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The Biondi Bash

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We attended the "Good Time Rock & Roll" event at 115 Bourbon Street, a pillar promoting community involvement located in Merrionette Park. 
The event served as a Fundraiser to help complete a documentary being filmed honoring Legendary DJ Dick Biondi. 
When finished, it's destined for PBS and other outlets. 
The successful day of non-stop music and never-ending buffet with an open bar was a result of the hard work of organizers Pam Pulice and Actor Joe Farina.  The MC for the afternoon was Scott Mackay from 95.9, The River. 
Scott kept the event Rockin' and Rollin', introducing five talented local bands. The billing included The Hundred Dollar Quartet with Scott May of The Ides of March on keyboards, The Cavedwellers, The Meteors, Bagshot Row and The Southside Exiles. 
Interspaced between performances of the previous bands were special performances by Ides of March / Survivor Founder Jim Peterik, Jay Reincke of Jay and the Americans and a well-received Dennis Tufano / Carl Giammerese reunion. 
Peterik treated the overflow crowd to his classics "Eye of the Tiger” as well as "Vehicle."  Dennis and Carl took to the stage twice, reuniting to sing The Buckinghams’ classics "Kind of a Drag,""Hey Baby" and others. When MC Scott Mackay observed the length of time that had passed since they had sung together, Dennis quipped "We just had to get past one little restraining order." 
Speaking of reunions, Jay Reincke reunited and played with his former group, The Meteors.  Jay began his performance with " Come A Little Bit Closer" before continuing with other crowd favorites. 
Fundraiser monies were generated by way of opportunities for attendees to win a myriad of collectibles and other rock memorabilia via auction and raffle. A couple of the most interesting items included a jacket belonging to Paul Shaffer as well as a pair of his glasses.  A sport coat owned by Tony Orlando was auctioned as well. 
Entertainment packages and memorabilia included autographed items by Tommy James,  Dick Biondi, Muscle Shoals, Tommy Boyce and many, many others as well as dozens of vintage 45's that were available for the right bid. 
An entire 50's Kitchen and Rec Room with an Oldies Entertainment Center were also auctioned. 
The Arcada Theatre’s and Onesti Entertainment’s own Ron Onesti said that he needed his passport to get from St. Charles to the venue on Chicago's southwest side. 
Ron, along with Jim Peterik, served as event auctioneers … exuding the familiar Onesti / Peterik enthusiasm, the duo was instrumental in getting generous contributions for three special autographed event played guitars. Signatures included those of Peterik, The Buckinghams, the rock group Chicago, and many of the artists who had performed at Ron's classic Cornerstones of Rock concerts. Ron even added his own  personal Arcada Box Tickets with each winning bid. 
During an afternoon filled with surprises, celebrated Chicago DJ and TV / Radio personality Bob Sirott stopped by to pay tribute to his friend and former colleague, Dick Biondi. 
Upon completion of the auctions, Chicago Rock Pioneers, The New Colony Six, performed. Their appearance punctuated a fitting ending to a memorable tribute to the Legend who is Dick Biondi. 
With documentary cameras rolling, the overflow crowd, prompted by a video of Dick, rose to sing "On Top Of A Pizza," footage from which will be used to close the film. 
What a finale! 
Jim Nowoc

Here is a short gallery of photos sent in by Jack Mongan, Jim Nowoc, Frannie and Pam Pulice … ENJOY!!!

Host-Master Scott Mackay 
A great shot of Dennis Tufano and Carl Giammarese
(the two voices of The Buckinghams)

L - R: Carl Giammarese, Dean Milano, Dennis Tufano and Jim Peterik
and L - R: Dennis Tufano, Carl Giammarese, Dean Milano and Jim Peterik

 
A couple more shots of Dennis and Carl ...



  
And then solo shots of Jim Peterik and Dennis Tufano

The legendary Bob Sirott, flanked by Sharon and Jim Nowoc

And then Jim and Dennis sharing a laugh


A couple of GREAT shots of Ray Graffia, Jr., 
leading The New Colony Six through their headlining set


 
A few shots of Auctioneer Ron Onesti and Joe Farina,
drumming up a few bucks toward the film-making budget
This particular guitar is signed by all of the members of The Buckinghams
Guitars were also auctioned off signed by the 
members of the rock group Chicago
as well as a special "Cornerstones Edition" guitar, signed by members of
all of the acts who perform during these sold-out appearances at 
The Arcada Theatre ... (next show November 23rd) ...
Jimy Sohns of The Shadows Of Knight, Jim Peterik and the members of 
The Ides Of March, Ray Graffia, Jr. and Ronnie Rice of
The New Colony Six, Jim Pilster and Tom Doody of The Cryan' Shames
and the members of The Buckinghams

   

L - R:  Joe Farina, Pam Pulice and Ron Onesti


Be sure to stay tuned for more details as to when the first complete cut of the movie will be available for screening!!!   

We did it, everybody!!!

Thank you all SO much for your on-going support!  (kk)



May 5th

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Simon and Garfunkel jump ahead five places and take over the #1 Spot on this week's WLS Hit Parade with their latest, "The Boxer."  The rest of last week's Top Five songs shuffle the line-up a little bit with "Gitarzan" landing at #2 (up a notch), "Hair" falling to #3 (after being #1 last week) and #'s 4 and 5 holding steady for "Sweet Cherry Wine" and "Gimme Gimme Good Lovin'" respectively.

The Guess Who's "These Eyes" is one of the week's biggest movers, jumping from #19 all the way to #7 as they break into The Top Ten for the first time.  "Love Can Make You Happy" by Mercy climbs fifteen places from #26 to #11 while Bill Deal and the Rhondels are up thirteen spots (from #30 to #17) with "I've Been Hurt" and both Donovan and The Flirtations each jump a dozen spots with "Atlantis" and "Nothin' But A Heartache" respectively.

Apple Records' Mary Hopkin has the top debut this week with "Goodbye," a song written and produced for her by Paul McCartney and just a few weeks after Creedence Clearwater Revival's original version disappeared from the charts, a new, soulful version of "Proud Mary" premiers at #39 for Solomon Burke.





This week in 1969:  

April 29th– Ringo Starr records his lead vocal on “Octopus’ Garden,” a track to be included on The Beatles’ next LP “Abbey Road” 

April 30th– The Fifth Dimension receive a gold record for their #1 Hit “Aquarius / Let The Sunshine In” 

Also on this date, George Harrison overdubs one of his guitar solos on "Let It Be," a track last worked on in January.  Later that night, John and Paul team up again to resurrect an old track from 1967, once considered for use in the animated film "Yellow Submarine."  The completed track would grace the flip side of "Let It Be" when it was finally released as a single the following year ... "You Know My Name (Look Up The Number)" ... quite unlike ANYTHING else The Beatles ever recorded!

May 1st– Johnny Cash and Bob Dylan tape what will air as the first episode of The Johnny Cash Show at Nashville's Ryman Auditorium.

Also on this date, Director Wes Anderson is born 

May 3rd– Jimi Hendrix is arrested at Toronto’s International Airport by the Royal Canadian Mounted Police for possession of narcotics.  He ends up posting $10,000 bail – but is acquitted of all charges in December

May 4th - On tonight's Andy Williams television special Roger Miller performs "King Of The Road" (as a duet with Andy) and "Little Green Apples."  Aretha Franklin is also a guest.  (She sings "Gentle On My Mind.") 

Also on this date ... Elvis Presley books a trip to Hawaii under the name of John Carpenter, the name of the character he plays in his last film, "Change Of Habit."

THE BOXER:

We've told you the story before about how Simon and Garfunkel beat the programming system with their new single "Fakin' It" back in 1967.

Conventional wisdom at the time was that if you wanted to get your song played on the radio, it had to be under three minutes long or it wouldn't even be considered.  This was so that the radio station could get in the right amount of music, commercials, the typical top and bottom of the hour news breaks that were so common back then and enough deejay chatter (back in the days when deejays were still allowed to talk on the air!) to keep folks tuned in.

"Fakin' It" ran 3:14 seconds ... but rather than show that time on the label and risk not having the record played, Columbia Records printed labels showing the time as 2:74 ... thus, to the unsuspecting eye, UNDER three minutes.



The theory worked ... and "Fakin' It" became a Top 15 hit on the national charts.  (In hindsight, the title takes on a whole new meaning, doesn't it?)

The following year, both Richard Harris ("MacArthur Park") and The Beatles ("Hey Jude") topped the charts with records clocking in at over SEVEN MINUTES!!! ... so the "taboo" was broken forever.  In 1969, even Simon and Garfunkel were able to push the envelope a little bit further ... "The Boxer" ran for five minutes and ten seconds ... and in 1970 "Bridge Over Troubled Water" became one of the year's biggest hits despite clocking in at 4:51.  (You'd think a proven act like these guys would have had carte blanche when it came to making their musical statement ... but this was a VERY competitive time in music ... and NOBODY wanted to risk being bumped off the play list for something as simple as a "three minute infraction"!!!)  kk

A Monday Morning Quickie

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The Biondi Bash: 
Great article on the Biondi event. Thanks for getting the word out there! 
Dean Milano 

Nice scoop! 
Phil 

Congratulations on pushing this through!  Can’t wait to see the film! 
Rich 

Some nice photos from the party … but where are you and Frannie??? 
David 
Believe it or not, we never had a single photo opp!  That’s ok ... I was more interested in capturing the excitement of what was going on on stage … I mean, that's what we were there for ... and even then, we still had to rely on a good portion of these coming from other attendees.  (Hey, I’m not in the film either!!! Come on ... at the very least you’d think she would have at least asked me to talk about my “Who Played The Very First Beatles Record In America” article!!! Lol)  kk 
http://forgottenhits.com/who_played_the_very_first_beatles_record_in_america 

Kent, 
I have to admit that due to other circumstances going on in my life at this time, I have been away from Forgotten Hits for a little while now … but I have to say that reading your latest piece on the Dick Biondi fundraiser was a wonderful reminder of what a special writer and musicologist you are. 
I was trying to explain your blog / column to my wife, but couldn't capture the depth and uniqueness of your work.
After showing her this latest piece, she said, "Wow … now I see what you're talking about ! "  :) 
You now have a new fan and apostle!   
Aside from The Reader's Steven Krakow, I've never known anyone so knowledgeable about Rock and Roll and its impact and history. 
Thanks again. 
Keep on Keeping on.  
Jack 
Thank you so much for the kind words … and the use of your photos from the event.  We both invested a fair amount of time and effort in making this a success and the big payoff is finally here … folks all over the country will soon be able to see Pam’s final work … a fitting tribute to one of America’s Greatest Disc Jockeys, Dick Biondi.  (kk) 

WLS: 
Kent, 
I had to weigh in on your WLS comments.  After all, WLS IS my favorite subject!   
Indeed, there was LITTLE warning when WLS took to the airwaves.  AND despite spending two hours with Gene Taylor in 1991 interviewing him about the Big 89, I don't THINK I ever asked him about the playing of "Alley Oop" to open the station's top 40 format! 
Here are a few clippings from May, 1960.  
The advertisement in the trades looked like this.  It really does not SAY what the new format is, so I guess it was the "Alley Oop" format!

The opening story in Billboard the following week discloses a few new things, but no mention of HOW the station broke the news on day one.  It DOES say the old staff announced the hourly news programs and that the DJs picked the songs.  Maybe they still did that when the survey started and thus they may have had an approach ahead of their time as to charting.  Like Billboard now does, but did not then, maybe they chose the chart positions based on up to date most popular THAT day instead of this progression up and down that we saw in the decades since on all charting mags?



AND for those who worried about "WHERE is Dick Biondi?" ... this from a month later: 
 
And a year after the switch, proof in the puddin':
 
 
How great!  The Sunday TAPED shows were the best rated on WLS!!! 
WLS Clark Besch

I found this interview with Ralph Beaudin, the Man In Charge at the time of the WLS switch-over to the Top 40 format.  (In fact, he was brought in special to oversee this transition.)

From the Stew Salowitz book “Chicago’s Personality Radio: The WLS Disc Jockeys of the Early 1960’s” …

STEW SALOWITZ:  How did you wind up, finally, at WLS?
RALPH BEAUDIN:  Well, ABC bought KQV in Pittsburgh and they were looking for a general manager to come in down there.  I knew some of the guys at ABC because they’d ween with Storz.  So ABC hired me as general manager for KQV in Pittsburgh when they bought the station.  It was a middle-of-the-road station and I switched it to Top 40.  That was the first Top 40 station in the ABC chain.  Then ABC bought WLS in 1960 and I went in there as president of WLS.  

SS:  Whose decision was it to change it from the Prairie Farmer station to rock and roll?
RB:  Mine.

SS:  Did you catch any heat from that?
RB:  Oh, yeah.  Not from the agricultural part of it, but the station was carrying forty hours of commercial religion a week.  We received ten thousand letters protesting the dropping of the religious programming.  And we answered all of those letters.

SS:  What precipitated the format change?
RB:  The market was right and there was nobody really doing the format in town.  The strongest personality then was Howard Miller on WIND and then Wally Phillips was doing a Top 40 show on WGN in the evenings.  But there was nobody doing the full format.

SS:  Was there some doubt that it would work?
PB:  Oh, sure.  At that time, in Top 40 radio, you’d go from market to market and they’d say it worked there, but it won’t work here because we’re different.

SS:  Chicago’s a different place than Pittsburgh, obviously, and these people who were brought in [the new crew of WLS deejays – kk] became instant stars.
PB:  The personalities did, because we hit the market rather quickly and we were consistent in our formatting.  We had the gold records as well as the Silver Dollar Survey and would go back five, six, seven years and play some of the older artists.  And we had it heavily day-period according to morning, mid-day, afternoon drive and evening.

SS:  And the signal was just so great.
PB:  Yeah, fifty kilowatts.  We had listeners all over the place.  Some of the major agencies in Chicago had been buying Top 40 radio in other parts of the country so they got on the bandwagon rather quickly.  Wrigley Gum was one of our bellwether accounts during the early sixties.  Budweiser came on rather quickly.  And so a couple of key accounts and then it began breaking, and at that time, a large percentage was national business.  And the national buyers in New York and Chicago knew KQV in Pittsburgh and knew WBNY in Buffalo, and so they bought in to WLS early.
The format is really what carried it and we just had damn good guys that executed and worked darned hard.  They were out doing sock hops and speaking at high schools.  They were out all the time doing something.  Hell, those guys would drive two hundred miles to d a hop.  The worked their tails off and everybody was working for the radio station.

If you’re a WLS radio fan, you owe it to yourself to find and pick up a copy of this book … but I'll tell you right now that  they’re VERY hard to come by.  (I saw one advertised on Amazon last week with an asking price of $495!!!)  I kick myself for not buying two dozen copies at $14.50 each when I had the chance!!! (lol)  Who knew?!?!  (kk)

This And That: 
Last night's edition of Me-TV’s new "Collectors Call" program featured the guitar collection of Jim Peterik.
You can catch this episode (and several others that have already aired) right here … 
And you can buy a copy of Jim’s Guitar Collection 2018 Calendar (it’s awesome) right here … 
(The guy's got 193 guitars in his collection!  I don't know that I can ever see him parting with any of them ... and I'm SO glad he ... spoiler alert ... turned down the trade that closes each show ... there's just WAY too much history attached to that Gibson Gold Top!)  
New episodes of Collectors Call air Sunday Nights at 9 pm Central Time on Me-TV.  (kk) 

I hope you caught Jim Peterik showing his guitar collection on the ME-TV series "Collector's Call" Sunday night. It was excellent, but I haven't found a link to view it online yet. 
David 

It usually takes a day or two before they show up ... but if you check the link above, you should have an opportunity to see it.  (When I checked last night they only had a Sneak Peek posted.)  DEFINITELY worth checking out ... as are ALL of the episodes that have aired thus far.  (kk)
 
Ultimate Classic Rock tells us about the nine movies that COULD have starred The Beatles …  https://ultimateclassicrock.com/beatles-unmade-movies/?utm_source=sailthru&utm_medium=referral&utm_campaign=newsletter_4572276











Clubbin' In Chicago ... In The Late '60's and Early '70's

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Helping Out Our Readers: 
With all the other stuff going on here lately, it took us a little while to get back to this topic … 
But we haven’t forgotten! 

>>>I was wondering if your memory is good when it comes to rock clubs around the Chicago back in the era.  The other day my cousin was having a conversation with someone about the Cellar and the other "teen" clubs in and around Chicago in the '60s and '70s …but was having trouble remembering most of the names, other than the New Place and Blue something or other.  I know Dex Card owned a bunch of Wild Goose clubs … but do you know of any list of clubs from back then? There was one in Wisconsin that was on an old chicken farm and had a tree growing through the stage. The Shames played there with the Who but again, I can't remember the name (old man memory and all that).  Since I grew up in the city, I didn't become as familiar with as many of the suburban clubs as someone like you might have.  If you can fill in some of the blanks he's drawing, please let me know.  Thanks!  (Bill Fortune)  
>>>I was too young for the clubbing scene back then ... but I think one of the clubs you’re thinking of was The Blue Village.  By the time I was old enough to go, we were hanging out at places like The Thirsty Whale, The Nickel Bag, Haymakers and Beginnings.  Another popular spot downtown was Rush Up … I remember seeing The Ides / Shames Union there a couple of times.  I'll betcha between all of the artists on our list and the readers, we can come up with one heck of a list.  What say you, folks???  (kk)  

The Majestic Hills Music Theater, Lake Geneva, WI. This place was huge in the 60s and there is virtually nothing about it on the internet. We were up there almost every weekend and saw major acts from the Cryan’ Shames all the way up to The Who. It was a major, and I mean major, venue in the mid to late 60s. It featured the best local, regional and national acts on a weekly basis in the summer.
It was an outdoor venue, covered by a roof, no heat. I have scoured the internet for information on this place and for all practical purposes there was nothing available until I found this little local newspaper published in the Lake Geneva area. This young reporter did a pretty good job of piecing the story together and he had to work hard to do it.
The music venue was also part of a man-made ski hill, similar to Alpine Valley. The lodge at the ski hill burned down and the reporter thinks that all of the records from the operation of the music theater, if any, were lost in this fire. I had no choice but to send the entire publication in this email as my regular computer is in the shop. Hopefully you can separate the story from this file. It starts on the first page and continues further on in the publication.
I think the venue in Algonquin was called the Nu Place, not the New Place.
The venue in Rockford for the larger acts was called The Ice Chalet. It was a skating rink in the winter and was only open in the summer. In 1966 it hosted The Shames, The Flock, The Six, The Robbs and The Shadows and other groups. As the ice had melted by then it had a saw dust floor. After about an hour you could hardly see or breathe. I would assume most of the groups would remember this environment. Jerry McGeorge of The Shadows, and formerly of The Blackstones, mentions this in an interview. He did not like the arrangements at this venue.     
Robert Campbell


Another one just popped into my mind, too … what was it called??? The Grape Gorilla?  Or The Green Gorilla?  Or The Purple Gorilla? Something like that!  (kk)  

Here are some other memories shared by our readers …

I grew up in the city, too, and didn’t drive till I was a little older and could afford my own (used) car. We took the bus and the el everywhere, and I was a little too young to hit the suburban clubs anyway.
I did catch the Shames once or twice at the Blue Village, and once at the Jaguar in St. Charles (I think!).
Otherwise, I think I went to the Thirsty Whale once, but that was about it.
Went to the Kinetic Playground / Electric Theater and the Aragon quite often, ‘tho, as I could bus it there.
As far as high school dances go, I went to a small Catholic coed school (St. Gregory’s in Edgewater) and our most popular band was 4 Days & A Night with Al Lathan! Great band. And on Rush Street, The Store and Mother’s were our favorites.
Marlene O’Malley  
Mother's was THE place to be downtown ... the crowds regularly spilled out into the street ... and they seemed to book the biggest names.
I was always partial to Rush Up ... just such a weird layout to this place ... with everything way up on the third level.  (I couldn't even IMAGINE lugging a B-3 up that narrow staircase to reach the stage ... something Rick Barr talks about below!)  kk

From Guy Arnston (he of The Illinois Entertainer back in the day) …

See if any of these ring a bell!

