) 

    >>>July 19th – With keyboardist and lead vocalist Stevie Winwood already recording and touring with the super group Blind Faith, The Spencer Davis Group announces that they are breaking up.  Winwood will go on to form Traffic … and then have quite a successful solo career as well.  (kk) 
    Traffic was formed in 1967 when Winwood, still a teen but already a veteran of the Spencer Davis Group, hooked up with Jim Capaldi, guitarist Dave Mason, and saxophone and flute player Chris Wood. When Blind Faith quickly disbanded after just one short tour, Winwood reformed Traffic and recorded what became "John Barleycorm Must Die,” released in 1970. 

    >>>July 20th - In Spring Hill, Tennessee, Jimmy Buffett marries Margie Washichek at the St. Joseph Chapel.  (kk)
    Jimmy Buffet was married in St. Joseph Chapel at Spring Hill College in Mobile, AL in 1969. I am a graduate of Spring Hill College, attending between 1971-1975.  Spring Hill is a Catholic college founded and run by the Jesuit order. 


    St. Joseph Chapel - Spring Hill College - Mobile, AL

    Me - 1974
    Mike Stineman
    Thanks, Mike – We ALWAYS want to get it right … and our calendar information comes from a variety of sources, sometimes as many as twelve different ones at any given point in time … so I’m not even sure where the Jimmy Buffett information came from.  I scoured the internet Sunday Night looking for SOME type of validation for your Mobile, AL, reference and came up empty … so I’m just going to have to take your word for it since you went there and I’m sure it was at some point a topic of discussion.  (Thanks for sending us the cool 1974 pic!!!  I love it!)
    As for the Steve Winwood / Traffic mix-up, I have amended this copy to read that he “re-formed Traffic” after the break up of Blind Faith.  I really should have known better about that one since we covered the formation of Traffic during our 1967 FH series a couple of years ago.)  kk

    WLTL celebrates Mick Jagger's 76th birthday on Friday, July 26, 2019, from 12 – 2 pm CT with two hours from The History Of Rock And Roll. Hour one features The Rolling Stones in the 60s, then hour two continues into the 70s.
    Hear the stories from Mick Jagger along with a timeline of Stones music. Plus, Elton John and others add their comments about the Stones.
    WLTL streams online: http://www.wltl.net/listen1.html 
    Thanks,
    Mike Baker  
    The Forgotten 45s

    Howdy Kent ...
    First off, I love all of those terrific baby pics.  So adorable!  Thanks for sharing and congrats to all of the Grandparents!
    I am enjoying the Moon Landing pictures, some of which I have not seen before and even the ones that I have seen, I still find it all so mind boggling ... we actually landed and walked on the moon 50 years ago!!!  It never gets old!  I like the 50th anniversary commemorative patch, too.  I want to get one for my grandson.
    Amazing pictures of Mary Wilson, Nesmith, Dolenz, Mathers and Dow.  It's fun to see them now and what they look like.  It makes me feel like I am not alone in my journey.
    I was thinking of seeing movie "Yesterday," but decided against it. I had seen "Slum Dog Millionaire" and you are right ... the script writers don't seem  to have developed the lead character into the portrayal of much of a personality, which is so unlike the Beatles themselves.  This seems to be how the movies of this genre are.  Although I would have liked the music, I feel it would be a let down. 
    However, I enjoyed "Rocket Man."  That movie had a lot of substance and was overseen by Elton himself. WTG, Elton ... You have a hit!
    Thanks so much for your dedication to your blog.  It is always of interest and rocks big time.  
    Sandy

    The other day we told you about John Stewart’s recording of “Armstrong” shortly after the moon landing fifty years ago.
    Well, FH Reader Gary Strobl just sent this one-of-a-kind photos from photographer Henry Diltz’s personal journal.  (Where ELSE are you gonna see this kind of stuff?!?!)

    Check it out below ...

    Hello Kent,
    Here is Henry Diltz's journal entry for July 24, 1969.
    John Stewart & Chip Douglas recorded "Armstrong" at Bell from 12-6 and then they added strings that evening at Harmony.
    GB:  Gary Burden
    CD:  Chip Douglas
    CF:  Cyrus Faryar
    JS:   John Stewart
    MS:  Michael Stewart
    RK:  Russ Kunkel


    Listen to the tune here:  1969_482 - John Stewart - Armstrong - (45)) 
    This is the original version.   
    Keep up the great work!
    Live, Laugh & Dream,
    Gary 

    Thanks for helping us remember all those Forgotten (?) Hits.
    Love and peace ...
    Michael Bowers 

    And … going for the “win” … why, it’s Chuck Buell!!! 

    Hello, Kent!
    Thanx for sharing my Sad Supreme Story I experienced some years ago in which I was the Victim of the Vanishing Supremes LP.




    You suggested to co-author Mark Bego that maybe you two could get Mary Wilson to sign a copy of her new book, "Supreme Glamour," for me as a consolation!

    Well, if so, perhaps that would stop all those Famous Supreme Forgotten Hits from reverberating throughout my head, like ~~~

    “Where Did My LP Go?”

    It’d be nice to have it ~~~

    “Back in My Arms Again!”

    But I’ve pretty much given up hope that ~~~

    “Someday We’ll be Together Again!”

    Even tho ~~~

    “My World is Empty Without It!”

    But to you, Kent, and your suggestion ~~~

    “You Keep Me Hanging On!”

    If I did get a signed copy of Mary’s book, that would definitely be  ~~~

    “The Happening!”



    Chuck Buell
     

    How can we possibly NOT give this guy a copy of Mark’s new book?!?!?  He won a copy of Mark Bego’s cookbook … and then shared the results of several of those recipes with our readers … so this would be a REALLY cool way to say “Thanks.” 

    But that doesn’t mean that YOU can’t still win a copy!!!
    Drop me an email atkk@forgottenhits.com and show “Supreme Glamour” in the subject line and we’ll enter your name in the drawing.
    I believe we’ll have somewhere right around half a dozen copies to give away (and this is a VERY nice coffee table book to boot!), so don’t miss out on YOUR chance to snag a copy. (Very special thanks to David Salidor, Mark Bego and Mary Wilson for this awesome Forgotten Hits promotion!)
    kk

    The Friday Flash

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    Hi Kent- 
    ELO is performing in Minneapolis this evening!
    So bummed I won't be attending, but most of the guys in ELnO, the tribute band I play in, have super nice seats for tonight's show!  
    A few days ago, the Minneapolis Star Tribune newspaper ran a story about ELO's upcoming  visit to the Twin Cities, and featured a photo of our band!  That's my '72 Gremlin, and me in the driver's seat ... and yes, we ALL  wear Jeff Lynne wigs and shades whenever we play. Such fun music, and the crowds love it! 
    Mike Lane

    How cool is that?!?! Congrats!
    We're going to the show here in Chicago tomorrow night ... and we can't wait.  Last year's concert was absolutely one of the best shows we've ever seen (And then the tribute band The Orchestra, featuring former members of the various incarnations of ELO, returns in November (the 21st to be exact) to perform at The Genesee Theatre ... and we're hoping to go to that one, too!)
    Just can't get enough of that Jeff Lynne music!
    I don't know if you guys tour or not, but if you're ever heading out to Chicago, please let us know as we would love to check it out!  (kk)

    kk:
    Every morning around 6:15 AM on WCBS-FM they have a "BRAIN BUSTER QUIZ." 
    Today's question:  Identify This Person
    1 - Wild Fire
    2 - Casablanca
    3 - Boat Movie
    Identify this person. 
    Why, it's the birthday boy himself, Scott Shannon!
    1 - He had a group called Wild Fire.
    2 - He worked for Casablanca Records.
    3 - He said we don't need to know about Boat movie.
    We should check into this one.
    FB
    Happy belated birthday to our FH Bud Scott Shannon!  (I don't know anything about the boat movie ... and I doubt that he'd tell us!!!  lol)
    Light the candles and get ready to sing!
    (Wait ... better grab that fire extinguisher first, just in case!)
    Happy Birthday, BossJock!  (kk)
     
    Frank also sent us this:
    Someone Call Mark Lindsay: Quentin Tarantino’s “Once Upon a Time in Hollywood” Soundtrack Revives Paul Revere and the Raiders  
    That's a KILLER soundtrack!  (Most of Quentin Tarantino's movies feature an amazing array of music.)  
    This is something else we're hoping to squeeze in this weekend.  (Between ELO on Saturday Night and an Ides Of March live video shoot on Sunday, this weekend is jam-packed musically ... but we DEFINITELY want to see this movie ... stat!  It's already receiving rave reviews ... and received a seven minute standing ovation after a special screening earlier this week.  This is gonna be a hot one, folks!  (kk)
     
    Hi, Kent - 
    Since you mentioned that Gary Strobl is a reader of this blog, I thought I might toss in a hello to him and show off a bit of his great artwork.  
    On September 6, 2014, I proudly wore one of his NC6 shirts to the Route 66 car show in Berwyn, where I first met my friend, the incredible Pam Pulice (in the background of the pic) at Dick Biondi's booth.  
    I bought that shirt at the Chicagoland Record Show in Hillside in 1983, when they brought in all of the local Chicago bands and set up tables so the guys could sign autographs and meet the collector crowd.
    Every Chicago area group you could name, big and small, from the NC6 to the Buckinghams to the Ides and the Flock were represented there. Mike Bush filmed the show, and Bob Sirott reported it for WBBM-TV.  It was a blast!  It's on YouTube at: https://www.youtube.com/watch?v=B505M0mpFnU
    Mike Wolstein
    Yep, I was at that convention and it was incredible.  (The precursor to The Cornerstones Of Rock and all the Rock And Roll Roots CD release parties I guess!  Mike Bush did a hell of a job putting that all together.)
    We've run this clip several times in the past so I'm just posting the link today ... but if you're a fan of Chicago music from the '60's, you've got to check this out (in the unlikely event you haven't already watched it a dozen times like I have!!!)
    I've known Gary Strobl for 40 years ... GREAT guy who used to make all kinds of fashionable rock t-shirts back in the day.  (I've worn quite a few of them myself over the years!)
    He's been out in LA for quite a while now ... but I hope we get a chance to visit on his next trip home to Chicago.  (kk) 
     
    >>>How can we possibly NOT give this guy a copy of Mark’s new book, Supreme Glamour?!?!? (kk)
    Really?!
    That would be so . . .  ah . . . Supreme!
    CB ( which stands for "Celebrated Book!" )
     

    July 28th

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    Wow!  The Rolling Stones only took three weeks to top the WLS Hit Parade Chart with their latest release, "Honky Tonk Women."  (It went from #30 to #10 to #1!)

    Johnny Cash's latest, "A Boy Named Sue," seems poised to hit the top of the chart as well ... this week it moves from #30 to #18 in its third week on the chart.

    Tom Jones jumps ten places with "I'll Never Fall In Love Again" (from #35 to #25.  Ironically this record and the one by The Youngbloods at #38 ("Get Together") were both first originally released in 1967 but didn't make a dent here in Chicago.  Now all of a sudden they're some of this week's Pick Hits!



    I'm also REALLY lovin' the new Creedence Clearwater Revival single, "Green River," which premiers at #35 this week.  Incredibly, CCR would release THREE albums of new material in 1969 ... "Bayou Country,""Green River" and "Willie And The Poorboys" ... and between them, those three albums would produce FIVE National Top Five Singles:  "Proud Mary" (#1), "Bad Moon Rising" (#1), "Green River" (#2), "Down On The Corner" (#3) and "Fortunate Son" (#4).


    THIS WEEK IN 1969: 
    July 22nd– The soundtrack to Elvis Presley's NBC "comeback" television special receives a gold record.  

    Also on this date, The Band recorded "Up On Cripple Creek" in New York ... and Aretha Franklin is arrested for disorderly conduct after creating a disturbance in a Detroit parking lot.  Aretha posted $50 bail … and then ran down a road sign while leaving the police station.  (As far as I know, there were no costume changes at the police station)  

    July 24th– Actress / Singer Jennifer Lopez is born

    (I wasn't there ... but I don't think she looked like that then!!!)  

    Also on this date, Paul McCartney recorded a demo of his new song "Come And Get It" to give to Apple Records' recently signed new band, The Iveys.  Paul plays all of the instruments on the demo (a practice he'll use again for his first solo LP) and it sounds nearly identical to the version that would eventually come out as a single some six months later, by which time The Iveys had changed their name to Badfinger ... and the song had been commissioned to be used on the soundtrack for "The Magic Christian" film, which starred Ringo Starr and Peter Sellers.

    July 25th– Neil Young performs live with Crosby, Stills and Nash for the very first time when they played The Fillmore East in New York.  He will be a “sometime member” of the group for the next 40+ years

    Also in concert that night ... Led Zeppelin in Milwaukee!

    July 28th - Elvis attends Barbra Streisand's appearance at The International Hotel in Las Vegas, where his own show will open in just three days!

    Concert Review: Jeff Lynne's ELO

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    One would think that if you filled the stage with thirteen extremely talented and accomplished musicians and vocalists, you would pretty much be assured that they would be capable of producing a sound bordering on perfection ... and, in this case, you would be right ... perhaps even EXCEEDING perfection a time or two (or ten!) along the way.

    Now give that same incredible mass of talent the Jeff Lynne songbook to perform and the results are nothing short of magic ... and there's nothing strange about it!!!



    For the second year in a row (after a 35+ year hiatus), Jeff Lynne and his remarkable Electric Light Orchestra returned to the Chicago stage to perform an array of hits that were mesmerizing in every conceivable way ... sonicly ... visually ... spiritually ... and all of it precision timed to coordinate sight and sound that reached down deep to touch your mind, your heart and your soul.



    Simply put, it was nothing short of a 90-minute life-changing experience ... even if you HAD seen them the year before!

    (We named Jeff Lynne's ELO our #1 Concert Experience of 2018 ... and I swear they were even better this time around ... perhaps because they're doing more dates and have had the chance to gel together a bit more ... perhaps because their own confidence has escalated, knowing that what they are producing is one-of-a-kind showmanship you just aren't going to find anywhere else.)
    https://forgottenhits60s.blogspot.com/2018/08/concert-review-jeff-lynnes-elo-allstate.html   

    The venue this time around was The United Center ... which can be questionable on occasion when it comes to sound ... but all of the planets were perfectly aligned Saturday Night as Lynne and company took to the stage (after an opening set by George's son, Dhani Harrison) and blew us away, song after song.  (We opted for mezzanine seats rather than main floor for this show and were glad that we did ... those folks on the floor didn't sit down for one song during ELO's 90 minute set!  Meanwhile, we had a perfect view from our vantage point and only felt obliged to stand for the necessary ovations the group deserved throughout the night.) 

    Other than "Strange Magic" (and, thankfully, no "Xanadu" this time around) the set featured some of the biggest hits of the '70's and early '80's (with a couple of new tunes sprinkled in for good measure.)  An especially emotional moment came when Dhani Harrison was brought back out on stage to perform "Handle With Care," the song his father performed with The Traveling Wilburys (which also featured Jeff Lynne, Tom Petty, Bob Dylan and Roy Orbison.)  Video footage of the supergroup played on the screen behind them as they performed a letter-perfect live version of this classic tune.  (My God ... can you imagine if The Traveling Wilburys had ever toured?!?!?)