5 Stages - Logan Square, Chicago
6900 Club - Lincolnwood
The Bank - Palatine
Bat Cave on Oliphant off NW Hwy ... just in Chicago, Edison Park
Beaver’s - Old Town
The Blue Moon Ballroom - Elgin
The Blue Village - 1 N. Cass Ave., Westmont - Bob Chiappano (Chappelow?), retired Westmont police officer) – the house bands were the Cryan’ Shames and Wild Honey.  Owner Jerry Hess (also It’s A Gass Records), had a discount club membership card
Captain Rivers Waterfront
The Cellar - Arlington Heights
Cheetah, 1106 W. Lawrence Ave., Chicago, American Tribal Productions
The Coffee Break (The CB) - Elmhurst
The Cool - Libertyville
Cool Schmoo
Crimson Cougar - Aurora
Dark Spot, 11 S. Roselle, Roselle
The Deep End - Park Ridge, now a Toyota dealer
Papa Joe’s, Vic Giovannini (sp?), owner … Bogie’s Ale House)
Elysian Fields - Lincoln Park, Chicago
The Exit - Northbrook Park District
Frank Bond’s Teen Club, 3243 S. Harlem Ave., Chicago
Gi Gi A Go-Go - Lyons (Nate Pasero, owner)
Glen Ellyn Youth Center
Glen’s Den - Glen Ellyn, circa 1968-69
The Green Gorilla - Des Plaines   
The Factory West of 294
The Hullabaloo, Chesterton, IN (?)
The Hut - Des Plaines
The Jaguar - St. Charles (Rusty Paulson- sp? - owner, now in California, stayed at Miller’s Resort in Wisconsin, Lucille Miller owner
Jefferson Eden - 2317 W. Jefferson, Joliet
Judy Junior’s - Old Town
Like Young - Old Town, Tom owner, 1335 N. Wells St.
Lolly’s - Old Town
The Lottery - Elgin
The Mother Duck - Glen Ellyn
Spectrum, North Ave., now a tattoo parlor
The Mousetrap Club - Elmhurst
My Sister’s Place - Old Town
The New Place - Algonquin, burned down on 12/20/1968, Don Manhard (sp?)
The Palace, 3750 N. Clark St., Chicago
The Pink Panther - Deerfield
The Pit - Glenview Park District
The Pynk Phynk - Sheridan Road, Chicago (Ken Freeman)
Chipper Regalmuto ran and booked   
The Rink - Waukegan
The Rolling Stone - Winnetka owned by Bob Medel (?)
SOP’s
St. Gregory’s Hall, 6700 W. Diversey, Chicago
Syndrome (Coliseum, 15 S. Wabash Ave., Chicago)
Valley View - Frankfort
The Way Out, 4840 Dempster, Skokie
Wheaton Youth Center
Wild Goose - Waukegan (in an old Jewel), Oak Lawn outdoors, Oak Park outdoors, Shorewood
The Wonderland Ballroom - Elgin (early 1970s) 

I seem to remember another club in Lyons, IL … let’s say Ogden and 47thStreet.  Anybody remember this place ???
(Truth be told, many of these places were pretty divey ... but the prospect of luring young music-loving teenagers inside begat a goldmine of memories.) 
Actually, I thought there was a Cheetah Club here, too, at one time ... in the suburbs somewhere.  
I Also remember shows being at The Sabre Room (more of a showroom / Rick Saucedo type of place) and a place called The Zoo on Roosevelt Road that we went to quite a bit in the ‘70’s … lots of oldies bands played there (and we did, too, at one point) …
The Clipper Ship (also on 47th Street I believe) and a bunch of country / redneck bars down North Avenue in Northlake … Mr. G’s in Lombard or Glen Ellyn I believe … and a few more places down Mannheim Road in Stone Park that eventually went all disco when that craze swooped in.
Of course some of the bigger names played The Kinetic Ballroom and the Aragon … and then there was The Rockford Armory, about 90 minutes away, where at various times I saw Chuck Berry, Badfinger, The Raspberries, Malo and several others.
There was The Quiet Knight on Belmont Avenue in the city (where The Siegel – Schwall Blues Band were the house band … but also where, for either a $5 cover charge or a two drink minimum, I was introduced to the music of Jackson Browne, Jim Croce and David Bromberg before they were national names on the scene … but again, ALL of this would have been in the early ‘70’s after I’d reached the legal drinking age.)
Lake Geneva had a bunch of places (and so did all the college towns in you didn’t mind the drive or could arrange for a place to stay).  YEARS ago one of our readers (Jean Theel) sent in exclusive pictures of Jimi Hendrix playing at a small club in Wisconsin … I’ll look to see if I can dig any of those out.  (I think it was in the Milwaukee area somewhere)  
Lots of memories being stirred up right now.  (Man, I wish Chet Coppock were here … he could rattle off fifty names in thirty seconds!!!  And a lot of of the higher-end clubs, too, like Mr.Kelly’s and The Checkerboard Lounge.)
Keep ‘em coming, folks!  (kk) 

The PIT - Glenview
The HUT - DesPlaines
The Green Gorilla - DesPlaines
The Deep End - Park Ridge
The New Place - Algonquin
The Cellar - Arlington Heights
Glen's Den - Glen Ellyn
And here are a few more that I played:
Wild Goose - Waukegan
Wild Goose - Elmhurst
Wild Goose - Oak Lawn
Majestic Bandstand - Lake Geneva
Holiday Ballroom - North Side, Chicago
Quent Lang 

Besides Rush Up ... where the stage was three flights up ... and a real challenge with a Hammond B3 ... in the Rush Street area were Beaver’s, Lally’s and Rush West.  
In Frankfort was the Valleyview Young Adults Club (we called it the YAK), and there was a Dex Card Wild Goose in Joliet as well.  
But don’t forget all the high schools that were our bread and butter in the era.  I saw just about everyone, including all the DJ’s at Joliet Catholic High.  I’ll bet everyone out there saw more bands at high school weekend dances than in clubs.
Rick Barr
The Ides Of March played our high school regularly ... mostly because it was also THEIR high school, too!  I must have seen The Ides Of March perform at Morton West at least seven or eight times, including their "farewell performance" in around 1973 or 4, I believe.  (Man, what a night THAT was ... but that's a story for another day!)
I went to Riverside-Brookfield (RB) my first two years ... and we had The Association one year and The Turtles the next.  In fact, completely unbeknownst to me at the time ... and until just a few years ago ... I was at the same Turtles RB concert that Jim Peterik was where he met his wife!!!  (Now how cool is that?!?!)
We talked a short time back about schools competing to "win a band to perform at your high school," another popular way of getting acts like The Grass Roots or Gary Lewis and the Playboys (and several others) out to your school for a free concert.
A WAY different time than today ... back in those golden days without the necessity of metal detectors at every doorway.  Sad.  (kk)

It must have been the Majestic Hills Bandstand in Lake Geneva, Wisconsin.
From an article in the Lake Geneva At The Lake magazine recalling the ski lodge, “modeled after ‘American Bandstand,”’ it swung into action during the summers between 1960 and 1970, and featured acts such as Stevie Wonder, The Who, Chicago, The Monkees and the Beach Boys.” A fire destroyed the facility in 1988 and it never reopened.
The Who made their U.S. debut with a week-long series of shows March 25 - April 2 at the RKO 58th Street Theatre in New York City, but then returned immediately to Europe. They returned in June of that year, the first date being 6/14/67 at the Fifth Dimension Club in Ann Arbor, Michigan; and then the next night, 6/15/67, they performed at The Cellar in Arlington Heights. The next night, they were at the Fillmore West in San Francisco and two days after that, they were on the stage at the famed Monterey Pop Festival.  They returned to Chicago for a date at the International Amphitheater on 8/5/67.
In 1968, they played The New Place in Algonquin 7/31/68. The following night, they were at the Kinetic Playground in Chicago. Then up to Wisconsin where they played Majestic Hills in Lake Geneva. In October, they were back in the Chicago area at the Jaguar Club in St. Charles 10/8/68.
They returned to Chicago in 1969 with three days of shows over Memorial Day weekend 5/29 - 31/69, returning there for a Halloween show on 10/31/69, all at The Kinetic Playground. The “Who’s Next” tour brought them to the Auditorium Theater for two shows on 7/1/70 and 7/4/70.
Newspaper clipping: July 2, 1967 Morning Star newspaper)
Ken Voss




Kent,
A favorite that we played all the time was Like Young on Wells in Old Town.  
Of course, there were dances ... the Embassy Ballroom, the Vogue Ballroom, Antoine’s and our fave, The Holiday Ballroom. 
Then there were a few places in the 70’s where I played as Tufano and Giammarese … the Orphan, It’s Here, the Bulls and Amazing Grace. Villa Olivia was another. 
Carl Giammarese
The Buckinghams  

Hi Kent –
I sent you pretty much everything I know about the local clubs in the far NW corner of Chicago and adjacent burbs back in 2014, and you posted it in your May 27, 2014 entry:  http://forgottenhits60s.blogspot.com/2014/05/helping-out-our-readers.html  
My parents were pretty strict and kept me on a short leash in that era. My church (Immaculate Conception, Harlem & Talcott) had a Teen Club, and that's as close as I came to clubbing while I was in high school.
The Teen Club music wasn't bad. I saw the Riddles there at least once. My wife was in the Teen Club at St. John Brebeuf parish, up Harlem in Niles, and she saw the Shames there once. One thing you had to watch out for at IC's Teen Club dances were proctors who tried to make sure that "slow dancing" was in fact dancing and not making out in motion.
I am curious about the second club in Edison Park, which I don't think was there for very long. Needless to say, I never went, and from the outside it looked ... messy. I'm thinking 1968 or early 1969.
--73--
-- Jeff Duntemann
    Scottsdale, Arizona 

There was a VERY popular club in Park Ridge around this era, too … again, I was too young to go … but I wanna say that either the very early stages Styx or Chicago … or BOTH … played there fairly regularly … before they were known by these household names.
You know, I KNEW we had covered the local club scene more than once in Forgotten Hits … but never actually did a search to find it.  (Actually, I thought it predated the website and went out as part of our emailed newsletter.) 
So thank you for saving me the time looking for it by providing the link shown above.

In a nutshell, it tells us this: 

>>>The Deep End in Park Ridge came up in conversation the other day among some 60-something friends, and I was the only one who had ever been.  I'm pretty sure you mentioned a book recently that had some discussion of the Chicagoland clubs, but I can't find the reference. I'm genuinely curious as to what I missed way back when. I grew up just a few blocks from The Bat Cave in Old Edison Park and knew from the grapevine what it was. Alas, my parents thought of it as just half a notch better than a bordello. My friends with more liberal parents also went to The Deep End and The Hut in Des Plaines. Does anybody know where this was? Or The Deep End?  Finally, I'm pretty sure that there was a second music club in Old Edison Park for awhile, maybe a half block from The Bat Cave, circa 1966. I don't remember the name, but it looked pretty scruffy from the outside. I don't think it was there for very long. Would be interested to hear more about the clubs generally, and the ones in the NW quadrant specifically.  (Jeff Duntemann)     
I'm sure you've been deluged with Deep End and Hut info, but ...
Deep End was in Park Ridge at the corner of Touhy and Busse.  It was converted later into a Toyota dealership, and is now (alas) townhouses.  I have fond memories of being arrested for my very first time at the Deep End by the Park Ridge cops for committing the ultimate crime - Being from Chicago!!!  This Link may be of interest:
I just checked and the link above is still “live” and offers up a little more information on The Deep End, including a photo showing a schedule of upcoming bands (which includes C.T.A.)  Maybe THIS is the Park Ridge club I’ve been thinking about all along!  (kk)

Sure Kent,
Teen clubs were our bread and butter between '65 - '69. The Cellar in the basement of the phone company in Arlington Heights was the home of the Shadows of Knight. I also saw the Who there (amazing). I think Clapton also played there. The New Place up in Cary or Lake Zurich was a great one. It burned down and they rebuilt. The Green Gorilla in Des Plains ... The Purple Octopus in Aurora ... The Barn in Naperville.  One in Waukegan, too, but I can't remember the name.  (oldtimers' memory lapse!)  

Of course there was the home of the Cryan' Shames in Westmont (it originally opened in Carol Stream, moved to Elmhurst and then moved to Westmont, where it stayed for years. 
Then there were all of the Dex Card Wild Gooses. These were 'Pop-Up's' ... he would bring in the stage and everything else in towns like Elmhurst, Oak Lawn, Chicago Ridge and many more. I think we worked with Dex about 60 dates and he never lost money on us. I just heard Dex recently died.  I have some great stories about him.  He will be missed.  
I think the place Bill was talking about in Wisconsin was a ski area across the lake from Lake Geneva. Many big names played there.
Most these venues charged about $2.50 and the kids had to be under 21 years old. It was a great time to be a teenager in the Mid West.
This is just a short list. I'm sure there were many more ... and I'll try and send them along as I remember them
Jim Pilster
The Cryan' Shames
  


OK, so THIS one has been driving me crazy all week since this topic first came up.
What was the name of the place right on 25th Avenue in what had to have been Melrose Park ... virtually ZERO parking ... again, lines out the door and, once you got in, you had to go down a flight of stairs to the "showroom."  I can remember ALL kinds of big names playing there over the years but cannot recall the name of the club.  (Funny 'cause it almost seems like THIS is the kind of place that would be named "The Cellar" because you had to go all the way down to the basement to see the entertainment!)
Anybody???  C'mon, it's driving me nuts!!!  (kk) 

Also, as for that place in Milwaukee where FH Reader Jean Theel got to hang out with The Jimi Hendrix Experience, it was called The Scene ... evidently a BIG spot just 90 miles north of here, where any number of big name acts appeared.
I tried to find the original article (it probably dates back to around 2005 - 2007) but couldn't put my fingers on it fast enough to include in today's posting ...
But here is a "recap" piece we did a few years ago that also shows a few pictures from this venue ... 
Imagine walking into the little club and catching The Jimi Hendrix Experience playing there!!!  (kk)
https://forgottenhits60s.blogspot.com/2015/02/hey-jimi.html     

We seem to have hit another hot topic here again ... so keep the info coming, folks ... we're ALL about the memories here in Forgotten Hits!  (kk)

IN DA CLUB!

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Response to our Local Clubs article from a few days ago has inspired a few other Forgotten Hits Readers to share their stories and memories with us ...

As well as given us reason to resurrect a series we did almost exactly ten years ago spotlighting The Ides / Shames Union.

Read on! 

Kent,
In the mid-70’s a friend and I went to a place on the east side of Milwaukee called Humpin’ Hannah’s to see a band from New Orleans. The place was in the basement of an old building, with a low ceiling, multiple support beams, and a stage about 12 inches raised off the concrete floor. We were about to pay to get in when we learned that the scheduled band had been in a car accident and had to cancel. They were being replaced by some Illinois band we had never heard of called REO Speedwagon! We went in, listened to one song I recall as being pretty “hard” and got our money back and left. Who knew?
Bob Verbos
 
REO Speedwagon certainly paid their dues before reaching the overwhelming national attention they achieved with their Hi Infidelity album in 1980/81.  
Prior to that "mainstream" album, they were a power-house bar band who really rocked the scene with early classics like "Ridin' The Storm Out,""Keep Pushin',""Roll With The Changes" and "157 Riverside Avenue."
It wasn't unusual for me to see REO up to three times a month back then in the early-to-late '70's ... I swear they seemed to be the opening act for virtually every major group that passed through town!
Being from Champaign, IL, they certainly played their share of college town bars ... and I remember them also being extremely popular in Rockford (where I saw them at least three or four more times) and even across the border in Wisconsin.
Their switch over to more melodic pop probably cost them a few die-hard fans at the time, feeling that the band had "sold out" in exchange for stardom ... but it gained them MILLIONS of new ones in the process.  There literally wasn't anybody hotter throughout 1981 when REO scored four straight Top 20 Hits with "Keep On Loving You" (#1), "Take It On The Run" (#5), "Don't Let Him Go" (#24) and "In Your Letter" (#20).
Think about it for a second ... 
You can't even recall the name of the New Orleans band you went out there to see ... 
Yet REO Speedwagon became a household name.  (kk)
 
Very cool stuff!
I could read about Chicago clubbin' all day if I had the time!!  
I am working on a little Dex Card tribute to send in, but want to make it as good as possible, so it's still in the works.  
One funny item I found involves Clark Weber and Dex Card that I was going to share in my tribute, but will pass along now instead.  
The Shattertones (?) performed at an Illinois State University dance in 1967 and (according to the 1967 school yearbook) Dex Card was there to emcee while also apparently doing an impersonation act as Clark Weber!!!  With Dex being well known as "the crew cut fellow in the first row" and Clark being known as "old chrome dome" (by Riley's Rebels), it's a bit hard to mistake Art for Clark or vice versa.  
It could be that Dex was supposed to emcee the concert but Clark replaced him late and they did not realize it, but I doubt it.  
Dex left WLS mid year, 1967, so maybe he was supposed to be there but did not because he left.  I doubt it tho, as Dex was still on Chicago radio and opening clubs.  Anyway, at least it's a good laugh!
Hmm ... were the "Shattertones" REALLY the Shattertones??? 
 

 
Here's a Yellow Balloon and Cryan Shames gigs ad.  Whomever did this ad wasn't great on spelling teen group names. 
Clark Besch
 


That's OK, I guess ... WLS used to mangle the group names and song titles on their Silver Dollar Survey every week, too!  (lol)  kk

It's kinda hard to imagine that in addition to their regular tours of major venues (often as park of packaged acts) so many of these really popular artists would show up to play on the bar circuit as well ... but this was often the case.  I guess a gig's a gig ... but in hindsight many of these artists were totally accessible to the fans sitting right there with them in front of some of these rather small stages.  (Damn, I wish I had been old enough to experience some of this first hand ... but then again I guess I feel like I'm plenty old enough now as it is!!!  lol)  kk

Kent, 
Enjoyed today's FH in which you and other readers were reminiscing about clubs you used to go to back in the good old days. When I started reading this, I immediately began to think of records that came out through the years which were about clubs per se. For example, the Pastel Six in 1963 had a tune with CINNAMON CINDER. It was a very nice dance according to the song, but I believe the CINNAMON CINDER was a club out on the west coast. Also, Freddie King's instrumental of 1961 HIDEAWAY, was a name for a club as well. There were probably just a few more but I can't think of any at the moment. 
Larry
Don't leave out "The Peppermint Twist," popularized by the infamous Peppermint Lounge, where everyone from Joey Dee and the Starlighters to The Young Rascals to a very young Jimi Hendrix played!  (kk)
 
>>>I remember seeing the short-lived Ides and Shames Union perform at Rush Up downtown ... what a great show that was!  Also, the place in Milwaukee where FH Reader Jean Theel got to hang out with The Jimi Hendrix Experience was called The Scene ... evidently a BIG spot just 90 miles north of here, where any number of big name acts appeared.  Imagine walking into the little club and catching The Jimi Hendrix Experience playing there!!!  (kk) 
 
The Scene was still going strong in 1970. 
On 10/23/70, I borrowed the family car, a 1965 4-door Pontiac Star Chief with a 390 cubic inch engine and a factory installed Hurst 4-speed. This car was so large you could sleep six in the trunk! 
I filled it up with friends and we headed up to Milwaukee on a Sunday night. The Scene was basically a bar with a bandstand and dance floor. 
The opening act was The Faces with Rod Stewart. The supporting act was Fuse from Rockford, IL. 
Fuse traveled with a full array of power equipment, most notably stacks of Sound City amplifiers. When Craig Myers hit his opening power chord on their first song it blew the fuse / breaker to the stage. This happened about five more times before they got it corrected. 
This was my first Faces / Stewart show and it was absolutely incredible. Five nights later the same line up played at Dewey’s bar in Madison, Wi. 
The bottom line is that you could see just about every major act ... B.B. King, Alice Cooper, The Faces, MC5, etc. at these bars and they were just bars. It was much better than spending lots of money in a large venue like you do today. 
Question: What was the line up of the Ides / Shames Union?  I remember seeing them at a bar in Beloit, WI, but I can’t remember exactly who was in the band. 
Robert Campbell
 
An exciting time for sure, as alluded to above.  (Can you even imagine going to a BAR ... and seeing The Cryan' Shames open for The Who?!?!?  That's just BEYOND bizarre!!!)  kk
 
Interesting that you inquired about The Ides / Shames Union ... 
We covered this is great depth almost exactly ten years ago ... and, reading through it again today after all this time, I have to say that we did one HELL of a job capturing their brief legacy on the Chicago scene in the early-to-mid '70's.  (Damn good coverage if I do say so myself!  lol  And, of course, the fact that we had many of the actual participants helping us to piece together the story certainly didn't hurt!!!)
 
You can check it out again here ... 
Where you'll find several other related pieces on both The Ides Of March AND The Cryan' Shames from around the same time.
(And, by the way ... c'mon, Guy ... it's been over ten years now ... where the hell is your Chicago Rock Scene coffee table book?!?!)  kk 
 
And, speaking of The Ides Of March, the full episode from last Sunday is now available online (along with some bonus footage), spotlighting Jim Peterik's incredible guitar collection ... 
 
https://www.metv.com/collectorscall/videos/episode-6-guitars

And, finally, I found a few more pictures of Jimi Hendrix from that gig he did at The Scene back in 1968.  Thanks again to Jean Theel for sending us these all those years ago to share with our readers!  (kk) 





 


The Friday Flash

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While the future of Woodstock 50 may still be up in the air, Rhino Records is announcing an INCREDIBLE 50th Anniversary Box Set of the original 1969 Festival in the most deluxe packaging possible!

The ENTIRE three days of music is being released IN ITS ENTIRETY (save three songs) as a 38-CD Box Set that will also include a pristine print of the DVD, copies of original tickets to the fest, photo books, posters and more.

The only three tracks not making it into the final edit is one song by Sha Na Na, skipped because the tape ran out while they were recording it, rendering the recording incomplete and two tracks by Jimi Hendrix that the Estate of Jimi Hendrix will not allow clearance for.  (Perhaps they felt these were sub-par performances?) Still, I would have released it ALL ... even the Sha Na Na cut with the tape running out ... because it makes the whole experience that much more real.

In addition, several stage announcements have also been preserved (much like in the movie) and they've also captured some "behind the scenes" moments as well.

Here's the kicker ... the deluxe box set will list at $799!!!  (Not sure exactly who the market is for this thing ... something that I personally might listen to exactly ONCE, just to have had the experience ... but honestly there was about as much of Woodstock that I didn't care for as the amount I did.) 

The complete set is scheduled to be released on August 2nd ... and only 1969 total copies are being manufactured.  267 of the 432 songs included have been previously unreleased.  Special 10-CD, 5-LP and 3-CD highlights editions will also be released in advance of the collectors' box on June 28th.  The 10 CD set promises 162 tracks, including at least one live performance by every act to perform at the festival.

You can find the complete track listing for both the 3-CD and 10-CD versions here ...
https://theseconddisc.com/2019/05/developing-rhino-celebrates-woodstock-50th-with-massive-complete-38-cd-box-set/

(I cannot help but wonder how all of this will play out for the recently reunited surviving members of Creedence Clearwater Revival, who have joined together to help market the "brand" of CCR, ensuring that their full Woodstock concert would be finally released in its entirety in the process.  Perhaps a dedicated, stand-alone CD of CCR's show will be in the offing in the months to come. I certainly hope so ... as I have a FAR better chance of listening to THAT show than the full three days of music version!)  kk

It was announced earlier this week that Brian Wilson and The Zombies would be touring together later this summer in what they're calling "Something Great From '68" Tour.  The Zombies will perform their entire "Odessey And Oracle" album (along with their greatest hits) while Wilson will spotlight tracks that appeared on The Beach Boys'"Friends" and "Surf's Up" albums, described as two of Brian's favorites.  (Sadly, these two don't rank very high on MY list of Beach Boys Favorites ... but he, too, will perform many of the band's greatest hits.)