    Check out this incredible set list:

    THE COMPLETE SET LIST: 
    Standin' in the Rain
    Evil Woman
    All Over the World
    Showdown
    Do Ya
    When I Was a Boy
    Livin' Thing
    Handle With Care
    Rockaria!
    Last Train to London
    Eldorado Overture
    Can't Get It Out of My Head
    10538 Overture
    Shine a Little Love
    Wild West Hero
    Sweet Talkin' Woman
    Telephone Line
    Don't Bring Me Down
    Turn to Stone
    Mr. Blue Sky 
    Encore: 
    Roll Over Beethoven

    It was a remarkable show, start to finish ... and, believe it or not, after tomorrow, the U.S. Tour will already be over. (The laser light show and constant video images projecting behind them made this a sight and sound to behold.  We took some video but even as exciting as it is to watch, it doesn't do the whole experience justice.  Here's a video we found on YouTube from last year's concert in Chicago that gives you at least SOME idea as to the spectacle before you when watching a Jeff Lynne / ELO concert.):







    The Ides Of March 55th Anniversary Party ... And An Introduction To Colin Peterik's Brand New Band, The Brooklyn Charmers

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    Our Rock And Roll Weekend continued on Sunday, July 28th, when we attended a very special "By Invitation Only" party thrown by Jim, Karen and Colin Peterik at The Jam Lab celebrating:

    A) The 55th Anniversary of The Ides Of March

    B) The CD Release Party for The Ides Of March's brand new CD "Play On"

    C) The live, video shoot for the very first single from the brand new CD, "Friends Like You" and

    D) The first-ever, live performance by The Brooklyn Charmers, Colin Peterik's Steely Dan Tribute Band 

    And what a completely fun-filled, exciting day it turned out to be.

    First up, the video shoot.

    The new Ides single is phenomenal ... give this thing a shot with a little bit of airplay and they've got a hit on their hands.


    Featuring the incredible Mindi Abair wailing away on saxophone, this things rocks along at a real, feel-good pace ... great vocals and great instrumentation throughout.  (I'd love to play it for you right now but since the CD doesn't officially get released until August 16th, I hesitate to do so.)  However, the moment the video is released, you can be guaranteed seeing it here in Forgotten Hits.  (In fact, depending on the final edit, you may even see me and Frannie IN the video!!!)

    It was done as a live-action shoot, with the full band playing along live to the pre-recorded track, with lots of groove dancing by Mindi and Jim ... as well as the entire group of spectators surrounding the stage.



    As you can see, Jim is in full metal jacket (or would that be full silver metallic attire, from head to toe) ... we were at the ELO concert the night before and didn't see this much glare and glitter in their entire laser light show!

    After a second run through (Jim asked for a bottle of water between takes ... and I half expected to hear him squeak "Oil Can") ... the crowd broke up a bit to enjoy a beautiful spread of tacos and margaritas, during which time Jim's son Colin's band set up on stage for their first-ever, live performance as a band, The Brooklyn Charmers.  

    The band, consisting of Colin Peterik (keyboards and vocals), Kevin Campbell (bass and vocals), Frank Minella (guitar and vocals), Sean Briskey (guitar and vocals) and Alex Zeravica (drums and percussion) have got the Steely Dan sound down.  (Look out, Deacon Blues ... there's a NEW band in town!)  They played a solid hour set of some of the most intricate jazz-infused rock you're ever going to hear.  (I've gotta say that it is just SO amazing to see this youthful group of like-minded musicians, so skilled in their craft and tackling ... and appreciating ... music of this caliper ... and then executing it with such precision.  Their first official gig will be October 12th at the Q Bar in Glendale Heights ... it's sure to be a sell-out so get your tickets early if you live in the area!) 



    At the end of the night, all of the guests were presented with a copy of the brand new Ides Of March 55th Anniversary CD ... and let me tell you, it's HOT!!!



    In addition to Mindi Abair (who, I must say, is not bad for a girl!), other guests include Cathy Richardson (current lead vocalist of Jefferson Starship), Bo Bice (current lead vocalist of Blood, Sweat and Tears ... and former American Idol Runner-Up), Tom Doody of The Cryan' Shames, Mark Farner (formerly of Grand Funk Railroad) and David Pack (former lead singer of Ambrosia.)  This one's a keeper!!!

    And, as yet ANOTHER Forgotten Hits Exclusive, Jim has given us a few copies to give away to our loyal readers. 

    That's right, friends ... you can  
    WIN IT BEFORE YOU CAN BUY IT!!!

    Just shoot me an email (kk@forgottenhits.com) and put IDES OF MARCH in the subject line and we'll register your name for a chance to win a copy of "Play On," the hot new Ides Of March CD release.

    (Yes, that's us ... hawking CD's as usual ... but this one would be a real prize to add to your collection ... so get your entries in today!)

    [Special Photo Thanks to Kristie Schram as credited, Chris May for the shots of me, Frannie and Jim, and Frannie Kotal for the shot of me and Jim, both dressed in our Sunday bests] 

     

    Once Upon A Time ... In Hollywood

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    My original intention this morning was to run a full review of the new Quentin Tarantino movie "Once Upon A Time ... In Hollywood" ... but schedule-wise, I never had the time needed to do so.

    Fortunately, two of our Forgotten Hits Readers DID send in THEIR reviews this week ... so I am now able to lead with those and then just offer some brief commentary of my own at the end of this piece.

    Going in, you need to know two things ...

    #1 - You're about to read some somewhat "mixed reviews" here ... but to me, that's one of the cool things about doing it this way. 

    And "B" (I just LOVE when people do it this way), you're going to find some SPOILERS ... so if you haven't seen the movie yet (or simply don't want to know), please be advised.  (I will run a SPOILER ALERT headline where they appear so that at least you have the option to divert your eyes and skip over them.)

    First up, Clark Besch:

    Just a quick warning in advance ... I mention some things about this film, but I don't give much away about the story below.  However, there ARE a few SPOILER ALERTS, so please be advised going in.
    We went to see this film Sunday afternoon and let me tell you, it's pretty cool to step into 1969, even in an area I did not live near.  
    The music and KHJ airchecks blaring throughout was great to hear -- especially the obscure songs.  The LENGTH of the soundtrack songs as used varied from about three words of Chad & Jeremy's "Paxton Quigley" to nearly the full songs of "Son of a Lovin' Man" and "Bring a Little Lovin'"!! The soundtrack list that Kent ran the other day does not include many other songs that played roles in the film.  
    For example, there was a 4th Raiders song and The Stones'"Out of Time" gets a long run as well ... as does the Mamas and Papas'"12:30."  There is also a funny scene with "Snoopy Vs the Red Baron."  
    The Heaven Scent jingle is played and I love that little tune still after a million AM radio plays back then.  Neil Diamond gets a couple of songs in the film.  
    The one song that did NOT fit the time frame was Joe Cocker's "The Letter," a 1970 hit.  
    Altho Buffy Sainte-Marie sang "The Circle Game" in the film, I believe Joni Mitchell's rendition would have been better for this film.  Dee Clark gets an oldie play, but why not stick in "Light my Fire" or "My Little Red Book" instead?  
    KHJ's main Boss Radio jingle gets at least three plays along with the great DJs of the time, Robert W Morgan, Real Don Steele and Humble Harv (who I did not remember hearing when I saw this).
    Without spoiling the movie plot, I would greatly suggest reading what happened in the 1969 Sharon Tate murders by the Manson clan.  I only knew the basics, so it would have been much better, had I been "informed" on everything that happened.  Where reality and fiction meet is sometimes hard to tell, as many things (like TV shows) were real life things.  
    They did a good job of finding actors who LOOKED like the actual people that were a part of the REAL Manson story.  How about Joey Heatherton?  She looked EXACTLY like her 1970 look.  Michelle Phillips and Mama Cass get nice portrayals as well.  Even the dog food dropped out of a can resembled the same muck we fed our cats in the same way in the 60's.  I'm not even sure that the main character, a Rick Dalton, is even the MAIN character!
    The gruesome part is truly gruesome, but I won't add anymore there. 
    The TV western the film's star is in is MUCH like any of the early 60's B&W shows like "Branded,""Rifleman," etc.  There's TONS of cool TV traits, movie connections and various terms in the film dealing with the 60's, often underlying to be found by those who wish to dig in their memory banks.  Also quite a few ironic twists, of which I probably missed many.  
    The songs were fit in nicely to what was happening in the story, such as "Out of Time" and "Straight Shooter."  By the end, I was almost thinking some things were done on purpose, but they may have been invented in MY mind and may NOT have been anything intended.  It was like the Paul is Dead clue syndrome!  Was it just me or did the film's director play KHJ AM radio throughout the film, yet late when things took a turn, you see a radio dial being turned on the FM dial with Vanilla Fudge playing "You Keep Me Hanging On."  Was this the subliminal ending of AM radio to FM?  Was I just imagining things?  Naming one of the girls "Pussycat" was a bit like "Hell's Angels on Wheels," who I believe had a girl with the name "Mattress back."
    One great thing with the film was the use of REAL records and the characters playing records that actually were the correct labels for the time (Raiders on Columbia and Mamas & Papas Dunhill.)  I see why Paul Revere & the Raiders were throughout the film now.  Of course, Terry Melcher produced these songs and he was the one to NOT give Manson his recording chance that led to ... whatever happens in the film (or doesn't.) 
    It's funny but the TV show being watched by "the ranch gang" was the Raiders' Saturday afternoon bandstand show, "It's Happening" (complete with the correct theme being played), while in the supposed targeted ill-fated house, their "Something Happening" album is played, featuring music included on that album.  Kind of a cool twist.  You won't see cassette decks or 8 tracks blaring, but you WILL hear AM radio's glory days and music from reel to reels, which I enjoyed immensely.
    If you get there early, you might get the free fake "fanzine" (ala the "That Thing You Do!" one) that has faux stories on the stars and the music and cigarette ads.  It was funny to see all the cigarette smoking that went on (just as it DID back then) and then walk out of the show and see three people congregated smoking outside.  There was nothing like unfiltered cigarettes!  Times have changed.
    After watching the disappointing music film revolving around 1964-67 Laurel Canyon in LA last week, I feel like "Once Upon a Time" was almost MORE realistic and could have been the one called "Echoes from the Canyon."  I think about what could be used in such a film revolving around 60's Chicago.  Imagine a film scene starting with Jim Sohns screaming out "Oh Yeah!  Everything's gonna be alright this morning" by the Shadows of Knight.  If only gangsta Chitown was in the 60', right?  Haha.  
    Anyway ...
    It's a pretty cool film and at 2 hours 40 minutes, you get your money's worth of entertainment and great 60's music!  
    P.S.  Once you have SEEN the film, here's a great cheat sheet on who played what person and who that person was in real life and what happened to them all.  Do NOT look at this until seeing the film. 
     
    Next up ... Phil Nee ... 
     
    I went to Once Upon A Time In Hollywood last night and totally loved it.
    Unlike the recently reviewed Yesterday, the characters are very memorable and likeable.  The movie is very long, but it did not seem like it.  I would have turned around and went to see it again.  
    This movie was funnier than I expected it to be.  I was impressed with the old cars on the street, the can labels in the cupboards, the clothes and KHJ radio playing through the movie. 
    The fantastic soundtrack sounded so good.  There are songs in the soundtrack that I have discovered for the first time.  When I was a youngster, I loved the t.v. western Lancer. 
    Most people don't remember it because it only lasted for two seasons.
    I found it incredible that they used that forgotten show as a part of the story line. 
    All of the performances are good.  Margot Robbie as Sharon Tate is breathtaking.  Mike Moh plays Bruce Lee, and he hails from Verona, Wisconsin.
    You and I don't always see eye to eye when we review movies.  I am pretty sure you will give this a Forgotten Hits
    thumbs up!
    Phil - WRCO
     
    The film has been playing to nearly unanimous rave reviews ... it even got a seven minute standing ovation after the premier.  All of the press seems to be heralding it as perhaps Quentin Tarantino's greatest achievement.
     
    I hated it.
     
    And, once again, I went into it with the highest expectations and anticipation.  The idea of melding fiction with the real-life experience of the Manson Family / Sharon Tate murders was intriguing at the very least.
     
    But I found myself sitting there waiting for something ... ANYTHING ... to happen to make me feel invested in the film ... and 2 hours and 40 minutes is a LONG time to sit there if this is what you're feeling.  (Truth be told, I started to keep track of time ... never a good sign ... and didn't have my first real "connection moment" with the film until we were 55 minutes in.  That's an hour I'll never get back!)
     
    Yes, the soundtrack is brilliant (although at times annoying ... if you're only going to feature four words of a song, why include it at all?  In addition to Clark's example, I would include Neil Diamond's "Kentucky Woman" as another.)  In fact, the music editing was very abrupt on several occasions ... and including Joe Cocker's version of "The Letter" was an obvious flaw to me as well ... although the average film goer isn't going to notice something like that.  (Still, since so much of the music featured came from 1966 - 1969, why not just use The Box Tops' bigger hit version instead?)
     
    As for the story, I hated it ... or perhaps more so wondered where it was.  Quentin Tarantino is either spot on or off by a country mile ... and there just doesn't seem to be any middle ground with him.  I guess my best characterization would have to be that I always feel like Quentin is laughing considerably harder at his own jokes than anyone else in the room.  He has a tendency to ramble on FAR longer than he needs to on many occasion, a trait that has provided the low point in several of his other films as well.  (Nothing's going to ever top "Pulp Fiction" for me, where I don't think there was EVER a dull moment of even 30 seconds!)
     
    And it's a shame ... because Leonardo DiCaprio and Brad Pitt both put on Oscar-worthy performances.  The film is shot in a way that really captures the look of that era ... and the attention to so much of the detail is outstanding ... yet it just never drew me in.  I kept waiting for something to grab me ... and it never did.
     
    The character profiles of DiCaprio's and Pitt's roles were well developed and well defined ... but there wasn't really anything new brought in to the stereotype Hollywood has-been story.  Margot Robbie IS stunning as Sharon Tate ... but I don't think she had more than eight lines of dialog in the entire film!  She was used more as a "prop" than a character in the film.
     
    Yes, the Bruce Lee scene was funny and entertaining ... but we saw THAT in the preview.  The standout scenes for me were the ones between DiCaprio and ten year old Julia Butters ... these were the moments that meant the most to me.
     
    So the reader may ask, "How can you point out and praise all of these significantly important things and still give the film a negative review?"
     
    Because the movies for me have always been about escapism ... I want to go off some place else for a couple of hours and be entertained while I'm there.  I never felt that way with this film.  There were long, drawn-out stretches that were actually painful to sit through.  (Seriously, did we need that much background on Leo's trip to Italy to film spaghetti westerns?  Although I will say that on the flight back to Hollywood, he looked to be the spitting image of 1969 Tommy Roe!  It was uncanny!)
     
    And yes, the actors portraying the incidental sideline characters were amazing ... I, too, would single out Steve McQueen, Mama Cass, Michelle Phillips and the incredibly beautiful Joey Heatherton, who dated our FH Buddy John Madara back in the day ... something that gnaws at me every time I think of it!  lol
     
    Throughout the film I kept thinking to myself, "I can't give this movie anything higher than a '2' rating ... I wanted to but just couldn't ... I was that put off by it.
     
    But then ... SPOILER ALERT ... when they drifted COMPLETELY off reality the night of the Sharon Tate murders, that was it for me.  DON'T TIE IN SUPPOSED REALITY AS THE BACKDROP TO YOUR FILM AND THEN PRESENT ANYTHING OTHER THAN THE REALITY OF THAT SITUATION!!! 
     
    SPOILER ALERT:  If the whole motive of the twist of the story was to present "What would happen if the Manson Family murderers went to the wrong house that night by mistake?" ... meaning that everybody else that died that night gets to live ... then this is NOT a film or premise that I can support.  People DIED that night ... REAL people ... and to present any other fantasy doesn't lessen that reality.  (I immediately down-graded my ranking to a "1".)
     
    END OF SPOILER ALERTS:  If any or all of this appeals to you, see it and draw your own conclusions.  I can only tell you that I left the theater feeling totally let down and disappointed.   (kk)

    August 4th

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    The Beatles didn't release any singles from their White Album when it was released last November ... which paved the way for a number of cover versions to make the charts in their wake.

    The most successful one here in Chicago seems to be Underground Sunshine's version of "Birthday," which leaps up six spots from #10 to #4 this week.  (It will be a much bigger hit here in Chicago than it will nationally, where it topped out at #19 (and only #26 in Billboard.)  The fact that these guys are from Wisconsin probably didn't hurt either.

    Other big movers this week include Johnny Cash's "A Boy Named Sue" (#18 to #9), "Get Together" by The Youngbloods (#39 to #30) and "Green River" by Creedence Clearwater Revival, which climbs fifteen places from #35 to #20.