A complete set of show dates is listed below (subject to change should more shows get added):
August 31 – Las Vegas, NV - The Joint at Hard Rock Hotel and Casino
September 1 – Indio, CA - Fantasy Springs Casino
September 6 – Phoenix, AZ - Comerica Theatre
September 7 – Pala, CA - Pala Casino
September 8 – Santa Barbara, CA - Arlington Theatre
September 12 – Los Angeles, CA - The Greek Theatre
September 13 – Oakland, CA - The Fox Theater
September 14 – Murphys, CA - Ironstone Amphitheatre
September 16 – Seattle, WA - Paramount Theatre
September 17 – Portland, OR - Arlene Schnitzer Concert Hall
September 19 – Sandy, UT - Sandy City Amphitheater
September 20 – Denver, CO - Paramount Theater
September 22 – Milwaukee, WI - Riverside Theater
September 24 – Detroit, MI - Masonic Temple Theatre
September 26 – New York, NY - Beacon Theatre 

As you can see, no Chicago stops are currently scheduled.  (kk)

 Check out the line-up for next year's Moody Blues Cruise!

Evidently no Ides Of March next year ...  but a killer line-up none-the-less!  (kk)

May 12th

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Simon and Garfunkel's run at the top didn't last very long ...

After just one week in the #1 Spot, The Beatles jump all the way from #15 to #1 to pass them with their latest,"Get Back," their first official single release since "Hey Jude" set the charts on fire last fall.  (A film clip of The Beatles performing this tune on the Apple roof top was shown a couple of weeks ago on The Glen Campbell Goodtime Hour, most likely because Glen had taken over the CBS timeslot vacated by The Beatles' buddies The Smothers Brothers ... and, although the rest of the world wouldn't realize it for another year, this would become not only a key scene in their newly named documentary "Let It Be," but it would also mark the last time that all four Beatles performed together live.  The segment was actually filmed back on January 30th ... scroll back to our coverage from earlier this year if you missed it.)

Also continuing to make big strides on this week's chart are "Love Can Make You Happy" by Mercy (which climbs from #11 to #6), "Mornin' Girl" by Neon Philharmonic (#30 to #15), "Too Busy Thinking About My Baby" by Marvin Gaye (#27 to #19), The Friends Of Distinction's vocal version of "Grazing In The Grass" (#31 to #20), a big instrumental hit last year for Hugh Masakela, and "Medicine Man" by The Buchanan Brothers, which climbs from #40 to #27 this week.




This Week in 1969:  

May 7th - Bob Dylan's album "Nashville Skyline" is certified gold.

Also on this date, The Association, Goldie Hawn, John Hartford and Roy Clark all make appearances on The Glen Campbell Goodtime Hour.  

May 8th - Elvis tells The Colonel that he doesn't want to do any more movies because the scripts are so weak.  Now that he's returned to live performing, The King feels rejuvenated.  And, he's having hit records again!

May 10th– At the invitation of Presidential Daughter Tricia Nixon, The Turtles and The Temptations perform at The White House.  Flo and Eddie have oft documented that the band smoked quite a bit of dope in and around The White House grounds before taking the stage … which Mark Volman then reportedly fell off of several times.  Guess the invited audience members of the audience just figured that was The Turtles being wacky! 


May 11th - Diana Ross and the Supremes are back on The Ed Sullivan Show tonight, singing three songs that NOBODY wants to hear them sing:  "The Impossible Dream,""You're Nobody 'till Somebody Loves You" and "No Matter What Sign You Are."

May 12th– Actress Kim Fields is born
 

A Monday Morning Quickie!

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Did you hear about The Beatles’ Butcher Cover LP that sold for $234,000 this past week? 
It was John Lennon’s personal copy of the rare LP, called back by Capitol Records as being “too controversial” for its time when it was first released back in 1966.  (The cover bears the signatures of John, Paul and Ringo … and this same auction house sold Ringo’s personal copy of The Beatles’ White Album last year for $790,000, which currently holds the record for the most money ever paid for a vinyl record.  Lennon’s signed copy comes in third place on the all-time list, behind an Elvis Presley acetate of “My Happiness,” purchased in 2015 by Jack White.) 
A baseball signed by all four Beatles at their final live appearance at Candlestick Park in San Francisco fetched $75,000 at the same auction.  (I would have thought that to be FAR more valuable than that!)  kk


In somewhat Beatles-related news, how cool is it that Dhani Harrison is touring with Jeff Lynne’s ELO this summer!!!
We have been looking forward to this show since we saw Jeff last year (the concert we ranked as our #1 Concert Of The Year for 2018) … and this extra special bonus really pushes things over the top!  (kk)  

Mod Squad “It Girl” Peggy Lipton (she played Julie Barnes) died of cancer on Saturday, May 11th.  Certainly one of the ‘60’s hottest pin-up girls in boys’ bedrooms around the world, Lipton went on to marry Quincy Jones (with whom she had daughter Rashida, who went on to star on The Office, Parks And Recreation and Angie Tribecka).  She also dabbled with a short-lived, unsuccessful singing career.  Lipton came back into the spotlight on the cult-TV favorite Twin Peaks … and recently reprised her role on the Showtime reboot.  (She also played Angie Tribecka’s mom to Rashida on that just-cancelled television series.)  Always one of our female, favorites, we bid a sad goodbye.  (kk)


Harvey Kubernik remembers Peggy Lipton ... 

Peggy Lipton: An Appreciation
By Harvey Kubernik 
I read the news today that actress / recording artist Peggy Lipton passed away from colon cancer. 
Lipton co-starred as Julie Barnes in the counter-culture television series The Mod Squad from 1968 - 1973, and earned a Golden Globe Award for Best Actress in 1971. 
Over a fifty-year career she acted in movies and numerous TV spots in The F.B.I., Mr. Novak,The Invaders, The Alfred Hitchcock Hour, in the nineties for David Lynch’s Twin Peaks portrayingNorma Jennings and a 2017 episode of Angie Tribeca.    
I met and encountered Peggy Lipton a handful of times from 1964 - 1982 around Hollywood, California. A couple of times on the Sunset Strip 1966 - 1968 with my surfer pal, Peter Piper, who went to Hollywood Professional School with her on Hollywood Blvd. Peggy had earlier briefly attended University High School. 
I interviewed Peggy this decade a few times for books. 
In 2012 for A Perfect Haze: The Illustrated History of The Monterey International Pop Festival and for the 2014 book on photographer Guy Webster:  Big Shots Rock Legends and Hollywood Icons.  I quoted Peggy in 1967 The Complete Rock Music History of The Summer of Lovepublished in 2017. 
Guy Websterand Peggy had a bond. Guy was her principal photographer from 1965 - 1970. Peggy is seen on the Turtles’ “Happy Together” b/w “She’d Rather Be With Me” picture sleeve and LP front cover. The photo session was done outside famed Gold Star Recording Studio. 
Webster shot the cover of her Ode Records album Peggy Lipton, a cult favorite in Japan. It was released on CD in an expanded edition in Summer, 2014, by Real Gone Music. 
“I knew her from childhood, long before television and The Mod Squad,” recalled Webster in a 2014 interview we conducted. “She worked at the Village Theater in Westwood, selling candy, taking tickets. I love her, even today. She did an album for Ode. We were old friends and she trusted me completely.” 
Guy was just the right photographer for me as my career started out,” Peggy told me in a separate interview. 
I was uncomfortably shy and didn’t like being photographed. With him, I was safe and I knew he had an amazing eye. He wasn’t hesitant to tell me if something wasn’t right. I was 20yearsold and he became my go to guy for all my stills. I loved him as a person. He was gentle, fun and encouraging without being phony. He had photographed such great stars and musicians but I was oblivious to all that. 
On my sessions with Lou Adler, he came and did black and whites of me in the studio. One still hangs in my living room. Can you say someone captured your inside life? If so, Guy Webster did. And I let him. That was our communication. Plus we laughed a lot. It was all a great joy!”
In the eighties, we crossed paths at Cherokee Studios when her husband, Quincy Jones, was producing a session with Michael Jackson and Paul McCartney. Her daughter Kidida went to Fairfax High School, where I earlier graduated from.
Peggy was always inclusive if you saw her and Quincy Jones at a music show or television taping. During 1982, I sat with her and Quincy, along with Patti Austin and Levi Stubbs, when Richard Pryor taped his Richard Pryor: Live on the Sunset Strip at the Hollywood Palladium.
In the early nineties, Lipton attended Milton Katselas’s master acting weekly class as a director / observer. 
Beneath all her Mod Squadtelegenic beauty was a passionate rock ‘n’ roll woman who studied with the spiritual leader, Indian woman Gurumayi Chidvilasannanda.  Nameste, Peggy. 

Excerpts from Peggy Lipton and Harvey Kubernik 2012 Interview:
“I was 21 and went up to the Monterey International Pop Festival with my best friend, who I had known since I was 16, Allen Warnick. He was a renaissance man, a decorator, and an actor and tight with Jack Nicholson. He later had a part in Chinatown. We were so much on the same page so I felt safe with him.  He was my biggest supporter and booster. Years later Allen even fixed me up with Quincy (Jones). 
Allen and I stopped at a motel and Stephen Stills and David Crosby were rehearsing in this room. I loved Buffalo Springfield. I used to see them at the Whisky and I loved the Byrds. I saw them at Ciro’s and dated the drummer Michael Clarke. I adored him. One of the reasons I went was because the Byrds were there.
Laura Nyro played a night at Monterey. Nobody got her. She was my roots. She was Doo Wop. When I look back, Lou (Adler) really got her. I met Laura and went to her concert. She was my idol. I saw her musically as something that was incredible. I met Laura Nyro in 1968 / ’69 at Clive Davis’ house in New York. The first album More Than A New Discovery had been out.
Monterey reached its climax for me in the early afternoon and there was a light drizzle and we went to hear Ravi Shankar. I remember I left my body. That was it for me. It was beautiful, peaceful and chilled everybody out. Ravi transported me. It was gently raining and he transported everybody. We were all taken there. It was like we were put on a spaceship and driven to another planet.
Besides Ravi Shankar the other total thrill we had was Otis Redding. He was electric! And, I think I forgot about Sir Paul (McCartney) during that performance. I secretly hoped Paul would show up. Maybe that’s why I even went. And maybe that’s why I was such a friggin’ wreck. I was so nervous. It was about Paul McCartney. Oh My God. I love you for discovering my ulterior motive. (laughs).
I was at Monterey. I loved music my whole life and was into the music but I was there to see Paul McCartney. (laughs). Oh My God I feel so bad now. (laughs).
It’s really funny. And I think now what makes sense is the thing about Ravi Shankar and the reason I relaxed was that I wasn’t looking for Paul McCartney. I was finished with backstage nerves and stuff and I got out there with everyone else and we didn’t have good seats, they weren’t bad, and that’s when it rained and I released all of it. And that’s the Ravi Shankar effect. I called my autobiography [written with David and Coco Dalton] Breathing Out
In the crowd I was like everybody else at Monterey. But on the heels of Monterey things were different for me starting in 1968.
Before The Mod Squad TV series I was anonymous. I remember when Clarence (Williams), Michael (Cole) and I were on an ABC-TV promo tour and we were with this marvelous agent, Connie Stone. And we were in an airport. We were just kids, you know ... Michael and Clarence were, of course, more mature. And Connie said, ‘Just note this. You will never be anonymous again.’ And we looked at her and went ‘Huh?’ And she said ‘Trust me. I’m telling you.’ And we all remember that. It’s not like we don’t. We remember that day. Because we were free and laughing and promoting a show. 
“I have to tell you I felt like a different person when I came home from Monterey.  I think I was still living with my parents. I didn’t move out of my parents house until I did the movie Blue in 1967 with Terrence Stamp. It changed me in a way. Everyone was on the same note. And yes, we were walking out on Sunset Blvd., protesting. We walked instead of having cars. We made it our place.
Monterey did change me. I’ll tell you what I felt. In one way, we were all on the same page. We’re all going for the same music. And yet there was a loss of innocence. You would hear Love’s ‘Little Red Book,’ a Burt Bacharach and Hal David song on the radio. KFWB or KRLA once in 1966 or ’67 and go to the music shop and pick it up as a single. We can’t even do that anymore.
I think with Monterey Pop everybody was brought together in a very loving way. It still had the stamp of we love music and we want to be around music I think and we want all of us to be the same. Yes we can idolize our people but we’re really all the same. Because we are the music. And then after I felt change.
Things were consolidated. Like, OK, every weird person I loved, now everybody loves them. And that’s what I think changed the most. Is when it became exposed. Jimi Hendrix, Laura Nyro. That’s when it changed.
Even though I came back from Monterey with a feeling of love and music, and we’re all on the same page, it was also like, ‘OK. Everyone knows about this. This was not a hidden thing, just a little concert on a hill.’
This was a major commercial ‘Let’s put it out there.’ And so I felt both. I felt connected more with the music and also it had changed.  And it was different for the people at Monterey and the music of Monterey, too. The business changed after Monterey.”
-- Harvey Kubernik 

A couple of GREAT interviews came out this past week, featuring a couple of our favorite local guys …  

Jim Peterik talks to Ultimate Classic Rock about the new “World Stage” album that features a slew of guest vocalists … everyone from Dennis DeYoung to Kevin Cronin to Jason Scheff to Jimi Jamison to Don Barnes to Matthew and Gunnar Nelson to David Pack and more.  (They also have a bit of fun discussing his purple hair!)  
You can read the full interview here: 
And you can still register to win a copy of the new CD, out this week!  (kk)

Meanwhile, Carl Giammarese of The Buckinghams does a lengthy interview in the new issue of Goldmine Magazine … discussing the on-going success of the band, the early days and their upcoming appearances as part of the 2019 Happy Together Tour.  (Some very interesting stuff here!)


And some great news on the Dick Biondi Film front …


This from Pamela Enzweiler-Pulice … 

In response to the success of the Good Times Rock ’n Roll Fundraiser, the Dick Biondi Film Team announces stepped-up post production.  

Director Pamela Enzweiler-Pulice writes:

Due to the outpouring of support at our fundraiser, we expect the film to be completed this year. While we still need to pay for music and media rights, color correction, audio sweetening, subtitles, E&O Insurance, legal costs and more, THE VOICE THAT ROCKED AMERICA: THE DICK BIONDI STORY is on its way to the finish line.  Thanks to everyone who made this possible — our dedicated committee and volunteers, our wonderful sponsors, our attendees and backers, and all of you fabulous artists who gifted us with your time and talents, including you, Kent, for always supporting our efforts.
Hey, hey! We’re on our way!
Stay tuned for announcements regarding special screenings of the film where viewer input will be taken into consideration before the final edits to the film are made.

This is a very exciting time for all of us who grew up loving Dick Biondi … thanks again to ALL the Forgotten Hits Readers who pitched in to help make this film a reality.  (kk)  

Another one bites the dust …
Yet another prominent rock station has been bought by Christian Broadcasting Company K-Love to be converted to New York’s first Christian Rock Station.
The latest casualty … WPLJ … home for YEARS to Scott Shannon … and long considered to be a New York powerhouse station.  (After being a dominating force on the New York rock scene for the past fifty years, ratings have plummeted ever since Scott Shannon decided to jump ship a few years ago to take over the morning show at WCBS-FM.  He just recently celebrated his five year anniversary with the station.)  
With more and more rock stations being purchased for Christian Broadcasting (including two here recently in Chicago), Christian Rock will soon have a commanding force to be reckoned with in the programming arena.

America's Sweetheart

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The sad, sad news came very early Monday Morning ...

America's Original Sweetheart, Doris Day, had passed away from pneumonia.  She was 97.



Doris touched all of our lives in some way over her 97 years.

She was the epitome of the "girl next door" ... the virginal princess in countless romantic comedies (many starring opposite Rock Hudson.)

Her singing career dated back to the 1940's, first as the female vocalist for The Les Brown Band (with whom she charted twelve times, including the Americana Classic "Sentimental Journey") before branching off on her own as a solo star.  

Her Top Ten Hits included "Love Somebody" (#6, 1948), "It's Magic" (#2, 1948), "My Darling, My Darling" (#7, 1949), "Bewitched" (#10, 1950), "Shanghai" (#9, 1951), "A Guy Is A Guy" (#4, 1952), "Sugarbush" (#10, 1952), "Secret Love" (#1, 1954), "If I Give My Heart To You" (#1, 1954), "Que Sera Sera / Whatever Will Be, Will Be" (#2, 1956) and "Everybody Loves A Lover" (#6, 1958)

She was the #1 Female Box Office Attraction for the better part of two decades ... and starred in her own television series as well.  Her only son, Terry, was adopted by Doris' third husband, Marty Melcher.  Terry would go on to become a successful record producer in his own right in the 1960's, working with Paul Revere and the Raiders, The Byrds, The Beach Boys (he cowrote their #1 Hit "Kokomo"), The Rip Chords and, in the early '60's, was also one half of the surf duo Bruce and Terry (the other half being future Beach Boy Bruce Johnston.)  It was to Terry Melcher's old house in the Hollywood Hills that Charles Manson dispatched a group of his followers to wreak havoc, ending in the murders of Actress Sharon Tate and four others.  (Melcher turned Manson down for a recording deal and Manson reportedly wanted revenge.)

One of the first celebrities to speak out after hearing the news was Paul McCartney, a Doris Day friend and fan for many years.  

“She was a true star in more ways than one,” he wrote on his website. One of those ways was as a lifelong animal welfare activist.    

The actress-singer was considered an early advocate of animal protection services and her love of dogs in particular earned her the nickname “the Dog Catcher of Beverly Hills.” She founded the Doris Day Pet Foundation in 1978, which evolved into the Doris Day Animal Foundation.   

“Visiting her in her Californian home was like going to an animal sanctuary where her many dogs were taken care of in splendid style,” the Beatle wrote. “She had a heart of gold and was a very funny lady who I shared many laughs with. Her films like Calamity Jane, Move Over, Darling and many others were all incredible and her acting and singing always hit the mark. I will miss her but will always remember her twinkling smile and infectious laugh as well as the many great songs and movies she gave us.” 

In an interview with Rolling Stone in 2016, McCartney quoted Day when discussing aging with David Fricke. “Doris Day, who I know a little bit, once said to me, ‘Age is an illusion’ … I reminded her of it recently – I was wishing her a happy birthday. People say age is a number. It’s a big number the older you get. But if it doesn’t interfere, I’m not bothered. You can ignore it. That’s what I do.”  

Doris Day may not seem to be the type of artist typically receiving coverage in Forgotten Hits ... but over the past twenty years we have covered SO many topics that even she has come up a time or two.

This is something I found using the awesome search engine attached to the site ...  

'60's FLASHBACK:

Before the music charts were driven by the latest sounds in rock-and-roll, Doris Day was hitting Billboard's Pop Vocal Charts, in a recording career that dates back to the early 1940's. (Incredibly, some of her mid-1950's recordings also competed side-by-side with those rock-and-roll hits of the day!) 
Doris was born on April 3, 1922, in a suburb of Cincinnati, Ohio, asDoris Mary Ann Von Kappelhoff. 

As a big band singer (first withBob Crosby ... Der Bingle's kid brother ... and then, more famously, with Les Brown), she was already hitting the pop charts as a "featured vocalist" prior to pursuing a solo career. (Day's vocals graced the chart-toppers SENTIMENTAL JOURNEY and MY DREAMS ARE GETTING BETTER ALL THE TIME in 1945. Incredibly, she was only 17 years old when she first started singing withLes Brown's band!!!) 

In 1948, she had her first official "solo" hit. ("Love Somebody" reached #6 on Billboard's Best Sellers Chart and went all the way to #1 according to their Disc Jockey Chart tabulation.) In all, she would hit Billboard's Pop Charts nearly 50 more times, scoring Top Ten Hits likeIT'S MAGIC(#2, 1948);MY DARLING, MY DARLING(#7, 1949);BEWITCHED(#10, 1950);SHANGHAI(#9, 1951);A GUY IS A GUY(#4, 1952);SUGARBUSH(recorded withFRANKIE LAINE, #10 in 1952);IF I GIVE MY HEART TO YOU(#4, 1954); and her two most famous hits,SECRET LOVE(#1 in 1954) andQUE SERA, SERA - WHATEVER WILL BE, WILL BE(#2, 1956). 
But my PERSONAL favorite has always been EVERYBODY LOVES A LOVER, a #14 Billboard Hit (#6 in Cash Box) from 1958.

I love the whole counter-melody thing going on in this feel-good song ... I dunno, it makes me feel JUST likePollyanna every time I listen to it!!! (And I'll tell you what ... this song would STILL sound good coming out of your radio every once in a while as one of those unexpected "Wow" factor songs!)


BTW: Along the way in her lengthy, successful career, Doris Day made a few movies, too ... probably most-famously with leading manRock Hudson. Her film credits include motion pictures likeLOVER COME BACK(1946);YOUNG MAN WITH A HORN(1950);THE WEST POINT STORY(1950);ON MOONLIGHT BAY(1951); APRIL IN PARIS(1952); CALAMITY JANE(1953);THE MAN WHO KNEW TOO MUCH(1956); THE PAJAMA GAME(1957); TEACHER'S PET(1957);PILLOW TALK(1959);PLEASE DON'T EAT THE DAISIES(1960);THAT TOUCH OF MINK(1962) andTHE GLASS BOTTOM BOAT(1966). She was the reining, top female box office draw for much of the 1960's. (In fact, Doris'two biggest hits BOTH came from the movies ...SECRET LOVEfirst appeared inCALAMITY JANEand she sangQUE SERA SERA - WHATEVER WILL BE WILL BEtoJAMES STEWARTinTHE MAN WHO KNEW TOO MUCH.)


DIDJAKNOW?-1:Doris Day ultimately won a $22 Million judgment againstTerry Melcher's adoptive father,Marty Melcher, who managed her career for 17 years. During that time, he either lost or embezzled most of her earnings and (after finding out that she was left completely broke after her husband's sudden death and then suffering a complete nervous breakdown), she won a court settlement filed against her former attorney in 1973, who was aware (and financially responsible) for all ofMarty Melcher's dealings. Ironically, his last business deal committedDayto star in a television series, which she claimed she had no knowledge about and never would have agreed to. When the dust settled, she took the role, and ended up starring on her own (hit) television series for the next five years!

DIDJAKNOW?-2:Doris Day turned down the role ofMrs. Robinson in '60's classic filmTHE GRADUATE.
 


BONUS:  I aked frequentForgotten Hits contributor THEONEBUFF(who just may be the biggest movie buff I know) to share a few thoughts on the movie career of Doris Day

Here's what he came back with:
 

Doris Day, a band singer, a recording star and a good-looking young woman, was ideal for the movies of the 1940s and her transition into movie star was inevitable. In addition to having a great singing voice and a cute, freckled face, Doris had an admirable figure though it was often kept under wraps as she portrayed everybody's favorite girl next door. The idea was not to appear sexy, but wholesome. She had to be the good girl that contrasted with the slinky types, common to mainstream movies, that turned men's heads but were always a little bit rotten. Doris played the selfless, helpful, all-enduring, ever-faithful girl that the hero wound up with.

Her first starring movie was Romance On The High Seas (1948) and her leading man was Jack Carson. Jack was a fine actor but no big star. Doris, however, was heading directly for stardom. Two years later she was starring with Kirk Douglas and Lauren Bacall in Young Man With a Horn and in West Point Story with James Cagney in the lead. Five short years later she would be billed ahead of Cagney in MGM's Love Me Or Leave Me. In between she made a bunch of lighthearted musicals, usually with Gordon MacRae. In 1953, after the success of MGM's 1950 Annie Get Your Gun (with Betty Hutton) about a tomboyish backwoods girl who blossoms into a beauty (while singing a bunch of Berlin tunes), Warner Bros. trotted out Calamity Jane, about a tomboyish gun-toting girl who blossoms into a beauty (while singing a bunch of Fain-Webster tunes) They even borrowed Howard Keel, the male star of Annie Get Your Gun to play opposite Doris, just in case you didn't get the point. In this one Doris got to sing many pleasant tunes, a couple of cute tunes, and one blockbuster tune that became a big hit and won an Oscar. This was, of course, Secret Love.


In 1954 she appeared opposite hot, fresh from an Oscar win, Frank Sinatra in Young at Heart, a remake of Four Daughters. No new songs of lasting value emerged from that, but Doris got to play the ultimate girl next door and selfless heroine who marries the hapless and seemingly hopeless Sinatra character. She is cuteness personified in this one, even getting to close the refrigerator door with her fanny while carrying an armful of goodies. But she was close to getting away from that image. She had deviated slightly in 1952's April In Paris playing a chorus girl ("what a built!") but the big change was in Love Me Or Leave Me as Ruth Etting where she did a heavy dramatic role along with the singing. Her co-star was Cagney and he stole much of the movie, but Doris held up her end of the deal, too. Hitchcock cast her in The Man Who Knew Too Much and her scenes as a distraught mother of a kidnapped child are well done. Later she found a new partner, Universal's Rock Hudson, and they made three fine comedies together, Pillow Talk, Lover Come Back and Send Me No Flowers. For the first of these, Doris got her only Oscar nomination for Best Actress. Doris got to pilot an airplane in "Julie," is menaced by husband Rex Harrison in Midnight Lace and went back to comedies opposite Cary Grant (That Touch of Mink) and James Garner (The Thrill of it All, Move Over Darling). There were more movies but the big days were behind her. She had done it all and once reigned as Hollywood's Box Office Queen. This is a personal memo, because I personally liked Doris Day and most of her movies. 


My only research was a list of films, which helped jar my memories. She remains a favorite. Doris Day had one of the purest singing voices of all time. Had she chosen to, she could have become one of those jazz chanteuses who reap high critical praise and damn near starve to death. Since she chose to make a profitable career she often gets snubbed. But I have heard her sing ever genre (her jazz recordings with Andre Previn are sublime) and do movies of every stripe (from Hitchcock to high comedy) and I think she is a treasure.
Hil  (THEONEBUFF)

When Doris Day published her "tell-all" biography in 1976 ("Doris Day: Her Own Story") she talked openly about her money troubles and three failed marriages.
"I have the unfortunate reputation of being 'Miss Goody Two-Shoes,''America's Virgin,' and all that, so I'm afraid it's going to shock some people for me to say this, but I staunchly believe no two people should get married until they have lived together," she wrote.  (That raised more than a few eyebrows at the time!)     

Here is a link to a very nice piece written by Joe Marchese (who had the honor and privilege of writing the liner notes to some Doris Day CD compilations) ... 
https://theseconddisc.com/2019/05/in-memoriam-doris-day-1922-2019/

The Fab Four ... Live In Tarrytown

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Guest Columnist Shelley Sweet-Tufano files this review from the recent FAB FOUR Concert held in Tarrytown, NY.

We LOVE these guys ...

And they're coming back to The Arcada Theatre on November 1st ...

Can't wait to see them again.

Meanwhile, here's YOUR chance to live vicariously through Shelley's experience.

Read on!

It has been a bleak winter. 

Snow was not very evident, but ice and gloom covered the state. 

We are now in a new time that calls out to be named Monsoon Season. 

I have tickets to see The Fab Four in Tarrytown, NY. The original friend who was going to meet me there is laid up in bed. It is an hour and a half drive to and from with no hope of a break in the forecast. So the obvious choice for me is to pick up a book and THROW IT ON THE FLOOR BECAUSE 

FRICKIT! I’M GOING ANYWAY!   

A rejuvenation of body and soul is beginning as I walk into the theatre and sit down. The first time I played the Trivia Game that appears on the stage scrim, I got 100%. They haven’t changed it so I still bat 100! But tonight there is an audible GASP from the audience when the answer ‘All My Lovin’ is revealed as the first song The Beatles sang to the audience from the Ed Sullivan stage. Really? I thought that was required history. OK … so in MY classes, it is common in the curriculum, but just maybe everyone isn’t lucky enough to know that piece. See? Go to a concert and you can learn new facts.

Jeff DeHart, appearing tonight as Ed Sullivan, emerges and goes over the rules.

                Everything is live tonight. No recordings.

                No matter what anyone has told you, take as many pictures as you want.

                Take videos. Record often.

                DON’T SING ALONG ... 

                "No please. Don’t do that.” 

But The Fab Four even promote singing along. A splendid time will be had by all.

As The Fab Four take possession of the stage, I am aware that ‘John’ and ‘Paul’ are new to me. ‘George’ is the admired Gavin Pring from Liverpool, UK, who has met Paul McCartney and been told, “You kind of look like George.” Gavin replied, “And you kind of look like Paul.” No truer statement Gavin. Macca looks A LOT like Paul.

I know ‘Ringo’ as well: Joe Bologna from Detroit, MI. I have seen Rolo Sandoval in the part before. I usually see ‘John’ portrayed by Ron McNeil, but Adam Hastings, in the role, attracts and keeps my eye immediately. He has every facial expression of John’s down solid. Even when the focus is on another member, he is ‘John’. Downcast eyes while others talk, the lean on the back leg, the laughing eyes and smile when he is surprised, the sardonic smirk when he is being sarcastic. I wait for him to make a slip, to fall out of character. I don’t find it. Adam hales from Newcastle upon Tyne, UK.  Truly not just fantastic musicians, but incredible actors join this and every performance that The Fab Four do.

So now my educator brain starts rattling off questions:

                How do they find these performers?

                Are their roles perfected before they join the touring group or is their training after they “sign up”?

                Is each one truly playing their favorite Beatle, or are they cast primarily by looks?

                Does anyone have to learn a new instrument when they come onboard?

                Who writes the script and decides the songs?

                And is there anyone who is a natural left-handed bass player? I know that Ardy Sarraf (another Paul) was an accomplished right handed bass player who had to reteach himself.
               
Well, speaking of Paul, tonight he is played by Neil Candelora from Orlando, FL. However, he originally came from Tarrytown, NY, and his parents still live there. I wonder how many people came to this particular night just to see their hometown boy?  Neil has a smaller stature than McCartney and may look nothing like him without wigs and false mustaches, but he has the flow of the man in his movements and definitely is ‘Paul’ tonight.

The above questions have been submitted to The Lads through their publicist, Jeanne, and I hope to be able to report back here and at school on the work that goes on behind the magic.

Let’s go through this performance! 

First the set list ...

                She Loves you
                I Want To Hold Your Hand
                All My Lovin’
                Love Me Do
                A Hard Day’s Night
                Eight Days A Week
                Can’t Buy Me Love
                Here, There, and Everywhere
                Blackbird
                Yesterday
                Help
                Day Tripper
                I Saw Her Standing There
                Twist and Shout - EVERYBODY OUT OF THEIR SEATS TWISTING … yes, and shouting the lyrics
               
                Intermission
 
                Jeff DeHart returns as Ed Sullivan, doing impressions of Nixon, Rodney Dangerfield and Jack Nicholson. Jeff can be seen in the new Martin Scorsese film“THE IRISHMAN”.

                Sgt Pepper’s Lonely Hearts Club Band
                With A Little Help From My Friends
                Penny Lane
                Lucy In The Sky
                Reprise of Sgt Pepper with the front three banding together center stage on guitars
                A Day In The Life
                T-shirt throw while Adam changes into the white suit and longer Lennon hair
                Got To Get You Into My Life
                Imagine
                While My Guitar Gently Weeps / Something
                Here Comes The Sun
                Get Back
                Revolution
                Hey Jude - Encore
 
And just think of all The Beatles songs that we did NOT hear? Since this California based group of performers started touring in the east (beginning of 21st century), I have been in awe of the accuracy and professionalism of their shows. 

None of my students will ever have the privilege of seeing a live performance of John, Paul, George and Ringo other than films and tapes. 

I saw them. I initially fought the idea of The Beatles and the British Invasion. (Mom, they’re just boys, and there are already too many of them around now.) 

But my friends and I collapsed quickly and solidly and were drop-kicked into an age that was to change us, the world of music, and in ways-life in general. This is the best staged performance tour of The Beatles that I have seen. 

No matter who is in the roles. 

They are tight. 

The Beatles were tight. 

Each an individual and yet a united group. If I have said any of this before, remember that it takes the average person 54 times of hearing something to remember it fully and 28 times of reading it. So, if you remember things from before, you are above average! Good for you and keep on reading.

Thank you to Ken Michaels Radio for the tickets, and to The Fab Four and their staff for their input, support and interest in what I do and have to say.

I will end with some words from John (Adam Hastings)

                “You all dressed like your parents!”
             
                “They tell me you only appear here twice in your career. Once on the way up and once on the way down. It’s good to be back.”
 
Shelley J Sweet-Tufano

Shelley also sent this YouTube video clip doing their "Sgt. Pepper" closer.



A MUST SEE attraction if they come out your way.  Portraying The Beatles in the utmost professional and respectful way.  

Be sure to check out their website for upcoming show dates. 

http://thefabfour.com/?page_id=37

Remembering Doris Day

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>>>One of the first celebrities tospeak out after hearing the news was Paul McCartney, a Doris Day friend and fan for many years.   (kk)

kk –
It doesn't seem like these two would be friends.
FB 
https://www.telegraph.co.uk/culture/music/rockandpopfeatures/8733533/Doris-Day-and-Paul-McCartney-in-conversation.html?fbclid=IwAR0wU0XF7iaxDeP4-WV0epruO4sRst50qotTz7xy1Y7hdyc3hSMBQwSy-30 

Oh, I don’t know about that … both Doris Day and The McCartneys were HUGE animal rights activists … and Paul grew up listening to this kind of music and fell in love with it as a kid.  (Keep in mind he’s the guy who “peppered” The Beatles’ catalog with 1920’s-sounding hits like “When I’m 64,” “Your Mother Should Know,” “Honey Pie” and the like.)
Family sing-alongs were always a big thing in the McCartney household … and they still sing a few rounds of these early classics when they get together in the pubs in Liverpool to this day.  (Check out the James Paul McCartney TV special from 1973 or, more recently, his Carpool Karaoke return home visit with James Corden.)
I think this is a GREAT interview, by the way.  I love the fact that Paul is interviewing Doris … asking the things HE would like to know more about.  (When you think about all the interviews McCartney has done in his lifetime … tens, if not hundreds of thousands … it’s interesting to see the tables turned and find out the kind of questions he put together on his own.)
I’ll never forget one of the most striking interviews I ever read with The Beatles … and think about this … at the peak of Beatlemania in 1964 they traveled the world and were besieged in every city not only by teenage girls but also by television, newspaper and radio reporters, sticking microphones in their faces, trying to capture just a unique word or two with one of The Fabs.  Most just wanted the same information … everything from “When are you going to get a haircut?” to “What kind of girls do you like?” to “What’s your favorite color?” to “What’s your favorite food?” … again and again and again ad nauseum.
At one of these insane, madhouse session, John Lennon was asked “Can you think of a question you haven’t been asked yet?” … pretty heady stuff for a 24 year kid thrust into the worldwide spotlight and living the life of non-stop celebrity … to which he replied “No … not even that one.”
The fact that this interview took place exactly ten years ago is perhaps the more amazing part.  Doris was releasing a new album, featuring songs written by some of the most contemporary artists of the day.
Paul, several years before, had written and produced a song for another one of his early female idols, Peggy Lee.  (“Let’s Love”)  If anything, I'm surprised he didn't give her a track to record for the new LP!  
So again, he had a definite affection for this era of music.  (Think, too, about his recent “Kisses On The Bottom” recording of standards that he says helped to inspire the Lennon and McCartney songwriting team way back when in those very early years.)
The fact that he loved those old-time movies (and even turned his kids on to them) is also pretty cool.  (kk)

Other celebs have been weighing in with their comments and memories of America’s Sweetheart …   

She was a true star in more ways than one.  One of those ways was as a lifelong animal welfare activist.  
Visiting her in her Californian home was like going to an animal sanctuary where her many dogs were taken care of in splendid style.  She had a heart of gold and was a very funny lady who I shared many laughs with. Her films like Calamity Jane, Move Over, Darling and many others were all incredible and her acting and singing always hit the mark. I will miss her but will always remember her twinkling smile and infectious laugh as well as the many great songs and movies she gave us. 
She once said to me, ‘Age is an illusion’ … I reminded her of it recently – I was wishing her a happy birthday. People say age is a number. It’s a big number the older you get. But if it doesn’t interfere, I’m not bothered. You can ignore it. That’s what I do.
-- Paul McCartney    

Condolences to the family of Doris Day. She was the World’s Sweetheart and beloved by all.  Que Sera Sera 
-- William Shatner


This morning I was saddened to learn that Doris Day who starred in a film I had written "The Thrill Of It All" had passed away at 97. Just a week ago, I contacted her and welcomed her to the 97 Year Actor's Club.  
-- Carl Reiner


The great Doris Day left us and took a piece of the sun with her. She brighten our lives and lived out her life with dignity. May she rest peacefully.
-- Goldie Hawn  

For those of us in my generation, Doris Day was synonymous with Hollywood icon. She would no doubt remind us, upon this day of her passing, “Que sera sera,” but we will miss her dearly anyway. Rest now in our hearts forever, Ms. Day.  
-- George Takei


A Cincinnati girl just like me,” Parker wrote on Instagram. “How many letters I drafted to you and didn’t send. I could never get it right but they all said the same thing: I love you. Millions did and do. 
-- Sarah Jessica Parker


Really difficult to state just what a huge influence this woman was on me during my early years. She gave me hope a woman could be strong, funny, and successful.  
--Melissa Etheridge


Doris Day was great actress & a lovely, gracious lady. My condolences to all who loved her. My prayers are with her family & loved ones. She was a dedicated protector of animal rights & animal welfare on top of her wonderful voice and amazing on screen talent. She will be missed.  
-- Gloria Gaynor


Susan and I are saddened to hear of Doris Day’s passing. She was a wonderful friend to us and a lovely and very talented lady. We will miss her beautiful smile and it was such a thrill to appear on The Doris Day Show back in 1970.  
-- Tony Bennett

Bravo wonderful Doris Day on a life beautifully lived. Thank you for the great gifts you shared with all of us, they will live forever.  
-- Mitzi Gaynor

God Bless Doris Day! x What a voice. What a legend. R.I.P.  
-- Boy George

One of my all time favourite stars has joined the heavenly choir. Rest in Peace the great & inimitable Doris Day. The last star of the Hollywood Golden Age. We'll bid you farewell by the Light of The Silvery Moon, but you will always be Young at Heart to us forever.
-- Elaine Paige

The Friday Flash

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A day after Mick Jagger posted a video of himself showing off his dance moves, The Rolling Stones released the list of their rescheduled tour dates due to Jagger’s unexpected heart surgery postponement.  
Tickets for previous dates will be honored at all venues … and if for any reason these new dates don’t work for you, Ticketmaster will refund your account for the tickets purchased.
This time around, the tour kicks off in Chicago (which is where it was originally supposed to wrap up the first time around.)  It now closes in Miami, which was the original launch city.  (Our FH Buddy Chet Coppock, who had seen The Stones 30-35 times over the years … and had tickets for this upcoming show as well ... told me that he was absolutely certain that The Stones wanted to close the tour in Chicago, a city for whom they always had a great deal of affection, so that they could officially announce their retirement after the last gig.  Now that things have flip-flopped, this may no longer be the case … but then again I wouldn’t put it past The Stones to add one more "surprise" date as a grand finale, enabling them to return to The Windy City should such an announcement truly be in the cards.)

The complete, revamped schedule is shown below … 
Along with a look at Mick Jagger’s “Look At Me … I’m Fine!” dance video!  (kk) 

Rolling Stones 2019 No Filter U.S. Tour (rescheduled dates) 
June 21 – Chicago, IL @ Soldier Field
June 25 – Chicago, IL @ Soldier Field
June 29 – Ontario, Canada @ Burl’s Creek
July 3 – Washington, DC @ FedExField
July 7 – Foxboro, MA @ Gillette Stadium
July 14 – New Orleans, LA @ Mercedes-Benz Superdome (Tickets on sale May 31st at 10am local time)
July 19 – Jacksonville, FL @ TIAA Bank Field
July 23 – Philadelphia, PA @ Lincoln Financial Field
July 27 – Houston, TX @ NRG Stadium
August 1 – East Rutherford, NJ @ MetLife Stadium
August 5 – East Rutherford, NJ @ MetLife Stadium
August 10 – Denver, CO @ Broncos Stadium at Mile High
August 14 – Seattle, WA @ CenturyLink Field
August 18 – Santa Clara, CA @ Levi’s®️ Stadium
August 22 – Pasadena, CA @ The Rose Bowl
August 26 – Glendale, AZ @ State Farm Stadium
August 31 – Miami, FL @ Hard Rock Stadium





Speaking of vintage, dinosaur rockers, did you happen to see The Who performing (with childrens’ instruments and The Roots) on Jimmy Fallon the other night?
Who’d have EVER thought that these guys, now in their 70’s, would still be rockin’ out to a whole new generation of fans!  (And clearly, old Who habits die hard as Roger Daltrey still belts out the lyrics to “Won’t Get Fooled Again,” even in the most stripped-down arrangement imaginable … while Pete Townshend can't resist smashing his toy guitar as part of the grand finale.
Check it out!



Here’s a bit of news that’s both sad and interesting at the same time …
After years of some VERY successful Moody Blues Cruises, Justin Hayward and John Lodge are each doing SEPARATE cruises this year.
Both are offering stellar line-ups of musicians … but it’s too bad they seem unwilling to perform together again.
John Lodge has announced that he will be on the ’70s Rock & Romance Cruise, sailing out of Miami, February 15th - 22nd, 2020, on the wonderful Celebrity Infinity.  John will be performing his Moodies hits and more with his 10,000 Light Years Band during two FULL LENGTH shows!
Joining John on this cruise are Cheap Trick (special appearance 2/18), America, Don Felder (formerly of The Eagles), Randy Bachman (founder of Bachman-Turner Overdrive and The Guess Who), Todd Rundgren, Jefferson Starship, Rita Coolidge, Ambrosia and so much more!  And, as always, he’ll be enjoying the cruise with you and looks forward to seeing you around the ship!
(Other upcoming events featuring John and his 10,000 Light Years Band are shown below.)
This Feel Good Party at Sea is on the Celebrity Infinity, renowned for its modern luxury, and you will also get to enjoy the wonderful ports of San Juan, Samana and Labadee.
Go to http://www.rockandromancecruise.com/lodgefan for more info!
(Book using the promo code LODGEFAN for special savings on this once in a lifetime cruise!)
John Lodge and his 10,000 Light Years Band are also scheduled to appear:
June 12th at The Sands Bethlehem Event Center in Bethlehem, PA
June 14th at The Brockhaven Amphitheater in Farmingville, NY
June 15th at Hard Rock Live at Etess Arena in Atlantic City, NJ
June 18th at The PNC Bank Arts Center in Holmdel, NJ
June 20th at Westchester County Center in White Plains, NY
June 21st at Stage AE in Pittsburgh, PA
July 12th at Ruth Eckerd Hall in Clearwater, FL
July 13th at The Hard Rock in Hollywood, FL
July 18th at St. Augustine Amphitheatre in St. Augustine, FL
July 20th at Toyota Music Factory in Irving, TX
July 21st at The Walmart Amphitheater in Rogers, AR
July 24th at Comerica Theatre in Phoenix, AZ
July 26th at The Joint / Hard Rock Hotel and Casino in Las Vegas, NV
July 27th at Five Point Amphitheater in Irvin, CA
July 28th at Mountain Winery in Saratoga, CA 

Meanwhile, Justin Hayward (billing himself as “The Voice Of The Moody Blues”) departs on the “On The Blue Cruise,” booking now at www.onthebluecruise.com for their April 1st– April 8th, 2020, making stops at St. Maarten, St. Thomas USVI and Great Stirrup Cay.
Also onboard:  The Zombies, Alan Parsons, Art Garfunkel, Dave Mason, Glenn Hughes, Ronnie Spector and the Ronettes, The Orchestra, Colin Blunstone, Al Stewart, Wishbone Ash, David Pack’s Legends Live, Jethro Tull’s Martin Barre Band, Poco, Orleans, Firefall, The Babys, Pat Travers, Focus and many more. 