    The first Beatles solo single (if you can call it that ... it's essentially John and Yoko in bed in Toronto with a bunch of visitors singing background) "Give Peace A Chance" also moves up an impressive eleven places (from #28 to #17).

    Premiers of note include "Lay Lady Lay" by Bob Dylan, a rare Dylan song where you can actually understand the lyrics ... and his voice sounds pretty damn good on this one, honestly ... "Easy To Be Hard" by Three Dog Night, another song from the "Hair" soundtrack, made over for pop radio, "Did You See Her Eyes" by The Illusion (one of the many bands touted over the years as "the next Beatles" ... for the record, this was their one and only hit), "Keem-O-Sabe" by Electric Indian and, coming in at #40, a song that will top several year-end charts as the biggest hit of 1969, "Sugar, Sugar" by The Archies, a "cartoon band" that was the brain child of Don Kirshner (who evidently figured he'd get less back-talk from these animated television stars than he did from The Monkees!)  Led by long-time FH Member Ron Dante, the song has proven timeless ... and there hasn't been a day gone by since 1969 when this record hasn't been played on the radio somewhere ... and quite often, several times a day!





    Other artists taking advantage of The Beatles not releasing their own single from The White Album include Chubby Checker ("Back In The U.S.S.R."), The Five Stairsteps ("Dear Prudence") and Arthur Conley and Marmalade (who both cut "Ob-La-Di, Ob-La-Da.")  Over the years, of course, several other covers would be recorded of songs like "Blackbird,""Mother Nature's Son" and "Helter Skelter."

    THIS WEEK IN 1969:  

    July 30th - The Beatles assemble at Abbey Road Studios to see what they could piece together in the way of a medley to include on Side Two of their new LP.  Although several of the songs weren't finished yet (and which segments to use and in what sequence hadn't been determined either), the meeting was more of a "feeling out" session to see what was doable.  The plan had been all along to construct some type of medley to fill out side two of the new album.  (At the time, they were referring to this as "The Long One" for lack of a better name.)  Before they wrapped things up that night, they had come up with the following rough outline plan:  You Never Give Me Your Money / Sun King / Mean Mr. Mustard / Her Majesty / Polythene Pam / She Came In Through The Bathroom Window / Golden Slumbers / Carry That Weight / The End. 
    At least now they could clean up and add any little bits necessary to help the continuity flow between each track.  "Her Majesty" was ultimately dropped and then added as a "hidden track" on the original LP pressing ... but other than that, it seems that even at this early stage they had a pretty good idea of what the final medley was going to sound like.  Once they added "Here Comes The Sun" as Side Two's opening track, followed by John's as yet unrecorded "Because," The Beatles had created perhaps the perfect album side.  

    July 31st - Elvis Presley opens at The International Hotel in Las Vegas for a four week engagement.  Several of these shows are recorded for future release.  It is all part of the master plan to relaunch Elvis’ career, that began with his NBC television special that ran last December.  It is reported that Elvis was paid one million dollars for this four week stay.


    Elvis' last appearance in Las Vegas was back in 1957 ... and this is his first live show of any kind since 1961.  Celebrities are in the audience throughout his stay ... but opening weekend attendees include Johnny Cash, Liberace, Tom Jones, Herb Alpert, Dick Clark, Cary Grant, Fats Domino, Burt Bacharach, Pat Boone, Paul Anka and The Beach Boys.
    While in Las Vegas, Elvis will also attend shows by Barbra Streisand, Nancy Sinatra, Ann-Margret and Tom Jones.

    And, speaking of The Beach Boys ...

    August 1st - Beach Boy Carl Wilson is indicted in Los Angeles for failure to perform his required community service as dictated by his status as a conscientious objector to military service and the War in Viet Nam.  As it turns out, Wilson did, in fact, report to The L.A. County Hospital as planned on his appointed date and time.  However, instead of acting as an institutional helper as required, he chose instead to conduct music classes for handicapped patients at the hospital. 

    August 2nd– Bob Dylan attends his Ten Year High School Reunion in Hibbing, Minnesota, but leaves early when a drunk at the party tries to pick a fight with him.

    Monday Morning Monstrosity

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    It's no "quickie" this morning ... 

    We've got a nice new batch of comments to share with you on Monday Morning instead ...

    So now, on with the show! 

    CLASSIC ROCK VOTE: 
    Watch for a new update later this week via email as to the results of our most recent balloting.  (With over 800,000 votes tabulated now, this list will HAVE to be viewed as the definitive ranking by classic rock fans all over the country.  Thank you all again for your on-going support.)

    Kent ...
    I hope you are enjoying your summer.  Your classic rock vote survey is certainly making my summer interesting.  I am having fun making the decisions for my favorites on every ballot. 
    Kent, you have so many connections and influence.  Perhaps sharing the results of this classic rock list will enable you to illustrate to the Chicago oldies stations that there needs to be a bigger variety of songs. And maybe if the Chicago radio stations respond and change their format by adding a lot more songs, then the other national radio stations will follow suit.  Not playing all of the great songs that are out there is like a library not being able to supply all of the classic books!  There is a treasure trove of great songs! Sounds like our freedoms are being eroded.
    Thanks for all you do!
    God bless.
    ********KENT FOR PRESIDENT!!!********
    Sandy Lopez
    My hope is that radio stations WILL absorb SOMETHING from a list like this.  A TREMENDOUS amount of work went into putting this whole thing together … and the response of what I’m SURE will be over a million votes CANNOT be ignored.  Like I’ve always said, we’re not suggesting that any or all of these songs belong in heavy rotation … just that you mix it up a little bit … that’s what variety is all about. Clearly, your listeners will appreciate it more … and more listeners means more exposure for your advertisers (which is what REALLY drives the whole radio market anyway.)  Revenue … that’s the name of the game … and we believe that more variety will bring you more revenue by way of more listeners and better word of mouth.  Set yourself apart from all these other cookie-cutter radio stations across the country and provide something more that will draw more listeners in.
    As for all of you out there voting, thank you, thank you, thank you.  We’re providing you with the voice to show classic rock radio what you really want.  But YOU hve to speak up, too.  Contact your local and internet classic rock stations and tell them about this amazing list that we’ve all put together.  Let’s make this thing MEAN something.  That’s all we’re asking … let’s have some fun with this … and let’s see our efforts rewarded by way of more music and more variety!  As to everything else, leave all the stressing out to me!  (lol) kk

    DID YOU VOTE TODAY???

    COMMENTS ON OUR RECENT REVIEWS:

    ELO:
    ELO didn't include their best hit ever -- 1981's "Hold On Tight"?!"   

    Gary Theroux
    "The History of Rock 'n' Roll"
    Nope!  I missed that one, too … always one of my favorites.
    It was essentially the same show we saw last year (although, in my opinion, better executed this time around … which is really saying something, as I gave the 2018 concert a “10”.  Guess that makes this year’s version a “15”!!!)  kk

    THE IDES OF MARCH:
    Wow, Kent!
    On behalf of the Ides team, thank you for the awesome coverage of our cd release event at the Jam Lab! 
    We had a blast and it’s all because of the people like you in the audience that were rocking along with us and making us feel so good. I know Colin will reach out on his own to thank you for your review.
    Again, thanks for all you do to keep the music playing - bringing back memories and helping to create new ones. That’s what it’s all about. 
    Till then I’m just searching for an oil can. Lol!  
    The Tin Man
    Rock on!!  Jimbo 
    It was a blast for all parties concerned.  Looking forward to Colin’s show at Q Bar … and the Ides (with special guests Mark Farner and Bo Bice … both of whom also appear on the new CD) at The Genesee Theatre on October 26th!  (kk)

    Excellent review Kent!!!!
    Just a reminder … it comes out in DOUBLE VINYL AS WELL –
    AND WE MAY BE SELLING AT THE TASTE OF ELMWOOD PARK - yippee!!!
    Taste of Elmwood Park is August 9 - the Ides go on at 8:45!!!
    Hope to see you!
    Thanks!
    Chris


    Hi Kent!
    Bummed we didn't get to meet at the record release on Sunday!  Another time for sure! 
    Jim just sent us your article, going to read it now!
    What a fun event! 
    Laura Orrico
    President of Laura Orrico Public Relations, LLC

    Reading your blog every day and seeing all these wonderful performers still active makes me wish that I was still living in Chicago so we could see them at all the venues there, especially the Arcada.
    The Ides of March and New Colony 6 were two (and still are) of my favorites. You are living the dream.
    Thanks for all you do every single day. Your dedication is nothing short of amazing. 
    Bill
    It really is amazing … the revival of the Chicago acts and living the dream, I mean ... the next Cornerstones show happens November 30th at The Arcada … incredible to think that I haven’t been to one in over two years now!!!  Am definitely planning to attend this one!  (kk)

    Hey Kent,
    Lots of good reading, keep it up !!! 
    Wish I lived in the Chicago area to see so many great shows.
    Ted Gstalder


    I love the way you write! Great job!  Incredible coverage!  It was super great!  
    Colin's new band is incredible.
    Cheers! 
    Kristie
    And I love your photos … and the fact that you share them with our readers.  This was a GREAT afternoon of entertainment, thanks to both The Ides Of March and The Brooklyn Charmers, who were quite amazing in their own right!  Looking forward to their show in October … hope to see you there.  (kk)

    Please enter me in the new Ides Of March CD drawing …
    I need it, I want it, I will love it!!! 
    Seriously, what a great time to be a Chicago 60's rock fan this month! The NC6 and Jimmy Sohms today in Addison, the Ides are in Elmwood Park next Friday and the Shames will be in Hillside on August 20! I am psyched!!!!!
    Mike DeMartino

    Oh Yeah ... Thanks For The Reminder:  
    We’ve got FIVE copies of the brand new Ides Of March CD to give away to our Forgotten Hits Readers.
    Get your entries in NOW as we will be drawing the winners later this week!
    (We’ve already received entries from as far away as Canada … and as close as former Ides Of March classmates!!!)  This is a GREAT new offering … the guys sound better than ever.  I can promise you that you will LOVE this new CD … and enjoy listening to it again and again.  (kk)

    While the complete "official" video hasn't been posted yet, you can get a minute and a half clip of The Ides’ new single “Friends Like You” here:
    It’s catchy as hell … just try getting this one out of your head.  It’s outright infectious!
    And isn’t Mindi Abair INCREDIBLE!!!  She adds SO much to this song!  (kk)

    Other Give-Away Options:
    A pair of tickets to see The Fab Four, the PREMIER Beatles Tribute Band, at the Arcada Theatre on Friday, November 1st                           
    A pair of tickets to see Matthew and Gunnar Nelson on September 6th in Findlay, Ohio
    A pair of tickets to see Matthew and Gunnar Nelson on September 7th in Loraine, Ohio
    A chance to win a copy of Mark Bego’s new book (written with Mary Wilson of The Supremes) … “Supreme Glamour”
    Just drop us a note at kk@forgottenhits.com– let us know which contest you’re entering – and we’ll let you know if you’ve won!

    ONCE UPON A TIME … IN HOLLYWOOD: 
    Wow!  I was way off when I was thinking you might like Once Upon A Time. 
    We will have to agree to disagree. 
    That is what I like about Forgotten Hits.  We are able to express our opinions, but still respect each other at the end of the day when we don't see eye to eye.   
    The Manson murders were horrific.  I can't even begin to comprehend what the victims and their families went through.  The fantasy of the film does not lessen the reality.  The film, however, does portray them as likeable people that had incredible lives. They were more than just murder victims in a graphic crime scene from 50 years ago.    In this fantasy, evil did not win and the heroes lived another day. 
    I am not a big fan of Tarantino films.  In fact, the only reason I liked Pulp Fiction was the surf music in the soundtrack. 
    I did not know about the ending of Once Upon A Time before I went to the film.   I actually felt relieved that they did not go with what really happened.   
    Phil – WRCO
    We have always taken the position that there is no such thing as the one and only “right answer” to any topic when it comes to each of our own opinions.  In fact, in reading other people’s reviews of the film, it has allowed me to see some things from a different perspective than my own original reaction.
    “Once Upon A Time” is beautifully filmed in a nostalgic way that really captures the era … it almost has that grainy, vintage look of 1969.  As I said, I believe Leonard DiCaprio and Brad Pitt both turned in Oscar-worthy performances … with a big tip of the hat to Julia Butters for a Best Supporting Actress nod (which I doubt will even be considered.) 
    My biggest objection and the one that sealed the deal for me was the messing with reality.  If you’re going to incorporate real events into the storyline and build around that by having one plot coincide with the other, DON’T mess with the reality.  Does anybody believe for a second that the fantasy of all those people brutally murdered that night not really happening brings comfort to ANY of their surviving family members?  I don’t care if it’s been fifty years since or not … the REALITY is some very nice, completely unaware, unsuspecting and completely innocent people were slaughtered that night in an unspeakable manner.
    Did I want to see that on film?  Absolutely not … nor was there a reason to show it … because we all already know what happened.
    If this is the storyline Tarantino wanted to pursue, I think THIS would have been a better, more realistic scenario:
    Have a batch of Manson followers go out the night before to do a “test run” to see how things go by going to the neighbor’s house instead.  Then they could have been confronted by the DiCaprio and Pitt characters who did everything in their powers to disarm them.  (Although seriously … the flame-thrower gun and the dog biting off the testicles of one of the would-be murderers would still be a bit much … but at least fitting with Tarantino’s over-the-top movie methods.)
    This way when things go horribly wrong, Manson dispatches ANOTHER group of followers (the REAL group) to go out the next night to fulfill their mission … at which point not another word has to be said about the results of that mission … because again, everybody already KNOWS the result.  End the film with that team on its way to the Sharon Tate mansion and then cut to Leo and Brad nursing their wounds and wrap things up there.  By not uttering a single word about what really happened that night, I think you accomplish a FAR more powerful ending to the film … and, I believe that his results in a far more satisfying ending that still accomplishes everything that Tarantino wanted to show us without messing with a true historical timeline.
    I was listening to Sirius 60s on 6 this weekend and they were featuring tracks from the movie’s soundtrack throughout the weekend … so at least SOME good came out of it!  (And I had never even considered Clark Besch’s opinion that maybe so much Paul Revere and the Raiders music was featured in the film because of the Terry Melcher connection … which now makes perfect sense to me, would that have been part of Quentin Tarantino’s intention.)
    I think over time I will come to love and appreciate some of the individual scenes turned in by Leo and Brad in what essentially is the REAL movie and, as such, may up my final rating in the process … but I will NEVER accept the film as a whole because it completely fails on that level.  (kk)

    Check out the soundtrack to the new "Once Upon a Time in Hollywood" film, based on the late 60's in Hollywood.  Just the soundtrack listings below makes it worth the "trip" (being the operative 60's term) to see the movie.
    Lots of really cool obscure tracks here.  TWO Nebraska DJs are on the soundtrack also. We get KHJ, the top LA radio station that gave us "Boss radio," where (and on the soundtrack as listed below) one time Nebraskans Humble Harv Moore and the Real Don Steele worked in the 60’s!  My buddy, Sandy Jackson, was on Omaha's KOIL with Steele in the early 60's.
    It's funny that some of these songs are not LA associated, I believe, yet many are and there are also some GREAT commercial jingles for Heaven Scent and Summer Blonde, which are great 60's jingles, IMO.  The former was on WLS all the time and the latter was also on the Big 89 AND on American bandstand often then.
    THREE Paul Revere & the Raiders tracks!  Great to see them getting Hollywood love, finally.  The Wrecking Crew are definitely featured musically here too.  A truly great Chad & Jeremy 45 as well from XXX movie of the time.  Even if the show isn't good, I can hear some great audio clips!
    Attached is one of several versions of the Heaven Scent jingle as well as a WLS Art Roberts aircheck from summer 1966 starting with top 10 Cryan’ Shames music followed by a cool WLS concert promo and the Summer Blonde jingle followed by Art throwing ANOTHER Chicago area band!  I assume these jingles are similar to what will be in the soundtrack below.  HEY, where's the Raiders' GTO jingle "The Judge" at???
    "Is it true blonds have more fun?"