Can’t decide which cruise to take???
Then book ‘em both!!!  What a GREAT line-up of musicians!  (kk) 

Southern Rock Legends Black Oak Arkansas Return With New Album “Underdog Heroes”!
First full-length album of all new recordings in more than 30 years! 
Southern Rock legends Black Oak Arkansas return with their first full-length album of all new recordings in more than 30 years! Founding members Jim “Dandy” Mangrum (vocals) and Rickie Lee Reynolds (guitar) have been keeping the spirit of BOA alive and their songwriting partnership makes this album an essential release in the band's much heralded catalog!
“Underdog Heroes” includes a very special recording of virtuoso guitarist Shawn Lane, regarded by many as one of the fastest guitar players to ever live, and a member of the BOA clan since 1978 until his passing in 2003!
Available from Purple Pyramid Records on both CD and a special limited edition GOLD vinyl pressing (only 300 made)!

Track List:
1. Don't Let It Show
2. Underdog Heroes
3. Channeling Spirits
4. Ruby's Heartbreaker
5. The Wrong Side Of Midnight
6. The Devil's Daughter feat. Sammy B. Seauphine
7. Arkansas Medicine Man
8. Do Unto Others feat. Shawn Lane
9. You Told Me You Loved Me
10. Love 4 Rent
11. The 12 Bar Blues
12. Johnnie Won't Be Good
 


A WEE HISTORY OF BLACK OAK ARKANSAS … 
In the year 1963, some high school pals decided to get together to form a group because of their love of music. After 53 years, several dozen albums … three of which became gold, one of which became platinum, and one gold single from a song known as “Jim Dandy To The Rescue,” which was told to them to record by none other than Elvis Presley himself (!) … this group of friends still manages to stay together. (After talking to Elvis about this song, Black Oak Arkansas was told the following week by their producer, Tom Dowd, and by their label president, Ahmet Ertegun, that these two industry giants were also about to ask BOA about recording that same tune! Ahmet himself only personally signed five groups to recording contracts in his long, long recording history … and Black Oak Arkansas had the honor of being number 5!)
Many testimonials and awards have been presented to this band by everyone from Bill Graham, (who founded and ran Winterland Ballroom and both the Fillmore East and West), to Wolfman Jack from the Midnight Special; from First Lady Betty Ford to President Bill Clinton!
In their long musical history, the BOA boys have shared a stage with the likes of James Gang, Kiss, The Who, The Rolling Stones, Bob Seger, King Crimson, Emerson, Lake and Palmer, Black Sabbath, Foghat, Bad Company, Bruce Springsteen, Boston, Iron Butterfly, Grand Funk Railroad, B.B. King, Ted Nugent, Alice Cooper, The Outlaws, Deep Purple, .38 Special, Marshall Tucker, Buddy Miles, Billy Preston, Jerry Lee Lewis, BTO, Robin Trower, Humble Pie, Earth, Wind and Fire, The Eagles, Blackfoot, Creedence Clearwater, Johnnie Winter, Edgar Winter, Rick Derringer, Steppenwolf, Allman Bros., The Doobie Brothers, ZZ Top, Chuck Berry, Lynyrd Skynyrd , Charlie Daniels, James Brown, Steely Dan, J. Geils Band, Cheech and Chong, Steve Martin, Danny Thomas, Evel Knievel , and the list goes on and on and on!
Warner Bros. released a DVD on the early years of the band, and then charged forth with another release of a Black Oak Arkansas DVD live at Royal Albert Hall in London! BOA has donated many hundreds of thousands of dollars to charities in their career, and both the mayor of Little Rock and the Governor of the State of Arkansas even declared a “Black Oak Arkansas Day” on October 6th. There is now a permanent display in the Arkansas State Museum and the Barton Coliseum in Little Rock, Arkansas, dedicated to the band.
Black Oak Arkansas continue to tour around the US to enthusiastic audiences!
Buy the CD:https://cleorecs.com/store/shop/black-oak-arkansas-underdog-heroes-cd/ 
Buy the vinyl:https://cleorecs.com/store/shop/black-oak-arkansas-underdog-heroes-limited-edition-gold-vinyl/Stream/download:https://orcd.co/underdogheroes
Black Oak Arkansas official website:http://boa.outoftheashes.net/  
What a remarkable career this band his had!  We all tend to think of them as a One Hit Wonder (but a pretty sizeable hit it was … “Jim Dandy” reached #12 on the national charts in early 1974, despite a #25 showing in Billboard.)  It has already received 68 of your votes in our Top 3333 Most-Essential Classic Rock Songs poll.  (Speaking of which … have YOU voted yet???  More info to come as we move forward with our quest to determine once and for all the most important classic rock songs of all time!  But you can still get YOUR votes in now ... by emailing your selections to classicrockvote@yahoo.com.  Do it now!!!)  kk 

We recently told you about the new massive Woodstock 50th Anniversary that Rhino is releasing this August ... 38 CD's capturing the entire three-day event (minus three songs that had to be omitted either for technical reasons or clearane issues.)

FH Reader Ken Voss (who publishes the Jimi Hendrix "Voodoo Child" newsletter) offers up this review ...   

WOODSTOCK 50TH ANNIVERSARY BOX SET

While you could have attended the original Woodstock concert in 1969 for $6 - 8 per day, you can now relive the experience – without the rain, mud, lack of food and shelter – for only $800! Twice the price of the current Woodstock 50 festival planned.
Rhino Records has announced a massive Woodstock — Back to the Garden — The Definitive 50th Anniversary Archive box set, due out August 2nd.
The mammoth collection consists of 432 tracks spread over 38 CDs, with 267 recordings totaling over 20 hours never-before released. Each of the 32 artists who performed over the course of that legendary weekend in August 1969 is represented in chronological order, including full performances by the likes of Janis Joplin, Jimi Hendrix, Joan Baez, The Band, Grateful Dead, The Who, and Crosby, Stills, Nash & Young. Even crowd and stagehand chatter from microphones setup around the festival grounds and stage announcements from stage manager John Morris and lighting director Chip Monck (like the infamous “flat blue acid” warning) have been preserved. Here’s a link to the complete track list: https://www.rhino.com/…/woodstock-back-to-the-garden-the-de…
Producer Andy Zax, sound producer Brian Kehew, and mastering engineer Dave Schultz located over 60 multi-track reels recorded by Eddie Kramer and Lee Osborne, plus 100 soundboard reels taken by the stage crew. They avoided tampering with the tapes as much as possible, leaving the audio defects in place like “the sonic equivalent of heirloom tomatoes — slightly imperfect, but delicious.”
While they did not include Kramer in the project, Eddie recalls in an interview in Goldmine magazine of how he even got involved in the original concert recording process, “I guess it all goes back to the time when I was working, more or less, underneath the stage at the Fillmore East. Because there they had this little system set up as a recording device, with an 8-track tape machine and a 12-channel console (12-inputs and 8-outputs). And I used to do a lot of live recordings underneath the stage at the Fillmore, and that was the gear that they sent up to Woodstock. So I guess with that in mind, the film director, Michael Wadleigh, kind of knew of my live recording and that, in combination with the fact that Jimi Hendrix was going to close the show, I guess that gave them the idea, ‘Well, we might as well get Kramer to do it.’”
Aside from the 38 CDs, the Back to the Garden also includes the director’s cut of Michael Wadleigh’s Oscar-winning Woodstock documentary, as well as a hardbound copy of Michael Lang’s book Woodstock: 3 Days of Peace & Music; along with a replica of the original program, posters, a reprint of a diary written by then 17-year-old Kevin Marvelle during the festival, two 8x10 prints from legendary rock photographer Henry Diltz, and essays by Andy Zax, acclaimed music scribe Jesse Jarnow, and trailblazing rock critic Ellen Sander, a guitar strap, and a recreation of an actual attendee’s diary as also part of the package, all housed in a screen-printed and numbered plywood box with canvas insert. And get this, the whole thing is limited to just 1,969 copies worldwide, priced at $799.98.
Ahead of the full set’s release, three scaled-down versions will be available on June 28th: a 10-CD Experience edition and a Collection configuration available on either five LPs or three CDs.
The 10 CD package will include 162 songs (track list: https://www.rhino.com/…/woodstock-back-to-the-garden-50th-a…). While full performances are not included, most artists are represented with three or four songs from their sets.This set retails for $149.98
No Hendrix material will be included on the 3CD release (https://store.rhino.com/…/woodstock-back-to-the-garden-50th…). With the 42 songs included, many are remembered fondly from being included in the original Woodstock movie including Richie Havens, Santana, Country Joe, Janis Joplin, Jefferson Airplane, Joe Cocker, Ten Years After, etal. That set will retail for $34.98, with a 5LP edition for $124.98.
You can check out a trailer for the set at: https://youtu.be/b2FpYymgB9s. Rhino is currently taking pre-orders, as the 38 CD box set will be limited to 1,969 (get it, 1969!). As a bonus, Rhino.com orders will come with four exclusive Dale Saltzman 18x15 lithographs, based on banners that were onsite at the original festival. For further information and to pre-order: https://www.rhino.com/woodstock50

Ken also sent us this commentary ...   

With all the hassles of Woodstock 50, and that Michael Lang may not be able to pull off even though there's been over $30-million already invested and all the artists have been paid in advance (All performers -- including Jay-Z, Santana, Miley Cyrus, The Killers, Chance the Rapper, John Fogerty, Janelle Monae, Dead & Company, Halsey, and Imagine Dragons -- have been paid in advance),   he says he needs another $30-million ( Lang has insisted Woodstock 50 will go on, but he reportedly needs $30 million more to make it happen. -- in addition to the $30 million Dentsu already spent on artists) , with ticket prices inferred to be in the $450 range if it comes off (https://www.syracuse.com/entertainment/2019/05/will-2019-woodstock-festival-go-on-court-battle-set-for-monday.html), here's a great commentary on why it shouldn't happen:

Sage Lewandowski has posted one of the best editorial commentaries on Woodstock 50 – “Legacy of Woodstock Not Suitable for 2019”

The Woodstock Music and Art Fair was a concert that defined a generation. Thousands of music and peace-loving men, women and children part of the hippie counterculture flocked to Max and Miriam Yasgur’s Bethel, New York farm for three days of blissful freedom, exploration and performances by some of the most legendary artists of all time. 

The rain, mud, crowds, Volkswagen Microbuses carrying hordes of flower-children and the anti-war sentiment in a world on the verge of positive change; it all created a magic that is almost impossible to revive or recreate. However, promoters of the Woodstock brand tried to rejuvenate the iconic festival for its upcoming 50th anniversary. 

 The promotion failed when partner Dentsu Aegis Network’s Amplifi Live revealed they were no longer backing the festival, stating that they didn’t believe they could put on a show that lives up to the Woodstock name. The festival was canceled until further notice, but promoter Michael Lang stated publicly, “We are committed to ensuring that the 50th anniversary of Woodstock is marked with a festival deserving of its iconic name and place in American history and culture.”

As a teenager, I remember my father teaching me about Woodstock, showing me the footage of all types of people dancing and uniting in love and a common cause. Clouds of smoke billowed through the air, women who looked like gypsies danced in long and colorful skirts shaking tambourines with the music. Children ran naked and free. I remember thinking, “I was I was there!” 

Headliners such as Janis Joplin, Joan Baez, the Grateful Dead, Jimi Hendrix and Santana sang with passion. Their lyrics held substance. They sang about peace, love and equality. They sang to change things in the world. 

The proposed Woodstock 2019 lineup before cancellations included acts such as Miley Cyrus, The Lumineers, Chance the Rapper and Halsey. As much as I enjoy listening to today’s music, it is mostly entertainment. That’s it. There’s no call to action. Most of today’s artists don’t tell you to love your brother or stare in wonder at the beauty of the natural world. 

The original Woodstock of 1969, took place in a time when our country was fighting the spread of communism in Vietnam. A wave of young souls who celebrated peace, the hippie counterculture, expanded their minds through the use of psychedelics and protested the injustices carried out by the establishment, or “the man”, was sweeping through the nation. And they did not just talk about peace, they shouted for it. Hundreds of thousands of hippies took to the streets in 1965 alone to protest the Vietnam War, according to the History Channel. 
It is summer and that means festival season is upon us. Huge events like Coachella, Bonnaroo, Burning Man and Electric Daisy Carnival are top picks for festivals among young crowds who take to these venues, clad in special festival attire and equipped with smartphone cameras and GoPros. They may look down at their phones and see a notification of the latest school shooting or crime against humanity, only to swipe it away and load a picture to Instagram. 

Today’s Woodstock would be seen through the eyes of a camera lens or Snapchat story. The raw energy, organic atmosphere and spirit of a festival this acclaimed through the years would be lost on the apathetic youth of today. The true magic of the original Woodstock was that there were no smartphones. Concert-goers were motivated to enjoy their psychedelic experience for reasons other than Instagram clout. People danced in the rain to the sounds of change without posing for a camera, they danced for themselves. 





May 19th

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It looks like we've got another killer Top Ten this week ... but heck, this whole survey looks good.  (Amazing to remember how much great music came out back in 1969!)

For starters, The Beatles hold on to the #1 position with "Get Back."  This is followed by "Love Can Make You Happy" and "These Eyes," both of which continue to climb the chart.  (This week to #2 from #6 for Mercy and from #7 to #3 for The Guess Who.)

Simon and Garfunkel, Ray Stevens, The Who and The Cowsills all hold on to their top ten hits this week ... but they are joined by "Mornin' Girl" by Neon Philharmonic, which climbs from #15 to #6, The Edwin Hawkins Singers with their first big chart hit, "Oh, Happy Day," which climbs from #13 to #7 and "I've Been Hurt" by Bill Deal and the Rhondels, which scooches up a couple of places from #12 to #9.

Donovan, The Friends of Distinction, The New Colony Six, Marvin Gaye, The Flirtations and Peter, Paul and Mary all continue to make upward strides within The Top 20 while Elvis Presley jumps sixteen places (from #37 to #21) to fall just outside that bracket.

"Bad Moon Rising" by Creedence Clearwater Revival looks like another sure-fire hit for this band as it climbs from #40 to #27, a move of thirteen places.  And this week's chart introduces us to an act that will go on to become one of the biggest recording artists of the 1970's ... as "One," a Harry Nilsson song, debuts at #39 for Three Dog Night.




Here's another personal favorite of mine ... my brother Mark used to play this one CONSTANTLY around the house!!!


This week in 1969:  

May 14th– Actress Cate Blanchett is born

Also on this date, Merilee Rush, Bill Medley (of The Righteous Brothers), John Hartford and George Lindsey ("Goober" from The Andy Griffith Show) appear on The Glen Campbell Goodtime Hour.

May 15th– An American teenager (identified only as “Robert R”) dies in St. Louis, Missouri, of what is described at the time as a “baffling medical condition.”  Fifteen years later, after years of tests and research, this will be identified as the first confirmed case of HIV / AIDS in North America.

May 16th– Big Day in the Rock And Roll Bad News Department …

First off, John Lennon applies for a visa to visit America. (His previous visa was revoked by the US Embassy in London ten days before because of his drug conviction in November of 1968.)  Lennon is declared “an inadmissible immigrant to the US.”

Meanwhile, Pete Townshend spends the night in jail in New York City after being charged with assault.  The Who were performing a concert at The Fillmore East when a fire broke out in the supermarket next door.  A plainclothes policeman jumped up on to the stage to warn the crowd and Townshend, thinking the cop was just a member of the audience, booted him off! 

Also on this date … Jack Casady, bassist for Jefferson Airplane, is arrested for possession of marijuana at The Royal Orleans Hotel in New Orleans.  He receives a two and a half year suspended sentence when the case goes to trial. 

May 17th– A brand new album … and a two-record set at that! … by a brand new band out of Chicago is released.  The self-titled Chicago Transit Authority grows in stature through great word of mouth (and some incredible live performances, including shows backing up the likes of Jimi Hendrix.)  The band features several DePaul University college students who conjure up their own mix of music by combining rock, jazz and politics.  Their debut LP will stay on The Billboard Top 200 Album Chart for the next three years becoming (at that time) the longest chart life album by a rock band at 148 weeks.  The band was forced to change their name (again … they started out as The Big Thing) after being sued by the REAL Chicago Transit Authority rail line … so they shortened it to simply “Chicago.”   

They would go on to become one of the most successful rock bands of all-time (and yet were denied induction into The Rock And Roll Hall Of Fame for decades, until they were finally instated in 2015, 23 years after they first became eligible for the honor.) 

Despite numerous band member changes, the core group of three original horn players and Robert Lamm on keyboards continues to perform to sell out shows all over the world today. 

Also on this date, Joni Mitchell appears on the cover of this month’s Rolling Stone Magazine, which you could buy for only thirty cents. (Today a single issue will run you $9.99.) 

And finally, Britain’s New Musical Express reports that, for the first time ever, album sales out sell singles in Great Britain.  (We found the same to be true here in The States two years earlier!)   

May 18th - The 5th Dimension return to The Ed Sullivan Show to perform "Up, Up And Away,""Working on a Groovy Thing," and "Aquarius" / "Let the Sunshine In."    

May 19th– The Beatles earn yet another gold single, this time for their latest release “Get Back.”  (You'll find it on top of this week's WLS Hit Parade Survey!)
 



The Friday Flash

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Tommy James has a brand new CD coming out on June 7th… and Forgotten Hits has an EXCLUSIVE first peak at one of the tracks.  (Thanks so much to Tommy and his team for letting us once again be the very first to premier some of his brand new music to the world at large!)  

There are fifteen tracks in all, including updated remakes of Tommy’s hits “Draggin’ The Line” (with a rap?!?!) and “I Think We’re Alone Now” (the ballad version we’ve been telling you about that will be used during the end credits of Tommy’s movie “Me, The Mob And The Music,” and will also be the first single released from the new album) as well as a new rendering of The Rolling Stones’ hit “The Last Time.”  (You’ll find more on “The Last Time” below in a revolutionary royalties allowance.)  

I am telling you, Tommy is in fine voice throughout (this guy still sounds exactly the same!!!) and he has lots of show dates coming up between now and the end of the year … catch him if you can (but you’d better act quick ‘cause virtually all of these shows sell out.)  kk 

UPCOMING SHOWS:

June 9th– Hudson Gardens Outdoor Summer Concert Series – Littleton, CO

June 14th– PNC Bank Arts Center – Holmdel, NJ

June 22nd– Sandy Amphitheater – Sandy, UT

June 29th– Southern Ground Amphitheater – Fayetteville, GA

July 6th– Prairie Knights Casino – Fort Yates, ND

July 20th– Penn’s Peak – Jim Thorpe, PA

July 27th– Golden Nugget Casino – Atlantic City, NJ

August 2nd– Arnold’s Park Amusement Park – Arnold’s Park, IA

August 6th– Ventura County Fair – Ventura, CA

August 26th– Minnesota State Fair – St. Paul, MN

September 21st– Arcada Theatre – St. Charles, IL

October 9th– Topsfield Fair – Topsfield, MA

October 18th– Golden Nugget Casino – Las Vegas, NV


Dear Kent,
Hope you're well!
Sending you info about some new music from Tommy James.
On the 50 year anniversary of his hit single 'Crimson & Clover,' Tommy has released his new album, 'Alive'.
This is his first release in over 10 years!
He's been working on this album for a long time and is so excited to share his music with the world again. Digital copies will be available on June 7th.
Hope you have a great Memorial Day Weekend!
Best Wishes,
Tess Greenham
Magician Media









(You can hear Tommy’s new version of “Draggin’ The Line” and get all the latest news on his website): https://www.tommyjames.com/  

I don’t know if you were a fan of the just-cancelled television series “Whiskey Cavalier,” but the final episode showed great use of Tommy’s song “Crystal Blue Persuasion.”
I probably haven’t written in to protest the cancellation of one of my favorite shows more than five or six times in my entire life, but I definitely took ABC to task for this decision … and so, apparently, did thousands and thousands and thousands of other fans of the series.  Word this morning is that this just might be one of those really rare exceptions where the UN-cancel the cancellation!
We hope so … yes, it’s lightweight … almost comic book-ish … but that’s all part of its charm.  An extremely likeable cast who just continued to gel together the more the series developed.  Lots of goofy humor and spy situations (where the good guys ALMOST always win), this was good escapist fun every Wednesday night.
Here’s hoping ABC has a change of heart and gives the show a reprieve.  (Lord knows they’ve got FAR worse shows than this one running on their network every single night!!!)  kk

Can you believe The White Sox are celebrating the 40th Anniversary of Disco Demolition next month?!?!  With a brand new Disco Demolition Night?!?!?
No, they won’t be blowing up any records on the field … and hopefully the game won’t have to be cancelled or forfeited … but the first 10,000 fans thru the turnstiles will get a Disco Demolition T-Shirt … and Steve Dahl will even throw out the ceremonial first pitch.  (Dahl has been a Sox fan for as long as he’s lived in Chicago … which is obviously over 40 years now!!!)
It all happens on Thursday, June 13th.
In a way I’m a little surprised … you’d think on the one hand that the White Sox Organization would want to distance itself from one of Baseball’s Most Embarrassing Moments Of All-Time … but then again they’ve got to find SOME way to draw fans out to the park again.  (Although I would be the first to admit that WINNING might be a greater incentive!)
Anyway, this should prove to be a pretty interesting night … and I have to admit that I’m looking forward to it!  (kk)

We have covered Disco Demolition several times before in Forgotten Hits … including these profiles that the FH Search Engine just turned up … https://forgottenhits60s.blogspot.com/search?q=disco+demolition

A couple of summers ago we also attended the exhibit put on by The Elmhurst History Museum, who preserved audio clips, photographs, collectible memorabilia and television news coverage of this event that made national headlines.

We have also covered the story before about The Verve’s excellent 1998 hit “Bittersweet Symphony.”