    Check out the full Once Upon a Time in Hollywood soundtrack track list below.
    1.   Treat Her Right - Roy Head & The Traits
    2.   Ramblin’ Gamblin’ Man - The Bob Seger System
    Boss Radio feat. Humble Harve:
    3.   Hush - Deep Purple
    4.   Mug Root Beer Advertisement
    5.   Hector - The Village Callers
    6.   Son of a Lovin’ Man - Buchanan Brothers
    7.   Paxton Quigley’s Had the Course (from the MGM film Three in the Attic) - Chad & Jeremy
    8.   Tanya Tanning Butter Advertisement
    9.   Good Thing - Paul Revere & The Raiders
    10. Hungry - Paul Revere & the Raiders
    11. Choo Choo Train - The Box Tops
    12. Jenny Take a Ride - Mitch Ryder and the Detroit Wheels
    13. Kentucky Woman - Deep Purple
    14. The Circle Game - Buffy Sainte-Marie
    Boss Radio feat. The Real Don Steele:
    15. Mrs. Robinson - Simon & Garfunkel
    16. Numero Uno Advertisement
    17. Bring a Little Lovin’ - Los Bravos
    18. Suddenly / Heaven Sent Advertisement
    19. Vagabond High School Reunion
    20. KHJ Los Angeles Weather Report
    21. The Illustrated Man Advertisement / Ready For Action
    22. Hey Little Girl - Dee Clark
    23. Summer Blonde Advertisement
    24. Brother Love’s Traveling Salvation Show - Neil Diamond
    25. Don’t Chase Me Around (from the MGM film GAS-S-S-S) - Robert Corff
    26. Mr. Sun, Mr. Moon - Paul Revere & the Raiders (feat. Mark Lindsay)
    27. California Dreamin’ - Jose Feliciano
    28. Dinamite Jim (English Version) - I Cantori Moderni di Alessandroni
    29. You Keep Me Hangin’ On (Quentin Tarantino Edit) - Vanilla Fudge
    30. Miss Lily Langtry (cue from The Life and Times of Judge Roy Bean) - Maurice Jarre
    31. KHJ Batman Promotion

    The Heaven Scent commercial was played so much in the 60's that the sheet music was even used as an ad for the product (below)




    Do a search of the Forgotten Hits archives and you’ll find PAGES devoted to “Heaven Scent,” a VERY popular topic during some of our “commercial breaks” in years gone by.  It still sounds great today.
    As you already know by now, the movie features nearly TWICE as many tracks played along the way during the course of the 2:41 minute film.  A COMPLETE soundtrack would have been nice but I’m sure there were licensing concerns again (as there usually are.)  Still, even though I already own the majority of this music on other CD’s, it’ll be nice to have it all in one place.  (Quentin Tarantino ALWAYS puts together an amazing score for his films … so this one will join all of the others currently in my collection.)
    Thanks for the insight and special clips, Clark!  (kk)

    More on the “Once Upon A Time … In Hollywood” soundtrack …
    Interesting to note that they refer to the film using “The Rolling Stones’ original version of the song” … which really isn’t true.
    Instead of the pure original from 1967 (one of my all-time favorites), which probably would have fit the timeline of the film a whole lot better, they used instead the far-inferior orchestrated version that appeared on the “Metamorphosis” album, which was released as a single by Allen B. Klein as a means of cashing in on The Stones’ catalog in 1975 after they formed their own record company, Rolling Stone Records.  (Again, something that just doesn’t fit in regards to the film and the events of 1969.)  kk

    This is the version that SHOULD have been used in the movie:


    1969:
    We always knew it was coming … but it has officially been confirmed that there WILL be a 50th Anniversary “Abbey Road” Box Set.  (More details to come as they’re announced … but start socking your money away now … because next year’s 50th Anniversary “Let It Be” box set is also a sure thing … meaning the movie will FINALLY see its re-release on home video … along with a brand new, extended version showing ALL kinds of unused scenes of “happier Beatles” in the studio, currently being put together by Peter Jackson of “Lord Of The Rings” fame.  Jackson has been given access to 55 hours of unused filming and 140 hours of unreleased recordings to put together the ULTIMATE “Let It Be” film.)
    Both of these projects promise to keep The Beatles in the limelight for a few more years to come … and beyond.  (kk)

    By the summer of 1969, Americans’ love of ALL things British seemed to be on the wane. Musical tastes were changing. The Beatles were imploding. British Invasion acts that had rode the Fab Four's coattails to US chart topping success, including Herman's Hermits and The Dave Clark Five, couldn't even get a whiff of their current UK hits on American radio. So it's no surprise that three of the most played hit singles that I remember that summer on BBC1 and Radio Luxembourg didn't cross the Atlantic.   
    “Hello Susie" (UK#4) became Amen Corner's follow-up to their number one smash "(If
    Paradise Is) Half As Nice". It was written by future Electric Light Orchestra founder Roy Wood. The song would also appear on The Move's 1970 album, SHAZAM.
    "Goodnight Midnight" (UK#4) was Clodagh Rodgers's follow-up to her breakthrough hit "Come Back And Shake Me" (a song originally written for but turned down by Lulu). 
    Both songs were penned by American songwriter Kenny Young.  He was in London and had discovered the Irish born Rodgers on a BBC televised music program.  Clodagh had struggled for years to find a hit and became a seemingly overnight pop star after Young made her his muse. The leggy blond caused a sensation wearing hot pants while representing the UK at the 1971 Eurovision Song Contest. "Goodnight Midnight" was my wife's favorite song back then. 
    "Viva Bobby Joe" (UK#6) was The Equals’ second biggest UK hit after their 1968 chart topper "Baby Come Back."  The lyric "Bobby Joe and his funk machine" was probably the first mention of funk music on a British recording. The interracial North London pop group was one of the most successful late Sixties’ UK bands with eight charting singles but are remembered as one hit wonders in the US. Guyana born lead guitarist Eddy Grant would return to the charts with a string of  hits as a solo artist in the Eighties.
    Mike G




    50 years ago today, the whole show of American bandstand as aired 8/2/1969!!!
    We had one of the 1969 Pontiac Catalinas as shown in commercial at start.  Rate a Record pits a black artist singing a Randy Newman classic vs. a song recorded by MANY and never a hit -- the Castaways, the American Breed, Peppermint Rainbow, Ronnie Dio, etc. 
    Dick talks with Salt Lake DJ who plays up his "announcer voice" and the station big time promoting the Spirit concert "tonight." 
    The guy picks a B side as his pick hit.  What a phony.  Ha!Ha!  GREAT SONG, tho. 
    If things had turned out differently, the guest artist could have been the Rumbles!  They scrapped their version of "Birthday" as this band jumped on the White Album track and it made its way to #1 on KLMS Lincoln as well as #2 on WLS in Chicago.  Lame compared to the fabs, fer sure, but imagine if the Rumbles' recording had gotten out first and possibly done as well as this one???  Their version isn't much better, but if the Underground Sunshine can have a hit, they could have, too. 
    Good ole Ronnie Kaye from OKC's WKY got his dance couple in the AB dance contest and even gets to talk LIVE on the show as a guest!  Ronnie still plays the oldies in OKC on KOMA-FM and I sent this to him.  Maybe he will respond! 
    I was hoping this would have been the show I taped some off of in 1969 in Dodge City when Dick put Lou Christie's "I'm Gonna Make You Mine" bubblegummer up vs. Kansas' Jerms’ version of "Green Door."
    Clark Besch

    THIS AND THAT:
    Queen’s original 1975 video for “Bohemian Rhapsody” passed one billion views last week.  To help celebrate, the band posted a new, remastered version of the song (which also just happens to be the current #1 track on our Top 3333 Most Essential Classic Rock Songs as I type this).
    You can check out the new, cleaned-up, remastered version of the video here:


    Can you believe that Alice Cooper is coming to the Genesee Theatre?!?!
    Well, it’s true!
    Alice has been booked for a show on Saturday, November 30th… this should be REALLY interesting.
    (I saw Alice Cooper once before … he was the headliner and Burton Cummings, who had just gone solo, was his opening act … talked about a mis-matched set!!!)
    Still, both artists put on incredible shows … (I’m thinking Burton probably let “Glamour Boy” out of the playlist that night!  Lol) 
    Cooper scored rave reviews for his part in the live “Jesus Christ Superstar” musical a few months back … and if he’s doing his vintage catalog stuff, this should be a pretty amazing show to see.  Tickets are available now thru the Genesee Theatre Box Office … but it looks like they’re going fast!  (kk)
    https://www1.ticketmaster.com/event/070056E8DCFE3667?brand=genesee&camefrom=CFC_GENESEE

    (By the way, we saw Burton Cummings this past weekend at The Arcada Theatre ... watch for THAT review later this week!)
     
    Yay! for Heroes & Villains 😏 
    Totally underrated because of the fickle Top 40. 
    FYI - my new interview with a Dennis Wilson aficionado:  
    Also, Brian is going back on tour: 
    Surf’s Up,
    Phil
    #PrayForSurf
    Hi Kent,
    Art Walicki here.
    Just got back to checking your site and boy, have I missed a lot!
    Just got done in moving from Illinois to Arizona. Bet you can't guess why.
    Anyway, I thought you would like to hear where I moved - interesting because it relates to music.
    I live in a community called Province in Maricopa, AZ. The homes in my area are all named after musical groups or individuals. There are models called Zeppelin, Dylan, Mercury, Isley, Franklin and I live in the Simone.  
    The streets are also of a musical theme. I live at the intersection of Festival (Santana) and Abbey Road. Some other street names in my area are Jubilee (Mellencamp), Good Vibration Way, Jailhouse Rock Ct, I Get Around Way and others that I forget at this time, (I'm getting old)
    Thought you would find this interesting, I know I did! I wonder if anyone else can make a similar claim.
    Love the ballots. Keep up your great work that you always do.
    Art
    That sounds pretty cool … you’ll have to send us some pictures!
    And now that you’re settled in, YOU can start voting, too!  (kk)

    WLTL-FM 88.1 will celebrate the 50th anniversary weekend of Woodstock 8/16, 8/17 and 8/18/2019. Co-founder Michael Lang told Variety that Woodstock 2019 has officially been canceled. But, WLTL will air the artists and bands who performed at the Three Days Of Peace And Music 1969 Festival all weekend long.
    Mike Baker





     

    THURSDAY THIS AND THAT

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    UH-OH!   VOTERS FOUND A PROBLEM WITH BALLOT #33 …
    AND THEY’RE NOT HAPPY ABOUT IT!   

    MAJOR OMISSION - RUNAWAY BY DEL SHANNON!!!
    RON LANGE 
    Can you believe it wasn’t nominated?!?!  Unreal!  (A GLARING omission for sure.)  kk   

    Here are my votes for Ballot #33:
    #1 Runaway - Del Shannon
    #2 Rock Me – Steppenwolf
    #3 Rock This Town - Stray Cats
    #4 Rock'n' Me - Steve Miller Band
    #5 Ruby Tuesday - Rolling Stones
    #6 Rockin' All Over the World - John Fogerty
    #7 Rock & Roll Band – Boston
    #8 Rock & Roll Never Forgets - Bob Seger
    #9 Running On Empty - Jackson Browne
    #10 Runnin’ Down a Dream - Tom Petty
    End of day 33 with a Note: I am assuming that Del's version of Runaway was nominated and was a mistake in its missing listing.  If I am wrong, I leave vote #1 empty in protest!
    Keith Brodkorb
    I think most everyone out there would agree that Del Shannon’s “Runaway” belongs on this list … but this puts me in a difficult position.
    By the time I sorted thru all of the Ballot #33 votes, I found that I had received a total of 39 emails DEMANDING that “Runaway” be added to the list … insisting that it MUST have been an oversight on my part.
    The explanation (simple and unsatisfying as it may be) is the cold hard fact that EVERY single person out there reading this had the same opportunity to nominate this song and yet NOBODY did.
    I can’t really run a “By a show of hands, how many of you out there think that ‘Runaway’ by Del Shannon belongs on the list?”, as that wouldn’t be fair to the other titles that weren’t offered up for an onslaught of votes.  (Is there anybody out there who thinks it DOESN’T belong on the list?!?!)
    So I’ve come up with a possible solution.
    I will take the first five answers to this question:
    “I think ‘RUNAWAY’ by Del Shannon deserves at least the same number of votes as (fill in the blank)”. 
    You’ve all seen the first 33 ballots … so you have a pretty good idea as to the songs that’ll make the final list … and what great titles (S-Z) are still to come.  Let me hear where you think this song should rank amongst the others.
    I will then take the average number of points earned to date for the five titles suggested by our readers and then award those same number of votes to “Runaway” and add it to the list.
    But this is it … this is your last and ONLY shot at adding a title to the tally.
    So answer quickly, faithful followers, as only the first five suggestions will be allowed.  (kk)

    And, while we’re on the topic of Classic Rock Radio, hearty congratulations to The Drive (97.1 FM, WDRV), who are now the #1 Radio Station overall here in Chicago (with jocks Bob Stroud and Seaver and Janda also winning their respective time slots)
    The station first signed on the air eighteen years ago and has had fluctuating ratings over the course of time … but this is the FIRST time they’ve ever hit #1 overall in the ratings.  (Many feel much of this can be attributed to the demise of The Loop, Chicago’s other long-standing Classic Rock Station that flipped to a Contemporary Christian format several months back.  I, of course, prefer to think that at least SOME of this increase in listenership has to be the result of all the favorable mentions the station has received here in Forgotten Hits!  Lol)
    Anyway, congratulations to the whole gang at WDRV, many of whom ARE, in fact, Forgotten Hits Readers.  Great to see that all this talent is FINALLY being recognized in the ratings book!  (kk)     

    THE NEW COLONY SIX:
    Kent –
    I thought I would give you a quick review of the concert in Addison, Illinois with the New Colony 6 and Jimy  Sohns.
    I loved the opening Shadows Show! Jimy still has his problems on stage due to his stroke and had to take several breaks ... but hell, half a Jimy is better than no Jimy!  The guy gives his all! But the REAL surprise was a group called the Michael Weber band backing him up. Remember that name! These young turks (could be my grandkids!) brought an energy to the Shadows songs I have not seen in a long time.  Wow!
    Then came a very emotional moment for myself as I have been a diehard NC6 fan for ages!
    I see Ray on stage, sitting. I thought, Oh God … What is wrong.
    From my vantage point, it was hard to see everything. After a few songs, Ray told us what happened.
    If I understood correctly, the doctors thought he may have a brain aneurism ... but it sounds like he received a clean bill of health.
    I know he reads your web site, so any clarification and more exact info from Ray is appreciated. I am not noisy, but more concerned.
    As always, Ray, Bruce, Greg, Bill, Rick, Greg and Mike gave a great show. A great mix of their tunes (although I would love a melody of more of their ballads) plus the music of the Raiders and the Chicago groups we know and love.
    Once again, I certainly hope Ray is completely healthy.  We need him and Jimy more than ever.
    I will always champion my hometown heroes and we are so fortunate to still hear them LIVE!
    Mike De Martino 

    Kent,
    My wife Barbara and I took a little two day trip from our suburban Milwaukee home to the Chicago area for the primary purpose of catching the New Colony Six in Addison on Thursday evening with Jimmy Sohns and a great back-up group as openers. Jimmy and the current Shadows of Knight put on a hard-driving 55 minute show, featuring garage band rock and no ballads. Jimmy was in good form but the unannounced “star” of the show was his guitarist Mike Weber. Weber is a 21-year-old ball of fire from Akron, Ohio who, I have now discovered, is developing a wide reputation as a “shred guitarist” after winning the “Amazingest” contest on MTV. Backing Sohns, Weber was non-stop energy and impressive guitar playing. Giving Sohns a mid-concert rest, Weber also sang one song and displayed a good singing voice.
    The New Colony Six did their usual great job on their own hits, a medley of other Chicago group hits, and several other covers. Ray Graffia started the concert sitting on a stool and, after the first song, explained why.
    Ray stated he has not been doing well lately and saw his doctor that day. Thankfully, a suspected brain aneurism was ruled out, but Ray said he was feeling quite weak and his very presence at the show had been in doubt. Happily, Ray only spent the first few songs … and songs he was not singing … seated, and his singing voice was fine. Ray is such a great guy and Bruce Mattey is such a pro.
    The large crowd seemed to thoroughly enjoy both groups and we left glad we had made the trek to be there. We have been coming down to Chicagoland for years to see the Cornerstones acts at community fests in the area. Sadly, these events have increasingly featured local acts.
    I still have a few upcoming events on our calendar this summer, including a Cryan’ Shames concert August 20th in Hillside and a couple of Ides appearances.
    Bob Verbos
    New Berlin, WI
    We received letters of concern from several Forgotten Hits Readers who were at The New Colony Six show in Addison last Thursday Night.  (We had every intention of going but once again real life got in the way of the fun stuff and I ended up working a 14 ½ shift that day, not getting out of work till nearly 9:30 that evening!)
    From what I’ve heard across the boards, it was a GREAT show, with The Colony (and opening act Jimy Sohns and The Shadows Of Knight … or would that be The Michael Weber Band???) playing to a packed house in what turned out to be VERY nice weather.  (Chicago has been experiencing a series of EXTREMES this year for some reason in the way of Hot and Cold … but Thursday Night was actually a BEAUTIFUL night to sit outside and listen to music … which it sounds like a TON of you did!) Throughout the evening I received numerous texts and emails asking if I was there and where they might find me … but, sad to say, I missed the show.
    That being said, I didn’t want to comment on anything until I had the chance to speak with Ray Graffia, Jr. myself, which I did Monday Night.
    Ray told me that he hasn’t been feeling “just quite right” for about 90 days now … some days worse than others … and wasn’t even sure if he could perform that night, so opted to start the show sitting down, not taking to standing until later in the show (and even then, without the usual prancing about the stage that is typical of a New Colony Six show.)
    He didn’t want to let the fans down and, knowing this was the last NC6 event scheduled for the year (save November’s appearance at the Cornerstones show at The Arcada), he didn’t want to miss it.  Certainly, the adrenaline of performing in front of such a large audience had to make him feel a whole lot better, even if it was masking whatever it was that was truly bothering him on the inside.
    When he got home that night after the concert, he was getting a few things ready for work the next day when he literally fell … and couldn’t get up.  His wife Bonnie told him that he had to find out what all of this was and got him to the hospital by ambulance, which is where he still was four days later when I spoke to him Monday night.
    They’ve been running a series of tests ever since, ruling out several things that it ISN’T (such as the brain aneurysm that both Mike and Bob alluded to above) while trying to zero in on what it IS so that they can treat it accordingly.  He sounded weak but optimistic and in relatively good spirits considering the situation.
    His message to the fans is that “The road is not wide open and bump free right now.  There are still two or three bumps in the road that we have to get over … but I have every intention of getting through all of this, getting better and performing at the Cornerstones show in November.”
    The Cornerstones Crew have gone thru some rough patches of late … PBS performers Gary Loizzo of The American Breed and Skip Haynes of Alliotta, Haynes and Jeremiah have both passed on since that program was taped and aired … Front men Jimy Sohns of The Shadows Of Knight and Jimmy Pilster (Hooke) of The Cryan’ Shames have both experienced strokes in recent years (but are back up and performing again … I’m telling you, rock and roll keeps you young!) and now Ray Graffia, Jr. of the New Colony Six has his own battle to win.
    I cannot believe that I haven’t been to a Cornerstones in over two years!!!  For a while there, I was going to every single one!  So I sure don’t want to miss this one … a chance to visit again with our local heroes who made the music scene here in Chicago so exciting in the ‘60’s and early ‘70’s.
    If you’ve never seen the show, this is one you don’t want to miss … Saturday, November 26th, at The Arcada Theatre in St. Charles.  See you there!  (kk)

    And, speaking of the local guys …

    THE IDES OF MARCH:
    I've been going to the Ides’ live performances since I was 16 years old in high school. You can still watch them play at the Morton East Auditorium and in the Morton West gymnasium. I photographed them for the school newspaper. Yes, you can say I'm an extreme fan  Great article. Thanks for the opportunity to win their new cd.
    Mel H
    I am also a Morton West Alum (Class of ’71) and saw The Ides perform there MANY times over the years (including what was then billed as their “farewell concert” … how cool that they decided to do it there, where it all began for them in 1966!)
    Have seen them many, many times since (includes several times this year already) and I swear they just get better and better each time.  Amazing!
    Your name has officially been thrown in the hat.  We’ll be picking the winners later this week and mailing out the cd’s on Monday.  Good Luck!  (kk)

    I prefer vinyl, but CD is acceptable.
    BTW, which track is the "single"?
    Jeff Watz
    The one I posted the video for ... "Friends Like You" ... it's awesome.
    The album IS available in vinyl ... but we only have CD copies to give away.
    Good Luck!  (kk)
    We’re accepting entries thru noon tomorrow … and will pick the five winners over the weekend.  (Actually, Jim Peterik will have a hand in that.  This is one of the best responses we’ve EVER had to a Forgotten Hits give-away … so he will randomly be picking five numbers which will then be assigned to all of the scrambled entries received.  The plan is to mail all of the CD’s on Monday … so you truly will have it before you can buy it!) 
    Thanks again to Jim Peterik and The Ides Of March for their ongoing generosity and support of Forgotten Hits.  (kk)

    Once Upon A Time … In Hollywood:
    Got this from our FH Buddy Barry Winslow of The Royal Guardsmen …
    Hi Kent,
    I still don't know how you keep going, my friend ... but I'd sure like a sip of whatever that is ... LOL!  Smashing job, Bro.
    I haven't seen the flick yet but I guess Snoopy and DiCaprio did a duet in one scene ... hope it was good.  We're quite honored to have the song included.
    Try to find a little rest somewhere, Amigo!
    Take care and be safe.
    Bless ya
    Barry
    The scene featuring Leonardo DiCaprio floating in the pool while listening to “Snoopy Vs. The Red Baron” is one of the more amusing bits in the movie … you’ll totally dig it!  (Too bad the song didn’t make the soundtrack … but then again you guys probably aren’t making money on any of that anymore anyway, right?!?!  SO many artists got used and abused in the music business!  They created the music and somebody else received the profits.)
    Still, it IS cool to know that your music is still making its mark some 50 years after it was recorded.  The hope (and MY purpose here) is that a new generation of music lovers will discover it and want to hear more.  (kk)

    I’m not a fan of Quentin Tarantino, but I enjoy his movies well enough. "Hollywood" is no exception as I recall those special good times and fond memories.  
    As for the list of songs, I see no mention of one of my favorite songs, "Beep Beep" by the Playmates. I agree with the opinion that Chris Farlowe's version of "Out Of Time" should have been the one used in the film.  
    Another element Quentin left out, probably because he never experienced it, was this guy named Gypsy Boots. He would drive this old piece of shit bus filled with trim up and down the strip. It was painted with all the hippie stuff of the period … flowers, peace signs, etc.  He was a fixture and I'm sure he and Charley ran into each other.  One funny thing about him I'll never forget, is when I attended a concert at the Whiskey with The Buffalo Springfield and The Doors.  
    As was common during a Doors song, Jim had his back to the crowd when Gypsy leapt on stage and was dancing his hypnotic gyrations, when Jim turned around and violently shoved him off the stage onto the tables below. The stage was high enough and Gypsy was high on acid (I guess) because he didn't skip a beat.
    Do not mess with Jim's show … it was funny as shit!
    Alex Valdez
    Hmm … sounds a bit like Chicago’s own Danzman!  (lol)
    The film captures the essence and the look of Hollywood, 1969 … but Tarantino would have been all of six years old that year … so how much could he POSSIBLY remember???  (I turned 16 that summer and remember following the story with morbid fascination, reading up on it in much greater detail years later.)  Truth is, Sharon Tate was HARDLY an A-List, in-demand actress at the time … barely a blip on the radar of what was really happening … but it was still the idea that such a gruesome crime could be committed in the valley of peace and love that made it all the more shocking.  (Then again, I remember being irrationally scared shitless that Richard Speck was roaming the streets of Chicago after murdering eight student nurses two years earlier so who knows what goes thru the mind of an impressionable, creative child!)  kk

    Much more from Harvey Kubernik on the “Hollywood” soundtrack … and “Out Of Time” in particular …

    >>>Interesting to note that they refer to the film using “The Rolling Stones’ original version” of the song “Out Of Time” … which really isn’t true.  Instead of the original from 1967 (one of my all-time favorites), which probably would have fit the timeline of the film a whole lot better, they used instead the far-inferior orchestrated version that appeared on the “Metamorphosis” album, which was released as a single by Allen B. Klein as a means of cashing in on The Stones’ catalog in 1975 after they formed their own record company, Rolling Stone Records.  (Again, something that just doesn’t fit into the timeline presented in the film and the events of 1969.)  kk

    Hello Kent: 
    Just back from seeing this movie.  
    I first encountered Quentin Tarantino circa 1987 at the video store he was working in, then chatted with him around 1989 at the Club Lingerie in Hollywood when comedian and monologist Rudy Ray Moore performed. I had arranged a radio interview for Rudy on KPCC-FM in Pasadena and drove him to the venue from the Hotel Dunbar in downtown Los Angeles.  
    Haven't talked to Tarantino this century, last was sitting with him at museum in L.A. film tribute to director/producer Roger Corman. Loved his soundtracks to "Pulp Fiction" and "Jackie Brown," and will always give him kudos for licensing my neighbor Bobby Womack's "Across 110th Street" for the front and back end screen credits to "Jackie Brown."  
    Thought you might like to read some background about the Rolling Stones'"Out of Time" heard in QT's latest film but not on the retail soundtrack. 
    Best, 
    Harvey Kubernik 

    QUENTIN TARANTINO’S ONCE UPON A TIME … IN HOLLYWOOD SOUNDTRACK  The Rolling Stones "Out Of Time" 
    By Harvey Kubernik © 2019
    Quentin Tarantino’s Once Upon a Time … in Hollywoodshowcases 1969 Los Angeles and planet Hollywood. 
    Highly effective on screen and the soundtrack are era-specific deejay intros from famed KHJ radio personalities The Real Don Steele and Humble Harve dovetailing product advertisements and weather reports from 1969.
    There are several recordings broadcast in the movie but not incorporated in the soundtrack:  Aretha Franklin’s “The House that Jack Built,” Otis Redding’s “I Can’t Turn You Loose,” “Soul Serenade,” courtesy of Willie Mitchell, Billy Stewart’s rendition of “Summertime,” and the potent screen-only inclusion of The Rolling Stones’ “Out of Time.”
    The “Out of Time” heard in the movie’s score takes on prophetic significance and is a telling musical sequence foreshadowing the celluloid tale’s murderous task ending. The initial media announcement earlier in 2019 of the Once Upon a Time in Hollywood soundtrack album had listed the addition of the Rolling Stones’ “Out of Time” culled from the epochal Stones’ AftermathUK edition, cut in Hollywood at RCA Studios in 1966, produced by their manager and liner note flapsmith, Andrew Loog Oldham.  An edited version also appears on the Stones’ 1967 album Flowers.  
    The actual “Out of Time” eventually implemented in Once Upon a Time in Hollywood is from their Metamorphosis compilation album of 1964 - 1970 outtakes, tracks and alternate versions, produced by Andrew Loog Oldham and Jimmy Miller, issued in June 1975 by ABKCO Records.
    This “Out of Time,” was done in England at Pye Studios April 27 - 30, 1966, produced by Mick Jagger for Oldham, featuring singer Chris Farlowe, for which Jagger recorded a reference vocal for the artist he was producing on a backing track comprised of English session musicians including guitarists Jimmy Page and Big Jim Sullivan, and overdubbed horn section assembled from the Ronnie Scott jazz club bandstand.  
    The result featuring Chris Farlowe was a number one UK hit single for Oldham’s Immediate Records label.
    In July of 2018, I interviewed Andrew Loog Oldham and he reminisced about both his “Out of Time” studio endeavors.  
    In one of my dreams that did not come true, Mick and Keith and I were gonna be Holland-Dozier-Holland for Immediate. That was the original idea. But it didn’t work out. Everybody got extra busy, whatever. But that was one of the original thoughts behind it. Mick did a wonderful job on Chris Farlowe’s ‘Out of Time’ and his album. Expensive. 12, 000 pounds. A lot of money then. The price of a Rolls Royce Phantom V.
    “It was also Mick’s first production with me for my label Immediate. The only reason Mick, Keith and I started to produce together was that we like to do things the Beatles hadn’t done.
    “There came a settlement between the Rolling Stones and Allen Klein in the early seventies that I didn’t know much about. 1973 or ’74.  I was living in Paris with my wife Esther. We got together with Mick and Bianca. Mick was meant to be settling with Allen Klein. Mick was gonna deliver great tracks and stuff that would make a great last album of the deal between the Stones and ABKCO. And then Mick and I were supposed to get together in New York to mix it and this was the album that would become Metamorphosis.
     “I was not privy to what was going on. But Mick obviously changed his mind and delivered a bunch of lesser stuff to Allen Klein. It was just abysmal.
    “In an attempt to not only rescue the album but make it complete, a full album, when I used to do Andrew Loog Oldham Orchestra recording sessions for Decca, when say 2 hours and 10 minutes was gone out of the 3 hours allotted, I would have done the tracks, whether it be a Four Seasons album, Beach Boys, Rolling Stones' songbook, and I would have 50 minutes left with, you know, 16 musicians. Which included Jimmy Page, John Paul Jones, and I would then record anything I wanted, something new I was working on, or more often than not, doing elaborate demos of songs that Mick and Keith had written. So that makes up five or 6 things that are on side one of Metamorphosis. The Rolling Stones are not playing on them. It’s just Mick and Keith doing some vocals. Same is true of ‘Out of Time.’
    “Then I remembered that Mick had done a reference vocal for Chris Farlowe for ‘Out of Time.’ So I let Allen have it for Metamorphosis‘cause we needed a decent song. I mixed that and added a lot of people from Connecticut, bass players and background vocals that I used on a Donovan session. Same year. And that went onto the album with the Jimmy Miller-produced ‘I Don’t Know Why.’  
    “Stuff they worked on and not bothered to finish. For example, the version of Stevie Wonder’s ‘I Don’t Know Why’ which was recorded on the night Brian Jones died. The ‘I Don’t Know Why’ that they recorded at Olympic, the night that dear Brian died, was like 1:30.  Right?
    “When I was putting together Metamorphosisin New York at the Record Plant in 1975, John Lennon was next door. Right? And I borrowed the horn people from Elephant’s Memory. Stan Bronstein. And John Lennon said to me, ‘Use him, man.’ And I just suggested, ‘I want a Jimmy Miller horn section.’ (laughs).
    “And they did that on ‘I Don’t Know Why.’ And if you listen to it, Mick Jagger repeats the same verse and chorus three times. I just made it 3:40 with the addition of the horn section and the Connecticut musicians. And Allen Klein’s classic words to me at the time were ‘Don’t worry Andrew. I’ve done the research. You could put shit on a Rolling Stones’ record and it would still sell a quarter of a million in America alone.’   
    “As for the Stones’ ‘Out of Time’ in this movie, maybe Quentin Tarantino is so vinyl anal he was familiar with Metamorphosis. Right? Good for him.”   
    In a July 26, 2019 story on Once Upon a Time in Hollywood by Armond White in the National Review,contrasts the powerful exhibition of the Rolling Stones’ “Out of Time” off the UK Aftermath in an earlier film from director Hal Ashby, Coming Home, with the “Out of Time” utilized in Once Upon a Time in Hollywood. 
    “Tarantino’s pop sadism vents the undigested frustration of the juvenile mentality. The hit parade of half-obscure pop tunes is a mere distraction, proof that Tarantino’s understanding of pop music — like his understanding of movies — is far shallower than we imagined. The Mamas and the Papa’s trenchant ‘Twelve Thirty (Young Girls Are Coming to the Canyon)’ has been used more felicitously elsewhere, as was The Rolling Stones’ ‘Out of Time,’ which Hal Ashby scored in Coming Home so that it expressed the forgotten romance and regret behind Sixties political anxiety.”  
    In a 2004 interview for my book Hollywood Shack Job: Rock Music In Film and on Your Screen, Andrew Loog Oldham was enthusiastic about the placement of his Aftermath master recording from RCA in Coming Home
    ‘“Out Of Time’ I love. It’s used twice in the Coming Home movie. I do remember, we all have our way of looking at it, survival mode, I am sure I reached Hal Ashby outside the cinema. I got (producer) Lou Adler, who knew him, to connect me. ‘I want you to hear me while I still have a lump in my throat. Great. You just blew me away….’
    “Not like I had never been moved. I’ve had a moment that will be with me forever. The double use of ‘Out Of Time’ as a political statement and a love statement was just incredible.
    “Hal was on location and I reached him.  If a piece of art has affected you like that either you want the person to see your eyes or the sound of your voice. And I was able to do it.” 
    There’ve been a lot of complaints that “Out Of Time” isn’t included on the official film soundtrack CD, especially since it is so prominently featured in such a key scene (and nearly in its entirety in the film.)  
    Interesting background.  I first heard this song during the film “Coming Home,” starring Jon Voight and Jane Fonda back in 1978 and it absolutely blew me away.  (“What IS this?!?!” I remember saying out loud in the movie theater!  Lol  I had to find out what it was … and I had to have it!)
    Never heard it on the radio back in ’67 … and wasn’t really buying Stones albums at the time … so it was a completely new discovery for me … and I have loved the song ever since (and rank it right up there near the top of my all-time favorite Rolling Stones songs.)
    The orchestrated version has always bothered me because it just seems to distract from the essence of the song … although I have mellowed in this regard over the years … I can actually listen to it now without spastic convulsions … and thought it sounded REALLY good in the new Tarantino film.  (I certainly would have preferred this over the Christ Farlowe version … it just doesn’t have the same impact.)  Too bad for me I found myself tuning out the movie to listen to the music … for MOST people, I think it primarily works the other way around!  (kk)   