Rolling Stones Manager / Producer Andrew Loog Oldham (a sometime FH contributor) did an album of orchestral arrangements of Jagger – Richards tunes, one of which provided the basis for the entire musical track of The Verve’s hit.  (The deal was, Oldham agreed to a “sampling” from his piece … a classical arrangement of The Stones’ hit “The Last Time” … honestly, it’s barely recognizable in this form … but The Verve “overused and abused” this consent and crafted an entire piece around it instead.

Apparently the notorious Allen B. Klein got involved and stopped the royalties for his effort from landing in the pockets of Verve songwriter Richard Ashcroft, diverting them instead into the mega accounts of Mr’s Jagger and Richards (and, I’m quite sure, keeping a nice piece for himself as well.)

Well, earlier this week The Stones turned over the royalties to Ashcroft voluntarily, finally acknowledging (as most would agree) he truly did create a completely unique and different piece.  (The Stones have been pretty good sports about this sort of thing in the past … suffice to say that they did some “borrowing” of their own early on, incorporating blues licks into their earlier work … and, when they released their single “Anybody Seen My Baby” in 1997, they tacked on a songwriting credit for k.d. lang because they realized that their melody bore more than a slight resemblance to k.d.’s hit “Constant Craving” … so, rather than deal with a long, strung out court battle, they just added her name to the song and gave her the money from the start!

Of course the bulk of “Bittersweet Symphony” have already been earned … but it’s a nice gesture just the same.  (kk)





While Brian May made a comment a week ago that he had yet to earn a penny from the billion dollar grossing motion picture “Bohemian Rhapsody,” there is no denying the impact the movie has had on Queen’s music catalog.

Billboard is reporting that downloads in the six months since the movie opened have increased from $588 million to $1.9 BILLION dollars … likewise physical sales of CDs, albums, etc., have risen from $18 million to $44 million … and the band members certainly do earn royalties on this money.  (Let’s just say they won’t be holding a Queen fundraiser anytime soon.)  kk 

kk:
Here’s news about a brand new Bobby Darin release coming in July.


And some newspaper clippingss about Bobby Darin.
FB 
https://thisisbobbydarin.wordpress.com/2019/05/22/bobby-and-the-belly-dancer-archive-finds-from-the-1950s/?fbclid=IwAR0jAQkk6GhNYDKkWnS0MX7Ro3ePNZwLVeel1E5KWvAlz5mF_sUhc5RTJR4  
Some very cool discoveries here.  It always amazes me how some of this stuff has survived for DECADES now in somebody’s scrapbook.  God, I wish I’d had a way to hang on to all the different things I’ve collected over the years. 

Actually, I’ve been reading a lot about Bobby Darin again lately and, as such, want to recommend a few books. 

First off, I can’t even imagine the amount of intensely detailed research that went into putting together this one … “Bobby Darin: Directions – A Listener’s Guide, 2nd Edition” by Shane Brown.  (He’s the same guy that posted those vintage newspaper articles at the link Frank sent us.  An aside to Sam … isn’t it AMAZING how much press coverage pre-fame Bobby got in the Detroit area???  Really makes you think!)
Not only does it document EVERY known release and recording that Bobby ever did, but it goes into extensive and intensive detail for every session, many of his live concert appearances and Las Vegas dates, television appearances, movies, outtakes and material either still in the can or lost to the ages.  And Shane also took the time to track down reviews originally published in the trades at the time … Billboard, Cash Box, Variety, etc., again providing tremendous insight into how this music was received at the time.
Absolutely fascinating information here … truthfully, probably more for the “die hard” fan than the casual listener … but, if nothing else, it shows you what an impeccably, detailed amount of research can yield.  (This is now my “go to” book for Darin recording information.)  HIGHLY recommended. 
https://www.amazon.com/Bobby-Darin-Directions-Listeners-Expanded/dp/1790349478/ref=sr_1_7?crid=5HHF6KKYT9V0&keywords=bobby+darin&qid=1558608353&s=books&sprefix=bobby+darin%2Caps%2C167&sr=1-7  

Secondly, I have FINALLY started reading the Connie Francis biography “Among My Souvenirs” … and what a fascinating read THIS is!
I absolutely LOVE Connie’s style of telling a story … she puts you right there in the moment, looking at the world through both the eyes of an eight year old or teenage girl … and a grown woman … while still reflecting back with 20/20 hindsight to provide what often seems to be self-analysis.  It is all done in a very fascinating (and extremely entertaining) way.
Francis kept diaries and journals throughout her career and there is some AMAZING information and reflections contained between these pages.  (But buyer beware … this is an EXTREMELY large book to lug around!!!  But SO worth it!!!)
And, from what we’ve been told, at just over 600 pages this is only Part 1 of her story!!!
Connie has seen some massive ups and downs in her lifetime yet maintains an engaging sense of humor throughout.  Perspective on her relationship with Bobby Darin and the dominating control executed by her father are covered in great detail as are Mafia ties and connections, her rape and her meteoric rise to stardom in the early days of rock and roll to become the #1 Female Recording Artist on the planet.  (She even shares some of the long-lost love letters exchanged between her and Bobby, many of which were returned by a fan who bought them at an auction a few years back.)
Again, HIGHLY recommended … this is a GREAT (and VERY fun) read!  
https://www.amazon.com/Among-My-Souvenirs-Real-Story/dp/0999238914/ref=sr_1_1?keywords=connie+francis&qid=1558609739&s=books&sr=1-1  

And finally, I once again have to mention Sam Tallerico’s book “Who Did You Say Your Father Was” tells a very interesting tale of Sam’s investigation into his own parentage … only to discover that in all likelihood his father is none other than the incredible Bobby Darin.
We’ve talked about this book and Sam’s story several times before in Forgotten Hits … in fact, when Sam read about himself in our pages, he contacted me and we have struck up both a steady stream of correspondence and a friendship offering great support to one another in our endeavors.  (Turns out he’s been a Forgotten Hits Reader for YEARS!!!  Who knew!!!  So if nothing else, I can certainly say that he’s got good taste!  Lol)
Sam’s book isn’t an attempt to “cash in” on his likely father … he acknowledges that he’s entitled to nothing and expects nothing … but it tracks his incredible journey and investigation through the adoption system to come pretty definitively to this conclusion.
His greatest regret is not being able to connect with his likely “brother,” Bobby’s son Dodd Darin, who seems to have gone out of his way NOT to cooperate (encouraging anybody else within earshot to do the same.)  That’s too bad … Sam isn’t looking for anything other than final DNA confirmation.
The truth is, there could be dozens more out there just like him … (and private conversations with Sam indicate that he may already be aware of a few!)  Even in Connie Francis’ book, she states that Bobby had already slept with hundreds of women before he had his first hit record.  (The link that Frank provided above details one of his most famous rendezvous with belly dance Nelja Ates, a woman who drove Bobby down the fast path to manhood.)
This is a good book and I wish the Darin organization would be a little more accommodating in this whole thing … think about it … what have they really got to lose?
If they think Sam’s full of shit, do the DNA test to prove him wrong, discredit his research and be done with this.  And if the DNA proves him to be correct, then embrace this estranged family member and welcome him into your extended family. He’s already missed 60 years … there must be some catching up you can do!!!
One thing’s for certain … Bobby never knew of Sam’s existence … but it’s Bobby’s name that’s on the birth certificate listed as “father.”  He was still a relatively unknown club singer at the time … so certainly his “baby mama” could have come forward once Bobby hit the big time and demanded big bucks for their dalliance.  But she didn’t … Sam was given up for adoption and raised by a loving family who are, in every way, shape and form, his parents.  I believe he’s just looking for closure on this and nothing more.  Definitely worth the read!  (kk) 
https://www.amazon.com/Who-Did-You-Your-Father/dp/1365367142/ref=sr_1_1?keywords=who+did+you+say+your+father+was&qid=1558608944&s=books&sr=1-1-catcorr  

Hey, Kent –
Chuck Buell checking in with …
So sad to hear of Doris Day making her transition last week.  She certainly was terrific in so many ways. In Film, very few looked as good as she did in Buckskin as she did in her movie “Calamity Jane!” Even then, it was hard for a Guy to take his eyes off her fabulous, cute, wholesome girl next door image.

Musically, even as a Young Boy, I personally loved, and still do, many of her classic romantic songs particularly, “When I Fall in Love,” “Secret Love,” and “The Very Thought of You.”  < sigh > 
But, put a few of her other hit song titles together and, oh my!  Shocking! 
“Move Over Darling,” “I’m Ready, Willing and Able,” so “Enjoy Yourself!”
Yowzer! 
CJB ( which stands for “Calamity Jane’s Boy!” ) 
That’s a rare shot of me that you found … kind of a cross between Cowboy / Stagecoach Kent and Serial Killer Kent, with just a touch of Jim Peterik thrown into the mix, thanks to what appears to be purple hair!!!
Doris doesn’t fit the usual MO of what we cover here in Forgotten Hits, but her work, be it music, movies, television or humanitarian, touched each and every one of us in some fashion.  (kk)

Here’s some interesting coverage of the big WPLJ send-off party that reunited several of the key stars who made the station as great as it was.  (We told you recently that, after a remarkable career, they were recently by K-LOVE and are now a Christian Rock radio station.)  Tom Cuddy and Scott Shannon have been Forgotten Hits Readers for decades now … and I know they both still have a lot of love for the station that provided huge stepping stones throughout their careers. 
http://www.themacwire.com/the-glorious-corner-farewell-to-wplj-adam-lambertquentin-tarantinos-once-upon-a-time-in-hollywood-and-more/ 

Broadway Goes Rock, continued …

This certainly seems to be the trend lately …
Just a month or two ago we told you about a new musical being launched featuring the music of Foreigner as their soundtrack (“Jukebox Hero”) …
And now comes word that a brand new ZZ Top musical (called “Sharp-Dressed Man”) is also in the works.
I dunno … I think Foreigner’s music may have a little bit more of a commercial appeal to the masses …
But something featuring the Texas Boogie Swamp of ZZ Top just might turn the musical world on its ear.

FH Reader Bob Merlis tells us more … 

Caesars Entertainment’s team, led by Michael Gruber and Jason Gastwirth, along with lead producers Carl Stubner and Prem Akkaraju, are developing Sharp Dressed Man, a rock musical featuring ZZ Top hits. The show is expected to open in 2020 in Las Vegas and will include ZZ Top members, Billy Gibbons, Dusty Hill and Frank Beard, as executive producers. 

Sharp Dressed Man is an outrageous, bawdy musical romp about a Lone Star auto mechanic who becomes a modern-day Robin Hood, stealing hearts — and car parts — with the help of his merry band of beer drinkers and hell raisers.  Featuring ZZ Top’s most beloved songs including “Legs,” “La Grange,” “Gimme All Your Lovin’” and “Cheap Sunglasses,” Sharp Dressed Man is a rock musical with a wicked sense of humor and a heart as big as Texas. 

Producing the show with Caesars Entertainment are Carl Stubner, ZZ Top’s longtime manager and executive producer of the documentary “ZZ TOP: That Little Ol’ Band from Texas” and Prem Akkaraju, executive producer of “Tomorrowland: Ten Years of Unity, Love, Madness and Magic” on MTV and “The White Tiger”, feature film adaptation of the Man Booker award-winning novel of the same name.

The show’s book is written by Robert Cary and Jonathan Tolins. The duo wrote the teleplays for Fox TV’s Emmy-winning “Grease Live!” as well as “A Christmas Story Live!” Tolins is known for the long-running off-Broadway hit “Buyer & Cellar” for which he won a Lucille Lortel Award. He also wrote the films “The Twilight of the Golds” and “Martian Child” (written with Seth E. Bass). He is currently a Co-Executive Producer of “The Good Fight” on CBS All Access. Cary is co-author of Broadway’s “Summer: The Donna Summer Musical,” “Flashdance The Musical,” and directed the films “Ira and Abby” and “Anything But Love.” 

“We’re excited about this fantastic project and look forward to hearing our music in a new innovative context,” said ZZ Top’s Billy Gibbons. “Fans have often told us that we’ve provided the soundtrack to their lives, and this is very much in line with that kind of enthusiastic thinking.”

Prem Akkaraju commented, "Pairing ZZ Top's iconic music with a Texas-version of the Robin Hood story delivers countless laugh-out-loud moments for audiences of of all ages.  It’s an absolute blast.”

“I know firsthand that ZZ Top is an enduring phenomenon; they’re now about to celebrate 50 years of rocking audiences around he world,” said Stubner. “The show that Prem, Michael, Jason and I envision will utilize the band’s music and tremendous energy for audiences in a new immersive realm. This, just like ZZ Top, is all about having a good time at a great party and telling fun stories through their music.”

Jason Gastwirth, president of entertainment at Caesars Entertainment said, “ZZ Top holds a special place in American music history. Their songs incorporate rich imagery that lends itself to the narrative form. The addition of Sharp Dressed Man to our already diverse entertainment lineup is exactly the component we are excited to welcome to the family for our guests.” 

“We are at a time where Las Vegas is recognized to have some of the most amazing artists in the world from all eras, and we are excited to have the opportunity to bring to the stage a musical that has some of the best songs of a generation, with some great actors of today, enabling us to have an incredibly creative and successful show in the future,” added Michael Gruber, chief new business officer for Caesars Entertainment.

ZZ Top, whose lineup has remained constant since 1970, continues to be one of the world’s top touring attractions.  This past weekend they embarked on a run of three sold-out concert dates on their home turf -- Dallas, Houston, Austin – and have set an extensive tour schedule to follow throughout Europe and back in the United State this spring, summer and fall in connection with the ongoing celebration of their 50th anniversary. 

kk:
Here's Lou Christie’s latest “It Should Have Been A Hit”
FB 
https://www.itshouldhavebeenahit.com/?fbclid=IwAR2VRH6jqKsCu1ywzwg06rAuT1LxVQKV05uTvgbAIfwgnldouth_rM_dOZU  
Here’s a Fab Four follow-up from Shelley Sweet-Tufano … 

I received answers to my ‘educator’s questions’ from two of The Fab Four. There are similarities as well as differences in their answers. Just like any group.

The difference between my questions to them and questions I would have for another group lies in the fact that all Fab Four questions have their roots in The Beatles, whereas with other groups I would be asking more about their personal group and individual growth, which may or may not have something to do with The Beatles.

Confusing, yes? Well anyway, I wish to share the answers I received from Gavin Pring (George) and Neil Candelora (Paul).

1.    How do they find these performers? Do the performers find them?
Gavin:  The company "The Fab Four" was established, and was performing since 1997, so back then, I personally didn't even know you could be a Beatle for a job. When I got into the business this particular company had a great reputation for recreating the look, sound and gestures of the original Fab Four that I hoped one day I would get to join them... That day came in the mid 2000's and I've been working with these guys ever since.

Neil:  We met through mutual friends. I was a kid who loved the Beatles and knew all the songs. I started getting to know the guys and then did an audition, and I’ve been playing gigs with them ever since. 

2.    Are their roles perfected before they join the touring group or is their training after they “sign up”?
Gavin: It's a little of both, I had formed a George Harrison solo show years before I even met the lads so I was always interested in trying to look like George and move like him but after I joined the company they helped me to get closer to Harrison with their wisdom and advice, I'm sure I also helped them with regards to talking like a scouser (person from Liverpool).

Neil:  It’s a bit of both, there’s a lot of work you have to put in on your own. You have to be at least decent enough get up on stage in front of an audience that purchased tickets to see a quality show. From that point on, there’s a lot of feedback from the group. Everyone is always looking out for little details someone else might be missing, it makes for a higher quality show. 

3.    Is each one truly playing their favorite Beatle, or are they cast primarily by looks?
Gavin: I always had two favourite Beatles … George, obviously, but I also love and miss John.  By performing as George, I get to see John and sing with him (in the form of Adam) nightly so, it's a win / win for me.

Neil:   I’m not sure if “Paul” is my hands down favorite anymore, but he was when I was a kid. Hard to pick a favorite now and I tend to lean more towards John. Anything post Beatles, though, Paul is my favorite!

4.     Does anyone have to learn a new instrument when they come onboard?
Gavin:  Yes!!!  Since I started playing with the Fab Four, I've had to learn to play Keyboards (Penny Lane / Imagine / Got To Get You Into My Life), Ukulele (All Together Now) and Sitar (Within You, Without You) ... no one gets away with not learning something new for the show. lol

Neil:   Some people do.  Usually, if anyone has to learn an instrument, it’s piano. You have to recognize, The Beatles were very talented musicians, so most likely people will come in already knowing how to play the instruments they need to play, and play them well. I already knew my way around Bass, Guitar and Piano, so that was the easy part for me!

5.    Who writes the script and decides the songs?
Gavin:  Mostly Ron, but to be honest, the script and setlist may change in a moment’s notice and is dependent on varying factors, time constraints, age of the audience, etc.  For example, "Helter Skelter" wouldn't work with an audience of people mostly over 70 in a small theatre … alternatively "Till There Was You" probably wouldn't work in a club setting with early 20's jumping around.  Always know your audience and script accordingly is what we say.

(Gavin is referring to Ron McNeil, founder, and one of the John players, of The Fab Four)

6.    And is there anyone who is a natural left-handed bass player? I know that Ardy Sarraf (another Paul) was an accomplished right handed bass player who had to reteach himself.

Gavin:  One of our cast members, Neil Candelora, is a right handed guy but when he was young decided to play left handed imitating McCartney even back then, and is now a very accomplished "Lefty".

Neil:   A lot of people think I’m naturally left handed - but I’m not. When I was a little kid, I was such a Paul fan I wanted to play guitar “just like him”. So I learned left handed as a child. I’m totally right handed, but I can only play guitar / bass left handed. So, even tho I’m not “naturally” left handed, it feels natural to me to play lefty. 

I had such fun reading their answers. I am passing them on to my students and I hope you enjoy them too.
Shelley J Sweet-Tufano


Kent,
I’m sure you know this but I didn’t see it in your blog.
Charles Barksdale, an original member of the Dells, passed away this past week in Chicago at the age of 84. He had been ill for some time. 
Barksdale sang bass for the Dells, who were elected to the Rock & Roll Hall of Fame in 2004.
Here is a link: 
https://chicago.suntimes.com/2019/5/15/18626887/charles-barksdale-bass-singer-for-the-dells-dies-at-84 They are considered to be one of the great groups of the Doo Wop era.
Thanks,
Glen


Interesting article about “The Next Generation of Toto.”
However, Mike Porcaro’s description as the “original bassist of Toto” is false.
David Hungate was the original. Mike Porcaro replaced Hungate when he left the band after Toto IV.
Frannie 
And folks, she KNOWS!!!  Frannie has been a MAJOR Toto fan since that very first release (and worn thru more than her fair share of albums over the years, playing their stuff over and over again!)  kk 

Kent Kotal - Forgotten Hits,
Just thought I would offer an update, so-to-speak, while waiting for The NTSB response to my Petition For Reconsideration and Modification that I submitted January 6, 2017 - 
'The Mason City Iowa Accident February 3, 1959' (The 'Tragic Airplane Crash', that will forever be remembered as 'The Day The Music Died') 
(Buddy Holly - Ritchie Valens - JP Richardson 'The Big Bopper' - The Pilot, Roger Peterson)
I am sure you have read about having premonitions or picking up on thoughts that have to do with some unusual circumstances.
I was picking up on / channeling (so-to-speak) 'Buddy Holly', and the following self-composed, late 50's song / sound came to life!!!  (Think “Winter Dance Pary” / “Surf Ballroom”)
I sent a copy to Buddy Holly’s niece, Sherry Holley at TCS Productions in Lubbock, TX, and I just received an e-mail back from her, offering that she will listen to the lyrics / song, and will provide er detailed thoughts, comments, feedback.  (As a child, Sherry Holley was at many family gatherings that Buddy Holly also attended.)
Your thoughts / feedback on the following would be absolutely appreciated.
LJ Coon 





This weekend The Drive is running their Memorial Day Top 500 Countdown of their version of The Best Classic Rock Hits of All-Time.  You can tune in to listen here: 
https://wdrv.com/memorial-day-rock-n-roll-500/… 
and keep track of the list as it unfolds, beginning at 2 pm today.

It’ll be interesting to see where some of these titles fall in relationship to our own, on-going research on this topic.  (Again, this list selected, I’m sure, by either a program director, an internal deejay poll or, perhaps, listener requests … it really isn’t clear just how they came up with it … while OUR list is based on a consensus of votes cast by our readers as well as actual airplay and downloads of tracks … to the tune of just over 700,000 received so far!!!  (We promised you the most definitive list possible, didn’t we???)

You can still both nominate titles and vote for your favorites (and/or most deserving tracks) at classicrockvote@yahoo.com

We’re currently formulating a game plan of how to handle the final ballot.  (Right now we currently have about 4100 songs nominated … and will eventually pare this down to The Top 3333 Greatest Classic Rock Tracks Of All Time.)  Watch for more updates next week.

And, finally, a question for the ages … 

I was outside trimming the hedges, singing along with Johnny Maestro on my I-Pod with ear plugs.
All of a sudden, the dogs in the next yard start howling.
They're usually quiet.
Could it be they don't like Johnny Maestro?
No ...
Everybody loves Johnny Maestro.
Next time I'll try The Platters.
Kent –
You don't have to answer ...
You always tell the truth and will probably hurt my feelings.
Frank B. 
Sorry, Frank ... 
My parents always taught me that if you can’t say something nice, then don’t say anything at all.  (kk)

May 26th

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"Get Back" holds at #1 for the third week in the row.

New to The Top Ten this week are "I Could Never Lie To You" by our very own New Colony Six (one of my favorites by them, by the way ... but then again I liked ALL their stuff!), up from #15 to #7, "In The Ghetto" by Elvis Presley (up thirteen places from #21 to #8) and "Grazing In The Grass" by The Friends Of Distinction, who climb up three places from #13 to #10.

Creedence Clearwater Revival continues to make big leaps up the chart, this week moving from #27 to #13 with their latest, "Bad Moon Rising," another move of fourteen places.