    MONEY BURNING A HOLE IN YOUR POCKET?: 
    From Diane Diekman’s Country Music Newsletter (by way of Variety): 
    The Beverly Hillbillies mansionis for sale. Variety reports the Chartwell Estate in the Los Angeles suburb of Bel Air, California, is on the market for $195 million, a $50 million drop from last year's asking price of $245 million. 
    Featuring 11 bedrooms and 18 bathrooms, the 20,000-square-foot French Neoclassical limestone chateau was built by architect Sumner Spaulding in the early 1930s. The late billionaire Jerry Perenchio, a talent agent who became chairman and CEO of the Spanish TV conglomerate Univision, bought the estate in 1986 for $13.5 million and added several surrounding properties. 

    MADE ME SMILE:
    I found this in an old interview that Paul McCartney had done with Francis Wyndham of “London Life” magazine in 1965, just prior to the release of “Rubber Soul.”
    In it, Paul looks to the future, saying “The songwriting thing looks the only thing you could do at 60.  I wouldn’t mind being a white-haired old man writing songs … but I’d hate to be a white-haired old Beatle at The Empire Stadium playing for people.”
    77 year old Paul is still doing both.  (Kinda like Mick Jagger saying that he wouldn’t want to be prancing around the stage singing “Satisfaction” when he’s 40 all those years ago!)  kk

    August 11th

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    "Honky Tonk Women" by The Rolling Stones enters its third week at #1 ... while Underground Sunshine reaches its peak of #2 this week with their cover of The Beatles' tune "Birthday."  The Lettermen move up four spots (from #10 to #6) with their version of "Hurt So Bad" ... but the rest of The Top Ten remains pretty much unchanged, other than two new entries this week ... "Soul Deep" by The Box Tops (up from #11 to #9) and "I'll Never Fall In Love Again" by Tom Jones, which makes a sizable leap from #18 to #10.

    It looks like Bob Dylan may have a major chart hit on his hands with "Lay Lady Lay" ... it climbs from #28 to #13, a jump of fifteen places.  It comes from his "Nashville Skyline" LP and offers a new side to Dylan, both musically and vocally.

    "Green River" continues to climb, this week moving from #20 to #14 ... while John Lennon's Beatles off-shoot group, The Plastic Ono Band, seems to have stalled at #17 with "Give Peace A Chance."

    "Easy To Be Hard," the latest from Three Dog Night, jumps ten places this week (from #29 to #19) while the much-hyped Illusion climb from #32 to #23 and The Archies'"Sugar Sugar" leaps twelve places from #40 to #28.

    New on the charts is Chicago's very own New Colony Six, who premier at #40 this week with their latest, "I Want You To Know," another pretty Ronnie Rice ballad.



    THIS WEEK IN 1969:

    August 8th– The Beatles are photographed (by Iain MacMillan) walking across the zebra crossing on Abbey Road.  (A white Volkswagon Beetle bug is parked behind them with the license plate 28 IF … the age Paul McCartney would have been had he not died the year before in that fatal car crash where he blew his mind out in a car … except that McCartney was born June 18th, 1942 … meaning he was just now 26 years of age … proving all of this to be just as ridiculously false as all those other “Paul Is Dead” rumors that would soon be circulating!)


    August 9th – The Haunted Mansion attraction opens for the very first time at Disneyland in Anaheim, California.


    Also on August 9th, followers of Charles Manson kill five people in Terry Melcher's old house (now the home of Film Director Roman Polanski and his young, pregnant wife, Actress Sharon Tate) in the Hollywood Hills.  Tate, along with Folgers Coffee Heiress Abigail Folger, Hollywood Hairstylist Jay Sebring and friend Wojciech Frykowski were all murdered that night inside the house.  Another visitor, Steven Parent, is shot to death outside.  Sharon Tate’s unborn baby was cut out of her body in one of the most brutal, terrorizing crimes in history.  The term “Helter Skelter” will never be viewed the same way again. 



    August 10th– The killing spree continues as The Manson Family kills husband and wife Leno and Rosemary LaBianca

    August 11th– At a press party held in Beverly Hills, Diana Ross introduces The Jackson Five, starting the rumor that she had something to do with discovering and lobbying for the band when, in fact, Motown Big Wig Berry Gordy asked Ross to do it because he felt she was the most recognizable artist on the Motown label to do so.  (Her name would also be attached to The Jackson Five’s first album and a television special!)  Gladys Knight and Bobby Taylor (of The Vancouvers) have also been given credit for first bringing the Gary, Indiana, group to Gordy’s attention.

    Tuesday This And That

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    Sorry for the reduced number of posts here lately.  (I just checked and I see that I've got mail dating back to July23rd that I haven't even opened yet ... not even sure how relevant any of it is anymore ... but I've got to sort thru it all in order to find out.)

    Suffice to say that the Classic Rock balloting is once again kicking my ass ... it's been nearly impossible to keep up but we're committed to doing so.  However, believe it or not, today we begin the home stretch, with only one more week of ballots to go.  (Of course then I've still got to do all of the final tabulations in order to determine the final outcome of your TOP 3333 MOST ESSENTIAL CLASSIC ROCK TRACKS OF ALL-TIME ... but I think that'll be the fun part!)

    Add to that a GREATLY increased work schedule these past few weeks, and we have left little time for anything else ... but we will try to whittle away at this one chip at a time (as whittling time permits!)

    So, without further adieu, here's what I've been able to uncover so far ... 

    ONE MORE WEEK OF BALLOTS:
    Yep, it's true ... just one more week of posting ballots on the Classic Rock Essentials Website ... and then the final tabulation process begins.  (The goal is still to start posting the results over Labor Day Weekend but I won't lie to you ... it's going to be a challenge to make that happen.  Still, that's what we're shooting for.)
    Check out any ballots you may have missed here:
    https://classicrockessentials.blogspot.com/
    Go down to the bottom of the page and click the "Older Posts" tab and you can scroll back thru all 40 ballots that we have posted to date.
    And keep watching for a special voting announcement in the days to come.

    THISCLOSE:
    As I type this we are less than 700 visitors away from reaching the FIVE MILLION MARK on the Forgotten Hits Web Page.  This TRULY blows me away.  (Our goal was to reach it in time for our 20th Anniversary in November ... but it looks like we're going to pass that mark three months early!!!  Thanks again to anyone and everyone who has EVER stopped by our site to see what the heck we're talking about.  Please know that your ongoing support makes it all worth while ... and that's what keeps me going ... so thank you, thank you, thank you.  (kk)

    THE ABBEY ROAD BLITZ IS ON:
    The "Abbey Road" 50th Anniversary buzz is everywhere you turn these days!
    Last week marked the anniversary of the taking of the cover photo ... and then photographer posted a series of cover photo outtakes ...


    (Yeah ... I'd say they used the right one!)

    Sounds like some of the EMI bigwigs were unhappy with the album cover because it didn't show the name of the artist on the front cover ... a VERY unusual tactic for the time ... to which The Beatles basically replied, "If they don't know who we are by now, sod 'em!"  (Their name DID appear on the back cover.)  Considering the stark white cover (with the embossed, barely detectable name) on what became known as "The White Album" ... and the elaborate event that became "Sgt. Pepper," one could say The Beatles were quite revolutionary when it came to their cover art.  "Abbey Road," for all its simplicity ... just The Beatles crossing the street on their way to work ... inspired COUNTLESS tributes and parodies over the years (including one by Paul himself!)
    Scroll down at this link to see some of the best:
    https://ultimateclassicrock.com/abbey-road-artist-destroyed-beatles/?utm_source=sailthru&utm_medium=referral&utm_campaign=newsletter_4572276


    Meanwhile the track listing was also released for the 3-CD Deluxe Edition (I've already preordered my copy ... the official release date is September 27th), which sparked immediate controversy between Beatles collectors and purist wondering why "this" or "that" wasn't included when they've had these recordings on bootlegs for decades already.
    Honestly, I'm pleased to hear ANYTHING new they're going to offer us.

    I will never forget coming home that very first day with a copy of the brand new LP.  We had an old turn table / record player in the basement so I went down there and put it on and then laid down on the couch beside it to listen.  (It had one of those automatic tone arms so I just plopped it on the turn table and let 'er rip.)
    By then I was already familiar with "Something" and "Come Together," as they were playing the new single non-stop.  (I always preferred "Come Together" as the A-Side, although it was issued as the B-Side with George's "Something" up on top.)  For that matter, I always thought "Something" was a Paul song when I heard it on the radio, since Paul was ALWAYS the one who sang the pretty ballads. (With that thought ... and stereotype in mind ... imagine my first reaction when I heard him belt out "Oh! Darlin'" the very first time!)  Truth be told, I LOVED it ... it immediately became my favorite cut on the whole LP ... and still is 50 years later!
    Anyway, when the album abruptly cut off at the end of Side One during what I thought was the fade out of "I Want You (She's So Heavy), I jumped out of my lying position to see what had gone so terribly wrong.  I played it a few more times just to make sure my record wasn't skipping ... no, The Beatles had fooled us once again ... the ending was deliberately cut off!  (Now that was a first for me!!!)
    When I flipped the album over, I was amazed by the medley that made up most of Side Two. Simply phenomenal.   Brilliant, in fact.
    And then the OPPOSITE surprise.  When it appeared that the album was over, out popped a hidden bonus track ("Her Majesty," now credited on the CD cover.)  Again, just another case of The Beatles having a little fun with us!
    The album immediately became my all-time favorite Beatles LP ... and it still is today.  I've listened to it housands of times and have never grown tired of it.  What an incredible way to go out as a band and keep the legacy alive. (Of course Apple had to muck that up by releasing the "Let It Be" soundtrack AFTER "Abbey Road," although it had been completed MONTHS before the boys went back into the studio to start cutting these new tracks for what now proves to be a VERY well thought-out editing process (with a goal of eventually stringing together a long enough "medley" to fill the entire second side of the album.

    Here is the complete track list for the deluxe 3-CD set.  (NOTE:  The anniversary release is also available as a 2-CD set ... with fewer bonus tracks ... as well as a single CD straight reissue of the remixed original album ... and single and double vinyl editions as well.)

    The Beatles,Abbey Road: Anniversary Edition [Super Deluxe 3-CD/Blu-ray] (Apple/UMe) (Amazon U.S. / Amazon U.K. / Amazon Canada)

    Disc 1: 2019 Stereo Mix
    1. Come Together 
    2. Something 
    3. Maxwell’s Silver Hammer 
    4. Oh! Darling 
    5. Octopus’s Garden 
    6. I Want You (She’s So Heavy) 
    7. Here Comes The Sun 
    8. Because 
    9. You Never Give Me Your Money 
    10. Sun King 
    11. Mean Mr Mustard 
    12. Polythene Pam 
    13. She Came In Through The Bathroom Window 
    14. Golden Slumbers 
    15. Carry That Weight 
    16. The End 
    17. Her Majesty 

    Disc 2: Sessions 
    1. I Want You (She’s So Heavy) (Trident Recording Session & Reduction Mix) 
    2. Goodbye (Home Demo) 
    3. Something (Studio Demo) 
    4. The Ballad Of John And Yoko (Take 7) 
    5. Old Brown Shoe (Take 2) 
    6. Oh! Darling (Take 4) 
    7. Octopus’s Garden (Take 9) 
    8. You Never Give Me Your Money (Take 36) 
    9. Her Majesty (Takes 1-3) 
    10. Golden Slumbers/Carry That Weight (Takes 1-3 / Medley) 
    11. Here Comes The Sun (Take 9) 
    12. Maxwell’s Silver Hammer (Take 12) 

    Disc 3: Sessions 
    1. Come Together (Take 5) 
    2. The End (Take 3) 
    3. Come And Get It (Studio Demo) 
    4. Sun King (Take 20) 
    5. Mean Mr Mustard (Take 20) 
    6. Polythene Pam (Take 27) 
    7. She Came In Through The Bathroom Window (Take 27) 
    8. Because (Take 1 – Instrumental) 
    9. The Long One (Trial Edit & Mix – 30 July 1969) (Medley: You Never Give Me Your Money, Sun King, Mean Mr Mustard, Her Majesty, Polythene Pam, She Came In Through The Bathroom Window, Golden Slumbers, Carry That Weight, The End) 
    10. Something (Take 39 – Instrumental – Strings Only) 
    11. Golden Slumbers/Carry That Weight (Take 17 – Instrumental – Strings & Brass Only)

    Can't wait!!!

    And from The Beatles "Learn Something New Every Day" Department ...

    How is this even possible?!?!

    How can it be that we are STILL learning new things about The Beatles some 50-60 years on?!?!

    Yet last week for the very first time I learned that if you listen VERY carefully to John's and George's background vocals beginning with the second verse of "Paperback Writer," you'll hear that they're actually singing "Frere Jacques" and not "Paperback Writer."  (You've got to listen VERY closely to hear it ... but once you do, you'll hear it every time!)  I've heard this song a THOUSAND times ... and NEVER had even the slightest inkling that this is what they were singing!  (Another little studio in-joke amongst The Fabs I guess!  lol)





    In Hunter Davies' book "The Beatles Lyrics," he puts on display a wide array of hand written lyrics he has collected over the years, including the ones for this #1 Hit.
    What's particularly interesting about these hand-written lyrics is the fact that Paul actually wrote it out as a letter ... not as lines or verses ... 
    It looks like an actual letter written to a potential publisher:
    Dear Sir or Madam,
    Will you read my book?  It took me years to write, will you take a look?  Etc.
    (I had hoped to have time to scan it this morning but am already running late so hopefully another time!)
    Still ... a VERY cool idea and concept, right from the start.  He knew EXACTLY what he was looking to do. (kk)

    THIS AND THAT:
    Kent,
    I just saw a commercial on television which I believe I have seen maybe once or twice before. It was a national commercial for those persons who may have diabetes or symptoms there of. A woman was leading a high school band on the field for practically the entire commercial. Now the band members were playing the song APACHE. in the background. What persons other than people like me and you would notice something like this?
    Larry

    I don't think I've seen this one yet ... but I DID see a new commercial last week (couldn't tell you what product it was for) that featured nearly the entire recording of Rick Nelson's "Travelin' Man".  SOMEBODY out there is discovering this music and finding new uses for it ... and I just LOVE the idea!  (kk)

    FOUND IT!
    Here's the short version anyway ... even Matthew and Gunnar had to comment "Great to hear Pops on TV again.  Thanks, Toyota!" 



    Got this from a couple of readers (including Jim Peterik himself) ... a new interview explaining the origins of Jim's smash hit "Vehicle" ...
    https://www.tennessean.com/story/entertainment/music/story-behind-the-song/2019/08/09/vehicle-ides-march-story-behind-song-jim-peterik/1936905001/

    And, speaking of The Ides ... 

    The Ides concert at Elmwood Park Fest last Friday was a killer!  There appeared to be a few thousand people there.  Jimmy and the guys put on one helluva great show, doing some oldies and some great new material.  The food was great, too!
    Mike Wolstein




    FROM THE STROUD CROWD:
    My congrats to Bob Stroud and the Drive on the #1 ranking!!!  Well deserved!!!  
    Clark Besch
    Let's hear it for the boy!  (kk)
    Kent,
    Not sure if I let you know about this ...
    Phil
    From #PrayForSurf archives: 
    My interview with legendary Chicago "Rock & Roll Roots" DJ, Bob Stroud  on The Beach Boys 40th Anniversary https://prayforsurfblog.blogspot.com/2008/05/interview-rock-roll-roots-host.html?m=1

    A COUPLE OF CLOSING SMILES FROM FRANK B:


     

    August 15th - WOODSTOCK (Part One)

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    50 Years Ago Today, The Woodstock Music and Arts Festival kicked off at Yasgur's Farm just outside of Bethel, New York. 

    Three Days of Peace, Love And Music ... and nothing BUT Peace, Love And Music ...
    Well, that and a little rain ...
    And some mud ...
    And some naked hippies running around ...
    And some REALLY bad brown acid ...
    And a COMPLETELY shut down New York Freeway System ...
    Followed by an award-winning film capturing all of these events and more!!!
    Sure, there were music festivals before Woodstock …
    Monterey Pop took place two full summers before …
    But Woodstock was ... and will always be ... the ULTIMATE Music Festival.
    (In a way, it also spelled the end of the Hippie Era … it was, by all accounts, the ultimate send off!)
    Before it was over, however, upwards of 400-500,000 people descended on Max Yasgur’s Farm in Upstate Bethel, New York, where, in addition to listening to some of the greatest music ever performed live, they most likely also set The Guinness Book Of World Records for littering.  (Hundreds of thousands more were turned away or simply gave up because all roads leading to the event were blocked or at a complete stand-still.)
    When the film was released the following year, I was COMPLETELY blown away ... running at close to three hours (nearly FOUR hours in the Director's Cut!), it did a GREAT job of capturing ALL of the aspects that went into this festival. (When it opened in theaters here in Chicago, a bunch of us went on opening night ... and sat through it TWICE!!! We just couldn't get over how AMAZING all of this was ... and what we had missed!!!)

    For many of us, we were discovering most of these artists for the very first time. I was COMPLETELY blown away by the likes of Joe Cocker and Ten Years After, my two immediate favorites ... and while I was familiar with The Who and Sly and the Family Stone, I had NEVER seen them perform like THIS before!!! Debuts by new artists like Crosby, Stills and Nash (this was their second gig!), Santana and Sha Na Na (what the heck were THEY doing there?!?!?) won me over as a fan for life. And Jimi Hendrix at the end?!?!? Could you have choreographed a better ending to this whole extravaganza?!?!?
    Even some of the "folksie" artists like Ritchie Havens, Joan Baez, Arlo Guthrie and John Sebastian put on stellar performances ... and we haven't even scratched the surface on all of the OTHER acts that were there who didn't make the final cut of the film for one reason or another (MOSTLY because their record labels were too greedy to come to terms with any sort of cross-licensing.)
    The Complete Woodstock Artist Line-Up And Set Lists:
    (As you’ll see, many of these artists were left out of the original film and soundtrack … and most played full sets.  Here, to the best of our ability thru the research available to us … is the complete soundtrack to the Woodstock Music And Arts Festival, 1969)
    DAY ONE:  Friday, August 15th, 1969:
    Richie Havens
    1.  Minstrel From Gault
    2.  High Flyin’ Bird
    3.  I Can’t Make It Anymore
    4.  With A Little Help
    5.  Strawberry Fields Forever
    6.  Hey Jude
    7.  I Had A Woman
    8.  Handsome Johnny
    9.  Freedom

    Sweetwater
    1.  Motherless Child
    2.  Look Out
    3.  For Pete’s Sake
    4.  Day Song
    5.  What’s Wrong
    6.  Crystal Spider
    7.  Two Worlds
    8.  Why Oh Why

    Bert Sommer
    1.  Jennifer
    2.  The Road To Travel
    3.  I Wondered Where You’d Be
    4.  She’s Gone
    5.  Things Are Going My Way
    6.  And When It’s Over
    7.  Jeanette
    8.  America (first standing ovation at Woodstock)
    9.  A Note That Read
    10.  Smile

    Tim Hardin
    1.  Misty Roses
    2.  If I Were A Carpenter

    Ravi Shankar
    1.  Raga Puriya-Dhanashri / Gat In Sawarital
    2.  Tabla Solo In Jhaptal
    3.  Raga Manj Kmahaj / Alap Jor / Dhun In Kaharwa Tal / Medium& Fast Gat In Teental

    Melanie
    1.  Beautiful People
    2.  Birthday Of The Sun

    Arlo Guthrie
    1.  Coming Into Los Angeles
    2.  Walking Down The Line
    3.  Amazing Grace

    Joan Baez
    1.  Joe Hill
    2.  Sweet Sir Galahad
    3.  Drug Store Truck DrivingMan
    4.  Swing Low Sweet Chariot
    5.  We Shall Overcome

    DAY TWO:  Saturday, August 16th, 1969

    Quill
    1. They Live The Life
    2.  That’s How I Eat
    3.  Driftin’
    4.  Waitin’ For You

    Country Joe McDonald
    1.  I Find Myself Missing You
    2.  Rockin’ All Around The World
    3.  Flyin’ High All Over The World
    4.  Seen A Rocket
    5.  Fish Cheer / I-Feel-Like-I’m-Fixing-To-Die-Rag

    John B. Sebastian
    1.  How Have You Been
    2.  Rainbows All Over Your Blues
    3.  I Had A Dream
    4.  Darlin’ Be Home Soon
    5.  Younger Generation

    Keef Hartley Band
    1.  Believe In You
    2.  Rock Me Baby
    3.  Leavin’ Trunk/ Halfbreed / Just To Cry / And Sinnin’ For You

    Santana
    1.  Persuasion
    2.  Savor
    3.  Soul Sacrifice
    4.  Fried Neckbones

    Incredible String Band
    1.  Catty Come
    2.  This Moment Is Different
    3.  When You Find Out Who You Are

    Canned Heat
    1.  I’m Her Man
    2.  Going Up The Country
    3.  A Change Is Gonna Come
    4.  Leaving This Town
    5.  The Bear Talks
    6.  Let’s Work Together
    7.  Too Many Drivers At The Wheel
    8.  I Know My Baby
    9.  Woodstock Boogie
    10.  On the Road Again

    Grateful Dead
    1.  St. Stephen
    2.  Mama Tried
    3.  Dark Star / High Time
    4.  Turn On Your Lovelight

    Leslie West & Mountain
    1.  Blood Of The Sun
    2.  Stormy Monday
    3.  Theme From An Imaginary Western
    4.  Long Red
    5.  For Yasgur’s Farm
    6.  You And Me
    7.  Waiting To Take You Away
    8.  Dreams Of Milk And Honey
    9.  Blind Man
    10.  Blue Suede Shoes
    11.  Southbound Train

    Creedence Clearwater Revival
    1.  Born On The Bayou
    2.  Green River
    3.  Ninety-Nine And A Half
    4.  Commotion
    5.  Bootleg
    6.  Bad Moon Rising
    7.  Proud Mary
    8.  I Put A Spell On You
    9.  Night Time Is The Right Time
    10. Keep On Choogin’
    11. Suzy Q

    Janis Joplin
    1.  Raise Your Hand
    2.  As Good As You’ve Been To This World
    3.  To Love Somebody
    4.  Summertime
    5.  Try (Just A Little Bit Harder)
    6.  Kosmic Blues
    7.  Can’t Turn You Loose
    8.  Work Me Lord
    9.  Piece Of My Heart
    10. Ball and Chain

    Sly & The Family Stone
    1.  M’Lady
    2.  Sing A Simple Song
    3.  You Can Make It If You Try
    4.  Stand!
    5.  Love City
    6.  Dance To The Music
    7.  Music Lover
    8.  I Want To Take You Higher

    The Who
    1.  Heaven And Hell
    2.  I Can’t Explain
    3.  It’s A Boy
    4.  1921
    5.  Amazing Journey
    6.  Sparks
    7.  Eyesight To The Blind
    8.  Christmas
    9.  Tommy Can You Hear Me
    10.  Acid Queen
    11.  Pinball Wizard
    12.  Abbie Hoffmann Incident (Pete Townshed threw him from the stage, having no idea who Hoffman was … only aware that he was disrupting The Who’s set!)
    13.  Fiddle About
    14.  There’s A Doctor I’ve Found
    15.  Go To The Mirror Boy
    16.  Smash The Mirror
    17.  I’m Free
    18.  Tommy’s Holiday Camp
    19.  We’re Not Gonna Take It
    20.  See Me Feel Me
    21.  Summertime Blues
    22.  Shakin’ All Over
    23.  My Generation
    24.  Naked Eye

    Jefferson Airplane
    1.  The Other Side Of This Life
    2.  Plastic Fantastic Lover
    3.  Volunteers
    4.  Saturday Afternoon / Won’t You Try
    5.  Eskimo Blue Day
    6.  Uncle Sam’s Blues
    7.  Somebody To Love
    8.  White Rabbit

    DAY THREE:  Sunday, August 17th, 1969

    Joe Cocker
    1.  Delta Lady
    2.  Somethings Goin’ On
    3.  Let’s Go Get Stoned
    4.  I Shall Be Released
    5.  With A Little Help From My Friends

    Country Joe & The Fish (2ndappearance)
    1.  Barry’s Caviar Dream
    2.  Not So Sweet Martha Lorraine
    3.  Rock And Soul Music
    4.  Thing Called Love
    5.  Love Machine
    6.  Fish Cheer / I-Feel-Like-I’m-Fixing-To-Die-Rag

    Ten Years After
    1.  Good Morning Little Schoolgirl
    2.  I Can’t Keep From Crying Sometimes
    3.  I May Be Wrong, But I Won’t Be Wrong Always
    4.  I’m Going Home

    The Band
    1.  Chest Fever
    2.  Don’t Do It
    3.  Tears Of Rage
    4.  We Can Talk About It Now
    5.  Long Black Veil
    6.  Don’t Ya Tell Henry
    7.  Ain’t No More Cane on the Brazos
    8.  Wheels On Fire
    9.  Loving You Is Sweeter Than Ever
    10.  The Weight

    Johnny Winter
    1.  More And More
    2.  I Love You Baby More Than You Ever Know
    3.  Spinning Wheel
    4.  I Stand Accused
    5.  Something Coming On

    Blood Sweat And Tears
    1.  Mean Town Blues

    Crosby, Stills, Nash & Young
    1.  Suite Judy Blue Eyes
    2.  Blackbird
    3.  Helplessly Hoping
    4.  Guinnevere
    5.  Marrakesh Express
    6.  4 + 20
    7.  Mr Soul
    8.  Wonderin’
    9.  You Don’t Have To Cry
    10.  Pre-Road Downs
    11.  Long Time Gone
    12.  Bluebird Revisited
    13.  Sea Of Madness
    14.  Wooden Ships
    15.  Find The Cost Of Freedom
    16.  49 Bye-Byes

    DAY FOUR:  Monday, August 18th, 1969

    Paul Butterfield Blues Band
    1.  Everything’s Gonna Be Alright
    2.  Driftin’
    3.  Born Under A Bad Sign
    4.  All My Love Comin’ Through To You
    5.  Love March

    Sha Na Na
    1.  Sha Na Na Theme
    2.  Yakety Yak
    3.  Teen Angel
    4.  Jailhouse Rock
    5.  Wipe Out
    6.  The Book Of Love
    7.  Duke Of Earl
    8.  At The Hop
    9.  Sha Na Na Theme

    Jimi Hendrix
    1.  Message To Love
    2.  Getting My Heart Back Together Again
    3.  Spanish Castle Magic
    4.  Red House
    5.  Master Mind
    6.  Here Comes Your Lover Man
    7.  Foxy Lady
    8.  Beginning
    9.  Izabella
    10.  Gypsy Woman
    11.  Fire
    12.  Voodoo Child (Slight Return) / Stepping Stone
    13.  Star Spangled Banner
    14.  Purple Haze
    15.  Woodstock Improvisation / Villanova Junction
    16.  Hey Joe

    More tomorrow in Forgotten Hits!

    Woodstock - Part Two (August 16th)

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    When our 40th Year Anniversary Piece ran back in 2009, we were given an exclusive piece to run by our long-time FH Buddy Artie Wayne. 

    Here it is again, as we now celebrate FIFTY YEARS since the original Woodstock Festival first took place.  

    '60's FLASHBACK: 

    Kent ...

    How ya' doin'? I hope you and your readers are having a great summer. I want to thank all of you again for helping me to reach a million hits on my blog! 
    http://artiewayne.wordpress.com 

    I plan to resume posting articles in September, but I didn't want to miss the excitement of of the 40th Anniversary of Woodstock, the crowning achievement of my friend, Artie Kornfeld, The Father Of Woodstock. 

    So, I'm letting you post the second part of my 1969 Woodstock experience from the forthcoming book, "I Did It For A Song." copyright 2009 by Artie Wayne.   

    You can read part one at http://artiewayne.wordpress.com/2009/06/14/my-return-to-woodstock-1969/    

    Part two ... you can read EXCLUSIVELY on Forgotten Hits during this wonderful celebration! I hope you enjoy my "trip"! 

    Regards,
    Artie Wayne 
    http://artiewayne.wordpress.com/about-artie-wayne/ 

    MY RETURN TO WOODSTOCK 1969! 
    June 14, 2009 

    When my friend, the Father Of Woodstock, Artie Kornfeld invited me to the festival in 1969, I thought it was going to be a great picnic, I wasn’t expecting a life changing experience!

    Back in 1967 my wife Sheilah was working at Mercury Records as a secretary to Artie Kornfield (“Pied Piper”, “Dead Man’s Curve”) We hung out a lot with Artie and his wife Linda. When we got divorced, I got the dog and she got the Kornfelds!

    Then one day Sheilah calls me up to tell me that she’s working with Artie again. It seems that he and his partner Michael Lang are putting on a music and art festival at the end of August in upstate NY at a place called Woodstock, and she’s his personal assistant. It sounds a bit disorganized, but I don’t say anything ... if anyone can pull it together, they can. 

    It’s three hours before Allan Rinde and Rick Bolsom, from Cashbox magazine, Lita Eliscu a freelance writer (Rolling Stone), Cookie the groupie, and I are scheduled to go up to the Woodstock Music and Art festival. Artie Kornfeld and Michael Lang, are having serious troubles getting permits and have to change locations to Max Yasgur’s farm in Bethel, NY, at the last minute. Unfortunately, I’m having serious problems of my own, I can’t score any grass to take to the event!

    As a last resort I call my friend Heather MacRae, who’s currently starring in the smash hit, “Hair” On Broadway. She must know someone in the “Hippie” cast who can help us out. She leaves our names at the backstage door with a note to go upstairs to see her friends, James Rado and Gerome Ragni, who co-wrote the musical.