Also climbing eight spots or more are "Day Is Done" by Peter, Paul and Mary (#20 to #12), "Medicine Man' by The Buchanan Brothers (#23 to #14),"Love Theme from 'Romeo and Juliet'" by Henry Mancini #33 to #20), "Let Me" by Paul Revere and the Raiders (#30 to #21), "Love Me Tonight" by Tom Jones (#37 to #26), "See" by The Rascals (#38 to #28), "One" by Three Dog Night (#39 to #30) and "Israelites" by Desmond Dekker and the Aces (#40 to #31).

Interesting premiers include another song from the hit musical "Hair,""Good Morning Starshine" by Oliver (new at #32), "Black Pearl" by Sonny Charles and the Checkmates, a VERY popular group here in Chicago enjoying their first really big chart hit, thanks to production credit by Phil Spector and "But It's Alright" by J.J. Jackson, soon to be a pop and soul classic.






This week in 1969:  

May 20th - Elvis Presley sells his Circle G Ranch in Mississippi for $440,000 to the North Mississippi Gun Club.  (The property will eventually revert back to Presley when the purchaser defaults on his payments.)  

May 21st - CBS announces that The Glen Campbell Goodtime Hour is no longer just a replacement series ... it is given its own berth thanks to its excellent ratings and Glen's popularity.  (This earns Glen a raise to $15,000 per week!)  

May 24th– Five days after earning a gold single award, “Get Back” by The Beatles hits the #1 Spot on Billboard’s Hot 100 Pop Chart, becoming the group’s 17th #1 Single in America according to Billboard.  It will stay there for five weeks.
(Here in Chicao, it had already held down the #1 spot for the past three straight weeks!)  
Although Billboard would ultimately award them twenty #1 singles (a record they still hold to this day), both Cash Box and Record World awarded them more, most notably "Twist And Shout," a song that dominated the airwaves during the height of Beatlemania (and still gets played nearly every single day some 55 years later!)
Other National #1 Records that fell short on Billboard's list are "Nowhere Man" (#1 in Record World but only #2 in Cash Box and #3 in Billboard), "Yellow Submarine" (#1 in both Cash Box and Record World but #2 in Billboard) and "Something" (#1 in Record World but #2 in Cash Box and #3 in Billboard, even though it was the designated A-Side of the record.) 
For the first time ever (not counting the rush-released “My Bonnie” at the onset of Beatlemania, which featured The Beatles as simply the backing band to lead singer Tony Sheridan), "Get Back" singles out and credits keyboardist Billy Preston … the only non-group member to ever be credited on the label of a Beatles single.  (Preston was invited to join the sessions by his friend George Harrison.  He first met The Beatles back in 1963 when he was touring England as part of Little Richard’s band.)

The Guess Who make their first US television appearance on American Bandstand, where they perform their first US Hit “These Eyes” 

May 25th– “Midnight Cowboy” is released.  Despite an X-Rating, it will go on to win the Academy Award for Best Picture and won Best Actor nominations for both Dustin Hoffman and newcomer Jon Voight


Also on this date, The Hollies record “He Ain’t Heavy, He’s My Brother.”  The session piano player on this track is a guy by the name of Elton John (although he was likely still calling himself Reginald Dwight at the time)

Also on May 25th, actress Anne Heche is born ...

And Jimmy Dean opens his first sausage plant in his hometown of Plainview, Texas.   

May 25th - Sam and Dave perform "Born Again,""Soul Man" and "I Thank You"… while Mary Hopkin is on hand to singd "Goodbye" and "Love Is The Sweetest Thing" on The Ed Sullivan Show this evening.     

May 26th– As part of their bed-in at the Queen Elizabeth Hotel in Montreal, Quebec, Canada, John Lennon writes and records “Give Peace A Chance” with a number of celebrity guests on hand (including Tommy Smothers and Petula Clark)
Also on this date, as the owner of The California Angels, Cowboy Gene Autry has to fire his very first baseball manager.  The unlucky culprit ... Bill Rigney.

Tuesday This And That

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GREAT NEWS!:
Great news this weekend as Record Research announced the update to their flagship book, "Top Pop Singles," now covering EVERY Billboard Charted Pop Hit from January 1st, 1955 thru December 31st, 2018.

Whether you've been collecting these editions from the beginning as I have or hopped onboard somewhere along the way, you already know that EVERY update is a "must have" edition to your music library ... and this one is no exception.

Joel Whitburn always finds something new to bring into the mix with each new edition ... and he's running a pre-publication discount offer right now ... $15 off the published price of $79.95 ... if you order a copy before the books come in in late June.

More details here at the Record Research Website ...
https://recordresearch.com/


You'll find all kinds of other goodies here as well ... including books spotlighting the R&B and Country Charts ... a complete history of Billboard's Top 200 Albums Chart throughout the rock era (1955 - 2016) as well as volumes showcasing every printed pop chart in Billboard, Cash Box, Record World, Music Vendor and more.  There's even a Pop Annual recap, showing the rank order of EVERY charted it, year by year ... and my personal favorite, The Chart Comparison Book, which shows the peak position achieved in Billboard, Cash Box and Record World for every charted record, 1954 - 1982, all ranked side-by-side for easy comparison and analysis.

Discover the world of Record Research by adding some of these volumes to your collection.  (I can honestly say that there has never been a single day ... since 1970 ... that I have not picked up a Whitburn book to clarify some point of reference.  It allows me to have the History of the Pop / Rock era right at my fingertips ... they never leave my desk!)  kk

GREATEST CLASSIC ROCK TRACKS OF ALL-TIME: 
Turns out The Drive's Memorial Day 500 Countdown was based on listener votes collected over the last several weeks ... so there definitely was some merit to the process ... and quite a few surprises along the way.  ("Brick House" by The Commodores?!?!?  Really???  I don't think I've EVER heard The Drive play this track before!!!)
Truth is, their results reflect a pretty different outcome than our own months of research ... but that's the great thing about a countdown.  With over 700,000 votes already processed, I'm thinking any Classic Rock Station would be hard-pressed to come up with a more definitive list than ours ... and hopefully that research will pay off by way of more variety in future programming.  (Seriously ... with literally THOUSANDS of songs available for airplay there is absolutely NO reason for ANY Classic Rock radio station to repeat the same song two, three and even FOUR times during the same 24-hour period ... yet that is EXACTLY what they're doing now.  That's about the least-imaginative programming possible!  And it truly insults your listeners on a daily basis.  The volume of votes and nominees we've received PROVES they want and expect more from a radio station.)
We ran into this same issue when we first attacked Oldies Radio some twenty years ago ... a playlist of about 200-300 songs ... but I really expected more in the Classic Rock arena.
But here are the plain and simple facts ...
Any station that is claiming to have a playlist of 500-1000 songs is lying ... they may have 1000 tracks available to play for certain special occasions like this weekend's Top 500 Countdown or a week's worth of A-Z programming ... but on a daily basis, they are playing the exact same 200 songs again and again and again ... which are the EXACT same songs that most of their counterparts across the country are also playing every single day.
And that's a real shame ... because there is SO much more out there that listeners want to hear.
As frustrating as it has been for me to tabulate all these votes (and as many times as I've thought about giving up, having taken on far ore than I can handle on my own), what keeps me going is the plain and simple fact that Classic Rock Radio NEEDS a list like ours ... without it, there is nothing to allow one station to stand out from any of the others ... because right now, they are all essentially the same.
We've still got a ways to go before we start publishing the final ballot ... lots of other research is also being done including download statistics to determine what songs people are actually spending money on to add to their collections.  Monitoring airplay tells you what every radio station in the USA is playing ... but it DOESN'T tell you what listeners actually want to hear ... so PLEASE continue to cast your votes at ClassicRockVote@yahoo.com ... be a part of the DEFINITIVE Classic Rock Essentials List.
Actual airplay is just part of the equation ... we've been monitoring twenty Classic Rock Stations across the country and compiling their daily logs.  Carrying more weight is the number of downloads these songs have received ... this means that, despite what radio is telling us we want to hear, these are the songs that people went and actually shelled out money for in order to add them to their collections.
But NOTHING counts more than your actual votes ... so PLEASE keep voting at ClassicRockVote@yahoo.com.  
More updates and details coming soon.  Target date for the final ballot right now is July 5th ... so stay tuned!  (kk)

Forgotten Hits Reader Joe Cantello told us about another Top 500 Memorial Day Countdown going on last weekend ... we checked this one out as well ... pretty much the same songs ... just in a somewhat different order. 
And that's another thing we've learned ...
As stated before, most of you can probably already guess what the majority of The Top 500 Songs will be ... all this list will do is confirm that ... but you may be surprised by the ORDER of these tunes. 
And with 3333 titles listed, you're going to find ALLKINDS of interesting suggestions in the bottom two-thirds of this countdown ... "WOW" songs that can be slipped in every now and again as real attention grabbers.  (kk)  

Hey Kent - 
Here is a countdown you may want to check out this Memorial Day week end.
I wonder what the time frame this covers is.  (What year is the earliest song from and the latest)?
Joe Cantello 
Top 500 Classic Rock Countdown 
Hey Fox fans. 
Starting tomorrow at 8 am, it's The Top 500 Classic Rock songs of all time ... along with over 100 interviews and lots of trivia about the artist and songs. It will play from 8 am til 8 pm, stop repeat and continue that way through Memorial Day. 
Tune in either on The Fox or http://www.thezew.net. 
Share it, please, and thank you. 
Have a blessed Memorial Day and be safe!
Joe 

THIS AND THAT:


>>>We’ve been out of action for most of this past week but I am happy to report that all is well. There is now an even BIGGER backlog of material I have to wade through to get something up on the site again!"  (kk)  
“Our Boy Friend’s back and his posts are going to double 
Hey-la-day-la our boy friend’s back 
He's been gone for such a long time 
Hey-la-day-la our boy friend’s back 
Now he's back and things'll be fine!" 
- Anonymous -

>>>That’s a rare shot of me that you found … kind of a cross between Cowboy / Stagecoach Kent and Serial Killer Kent, with just a touch of Jim Peterik thrown into the mix, thanks to what appears to be purple hair!!!  (kk)
Who’s the dude with the purple hair. Wasn’t me. I was never that close to my all time dream girl, Doris Day.  
I remember staring mesmerized by her image in shorty pajamas on the cover of my sister’s copy of the original cast soundtrack of the Pajama Game.  Omg.  She looked so sweet & innocent and yet ...  she was always the girl next to the girl next door.  Doris will forever live on!!
Jimbo 
I must have been channeling my Inner Jimbo!(Now where can I buy a pair of those boots???) 
That’s a secret man!  Lol!  
Jimbo 

kk:
Just read about the Rolling Stones giving up their royalties on the "Bittersweet Symphony" tune.
Do you think the Beatles would've done it?
FB
Probably not ... rumor has it that The Beatles' publishing companies are collecting ten million dollars for the use of their music in the new "Yesterday" film out next month ... which Billboard Magazine describes as the "feel-good film of the summer."  I know we can't wait to see it!  (kk) 

>>>Can you believe The White Sox are celebrating the 40th Anniversary of Disco Demolition next month?!?!
Funny thing, in 1995, the White Sox were involved in another on-field mess.  They were in town playing the Anaheim Angels on what was billed as Seat Cushion Night.  The game was a score fest, if I remember right, the final was like 16-10.  In the later innings, Mitch Williams, the original wild thing from the Phillies, who lost the 4th game in the 1993 World Series, was brought in by the Angels to quell the Sox.  He didn't.  Instead he allowed 5 or 6 runs, which the Angels never recovered from.  The fans went nuts.  Of the 40,000 seat cushions passed out that night, 30,000 must have made it to the field. It looked like blue snow for a while.  The game stopped and it took the ground crew a good 40 minutes to clear the field.  I kept mine, and still have it today.  From then on, most giveaways were passed out as you exited the stadium, LOL. 
Glad you are doing ok, Kent.  I was beginning to wonder where you were.  I, too, am a fan of Whiskey Cavalier, mostly for Lauren Cohan, :-)   
Scott
I actually think I heard Chet Coppock roll over when the Disco Demolition announcement was first made!  (lol)
There was some talk of a possible reprieve for "Whiskey Cavalier" last week but apparently it's now a done deal ... nobody picked it up and it's history.
Lauren Cohan was certainly enjoyable (much easier to look at, I'm told, than she was on "The Walking Dead"!!!  lol) ... but I found the entire cast completely engaging ... another show cancelled recently before it was allowed to reach its true potential was "The Imposters" ... check that one out on Apple TV if you haven't already seen it.  Lots of fun.  (kk) 

Author Mark Bego caught up with Debbie Gibson on the Mix Tape Tour in Phoenix this week. Gibson has a recipe in Bego’s Eat Like A Rock Star (Skyhorse) book and Bego did Gibson’s biography, Between The Lines in 1989.


And, speaking of books ... 

Kent, 
You wrote:  "I once again have to mention Sam Tallerico’s book “Who Did You Say Your Father Was” a very interesting tale of Sam’s investigation into his own parentage … only to discover that in all likelihood his father is none other than the incredible Bobby Darin."
Am I reading the price here right . . . ?!
From AMAZON.com ~~~

==========================================================================================================

899.99.JPG
.     Over 1 Million Satisfied Customers. 

==========================================================================================================  
$899.99 times One Million equals  $899,990,000.00!
OK, THAT can't be right! 
CB
Say what?!?!?I’ll sell you my copy for $500! (kk)
Lol. And I bet at your price, you'd also even give me free overnight shipping!!
I'd really like to get my $4.99 for shipping ... but if that what it takes to make this happen, ok.  (kk)
Ha ... ha ... thanks!  
I asked Sam if he was aware that his book was selling for $900 on Amazon.  (Well, it's not actually SELLING for that price ... it's just ADVERTISED for that price ... I can't imagine anyone crazy enough to actually PAY it!!!)
Here's what he told me ... 
Hiya Kent,
That is hysterical about the $899! There should be a decimal point in there somewhere. And I'd probably still only see my $1.74 royalty or whatever.
FYI, I pulled the book from distribution back in March, with the intention of reissuing it with the part about DNA and all that's transpired since, but ... I decided the original was a testament about what happened before that time, so I allowed it to be reissued as written ... BUT then the publisher said it would take 6 - 8 weeks for the book to be available again through third party vendors like Amazon, Barnes & Noble, etc. ...to wit, someone who ordered it in March told me they STILL have not received it through Amazon... sigh...but the publisher Lulu says it's available from via THEIR platform NOW, though without free shipping, and Lulu's standard turnaround time which I think is a couple weeks. I really do need to make the online version available too, though, like I've said, I wrote it for a select few, not expecting it to have a shelf life beyond who's already read it.
Which prompts me to thank you, Kent, for your kind words about "Who Did You Say Your Father Was?" available at www.lulu.com. Since the book's publication in 2016, I've gotten DNA confirmation that Bobby Darin was indeed my biological father, thanks to the websites 23andme and Ancestry. What's really cool for Darin fans is that these sites could finally solve the long-held mystery of Bobby Darin's own paternity, something he desperately wanted to know. Hmm ... I smell a sequel ... "Who Did You Say Your GRANDfather Was?"
Meanwhile, I cannot help but wonder ... Wow!!!  What's this seller gonna do, come to my house and steal my proof copies?? Or maybe he / she bought their own copy and thought it was worth that much. LOL
Either way, I will only see $1.92 (just checked the actual amount of my revenue per copy)
Thanks for the head-scratcher.
And, thanks again, Kent, for the plug, but more importantly, for keeping Forgotten Hits a must-read! (PS Love the 1969 surveys!!!) 
As for an update, I am back in New York ... sold our Manhattan apartment (the closing is Thursday, yikes!) Upstate house on the market, moving elsewhere in July, regardless, so geez, no wonder I haven't gotten around to doing anything about my book! 
And yes, I HAVE read Connie Francis' Yellow Pages size tome! I absolutely loved her style of writing ... pulls no punches ... but honestly, the size and glossy pages made it an ordeal. Yet I finished it. I had to wonder how much of her recollections were embellished. I missed a public appearance by her in Florida by just a couple weeks this March. Damn. 
I actually wanted to write something about the Motown 60th Anniversary GRAMMY salute that aired on CBS a few weeks ago, too. I didn't expect much, given previous similar specials, but this one was better than I feared. What WAS shown was enjoyable -- Smokey Robinson and Stevie Wonder still sounding great, even though there was a bit too much of them at the expense of The Temptations and Four Tops, most notably. If you knew nothing about Motown, you might have been left with the impression that the label was all about Smokey and Stevie, and oh, yeah, some other people made records for the label, too. Why were acts like The Commodores, Gladys Knight and the Pips, and Jr. Walker & The All-Stars given such short shrift, when they, and so many others, were instrumental to Motown's success? Speaking of instrumentals, why no shout out to The Funk Brothers?? There was a nice discussion about the songwriters; how fab was it to see Holland - Dozier - Holland! But were any of Mickey Stevenson's songs mentioned (quick, name ONE) and did Nickolas Ashford's name even come up in the conversation?? 
The grande dame of Motown's serenade to Berry Gordy was sweet, but come on, Motown was hardly God's gift to movie soundtracks. When people think 'Diana Ross,' they most likely think "Baby Love," not "My Man." Kudos also to Mary Wilson for being brave enough to sit through the Diana segment that pretty much glossed over The Supremes. And no, of course, there was no mention of Jean Terrell. 
Also there was no mention in the In Memoriam section of ... Bobby Darin, who was on the label from 1971 until his death in 1973.
Curious to hear your take on the special. Will be anxious to read YOUR take on the Motown 60 special, if you indeed saw it.
And for the record, I was one of those readers who was starting to panic when I wasn't seeing anything new in the Forgotten Hits blog for a couple days. Glad to know all is well in your world.  I know your followers are very interested in all the stuff you write about ... I know that *I* am!
Best,
Sam Tallerico
Thanks for the reciprocal kind words.
(Too bad you don't have a couple hundred extra copies of your book lying around ... we could corner the market, selling them for $250!!!)  Of course, it wouldn't be ethical for YOU to do such a thing ... but I'm perfectly happy to be your middle man on this whole thing ... take in the orders while you discreetly ship the packages from an untraceable location ... and all for just 25% of the take!!!  (Yeah, I know ... I've been watching too many spy thrillers lately!)
We actually DID a very brief review of the Motown Grammy Special shortly after it aired ... I, too, was very pleasantly surprised by how good it was ... but also disappointed by what was left out and/or glossed over.
You can read our review below ... 
I watched the Motown 60 Grammy special, celebrating Motown’s 60 year anniversary.  More tribute performances than actual Motown stars this time around … not quite like the phenomenal Motown 25 television special of several years ago.  Too many of these great stars have left us.
Things kicked off to a rousing start with Stevie Wonder (looking somewhat unrecognizable) doing “Sir Duke” and Berry Gordy and Smokey Robinson telling the story about Motown’s first #1million-selling hit, “Shop Around,” which Smokey then performed with Pentatonix.  Meghan Trainor also did a note-for-note, letter perfect reading of The Supremes’ “You Can’t Hurry Love” which was segued into the original where you literally couldn’t tell the difference from where one version stopped and the other one began.  That whole controversial J-Lo sequence that aired several months ago was repeated as was a beautiful tribute to Marvin Gaye performed by John Legend.  (I will admit to never having been much of a John Legend fan in the past … but his last several televised performances … including “Jesus Christ, Superstar” … have completely blown me away.  This is one VERY talented dude!)
Two emotional highlights for me were Stevie Wonder performing “Never Dreamed You’d Leave In Summer” as a tribute to his late, first wife Syreeta, and Diana Ross performing a “Lady Sings The Blues” medley face to face with Berry Gordy himself … VERY moving.
Catch it On Demand if you can … or watch for the inevitable DVD release.  Although about half the show dragged, it is still well worth checking out.  (kk) 

Hey Kent:
Thank You for posting the late 50's 'Buddy Holly' sound, Mp3 for "Pretty Blue Eyes, Pretty Blues Eyes."
I have had some really great feedback, including some from Buddy Holly's Niece. 
The UK responded with:  "Loved the song. It really has The 'Buddy Holly' vibe."
A 50's Drummer offered:  "Really liked The Mp3, and felt that it really channeled 'Buddy Holly'." 
A 50's Historian:  "Pretty nice. Will you be recording this?" 
Please take the time and listen to the lyrics / song Mp3, and provide your detailed thoughts, comments. 
'Keeping you in The Loop'!!!
Kindest Regards, 
L J Coon
You can scroll back to The Friday Flash (May 24th) to hear LJ's demo in Forgotten Hits.  (kk)

Kent -
Summer is coming and as always I check out various sites to see what playing for free or small donations at the Fests.  Keep in mind your favorites could be playing other places so check out their websites, too.
So without further ado ...
Ides of March 8/9  Elmwood Park at 3 pm
Also 9/21 at Berwyn Octoberfest at 8pm
the Buckinhams July 25 at 7:30 in Addison IL
Here is a great double bill! The Shadows of Knight with The New Colony 6 in Addison, starts at 6:30 on August 1st
When I looked at the Addison web site, there is a lot going on.  Other great groups include Sha Na Na, Los Lonely Boys, and others so be sure to check out the web site www.ithappensinaddison.com to see more.
Also, Elk Grove Village has some great shows ... see below ... 
We are pleased to announce our 2019 lineup for the 11th annual “Unity Within the Community” Mid-Summer Classics Concert Series:
Thursday, July 4 at 7:30 p.m. - Melissa Etheridge
Tuesday, July 9 at 7:30 p.m. - Boz Scaggs
Tuesday, July 16 at 7:30 p.m. - Commodores
Tuesday, July 23 at 7:30 p.m. – Wynonna & the Big Noise
Tuesday, July 30 at 7:30 p.m. -Night Ranger
Check out their web site for further info
Here is one I am all excited about ...
Hillside, IL - August 20th - The Cryan Shames! 7:30 
It will be great to see Toad, the one and only Tom Doody, and Hook, Jim Pilster, team up and perform all their classics ... not to be missed!
Skokie, IL's Backyard Bash has a little more current line-up featuring the Smithereens with Marshall Crenshaw singing at 8:30 and Material Issue at 6:45 Friday, August 23rd. On the 24th, War appears at 8:30
Some great shows, Kent, I can't wait!
Mike DeMartino 

DIGGIN' FORGOTTEN HITS:
I just discovered and read your blog on 5/26/19. It is an AWESOME blog and website. I'm sorry I didn't discover this sooner ... but better late than never. 
Thank you so much. It is great reading. 
This is Rockin' Bob from FairLawn, NJ. 
Have a great day and a great Memorial Day! 
Bob "The Song Man" Marshello 
Thanks, Bob!  You've got a lot of catching up to do ... so I'll leave you to it!
And we have a whole 'nother page ready for you to explore, too ...
Be sure to check out ... www.forgottenhits.com ... for more great oldies information and insight!  (kk)  

I dig your web site the most!
Rick Bloom
Beatlemania
New York City
Thanks, Rick!  (Were you in the touring company of "Beatlemania"?  I saw the show here in Chicago probably a couple of years after this shot from 1978.)
The Fab Four have also been using our site for promotion purposes.  (Hey, that's what we're here for!!!) 
Keep watching these pages for your chance to win free tickets to see them when they appear at The Arcada Theatre on November 1st!  (kk)
 
 

Concert Review: Deacon Blues

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I have been hearing nothing but great things about Deacon Blues for the past several years ... but Sunday Night (May 26th) was the first chance I had to see them ... and I was really looking forward to the experience.