    When we walk into Rado and Ragni’s dressing room, they look at Allan and me suspiciously, with cameras hanging around our necks, and tape recorders dangling from our shoulders. I laugh and nervously explain that we’re not cops or from the press trying to get a story, and show them our Woodstock press pass. Fortunately they believe us and when we tell them our “predicament”, they sell us a “lid” from their personal stash (at cost) and hand us a couple of capsules of mescaline for free, in the spirit of “Peace and Love”. We thank them and go to the garage to pick up Allan’s Buick Cutlass, and our friends, then head we head off for our weekend adventure.”  

    “Let The Sun Shine … Let The Sun Shine In … The Sun Shine In!” 

    TO BE CONTINUED … 

    Copyright 2009 by Artie Wayne from his forthcoming autobiography, “I Did It For A Song” 
    http://artiewayne.wordpress.com/about-artie-wayne/ 

    For more on Artie Kornfeld and the official celebration of 40th Woodstock anniversary: http://www.woodstockstory.com/woodstock-2009-festivals-heat-up-as-artie-kornfeld-joins-west-fest.html 

    Special thanks to Phil X. Milstein for the enhanced Woodstock poster he made!



    MY COMPLETE 1969 WOODSTOCK EXPERIENCE! (PART TWO) (a Forgotten Hits Exclusive, courtesy of Artie Wayne!)

    The festival gets off to a great start with a set by Ritchie Havens, and then it starts to rain … and rain … and rain. There’s a buzz already that this is going to be a historic event. The press tent is alive with anticipation of seeing the artists and people behind the scenes.

    I’m skeptical when I hear that a lawyer is taking over as head of Columbia Records, until I meet Clive Davis awash in the rain, the mud, and the good vibrations. How cool it is for the head of a record company to be out here “roughing it” like this with his artists!

    Although my friends and I have warm, dry accommodations, food, water, and plenty of intoxicants, a half a million other people who are also here have to rough it in the mud and the rain! We run into a completely soaked (and delightfully stoned) Artie Kornfeld, The Father Of Woodstock, who tells us that thousands of people are crashing the gates, and Woodstock has become a free concert! Starry eyed and drooling, he turns around and melts back into the crowd.
    Thousands of people are still pouring in after midnight and I warn my friends that we were probably going to be in the middle of a riot between the “haves” and the “have nots!”


    I knew that this whole “Peace and Love” thing could blowup in a minute … but no one is listening to me as they slowly passed the bong around. I don’t know if it’s my paranoia of “Drug Crazed Hippies” rushing the motel or my fear of getting my new Fry boots dirty … I just knew I had to get the hell outa’ there!

    After being at Woodstock less than 24 hours, I say goodbye to my friends and decide to hitchhike back to the city. I’m 27 yeas old but, hitchhicking is something I never tried before. At the side of an on ramp, I see Vince Aletti, writer for the Village Voice, who I know from the press parties I crash. He has his thumb out and looks pretty discouraged. This is his first time hitchhiking, too … but I act like a veteran and convince him that if we put on great big smiles, and act sincere … we’re bound to get a ride! In less than 10 minutes we’re picked up by a guy in an old Chevy wagon, who happens to be going all the way into the city! Just like the guys who rode the rails and became “Boxcar Buddies”, Vince and I had a shared experience that went “without a hitch”, so to speak, “Hitchhiking pals” for the rest of our lives!

    Finally, I’m back in my apartment, thankful to be away from all of those people … I don’t believe all those people … Damn! It’s still early, so I pack my duffel bag and grab a subway out to Coney Island, stopping only long enough to swallow a little capsule Rado and Ragni, had given me. I don’t know why, but the rest of the day is magical! I feel so much love for Everyone I run into. I don’t even notice that I’m surrounded by a million people on the the beach … twice as many as there was at Woodstock … but now … somehow I don’t care!”
    From my forthcoming book, “I Did It For A Song”
    Copyright 2009 by Artie Wayne
     


    To reach Artie Kornfeld: http://www.artiekornfeld-woodstock.com/

    Thanks again, Artie, for this GREAT exclusive. Now since you're not posting this month, why don't you spend this time finishing up that frickin' book so we can read the WHOLE thing already?!?!? (lol) kk

    WOODSTOCK - Part Three (August 17th)

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    During our 40th Anniversary celebration, longtime Forgotten Hits Reader Bill Hengels supplied this interesting story about a couple who were at the original festival.  (Where the heck do they find these people after all these years?!?!?)
     
    Sadly, we lost Bill a few years ago … he was always an active contributor to our efforts here in Forgotten Hits … and also a true fan of what we did.  He is missed.

    I can tell you this … 


    One glance at this photo and you'll know IMMEDIATELY who we're talking about. It's been etched in our brains for nearly 40 years now!!! Enjoy!  (kk)


    I saw this last week in the papers. Thought it was timely for your article on Woodstock!
    Bill


    Woodstock concert's undercover lovers, Nick and Bobbi Ercoline, 40 years after summer of love
    By Jim Farber / DAILY NEWS MUSIC CRITIC
    Updated Tuesday, July 7th 2009, 3:08 PM
    © Burk Uzzle / Courtesy Laurence Miller Gallery, New York




    Love in 1969: Nick and Bobbi Ercoline were immortalized on the cover of the original 'Woodstock' album in 1970, 
    as well as on the movie poster.
     


    And still going strong in 2009 -

    the couple, now both age 60, reprise their iconic pose nearly 40 years later.


    Of all the images snapped during the original Woodstockweekend, one stands above all: a young couple huddled together in a blanket, standing alone in a sea of people lying on wet ground.


    It's an enduring image of love, care and protection that earned iconic status through its placement on the cover of the original "Woodstock" album in 1970, as well as on the movie poster.

    Forty years later, the couple in the photo - Nick and Bobbi Ercoline, both 60 - remain together. They married two summers after the fabled weekend, and they still live less than an hour's drive from the original concert site of Bethel, N.Y., and within spitting distance of where they both grew up.

    Nick Ercoline works for the Orange County, N.Y., Department of Housing. Bobbi is a resident nurse at the elementary school in their hometown of Pine Bush.


    The 40th anniversary of the ultimate hippie be-in, this Aug. 15-17, has thrown the Ercolines into the spotlight again - something they never expected or sought.


    They say they remember nothing of the original shot, taken by Burk Uzzle. "We weren't striking a pose," Nick says. "We were as surprised as everybody to see that photo on the album cover."

    They discovered it while at a friend's house listening to the album and passing around the gatefold jacket. First, Nick recognized the famous yellow butterfly staff in the left corner. "It belonged to this guy Herbie," Nick says. "We latched on to him that day because he was having a very bad experience. He was tripping pretty heavily and he had lost his friends. After I saw that staff I said, 'Hey that's our blanket.' Then I said, 'Hey, that's us.'"

    Bobbi, then 20, wasn't overly impressed. "Woodstock was over and done with at that time," she says. "It didn't seem like a big deal. The only thing was that then I had to tell my mother I had gone. She didn't know. But by then, she didn't mind."

    The two had arrived in the middle of the weekend, a rare feat given that all main roads were closed by then. "We were local kids, so we knew the back roads," Nick says. "About 5 miles away we abandoned this big white 1965 Chevrolet Impala station wagon."

    The two didn't realize the impact their photo had until Woodstock's 20th anniversary, when the world's media began seeking them out. In fact, their memories of the original event have more to do with the scene than the music, because they were too far away to hear or see much.

    "I remember the rain, the lack of toilets and the body odor," Bobbi says.  "I also remember an orange haze from the glowing lights of the stage. It was everywhere, lighting up the sky."

    The pair had met only three months earlier, over Memorial Day weekend, at the bar where Nick worked. "This waiter brought this beautiful blond in one day and said, 'This is my girlfriend; keep an eye on her,'" Nick explains. "Every night she stood in front of me and we got friendlier and friendlier. Then one weekend he made the mistake of leaving her home while he went to the shore with the guys and he never told her. That was the end of that. And the beginning of this."

    Despite all the time gone by, Nick says they still get recognized. "We were in Germany, and right when we walked into the hotel they knew who we were."

    As to why their photo was chosen, Nick has a theory. "It's peaceful, which is what the event was about," he says. "And it's an honest representation of a generation. When we look at that photo I don't see Bobbi and me. I see our generation."
    -- submitted by Bill Hengels, 2009

    And finally, a '60's FLASHBACK of our own:


    Eons ago, we interviewed Henry Gross for Forgotten Hits. Here's what HE had to say about the whole Woodstock Experience:



    Prior to his success as a solo artist, Henry Gross started his career as the original lead guitarist in the camp '50's group Sha Na Na back in the late '60's. (Performing at WOODSTOCK just HAD to be one of the career highlights for this guy!!!) So we asked him about it!



    FORGOTTEN HITS:You obviously had a real appreciation for the rock music that started it all in order to have been involved with Sha Na Na from the very beginning. Can you tell us how the concept for that band came about?



    HENRY GROSS:Sha Na Na started when a college glee club, "The Columbia Kingsmen", did a few oldies at a school pub called " The Lion's Den" to a tumultuous response. Seeing this, the brother of one of the members, George Leonard, had the vision and put the concept to the members. Some stayed, some quit when the new direction was taken. I was at a different college but was in a band with two of the members of that glee club. They asked me to join and I did.



    FH: The band took a tongue-in-cheek look at some of the music of the '50's in their stage act but musically and vocally were right on the money ... in other words, the music never suffered. How did Sha Na Na happen to be booked at Woodstock? What was that whole experience like? There couldn't have been a less-likely audience for you to play to!!!



    HG: After playing at the hottest club in New York, The "Steve Paul Scene" and playing at "The Fillmore East" to incredible reactions, we were added to the bill at "Woodstock". Woodstock was great fun. Got to drive to the stage (for about three hours) with Jerry Garcia! Great guy! I also got to spend time with Jimi Hendrix, who I'd gotten to know fairly well through a guy called Velvert Turner who sat next to me in "The Midwood High School Mixed Chorus" in Brooklyn. Velvert was very close with Jimi and I was lucky to have had the opportunity to know both of them, as they were really great and talented guys. Also met and spoke to Alvin Lee, who is a friend of mine today, although he has no recollection of our meeting then. Why would he? It was right after he came off stage and there were 300,000 other folks talking to him at approximately the same time!


    In many ways, 1969 seemed to be the first time we as a musical society took a look back at our rock and roll roots. Certainly Sha Na Na's "camp" performance at Woodstock gave us a fun way to relive some of this great music ... but we can't hold them solely responsible for this trend in nostalgia. Several other factors certainly helped to influence this trend.

    Elvis' 1968 Television Comeback Special, for example, did it for me ... I've told the story before about how I only tuned into this in the first place because I had read in some teen magazine that Ringo Starr was going to be appearing, playing drums on some of Elvis' songs. By 1968, Elvis was pretty much off the radio ... his mid-'60's hits weren't making much of an impression on the charts ... but in December of 1968 he COMPLETELY blew me away when he performed some of his biggest '50's hits clad in his black leather outfit. I simply HAD to have this music ... and went out the next day to buy copies of most of the songs I heard that night. (Fortunately, a nearby record shop had a selection of Golden Oldies 45s and I was able to pick up the Elvis hits "Heartbreak Hotel", "All Shook Up", "Hound Dog", "Love Me Tender", "Can't Help Falling In Love", "One Night" and "Guitar Man" that day ... along with his brand new single, "If I Can Dream", which would put The King back up at the top of the charts again for the first time in a long time.)


    Keep in mind that Elvis' greatest contribution to the advancement of rock and roll music was already a full decade behind him by 1968 ... after he got out of the Army, he started cranking out all those God-awful movies and saw most of his chart action reflected in the title tunes and soundtrack filler from those films. In 1968, he introduced a whole new generation (myself included) to the music and excitement we missed the first time around. 

    Keep in mind, too, that in 1969 Oldies Radio didn't exist yet ... although within a couple of years this would become a VERY viable format of radio programming. Back then, our oldies were the hits of the late '50's and early '60's ... Top 40 Radio pretty much only played the hits of the day in repeated fashion ... there really wasn't anybody committed to keeping this older music alive or in our consciousness. 

    Quite honestly, music was changing and evolving SO quickly back then, those early hits probably seemed even more passé then than they do to so many programmers now!  (Here in 2019, oldies radio seems to only exist on the Internet … very few mainstream terrestrial stations are programming this music these days.  Thus again we salute Me-TV-FM for proving that there is still a market for all this great music and memories.)

    Thanks to the Woodstock concert film, Sha Na Na was singled out as providing a fun, nostalgic look back in a camp sort of way ... but Ten Years After ALSO incorporated some of these early hits into their performance of "Goin' Home" that night at Woodstock. And let's not forget the big Cat Mother and the Newsboys Hit "Good Old Rock And Roll" from earlier in '69 that ran a medley of Sweet Little Sixteen / Long Tall Sally / Chantilly Lace / Whole Lotta Shakin' Goin' On / Blue Suede Shoes and Party Doll together ... produced by Woodstock closer Jimi Hendrix no less! Certainly ALL of these factors helped to introduce a whole new audience to "Good Time" Rock and Roll.

    Soon, movies like "American Graffiti" and television shows like "Happy Days" became THE way to look back to "Where Were You In '62?" ... I personally discovered some of my all-time favorite oldies (like "Since I Don't Have You" by The Starliners and "All Summer Long" by The Beach Boys and "Sixteen Candles" by The Crests ... which Sha Na Na ALSO did an incredible job on, by the way) ... "I Only Have Eyes For You" by The Flamingos, "The Stroll" by The Diamonds, "Come Go With Me" by The Del-Vikings and SO many others thanks to the "American Graffiti" soundtrack.  Hearing this music for the very first time was like that magical moment in “The Wizard Of Oz” when your entire world changes from black and white to color … I had to stop and by the 2-LP Soundtrack Album on my way home from the movie theater … I just couldn’t absorb it all fast enough.  "Happy Days" took it a step further by pounding "Rock Around The Clock" and "Blueberry Hill" into our heads every Tuesday Night.  I continued to dig deeper and deeper to discover all that I had missed prior to my discovery of Top 40 Radio during The British Invasion.

    In fact, The British Invasion helped fuel my interest even further … 


    While it’s true that most of these early rock artists had been absent from the airwaves for quite a few years, thanks to the artists of The British Invasion in the mid-'60's, much of this music was revamped and fed back to us, opening up a whole new means of discovery.  (All they were doing was taking our American rock and roll, which inspired them to pick up instruments in the first place, putting their own spin on it, and then feeding it back to us.  All I know is, it worked … Good Music is Good Music.)

    By the late ‘60’s, there was a definite turn to much "heavier" and progressive rock ... but by 1972 ... right around the time that Oldies Radio first came into prominence ... some of the biggest Rock And Roll Forefathers were back up at the top of the charts when Elvis, Chuck Berry and Rick Nelson ALL scored Top Five Hits with the likes of "Burning Love", "My Ding-A-Ling" and "Garden Party" respectively. Even '60's artists who had been absent from the charts for a while were enjoying newfound success ... The Hollies with "Long Cool Woman in a Black Dress", Johnny Rivers with "Rockin' Pneumonia and the Boogie-Woogie Flu" and Cher with "The Way Of Love", all of which were MAJOR hits in '72 by artists we hadn't even THOUGHT about in ages!!! (Let's face it ... although they performed at Woodstock and would even go on to have their own TV show, Sha Na Na never actually had a hit record!!!) 

    1972 was ALSO the year that Don McLean gave us "American Pie", a look back at Buddy Holly and "The Day The Music Died" ... "Rockin' Robin" was a hit all over again in the hands of little Michael Jackson as was "The Lion Sleeps Tonight" by Robert John (incredibly produced by a couple of the original Tokens who first took that song to #1 back in 1961!) Other big remakes in 1972 include "Puppy Love" and "Too Young" by Donny Osmond, "Hot Rod Lincoln" by Commander Cody and the Lost Planet Airmen, "Little Bitty Pretty One" by The Jackson Five and "Sealed With A Kiss" by Bobby Vinton, another name from the past.

    And quality remakes have been with us ever since, introducing each new generation of radio listeners to the music that made us feel good way back when.

    We hope you all enjoyed this look back at The Woodstock Era ... lots more great 1969 Memories to come so please stay with us!
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