"America's Premier Steely Dan Tribute Band" ... "boasting up to a dozen players and singers on stage to ensure the sound is accurately and faithfully reproduced" ... "better than the real thing" ... and so on.  As such, after all these accolades, we were expecting a lot.

And when the twelve members took the VERY cramped and crowded stage at The City Winery Sunday Night, we prepared ourselves to be blown away.  Sadly, by the time it was all over, we were rather underwhelmed.

It's not that they weren't good ... as musicians, they were able to reproduce some of the most intricate and complicated music every created within the confines of classic rock.  Steely Dan's inventive and original blend of rock, soul and jazz established them in a class by themselves ... and hits like "Do It Again" (#6, 1972), "Reeling In The Years"#6, 1973), "Show Biz Kids" (#30, 1973), "Rikki Don't Lose That Number" (#3, 1974), "Black Friday" (#31, 1975), "Peg" (#8, 1977), "Deacon Blues" (#17, 1978), "FM" (#22, 1978), "Josie" (#21, 1978), "Hey Nineteen" (#10, 1980) and "Time Out Of Mind" (#22, 1981) stood out from everything else being played on the radio at the time due to their distinctly unique sound.

No, in this area, they accomplished exactly what they set out to do.

It's just that their presentation was hampered by the worst of all possible elements ... 

Their band leader (and Deacon Blues founder) Steve Kikoen, appears to be one of those obsessive, compulsive, controlling perfectionists whose antics on stage take all of the enjoyment out of watching the group perform.  Kikoen seemed FAR more concerned all night with what HE was hearing in the monitors than what the audience was experiencing in their seats ... which was the usual great City Winery sound we've all come to expect at this fine venue.  (Don't get me wrong ... good sound in the monitors is a key essential to every performance ... but once they've been set, they don't need to be tweaked and manipulated again and again and again all night long ... move on!!!)

This annoying obsession, coupled with his unending need to narrate nearly every song along the way, made for an excruciating listener experience.  In fact, he became such a distraction that we lost interest in what the rest of the band was doing ... which is a real shame, as this was a fine group of players paying tribute to an artist that clearly means a great deal to them.

When the guy calling all the shots becomes the band's weakest link, it presents a virtually impossible situation ... there's not much the other players can really do to improve the overall experience as their hands are tied based on creating the performance being dictated to them.

In all fairness, they don't really sound like Steely Dan vocally ... neither Kikoen or keyboardist Tom Linsk "imitate" the vocal styling of Donald Fagan ... and once again this proved to be a bit of a distraction as most of Steven's vocals were just beyond the range of his comfort zone ... he had to stretch to hit nearly every note (and fell short numerous times), causing more awkwardness in their presentation.

I will say that he is a pretty fine guitarist, however ... if anything, it was the simple stuff that tripped him up ... he handled the complicated material with ease.  (Makes me wonder how much better the band might sound if Steve just concentrated on his guitar licks and they added a second male lead vocalist who could also augment the three female background singers on all of the other material ... do they really need THREE female background vocalists or might the addition of a strong male lead make all the difference necessary to put these guys back on track?)

There is no doubt in my mind that Kikoen has great love and affection for this material ... and he seems to have befriended numerous Grammy-winning musicians along the way to help him realize his dream on stage each night ... even earning the praise of Donald Fagan himself, a true feather in his cap.  And the local press has been VERY kind in their accounts of a typical Deacon Blues performance ... so maybe he was just having an off night vocally ... but seriously, dude, you've got to tone down the control thing a little bit ... it greatly diminishes your original vision and sucks a lot of the enjoyment out of the whole live experience.  Don't distract the audience to the point that they can no longer enjoy and appreciate everything else that is going on around them.

You've put together an INCREDIBLY strong band to represent this material ... play these tunes with confidence ... and try to enjoy the show a little bit more instead of nit-picking every single detail and nuance ... trust me ... you'll have a MUCH better time ... and so will your audience.

This same line-up of musicians also partake in six other "cover / tribute" bands, including the material of The Talking Heads and, recently, The Pretenders ... but Deacon Blues is their bread and butter ... and THIS is the act that folks want to come out and see.  Embrace that love and enjoy the ride.  Seriously, you'll be a much happier person once you do!   (And you'll win me over for a favorable review, too!)
kk
Kent Kotal
Forgotten Hits 

Watch for Deacon Blues performances throughout the summer ... they will return to The Arcada Theatre on ... of all dates ... BLACK FRIDAY (the day after Thanksgiving) ... check them out if you get a chance.

And Steve, this psycho-analysis session comes at absolutely no charge ... consider it a healthy dose of constructive criticism offered with only the very best of intentions.  That being said, knock my socks off the next time we see you!   (kk)

Thursday This And That

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Very special thanks to Lou Christie, who sent us a beautiful wine glass set (for absolutely no reason at all ... other than the fact that he's just an INCREDIBLY nice guy, who really appreciates his fans and his supporters!) along with a beautiful hand-written card that says "Cheers!  Thanks for helping to keep our music alive.  Lou Christie."

There are so many of our favorite artists from the '60's and '70's out there still making it happen ... and we tip our collective hats to you for bringing it home night after night.  I have met SO many nice, appreciative artists over the years, thanks to Forgotten Hits, and Lou Christie's right up there at the top of the list.  Thank you, Lou ... not only for the glasses (which Frannie insisted we try out IMMEDIATELY!!!), but for all the great music and memories, too!  We love ya!  (kk)

I have seen Deacon Blues several times and always enjoyed their tribute to Steely Dan.  It is always delivered with the utmost respect.  (To quote Bob Stroud, "This isn't 'Louie Louie' they're playing here ... it's STEELY DAN!!!")
I can only suspect that you caught Steven on a bad night as he has always been spot-on whenever we've seen them.
(You were a bit harsh on him, don't you think?)
I would encourage you to check them out again.  I do not think you'll be disappointed.
Lou

Believe me, I was expecting the very best, based on all the great things I've heard over the years ... but I cannot emphasize enough how distracting it was watching Steve carry on his own agenda while the rest of the band was playing their hearts out.  It literally ruined the show for us.  But this is a solvable problem, which is why I offer the advise as constructive criticism ... I'm not going to tear down ANY artist just for the sake of tearing them down.
I say analyze  your show ... talk to your fellow band members and most faithful followers ... discuss the points I've taken issue with and see if just maybe there's some room for improvement that would make the experience far more enjoyable for all parties concerned.  'Cause honestly, it was PAINFUL!!!  (kk)

The thing I love most about Forgotten Hits is the fact that you tell it like it is.  You are not going to patronize an artist ... you are ALWAYS going to call 'em as you see 'em.
I love Deacon Blues ... have been following them for years ... but your points are well taken and I have noticed some of these issues, too.
That being said, I would NEVER have the balls to point them out!  (lol)  But that's what we've got you for.  Forgotten Hits has ALWAYS put the music fans first ... and your knowledge and insight seems to be right on the money more often than not.
So I thank you for your candor and your honesty.  It is exactly what we have come to expect from your publication.  Don't ever change.
Rick
We will ALWAYS call 'em as we see 'em ... and that's a promise!  But NEVER without at least SOME attempt to offer ways to improve these weaknesses. Deacon Blues is a very popular attraction here in Chicago and my hope is that when we see them again I can write a far more positive review after enjoying a far more pleasurable experience.  (kk) 

kk ...
Another death to report.
Preston Epps has passed.
Frank B.
Preston Epps scored two Top 50 National Hits in the late '50s / early '60's, first with "Bongo Rock," which peaked at #13 in Music Vendor (#14 Billboard) and then with "Bongo Bongo Bongo," which just missed The Top 40, peaking at #41 in Music Vendor (and #78 in Billboard.)
HI KENT! 
Got some cool stuff for ya! 
THE BOX TOPS  "outa the box" Newsline
BIG! ... 
CITY WINERY NASHVILLE ... BOX TOPS IN CONCERT, AUG 30
BIGGER! ...
2020 ... Florida MINI TOUR with HERMAN'S HERMITS, STARRING PETER NOONE, with special guests THE BOX TOPS!
JAN 30 - Barbara Mann Center - FT MYERS, FL
FEB 1 - CAROLE AND BARRY KAYE Auditorium in BOCA RATON
FEB 7 - Thrasher Horne Center - Jacksonville, FL 
FEB 8 - Peabody Auditorium - Daytona Beach
(on tour with my old boss, Peter Noone ... it's gonna be fun hangin' with them!)
BIGGEST! ...
AUG 31 - SEPT 1 - TEXAS INTERNATIONAL POP FESTIVAL -  50th ANNIVERSARY
We play on SEPT 1 at 7 pm ...
Othert acts performing for this very special event include ZZ TOP, CHICAGO, GRAND FUNK RAILROAD, EDGAR WINTER,
JOHN MAYALL AND MORE!
Thanks!
RICK
Congratulations to all the guys!  Job well done!
Keep me posted on the City Winery gig ... quite often they coordinate their own tour, having the performing artists make the rounds and do shows at all their locations.  Who knows ... you just may be headed back to Chicago sooner than you think!  (kk) 
While mowing for the second time this weekend yesterday (this weather has GOT to stop!!), I had my MP3 player on and on came two faves ... "Taxi" and "Hold Me With Your Eyes" ... and that made me wonder ... 
WHAT IF ... Harry Chapin was still alive?  
After he re-wrote his classic 1972 song "Taxi" as "Sequel" in 1981, he would be a shoe in to rewrite it again today as "Uber"!!!

"It was rainin' hard on Lake Shore,
He needed one more fare, then call it a night.
He pulled up to Grant Park and
Kent got in at the light.

It took awhile but he glanced at the
license and my name.
He said,
"HEY, You're RONNIE RICE!!"
OK, so it needs work, right?

The other was ... 

WHAT IF ... a certain WLS DJ had flipped the NC6's "I Will Always Think About You" over and said THIS side is the side to play:  "Hold Me With Your Eyes"?  Would Ronnie have been a star for the band if that had happened?  I am glad it didn't, but what a GREAT A side it could have been!!!
I guess I missed a few spots on my lawn so I will have to go back out again!!!
Clark Besch   

Kent: 
Many thank you's so much for running the photo of Debbie Gibson and I in "Forgotten Hits."  
It was great to catch up with Debbie, and that was without a doubt the best concert I have seen in a long time!  It was two and a half hours of non-stop hits, seamlessly presented.  
New Kids On The Block came out of the stage floor to a massive ovation, and the music from that point forward was endless.  After presenting several of their hits, the stage lights went down and, at the other end of the arena, a different stage came to life, and there was Debbie singing and dancing to several of her own hits, on a circular platform that looked like a giant CD.  Then the same occurred with Tiffany, Salt 'n' Pepa, and Naughty By Nature, each alternating with NKOTB.  What a great evening, embellished with confetti guns, streamers, pyrotechnics, and special effects galore.  
If you can catch one of the shows during this current "Mixtape" tour, it is a journey through some of the most memorable music of the '80s and '90s.  To see and hear Debbie Gibson singing a duet version of her hit "Lost in Your Eyes" with NKOTB's Joey McIntyre was a real highlight.  And, to think that I first met her when she was 16, and singing at The Roxy roller rink.  You go Debbie!  
What an evening of brilliant fun!  Coming to a town near you.
Cheers,
Mark 
kk ... 
I like THIS --- 
Haven't made up my mind about THAT.
QUESTION #1 = You were talking about the high price of Sam's book. I was wondering --- Sam, is that an autographed copy or is it extra for your autograph?
Kent, Since you're the middle man, you should know.
QUESTION # 2 = Kent ...
How did you come up with #3333 for your countdown? 
Why not #2222 or #1111, or maybe #4444?
FB
First of all, if you'll pay $899 for a copy of Sam's book, I think we'd BOTH sign it for you!!! (lol)
As for The Essential 3333 Classic Rock tracks, it's because Classic Rock was born when the LP became the music vehicle of choice in the late '60's ... 
And since LP's played at 33 1/3 RPM's, I just figured the Top 33-Hundred ... plus and extra third would give us the Top 3333.  (Now I know that some of you out there will argue that an extra third would have made the count 4444, but I was basing my math on "hundreds" ... so 33-Hundred plus a third of the next hundred.  And I stand by that argument because it is a well-documented fact that at least five out of three people have problems with math.)  kk

VIDEO OF THE WEEK:
Chuck Buell sent us this one ... and it's a keeper!
I'm still not really clear what it even is that they're advertising ... but this clip along with Satchmo's vocal made my day the other day.  Enjoy!



Chuck also sent us this closing smile ... (which many of us computer-challenged participants can relate to!)  kk


June 2nd

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The Beatles remain on top for the fourth consecutive week with "Get Back" ... while Creedence Clearwater Revival makes a serious bid to overtake it on next week's chart by leaping from #13 all the way to #3.

Also new in The Top Ten this week is Henry Mancini's "Love Theme from 'Romeo and Juliet'," which climbs from #20 to #9.

Elvis is back in The Top Five for the first time on WLS since 1964 when "Ask Me" reached that peak at the end of the year ... and "Good Morning Starshine" looks like another bonafide hit from the musical "Hair" as Oliver's first chart single leaps from #32 to #18.

Jr. Walker and the All-Stars have this week's highest chart debut with "What Does It Take," which premiers at #33.  Also back on the chart this week are Blood, Sweat and Tears with their latest ... "Spinning Wheel" premiers at #37.



This Week in 1969:  
May 28th– Mick Jagger and Marianne Faithfull are arrested at their London home for possession of cannabis.

Also on this date, The Beatles strike an identical pose to their debut LP, "Please Please Me" for an album cover photo session.  The original plan was for this to grace the cover of their new LP, then called "Get Back" (which makes perfect sense when one considers the concept.)  The release of this album, however, would be delayed for nearly a year, during which time the LP title would be changed to "Let It Be."  These awesome photos would not see the light of day until 1973 when Capitol Records and Apple Records released the very first Beatles' Greatest Hits packages, 1962 - 1966 (the red album) and 1967 - 1970 (the blue album.) Still it was a brilliant idea.  (Remember when, in 1967 after "Sgt. Pepper" the Fabs all donned their collarless suits for a clip that would be included in the "Hello Goodbye" video?)  I think they never really lost sight of where they came from and just how fortunate they were.  (Another example would be Paul singing "She Loves You, Yeah, Yeah, Yeah" during the fade out of "All You Need Is Love.")  By the early '70's, even John Lennon, when living in New York and endorsing Beatlefest, said "I'm a Beatles Fan, too!"



May 30th - The Rolling Stones record "Honky Tonk Women" in an all-night recording session, the first to feature their new guitarist, Mick Taylor. 


June 1st - Smokey Robinson and the Miracles sing "Doggone Right" and "Abraham, Martin & John," Lesley Gore performs "I Could Have Danced All Night" and "A Natural Woman" medley and Mason Williams performs "Major Thang" and  "Greensleeves" on The Ed Sullivan Show.

ROCKET MAN Review

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To describe the new Elton John "Rocket Man" movie as a biopic is a bit of a misnomer ...

In reality it is more of a two hour fantasy, providing the vehicle to air at least two dozen of Elton's best known hits against what almost feels like a dream sequence backdrop.

If you're looking for the back story of Elton's life and meteoric rise to fame and want to come away with any sense of reality in this regard, you'll have to wait as that movie hasn't been made yet.

Instead we get completely out of sequence events delivered in total disregard of any timeline, rhyme or reason, simply to showcase the music.

Taron Egerton does a creditable job of portraying the superstar ... but I think Elton postponing the New Zealand leg of his farewell tour so that he would be free to attend next year's Academy Awards Ceremony in the hopes of experiencing another "Bohemian Rhapsody" coup are both a bit premature ... and unnecessary.  (Even in some of the sub-categories, I cannot help but wonder how, for example, this film might be up for Best Costume Design, which I believe it most certainly will be, when, in fact, it simply recreates the outfits Elton actually wore, which were designed by somebody else!)

I will also say that Egerton does a fairly decent job of handling all of his own vocals in the film ... which is not an easy thing to do, as we learned several years ago when all of the American Idol contestants had to do an Elton John song and NONE of them were able to capture the magic or excitement of these tunes.  The general consensus that night was that Elton's music was essentially Elton's music alone.

Honestly, I was quite disappointed with the whole affair (and if viewers were put off by the hint of Freddie Mercury's homosexuality in the Queen film, we can expect some full blown outrage at the way Elton's sexual preferences are addressed in this film.  In fact, there has already been quite a bit of controversy about several scenes having been edited again in foreign countries who still consider this type of behavior taboo.)  Incredibly, one MAJOR event in this regard to Elton's career isn't discussed at all.

When Elton John came out, of his own choosing, he did so in Rolling Stone Magazine and described himself as bisexual, making major headlines around the world.  Coming at the absolute peak of his popularity in the '70's, most predicted it was the equivalent of career suicide at the time ... yet this key event wasn't mentioned at all in the film ... suggesting instead that Elton "may want to speak to his parents so that they would know what to say if they were ever asked about his sexuality" ... when, in fact, he orchestrated the whole announcement himself.  

But it's the timeline discrepancies and lies that are the most annoying, bordering on ludicrous at times.

Elton John did NOT take his last name as a tribute to John Lennon ... it has been documented since the earliest days of his career that he morphed from Reginald Dwight to Elton John as a tribute to his Bluesology bandmades Elton Dean and British blues legend, Long John Baldry.  While Elton and Lennon became close friends in later years (even appearing on each other's hit records), the insinuation that Lennon was the inspiration for John's name change is completely bogus.  The fact that Elton himself would sign off on this full-on fallacy as Executive Producer is quite disheartening.

Also, contrary to what the film would have you believe, he did NOT perform "Crocodile Rock" as part of his breakthrough show at LA's Troubadour ... he wouldn't even write that song until a good two years later.  And while this was considered a landmark performance (released as a live album shortly thereafter) he did NOT levitate the crowd that night (although there are a number of people who were there that night who still claim that he did!)

Most ridiculous was the showing of lyrics and music to songs written with Bernie Taupin BEFORE he'd even met the man in the movie's timeline.  (For example, he auditions for Dick James in 1967 with "Daniel," a song that wouldn't be written for another six years ... and even does a bit of "I Guess That's Why They Call It The Blues," a tune he and Bernie wouldn't write until 1983!!!  "Candle In The Wind" is also given a quick showcase.)   

Hopefully, some will come away from the film with a greater appreciation of Bernie Taupin's contribution to the Elton John success story ... but even in this regard one has to keep in mind that Bernie wrote the lyrics first and Elton added his music to them later ... far too many times during the film these lyrics are used to illustrate a particular moment in Elton's life, which rarely was the case ... and, quite honestly, it all feels a bit too Mamma Mia-ish in this regard ... queuing up each song to fit a particular scene.)  Nearly every song is performed as its own music video, too, which gets to be a bit redundant after awhile.  (I've since heard several comparisons made between "Rocket Man" and "Moulin Rouge," which is another film I didn't particularly care for ... and it certainly does seem to evoke that same type of vibe from time to time.)

The danger with a film like this is that it promotes a completely bogus reality for the most casual fan ... and a completely distorted history for anyone discovering this music for the very first time.  (Forgotten Hits has worked long and hard for the past twenty years to always present "the most accurate truth" ... this film seems hell-bent on the exact opposite! ... so there's no way I could EVER sign off on this!)

As such, it's a very disjointed affair ... covering some of the highlights along the way but stopping at the point that Elton checked into rehab and finally got himself clean, orchestrated visually, of course, by his performance of "I'm Still Standing."  (How totally predictable!)  Actually, the film STARTS with Elton in rehab and then tells its story by way of Elton looking back over his personal highs and lows.  (Would it be nit-picking if I told you that "I'm Still Standing" was released in 1983 ... and that Elton didn't REALLY finish rehab until 1990?  That's why at the end of the film they show Elton as being "sober for 28 years."  But hey, what's one more lie for the sake of another musical tie-in?)  

Ironically, Elton's first big US Hit "Your Song" was also featured in the film "Moulin Rouge" ... and the moment that it is revealed in "Rocket Man" is, without question, the most powerful, emotionally charged scene in the entire movie.  (I literally had tears in my eyes and couldn't breathe for a moment.)

Taken out of context as shown below, it doesn't have quite the same impact ... but these exceptional three minutes almost make up for the other 118 that are borderline entertaining as best.



My score on a scale of 1-10:  3 1/2 

(That being said, I think this is a film that I may want to see again in two or three months.  Knowing now in advance what to expect, I may appreciate it more for what it really is ... but I was absolutely blindsided on first view as I was expecting a much more traditional biopic as advertised ... and I'm sure this contributed greatly to my overall disappointment.  However, YOU are now forewarned as to what to expect ... so hopefully you can enjoy and appreciate the movie more for what it really is rather than go into the theater filled with false expectations as I was.  I hope to share in that enjoyment a few months from now when it will likely be available on home video ... and I give it a second chance.)  
kk
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